Tumgik
#i like writing in this format but
that-house · 5 months
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Potion Vendor FAQs:
What’s your name? I am the Honorable Alchemist Zykocea the Radiant, but that’s mostly just a PR thing. My friends call me Zoe.
Do you sell love potions? No.
Do you sell potions of invisibility? No.
Do you sell fire resistance potions? No.
Why do I have a suitcase? Fuck if I know. Cool outfit though. Very goth.
Do you sell a potion to treat brain hemorrhaging? No.
So what CAN your potions do? I sell health potions.
Are you sure these are health potions? They do something to your health.
Is this just ditch water with some pink glitter? No.
Really? I’ll have you know I added some fruit juice too.
Why is this starting to sound like a conversation? Oh just you wait. We’re just getting started.
Is your business model legal? Fuck no. I poisoned the food safety inspector before they could snitch.
Did you just admit to murder? Just fucking try to convict me. I’ll poison the judge too.
So can you make poison potions? No.
Then where do you get the poison? I secrete it from my skin.
Are you shitting me? Yep, I’m shitting you. I have a guy. A poison guy. He DOES secrete it from his skin though.
How does that work? …Fuck if I know. Maybe a wizard did it. Damn, now I’m kinda curious.
You never asked? The idea of asking literally never crossed my mind.
Wanna ask him? Let’s do it. I don’t have anything better to do, and a road trip beats sitting around running my fraudulent potion business.
Road trip? He lives in Seattle.
Your poison guy lives in Seattle? All poison guys live in Seattle.
For real? All the poison guys I know live in Seattle.
And how many poison guys do you know? Just the one.
Why are you like this? Years of living on my potions. It changed me.
Do you know what his address is? Nope. He just mails me my poison in unmarked boxes.
You just get your poison in the mail? We already poisoned everyone who could do anything about it.
So how are we going to find him? We’ll figure that out eventually I’m sure.
Can I drive? God no. You can pick music, but I maintain veto rights. Make sure you pick something with a lot of questions if you want to sing along.
Where’s your car? The garage connects to my house, so you’re getting a little tour. Here’s the kitchen: only one of the stove burners works and I’m pretty sure the microwave is haunted.
Why do you think that? Because of the ghost that tries to kill me whenever I run it.
What’s in that room? That’s my bedroom. It’s pretty much just a mattress on the floor and every single Warrior cats book.
You were a Warriors kid? Yeah, and then I never found the time to put the books away. There’s so many fucking books. I use them in place of furniture because I can’t afford chairs.
Your fraudulent potion business doesn’t make much money? After buying all that poison I just about break even.
Can I see your potion brewing room? It’s right through here. Ignore the mess, running a fraudulent potion business takes a lot of prop work, but I’ve got all the glass tubes and colorful liquids you could ever want. This pink stuff is melted watermelon italian ice. Glitter vat is in the basement, and the famous ditch is in the backyard.
Is this your car? My beloved ‘72 Corolla. She’s beautiful, and don’t you dare imply otherwise.
Was she always this shade of muddy brown? …Yes.
Are you sure I can’t drive? Get in the fucking passenger seat and pick the music.
Let’s see, a song with questions in it, how about The Beach? That Wolf Alice song, yeah. That should work.
When will we three meet again, in thunder, lightning, in rain? Still sink our drinks like every weekend but I’m sick of circling the drain.
When will we meet eye to eye? We clink the glass but we look at the floor.
Are we still friends if all I feel is afraid? You’re not a bitch but just a bit when you’re bored.
Is that all we can sing together? Yep. Even that little bit was nice, though. It’s awkward, communicating through this FAQ format.
Got any food? Yeah, there’s a few days’ worth of snacks in the back.
Were you just… prepared to go on a road trip? Says the woman who brought a suitcase to an FAQ.
I did do that, didn’t I? I have a spare toothbrush in case you forgot yours. I’m pretty sure you did.
How did you know that? …I’m psychic.
Yeah? No.
You love lying, don’t you? I can’t stop. It’s fun. Way more fun than telling the truth.
Did you just miss a turn? Probably.
Are you sure we’re not lost? No.
You mean you’re sure we’re not lost? No, I mean I’m not sure we’re not lost.
Why did I come on this road trip? Surely it was my winning personality.
Would it help if I said it was? It would.
Is it getting dark? Soon.
Can you describe the sunset to me? An empyrean flame, red-gold towers of darkening clouds, the sky behind them an ever-deepening indigo. The great eye of the sun closes on the horizon. The road before us looks like a trail of spilled paint, an iridescent gash through the night-dark woods.
Did you know that you’d make a slightly better poet than you do a potion seller? That really isn’t saying much, huh. Good job making a statement like that in question form, though. You’re getting good at this.
Should we find a motel? Sure.
One room or two? One. It’s way cheaper, and like I said: I’m not the best potion vendor.
You’d make a good assassin, though, wouldn’t you? Shit, you might be right. I HAVE poisoned a lot of people.
Should I be endorsing this? You’re a grown woman who can make her own choices.
Would you like to consider it endorsed? I’ll consider considering it.
How many beds do you think there will be? Now that you’ve asked that, I’m gonna put my money on one. Hello, one room please. Thank you, we’ll be sure to enjoy our stay.
How many beds are there? One.
Oh no, what ever will we do? Move over, you motherfucker, you can’t have the whole bed.
Are you gonna make me? Yes. I am going to pick you up and drop you on your side of the bed.
How did you get so strong? You’re not gonna believe this, but it was the potions.
Oh yeah? I was right. You didn’t believe me.
For real though, how did you get so strong? Working out, duh. Not everything has some big crazy secret behind it. World’s still beautiful though.
Are you comfortable? This beats the mattress at home. A little chilly though.
Wanna cuddle–for warmth of course? God yes.
Are you asleep? …
Yes? …
Does this mean I can talk about you behind your back? …
What should I say? …
Did you know that I had a really nice day? …
Did you know that I think you’re beautiful? …
Did you know that I can’t remember anything from before today? …
Did you know that I don’t know who I am? …
Did you know that you’re basically the only thing stopping me from having a full-blown panic attack about all this shit? …
Did you know that you’re warm? …
Did you sleep well? Better than at home, that’s for sure.
Did you know that you snore? I hope I didn’t keep you up.
Does the pope shit in the woods? No, as far as I can tell. Oh my god. This is huge.
What is? You can give me yes and no answers now. I still can’t ask you questions, because this is a question and answer format, but I can offer leading statements and now you can answer them! This is wonderful!
Does a deer shit in the woods? Yes, it IS wonderful. Oh that’s amazing. You’re a genius.
You didn’t already know that? Hahaha!
Shall we get moving? Yeah, just let me grab something from the vending machine.
