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#i know people only talk about the egg scene. i was in a class of people who had just seen it and could only talk about the egg scene.
stonyponyofficial · 8 months
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gotta make my list of criterion closet picks now with a bunch of intriguing sentence-long reviews so i don't seem like an IDIOT once they actually let me in there for real
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munson-blurbs · 1 year
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Chapter 1: Got the News Today, Doctor Said I Had to Stay
Collaboration with the fabulous @corroded-hellfire
Series Summary: Based on the Jonas Brothers song of the same name. You and Eddie share a hospital room in the wake of Hawkins' turmoil, striking up an unlikely friendship that could lead to much more.
Chapter Summary: When you're stuck in the hospital after the Hawkins "earthquake," you're surprised to find comfort in your new roommate, Eddie Munson. But when you find out that your injuries may compromise your dreams, the cheery façade threatens to come crashing down.
Warnings: eventual smut (18+ only, minors DNI!), Eddie survives the Upside Down, hospital, mentions of surgery, controlled use of pain medication
WC: 3.9k
A/N: There will be six chapters to this series, one for each Jonas Brothers album. Try to spot the Easter eggs we've planted throughout!
Divider credit to @firefly-graphics
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“I said, get this murderer out of my room!” A shrill voice from across the hall startles you from your sleep. The digital clock on the bedside table reads 7:05, but you can’t be sure if it’s morning or evening. The bright lights of Hawkins General Hospital have your internal clock all jumbled, and the constant barrage of nurses checking on you certainly doesn’t help. 
“He should be locked up in prison or rotting on death row, not using precious resources that could be used on law-abiding citizens!” the shrieking woman continues, and you grimace as your head throbs. It seems like the pain never ceases; it only travels around your body. You’ve been here for two days, and you have more questions than answers. 
There’s quiet for a few moments before the door to your room swings open and a second bed is being wheeled in, more IV lines hooked up to the poor patient than you’ve got going on. A nurse pulls the curtain separating the two sides of the room before you can get a look at whoever is lying in the bed. 
“Well, that was a record,” a male voice says from the other side of the curtain. “How long before that one freaked out? Six minutes?”
No one answers the man, but you can hear nurses and orderlies setting up any equipment the patient would need. 
“Don’t blame them,” a woman eventually mumbles, moving a machine over. “Kid killed a cheerleader and then fled the scene. I wouldn’t wanna bunk with him, either.”
A new pair of footsteps joins the crowded room, but this time it’s just your nurse, Mandy, coming in to check on you. She’s a pretty blonde woman, and though she’s usually smiling, her lips are puckered into a pout. 
“I know this is far from ideal,” she says softly, checking your vitals and marking notes on her chart, “but we’ll have people in here making sure nothing happens, okay?”
“I think she’s pretty harmless, just loud,” you lightly joke, assuming that Mandy’s referring to the banshee across the hall. “Worst thing she’ll do is trigger a migraine.”
She shakes her head. “No, hon. I’m talking about your, uh, new roommate. Edward Munson.”
Well, that explains the whole murderer outburst. Still, you can’t help but roll your eyes. “Eddie? I went to school with him. Guy couldn’t even be bothered to turn in his part of a group project; I highly doubt he could pull off a murder.” You’d think he would have had something done, considering it was his second time taking O’Donnell’s senior English class, but he’d shown up empty-handed, leaving his poor partner scrambling at the last minute. 
Mandy nods, looking a little relieved herself. Maybe the thought of her having to be his nurse had been eating at her. 
“Is he awake?” you ask. You can only assume he’s not, because the Eddie Munson you remembered would never have been quiet for this long. 
“Sleeping,” Mandy says. “How are you feeling? Do you need anything?”
“Um.” You wrinkle up your nose as you think, a sharp pain taking that moment to shoot down your leg. “When can I get some more pain medication? And food?” 
Going through the papers in your chart, Mandy’s eyes scan lines of writing until she comes to the answer she needs. “You’ve got about forty-five minutes until I can give you your next dose. Luckily, dinner should be here quicker than that.” 
“Okay,” you say with a sigh, sinking back against your pillows. 
After another round of pain meds, you’re able to drift off into a light sleep. You don’t have dreams on the medication; you’re simply floating in a haze of pinks and purples. Perhaps the dreamlessness is a good thing, considering the memories buried deep inside your unconscious mind. Your roommate is not so fortunate. 
“No! Stop!” Eddie whimpers from the bed next to you, startling you from your sleep. You can see through the translucent curtain that he’s trying to thrash, but his injuries limit his movements. “Henderson, help me! Get me out of here!” 
“Hey,” you whisper, but when he cries out again, you raise your voice slightly. “Eddie, wake up!” 
“I won’t run away, didn’t run away, gotta save Chrissy,” he mumbles, still trapped in his nightmare. “Don’t let me die. Don’t wan’ die.” The urgency in his tone falters, and you realize that he’s crying. 
“Eddie, you’re alive!” you call out to him, wishing you had the strength to walk to him and shake him awake. “You survived the earthquake, okay? But you gotta wake up!”
You watch as he jolts up involuntarily, groaning loudly as pain blooms throughout his torso. “Fuck,” he moans, clutching his ribs with one arm. “Wha—where am I? Oh, shit.” He lays back down as the realization sets in. He tries to choke back a sob, inadvertently sending himself into a coughing fit. 
“Here,” you call out to him, grabbing the cup of water on your bedside table. “Can you open the curtain and reach?”
Eddie’s able to yank back the cloth fabric, but neither of you can move close enough for him to grasp onto the cup. The two of you are confined to hospital beds, arms outstretched pathetically just to pass a glass of water. The scene is so absurd that you have to laugh. 
“You think—cough—this is—cough—funny?” Eddie asks, but his grin indicates that he also finds it amusing. “I survived the Up—earthquake, and—cough—now I’m gonna die from—cough—lack of water?”
“‘M sorry,” you manage between peals of laughter. “I’m just imagining how ridiculous we’d look to someone passing by.”
Eddie uses his last bit of strength to lunge, finally securing the cup and guzzling down the water. “Thanks, um…” He cranes his neck to see your name written on the whiteboard above your bed. “Oh, shit! Did we go to high school together?”
You nod. “We did. I graduated last year. We had Mrs. O’Donnell’s English class together.”
He wrinkles his nose at the mention of his least favorite teacher. “Ugh, yeah. I mean, not ugh that we had a class together; ugh at O’Donnell,” he blabbers. “And an extra ugh for me having to take that class again this year.”
“I thought a certain metalhead was missing from graduation,” you tease. 
“Aw, you noticed?” Eddie’s smirk makes you laugh, the pain meds probably adding to your bubbly mood. 
“Well, no one caused a commotion or flipped off old man Higgins, so yeah,” you say. “And there was a distinct lack of Black Sabbath blaring through the parking lot.”
It’s Eddie’s turn to laugh. “Gotta stay inspired, y’know? I don’t want to be one of those musicians who has someone write their shit for them. It makes it less real, or whatever.” 
You raise your eyebrows. “You write all of Corroded Coffin’s music?” you ask incredulously.
Eddie nods. “Well, me and the rest of the guys—wait,” he pauses, eyes narrowing with suspicion, “you know the name of my band?”
“Mhm,” you pick at the itchy wool blanket draped over your legs. “You played at the middle school talent show. I was in seventh grade, so you must’ve been in eighth.”
He doesn’t say anything for a bit; he just studies your face until a huge grin forms from cheek to cheek. “You’re the dancer!” he exclaims, snapping his fingers. “You did that routine with the, um, the fancy shoes…” 
“Pointe shoes,” you giggle. “Yeah, people weren’t too impressed. Apparently a twelve-year-old flailing on stage to Swan Lake was not the hit I’d thought it’s be.” 
“Flailing?” Eddie shakes his head. “Nah, you were amazing. Don’t tell my friends, but I, uh, secretly wanted you to win.”
“Me?!”
“Yeah, you.” He matches your surprised tone, making you laugh again. “I thought it was totally badass, getting up there and doing ballet when all the other girls were jumping around to Blondie.”
“Don’t knock Debbie Harry,” you warn him teasingly, poking your forefinger in his direction. “She is an icon, and you will show her some respect.”
Eddie brings a hand to his heart. “My deepest apologies, to both you and Ms. Harry.” He flashes another sweet smile that could melt an iceberg. “But I really did want you to win. I’ve always rooted for the underdog.”
“Well, I appreciate it.” And you do. It’s nice to know that someone besides your parents believed in you. 
“You, uh, you still dance?” Eddie asks abruptly. 
“Yup,” you tell him, sitting up a bit straighter. “It’s actually what I go to school for.”
“Good,” Eddie muses, averting his gaze from your side of the room. “You were too talented to give that up.”
You’re about to respond when there’s a knock on the door and you see an orderly walk in with a food tray. You drop your head back on your pillow, humming your happiness. The orderly sets your table within your reach before placing your tray on it. Before the man can even step out the door to grab Eddie’s food, you’re inhaling the soup you’ve been given. You’re distantly aware as Eddie gets his food, but you’re busy trying to figure out what type of soup it is. Is that potato in it? 
A groan from the other side of the curtain has you looking in Eddie’s direction as you swallow a mouthful of soup.
“What’s wrong?” you ask.
“Nothing,” Eddie says, clearly lying.
“If we’re going to be roommates, we’re going to have to learn to be honest with one another.”
He huffs a laugh as he clangs his silverware together. “S’just that it’s gonna sound ridiculously stupid after what everyone has been through.”
“Humor me,” you say before ladling another spoonful of soup in your mouth.
“Fine,” Eddie says with a sigh. “I got green Jell-O. I hate that shit.” 
Your eyes lock on your own Jell-O, bright red where it sits next to your piece of bread and cup of water. “How do you feel about red?”
“Much better,” Eddie says, tearing off a piece of his own bread and shoving it into his mouth.
“Wanna trade?” you offer.
“Y’don’t have to do that,” he says through his full mouth.
“Nah, come on,” you say. “Besides, green’s my favorite color.” 
Eddie looks over at you, a skeptical look on his face as he chews. But you pick up your sealed cup of Jell-O and toss it over to him. Smiling, he throws the green in return, which you manage to catch.
“Thanks,” he says. You hum in acknowledgment as you tear off the foil lid. 
There’s a beat of silence as you both eat what Hawkins General considers dessert. “I don’t know how you like the green one,” Eddie pipes up. 
You shrug. “Jell-O is Jell-O,” you say nonchalantly, taking a big spoonful to emphasize your point. 
“Nuh uh,” Eddie shakes his head, wincing at the twinge of pain it causes. “Cherry is the superior flavor, and everyone knows it.” He slurps it obnoxiously, making you roll your eyes. 
“Geez, how does Chrissy put up with you?” Your tone is light and joking, so you’re taken aback by the darkness that takes over his face. “What?”
“How do you know about Chrissy?” he asks, voice barely audible. 
Your face heats up; you’d forgotten that he didn’t know you’d heard him talking in his sleep. “Um, you said something about saving her when you were having that nightmare,” you admit, softening when you realize how vulnerable he is. “Is she your girlfriend?”
“No, she isn’t—wasn’t,” he amends. “She was the girl who died in my trailer. But I…I didn’t kill her, I swear.” Eddie looks over at you with misty eyes. “I can’t tell you what happened, but you have to believe me.”
You hold his gaze. “I believe you,” you murmur, quiet but assured. 
The two of you go back to your food, plastic utensils scraping styrofoam bowls, until Eddie speaks up again. “You…you said I talked about Chrissy in my sleep?”
“Mhm.”
“What else did I say?” He looks ambivalent, like he’s unsure if he wants to know what his subconscious mind churned up. 
You think back for a moment. “You asked someone for help, and then you said you didn’t want to, um…you didn’t want to die.” Your eyes flit over to his side of the room, but he’s practically boring a hole in his Jell-O cup with how intently he’s staring at it. 
“Did you tell me to wake up? That I survived?” He finally allows himself to make eye contact with you, a trace of a smile dancing on his lips. 
“Yeah—I can never remember if you’re supposed to let the nightmare end naturally, but you seemed really upset.” You gnaw on your lower lip anxiously. 
Eddie rests his head on the pillow. “God, this is gonna sound corny as hell,” he starts, chuckling to himself, “but when you did that, it was like…I saw brightness, y’know? Not like, Eddie, come into the light,” he drops his voice an octave and wiggles his fingers, making you giggle, “but like the sun was coming out from behind the clouds. Does that make sense?”
You nod, watching him exhale in relief. 
“Guess you’re my sunshine then, huh?” He gives you a shy smile that you easily return, trying to push down the spark of electricity that seems to flow between you. 
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“Hey, how about this?” Eddie asks as he lands on a channel. Your eyes feel like they’re going to roll back in your head when you see a NASCAR race on tiny television.
“Absolutely not,” you answer. 
“Aw, come on,” Eddie says, shit-eating grin on his face. “It’s an American pastime.”
“It’s one big left turn, is what it is,” you shout. “Toss me the remote?” Eddie chuckles and goes to throw it your way before you wince and add, “Watch the leg!”
He’s careful to avoid the area as he sends it your way, but his eyes drift down the blanket at the mention of your limb. “Is that why you’re in here?”
“No, I’ve always wanted to vacation here,” you reply, maintaining a deadpan expression. 
“I hear the eleventh floor is just wonderful this time of year,” Eddie throws back, feigning a posh British accent. Terribly, you might add. “How bad is it?” he presses, motioning towards your leg. 
