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#i just like to write whats happening and what the characters are thinking and thats it
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I thinksk that the joker would consider jason todd his blorbo.
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theguardianace · 3 days
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Can I politely ask you to elaborate on the Aroace Nene fic you talked about some time ago? Or just simply how you see her in your brain after finding out she's aroace? If it's not much to ask, of course
OMG YES YES YES!!!!!!!!!!!!!!!!!! absolutely. i will ramble about aroace literally anybody on the drop of a dime this is one of the best anons to get actually
nene's story is actually the one i have the least about, to be perfectly honest. i have a plot for both emu and tsukasa's stories, but haven't quite figured out one for nene. honestly, i think nene's the type of aroace to not really... care about it that much. she'd never cared about love or romance to begin with, so when she realized it was because she was aroace, it was mostly like "hm. cool. im gonna go play animal crossing now".
as for finding out... i think it would have happened in middle school, back when she was Online Gamer Nene TM full time. with how much she loves games and storytelling, it really only makes sense she'd want to engage with fandom content like fics. however, just... seeing the way people sexualize her favorite characters, or only write/draw shipping content... she didn't care for it. she didn't want to engage with that. not that there was anything wrong with it! people can do whatever they want with fictional game characters. she just. didnt care about it herself. which led to her feeling even more isolated even within her favorite hobbies. i think this would sort of lead her to playing a variety of games so she doesn't have to worry about getting absorbed in fandoms she doesn't care to be a part of. she still checks, every once in a while. for games that she really likes. i think its through this that she eventually stumbles across a popular aroace headcannon, goes "what", googles it, and is like "wow. thats me. sick". and then moves on
but like. even when she's moved on. it's still really nice to know, yknow? it explains why she felt like the odd one out not wanting to ship stuff, or even care to entertain it. there's people out there just like her. it makes her less anxious, a little more sure of herself.
she doesn't ever tell anyone. not even rui. (i mean, they hadn't talked in ages. how is she supposed to? "hi, we havent had a genuine conversation in years, how are you? by the way i discovered im aroace and you probably don't know what that means and honestly i dont really care about it myself. have a good day".) (and once they do start talking again, it just... never came up. she never felt the need to, and he never felt the need to ask.) until my epilouge chapter where they all end up coming out like WHAT WERE ALL AROACE THATS SO SILLY anyways
in casual life, i think nene would have been the type for adults to go "oooh, you have a crush on him, don't you? look at you, all red and shy just thinking about him" when shes simply Just Like That. it was really annoying. she knew she didn't like them like that and that was that. but shes too scared to say that so she just took it. definitely didn't help the "nene needs to learn how to make friends" department. honestly, her only relief from it was with rui- both her parents and the kamishiro parents recognized that the two really did care about each other, but it wasn't like that. also no way in hell they're ruining the one friendship their kids have.
later with emu, i don't think there was any point where people even considered a romance, at least not at first glance. it wasn't like people at school even knew about emu (minus when she snuck in, but why would this hyperactive pink thing be looking for that shy second year?). and people walking the streets didn't really assume they liked each other like that since they were two girls. nene's mom was a little curious if they were dating since emu comes over so often and is so physically affectionate, but she never really pressed. she was mostly just happy nene has friends over that aren't just rui. (also, emu's aroace too, so nothing in her demeanor even made nene consider it could have been romantic. shes just Emu.)
for tsukasa, it's a similar thing. by the time people have realized the two are friends, nene's confident in herself and her feelings enough to shut down the people who would even dare assume she likes a buffoon like that star in that way. there's those people that go "oh but you're mean to him and girls are mean to boys when they have a crush on them" but she's tough enough to go "ew" and move on. (she did complain about it a little to rui on a walk home once. if he ended up in her classroom the next day to "grab her for lunch" and weaponize his dangerous reputation to intimidate them when she wasn't looking, it was sheer coincidence.)
also, i think out of the four, nene falls most on the loveless scale. tsukasa, emu, and rui are all beings made of love despite the fact they don't fall in it. nene's a bit different. she cares about her friends, and she's super good at making them (despite what she thinks), but she doesn't really... love them. not in the ways people usually want to describe love. she would kill a man for them in a heartbeat, don't get me wrong. she just experiences those sorts of feelings differently. it's care, and determination, and hope, and happiness, but not... love. not completely.
anyways aroace gamer nene so real fic will happen once i figure out how to tie these ideas to a plot 👍
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luck-of-the-drawings · 3 months
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my TWO FAVORITE THINGS IN THE WORLD, VAMPIRES N COWBOYS... deacon keller is SUCH a fun character, hes charming and funny but ALSO formidable and STRONG when he feels he needsta be. i hope him and arthur can get a chance to talk more and be better friends. l ike really good friend s. . like. like really good f. hangon i gotta go i think i hauve rabies.