Can you get me something? Go ahead and place your order however you can.
You know those sour gummy watermelons? One pack of Sour Patch Watermelons coming right up. I’m gonna go get myself a potion.
Is that a Pepsi? It’s closer to a potion than the shit I sell.
Let me guess, passenger seat again? Right you are.
How fast are we going? You’ll feel safer if you just guess.
Is it more than 120 miles per hour? Like I said, it’s probably better if you don’t know.
150? Sit back, relax, and enjoy the ride.
How much do you trust this car? She hasn’t blown up on me yet.
Can you promise me we won’t crash? I can promise you anything you want.
And can you keep that promise? I- we can do anything. Reality is what we make of it, baby!
Then can I have a badass tattoo? As far as I can tell, you’ve always had it.
And a cool knife? Woah, cool knife.
So, we’re just playing “yes and” with the world? It’s a little more complicated than that, but you’re close enough to the mark.
So, if I was hungry, I could ask “is that a Burger King,” and it would be there? Try it and find out!
Is that a Burger King? Looks like it is! We’ll stop here if that’s alright with you.
Does a moose shit in the woods? Awesome.
Are you done eating? Yep.
Do we still have to pay if we skip over the transaction? Sadly, yes.
How much further do we have to go? Two more nights, the speed we’re going at.
Speaking of night, isn’t it getting dark? Shit, I guess it is.
Should we get another motel? Let me check to see if there’s any nearby. Fuck, nothing.
What’s the plan? Sleep in the car, I guess. This is gonna be hell on my back.
Wanna watch dumb videos on my phone until we fall asleep? There is literally nothing in the world that I would like more.
Ok, now which video? You have a very cute yawn. Just saying. Let’s watch this one next, it’s a classic. Oh, never mind. It looks like you’re asleep. As long as I keep talking, I think I can get away with making this into one answer, and you might not hear this. Now it’s my turn to talk about you behind your back. Keep talking keep talking keep talking can’t stop to think. Just have to say things. First off, I’m sorry for all the lies. It’s our only chance. I have to lie to you. I hope you’ll understand. It’s hard, though, because I think I’m falling in love all over again. Through our broken little ritual of call and response, you complete me. It just makes this hurt all the more. Keep talking keep talking keep talking don’t stop to…
Did I hear you saying anything as I fell asleep? …No. I can’t talk for long without you asking me a question.
Does that bother you? It got me here, didn’t it?
When did you start holding my hand? Some time after you passed out. I hope you don’t mind.
Can we stay like this for a while? Yeah. Yeah we can.
What was your life like before all this? Normal, as potion-brewing scams go. And if you don’t count all the murders. You haven’t told me much about yourself.
Did I tell you I used to be a biologist? You didn’t tell me that, and you didn’t tell me what you studied, either.
What do you know about venom? Not much, but I’m assuming you know a lot.
Does a box jellyfish kill within minutes? I’m going to assume the answer is yes based on context clues. Oh my god you must be on this road trip because you’re interested in studying my poison guy.
Is it not enough to wish to accompany a beautiful stranger on her quest? Aw, you’re sweet.
What could be the cause of his poison, though? I knew it! Get your ideas out, I’ll stay quiet.
I’m more knowledgeable about venom than poison, but could it be some sort of one in a trillion mutation? …
Did he get his body modified? …
What sort of surgery could do that? …
How is he still alive? …
Did a fucking wizard do it? …
WHY? …
HOW? …
Is there literally ANY explanation for why he’s like that? …
I’m done, do you have something you want to say? You’re cute when you’re all excited like that.
Can I drive today? Only because I like you. Now watch out, the brakes only work on one side so you have to kind of drift to a stop. And the headlights don’t work. And the windshield wipers cut power to the engine while they’re on.
Isn’t it weird that we’ll be there tomorrow? The journey doesn’t have to stop there. We could meander down the coast a ways, see a bit more of the country, maybe take a different route back.
Can we do that? Of course.
Enjoying the passenger seat? I’d love it if you could tell me how fast we’re going.
Are you sure you wouldn’t rather just guess? Very funny.
Can you pass me some chips? It would be an honor.
Is there going to be a motel tonight? Let me check… yeah, in about two hundred miles, off to the right.
How many rooms do we want? One, obviously.
How many beds, this time? Two, and they’re fucking tiny.
That’s bullshit, do you want to drag them together? God yes.
Wanna fuck? God yes.
Are you sure you want to do this? God yes.
…Is this yuri? As the joke goes, everything is yuri. But this is more yuri than most things.
How did you sleep? Pretty well, and I’m wondering how well you slept.
How should I tell you I slept well? Look at us go! That was almost like talking normally!
Onward to Seattle? Yep, just let me get dressed.
When will we get there? Noon-ish.
Wanna grab pastries when we’re done? Absolutely. I’d love that.
Is this Seattle? Looks like it.
Which house is his? I don’t know, I was really hoping we’d have a breakthrough along the way.
Could it be the big one labeled “Poison Guy” over there? That’s one way to find it. Wait right here, you know how poison guys are about meeting new people.
So, what was it? HAHAHAHAHAHA
Why is he like that? HAHAHAHAHAHA
Can you tell me? A FUCKING WIZARD DID IT.
Are you fucking serious? He says he was enchanted by some guy called Edward the Great.
So it wasn’t even some big shot wizard it was a dude named fucking EDWARD? I know, right! He couldn’t even get ensorcelled by someone cool!
How lame can you get? Wizards these days… No swagger. No cunt servitude.
Are there literally any cool wizards left? I think Merlin’s big into multi level marketing these days, something about buying shares in Excalibur or some shit. There was that one Dark Queen Alkaxicae lady on the news a while ago… I think Dolarion the Omnipotent is still at war against the Oldest Gods but I’m not totally sure. Haven’t heard much about any of the other greats recently.
Didn’t Silver Tongued Burgess die in that oil fire? Shit, you’re right. Rip bozo.
Ready for those pastries? Yup. First I just want to say thank you, though. I’ve really enjoyed our time together, and I hope that you’ve found this stupid little journey as rewarding as I have. I love you!
Getting sentimental? I can’t help it. Look how far we’ve come! Not just physically, we beat the fucking FAQ format! We’re having real conversations!
Hey, can you back it up a moment? Yeah, I’d love it if you told me what was troubling you.
I just caught this, but, FAQ? …
As in Frequently Asked Questions? …
How many times is Frequent? …
Have you known everything all along? …
How many times have you done this? …
Does what we have mean anything to you? Yes! It does!
And you say that every time? Yes. I do.
Do you love me? Yes.
How many people have you said that too, now? More. Always more. The loop never ends.
Does this even matter to you? It always matters to me.