“Dunno yet,” you answer honestly. “They took some x-rays and did a bunch of scans; now I’m just waiting for the doctor. They’re probably just overwhelmed.”
Eddie nods. “Nothing like a good, old-fashioned earthquake to shake things up.” He raises his eyebrows, waiting for you to react to his pun. Nothing. “Oh, c’mon! That was a good one!”
“You’re a comedic genius, Eddie Munson,” you joke, and he flips you off, nearly snagging the IV tube pinching his skin. “I’m sure everything’s fine. I’ll probably be in a cast for six weeks, maybe have to do some physical therapy. This isn’t my first broken bone.” 
“How do you do that?” Eddie muses. 
“Do what?” 
“Be so…positive,” he explains sheepishly. “I mean, you could be all bitter or anxious, but you’re calm, cool, and collected.” He fiddles with his fingers, frowning as though something is missing. “You really are a ray of sunshine, huh?”
“That’s me.” Truthfully, you’re worried that this could be more than just a run-of-the-mill break, but you don’t let that fear seep through. Instead, you aim the remote at the tiny TV in the corner of the room, settling on a soap opera rerun. It’s not what you’d usually watch, but you’re determined to get your revenge for his NASCAR escapades earlier. 
To your chagrin, Eddie’s enthralled with the on-screen drama. “Oh, shit!” He rubs his hands together. “Is this the one where Shelby sleeps with Theo and his identical twin brother, Mark?” He chuckles at the bemused look on your face. “I got hooked on this show when I was home with the flu last year,” he confesses, though he doesn’t look the least bit ashamed. 
“Eddie Munson, secret soap opera aficionado?” You waggle your eyebrows. “Scandalous. What will your fans think?”
“I am what I am, Sunshine.” He sits up a little straighter as a woman with big hair and even bigger breasts shoves ultrasound photos at an impossibly handsome man. “No fuckin’ way!” Eddie gasps. “She’s knocked up!”
“How did you not see that coming? It’s like the oldest trick in the book!” you ask incredulously. “Now she has to figure out which brother is the dad.”
Eddie’s beautiful brown eyes widen in shock. “But they’re identical! How’s she gonna do that?”
“Guess you’ll just have to watch and find out!” you chirp, giggling as he lets out an impatient sigh. 
“Mr. Munson?” a nurse calls from the doorway, pushing an empty wheelchair. “We’re ready to run your tests. Just have to transfer you to the chair.” She pats the back of it, trying to keep some level of professionalism, but you can tell that she’s nervous being around an alleged murderer. She holds out her hand to help Eddie out of bed, and he shoots you a tight grin. 
“I’m goin’ commando under here, Sunshine,” he warns you. “Look away. This show ain’t free.”
You cover your eyes dramatically as he plops into the chair, grunting and groaning the whole way down. “Is it safe?”
“You’re good,” Eddie reassures you as the nurse starts to wheel him out of the room. “Hey, let me know who the father is when I get back. My money’s on Theo.”
You narrow your eyes. “How much money?”
“Hmm,” Eddie taps his chin with his forefinger, pretending to be deep in thought. “It won’t be as much as usual, since I already bought a beach house and a Jaguar this year…$3,000 sound good?”
You give him a little salute, turning your attention back to the show. Settling in against the pillows, you get immersed in the show yourself, rooting for some characters, and wanting some to get stabbed in the backs like they deserve. Just as it comes back to Shelby’s storyline, your doctor walks in, a tight smile on his lips. 
“What’s the news, Dr. Sanoj?”
“Well,” he says, looking down at the chart in his hands. “Like we suspected, it’s your femur. It was crushed pretty badly. It’s going to need a few pins in it, which will require some surgery.” 
Letting a deep sigh fall from your lips, you nod your head. “Okay. Was kind of expecting that.” 
“Now, we won’t know for sure until we get in there and take a look at things, but there’s a chance you’ll need a mobility aid to help you get around.”
“What do you mean?” you ask, brows pinching in confusion. “Like crutches?”
“Crutches are one type of aid, yes. But they range in variety. It’s things like wheelchairs, walkers, canes. But this will be a better discussion for once we see how the surgery turns out,” Dr. Sanoj says.
“Would I need to use one forever?” The sympathetic look that softens your doctor’s face lets you know he heard the trepidation in your voice. “Will I be able to dance again?”
“Like I said,” Dr. Sanoj says, “this discussion is best for once the surgery is done.”
You nod your head, knowing you probably won’t be able to get any further information on the subject out of him. “When will I have the surgery?”
“Scheduling is going to work that out and they should let you know by the end of the day. You can expect to be here the days following the surgery, but you shouldn’t be cooped up in these hospital walls for too much longer. You’ll get there, you’ll see. One day at a time.” 
“Thank you, Doctor.” 
A funk has taken over you once Dr. Sanoj leaves the room. A mobility aid? Could you dance with one of those? Surgery and recovery you planned on, but the goal was always to get you back in the dance studio, and needing a device to help you simply get around was not what you had been expecting. 
Allowing yourself to stew in your own self pity for a few moments, you realize you’ve missed the big reveal on which brother is the father of Shelby’s baby. You’ll have to tell Eddie that. Explain the doctor came in and you were talking to him. But, you think to yourself, Eddie doesn’t need to know just what rough shape your leg is in. He calls you his sunshine, doesn’t he? That would just bring some gray clouds that he did not need in his life. He’s got a lot going on and is going to need to keep his spirits up. That’ll be easier for you to do if you pretend like everything is rainbows and lollipops. 
The door opens and Eddie is wheeled back inside, groaning in pain as he holds a hand over his ribs. 
“Right here with the pain medicine,” Nurse Mandy says, stepping in behind him. 
“Oh, please be mine,” Eddie says, watching the bundle in Mandy’s hands like a hawk. “Sorry roomie, I think I need it more than you do right now.”
“S’all yours,” you tell him.
Mandy sets a bag of IV fluid up as the transporter helps Eddie get back in bed. His face is pale, and you’ve learned that comes when agonizing pain is ripping through you. 
“Okay, Mr. Munson. Should start hitting you at any minute now,” Mandy says. 
“Thanks,” Eddie says, letting his eyes drift closed. He stays that way after both the nurse and the transporter leave the room. You think he’s fallen asleep until he speaks again. “So, which brother was it?”
“Ah, sorry, Eddie,” you say. “Doc came in and I was talking with him, so I think I missed it.”
“Good news?” Eddie’s opened his eyes and turns his head to look at you, genuine concern written across his face. 
For a moment, you contemplate spilling everything: the surgery, the mobility aid, the possibility of never dancing again. But you shove it deep down, determined to keep your cheery disposition that he so desperately needs. “Y-Yeah, everything’s looking ship-shape.” Ship-shape? You’re a terrible liar, but Eddie doesn’t seem to notice. 
“Thas’ good shit.” From the dreamy quality his voice is taking in, you can tell the pain meds are starting to take effect. 
“How’re you feeling?” you ask.
“Sore as hell from how they had to maneuver me for x-rays. But I feel the medicine kicking in.” A smile comes to his face and you can tell the giddiness of the high is hitting him. “Time for me to fly.”
You giggle and turn your attention back to the television. A game show is on now, so you snuggle in to play along. The contestant is getting an obvious puzzle wrong and it makes you roll your eyes. You’re about to say something to Eddie about it, but then his soft snores reach your ears. Turning your head to look at him, you notice how peaceful he looks. All you can do is pray he stays that way and isn’t plagued by any other nightmares. 
Sunshine, he calls you. It’s the nicest nickname you’ve ever been given. You’re hoping you can keep that bright and optimistic attitude up enough to help him out when the clouds come rolling in. It’s not a one-way street, though. Eddie is going to be your light, your breath of fresh air, your optimism. You just don’t know it yet.
--
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lilyginnyblackv2 · 1 year
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Rei saw right through him:
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Kazuki: “[...] and make it clear to everyone whose daughter is the best!” - He is talking about the lunch he made Miri (her bento). 
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Rei: “You’re trying to get back on her good side.”
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Kazuki looking shocked with his hands on his chest, looking like he has been shot.
Rei got a  🎯. And this is such a great scene of growth for both of them. With Kazuki, he has always been able to read Rei. He did as much in Episode One when Rei is sulking about the cat:
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He’s good at understanding people and emotions, Rei isn’t. So Rei being able to read Kazuki in the above scene in Episode 6 says a lot about how he is growing on an emotional level. Emotional intelligence is a thing and something that can be learned. Rei never really learned it as a child because of his father and general upbringing, but because of Miri and because he is now a member of an actual family he is learning. 
As for Kazuki, back in Episode 4, on Miri’s first day of daycare, he brought a bento too. 
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It was huge. It had three levels to it and Kazuki tries to be all, “Aw, there’s nothing special about this!” but the whole episode was about him trying to show off, rather than just be normal and authentic and nothing special.
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The bento that Kazuki makes for Miri in this week’s episode (Episode 6) it is far less (only one level of food) and has a lot of quick and simple foods (wieners, fried chicken, beans), but there is still some craftsmanship put into this bento as well (the eggs making hearts and the panda onigiri). It feels much more authentic and from the heart, and more an appeal to Miri (which it is meant to be) rather than a one-up on the other moms at the daycare (like his Episode 4 bento was meant to be - the kids would go home, tell their moms about Miri’s bento, and impress them - that was what he intended). 
Mom’s one-upping each other through bento is an actual, legitimate problem, which is probably one of the reasons Miri’s daycare does a school lunch (with the exception of something like this, a field trip). There is a good article on this on NPR (I’ll link it below), here is an excerpt (kyara-ben is the name for the kind of bento Kazuki made above) :
The moms in Maruo's class say they don't do it every day, but on mornings they make kyaraben, they block out as much as 90 minutes to make lunch. And not every Japanese parent wants to do this — but the cultural pressure is high, because it's hard to be the parent whose kid has a lame lunch.
"I think it's oppressive," says Margarita Estevez-Abe, a political science professor at Syracuse University, who specializes in gender issues in Japan.
"In a sense, they have a lot of time on their hands and they are just putting their effort and time into creating and competing over who makes the best character bento box," Estevez-Abe says.
So yeah, it’s nice to know that Kazuki has grown a bit and that he is doing stuff more for Miri, rather for himself, though he still has to work a bit on making assumption. Of course, both Kazuki and Rei having their own flaws are important too and those flaws tend to play off each other nicely, while being fairly realistic (a little exaggeration here and there for comedy).
It’s also nice to see that, while Rei has grown a lot emotionally, he still does some things his own way. Take, for instance, the scene where the bus leaves for the field trip.
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Many of the other moms are waving their kid good-bye, but Rei doesn’t. He also stands apart from them, because he seems to not really like being in large crowds. But that is shown as being perfectly fine here. None of the moms are judging him here (some are also not waving) and he just continues to do his own thing. And Miri likely knows that.
Anyway, I love how, with each episode, we see more and more growth with all of the characters (Miri included!) and how these three feel more and more like a family. I know that was one of the focuses of the series (”to become a family through raising a child”), and I think the series is really succeeding at this! 
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theggning · 2 years
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Oh god look she’s talking about Godot again- YEAH I AM, because nobody talks about Godot’s actual strategy and mechanics as a prosecutor!
Because in canon he only does 4 cases (4 of which he loses and one of which... ahem) Godot has the reputation of being a “bad” prosecutor or inept at his job. But I call bullshit! Players are just used to 2 games where every prosecutor is either Manfred Von Karma or a disciple of his (Payne who??). Godot’s prosecution style is totally unique, and very distinct in ways that make him an absolutely perfect “final boss” prosecutor for the original trilogy.
- Chiefly, and unlike the VK prosecutor club, Godot does not care about winning. Sure, he doesn’t want to lose, but it has nothing to do with his “record.” Though he states his desire to defeat Phoenix, he later specifies he’s actually “testing” him and his worthiness to the legal legacy he’s inherited. And for all the flack Godot gets for his winless record, Phoenix really lucked out in all of these cases. Godot actually would have won State vs. DeLite 1, State vs. DeLite 2, and State vs. Byrde had one witness in each not made a stupid mistake at the finish line.
- To that point, and often unacknowledged, there is a specific moment in each case where Godot stops arguing his case and either gives leeway to or actually assists the defense. (EX: He helps verbally reason out Phoenix’s arguments, agrees to Mia’s request to cross-examine Atmey, personally subpoenas and “tames” Furio Tigre, etc.) This usually comes once it’s been proven beyond a doubt that Phoenix’s client is innocent. Godot remains an unrelenting asshole to Phoenix personally and eggs him on about how competently he can prove his point, but he’s clearly not looking to send innocents to jail to stick it to him.
(Hmm. Who else cares about a client’s guilt or innocence and the truth ahead of “winning...”)
- He infamously has never prosecuted a case before 3-2, but multiple characters remark that he’s obviously not an amateur in the courtroom. Gumshoe in particular notes that Godot has skill and confidence to back up his arrogance (via a series of Top Gun jokes) and he’s not just a rookie floundering around behind the bench.
- Also unlike the VK prosecutor club, Godot mostly plays fair. He doesn’t prep or coach witnesses, doesn’t instruct them to lie. He never does anything as cheap as the infamous “updated autopsy report,” or Franziska’s blatantly illegal detention room photo stunt from 2-2. Obviously there’s a few below-the-belt moments (and he clearly enjoys when he can catch Phoenix flatfooted) but those are mostly the result of this goofball legal system being massively stacked for the prosecution anyway.