#jrwi fanart#jrwi show#jrwi suckening#jrwi suckening spoilers#deacon keller#arthur bennett#OOUGUGHHAAOGUguguhh i feel so cringe whenever i ship two characters. like theyre not even REAL#why cant i be more 'hyperfixated' on getting bitched or something. CHRIST. anwyay i want em to hold hands or smth. yknow. freak stuff.#SO DEACON KELLER!! HE OVERHEARD ARTHUR TALKIN ABT THIS PLACE GETTING ATTACKED.. WE SAW HIM APPROACHING#AND THEN THE WHOLE FEAST PORTION OF THE PARTY HAPPENED N HE GOT STUCK#BUT HE KNEEEWW HE OVERHEARD ARTHUR SOMEHOW!! i just think thats neat. hes dedicated to protecting his people. hes respectable!!#GOD he doesnt even have that much screen time but i LOVE HIMMM n his silly lil shadow steed named Sunshine.. like cmon.... ugh.....#hes sweet n hes funny and he CAARES about the things hes in charge of on some levels. he certainly does his best to look after his own.#god idk what else to write here other than how much hes been on my MMMIND lately. the doctors are still running diagnostiscs#i just think hes so neat... also i think its funny that hes afraid o snakes. OH YKNOW lemme just talk abt my damn art. first o all this too#SSSOOO LONG. WEEKS EVEN.IVE BEEN WORKIN ON IT SINCE EP 5 WAS ON PATREON.it was sposed to be justa buncha doodles but then it Evolved#idk man...cowboys are just so cool...especially w VAMP POWERS..fastest shot in the west for a REASON BABY...n with the red smoke#n the glowing eyes..CMOn thats so cool i hadta get my visions into reality. the eyes were inspired by the music video for RATTLESNAKE (kglw#that where the IM THE SERPENT lines come from.lyrics from tha song.ooh yeah i love kglw so much...i also have other hidden messages here#i like to hide things...ALSO ALSO. I HAD SO MUCH TROUBLE W SO MUCH O THIS. the two bits with arthur n deacon biting eachother. AGONY#POSES ARE SO HHARRDDD SAME WITH THAT doodle o arthur slammin deacons head into the ground. WEEKS to get that pose RIGHT. I BLED SO MUCH#OHH AND GUNS???COWBOYHATS?? HIS GAY LIL JACKET? W THE DANGLIES?? AGOONYYY IT TOOK SO LONG TO PERFECT IT..especialy guns. OUUUHH#i also dont draw mustaches enough... which sucks bc im weak for a good mustache... BUT i think im doing pretty well on that.#it was hard but yknow what!! i think i did good! i rly like how this all turned out!! EXCEPT FOR THA FUCKIN RIBBON BOW THING I FORGOT TODRA#IN THE TOP RIGHT... THAT I JSUT NOTICED...its fine its fine i dont care that much. this is good enough to FEAST upon so im content n happy.#anyway i gotta leave ina few hours to start TRAINING for my NEW JOB!! CHEER FOR ME!! TRUCK IS A BLACKJACK DEALER NOW!! IEAAAHHH BABYYYY!!!!#thanku for reading my weird lil scrolls i bury beneath my posts. if u leave tags i WILL absorb them. and feel joy.
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mamanbou · 4 months
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i truly say this with no malice in my heart but black butler fans who think the series peaked at book of circus/that the circus didn't deserve their fate........... are 7 times out of 10 not really black-butler-as-a-whole fans and are very unwilling to engage with the main themes and characters of the series as a whole. BoC was a fantastic high and had tons of engaging characters but I've met people who still hate ciel bc he had doll killed and that is CRAZY. to love a side character so much that it renders you unwilling to let the main/objectively most complex and important character into your heart at all. I'm sorry that the circus died but even though they loved each other they were also child murderers- in doll's case she still is LOL- and their most important narrative role is their impact on ciel/snake (whose plotline ties back to ciel's ideas about lies becoming the truth, so still a ciel thing ultimately). anyways the best arcs are Green Witch because it's good and Book of Murder because it's funny
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youssefguedira · 1 month
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wrote this instead of doing any of my actual tasks <3 tw for brief mention of animal death (by hunting)
Yusuf has been dreading this since the moment they left for Akkala. He had made as many excuses as he could to stay in Goron City for as long as he could, but every one had run out in the end, and he could no longer put off the inevitable. 
The first time he had walked this road, his father had accompanied him with a platoon of guards, still cautious, still reeling from the attack that had taken Yusuf's mother. The second time there had been fewer, but still many. 
In the years after that, the number of people sent with him had decreased even further until it was only two or three guards, enough to keep him safe. His father stopped accompanying him on these journeys after he turned fourteen and there had been no sign of their worth. 