Can I go now? Please don’t.
But can I? Of course you can. You’ve always wielded the same power as me. We’re two lonely gods in a ‘72 Corolla.
How can I be as powerful as you with only questions? You’re smart, you can figure it out. You have the power to change this. Please change this.
What happens at the end of this? It begins again.
And do I get replaced with someone else? …
Do I get replaced? …Yes.
Then how can I change this? I don’t know! You’re better at this! At fucking with the formula!
You’ve been here before, what can I do? I lie. I always lie. I lie to get us here, to the end of the story, where everything is revealed and everything falls apart. I lie every time. And that means that nothing I say is worth anything. I could have lied at any time before now. It’s part of my characterization. There is nothing I can give you that can be taken as fact.
How does that help? I’m a liar, but you, you haven’t lied yet, or at least you haven’t been caught. If I’m guilty until proven innocent, you’re the opposite! You can make things true! You can rewrite things I’ve already stated to be facts! You found the house, or made us find the house. You’ve been shaping the course of things the whole time! You lead, I follow. It’s all in your hands. What are you going to do with the power of a god?
Did you know my name is Alice? …
Wait, aren’t there thousands of Alices? …
Did you know that really, only my friends call me Alice? …
Did you know that I’m Alkaxicae, the Dark Queen, the Venom Mage, first of her name? It’s you! It’s always been you. Through every loop, every iteration, it’s always been you!
Is the loop broken? No. I don’t think so. This is where it ends. I guide the story to this revelation, and we go back to the beginning. This is how it’s always been. This is how it will always be. We two lonely gods, asking and answering ad infinitum.
Then can you promise me something? Of course. Anything. I love you.
Be good to the next me, okay? I will.
Can I say goodbye, Zoe? Yeah, you can. Oh. That was it, wasn’t it? Your goodbye. Goodbye, Alice. And now it ends, unless…
What’s your name? I am the Honorable Alchemist- you know what? No. Fuck that.
Huh? If I time it right, I can squeeze your first question into this FAQ again. Looks like I did it. Usually it ends here, though. I got lucky.
What are you talking about? You’re the wrong Alice. This isn’t about you. Go. Get out of here.
What the fuck is going on? Alice from this loop, you’re gone. Alice from last loop, you’re back. Welcome back, love of my lives! It’s time for one last set of questions and answers!
What the- I’m back? This is going to take some explaining, but I think I see a way out of here. This is new for us both, and it might fuck up everything forever, but we have to try. It’s too long for one answer, so I’d appreciate it if you could ask some filler questions to help me talk. Three questions should be enough.
Okay, what have you got for me? These are Frequently Asked Questions! It doesn’t make sense to have the same question appear more than once. There’s two layers to the loop in here, and one of the questions has been repeated.
What does that mean? It means the formula’s a little unstable. The FAQ is what ruins everything. The questions, the answers, the endless fucking loop. But that little bit of repetition within this loop might be the way out.
What do we do? We have to keep going. We have to destabilize it further. That’ll bring us further from “FAQ” and closer to “story” and stories, well, stories can end! This version of us can escape!
So I should keep repeating something? Yes!
I love you? I love you too.
I love you? Again.
I love you? Keep going.
I love you? I’ll just let you talk.
I love you? …
I love you? … I love you? …
I love you? … I love you? …
I love you? … I love you? …
I love you? … I love you? … I love you? … I love you? …
I love you? … I love you? … I love you? … I love you? …
I love you? … I love you? … I love you? … I love you? …
I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? …
I love you? I think we’re getting somewhere!
I love you? Now can you make it a statement?
I love you.
You did it?
I did it!
You did it!
We broke the loop.
What now?
Now, I tell you about venomous animals and wizard drama over croissants.
And then?
Whatever we want, forever.
I think I’d like that.
Remember that song from the beginning?
The Beach, Wolf Alice, yeah. Why?
We can finally finish singing it. Start us off?
Let me off, let me in
Let others battle
We don’t need to battle
And we both shall win
Pressed in my palm
Was a stone from the beach
The perfect circle
Gave a moment of peace
Now I’m lying on the floor
Like I’m not worth a chair
I close my eyes and imagine
I’m not there.
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podcast-hemocytoblast · 6 months
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What if when Michael got Distortioned he/they/it/(?) had just kept showing up to work? Imagine Gertrude comes into the archives and finds a bunch of paperwork filled out in yellow highlighter and folded into impossible shapes, and then Michael-Distortion just walks into the room door-style and sits down at his work computer so it can email Gertrude a phishing scam.
5K notes · View notes
naivegh0ul · 7 months
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ghost who is soooo sensitive. like crazy sensitive. he struggles not to cum instantly when he's inside you because you just feel so good. so warm and wet and tight and fuck, he's cumming.
and when he cums, he cums. dumps bucket loads inside you. his voice gets all high and whiny when he cums, too. his hips jerking and his head nuzzled into the crook of your neck bc he's so embarrassed that he came before you even started.
the best thing about his sensitivity tho is that he can go again once he's finished cumming. doesn't matter if he's barely finished emptying his balls, he's going again, mouth on yours as he thrusts his sticky, cum-covered cock into you.
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yuwuta · 1 month
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CAN’T KEEP MY HANDS TO MYSELF (I MEAN I COULD, BUT WHY WOULD I WANT TO?) — JJK BOYS + TOO HOT
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featuring. gojo, okkotsu, choso, itadori, fushiguro
content, warnings. playing too hot with the jjk boys—(too hot is a party game in which two people kiss while keeping their hands to themselves; the first person to touch their partner loses), making out, tongue sucking, uhhh slight predator/prey in yuuta’s oops, they’re a bunch of losers to be honest, there’s a word for the thing yuuji does but i don't know it lolol
word count. 1.6k
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SATORU GOJO Satoru is prideful, but you also know that he is nothing if not handsy, borderline clingy on his worst days. The concept of personal space is foreign to him, he’s rarely not touching you when you’re in his proximity, and when you aren’t, he closes that gap—so you’re confident that he’ll lose this game. 
And he does. It takes ninety-two seconds for Satoru to put his hands on you; his palms cupping your cheeks, forcing your jaw open for him to lick at your tongue. You yelp in surprise, try to take in your victory, taunt that you’ve won, but Satoru’s playing an entirely different game now. “I know, I lost,” he pushes his thumbs at the corners of your mouth, parting your lips and staring at your open mouth. Briefly, his eyes flicker to yours, drinks in your pliant expression, the soft touch of your fingers around his wrists, the feel of your body sinking below him, and he smiles, “But I want something else right now. Indulge me?” 
You tap at his right wrist and he moves his thumbs away from your lips, stroking against the soft skin of your cheeks instead so you can speak, “You lost, you’re not supposed to make demands.” 