- The one questionable quirk of his is the fact he tends to take evidence from the crime scene. In 3-2, he kept DeMasque’s brooch to himself without telling the police he’d found it. Gumshoe and the Judge are both appalled at this but Godot thinks nothing of it, remarking that it’s a “rule” of his that “the safest place for evidence is in my pocket.”
(Hmm, which other legal professional we know tends to pocket evidence from the crime scene without telling the police? And what job does he have?)
- Godot’s style with his witnesses is completely different than the other prosecutors. Rather than coaching them or telling them what and what not to say, he tends to let them speak their minds on the stand. For all his cryptic douchebaggery he does have a way with people, keeping his cool with hostile witnesses (Tigre) and building friendly rapport with others (Ron and Kudo especially come to mind here.) 
(Hmmm, which other legal professional is used to building a strong rapport and trusting a witness to give testimony...?)
- He’s a world class bullshitter. Like even putting aside the unparseable metaphors and non sequiturs, when his back’s against the wall he throws out some absolutely wild arguments, blatantly ridiculous notions, whatever he can think of, trying to make it stick until the evidence decisively rips it down. The whole mirror testimony in 3-3 is a prime example of this... just blatantly stupid, but he allows it because it forces Phoenix to prove something.
(Hmmm... which other legal professional do we know is a constant bullshitter, desperately throwing outrageous theories to see what sticks...?) 
Notice a pattern at all?
This incredibly funny post by @franbamm and @palant1r is 100% accurate and is one of the best takes I’ve ever seen. Why does Godot’s prosecution feel so strange, so off? Because he prosecutes like a defense attorney. Not just any defense attorney either, but a certain defense attorney, the protege of his own protege, the man he crawled back from hell to do battle with. He’s the best possible “final boss” prosecutor for Phoenix because he’s his foil, both characterization and courtroom-wise.
In order to truly prove himself, Phoenix will have to proverbially beat himself: an inwardly honorable but near-incoherent bullshitting weirdo, constantly flying by the seat of his pants.
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imagitory · 4 months
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Yes, I know, I'm shocked too -- but once again, it seems, I have to talk about Disney's Wish. Truthfully, this entire analysis was one I never set out to write, but I felt like I had to after having a really good conversation with my mum about this deleted scene featuring Asha's grandpa, Sabino; the sentiment expressed by some Disney fans that its inclusion would've helped fix the film; and even the purported perspective that the development team was deeply unhappy about the corporate decision to cut it.
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So first off -- do I think this scene is that magical missing piece that would've fixed Wish? Not exactly. I do think that Sabino putting the idea of wishes being worth fighting for into words for Asha that she even could've reprised later while fighting Magnifico could've been very powerful. Just imagine how much stronger the story would've been if Asha had used Sabino's song to rally the town against Magnifico -- not only creating the payoff of Asha making her dear Saba's wish of inspiring people as well as her own wish to make things in Rosas better come true, but ALSO bringing Magnifico's worst fears of rebellion against his rule to life in an ironic twist! But even if including this scene could've improved the film, I don't think it would've fixed everything wrong with its story and characters. It did, however, inspire that really fun conversation with my mum, and we realized together what this scene at least partially provides that the finished film didn't --
A reason to care about the wishes Magnifico hoards away.
When I was in college, I took a screenwriting class, and one of the most important lessons the professor taught us was to give your main character(s) a strong desire and then give your audience three strong, disparate reasons to root for your character in reaching their goal. This way, if one of the reasons doesn't resonate with a member of your audience, maybe another one will. The more reasons you give your character to want to succeed, the more people in your audience are likely to feel for your character's position and support them in their actions.
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Let's use Disney-Pixar's absolute masterpiece Finding Nemo as an example, just for kicks. Marlin wants to save his son, Nemo, after he gets captured and taken away by human scuba divers. The audience wants Marlin to succeed because his reasons include --
Love. Marlin loves his son very much and is very protective of him, partly because Nemo has a disability that Marlin worries puts him at particular risk being on his own.
Past trauma. As seen in the prologue of the film, Marlin lost the entire rest of his family to a horrific barracuda attack that also resulted in injuring Nemo while he was still an egg, so Nemo is the only family Marlin has left.
Guilt. Marlin feels responsible for what happened to Nemo, because they were in the midst of a fight about Marlin's helicopter parenting when Nemo put himself so close to the human boat and got captured.
The thought process behind this writing trick is that you want your audience to care about what your character is working toward. This is how you get an audience really emotionally invested in their struggles and story, and it also helps define who the character is as a person, understanding not just what they want, but seeing the lengths they'll go to in order to chase that desire. And this is what Wish seems to understand symbolically, but not enough to use this knowledge while shaping its screenplay or characters.
In the finale of the film, all of the people in Rosas whose wishes were taken can still gather enough "stardust" or "magic" or "dreaming whatever" to defeat Magnifico without them. The magic is inside of them, even without the contents of the bubbles Magnifico took from them -- because our wishes, dreams, and ambitions come from who we are, as people. They're a piece of us -- they're informed by who we are -- our happy memories, our past scars, our personalities and hobbies and values. What makes dreams coming true so beautiful is seeing someone become a more complete version of themselves through it!
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And yet...what do we learn about any of these characters that tie into these wishes and why it's so important their wishes be returned and/or granted? What visually communicates that these wishes are so integral to these people's personalities and souls that they're a pale shadow of who they used to be without them? What emotional justification is there for anyone to care if Rosas's citizens achieve these flights of fancy? Are there any real stakes or grave consequences if those wishes aren't granted?
Why do we care if this one lady wishes she could fly, or this other one wants to make dresses? What do we care if this one person wants to sail a ship and travel the world? This one guy wants to climb a mountain or something, but...so what? We don't know any of them from Adam! The film tells us that these wishes are really important to these people, but we don't get any emotional reasons to be invested in whether or not these people's individual wishes come true.
Even characters we do meet like Simon -- what about him made him want to be a knight? Where did that wish come from, in his character? Was it fueled by misguided patriotism? A desire for glory? Being bullied as a child and wanting to prevent others from going through the same thing? We have no idea! Imagine how much more Simon's "betrayal" scene would've hurt if we'd gotten to know Simon as this dreamy, idealistic person who grew up reading fairy tales about knights bravely protecting their kingdom and being heralded for it, only for that wish to be twisted by Magnifico to make Simon serve his king blindly with no free will of his own. Imagine how much more interesting of a character Simon would've been if there had been real context behind that wish he'd made and given up, and how much more interesting his relationships with his friends could've been as a result.
What about Asha's mother? Her wish is treated as incredibly important in the film, since Asha tries to steal it from Magnifico like she did Sabino's and Asha and her family react with such upset when Magnifico crushes it, and yet we never once learn what the wish even was. Even when the wish is reformed and returned to Asha's mother, we STILL never learn what it was and by extension what it meant to her mom and why it was a bad thing that it got crushed. Why should we believe this wish of Asha's mum's is so important if we never even learn what it is? Because the film said it's important? In the immortal words of Will Turner,
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(source)
Just look at Joe Gardner in Pixar's Soul. Would you care so much about him wanting to get back to the world of the living if you didn't learn through the film that he'd been dreaming of playing jazz since he was a child and had finally landed this big gig with a jazz band after years of rejection and his own mother never supporting his dream right before dying? Would Joe have connected with 22 the way he had over the course of the story if it weren't for not only his goal, but the character, passions, and world view that fueled his pursuit of that goal in the first place?
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My mum, while we had this discussion of ours, put forward her own experience. When she was a young woman, she dreamed of having a family of her own: a husband, 2.5 kids, a house with a white picket fence where people could gather together. Over time, though, Mum kind of resigned herself to the reality that it probably wasn't going to happen -- she was pretty solidly focused on her career, she hadn't had much luck in her long-term relationships, and she'd gotten to an age that having her own children was incredibly unlikely. This doesn't mean my mum lost that desire for family -- it's still a part of her, and it informs who she is as a person. She's always taken care of the many cats she's had over the years as if they were her children. She made and has kept life-long friendships with people who've become like siblings to her. She even ended up becoming something like a mother figure for her ex-boyfriend's daughter from a previous marriage, while she and that boyfriend were together. And when I was conceived (pretty miraculously too!), my mum never hesitated for a moment about whether or not she wanted me. Even if my father had chosen not to stand by her and me, she would've pursued that dream of motherhood she'd thought was lost to her all the same.
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THIS is what the deleted Sabino scene has that the finished film doesn't, though still in a bite-size amount. The reason the filmmakers give us for why we should care about Sabino's wish (and, one could argue, the town's wishes) is that when his wish is returned to him, it allows Sabino to connect more deeply with his granddaughter and his daughter-in-law through the music he's so passionate about.
The reason we the audience should care about Sabino's wish is the connection he makes with others.
We still don't know where that wish came from in Sabino's character or back-story, and the theme of connection through one's dreams is something that certainly could've been explored more if it had been kept...but for the first time, through this deleted scene, the filmmakers gave us a reason to care about that little magic bubble besides just telling us that they represent a heart's deepest desire and we should want everyone's wishes to come true because wishes are good. (Which honestly has a lot of problems -- the film never even bothers to explore any scenarios where wishes could truly be dangerous or morally wrong to grant, such as a wish to rule this particular kingdom or that this one person will marry you, regardless of their opinion on the matter.)
The song Sabino sings in this scene says that if a wish is powerful enough to fill your heart and make it "close to breaking," then it's one "worth making." But to tell a story worth telling and create characters worth rooting for, you need to show -- not just verbally explain -- why your audience should care.
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accio-victuuri · 10 months
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From this article about One & Only “The "easter eggs" that are not on the screen of "One and Only" are here”
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Recently, Entertainment Studio talked to "One and Only" director Dapeng and starring Huang Bo, and shared the stories behind the scenes of 10 movies with everyone here.
"Passionate" is an adjective that is aptly used to describe the newly released movie "One and Only".
This movie focusing on street dance is dazzling, and the last 20 minutes of the national competition are especially hearty, making people's palms sweat;
Outside the shoot, every member of the "One and Only" crew is doing their best for the cause they love, and the soul of the group is burning. Dapeng took the main creator to run desperately across the country, dancing in amusement parks, singing at barbecue stalls, checking tickets in movie theaters, handing out posters in frog suits under the scorching sun, riding bicycles for publicity, taking trains for publicity, and promoting at scenic spots... Wang Yibo fell ill and returned to the team after only two days of rest to continue the roadshow. Like Chen Shuo in the film, everyone is desperate to give, just to get closer to their dreams, and their warm emotions are constantly transmitted to more audiences.
"One and Only" is a film project born under the trend of the times to break prejudice.
"After the release of "Sewing Machine Band", the business of many local piano shops began to improve, because there were many children who went to learn musical instruments. This "One and Only" also carries the blessing of the entire Chinese street dance circle, from the preparation stage to the end of the shooting, the street dance circle is looking forward to and blessing this movie, I believe that this movie will definitely usher in a peak of rapid development of Chinese street dance after its release. They may be children and parents, or they may be people who have been prejudiced against street dance, but they will all fall in love with street dance and the people in the story. Dapeng said.
The best candidate for Bboy
In order to understand the real street dance culture, Dapeng did a lot of homework.
He watched street dance movies all over the world, and interviewed a large number of street dancers of different ages in various cities across the country, from three to forty and fifty years old. In April 2021, during the preparation of "One and Only" and before the start of "Keep You Safe", Dapeng asked all the Bboys he knew the same question-
"If I'm looking for someone to play Bboy, he has to be a well-known actor, he has to be able to act and dance at the same time, and his temperament can be recognized by the Bboy community, who should I go to?"
Dapeng got a unified answer, Wang Yibo.
At that time, Dapeng did not know Wang Yibo, he did not even have a script, and he met Yibo nervously through the brokerage company. In order to prevent his expression from being in place, Dapeng also wrote a letter in advance and handed it to Yibo.
Later, Dapeng received a reply from Wang Yibo and wrote a lot of words. Wang Yibo said that he is very happy to be invited to play this role, street dance and movies are his passion, so doing this thing is a superposition of love. He agreed to star in "One and Only".
With a specific object, the film began to enter a stage of rapid progress. Screenwriter Su Biao printed a photo of Wang Yibo and pasted it above the table, looked at his photo every day, and began to write the script.
The script grows from the double BO
The earliest "One and Only" stories tried different directions. At the beginning, the main line is the relationship between mother and son, about how a mother raises her children, and the "exclamation point" is actually derived from a plot in the early version of the script. When Chen Shuo was young, his mother took him to choose his favorite extracurricular class, and if he didn't learn well, he would put a cross or question mark, and only the street dance chosen by Xiao Chen Shuo himself was given an exclamation point. The exclamation point became a small code word between mother and son, and Chen Shuo finally used it on the stage of the national competition.
In the process of the development of the script, they want to write how Chen Shuo is getting stronger and stronger, then he must have a good coach. The coach's line is getting fuller and fuller, and slowly becomes the protagonist.
At the same time, Dapeng they are going to start looking for actors. An OG who can dance, his acting skills are also brilliant, and the only thing Dapeng can think of is Huang Bo. He had shown every script to Huang Bo before, but he didn't find a suitable opportunity for cooperation, but he didn't expect that Huang Bo agreed very happily this time.