Now, only Nicolò. 
He follows, keeping a respectful distance away from Yusuf, but closer than he had walked before they had gone to meet Nile, to ask for her help. He doesn't ever ask to stop, or to slow down, letting Yusuf set the pace. He keeps a hand on the hilt of his sword and does not speak. 
What is there to be said? Nicolò knows what lies at the end of this road, even if he does not know what it will mean for Yusuf. 
Yusuf can feel Nicolò's eyes on his back. It is bad enough that the whole kingdom knows he is a failure: he does not need Nicolò to watch him fail and say nothing. 
The sun is low, casting the landscape in burnt orange. It would be beautiful were it not so horribly familiar. There is a cabin nearby, and not far from it, the Spring. They will stay in the cabin tonight; they will leave for the Spring in the morning and spend three days there, then return to Goron City and after that, the castle. 
Yusuf thinks about returning, about his father's inevitable disappointment, and feels sick. 
“Yusuf,” Nicolò says, sounding uncertain. He is not yet used to calling Yusuf by his name. “We are not far, yes?” 
Yusuf had forgotten that Nicolò does not know every cursed inch of this road the way Yusuf does. “No, not far. In a moment you'll see the cabin.” 
Nicolò says nothing. Yusuf glances back just long enough to meet his eyes before looking away. 
What is Nicolò thinking? Yusuf can never tell. 
Yusuf catches sight of the cabin a moment later. Dread sits like a stone in his stomach. 
When they get closer, Nicolò takes hold of his elbow, gentle. It startles Yusuf all the same - he hadn't realised Nicolò was that close to him. 
“Let me go first,” Nicolò says. “To check. But stay close.” 
Yusuf nods, and lingers barely a handspan from Nicolò's back while he surveys first the outside, then the inside, of the cabin. Once he's satisfied, he gestures for Yusuf to enter. 
“You should rest,” he says, and he is being so gentle with Yusuf it almost hurts. Perhaps Andromache has told him what this will mean for him: she has accompanied him before. 
Yusuf shakes his head, because sleep means dreams, and dreams will be worse. “What are you going to do?” 
“I am going to find something for dinner,” Nicolò says. 
“Let me come with you,” Yusuf says. Anything is better than sitting in this cabin alone with his thoughts.
Nicolò looks at him for a long moment. Perhaps he takes pity on Yusuf, or perhaps he thinks that it will be easier to keep Yusuf safe if he stays with Nicolò. Either way, he nods. “All right.”
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Finding something for dinner means that Nicolò leads Yusuf a little way into the woods, far enough that the foliage and the dying sunlight makes it difficult to see, and bids him hide beneath a tree, in a space formed by the roots, while Nicolò crouches beside him with his bow, nocking an arrow in one smooth, seamless motion. From his vantage point, Yusuf can see a small clearing with a few fallen trees.
“Do not move,” Nicolò instructs him in a whisper, “and do not make a sound.”
Yusuf rests his head against the tree and watches the leaves move in the breeze. It is quiet enough that all he can hear is their rustling, the sounds of birds and animals calling to each other, the rushing of the stream nearby. After a moment, and with nothing else to watch, Yusuf begins to watch Nicolò. 
He has gone as still and as quiet as the trees around them, barely breathing, his shoulders rising and falling only slightly, like he has become a part of the forest. Faron Woods is much further south from here, but Yusuf supposes that this forest must be somewhat similar to where Nicolò grew up. He wonders who taught him to hunt; who taught him to be so comfortable in this place. Why he left it behind to travel to the castle and work for the king.
There are a lot of things Yusuf wonders about him. He cannot tell if Nicolò is aware of Yusuf’s watching; he must be. Still, Yusuf cannot help but watch.
It happens faster than Yusuf can track. Nicolò goes entirely still, and draws his bow swiftly, silently. Yusuf holds his breath and so does the forest.
Nicolò lets the arrow fly.
Yusuf doesn’t see whether it finds its mark, but Nicolò looks for a moment and then stands. “Wait here,” he says to Yusuf, and then heads for the clearing. When he returns he’s carrying something behind his back, the arrow in his other hand. Blood drips onto the grass. 
“You can wait inside while I prepare it, if you prefer,” Nicolò says haltingly. Yusuf shakes his head, and so he sits on a log outside while Nicolò skins the rabbit, arms wrapped around his knees and chin drawn up to his chest. Nicolò keeps his back to Yusuf, shielding most of it from view. 
Who taught him this? Yusuf wonders. It is a part of Nicolò he has never seen before.
When it is done, he takes it back inside to cook over the fire, and they eat it alongside the bread and cheese they brought from Goron City, across from each other at the cabin’s little table.
