so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!
with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:
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His heart belongs to another
And no other heart will do
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Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.
Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.
Mikey being paired up with Meatsweats? Yeah that checks out!!
Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…
And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????
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last night i got home kind of tipsy and very much in tears and my mother told me the force you exert to keep someone in your life is proportional to the force with which they will leave your life. if you have to fight tooth and claw to keep them, their leaving will be just as hard, just as harsh, and just as definite.
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LOVE how Alice tells Sam he can't stay in the past while bringing him his favorite coffee and a pastry and high-key flirting with him. Like, sure, don't live in the past. Sure.
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We don't envision season 5 right when we talk because what is that actually gonna be like? This isn't a romcom. Mike finds out about the painting but Will is like throwing up blood and slugs in the corner.
edit: to clarify I wasn't saying "no time for romance" I was saying "it's horror show with raises stakes and angst. Mike will have to figure out how to bring up this truth bomb he discovered when more important things are clearly going on and there aren't the most conversational opportunities". I mean MORE juice, not less.
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a detective who has a partner🔍 and a partner💕 who are friends so the three of them end up doing a lof things together and the detective refers to them as "my partners" and doesn't realise this makes everyone think they're polyamorous (they do end up polyamorous by the end of the story)
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it’s a small thing, but while I was working on the Transmogrification Explained Part 2 I caught something that I thought was interesting enough to share.
At this point (see below) at the end of the finale, after the ceremony, all the housemates go into the fancy room and Nandor says something about playing Parcheesi right before he takes a brief moment to comfort Guillermo the tiniest bit.
Right afterwards however, instead of doing as he said he would and follow everyone else into the fancy room, he heads right, down the hallway, most likely going straight to his room.
All the nonchalance and dismissal and ‘hey, let's pretend everything is fine and back to normal now!’ talk is a feint. Nandor doesn’t go into the fancy room to take comfort with the group and deny that anything important happened, and since he told Guillermo to clean up Derek before sunrise (something I thought was odd at the time because why would it matter if Guillermo left it until sunrise when everyone would be asleep anyways), he knows Guillermo won’t follow him.
Nandor is choosing to be alone after all this. It’s a very neat little character bit that is easily overlooked within the noise of the episode. While the tone at the end of the ceremony looks like everyone is moving back to square one and blatantly ignoring the seriousness of the situation to do something as banal as a board game, the actual actions of the characters show that there really is devastation amongst them. Guillermo’s obvious, but Nandor’s is hidden with a line that distracts us from noticing that he actually retreats from everyone and hides away.
It really makes me wonder what Nandor did after everything. Used the time to get himself ready for bed so Guillermo couldn’t wouldn’t have to do it when he got back? Sulked? Had a tantrum? Went into his treasure room to read Guillermo’s thank you card again and again?
oh and another little thing: Guillermo and Nandor are the only ones who still have their robes on after the ceremony, and actually end the scene still in them. All the other characters almost immediately took them off after the lights went on.
having them the only two that still wear the robes feels so significant to me. like they’re still in this ritual between them. Or, if the bondage rope part of it comes into play, they are still tied to each other. There’s definitely something to be read here, with both Nandor keeping the rope-cape on and pretending like he was going to follow the others but going to his room instead. Whatever it is, one thing’s for certain to me: Nandor is Not Okay after the ceremony.
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”
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So I'm well aware this is probably a case of "it isn't that deep" but I love looking at all the fiddly little accessories and bits and bobs of Hoyo designs and trying to justify them. Sampo's is particularly funny, because. What even is all that dkkxjdkd
His outfit has so many straps wrapped around him, like they're restraining or holding something in to keep it from bursting at the seams, and not all of them look like they're even connected to anything! But I'd like to think they are useful in certain situations, like if Sampo takes a hit out in the Fragmentum from one of the monsters.
He's hurt, his arm is bleeding, but he is ALMOST done, he just needs a couple more things to fulfill his quota to Natasha and he doesn't want to turn around and go back now. So Sampo frees a strap from his shirt, winds it around his arm above the cut, pulls it tight with his free hand and his teeth. He'll treat it properly in a minute, once he's done scavenging.
There's also the strange chains that resemble snake spines. Given how they're way longer in his splash art and the way they wind around-
I'd like to think they can extend somehow, and Sampo can use them to scale heights. Firefly clocks him as a covert fighter without even being within 20 feet of him, so it would make sense for Sampo to have ways to get around that don't involve usual/obvious methods, like stairs. Think assassin skill sets.
He's also the only one known to be able to get between the Underground and the overworld, and while he's pretty tight-lipped about his method, having some sort of device to help traverse vertical heights is probably insanely helpful there.