"Brother Bo told me that he could finish his last job within a time frame and have a whole block of time to shoot "One and Only", which scared me. Because it is not even a complete script, only the outline of the story. He seemed to have been waiting for the role, and the invitation process went smoothly beyond my own imagination. Dapeng said.
"So we have the double BO combination. We project our impression of them into the script, maybe you can see that there is a part of Huang Bo's shadow on the characters, and there is a growth trajectory of Yibo, that is because these two characters can be said to be tailored for Huang Bo and Yibo, and the story is grown from them.
This time is different from my previous creative path, I used to write one draft, two drafts and three drafts of the script, and even the punctuation marks I felt very satisfied with before I went to find an actor, but in the end it didn't work, and I acted by myself. "One and Only" was unexpectedly smooth, and it was the most efficient film I created. ”
Chen Shuo and his mother
In the final film, the line between Chen Shuo and his mother was compressed, but it was still the biggest crying point.
"The two of them are still a bit alike, did you feel it?" Dapeng laughed.
Liu Mintao and Wang Yibo each did their homework for the role, and the first rivalry scene they wanted to shoot was the scene where Chen Shuo rushed to the wedding scene to find that it was his mother singing on stage, and he couldn't help but burst into tears.
The crew spent a while to set up the studio scene for the filming of this scene, and ran in a group of extras. As soon as the shout began, Liu Mintao and Wang Yibo quickly entered the situation, and both of them shed tears from their hearts.
Dapeng in front of the monitor was a little confused - a scene that took so much effort to prepare, the result was so easy? He said it would be okay or ... Do it again? But in fact, the first take is used in the end. The two actors have done a lot of homework before this, and their understanding of the characters has been very thorough, realizing the "one take" of this heavy emotional scene.
Uncle's wax figure
Living with them in the film is Chen Shuo's uncle, played by the bald Yue Yunpeng, a character with few scenes but dense laughter.
Because her mother's surname is Du, the team came up with a somewhat nonsensical shop name called "Madame Tussauds Restaurant". There are a lot of wax figures in the store, and authorization is required to shoot wax figures, so the crew first considered Dapeng's friends, Jia Ling, Zhang Xiaofei, Yang Di, Li Xueqin, etc., and also thought of world-class celebrity images such as Monkey King, Einstein, Bruce Lee, and Tyson.
Yang Di not only has wax figures, but he himself also came to play a moving wax figure in a nightmare, which is scary and funny. Li Xueqin could have had a wax figure in the shape of a female ghost in "Keep You Safe", but because it was not sure which of "One and Only" or "Keep You Safe" would be on first, the audience might not get this meme, so they could only remove it first.
"With wax figures and a little bit of my own thinking in it. What kind of people are those who have wax figures, they are all successful people. But my uncle has been sculpting a wax figure of himself, and the closer to the end of the movie, the wax figure becomes more and more complete. If you have a belief in your heart, no matter how ordinary and ordinary people are, you can shape your appearance like your uncle. Dapeng said.
Huang Bo backflipped, Wang Yibo hit closed, and the crew rolled up
For movies dedicated to street dance, the dance part must be burning and fried enough, and it must be able to bring a strong visual and psychological impact to the audience.
Dapeng spent a long time researching how to make street dance look better, he organized a group of dancers to the studio to test shoot, try various equipment and mirror movement, and also hired a new editing director, Zhang Yibo, who had cut "Young You", to cut the dance part, because Zhang Yibo himself is also a dancer.
Most of the members of the exclamation point are real-life top dancers, each specializing in different dances. Between "let professional actors learn to dance" and "ask professional dancers to perform", he chose the latter in order to save the dance. But I didn't expect that the dancers' performances in the final film were also very good, because most of the time Dapeng let them "play themselves", eating the hot pot scene, everyone talked about why they wanted to dance, which is the true voice of the dancers themselves.
And the two leading actors, Huang Bo and Wang Yibo, both showed the highest professionalism and did their best to exceed the required dance moves. In the original script, there was no Ding Lei on the scene, but Huang Bo felt that since he came, it was difficult to jump again. Wang Yibo also strives to jump to perfection every time, and finally jumps with closure.
"Yibo and Brother Bo are very serious, so serious that I don't think it's necessary, for example, Brother Bo has a flip, in fact, you can do it with a stand-in, and you can't see it, but he must do it himself. Spirits can infect each other, there is a competitive atmosphere in the crew, you want to do a backflip by yourself, what should others do?
For the last street dance competition, we filmed at the Hangzhou Olympic Sports Center for 10 days, and the shooting intensity was very large. The movie is cut shot by shot, but the actors can't jump only part of it, the movements are coherent, so jumping over and over again is a test of everyone's physical endurance.
On the penultimate days of filming, they told me that Chen Shuo (Wang Yibo) had an uncomfortable ankle, but he didn't tell me that I only learned about it after several people. Although there was a team doctor on the scene every day, I told Yibo at that time that the movie is edited, and it doesn't matter if a certain time you dance is not so perfect, as long as a few moments are good, and then we can make up for it through other angles.
But he just has to be good from beginning to end, he is too demanding of himself. On the last day, he should have filmed the scene in a closed position.
In order to live up to his efforts, in the end, in the choice of editing, you can go to watch, I try my best to ensure that his performance is a complete camera, not cut. ”
An avid group performer
Dapeng used to watch many group performances in film and television dramas, such as a group of reporters mechanically pressing the camera shutter, and a group of wooden audiences under the concert stage, they would feel very dramatic. The main creator may pay more attention to the protagonist, and the supporting role is just a human flesh background board. This time filming "One and Only", Dapeng felt that the atmosphere creation of the competition scene was the top priority, and it was the key point for the audience to have a sense of presence and thus believe in the story.
No matter how big the scene, Dapeng requires every group audience in the audience to react with passion and commitment.
"Every day I try everything to liven up the atmosphere on the spot," Dapeng said, "The whole voice is dumb, if I can't do it, I will want my sister to go up, and if she can't do it, I will go up to others, and take turns to drive the atmosphere."
One day at 11 p.m., everyone started to get sleepy, and I felt as if the atmosphere was going to fall, so I rushed into the crowd myself. I said, look how I play an avid hip-hop audience. When you go to drive the atmosphere, everyone will be infected by you, and the atmosphere of the game can be more enthusiastic. ”
Dapeng, who did not star in his own movie for the first time, played a fanatical live audience, and he also set his "black photo" as a Weibo avatar
Prepare the last scene as if it were a movie
The last 20 minutes of the hip-hop competition were constantly reversed, and the climax was stacked, and wave after wave raised the atmosphere. How was this scene designed?
"We prepared the last scene as a movie. Although it is an action scene, it also takes on a lot of narrative functions, so that the game is always in suspense, there are constant reversals and accidents, and each round has ups and downs. Before filming this competition, our crew stopped work for a few days, and there were meetings every day, and various departments coordinated how to shoot this game.
Fortunately, we have the best dancers in China, the best dance consultants, the members of the coaching staff of the national team, and they give a lot of ideas. For example, someone was injured on the spot, how to persist with the injury, and impress the judges with spirit, such as the music suddenly stopped, the team's creativity..."
In the end, the exclamation point won satisfactory results with the comprehensive strength of the dance company, Chen Shuo's personal efforts, on-the-spot adaptability, team soul and creativity, etc., and I believe that it will definitely bring unexpected surprises to the audience.
Making a movie is very simple, it is a group of people who go all out for one thing
Chen Shuo in the play and Dapeng outside the play are both inspirational examples of struggle.
Recently, Dapeng turned out an old photo, which was a photo of his back with Wang Yibo at an event in Sina when he first stepped into the film industry nine years ago. At that time, he must not have imagined that one day they would collaborate on a movie.
In the ten days we filmed the National Street Dance Competition, every day burned to the fullest. About one day at the end of work, I found a room, and when there was no one, I cried there myself. It's not sad, it's reluctant to finish filming this scene. Even if this group of people gathers at another event in the future, it is not the feeling at this moment, and I miss the time I spent together. ”
"I thought later, maybe that's why I prefer to make movies. Life is hard, but making a movie is much simpler because it's simple, and everyone is desperately trying to give it their all for one thing.
Have you noticed that Yibo has become more smiling in this crew? Because that's what a twenty-four-five-year-old young man should look like, but he is Wang Yibo, and I know the pressure he faces, so in the crew, I try to make him find more security and trust. I believe that he was also very engaged and happy not to talk about the outcome of the final movie, but only about the summer they experienced together. ”
"This time I am also immersed in the directing work, I hope that this film can have a breakthrough in my career, because it is different, with such a powerful Bo Ge, Yibo, and such a group of the best Chinese dancers, everyone likes actors, I think it will become my best work so far." Dapeng said.
As the exclamation point recruitment slogan writes, "Keep working hard and you'll succeed!" This sentence is also true for each of the creators of Dapeng and "One and Only".
( Note : I removed some parts and paragraphs that focus more on DP and his past works. what is left here is about the movie, wyb and chen shuo. )
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coraniaid · 2 months
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(Answering @badwolfwho1's questions for this character ask game; three of four.)
Cordelia
5 What's the first song that comes to mind when you think about them?
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...yeah, this is just because of that scene in The Puppet Show, sorry. But I do think it's kind of arc-appropriate that Buffy's Shadow Self Cordelia sings a song about not wanting to live in anybody's shadow and then (eventually) leaves town.
12 What's a headcanon you have for this character?
Not exactly original to me but I think I am increasingly an ace Cordy truther. 
I know there are other explanations for some of the way she’s written in Buffy and that, in the high school years in particular, the writers really don’t seem to like to suggest that any of the women on the show might have any interest in sex as such (which is probably the real reason Xander spends more time talking about how physically attractive Willow’s boyfriend Oz is than Willow herself ever manages, tempting as it is to think of that as deliberate bisexual Xander / lesbian Willow foreshadowing).  
But Cordelia especially seems particularly confused (and occasionally actively repulsed) by the mere idea of sexual desire (“does looking at guns really make girls want to have sex?” she asks Xander in Innocence, while surrounded by guns herself, “That’s scary.”; “I get it!” she announces while Faith is talking to Buffy about the side-effects of Slaying, before quickly clarifying “Not the horny thing.  Yuck.”) despite the show also being clear that Cordelia has definitely had sex (among other things, there’s the story she tells about “a friend, not me” who had sex in her car and “kicked the gearshift”  in the health class in Bad Eggs). The general impression is, I feel, pretty striking (but, yeah, absolutely unintentional).
20 Which other character is the ideal best friend for this character, the amount of screentime they share doesn't matter?
In canon I really like Cordelia’s emergent friendship with Angel. No offense meant to the Cangel shippers, I just don’t really see the appeal of their relationship being romantic (and, for other reasons, I don't like the seasons where it's suggested that it might be, so it's not a take I'm normally exposed to much).  I said in a recent post that Angel doesn’t really exist in Buffy except as Buffy’s boyfriend (sometimes Cordelia or Faith might express some interest in him, but they are very clearly only doing so because he is Buffy’s boyfriend).  So it’s nice that Angel gets to be something more like a real person in his own show, and to form relationships with people that don’t have anything to do with Buffy anymore.  
(I know that many people on here like to suggest that Buffy and Cordelia would have remained friends after Cordelia left Sunnydale, but canon doesn’t really support that at all and I don’t think I see it either – I think post-high school Buffy and Cordelia would both see each other as representative of an old life they’re trying to move beyond and probably not make any effort to stay in touch -- it's noteworthty that when either of them talk about each other post-Graduation Day, which almost never happens, they do so fairly dismissively.)
Beyond canon, I think Anya and Cordelia would have gotten on well and I think it’s a shame (and slightly hard to explain in any in-universe way) that they never interact after The Wish.  Surely Cordelia is (from Anya’s perspective) the whole reason Anya is a human!  From her perspective, she’s the first person in a thousand years whose wish she was unable to grant, and trying to do so cost her her powers.  The only reason Anya can have for not being slightly obsessed about her is the fact she knows Cordelia is going to be written out of the show soon.  And equally Cordelia, post-Lovers Walk, is very clearly badly in need of a friend: that's why she starts talking to and hanging out with Anya in the first place!  And yet, after The Wish, nothing.  Feels like a wasted opportunity.
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tennfan2 · 1 year
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Nice to Meet You (Again)
(Oh hey - it’s my first scene log in… a long damn time! Also, Daisy? Put the card for this away while you read.)
First, a confession: my thing with memory play is that it kind of pisses me off that people are able to do it. I mean, I’m happy for them, but it’s always been kind of elusive for me. As a result, I’ve always had kind of mixed success with it as a hypnotist.
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So when my friend Daisy, who I’d been talking with since last summer and doing online trancy things with since the fall, mentioned being sort of curious about it, I was happy to play around. She’s a really good subject - someone who just inherently “gets it” - so I felt pretty good about the possibilities.
So, over a few weeks, we played with some simple things and over time we built a metaphor I really love. The idea is this: our brains are reference libraries, our memories are books, and there sure are a ton of books there, right? Too many to keep up with. So we all have a card catalog we can flip through to find the right one. The books never leave (it’s a reference library, obviously) but if you lose the card that tells you where it is? Then it’s essentially impossible to find.
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I learned that Daisy would be arriving to Charmed a day before I’d be able to get there, but since I live nearby, I had an idea. What if I picked her up on Wednesday evening and had her forget I’d done so, giving us two chances to meet for the first time?