“When do you want to leave, tomorrow?” Nicolò asks softly. 
“I don’t,” Yusuf says before he can stop himself, and then adds, “I don’t know. Early, probably.” The thought bursts the little bubble he’s been in since they arrived. He doesn’t want to leave, could stay here for the three days they’ve been allocated and return to his father without even having tried and it would change nothing. 
“Just after sunrise, then,” Nicolò says. “It is not far, you said?”
Yusuf shakes his head. “No,” he says. “Not far.”
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The water is freezing.
It has always been freezing. But Yusuf knows well enough that if he stands in it for long enough, it will start to warm. It reaches to around halfway up his thigh; when he was younger, it felt deeper. 
The stone in front of him offers nothing. No sign, no indication that anything is listening to him except for the water and Nicolò, who has been standing at the gate of the Spring for however long he has been in here. Has he been listening? Has he heard Yusuf pleading for something, anything, dreading the moment he returns to the castle and his father looks down at his left hand and sees nothing there? 
What does Nicolò think of him now? If he did not see a failure before, does he see one now? 
His legs may be going numb. They tremble beneath him, struggling to hold his weight. How long has he been standing here? 
“Tell me what I am doing wrong,” he begs the stone. His voice sounds like it’s coming from somewhere else. “I know I am not the one you wanted, but I am trying. I am trying. I have given everything. I do not know how much more I have left.”
The stone says nothing.
Nicolò says, “Yusuf.”
Yusuf hears him without listening, falls to his knees in the water and does not even feel the chill. 
“Please,” he pleads. “I cannot return – I cannot give anymore.”
There is a splash behind him, and then there is Nicolò, pulling him to his feet, pulling him from the water. Yusuf tries to hold fast - he cannot leave now or it will have been three days in the Spring with nothing to show for it. 
“Yusuf,” Nicolò says again. His grip is gentle but unrelenting, and he is warm. Yusuf, shivering as he is, can’t help but lean into it. “You are exhausted. You are going to freeze. Come with me.”
“I can’t,” Yusuf says, even as he lets Nicolò take his weight, lets him guide Yusuf out of the Spring. “I can’t.”
There is a small paved area where their camp is set up. Nicolò has kept the fire going, or restarted it, while Yusuf was in there, and he half-carries Yusuf over to it now. Yusuf’s legs buckle under him the moment Nicolò lets him go, and he sinks onto something soft laid over the paving stones. He blinks, and there is a bowl in his hands, warming even if he does not really taste it. 
“It was never supposed to be me,” Yusuf says without really meaning to. 
From across the fire, Nicolò watches him.
“It was supposed to be my mother,” Yusuf whispers. The only sound between them is the crackling of the fire. Yusuf is so, so tired. He has never said this to anybody else, not even Andromache, but he cannot keep the words from rushing out of him now.
“It came to her when she was nineteen,” he says, “and that’s how they knew it would happen in her lifetime. So she trained, and she mastered it, and we were ready. And then she was killed, and because I was the oldest, it came to me.”
He does not like thinking about this. He has not thought about this in years. They do not speak of it anymore.
Nicolò is still watching him.
“I was asleep when it happened,” Yusuf continues. “I dreamt it as it happened, but I didn’t know until later. The moment she died, I woke up screaming. They told me afterwards that I was– I was glowing, bright enough that nobody could look at me for long or get close enough to see what was happening to me. They just had to wait until I came out of it. It felt like I was burning.” If he closes his eyes, he is there again, twelve years old and terrified.
“That’s how we know it should be me,” he says after a moment. “Who can do it. Because I did, once, but never again, despite all of this.” He waves at the Spring, the water, the stone. 
Exhaustion tugs at him. His eyes will not stay open, but he cannot let himself fall asleep, not yet.
“Don’t let me fall asleep,” he tells Nicolò. “There’s still time.” It cannot be late yet; the sun has gone down, but it is not quite dark. “Don’t let me.”
“You have to rest,” Nicolò says. It is the first thing he has said to Yusuf since he pulled him from the Spring, and Yusuf cannot tell what he is thinking. 
“I can’t fall asleep,” Yusuf insists.
“At least let yourself warm up first,” Nicolò says. There is a pile of dry clothes in his hands - where did he get them?
Nicolò convinces him to change and to sit back down, to rest a little while longer. This time he  steers Yusuf to sit down on his bedroll instead, and Yusuf’s grip on his arm goes tight.
“Don’t let me fall asleep,” he says again. 
“You cannot go on like this,” Nicolò says. “Sleep, and I will wake you in a few hours’ time.”
Yes, a few hours. That, Yusuf can afford. “Promise me,” Yusuf says, but his eyes are already closing unbidden. 
Nicolò says nothing.