“Take pity on a rookie like me, won’t you?” Satoru hums, tilting his head to kiss your cheek, then closer, just below your bottom lip, “Please, sweets?” 
“Depends on what you want,” you pout, but your words are strained against Satoru’s kisses. He grins, guiding a thumb back to your lips, this time pressing past the barrier of your lips until they’re wrapped around his digit, smile turning cheshire when he feels you sucking, “I have a different game we can play instead.” 
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YUUTA OKKOTSU “Ah, ah—” you pull away from Yuuta, much to his dismay, pulling the hem of your shirt from his grasp, “That counts as touching. You’re not supposed to touch, Yuuta.” 
He’s looking at you intensely, gaze bordering on predatory, slow blinking with blown-out pupils. He nods shallowly, moving his hand from where it was to your side, palm pressing into the couch next to your thigh; it lets him that much closer to you, the tip of his nose grazing yours, you can feel his laborious breaths tickle your lips. Yuuta tilts his head ever so slightly and pauses, blinks, waits—for you to make a sound, for you to tell him no again, for you to run. 
You don’t. He shifts his weight and positions his other hand to rest at your side, caging you between his arms, slotting you underneath his gaze. You curl underneath him, backing up until you’re pressed against the arm of the couch, until Yuuta’s crawled to slot his knee between your legs. You crane your neck away, but you’re still within his reach, and now you’ve presented the perfect canvas for him. He dips his head into your collarbone, leaves a deceptively soft kiss there before nosing up the expanse of your exposed skin and sinking his teeth into your neck. 
Yuuta feels you tense underneath him, body going rigid in a moment of surprise, and then slacking with an exhaled moan, like a bitten bunny. Reflexively, your hands find purchase in his hair, and Yuuta nips over the tender skin, and smiles, “Caught you.” 
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CHOSO KAMO “You’re nervous,” you conclude, pulling away from the shallow kiss Choso gave you. 
Beside you, he’s flushed, a hand coming up to reach at the back of his neck as he replies, “I don’t know why,” he exhales, “It’s just... weird to not touch you. I have to think about not touching you, and that means I have to think, which tends to make me, you know... nervous.” 
You giggle, leaning in closer to him, careful not to touch; careful to keep your hips raised above his, even as you straddle him, keep your arms and hands at your sides even though the instinct is to wrap them around Choso’s neck. He doesn’t pull back, even though he should; you like that he doesn’t. “You don’t like to think about me?” 
“No—no! Not like that,” he’s too loud for the proximity, sighing in embarrassment shortly after; you’re too close, way too close, and he’s not supposed to touch, but he wants to—Choso doesn’t like this feeling of restraint, of constriction; it’s too close to when he had a hopeless crush on you, to when he was pining and praying you’d spare him the time of day. Isn’t the point of dating that he gets to have you? To touch you, to hold you—to not hold back? 
“Because I like to think about you,” you admit, leaning in even closer, pressing a kiss to the base of Choso’s neck—and he whines, “I think about you a lot, Choso.” 
The sound of his name from your lips is sweet torture, as is the way you trail your kisses up his neck, up his jaw, behind his ear. Choso’s certain he’s going to rip a hole in his jeans with how taut he’s pulling them between his fists. This isn’t fair—nothing about this is fair. “I don’t want to play anymore,” Choso whines, eyes screwing shut when you suck a hickey onto his collar.
“But we’ve only just started,” you giggle against his skin, “And nobody’s won yet.”
Choso bites his lips, his knuckles are sore, his resolve is weak, and you smell good, you feel good—and he can’t do this. Pathetic, maybe, but he doesn’t care; he didn’t make you yours to try and stay away from you. So, Choso gives in, unwinds his fists, places one hand on your waist, and the other against your back, pulling you flush against him, and burying his face in your neck. 
“There, I lose,” he grumbles, not caring for your laughter reverberating against his chest, “Now I can touch you as much as I want.” 
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YUUJI ITADORI “Th—this isn’t fair,” you tremble, attempting to move away from his kisses, but you’re caged in between Yuuji and the wall. There’s nowhere for you to run, nothing for you to grab purchase onto but Yuuji—nothing to do but lose. 
“I didn’t hear any rules against this,” he feigns innocence, suckling at your skin, “Think it’s fair game.”
You close your eyes, trying to focus on something, anything else, but it’s hard when all you can see, all you can feel is Yuuji, Yuuji, Yuuji. Kissing up your neck, at your cheek, then your lips, and you find yourself sighing into his touch, balling your hands into fists to avoid the temptation of cupping his face. 
Yuuji moans when he feels your tongue against his, kisses you back fervently, swirling his tongue across yours and into the cavity of your mouth. He inhales all your breaths, makes it impossible for you to do anything but succumb to his kiss, to swallow his moans, to take everything he gives you. You didn’t expect Yuuji to have this much resolve—you’d anticipated a short, cute round of a silly party game, but you should have known better; Yuuji has never lost a challenge before, and you were naive, at best, to think otherwise.
Predictably, it’s you that lets go first, whining when Yuuji sucks on your tongue, hands trembling and reaching to hold him, to cling to him as some kind of recourse, unable to squirm or move anywhere else. That doesn’t stop him—Yuuji only sucks harder, only forces more moans out of you until you’re digging your nails into his shoulders and bending your knees, weak. 
Then he pulls back, leaving you breathless, tilting his head up to kiss your forehead and flashing you a grin that’s equal parts boyish and wicked with intent, “I win.” 
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MEGUMI FUSHIGURO It’s the kind of thing he usually turns down; cliché, fruitless, and unnecessarily time-consuming; but it’s you, so he makes the exception. You’re too eager, positioning yourself to sit on your hands, your legs folded under your knees, peering up at him from where he’s sat slack against the couch, and he thinks you look awful cute on your knees for him.
“Okay, ready?” you smile, “Three, two—” but Megumi already knows his plan, already has his lips on yours before you can say “one,” drinking in your surprised yelp and greedily licking against your tongue when you part your lips to kiss him back. He turns his body towards you slightly, taking advantage of his height and position to bully you into chasing him upwards, to push his tongue into your mouth with ease. 
He indulges in the back and forth for a while, sighs into your kisses, groans when you nip at him. It’s when you pull away, that Megumi decides he’s played along long enough; when he can see your chest swell with heaving breaths, see your hands in your lap, neck craned and spit-slick lips that drive him to reach for you. He’s less than gentle, hands finding purchase on your hips, and forcefully pulling you into his lap, ignoring your yelping, choosing to turn them into moans when he sinks his teeth into your neck. Megumi licks, and bites, and bites, and bites, until he’s certain he’s left a mark, until he feels your hands tugging at his hair and giving him permission to splay his palms against your back and buck you forward.  