I threw out the idea during one of our conversations and it was quite well received. I believe the response was just “HOT. Hot.”
A couple of weeks before Charmed, I had her in trance and walked through the particulars of the plan, and let her know that there was no need to remember that we’d even talked about it. Her (very excellent) brain did the rest and over the ensuing days she knew that we’d discussed… something, but there was no clue as to what.
So there I was, pulling up to the airport on the Wednesday before Charmed, and there she was, waiting on the curb. It had been a long time since I’d had that kind of moment–the one that comes from months of conversation and phone calls and Skype trances and that joy of finally meeting someone who felt like an old friend in the flesh. All joy, all around.
We got into the car and started driving and chatting, but I looked at my GPS and realized I’d totally overestimated the drive from the airport to the hotel. I quickly asked her if I could do a thing, and she agreed; I put her into trance as we drove and reminded her about the plan:
I’d take her to the hotel and get her settled, but as soon as I left, she’d forget how she got there, remembering only a lovely rideshare ride with a very nice driver. She’d know she’d gotten there safely and it would all make good sense in her mind. I also planted some other Easter eggs for the weekend, and helped reinforce some safety suggestions we’d built over the time we’d be playing.
We got to the hotel and she checked in, I went up to her room with her and got her settled, and then headed for home. Friends, it was *audaciously* hard to pry myself away. But I knew the payoff would be worth it.
She actually texted the next afternoon to see when I’d be arriving with my merry band of carmates, who I’d told about my plan, but when we arrived, she was engaged as a demo bottom and eager learner in Wiseguy’s first-day class! It was hilarious because I’d rounded up most of my covid pod for the weekend to watch the big reveal, and they were… slightly impatient as we awaited her getting out of class.
But when she arrived from class? It was pure, unmitigated joy, again. I knew it would be fun to meet her twice for the first time, but I can’t overstate how cool it was.
The look on her face to “finally” meet was so real, so joyful. It was as close as one could get to perfect. I introduced her to my friends, and then leaned in to ask… “is there anything you need to remember?”
Y’all. Y’ALL. It could not have been better. Her eyes rolled up and fluttered for what seemed like a minute, but was probably just a few seconds. Seeing the memories return to her mind in real time was unlike anything I’d ever really experienced. She turned to me, said “... you little shit.” (a term of endearment - take my word for it) and then just collapsed into a squat for… a while.
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It was so fun, so exciting, and so incredibly cool to do this, and I’m so grateful to Daisy for letting poke around in her brain (which is a truly excellent co-conspirator in all of this). What a great way to start a great weekend.
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blubushie · 5 months
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Tell us about Vegas?
YOU HAVE CHOSEN THE [BUSHMAN GUSSIED UP] ROUTE!
A TALE OF HIGH-ROLLERS
Warnings: Absolutely none! This a fun story. :]
So in November of 2021 (yes, a month before the Pig Incident) I went back to the US to see my family for a bit. I came back loaded with cash as a peace offering for my family (it didn't work) and so I left and went up to Oregon with a mate of mine for a few days to relax, recoup, and discuss work.
This went (mostly) ok minus a brief blue between us (I say "brief" but he's Still Mad About It, in my defence it was not my fault) and I left for Las Vegas, somewhere I hadn't been since I was very young. I got a flight out there and lounged for a bit and made my way to the only place I know would have me, a historical casino that's very popular (but not as much as it used to be.)
I went in the first night with $20k to blow away. I was upset because of the fight with my parents, further upset by the blue I had with my mate, and I wanted to be a little reckless and a little 20 and enjoy life for a week before I had to leave.
I have a quick meal in town at the Peppermill (incredible place), do some drinking there, then stop by Dream Exotics, rent out a 488 Ferrari, and head for the casino where I end up getting a cheap room.
It's $1500 per 24 hours, I had it for 3 days.
I head downstairs to the tables, sorta keep to myself and eventually I get to come up and play. If any of the you have read my fic, the scene in chapter 9 where Jess and Mundy play poker? Those were my winning hands. So we do a couple rounds.
Something that I didn't know, since I don't make a habit of high-profile gambling, or high-stakes gambling, is that casinos will comp you if they think you're rich. You put down a lot of money and they worship you. They'll spend top dollar on you in the hopes that you lose it all. It's fucking predatory, but it works. What's $20k spent on a gambler if he loses out $60k to you? That's still a $40k profit, and casinos are in the business of betting and winning.
They bet on the wrong bloke. I came in with $2k to piss away and bet $1500 first game. Lost it. Bet the last $500 and got it all back plus $2k more. Wagered that $2k, kept it and gained $1500 more. Bet the $1500, lost that. This repeated, maybe 12 rounds and until 2am, until I decided I'd had my fun and walked out with my $2k plus $6500 richer than I went in.
I'm an addict of one thing--alcohol. I am not a gambling addict. I know when to stop. I stopped. Everything after this was the casino wagering money on me in the hopes I'd come back down to the tables with more cash and lose it all.
I go back to my room. When I get there there's a bloke in a suit waiting for me and he says that the casino's "impressed" and has decided to comp my room and is upgrading me to a second-class suite, free of charge.
Who'm I to say no?
I get my shit and go with him. The suite's incredible. Spa Tower--a fucking two story suite with a spiral staircase, and it comes with a private chef! We're gonna call him C for Chef.
So I get there, set up, stare at this giant fucking bed, and wonder what kinda mess I just got myself into because everything has its price. I didn't get much sleep. Most of my time was spent cleaning my rifle very nervously as a soothing mechanism and muttering about "Oh we're really in for it now, Winnie."
But! I'm here for work. I want work. I love work!
So I finally head to bed around 4am, get a few hours of sleep, and dismiss the chef when he comes in the morning. He insists on making me something and I tip him $50 for some eggs and bacon.
We don't talk much, he's quiet and nervous and I remember where exactly I am and it occurs to me that maybe most people aren't exactly nice to him.
He comes around again for lunch--I don't remember what it was, think it was a panini--and dinner. Dinner was very very very good salmon. He's still not talking much, we mostly ignore each other, but I make him a martini as a courtesy and he seems to warm up a little.
(The suite has a wet bar and you can bet I drank practically all of that $700-worth of booze in it. This is when I first got into making cocktails, and I still enjoy making cocktails today. Thank god for fake IDs.)
Third day comes around, and this is when I get my arse in gear. I am in Vegas in a very high-profile casino. I'm playing with the big boys now and it's time I fucking act like it instead of hiding away in here. I've got impressions to make. I phone the front desk, as to speak to the hotel organiser, we get to talking and at my request he sets me up with a private barber and private tailor. Excellent. This will work. Chef comes in and makes brekkie (potato hash with eggs and chopped bacon) while I'm on the horn with the tailor and giving him the measurements I remember from the last time I had a suit tailored (for court, yay).
I tell the tailor to meet me at 6pm (giving 2hr for suit adjustments) and that I want something black and blue and very formal. I want to look like money. I ring the barber and tell him to come at 4pm, which gives us an hour to get my hair fixed before dinnie (because a mullet is NOT going to cut it here). I tell the cook to take off lunch, I'll meet him back here at 5pm for dinnie. I get dressed and dip.
Spend all day out on the town, seeing the sights and walking the strip and drinking for The Nerves. I head to Dream Exotics and rent out the Ferrari for another 2 days.
I don't get lunch on accounting for big dinnie. Eventually I get back to the casino, valet takes the car, and I head back to my suite.
4pm rolls around and 5 till, I hear a knock at the door. Scramble down the spiral staircase and make my way to the door. Answer it. There's my barber. He's short, very unassuming, older than me by about two decades, scrawny but with bony fingers that show he's been a barber for a long time. He has Those Kinds Of Hands--the kinds of hands that only people who work intricately with their fingers get; hairdressers, barbers, tailors, seamsters, artists, pianists... Wiry knuckles. You get it.
So I let him in and show him around the place. He comes inside and I ask to see his bag. We go through it. It's everything you'd expect. Ok, you're clear, I'll show you the bathroom. We head upstairs. Fifteen minutes later he's drawing the water up in the shower (yay detachable nozzles) and I'm trying my best to avoid looking in the mirror. And this blokes look at me and says my hair looks very thick. And that he likes this, because it means he doesn't have to use volumiser since my hair already has volume.
And then he says "You have hair like a woman's." There's a pause. "I mean that as a compliment." Thanks I guess?
I'm sitting on the edge of the tub and looking out the window and wondering why the fuck I even put this plan in action to start with when he asks me what I'm thinking. You know, in terms of style. And I say honestly, I don't know. Listen, I've got a meeting tonight, I know you should sleep on a fresh haircut but I'm a bit pinched for time. I have to look professional. I have to look good.
He looks at me, seems to have this eureka moment, and we get started. "I've got you." So I take my shirt off cuz it's just gonna get wet if I don't, my hair gets washed, and we head downstairs to the bar. I'm sat in a barstool we pulled from the bar at the eating bar in the kitchen and he gets to cutting.
And because this was pre-stroke I had a Texan accent at the time. So my barber, who I'm gonna call B, he gets curious and asks if I'm a Texas highroller. I tell him I'm a highroller but I'm not from Texas. A guessing game starts. I'll give you a $100 tip if you can guess where I'm from. The cunt guesses South Africa before he guesses Australia. Do I look South African to you? "No, you look like a cowboy." Pssh.
Eventually he guesses Australia. Ding ding ding, we have a winner. So we move on and chatter for a bit about this that and the other, he blows my hair to get the cuttings off but air dried hair is Special so we decide we'll let it air dry. Eventually C gets there, I let him in, and he makes us some steak and potatoes (FUCKING INCREDIBLE) and my hair dries as we all eat. This is the only time I've ever eaten wagyu steak. This shit was A5. Holy fuck the marbling. Melts in your mouth, absolutely incredible.
While all three of us are eating, I pitch the game to the chef. Barber and I are giggling as he thinks. His first guess is Oklahoma, because "Texas is too obvious." Buzzer. He guesses a couple of times. Gets them all wrong. He keeps guessing and he ends up getting a little red-faced in his frustration so I say if he can just guess the country I'll give it to him. He guesses South Africa. "That's what I said," goes B.
"Why South Africa? B guessed it too."
"There's a lot of rich white people in South Africa."
Fair. The game continues.
C names practiclly every European nation there is and then some. He names Canada, he names France and I wrinkle my nose. He names Spain. No. "You look Spanish." My mum's Portuguese?
To hand it to him, my freshly cut hair was drying, I was sitting at the dinner table shirtless and actually eating my steak with a knife AND fork, looking a bit professional despite my state of dress, and drinking a bottle of 1970-something Macallan off the spout. Plus I was freshly de-mulleted. I wasn't exactly the shining example of Aussie. More "American cowboy plucked fresh off the ranch."
But I get bored of the game eventually and I'd finished eating, so I say I'll give him the letter. Starts with an A.
"Aus-"
Yessss…
"-trian?"
NO!
His reasoning is that I'm drinking Macallan off spout for the past hour, it's not affecting me at all yet, and Germanics have a high booze tolerance?
"You know who else has a high booze tolerance? The drunkest nation on the planet."
C is confused.
"He means Australians," chimes B.
"Australians?" C looks at me. "You mean…" He grabs his knife, kinda points it at me but in the faux-threatening way. "'Now that's a knoife' kind?"
Sigh. "Yeah. Aussie."
"So where are you from? Sydney? Where's your accent? Have you ever seen a kangaroo?"
"Are you from Melbourne?" asks B. It's a good guess--there's a lotta rich people in M*lbourne.
"Someplace you never heard of."
The topic drops.
We yarn for a while longer about nothing in particular, mostly about food. I find out that B spent some time in Italy and really loves Italian food, C's favourite food to cook is Italian, they hit it off and I'm sitting in silence as I listen. Not in the third wheel kinda way, but in the intrigued kinda way. They're having a conversation that I'm glad to be a part of. It's interesting.
I make a mental note to have C cook me something Italian for dinner tomorrow.
B decides it's time for the dry cut, so we head back to the kitchen bar (I bring my whikky) and C goes about cleaning up the kish. He's humming as he tidies and eventually he looks over at me and goes "So nowhere Australia?"
"Woop woop, yeah."
"How'd you end up here? With the suite and us? How'd you make it?"
There's a hope in his eyes that's kinda sad. In that childish "I wanna be like him one day" kinda way. He thinks I'm something to aspire to be like. Sad.
"Cattle baron's son?" asks B. He's polite about it. There's no implications there. It's an honest question. He wants to know if I came into money or if I was born into it.
"Nah. Just know the right people."
Topic drops again.
It hits 6:30 and I say goodnight to C, tell him I'll see him in the morning, and he leaves. B is just finishing up with the last trims on my beard--he did a fucking excellent job, made my sideburns sharp and my beard looked perfect--when T gets there. We brush me off, he blows my hair and face and shoulders and chest, and he rubs up my face with an aloe-free aftershave before blotting it try. I get up and let T in and I can see the look on his face when he realises I am in fact as short as I said I was. Kinda funny!
B gets to watch, very amusedly, as T tries to get the bushman into a custom-tailored suit. T thought I was very strange at my initial refusal to wear undergarments (autism no like), but he insists that he can retailor the suit and reuse it for someone else if I do wear underclothes, so I agree and put on some trunks and an undershirt.