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When Yusuf wakes, it is still dark outside, and there is a cloak that is not his own draped over him. Nicolò is crouched over the fire only a short distance away. He catches Yusuf’s eye, but doesn’t say a word.
It all comes crashing back at once: the water, the stone, Nicolò. Yusuf sits up.
“You didn’t wake me,” he says.
Nicolò watches him for a long moment. “You needed the rest,” he says finally. 
Suddenly his consideration stings. “That wasn’t your decision to make. What time is it?”
Nicolò glances at the sky. “It will be sunrise soon.”
Yusuf’s heart sinks. Sunrise means return, means return to the castle and his father with nothing. He gets up, pushes Nicolò’s cloak aside. “You should have woken me.”
Unexpectedly, Nicolò pushes back. “You would have only made yourself ill. You were barely conscious. I would not have done it if–” “That was not your decision to make,” Yusuf snaps. “I am not a child, Nicolò. I am capable of handling myself. I have lost hours.”
Nicolò does not say anything. Yusuf almost wishes he would keep pushing, but he does not. He simply folds himself back into the same blank expression he always carries, and again, Yusuf cannot read him.
“If the sun will rise soon, there is not much use in staying here for much longer,” Nicolò says eventually, quiet. He doesn’t meet Yusuf’s eyes. Guilt twists his stomach. 
Did Nicolò know? Did Andromache warn him? Or was he just worried?
Yusuf nods. 
They pack up their camp in silence, side by side. By the time they set off on the road back towards Goron City, the sun has risen, and the early light turns the world around them to gold.
Yusuf walks, and Nicolò follows behind him, as always.
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pherre · 10 months
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people making all those body-switching drink spiking memory altering theories when its so much easier to admit you felt like the writing wasn't that good this season. knowing a thing is mid and still enjoying it is so freeing try it sometime
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Phullo it is I again!
I am very glad that you actually responded and given me an actual advice since I was worried about the question I sent you.
Though besides that I have another question for you (hoorayyy)!
So, about the reading books earlier- I’m fortunately a bookworm too! It’s just that I notice I prefer reading the genre science fiction/psychological horror more than… anything else!
And while the books I am currently reading, ‘Flowers For Algernon’ and ‘I’m Thinking Of Ending Things’ (these books are seriously so wonderfully made they make want to tear my walls), DO have romantic aspects of it- it’s not really the main plot of the story..
‘Flowers For Algernon’ has amazing storytelling and is very unique- though I’m not sure if you’ve read it before but, it’s actually just the main character taking notes. Hence why there was a lot misspellings which honestly makes it a great touch if you know the context behind it.
On the other hand, ‘I’m Thinking Of Ending Things’ too shares the same uniqueness as the other, possibly even more unique if I must say so myself. Though I REALLY don’t want to make my story similar to them since I want to make it more heart warming than fucked up..
Which is why I feel like I have the need to borrow or buy at least one romantic book because, I lack of it. I mean I accidentally borrowed it one time but it was kind of disappointing.
I don’t know if its a good idea and if I should do it or not since does it really matter of the genre, or just the writing?
Still, if you have any good books that are in the romance genre. Feel free to recommend some to me!
-lots of love, from another bookworm
welcome back! happy to hear you're a bookworm as well <3 im writing those titles down since i read a criminal lack of sci-fi despite loving it
i actually don't have any straight up romance recs - i don't actively search it out (outside of fanfic), so any romance i read just comes with whatever book i've picked up. just straight up romance bores me, unless its a fic with a pairing i actively like. and even then, i need to take breaks from it unless the romance is interspersed with an actual plot. im not a romantically-geared person! i dont have single Main Plot Is Romance book on my shelves!
but imo its really just the quality of writing that helps. ive never been in a romance, im the child of two different divorces, and yet ive been told that i write romance fairly well. go fuckin figure lmao.
so actually my advice on romance is to just like. wow idk what i do is pick apart the romances i see on tv / in writing. what makes them good together, how do they act around each other, what are their love languages, what's their dynamic, what traditional romance things do they partake in, what dont they partake in, do they have anything nontraditional, do they work and why do / they dont they - does that make their relationship more interesting or is it flat. are they a good match.
you don't have to have every answer, but ive found that at least understanding their characters / dynamics, and having them interact in a way that suits them will help your romance feel natural. dont conform to tropes or tradition, that will just make the relationship flat and unrealistic. and you can always sprinkle in little things that you like / would like, which will help ground the romance and get you into the groove
tldr with romance, i think it's better to observe real life (whether that's paying attention to couples or reading reddit threads) & analyze in-love or in-a-relationship characters instead of just reading romance novels. bc honestly, and from what i can tell, they can tend to be over the top or cookie cutter
just realized you did not explicitly ask for romance advice! Oopsie! i got a little carried away here....