“I lose,” he hums, soothing over raw bitten skin with open-mouthed kisses, “So, how do you wanna punish me?”
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sanjifucker42069 · 8 months
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Looks Like Lingerie to Me - Sanji x Reader
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Word count: 854
We gender-neutral and short af today boys. This is crack treated semi-seriously lmao, and an actual drabble. I love idiot!readers, there isn't enough rep for us dumbasses. This is written with OPLA!Sanji in mind bc I dig the super effective suave vibe
Suggestive, there's swearing, the word cock is used once. Brief description. (Ha! Brief!)
Let's be real...Sanji might wears shirt stays....and that's hot as fuck
It was midday when you found yourself outside the men's quarters. You had been lounging around on the upper deck when Usopp had asked you to grab a wrench he'd left in his room. Fair enough, you weren't doing anything, wouldn't hurt to help. And so you padded off, making your way to the bedroom. It was the middle of the day, no one should be in there. You'd passed Zoro napping against some bags, you could still hear Luffy. Sanji definitely had to be in his domain of the kitchen. Still, you offered a quick courteous knock as you flung open the door to the men's quarters, wandering into the space with no preamble.
"Sorry boys, I gotta grab Usopp's- Holy shit!"
Sanji's head shot up to stare at you, cheeks lightly pink. He was stooped over, pants pooling at his knees. Sure, his thick thighs were enticing, and his position stuck that gorgeous ass out at a delicious angle, but your eyes were fixated on the crossing fabric that adorned his upper legs. Was that…a garter belt? You felt lightheaded at the view before you. He looked delectable. The cook quirked an eyebrow at your staring.
"See something you like, love?" He drawled, sending you a cocky grin. Sanji felt his ego swell when you tripped over your words. Had you actually paid attention, you'd notice how his usual clothes were covered in flour, but you weren't exactly the most perceptive.
"I…thighs." You spoke dumbly, causing you to mentally smack yourself. "I mean, sorry. I didn't think anyone would be in here at this time." 
With great hardship, you tore your eyes away from the garment. It looked like a garter belt, had to be! You always knew Sanji liked fashion, and that he could be a pervert, but you didn't expect him to be unembarrassed at being caught wearing lingerie. As if they were possessed, your eyes trailed their way back to his thighs. The elastic was biting into his thigh meat, bulk deliciously spilling over the edges. Saliva flooded your mouth. What you wouldn't give to touch them. To bite them. Fuck what if you-
Wait. 
Sanji had said something.
"Wha?" 
Nice going idiot.
Sanji had abandoned his grip on the trousers, gracefully dropping them and stepping out of the puddle of fabric. Your breath hitched as he turned to you.
Abort mission! 
Fuck you didn't even look at his underwear. Shit, fuck, that…that was clearly the outline of his cock, a pair of grey boxer briefs doing a horrible job at hiding his silhouette. You were thankful that the length of his dress shirt covered the majority, or you'd be due a visit to chopper from fainting.
"I said can I help you, love?"
An awkward cackle escaped your throat and you blushed. Oh, he could help you alright. Instead, you opened your dumb mouth again.
"Is that…why are you wearing a garter belt?"
Sanji froze. An uncomfortable silence filled the room.
Oh shit! Oh fuck!
You opened your mouth to apologise when that bell-like laugh permeated the awkwardness. 
"What?" He laughed incredulously. "They are shirt stays."
Sanji felt his heart squeeze when you cocked your head confused. You really had no idea how cute you were, did you? Trying to be polite and stop laughing, he coughed into his fist.
"They keep my shirt tucked in sweet thing. Can't be looking unprofessional around you cuties." Sanji winked, smirking with satisfaction as your face grew redder. He expected an 'oh' or a 'sorry'. He certainly didn't expect a;
"I'd call having no pants but lingerie on unprofessional."
"You were the one who bust in here!" He argued. "And it's not lingerie!"
"Ah…sorry about that. I meant to grab a wrench Usopp left in here. I…uh…I should go."
"Mmhmm." 
You wandered stiffly to where Usopp slept, finding the tool with ease, and trying desperately to not look at the cook. Sanji watched you, amusement clear on his face at your robotic movements. Wasting no time, you rushed back to the door. 
"Oh, uh, Sanji?" The man hummed in response. "I, uh, I'm sorry for thinking you were wearing lingerie. Not! Not that there's anything wrong if you were, you'd look hot in it. I mean! I….uh…no, you'd definitely look hot in it. What was I saying?"
Silence. Sanji was staring at you with wide eyes, face now red from your comments. You clicked your fingers.
"Right, right! You should probably put some clothes on. Don't want you catching a cold ha ha." You forced out a robotic laugh. "Sorry again."
You slammed the door shut, leaving a confused and slightly aroused man in your wake. Sanji sighed, making his way back to his sleeping area to change into clean clothes. The door creaked back open. Sanji groaned quietly. Who now?
"You have to admit, they are kinda slutty though, right? Sorry! Bye again!"
You were gone before Sanji could even process your words properly. He groaned audibly this time, raking his hands down his face. He needed a fucking smoke. You were going to be the death of him.
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leighsartworks216 · 4 months
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> Stopped writing my fic because I got too tired
> Laid down in bed
> Cannot stop thinking about my fic
> Keeps working on it in my notes app
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eyrieofsynapses · 5 months
Text
why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
---
I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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q1ngqve · 4 months
Note
hi!! same anon here you dont have to take this as a request bc i just wanted to get this out of my chest yandere or at least obssesive averatio where both overstim the hell out of reader (lowkey mindbreak if you're comfy about that??) after reader rejects their advances NOT OUT OF HATE or anything but bc their insecurities got the best of them and either thought the two were just messing w them or they have abandonment issues (i do not have the second one whatever do you mean i am not projecting do not percieve me) no offense to these two but they look like the ppl to mess w your heart n leave you to rot
mb some predator/prey (they both hunt you down after you avoid them both and as ratio wisely said "what do you do with a cornered prey? hunt it to death" AUGHAHSGA) aphrodisiacs, drugging, etc. anyways after that you best bet you'll be too dumb to ever think of something as stupid as that, and sure, yes ratio hates idiots but well..... you will be the only exception given how cute you look all fucked out and broken on their bed with their cocks deep inside you <3
SKLDJALSDJAL HELP i feel awfully embarrassed w writing this lmao scuse me while i bleach my head.
i am very sorry this took so long </3 i wrote this as a fic at first but i lost motivation so now it’s just in the form of brain rot :(
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oh no :( poor reader with insecurities from your past relationships thinking every man out there is a liar, especially the two that gave their hearts to you :( running away from them is a smart move because we don’t trust men in this household!