The suit was a little loose since this was the start of summer in Australia and I was down quite a few kilos. So some last-minute adjustments have to be made.
After an hour it strikes 7:45 and I'm now fully dressed in this suit. It's tight at the wrists in a way I don't like, but it's a pearl-buttoned jacket, pearl-buttoned dress shirt, pearl cufflinks, and black silk bowtie. I look good.
Black sleek suit, blue velvet lapel, all the pearl accents and everything else? I'm looking good. I get a little blue velvet handkerchief that goes in my breast pocket. I look built for a wedding. Or making connections.
Best $2k worth of clothing I ever spent. Except maybe the $150 I spent for my hat. But still. I'm rocking this shit.
So T is adding the finishing touches, tightening hems and adding little folds on the inside that you can't even really see so that the suit fits me just perfectly, and B is chuckling about this. I glare at him. He stops chuckling about it. Very amusing. T hands me my sunnies and explains that the piss-yellow of the sunnies compliments the black and blue nicely despite the contrast. And I might not be much an artist, but I am a colours bloke, and I can see it. I can understand it. Makes sense. I put them on.
B wets my hair a little, breaks out some hair gel and rubs it on his hands, styles my bangs over to one side, makes some quip about how I should've let him clip the sideburns, and the two fellas back up to get a good look at me. I Am Nervous.
T makes a comment about my hair, B agrees and walks up and fucks with my bangs until a little piece of them dangles at my forehead over my widow's peak instead of combed to the side like the rest. I cock my brow at him but then he steps back and dries his hands and puts them on his hips.
They're not saying anything.
"…How do I look?"
T asks B if he has a mirror. No no no, no mirrors, just tell me.
"Like a million dollars."
Aces.
I pay them, thank them for their time, agree to return the suit to T at the end of the week, and get on my way after they leave. Get my knife in my jacket pocket and my revolver in the other, head downstairs to the lobby, then get the lift down to the subfloors. I flash my card to the bouncer and when I walk in the smell of smoke hits me. In this casino you are not allowed to smoke inside. The highroller floors are an exception to this rule.
I get a glass of champagne off a waitress' tray and find my way to the bar and I sit there for a bit and start yarning with the bartender. The night's quiet, there's not many people in. Most are out at dinner. It didn't get lively until 10pm, and that's when the real fun started. I played a few more games, won $1500, went back to the bar to drink and people watch and wait. Work as usual.
And that's about it. Ended up walking away with a job that night and it was fun! I met people! I socialised! I didn't make an idiot of myself! Yaaay good impressions!
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ironwoman18 · 2 days
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Rather Be - Part 1
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Disclaimer: The characters or the main plot of Spy x Family belongs to me. Only the stories in this fic or the OC I add.
Chapter 1: Exalted in the scene
Yor was determined to be a better wife and mother so she decided to talk to their neighbor. An old lady and her husband were their new neighbors and they were really nice.
They even accepted to be called grandma and grandpa by Anya since Loid’s parents were dead and hers too.
Grandpa helped Anya to study for her final exams and she finally got a Stellar for it so they were thankful for their help.
That's why Yor thought about asking grandma to help her with some cooking classes.
Yor knocked on the door and after a few minutes the old lady opened it “oh hello Yor” she said smiling kindly “what can I do for you?”
The black haired woman blushed softly and played with her fingers “well... Umm... I was wondering if you could... Umm... Teach me how to cook?”
The old lady smiled kindly and nodded “of course sweetie” she said, looking at her and held her hand to let her in “first of all, where are you from?”
“I'm from the south side of the country. Why?”
“I need to know how to help find the tastes of your childhood”
“My mother died when I was little so I don't have lots of memories”
“But there must be something sweetie” she smiled and looked for ingredients. Some of them looked quite familiar to her and realized that her mother used some of them.
The old lady handed her a small book “look for page 10” she nodded and looked for it. There was a recipe.
“Eggs and bacon?” She said blushing a little looking at the woman.
“We have to start with the basics honey” she smiled “Ok first we have to cook the bacon”
The old lady started to instruct Yor on the basics and the young lady nodded taking notes.
Grandma explained what to do and let her do it as was explaining, and in the end they put their eggs and bacon on two plates.
“Let's try” the two women nodded and exchanged their plates and started to eat. Yor looked at the old lady blushing a little nervous “excellent job Yor” she smiled and Yor got excited.
“Yours is delicious as well” she smiled and tried some of her own plate and she realized it tasted very similar to her teacher.
“Try it at home tomorrow morning and you will see how your husband and kid will love it, even that beautiful dog of yours will love it too” she nodded very happy “next day we will learn another recipe for lunch”
“Well normally we aren't at home at lunch time”
“You can do it on the weekends or on vacation” Yor realized how dumb she was and nodded again blushing softly.
“You are absolutely right” she left for work and spent that whole day in such a good mood, she was so happy that people thought she did ‘that’ with her husband right before arriving at work.
The next day Loid and Anya woke up with the surprise of Yor cooking.
“Good morning guy!” Said a very happy Yor “I will cook breakfast today” she smiled and her cheeks were red.
Loid and Anya looked at each other in panic.
‘Oh God... I can't get sick today, I have an important mission’ thought Loid and Anya heard.
She held his hand so her dad relaxed but also to relax herself.
“Let's trust mommy...” Said her unsure but hoping for the best.
When everything was done and they sat down, Anya, Loid and Bond looked at each other with a little drop of sweat on their head.
They ate and we're shocked when the food wasn't terrible, in fact, it was well cooked and tasty.
“Wow Yor... This is wonderful!” Said a happy Loid eating with a smile.
“Mommy this is incredible!!” Said Anya smiling too.
Yor was eating too blushing and noticed Bond rubbing his snob on her leg happy with the food too.
Yor watched this and felt happy and full of hope because her family was enjoying and there's no other place she would rather be than with them, living this moment.
OOooOOooOO
I hope you liked this one. I might do more with more small moments with them showing how there's not place they would rather be than with themselves, Loid, Yor, Anya and Bond as a family.
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disregardcanon · 15 days
Text
Toh npmd au for my own personal amusement
First thing’s first: character assignments 
Amity as Steph 
Luz as Pete 
Willow and Gus as Ruth and Richie
Boscha as Max 
Hunter as Grace 
Odalia and Belos both as parts of Mayor Lauter
Setting details: it’s still in Gravesfield, CT which still has its same Puritan vs witches branding. The mascot is a pilgrim and that IS Gus in the suit. Who has more school spirit than Augustus Porter? (No one.) 
So a few changes I’m making to make the toh cast slot a bit easier into the framework 
Belos is a fundamentalist preacher who’s raising his “niece”. Yes he DID kill Caleb and Charlotte. No one knows tho. It was lords in black related. Does that make it better? eh
Hunter is trans masc and a TOTAL egg. Right now, he’s a very enthusiastic little warrior for purity culture. Yes, he’s trying to get the dance canceled, YES he’s bullied a lot for being a “nerdy prude”. Not gonna dead name him but. He wouldn’t realize he’s a guy until significantly after the events of this musical 
Luz has NOT been in amity’s class since the 1st grade. She only moved here a year ago
Amity is still the mayor’s daughter and she and Boscha used to date. Amity’s stopped actively bullying people after they broke up and she’s felt like, guilty about it, but she’s never seen how much more.. Physical? Boscha’s bullying got than hers did. Sure, Amity was a queen of psychological warfare, but she never beat people up in the parking lot. 
Luz moves to Gravesfield during her junior year of high school. Amity and Boscha on the cusp of breaking up, so things are changing in their social hierarchy. For one, Amity is backing away from bullying and the spotlight and for two Boscha is getting WORSE. She when Luz moves in and aligns herself with “half-a-woman Willow” and Steve Urkel.. She’s thrown to the bottom of the school hierarchy immediately. Looney Lulu is what comes to mind first. 
Enter Boscha: literal monster, best quarterback in the school’s history and the first girl (she works that angle as hard as she can), and QUEEN of the school. She’s amity’s ex and like… mainly over her. 
Okay, who are we kidding? She’s not over her. Not at all. Boscha decides to put all her “trying to make amity jealous and take me back” energy into seducing amity’s least favorite student: local nerdy prude, preacher’s “niece” wittebane. 
Hunter and amity do NOT get along. At all. They’re duking it out for the valedictorian spot, their respective guardians are pitting them against each other, and they both just find the other… insufferable. 
So trying to bag the “girl” who’s the forbidden fruit and maybe making amity mad enough to take her back with it too? It’s worth a try, at least. 
Amity, meanwhile, is failing theater. She’s getting very frustrated and flustered and asks luz to be her scene partner so maybe she doesn’t fall on her ass. Luz is nervous because this is Amity Blight, super cool girl who used to be very mean to willow and now isn’t really a bully but is just? Way cooler than they are? Amity’s able to talk her into it. 
The teacher heaps a LOT of praise onto them and their chemistry and promises them good grades in the future if they keep working with each other. This leads to amity calling luz and trying to set up the pasqualli’s date. 
Boscha, meanwhile, is cornering hunter near the gym where he’s protesting the concept of dancing. He gets freaked out when boscha starts getting very very flirty and he gets really flustered because? Girl? Girl flirt with me? Also a girl? Hahahaha NO I AM NOT GAY I AM NOT- and he’s having a little sexuality crisis. Willow, who’s done putting up with boscha’s shit right here in the school building, hurls a waterbottle across the room in between them. 
Hunter SPRINTS away because OH BOY I WAS EXPERIENCING SOMETHING STRANGE AND UNWELCOME NO THANK YOU NO THANK YOU- and then he finds out that newly buff and gaining more confidence willow is the one who saved him. And she’s just like oh yeah anytime. No one should corner other people like that. And his little heart is going bEEPBEEPBEEEP BEEEEEEEEEEPPP and the rest of his body is not calming down either, ya know? 
Unwanted sexual attractions experienced by local nerdy prude today: 2. Fantasies experienced in the bathtub: 2 very, very different ones in a single sequence. 
Luz gets the shit kicked out of her at pasqualli’s because she runs into boscha before she finds amity and she’s like no i’m not gonna cower AMITY BLIGHT INVITED ME HERE! And. that. DOES NOT GO WELL 
Willow is ready to go to war over this when they get to school the next morning because she WARNED luz that amity wasn’t to be trusted and look? Look what happened! And luz is like yeah you also said i should stand up for myself- and willow’s like husssshhh. 
They plan a prank in the bathroom that goes very poorly. Hunter writes gus a detention slip for being in the girls’ bathroom (he should have written himself one too!) and then they prank the shit out of Boscha. 
To the point she. You know. Dies. then they have to dismember her at hunter’s urging! Hooray!!!!
Cue peace and love at the high school :) until poor gus dies. I’m sorry dude! You’re the mascot you were cursed. Of course the quarterback was going after you first. 
Boscha goes after luz second because she’s the dweeb who thought that she could steal boscha’s girl. Luckily for luz and amity both, they were together at this point and they RUN as fast as they can. Luz demands they go find willow because she’s probably the next victim, and they find her mid-boscha kill. She lost an arm because boscha was trying to take the “half-a-” thing to its logical, puny extreme. They rush her off to the hospital. The police come to question them. 
And then pastor wittebane comes with hunter in tow. He pulls something with the police about the parks wanting him to perform a protestant equivalent of anointing of the sick on their ailing daughter. 
Pastor wittebane very clearly knows what happened. 
“I thought you were gonna keep the beans cool!” Amity demands. 
“I couldn’t,” hunter tells her. 
“Fucking useless, wittebane,” amity mutters. 
Pastor wittebane glares at all of them. “You are going to get in my car and come with me.” 
“That sounds bad,” luz says, “my mom told me to never be one on one with religious officials.” 
“Fine,” he says, “if you’d like to be the next victim, be my guest.” 
They all get in the car, except Willow, who’s bed-bound. (Luckily, since she’s already in the hospital, boscha thinks of her as less of a kill count priority.) 
Belos takes them out ot the middle of the woods and makes them dig up the black book. Then boscha kills him! We DO get boscha killing belos, so i think that’s a win. They flee the scene, run into some cops, then make it to the high school to complete the ritual. 
We’ve got amity, luz, and hunter on the floor of the gym summoning the evil teletubbies. The evil teletubbies REALLY want amity to kill luz. They get to have their cool as i think i am reprise <3 and then the bullet leaves the gun and boscha catches it. Because she is very, very excited to do luz in personally. She’s still debating whether or not she’s gonna end amity, but luz IS going to die. In front of amity. For absolutely certain. 
Boscha’s getting ready to take care of another nerdy prude when hunter bursts out like HELLO YES! I AM READY TO HAVE THE SEXUAL INTERCOURSE! And boscha’s just like… whut? And then he gets very flirty and goes along with the stuff that she was saying earlier, and he’s.. Legit into it. Sure, flirting with hunter was half to spite amity, but she’s still very turned on by the idea of corrupting the perfect angel church girl into having hot and heavy sex with her on the football field. And making amity watch? That’s a bonus. Maybe she’ll get a threesome out of it. 
Hunter sends boscha to hell with the power of his jesus freak virginity, luz and amity have sixteen different crises, and willow lives to hear the whole crazy tale. Luz and willow mourn gus, hunter goes through the weird process of mourning his uncle while also realizing he’s glad that the guy’s gone and gets to know the shoulder ANGEL part of the shoulder angel and shoulder devil fantasy he was experiencing, and amity hides the book away in her own personal safe to try to keep it away from bad actors. 