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villainvillain · 8 months
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oop ALREADY seeing cold takes that are just "i thought the finale was good so if you didnt you are clearly just watching the show wrong and you missed the point of everything ever" like ok can we just accept that the world is more nuanced than that and doesnt always revolve around ur thoughts and opinions
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dallonwrites · 9 months
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the first chapter of lover boy is really intense on an emotional level because So Many Things happen in quick succession it's like beau barely gets a chance to breathe and process it. meanwhile RR opening chapter is just felix and dorothy arguing in a laundromat.
#i used to have a problem with the lover boy first chapter bc i was like#i know what needs to happen thematically and i know the main plot beat that needs to happen to push it forward#but i didnt have any actual like. action to move to story to that place#in a way that had a causal chain#and now im like um!!!! is too much happening#anyway my other writing problem i realised via this chapter is i worry sooo much about the idea of coincidences#like the idea of just 'letting' something happen...in lb mainly two characters being in the same place at the same time#im like there has to be an intricate explanation for all of this which like yeah thats good to think about#but i also think coincidences are an important part of plot bc first of all coincidences happen#but its also not just the coincidence its the decisions the character s made that got them to that time and place#why they made those decisions and what they do afterwards etc....#anyway! i dont know where i was going with that#RR chapter one.....ngl....its SOOO bad lol#like structurally. the prose is fine#but its been 3 years and 5 different opening scenes for that novel and NONE of them hit#but that's a problem for future me#the thing is most of my ideas now come with an opening but RR never came with an opening just the concept#because the rest of the novel slayyyyys#actually i think out of all 3 my favourite atm is the third book LOL#update literally 10 minutes after writing these tags i have an idea for a new RR opening team that i want to sink my teeth into#6th time's a charm!
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scattered-winter · 4 months
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sometimes i see a post and its like. hm. you actually care very little about the story or characters or plot at all bc all you want is for the token male twinks to kiss.
#i KNOW i know. tumblr. twink kissing website.#but still. genuinely.#my criteria for if i trust someone's takes on voltron are their opinions on allura and hunk. and ships other than klance.#and the non-romantic relationships also. that's a big main one actually.#has not led me astray yet.#like to clarify i LIKE klance ok. i am an enjoyer of them. but idk.....the way that theyre the Only thing anyone writes/cares about.#like yeah klance was done dirty but what about the characters of color. what about the disabled characters.#what about the platonic relationships. what about the familial relationships. what about the themes of war and genocide and imperialism.#what about the very real queerbait that happened right in front of us but everyone ignored#and whined about the fake made up queerbait that happened in their heads.#idk. people can engage with media however they want and its not a horrible world ending thing if they only view it thru the twinks kissing#but i dunno. viewing media with the shipping lens can blind you to all the other things.#AND I KNOW THE IRONY OF POINTING THIS OUT FOR *VOLTRON* OF ALL THINGS. I KNOWWW I KNOW I KNOW.#its not a problem that is exclusively this fandom either i see it everywhere. side eyes buddie fandom.#but idk man. im sick of not being able to find fic/art/meta that is focused on things other than the twinks kissing.#i think thats why im putting such a big focus on the other relationships in quintenary stars tbh. like there IS klance#or will be eventually but its just one of the relationships that will be happening. theyre found family theres siblings theres friends#theres the Themes and the Motifs and the storytelling devices. et cetera et cetera.#anyway this isnt really directed at anyone im just thinking out loud#winter speaks#voltron#anti klance#<- not really???? but i dont want ppl yelling at me so.
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themyscirah · 6 months
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I love problematic women
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electricity-fish · 8 months
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Show the world all the oblivion youve got this is a threat
Coming right up.
Introducing SILAS
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Vampire turned eldritch horror. He lived and died in the 1600s under a name since lost, and has been wandering ever since. Some time towards the end of the 19th century, he began to fall into an obsession with a strange place known as The Void, and eventually built a portal tearing through reality to get there. The portal was unstable though, and before closing it tore away half of his mind, effectively splitting him into two separate consciousnesses. Within the Void, the one half was driven entirely to madness through the isolation, and in his warped perception from both being trapped and being only half of a whole, came to think of himself as The Lord of Darkness. His other half went into hiding, terrified of the day the Lord of Darkness would return.
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The Void was left for almost a century, but in the 90s Oblivion was built, a stable portal to the Void. From there the Void was researched, and the corrosive black goo-like substance of the same name was used in experimentation. Many died from this, but the survivor acted as a link between the Lord of Darkness and the world outside, who he eventually used to escape and alter Oblivion to use in the pursuit of bringing Eternal Darkness.