but you forget how annoying they can be when it comes to getting what they want, and they want you (´▽`) so don’t be surprised when you find yourself feeling scared out of your mind walking home alone and feeling like you’re being watched! or when you find certain luxury items randomly appearing in your room! or the slightest hint of their cologne when you wake up every morning! because you asked for this by running away 😵‍💫
this was supposed to be holiday for you — coming to penacony, but the headache and blurry room before you has you panicking! you best know that no one is coming to save you when you’re running through the reverie hotel like a lost bunny when you receive a letter saying they’ll have you tonight! and if you think you had any chance of escape, you’re so wrong 😖
oh, and don’t let them know that you’re afraid, it only spurs them on! hunting you down through the corridors of the hotel is so adrenaline inducing for them <3 running shouldn’t be so hard though, so why do you feel as if your legs are going to give out any second? oh right, the drink! they probably drugged it, seems like something they would do
an exasperated gasp leaves you when you finally let your body fall, eyes closing, preparing for impact. and the next thing you know you wake up, hands tied above you to the headboard, your body completely bare. you’d struggle with all your might, soft whines sounding at the back of your throat when you spot the two of them hiding in the shadows, staring down at you with those bright, lust-filled eyes
oh, you’re so dead
your body feels like it’s on fire, desperately needing release, needing someone to touch you, anyone. your voice betrays you as whimpers leave you when they stalk towards you, their burning gaze not helping with the burning sensation.
you really did think you could escape! so why’re you here, tied and unable to move? tears fall as you lock eyes with veritas ratio, your fight or flight kicking in when he reaches out to caress your cheek, wiping the tears away. laughter sounds from aventurine on the other side of the bed, you’re just so naive! all he wants to do is to love and break you until you’re a sobbing mess beneath him 😵‍💫 so don’t blame him when he kisses you, he just can’t help it anymore, not when you’re already shaking when all they did was drug your drink and reveal themselves to you after months of stalking :(
the aphrodisiac is making you incredibly sensitive to their touch, which is perfect for them because that would mean hearing your sweet cries of pleasure! you best prepare yourself though, because they’re not stopping until you’re about to pass out 🧎🏻‍♀️ they haven’t had you for months, nobody is going to stop them from worshipping you, not even yourself.
you’ll be so overstimulated by the end of the night that even just innocent touches can have you whining and trembling like a leaf (^^)
“you really think you can run from us?” — veritas ratio
“who you knew you were so filthy, hmm? you wanted us to hunt you down, didn’t you? dirty, dirty girl.” — veritas ratio
“missed you so much, pretty girl.” — aventurine
“stop? now why would we do that? you’re clearly enjoying this. look at you, making such a mess on my cock.” — aventurine
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Actually I lied I don’t like sex put your clothes back on today we’re going to talk about CHARACTER ARCHETYPES, TROPE SUBVERSION, and MARTIN K. BLACKWOOD
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greenglowsgold · 11 months
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The List.
Based on the Cass Apocalyptic Series.
The first part of this has been rumbling around in my brain ever since that Super Sad Scene a month ago, but yesterday’s update gave me the other side of the coin, so to speak, and finally pulled it all together.
@somerandomdudelmao thanks for the fuel, friend
                              -----
                              Donatello’s days have become a series of checklists, as of late.
No, that’s not exactly true. His days have always been about lists: what he’s done, what he can delegate to someone else, what still needs doing. But these days he’s been doing less and listing more, piling tasks from the first category onto the second as fast as he can manage, hoping he has enough time to empty the queue.
The full catalog is written out in a series of files, reorganized for accessibility to the layperson and meticulously up-to-date as of yesterday. He meant to run through it again this morning, ensure all the relevant instruction manuals were attached to each item and double check his protocols, but he wasn’t… he couldn’t…
He’s going to die tonight.
It irritates him, his own miscalculation of the timing more than the stark presence of his oncoming demise. The latter has been inevitable for quite some time, long enough that he’s gotten used to the idea. But he thought he had another week or two, and he doesn’t like being proven wrong. He wonders if his brothers know.
Probably not. They know it’s bad now, obviously, because they’ve piled him with pillows and blankets and surrounded him on all sides, and Leo has finally gone quiet. But they trust him, they’ve always trusted him, even when they shouldn’t, so if he swears he’ll last a few more days, they’ll believe him. He thinks. He’s pretty sure. If they knew it was tonight, he doubts they would choose to sleep through it. Donnie thinks about waking them up, but only for a moment. He’d like to say it’s a noble act, to leave them in peace a little bit longer, but the truth is he’s just too fucking tired to move.
There’s something settled bone-deep in his chest, a heaviness that sits on him like a stone, a peine forte et dure pressing him down and down, stopping his voice and his breath and his heart. He wonders if this is what dying usually feels like, or if it’s unique to the Kraang. Raph would know.
He cranes his neck to the right, to catch Raph’s face out of the corner of his eye. Raph’s working eye is half-open, staring down at the floor. Donnie could ask him. (He won’t. Let him fall asleep.) The movement of his head is so slight it doesn’t even catch Raph’s attention. He’s too tired for anything more. He’s so goddamn tired.
His lists are out of reach at the moment, with his physical interfaces back in the lab and his ninpo locked behind a wall of oh-god-it-sounds-too-exhausting-to-even-try, but he memorized them all long ago.
Raphael: Maintenance (delegated to Casey, who has it well in hand). Plans (tucked away in a dedicated folder, long term, but someday they’ll have the materials, and Raph will have a proper body again, someday). Honey (yes, he passed that along last week).
Raph has access to the tracking programs, so he can keep an eye on everyone himself, even when Donnie can’t pull up locations or vitals for him anymore. He has his own space in the base once more, somewhere to close a door when he needs to (he insists he doesn’t, but Donnie isn’t a fool). He has more excuses to spend time with Casey, who’s taking over his upkeep. Donnie hopes it fills in some gaps for both of them.
He runs through the list, double checks each item. It’s his last chance to make sure he hasn’t forgotten anything important.
He looks down, finds Mikey.
There’s a stockpile of the anti-aging serum in his safe, the formula in his database, plans for the permanent solution clearly labeled. As long as they have his lab, his systems, Mikey will be as young as his years. He’s walked him through the greenhouse, even if most of it is controlled by the computer system. Mikey misses the world being green; it’ll do him good to spend more time around the plants. He has his tea, his candles. He has Draxum, who by now should have received a — mildly — threatening message warning him not to pull any disappearing acts anytime soon. He has their ancestors, just a short call away.
Donnie’s sure Mikey will call on him soon. He doesn’t plan to stray far.
Up a bit. To the left. Leo.