It doesn’t keep it safe from mayor odalia blight, but… that’s not going to be that big of a deal.. Right? RIGHT?!?!?!
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mallowmaenad · 4 months
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19, 26, 34?
19:A fact about your personality
I have multiple.
26:My biggest pet peeves
Being rude to servers, wasting food, people that project their feelings onto the actions of domesticated animals and babies for fun, when an easily recognizable thing in a foreign piece of media gets localized into something stupid, "cute" animal videos where the animal is being mistreated, exotic pet owners, expensive rice, expensive soda, when tv shows' seasons are spread over multiple streaming services vs. all being on one or more, people that find kate upton attractive, people raising their voices, cars that have the bass turned up so loud you hear the chassis rattling like its going to explode more than you hear the actual music, people that tell you to "just google it", ghosting, people making arguments against nobody because they want to look enlightened, christians acting oppressed, people that hate the homestuck and hlvrai fanbase, people that make fandom their whole personalities, conspicuous consumption, people who talk about firebombing walmarts n shit who have never done anything in their lives to help their communities, when I send something to someone for them to read and they never get around to reading it because they don't have the patience to, overconfident men, when someone eggs me on and on to play a video game so we can play together and then when I start playing it they suddenly don't have any time to play it with me anymore, when settings have lore than make whole swaths of species ontologically evil, people who are picky about grammar and spelling, people who say skyrim is the worst elder scrolls game, having to play tabletop RPGs by "official play" guidelines, delivery fees that don't even go to the delivery driver, people who talk about cool weapons "not being practical", hats with poor craftsmanship, the feel of wearing converse shoes, youtube accent, cis white dudes being at the forefront of progressiveness in pop culture, people assuming you understand whatever references they make to a thing adjacent to something you do know about but personally don't care about, farting in my direction, uncreative misappropriation of the word "golem", wanting to fuck league of legends characters, people that think cat girls are more popular than puppy girls in real life, deodorant, people that get pissy about buying pre-minced garlic, when arizona ice tea is more expensive than 1 dollar a can, mr. beast's face, the term "thicc" and its consequences, people who like fat asses and thick thighs who hate it when girls are fat, when people conflate the dnd class list as having actual ramifications in wider fantasy media, people who think weed is bad, asking for criticism and only receiving complaints, people that say chinese-american or texmex cuisine isnt "authentic", formalities, out of character lewd fanart especially if it's of a strong, dominant woman in a submissive position with toned down muscles, when RPGs butch bait me,
blonde girls with no personality, NHentai's tag search system, mid shounen dominating the western anime scene, when someone says something is "so gay" but its just their fandom headcanons, when one take from a post or article gets so popular when you bring up the thing it's related to people can't not bring it up every time the topic appears, people that try to get the attention of zoo animals, people that own over 700 dollars worth of firearms that aren't collectors like actual collectors not fuckin Clint from the suburbs that feels like a man only cause he owns an AR-15 and a Desert Eagle , lack of cool and edgy plus size character designs, when people call transphobic caricatures "GNC AF", gum immediately losing its flavor, the olive oil industry, when people tell me "just emulate it" or "just pirate it" and roll their eyes when I tell them I'm worried about viruses, games that rip off grand theft auto, when charity bundles on itch.io are 80% unfinished PWYW proof of concept demos put there to get good will advertising, people who are concerned with Wario's honor, lack of plus size yuri, people who turn their noses up to foreign foods, RPGs with character customization that won't let you play as a girl, doing my taxes, when people are coy about details, dudes that want to fuck alstolfo, slowed with reverb remixes, the memeification of phonk, the price of video games, waiting on game downloads after putting the disc into the console, people doing me favors and getting passive-aggressive about it later when I didn't ask for it/tried to ease the burden of it as much as possible, when people ask me what I want on my burger when the menu clearly outlines what toppings the burger is meant to come with, trying to find a tf2 classic server without additional weapon mods that break the game, polo shirts
34:What I find attractive in women
Interesting personality, eager to praise, understanding, warm, enjoys eating, weird, decent fashion sense, messy bedroom/car, doesn't wear any strong artificial scents, progressive stances on neurodivergence and psychology, physically affectionate, has incorporated something like a kind of animal or fantastical concept into their identity, caring, vaguely maternal at times, willing to play video games and watch youtube poops, sense of humor, soft, will do drugs with me in a level-headed manner, likes goofy looking cocktails and desserts, not above eating a 5 dollar hamburger on a date, into fat girls, has a broad definition of what sex is, ideally transgender, nice lap to lay head in, endurance to have 300lbs on top of them for some period of time, willing to buy things for me, kinky in a cringe way, a bit ugly (by society's standards), older than me, into obscure animes and music, appreciates a good cup of coffee, lax style, cringe resistant, quiet, into plushies, total nerd, in terms of appearance I like a very diverse range of those to the point where it doesn't factor in as much but I find conventionally attractive people boring and visible ribs make me feel concerned and uncomfortable
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oceansprompts · 9 months
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𝕓𝕣𝕖𝕒𝕜𝕗𝕒𝕤𝕥 𝕒𝕥 𝕥𝕚𝕗𝕗𝕒𝕟𝕪'𝕤 𝕢𝕦𝕠𝕥𝕖 𝕤𝕥𝕒𝕣𝕥𝕖𝕣𝕤
PART 2. . . . adjusted for general use. . . . change as needed for usage
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Don’t get all tense and soft. Come on in. it’s a party. There’s a lot of characters coming around here who aren’t expected.
I’ll buy you a drink. You drink?
Look at this place. What a place. It’s unbelievable. What a dump.
Stop blushing. You didn’t say you’re a genius, I did.
So, you don’t, huh? Well, you’re wrong. She is. Uh, on the other hand, you’re right, because she’s a real phony.
You know why? Because she honestly believes all this phony junk that she believes in. I mean it.
Now look, I like the kid, I sincerely like the kid. I do. I’m sensitive, that’s why. You got to be sensitive to like the kid.
It’s .. It’s what you call a touch, a streak of the poet.
I’m the guy that discovered her. A couple of years ago, back in the coast, she was just a kid—lot of style and class...you know
Class. She had a lot of class. But when she opened her mouth, you didn’t know what she was talking about—whether she was a hillbilly or an Okie.
Don’t tell me she isn’t a phony. You know what I mean?
Darling, I tried reaching you all day long. Your answering service doesn’t answer.
Well you know the kind of trouble people have with answering services.
This is some party. Who are all these people, anyhow?
She’s a model, believe it or not, and a thumping bore.
He’s all right I suppose, if you like dark, handsome, rich-looking men with passionate natures and too many teeth.
Now, that, indeed, is a remarkable piece of information to have at your fingertips.
: Wouldn’t he just m-melt in your mouth?
You’re not vexed at me for bringing him?
Look I wasn’t supposed to pick you up, here or anywhere.
Oh, the police. The police? Oh! That I cannot have.
To think I’d find a beau of mine mousing after a piece of cheap Hollywood trash.
Shut up, you! You know what’s going to happen to you? I’m going to march you over to the zoo and feed you to the yak... just as soon as I finish this drink.
Certainly would be good for some laughs.
Darling, please stop. You’re making me blush.
He’s an absolute rat. But I guess, of course, I really don’t know anybody but rats.
Give me a kiss goodbye.
See if who’s still there? What are you talking about?
Look. See? I noticed him yesterday afternoon. I didn’t say anything. I didn’t want to sound neurotic, but... when he’s there again today...
No. no, don’t. Please. If that’s what it is, you’ll only make everything worse.
Now, take it easy. I just want to find out what this is all about.
A couple of wild young’uns they was. I caught ‘em outside the house stealing milk and turkey eggs.
The prize from the cracker jack. Want it?
Never could understand why that woman run off. Don’t tell me she weren’t happy.
Talky as a jaybird she was, with something smart to say on every subject. Better than the radio.
I need a friend, ‘cause I don’t want to surprise her or scare her none. Be my friend. Let her know I’m here. Will you do that for me?
All right. Coming. Oh, darling, I’m just on my way out. I’m supposed to be out half an hour ago. Maybe we can have a drink or something tomorrow.
Gee, honey, don’t they feed you up here? You’re so skinny.
What is it? What’s the matter? You all right?
I want you to come to the bus station with us. He still thinks I’m going back with him. I don’t know if I can play the scene alone.
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nellie-elizabeth · 10 months
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Outlander: Where the Waters Meet (7x06)
Lots of good stuff to talk about!
Cons:
I remember this from the books, that Jamie's time fighting for the rebels keeps kind of dragging on and getting addendums added onto it. Like, you think he's done, then he gets pulled in elsewhere, and keeps saying yes again and again... it felt a little messy in the book too, and here I find myself antsy to get to Scotland and all the stuff that happens in the aftermath of that.
Pros:
In the aftermath of fleeing from the fort, Jamie and Claire try and help sneak as many people away as they can. One woman, frantic and sure that the Indians are going to take her, ends up running off and when Claire goes to find her, she watches the woman take her own life, and is then captured by the British. When taken to their camp, she finds her patient Walter Woodcock, and she also finds... William. I loved Claire showing her compassion and strength as a medical professional again, and that William, even upon finding her to be a rebel, wants to help her out as best as he's able.
The scene with Ian is also illuminative of what a good egg William is. He's got his strong principles, but deep at heart he knows the right thing to do doesn't always align with his orders. After thanking Ian graciously for saving his life, he discovers that Ian is here to rescue his aunt, and is in fact a rebel as well. His anger at being lied to is clear, but end of the day, he feels he owes Ian for his own life, and owes Claire for his father's life back when he was sick at the Ridge. (If only William knew how many times Claire had saved the life of his other father...)
The scene where Claire tells Jamie all about William was really heartwarming. It was the most emotional part of the episode for me, even beyond their reunion after Claire had been taken by the British. We also see Ian and Rachel continuing their growing connection. They're pretty adorable, I actually think I'm warming to them more on the show than I ever did in the books.
One more note on William: he's properly shamed by Richardson for failing to deliver the letters he was given. Richardson explains that the messages were for spies among the rebels, and William feels terrible for failing in his mission. Richardson promises he'll get a chance to redeem himself. This is bound to be interesting, given what I know is coming. It's a good way to set up William's core values, and how far he'll go to prove himself.
Meanwhile, the 20th century plotline ended up surprising me by being maybe my favorite stuff in the whole episode? Roger is really working for me as a character here. We see him working on his time travel book to give to the kids someday, and also teaching a class to the community, in Gaelic. He's such a natural with kids, and the moment where they all sing in the Gaelic, call and response, was really touching. And then he's doing so well for himself as a stay at home dad, too. he's really starting to settle into his life here and find his purpose. It strikes me more than it ever did when I read these parts of the books, how much of a tragedy it is that they're not going to be able to keep the life they've been building for themselves here. I also really liked the moment with Rob Cameron forcefully inviting himself over for dinner at Lallybroch. I know where it's all going, of course, but honestly it was just cute to see Roger all flustered, trying to figure this guy out, and determine whether he might be making himself a new friend.
And... we see a hint of exactly how everything might start to unravel, as Roger finally tracks down the mysterious figure who's been lurking around the property, scaring the children and eating their food. It's... William "Buck" MacKenzie! What could he be doing here! Stay tuned to find out more...
I'm really happy with all the stuff we're getting to see in this season. It's maybe the most I've enjoyed this show in several years - I'm sad that season eight will be the end of this show!