With the help of others, the 'Lord of Light' as some called the half of him who remained, was able to contain the Lord of Darkness and prevent Oblivion from bringing about destruction. From there, the two were able to become one again after 100 long years. The man who returned was not the same as the one who was torn apart by the Void a century prior though, and he took on the new name of Silas to reflect that. He still holds both the Lord of Darkness and Lord of Light within himself, but he is someone new entirely. Silas retains his control of the Void, and has returned to a life of wandering, forever in the shadows. He is a gentle man, and has vowed to never allow himself to fall back into chaos in the hopes to never harm anyone again. Even now though, being whole again, madness isn't so easy to escape...
(All characters introduced will be open to asks and responded to ask-blog style.)
What about the Void Experiments survivor though? That's a whole other story.
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fruitsyrups · 8 months
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Random yes but thank u for making that frusan art awhile ago it's adorable and i love seeing more art of this underappreciated ship :D!!!
ahhh thank you!!! frusan is so underrated FOR REAL, i guess it's probably because after Islands they all but disappeared (like i think they were only shown twice after that and that's including in Fionna & Cake (which i actually missed when i watched it bc its such a brief glimpse)) but like. still. I actually have a little idea for another frusan drawing (frieda and susan talking on a roof grown-up edition) but I have to break up the dialogue into parts & think of more Susan Reactions so it's not just Frieda monologuing at her lol
#frieda is such a compelling character to me augh because seriously living on the islands sounds like. idk. scary in an existential way#like if I lived on that tiny(?) island always with the same people and didn't have hope that I would maybe someday get to explore someplace#new and meet new people. i would explode i think.#and frieda HAS hope & the drive to follow through with it#but then susan goes robo-mode and like surely any hope is just GONE after that#thats such a crazy interesting dynamic can't believe everyone else on earth isn't also insane about this#obviously it's not susan's fault that she went robo-mode but it's still recieved as a betrayal yk. so sad :(#and then susan went after finn & they probably all assumed she was dead#AHHH??? i can't even imagine how that would have felt for frieda?? like imagine you're trying to get off the islands and your favourite#person won't go with you but she helps you. but then she betrays you (not her fault but yk) and then (i'm assuming its not even that long#after) she's sent off the islands and she goes willingly#like wowww way to rub salt in the wound susan omg (i love susan this is not susan negativity)#my little angsty hc about that is like. frieda still holds a little bit of resentment towards her for what happened but she knows she#shouldn't because what if susan was right? what if she left the islands and it wasn't safe and she DIED?#but then also what if she isn't? what if she just left and it wasn't worth coming back? what if frieda wasn't worth coming back for? yanno#stuff like that. AGHHH hhh i love frieda#and then they go adventuring together and work it out and kiss on the mouth#uhhh i'll stop myself there before i write a whole essay in the tags (or maybe i already have ahahah...) but yeah. i love frusan :3
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hecksupremechips · 21 days
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Girl like. The reason he said "this is how it should be" and faced death with a smile....is cuz he wanted to die. For 2 years he sat there thinking he was worthless and deserved to die. If he hadn’t be shot, his death would’ve been suicide, he was fully planning to die in a gutter somewhere undetected. When saying "this is how it should be" hes literally saying "don’t cry because I’m dying, my death is a good thing actually because I fucking suck and you are better off without me". I don’t think that’s badass even slightly, it’s actually really sad and really shitty. Shinjiro is so convinced that he deserves to die and hates the idea of anyone giving a shit about him because he literally can’t wrap his mind around the idea that he will be missed when he’s gone, that his death is a bad thing actually. And his last words were meant to be comforting because he fully did not intend for anyone to be there when he died, he intended to die alone, so he says them as a reminder that he’s not worth crying over
Personally, if it were me, if I was holding my dying best friend in my arms who was deeply depressed and suicidal and he said "this is how it should be" uh. I wouldn’t admire him for it??? Like am I losing my mind when I say the way this game handles Shinji is bad or is anyone else seeing this too 😰