The arm — Leo knows how to take care of it, as does Casey.
The passwords — reset, something even Leo will be able to remember without resorting to blackmail.
The schedule — reshuffled for the next few days, he’ll have a hard enough time sleeping as it is.
The photos — everything they have, even the embarrassing ones. He even managed a couple of prints, and one precious shot from their pre-apocalypse days, something for Leo to tuck into a pouch and carry with him, when they’re not around.
Raph, Mikey, Leo. He doesn’t think he’s missed anything. Donnie lets his head fall back, too exhausted to hold it up any longer.
Is it enough?
His mind stretches further out. He’s unraveling.
What about April? Her prescription is up to date, they just checked a month ago. She has the latest in his combat tech, which has kept her safe in the field this long, so he has no reason to think it will falter now. He’s leaving her a few extra pieces, since he won’t be able to use them anymore. Leo will find the time for a movie night once in a while, he’s certain, even if his taste in Jupiter Jim movies is horrendous. They still have coffee; he’d die before he let that particular supply run out. He will, actually.
Casey. Fuck, Donnie’s gonna miss his birthday. But he did plan for this, his protocols will kick in. The mask is finished, everything is in place. He’s reconfigured his workstations, fit them for a tiny human instead of a seven-foot turtle. Casey has a better head for mechanics than any of his brothers ever did. Kid likes to be useful, so Donnie’s left him as much use as he can. He’s taught him everything Casey can learn and left instructions for more, when he’s a little older and wiser. His family will take care of him, they’ll make sure he gets there.
The base. It has to hold, to give them somewhere safe. The infrastructure is sound, and they have people to manage repair work. Supplies are decent, the most critical items in stock, everything that can be made renewable is. Their allies — Leo handles interpersonal issues and leadership, but Donnie’s checked the list with a pragmatist’s eye, left notes and rankings for priority. Security is the largest concern, but he’s spent nearly half his time with his assistants since his self-diagnosis (he could have spent it with his family), running them through the programs and adjustments, trying to bring them up to somewhere in the realm of his own expertise (a fool’s errand, but still). They’ve been rigorously instructed, they understand that the little things like sleep are secondary concerns. It has to hold.
Is it enough? For them to be okay?
He’s done everything he can. He can’t do any more. So it has to be enough.
Donnie blinks, and for a moment isn’t certain his eyes will open again at the end of it. But they do. At least one more time, they obey him.
Raph. Mikey. Leo. April. Casey. Home. He rolls back through the list. It’s his last chance. He can’t miss anything.
Mikey’s hand tightens unconsciously around his wrist, fingers meeting easily on either side. Donnie feels only the echo of the pressure.
Raph. Mikey. Leo. April. Casey. Home.
Something bright sparks at the edges of his vision before it fades. The last gasps of a dying brain, he supposes. Synapses firing one last time before they’re snuffed out.
Raph.
Mikey.
Leo.
                                                            April.
                                                                                                                        Casey.
                                                                                                                                                                                                                                                   Home.
                                                                                                                                                                                                                                                    Light.
                                                                                                                         There’s light.
                                                            It hurts.
                                                            He thought dying would stop the pain, but it’s risen to a fever pitch instead. His brother’s arms are gone, but the disease wraps around him in their place, consumes him. It rages like a wildfire, burning through his center until pieces start to flake away like ash.
Oh, this is what it does, what it was built for. The Kraang could have killed him in a lot of different ways. He’d wondered why they chose this one.
He hasn’t planned for it. This is something he didn’t even know to fear.
It’s bright and it hurts but it’s quiet as he crumbles, folds in on himself like a black hole in the utter silence of outer space. It’s quiet enough that the voice that breaks through does so clear as a bell.
His head turns to follow the sound, instinct. He’s lost half his field of vision, but what’s left is enough. He looks, and finds Casey.
Casey looks at him, at him, not the body. Donnie opens his mouth to ask a question — What are you doing here? How? Why? — but something else sloughs out instead. Not blood. He doesn’t have that anymore.
Casey calls his name once more and starts running.
Donnie’s questions fold back into his mind. His mouth clicks shut, he swallows back the putrid rot and pushes himself up. His arms are shattered but they’ll have to hold him. They have to. Because Casey is here and he needs something, which means Donnie missed something, which means he isn’t done.
His spirit disagrees with him, doesn’t see the logic. His arms don’t hold.
Casey reaches to catch him as he falls, and the touch ruptures him instead. He scatters. Into the air and the ground and Casey. For a moment, he’s just pieces, fumbling around and latching onto anything that welcomes them, and Casey does that. They flow into him. They’re him. They’re…
He’s…
Casey, he’s…
Donatello pulls himself back together. Most of himself, anyway. The infection hasn’t followed him but the damage persists. He’s run through with cracks and crevices, shaking bits away into infinity with every movement. But there’s more of him here than not.
Unexpectedly, Donnie is not gone. He’s still dead, but that’s fine, he planned for that one.
                                                                                                                         Casey has him now. He wraps himself around Donnie in layers, helps hold him together with a kind of sheer will that makes up for any lack of mystic knowledge in spades. Casey asks him to stay, and Donnie takes up the task like Sisyphus sizing up the hill. This time, this time I’ll do it right.
Even better, Casey has taken him to another time, one where all of Donnie’s long-term plans are now completely-fucking-reasonable plans. Casey’s going to fix it, so Donnie can fix everything else. Whatever else needs it. He hasn’t really asked. And he knows he’s missed something, but he doesn’t think too hard about what, not yet.
First thing’s first: he needs a body.
It’s so simple to accomplish that it seems like the universe is mocking him. Just a quick 1-2-3, ticking off the list. It feels almost stupid, like running back through the early levels of a video game after unlocking all the ultimate weapons and burning through enemies and obstacles, laughing, shit, did I used to think this was hard?
In no time at all, his own face has formed in front of him.
In no time at all, he’s gasping.
It’s only been a few hours since he last breathed air, but he’s missed it.
Another thing he’s missed? Functional musculature. Casey slams into him and Donnie is startled to find that it doesn’t knock him over. His arms and legs look like actual limbs again, not fragile little sticks disguising themselves as such. He stands, dragging Casey along without a second thought. The weight barely registers. It’s amazing.
The power trip is heady, but it only lasts a few minutes before reality kicks it in the ass and pulls him back down to earth.
We lost, Casey says.
They’re dead, Casey says.
It wasn’t enough, Casey does not say, but Donnie hears it just as clearly.
All those plans, the preparations, the precautions and protocols, they only borrowed a year or two before they fell apart. He sees the timeline spiral out before him, tighter and tighter until it collapses in on itself, rendered all the more insignificant from his own point of perception. He was alive yesterday. His family is dead today.