And the little metal ornaments across the backs of his wrists! You can see it a bit better in his reference sheet (everyone say thanks @/dragaliareferencearchive!) as opposed to his splash art-
they aren't flat, they stick up a bit off his arms. And so I wonder if Gepard has ever gone to arrest Sampo, and found that they interfere with his handcuffs haha
The ornaments don't match, the one on his right wrist is actually shorter and doesn't extend down to the back of his hand. Which probably doesn't make it nearly as annoying for handcuffs as the left one, but it would make sense for Sampo to have them like that, since he seems to be right-handed! I think a certain proficiency in being ambidextrous is necessary to dual wield daggers like he does, but. Sampo uses his right hand to
hold his blade in his splash art
throw his blade in his skill
play/show off with his dagger in his idle
lob smoke bombs in his technique
cross over his heart when he bows
and to flip his bangs during the cutscene where he saves the trailblazers from Bronya
So a shorter guard on his right hand would help him keep his wrist's flexibility to be able to do all that unimpeded (loving the thought now that Sampo is naturally right-handed and still better with it, but he practiced constantly with his left until he could do things passably ambidextrous).
I also love them because I wonder if they're in the perfect place to help block a hit, along with the chain wrapped around his left forearm.
Like I love the image of a hired killer soundlessly sneaking up behind Sampo in some shady dark alley, knife sloooooowly raising, and then all at once, they strike!
And instead of feeling the blade sink into his back, they get the unpleasant resonating of metal-on-metal shivering up their arm and rattling their bones, because Sampo has turned around at the last second and raised his crossed his arms to let the knife glance off the guards on his wrists.
And the mercenary is left to realize that oh, they are fucked.
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"I hope you told your brother how much you loved him, because you're probably never gonna see him again."
"..."
"Was that too dark?"
"YES!"
"Sorry."
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I just don’t think the truth divides. I think the lie does
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Lost in Translation
I saw this image recently, and instead of hijacking that perfectly good post, I thought it best to write my own.
Because this a very real issue, even when watching a show or movie.
Mostly when it comes to watching queer media that already incorporates a coded language due to the topic.
Many people watching Portrait of a Lady on Fire in another language didn't realize the significance of the final scene between these two because they didn't understand French.
The entire movie, they used the formal form of you basically referring to each other as madam, but at the end, they use informal you, and it shows the intimacy that has developed between them. If you didn't understand French or romance languages, you probably missed it!
It happens often in Asian dramas as well because they use honorifics that don't get translated with the same significance.
These two in Ghost Host, Ghost House skipped over the traditional honorifics and instead opted for you and I. It was important because even when they were fighting, they still saw each other as equals.
This was a big moment in Semantic Error, but if you watched it with just the translation on one streaming platform
You would have missed the urgency of the scene because he finally showed respect for this person and the relationship they had developed.
And often, the translations of colloquialisms (slang or informal language) are literal so context is omitted.
I would pay $$$ for annotated subtitles (like from Viki, depending on the team, Idol Factory does a good job, and Lazy Subber, please come back!) because they explain the context we would miss in the literal translations.
In Thailand black bean is (derogatory) slang for gay sex, so asking if someone wants black beans is coded language.
When Knock asks his girlfriend if she is itchy in Together With Me, if the audience doesn't speak Thai, they understand the flow of the conversation as being logical since Knock's girlfriend just mentioned getting bit by mosquitoes and wanting to go inside. However, the show does a strange sequence that indicates this moment meant something...more.
Because asking if someone is itchy in Thai is asking if they are horny. Knock is asking his girlfriend if she is horny and if that's why she wants to go inside. That's missed in the translation.
This happened in Love Mechanics as well. Vee asks Mark if he wants him to come inside to watch a series. It seems innocent enough, but Mark's reaction is aggressively upset.
It's because this is equivalent to America's Netflix and Chill or Korea's Wanna Eat Ramen?. Vee is asking Mark if he would like to YouTube and Lube. Vee is asking Mark if he wants to have sex! That is missed in the translation.
Big Dragon had this issue with different translations on different streaming platforms in regards to this scene:
Some platforms translated Yai as saying "You're a pain in the ass, really" while others used "You're a pain in the ass, literally." It's a small change, but Mangkorn smiles afterwards because he gets what Yai is saying and is a literal pain in the ass. Yai had to visit a doctor after their first sexual encounter because Mangkorn was so rough it caused Yai pain...in his ass, and they just had sex again.
Language is a cultural tool, so although it incorporates a lot of implied knowledge, it's subtle. If the audience is missing the cultural context, an entire narrative can be easily missed.
This is also the case with intonation aka the rise in pitch when speaking or emphasis on a particular word - Why is this here? vs. Why is this here? - One is asking why this specific item is outside instead of another item, while the second asks why that specific item is outside instead of another location. If we don't know the language, it's hard to decipher when the intonation causes a change in meaning.
So the next time you are watching a series in another language and think the dialogue is lacking, understand it's probably because you don't speak the language. Sometimes the substance is lost in translation.
It's okay, but ask questions, do some research, and try to learn, so the next time someone asks if you want ramen, you can smile and say enthusiastically "YES!"
EDIT - Adding more links from others that show examples:
Extraordinary Attorney Woo - The cat's butler scene
My Engineer - Cool Kid Nickname
English in KinnPorsche as deception
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hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?
hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].
but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.
it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.
and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.
the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.
an emptiness, like you said.
but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.
you're not alone, in this. he's still there, with you, it's just - in the little things.
he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.
but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.
how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.
the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.
think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.
i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.
but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one.
wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.
as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛
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