8.5/10
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igarbagecannoteven · 1 year
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2022 Writing Evaluation
thanks so much @clumsyclifford , @allsassnoclass , & @jbhmalumm for tagging me in this! i'm gonna talk about my fics in all fandoms even tho this is my music blog bc i don't have anything separated into pseuds (i strive for chaos on my ao3 account) putting it under the cut bc i'm sure it's gonna be long lol
number of stories posted on ao3: 25! 18 in 5sos, 4 in hp, and 3 miscellaneous fandoms
word count posted for this year: 40,705
fandoms i wrote for: 5sos, hp, discworld, doctor who, & dungeons and daddies
pairings: lashton (4), cashton (3), muke (2.5) (bc they're background in one), malum (2), cake (2), mashton (1), penelope/percy (1)
story with the most kudos/bookmarks/comments: burnt eggs & broken promises has the most kudos, do you wanna touch (yeah) and permanent jet lag are tied for most bookmarks, and fear the fever has the most comments
work i’m most proud of and why: i'm proud of almost all of the work i put out this year, and there are a couple ones that immediately spring to mind, but i'm going to really come out of left field here and say Being Hannah Abbott! "but megs," you might say, "why on earth would you pick the only fic that has zero kudos? it's definitely not your best written work of the year." to which i say, true! however, i have been trying to get this fic right since 10th grade! i'm now a senior in college! "but megs it's significantly less than 1k how did it take you that long" listen! listen. sometimes. you have to wait until you're good enough to finish a fic. this has more than 5 docs of different drafts saved to my laptop. also you're forgetting the fact that i'm insane
work i’m least proud of and why: okay listen. i know it's my most kudos'd work. i know that. however i am not happy with burnt eggs and broken promises. bella left me a lovely long comment on it recently that made me rethink my feelings towards it but i still think it isn't as good as it could have been so sorry folks
share or describe a favorite review you’ve received: i love it when people tell me i made them cry it's my favorite thing in the whole world best compliment to receive imo
a time when writing was really, really hard: you're assuming i remember what i was experiencing earlier in 2022 which is where you've made your mistake slkdjflskdjf ummmm i remember have a really hard time this fall semester, especially in september/october, i just couldn't get any motivation whatsoever (which tends to be my biggest problem tbh)
a scene or character you wrote who surprised you: goood question,,, you know, i really wasn't expecting to ever write a mcu au and yet pining is a strange sort of mcu au. i originally was going to write it so one half of the pairing got lost at sea and their bf was waiting on shore not sure if they were dead or alive, but the characters did not want to be like that at all which is how i ended up with poor post-snap calum (who may be getting a happy sequel someday shhh)
a favorite excerpt of your writing: i love the transformation scene in fear the fever. i just love writing body horror for some reason and i've always had strong opinions about what i think vampires & their transformations are like physically and it was a blast to get to explore that in this fic :))
how did you grow as a writer this year? i think a lot of my growth happens slowly over time and therefore is hard to pinpoint, but i took a creative writing class in the spring on opening a novel and that helped me rethink the way i start fics now. also i learned to think more about what i want out of my fic! thinking about why i write and why i post fic really helped me realize what fic writing advice to take and what to ignore (if you're like me and the goal of a fic is to write the concept the best you can, than posts talking about how it's okay to post random, unedited snippets are not actually helpful and can actually be counter-intuitive)
how do you hope to grow next year? i really want to write more often and be more disciplined about writing. as always i want to learn how to be better in the craft aspect in general (which is a goal i expect to always have, since i'll never be perfect at it) and i'd also like to be better with subtext & symbolism & ~themes~ bc i always forget to those last two and my subtext is, in my opinion, rather lacking at the moment
who was your greatest positive influence this year as a writer (could be another writer or beta or cheerleader or muse etc etc)? bella is the best live-in cheerleader/rubber duck a writer could ask for, and i would be royally screwed without her 💙 hazel is always an incredible virtual cheerleader/ideas bouncer and i am dearly in her debt, and meghna is wonderful for fueling my wacky ideas-mobile; i am incredibly lucky that they're just a discord dm away 🥰 also she's 100% not going to see this but my mom finished her mfa program this year and has been working on finishing her novel, and writing with her and talking shop together has been very helpful in keeping me at the keyboard and with more thematically technical details (little does she know it's for my rfp fanfic lol)
anything from real life show up in your writing this year? yep! lots! keep you safe (safe as i can), an hp fic, reflects some of my worries about my little bro growing up; Questions Involving Vampires & Skirts, while not reflective of my own gender, does reflect some of my weird gender-y fuckery; just dance (gonna be okay)'s michael shares my feelings regarding dancing in empty elevators; do you wanna touch (yeah) is inspired by me visiting a craft store with my fam and touching basically everything in the store; permanent jet lag is based off of flying international with my baby bro who is Very Tall; & glasses is based off of my truly awful eyesight and how i still feel like if i have my glasses off people can't perceive me lol (yes you heard it here first folks, megs has the object permanence of a toddler)
any new wisdom you can share with other writers? write! have fun with it! go to irl critique groups if possible! don't expect things to be perfect on the first draft, because most people's first drafts are shit and that's okay! challenge yourself! don't be afraid to embrace the cringe! it's okay to settle unless it's gonna make you miserable! eat your writing frogs! don't be afraid to ask for help! get a rubber duck!
any projects you’re looking forward to starting (or finishing) in the new year? i really want to finish tis the damn fic. i'd love for it to be ready to post by december. i'm kneeling at my prefrontal cortex begging it to get its shit together enough to finish it. i'd also love to finally finish my another place songfic bc that will mean my writing's reached the level where i can actually figure out how to write the dang thing which is the dream
tag some writers whose answers you’d like to read: idk who all's done it/been tagged so if you've already done it just ignore me! and if you don't want to do it you can also ignore me lol but i'll tag @werewolfashton , @reveriesofawriter , @userbadomens , @calumthoodshands , @pixiegrl , @valiantnerdtm , & anyone else who wants to! (if you've been mainly writing for another fandom you can talk about that one as well/instead, all up to you!)
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heavenlyhoundoom · 9 months
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Knd x AWISC au part 19.(warning: a hornet stinging someone, queerphobia and graphic details about mangled corpses.)
(It's Tuesday, September eleventh, when Benedict gets downstairs, he smells eggs cooking on the stove.)
Benedict: Why do I smell eggs?
Mariana: I'm cooking eggs.
Benedict: Why?
Mariana: Because you're gonna need more protein in your diet now that you're mostly wolf like.
Benedict: Makes sense, I guess.
(Benedict scarfs down the eggs, not being used to the taste.)
Monty: Are you alright?
Benedict: I will be once the real killer has been caught and everyone stops blaming me.
Mariana: People are blaming you for the murders?
Benedict: Yeah, it's because I'm the newest big, scary predator in the school...
Mariana: God, they're so narrow minded!
(The three get in the car and drive to school, the brothers walk into the school yard and see lots of police in the area and almost everyone is avoiding Benedict.)
Monty: What's going on?
Rachel: Another student was devoured.
Monty: Are you serious?
Rachel: Yeah, it was Natalie Pigman.
Helen: She's been dead since yesterday, how the cops didn't find her body until today, I have no idea.
Benedict: (irritated) And let me guess, everyone blames me because I'm the newest big, scary predator!?
Helen: I'm afraid so...
Benedict: God Dammit!
Arthur: I don't mean to butt in, but what's gotten you so upset, Benedict?
Benedict: This unknown killer is gonna ruin my reputation and possibly get me arrested over something that they did if they're not caught soon!
(Arthur takes interest in what Benedict said.)
Arthur: Say, how about I help you find the real killer?
Benedict: Really, you'd do that for me!?
Arthur: Yeah, my dad still doesn't pick me up until five so it's not like I have anything better to do.
Benedict: But what about mom picking me up early, or the cops that won't let us go near crime scenes for our safety?
Arthur: My aunt is a cop and is letting us be junior detectives, so are you in or out?
(Benedict pulls out his phone and asks his mom if he can be a junior detective with Arthur, she said sure, as long as he promised to stay safe.)
Benedict: She said yes.
Arthur: Good, now are you in or out?
Benedict: I guess I'm in...
(Benedict and Arthur shake hands.)
Arthur: I promise you won't regret it.
(The two go their separate ways when Ramona talks to Arthur while they're walking to class.)
Ramona: Hey, Arthur, could you stand still?
Arthur: I can stand still, why?
(Ramona then stings Arthur in the leg, paralyzing him with both venom and pain.(but mostly pain))
Arthur: Ow, what the fuck was that for!?
Ramona: I know it's you, Arthur!
Arthur: What the fuck do you mean!?
Ramona: I know you're the killer, I went back into the drama club room because I forgot my water bottle, and I saw you devour Timothy!
(Flash back to Friday night.)
(Ramona enters the room to get her water bottle, she then hears someone opening the door, so she hid in a locker because she didn't want to get in trouble for being on school grounds after hours.)
Timothy: So why did you want to talk to me alone, f**got?
Arthur: I have a name, you know, it's Arthur!
Timothy: All f**gots are the same in my eyes!
Arthur: (growls) Anyway, I'm here to get you to reconsider permanently shutting down drama club.
Timothy: Not a chance, f**got!
Arthur: Would you just stop being a queerphobic asshole for five minutes!?
Timothy: No fucking way, you filthy queers are the scum of the earth who deserve to be tortured and slowly killed before you poison the minds of innocent children with your queer agenda to wipe out the cisgender straights and nuclear families, you know, the only kind of people who deserve to exist!?
(Arthur snaps and allows the predatory urges from his alligator side to take over.)
Arthur: On second thought, I think I'll tell you the truth about what I really am...
Timothy: Let me guess, your a demon sent up here by Satan to spread his queer agenda!?
Arthur: No, you queerphobic fuckbag! I'm a hybrid between a kangaroo and an alligator, my mother walked out when I was baby because she was too afraid that she would lose control of her instincts and eat me and my dad, and you want to know who's instincts I ended up inherenting?
Timothy: (Slighty scared) Who's?...
Arthur: I inherited my mom's predatory instincts to maul prey animals like you to death and devour all the flesh and organs off their bones!
Timothy: What!?
Arthur: You heard me, I want to tear you apart and eat you!
Timothy: This better be a joke, because you're scaring me!
Arthur: Oh really, I heard that makes prey animal flesh taste better, c̸̜͍̥̜̜͛̀̀͂̾͜o̶̧̪͓̒̔̈͐͋͘͝m̸̨͇̞̲̼͇̯̊͝ę̷̔̑̀ ̵̯͈̉̀̈́h̸̖͔͇̞̮͉̔ͅe̴̲͎̯̗̝͋̇͂ͅr̵͒͊͜ẻ̴̢̲͔̠̱̟̖̀̊̽ ̶̨̛̈̾̈́̓͝y̴̥͚͗̽̾̆̄͂͘ỏ̵̭̍͂̈́̒͆u̷̼̰͕͓͆͑̊̍̀͠ ̷̼̮̰́̀͠ͅţ̸̤̱̼̝̥̌͑̚͜ǎ̷̻̝͉̪́̈̀̎̓ͅṡ̶̨̪̬̦̐̍͑͑̕͠t̸̖͇̱͐y̵̹͂͌̒̽̐̕ ̶̢̳̘̘͎̗͖̓̾̿ṕ̸͔͈̲̓͝i̴̠̯̦̍̀̀͊̈́̚͜ê̸̻̄̈͐̐̍̚č̷̩̳̺̱é̷̢̗̺͒ ̵̼͇͕̺̤͌̏̊͜͠ò̵̜͎̠̘̆̊̑̓̃͘f̶̭͕̝̮̽̈́͑̑͘̚͘ ̷̨͇̣̆̐͆̔q̴̡̜̙̟̫̠̂̾́̂̕͝u̴̗̼̘̬͙̘̫͒͝ę̸̜̆͜e̶̜̩̗̩͎̓͋̚ṙ̴̤͈́p̶̛͈̫̻̬̏͆̽͆͌ḥ̵̫͓͋͝ò̷̧͖͕̎ͅb̴̮̬͕̞͔̝̽i̴̧͕̲̭͕̋̿̽̒c̷͙̟̫̑͆̿͝͝ ̵̻̙̯̊͆̈́m̷̨̟͖̀ḛ̷̜̰̳̠̎͗a̵̡̨̬̲̞̼͒͊ͅt̷̛̖̓́̒̊͝!̴̨̹͓̣̝̪̐̓̓̃͠ͅ
(Arthur pounces on Timothy and tears him apart, by the time he's done, Timothy's corspe was missing both his legs, his left eye, his right arm, half of his tail, a huge chunk of his neck, and a hole in his abdomen, causing his stomach and intestines to spill out.)
Arthur: Damn, I mauled him a lot more than I thought I would, I'm so glad he's finally dead though.
Ramona in thought: (I think I'm gonna be sick!)
(It cuts back to the present)
Arthur: So what, I thought you hated him as much as everyone else!
Ramona: I did, but then you devoured Greg when he caught you in the act, just because you wanted to know what chicken tasted like!
(It once again cuts back to Friday night)
Arthur: As satisfying as mauling Timothy to death was, I must never commit an act of predation again, as long as no one finds out that is.
(Arthur hears nervous breathing and seems to walk towards the locker Ramona was hiding in.)
Ramona: (whispering) No, no, no, no, no, no, no, no...
(Arthur then grabs the cardboard cutout tree Greg was hiding behind.)
Greg: (scared) Oh, crud!
Arthur: You saw everything, didn't you!?
Greg: I was just trying to retrieve my notebook, I promise I won't tell anyone!
(Greg starts crying in fear.)
Arthur: I'm sorry, but I can't risk it...
(Arthur mauls him until he was just as mangled of a corpse as Timothy.)
Arthur: I believed you, Greg, I just wanted to know what chicken tasted like. I want to experiment with other prey animals, I want to know which prey species taste the best and which parts of them taste the best, I wonder...what does ostrich taste like!? How delirious would a dear crush, Lenard be!?
(Arthur drags Greg to the back of the school and Ramona grabs her water bottle and gets the hell out of their when she knew it was safe to come out.)
(It once again cuts back to the present
Arthur:(smug) If you saw me kill them, then why didn't you report me to the cops?
Ramona: Because I knew they wouldn't believe me, but I knew that I had to confront you after hearing that you did the same shit to Natalie, plan on doing the same shit to as many prey animals as possible, and also plan on pinning the blame on Benedict just because he's currently an easy scapegoat!
Arthur: (smug)So what, it's not like people will believe a hornet, who's species is stereotyped to be mindlessly aggressive over a kangaroo, who's species is stereotyped to be brave and protective.
Ramona: Just you wait, karma's gonna sting you a lot harder than I did, it's only a matter of time!
Arthur: (smug) Funny you mention that, have you forgotten you can get expelled if they found out you stung a prey animal on purpose?
(Ramona is hit with sudden realization.)
Ramona: (panicking) Please don't tell on me, I'm working very hard to become the first predatory animal cop!
Arthur: Oh really, then it would be quite a shame if I where to tell the principal...
(They hear Lenard collapse on the ground because of blood loss from getting cut by some very sharp metal.)
Ramona and Arthur: Lenard!
(The hornet and the kangaroo/alligator hybrid rushes toward Lenard.)
The end of part 19.
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