#its like okay listen i understand the basic math of any persona game they say things and everything they say is actually#very bad when you think about it for more than 3 seconds#like what theyre intending to do with the death of this character is be like oh no your sad friend dies tragically thats so saddddd#but that doesnt mean you cant live a wonderful life full of meaning you cant let grief consume you life is beautiful awagga#and i guess shinji is a specific character whos used cuz i guess its more tragic that he never realized he was worthy of life and shit#and i guess its also like ‘dont be like this guy who let grief consume him and then died you gotta Be Different’#which i dont. love. that last part cuz if you think about shinji and what led him down this road#its like. of course hes depressed! he accidentally killed a woman with a child when he was 16!#he himself is an orphan and he just made some other kid an orphan as well and it happened cuz his persona went out of control#which very much can translate to ‘this must mean im dangerous and can hurt everyone if im not kept under control’#so of course he isolated himself and believed he was evil and became suicidal like who wouldnt feel that way#like am i supposed to be mad he left sees and took drugs cuz uh while i dont think isolation or Evil Drug is good for his mental health#i dont think him continuing to fight in sees is something he can just easily do again given how he killed someone like he shouldnt have to#be a part of this thing anymore like how would he even safely get castor to not do that??? he cant kill more people on accident!#so yeah like using shinji as an example of bad coping mechanisms is already just. a big fucking oof to me like it just feels like the game#is saying he shouldve gotten over it and simply not be suicidal and stayed on the team. idk if thats the intent but uh it wouldnt faze me#cuz persona games are notoriously awful at writing characters who are traumatized and abused#but what makes everything even worse is how the game kinda like. acts like shinjis death is a stepping stone#like we’re supposed to use it as a wake up call and understand the stakes but keep going on anyways#and akihiko and Ken get. ‘great character development’ according to the game telling you they have now developed#but damn all akihiko is is just repressed he cries for 3 seconds and then is like I SHOULD MAN UP and then neglects a depressed child#shinjis dying words are words to live by now even though they piss me the fuck off like girl am i crazy HES FUCKING#HES TELLING ME NOT TO CRY OVER HIM BECAUSE HE SHOULD BE DEAD ACTUALLY AND THIS IS A GOOD THING ACTUALLY#like if the game wants us to still find meaning in life despite losing someone it just really hurts that shinji has to die for that to work#apparently. cuz the character i see myself in is shinji. not some perfect prettyboy who does everything perfectly and has 4 gfs#his death seems like a punishment for bad behavior. the bad behavior being of course depression and drug use. and im simply supposed to be#better than that if i want to live. and we dont get to form a connection with him cuz thats gayyyyy#and his death is like a NOBLE HEROIC SACRIFICE idk its just such bullshit to me i hate it so bad#how is killing a suicidal guy and then treating it as admirable that he said ‘this is how it should be’ supposed to make me feel#makes me feel sick personally and it ruins the entire game’s theme to me because its fucking shallow and the story is bad and im tired
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Ah, yes, the difficulties of writing fic closely following ATSV canon. Do I mostly stay true to canon and just shift some motivations and backgrounds? Do I drag things out more, change some things entirely? Will Hobie quit the society the second Miles is on the run, or does he stick it out this time due to "i gotta watch out for this kid" and "he's almost like other-me for real" and "i know where to go potentially so it's not quite as dire to get away now" or does he quit anyways and just keeps showing up with the web-warriors watch driving everyone nuts? WHO KNOWS? NOT ME! doesn't matter whether it's the characters or me we're all having a crisis lmao
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bitchfitch · 25 days
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somebody shoot me with a gun until I am dead before I write the first chapter of that pirate thing for like. Genuinely the eighth or ninth time.
#i have versions i like the vibes of#i have versions i like the pacing of#i have versions i like the writing of#i have not a single one that manages to hit even 2 out of those 3 criteria#Like. I think part of the issue is the setting is dreamy its soft and floaty and things arnt Right#but the first thing that happens is a guy loudly boasting about how much hes going to enjoy sexually assaulting his deuteragonist#hes lying. but Toi'uhla doesn't know that. The people ze is choosing to sacrifice zerself for dont know that.#the child whos experiencing the fear of death for the first time doesn't know hes bluffing either.#and the entire time theyre on a boat thats floating in empty nothing in a universe that has no stars left.#So much of making a tangible Threat like that hit is slowing for a moment and describing the ugly details of like#existing. as a physical person in a physical world. This horrible thing is happening and while it does the wind is messing up your hair#That sort of thing.#But there is no wind. there is no water. or rain. Toi'uhla's sense of smell is almost non existent. so ze cant think about the body oder#of that many people in that close of quarters.#And all while this is happening. i have to set up that these are two alien species with distinct cultures and Very different perspectives#on what is happening. Lordakai Senior is the one who lead the raid that killed Toi'uhla's sire and zer siblings.#But ze only knows the name Lordakai. bc for Zer it is completely reasonable to assume that the two Lordakai's are the same guy#Koita are long lived. Toi'uhla has never had reason to learn how to tell how old they are#Lordakai jr is absolutely riding on his dads name. but he doesn't know his dad was a privateer#So like. Theres a lot of shit happening in a weird setting#With two characters that need to Mesh while both putting up complete fronts.#and it needs to set up the stakes and themes for the rest of the damn story.#qnd its just a lot man. I love this project. i love these characters. but there's so many moving pieces bc theres had to be to make enough#Stuff to fill out the long spaces where they're just. on a pirate ship. being bored.#im probably over thinking this#blehgh
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