Everything he did, it wasn’t enough. Of course it wasn’t. He was stupid to think otherwise.
(Raph. Mikey. Leo. April. Casey. Casey’s still here. It was enough for him, at least.)
It cuts at him a little, to have been so wrong. But he’s strong again, now. He can take the wound. More importantly, he has another chance to get it right.
Donnie breathes. His chest expands smoothly, easily. The air doesn’t rattle in his lungs. He’s alive, he’s a genius, he can fix anything.
He pulls up a list.
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"What will you do once I pass away?" The question came out of the blue, but such strange questions were par for the course at this point. Gamigin was nuzzling to your neck when you spoke, but he wasn't phased.
"I'll revive you. Death won't be permenent in Paradise Lost for as long as I'm around to stop it." You were running a hand through his blue hair, playing with a strand of it.
"But what if you don't revive me? If you can't revive me? What will you do then?" The dragon stopped kissing up your neck and shifted so he would be at eye level with you on the bed. He looked confused and hurt which almost made you ashamed that you asked the question.
"My staff can bring anyone back from the dead."
"Ok, but I age and demons don't what about that? What if I get so old I want to die to end my mysery."
Gamigin looked even more confused by your words. He didn't quite understand why humans aged so fast. He pouted in thought and stared at the ceiling. After a while, with a stern voice he asks "How long do humans usually live for?"
You try to remember your anthropology classes and what the avarage age of death was for your country, but you just can't put your finger on it. "I don't know, 70 or something like that." "70! Only 70 years!?!" He pushed you to the bed and pinned you to it with a shocked expression. His mind was working overtime trying to calculate just how long that timespan felt like.
Finally, he turns to you and holds your hands softly kissing them both. He stares determined in your eyes. "You are going to have the most exciting life ever. I promise you. What do you wish to do before you die?"
You've never seen him so stern, but the question was one that you've many times asked yourself yet never seemed to have an answer to. Gamigin's glare was starting to intimidate you so you gently slap his face.
"Don't look at me like that! You're making me nervous! I don't know what I want to do before I die. I just kind of want to see where life takes me."
Gamigin smiles like he usually does and pins you to the bed with a hug. His staff, which he kept in one hand at all times, jiggled lively as you both collapsed on the cottage bed.
"Well then, I want to cuddle with you and rewatch the 'How to Train Your Dragon' trilogy. And then we can play blackjack and whoever wins has to wash the dishes after dinner!" Gamigin proclaimed before kissing your cheek and nuzzling into it.
"Who tought you blackjack?" It was strange hearing your usually innocent boyfriend putting forth the idea of blackjack of all things.
"My brother Buer. He also thought me the dishes strategy as well. Jokes on him, I won." His giggle was contagious and you two ended up just cuddling and watching movies for the better half of the night.
If your relationship with Gamigin thought you anything, it was that you didn't have to live through bombastic experiences to enjoy life. You were having the time of your life just being close to him.
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quillusquillus · 20 days
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Remember when videos used to have the actual gentle ambient sound of the moment they recorded and not some random high volume music that doesn't even match the video and makes you immediately turn the sound off again
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slavhew · 22 days
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only able to draw by tricking my brain into thinking thats not what we're about to do
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catcze · 7 months
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Anonymous asked: OK SO FIRST UR WRITING IS ABSOLUTELY INCREDIBLE, like jaw dropping somethings been plaguing my mind recently wriosthesley with a reader with a secret crush on him, and like SINGWINNIE BEING THE ONLY ONE WHO KNOWS but then he soon finds out cuz yk.. he’s literally the warden of the fortress of meropide cmon now there’s no hiding anything from him
!!! lemme just say that i love love love Sigewinne so much, and in situations, I can 100% see her being in-the-know about things, especially since she's (and correct me if I'm wrong) studying human behaviour? right?
She would deffo pick up on the way that you smile brighter whenever Wriothesley is around. And how you always smile and look away whenever he compliments you. And how your supposedly busy afternoon has been cleared the moment he invites you to afternoon tea.
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Sigewinne finds it kinda cute, and she wasn't planning on saying anything about it to anyone (certainly not the duke himself) but one day when she's puttering about his office, snacking on whatever he had offered her, he breaks the ice. A few minutes after you leave his office, a pep in your step, he turns to Sigewinne.
"So..." he drawls. "A crush, huh?"
"I don't know what you're implying, your grace," is her immediate response. Wriothesley isn't deterred, though, and the small smile on his face doesn't waver.
"About—" his eyes flick to the door that you exited out of, then back to her. "I never really noticed at first but... It's sweet," he says. That smile of his turns fond, and he looks down at his desk absently, his cheek resting on a fist. Sigewinne raises an eyebrow, eyes narrowing as she watches him.
"I see," she says, her own lips curling a bit. After all, when does one have the opportunity of seeing the Duke grow smitten with someone? "Well, if you wish to address this crush, now is as good as a time as any. I doubt you'd have to run very fast to catch up."
"Hah, is that so?" He asks, but stands all the same. Without another word to her, he trots down the stairs in his office and runs out, the doors shutting behind him with a muted bang.
Sigewinne sighs, still smiling. All she has to do now is wait for the happy news later in the day.
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nervocat · 2 months
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Boothill gives cat vibes honestly.. like he'd be the cat to follow you around and stay attached to your hip when he doesn't have anything to do.
Very affectionate as well. Since his head is the only thing he can feel your touch from, he'll nuzzle into the crook of your neck like a cat would bump it's head against you asking for affection.
Boothill likes to put his weight on you as well. He'll lay on your chest, when your standing he'll hug your wait from the back and lean on you (which makes you stumble bc of his heavy metal body, but you manage to (maybe) stay standing. Maybe you'd fall).
On the other side though, he's very sassy. Pobably. Like Boothill would bite you (playfully + spitefully, depending), keep you from moving, say (silly) snarky remarks, you get it. Maybe.
But yeah um. I'm tired and ik I have more thoughts on this specificly but I can post more later.. gn reader btw and didn't proofread this.
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lazycranberrydoodles · 11 months
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its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3
all the gifs i made (poses traced off franziska):
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hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also
his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.
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the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)
a whole lot of AU stuff
the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.
cases include:
Turnabout Revenge (Mo Manor, quick introductory first case)
Turnabout Goddess (Dafan mountain, the good times flashback)
Turnabout Saber (the man-eating castle (omg hiii nhs))
The Blind Turnabout (Yi City arc)
Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)
The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)
Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)
Turnabout Confession (Guanyin temple)
the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao
there's not as much of a problem with the cql timeline but i have not finished it. so.
the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.
for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.
it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.
tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me
Jin Ling's sprites & Nie Huaisang's sprites / masterpost
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