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#i just learned about primer
cassie-is-trans · 1 year
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Girls, if you're not using a primer then you should start
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ms-demeanor · 3 months
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Wait, so you said that you can learn to trust others by building friendships, but how does one go about doing that? Wouldn't someone I don't know be creeped out or annoyed if I suddenly walked up and started talking to them?
Friendships are built of repeated low-stakes interactions and returned bids for attention with slowly increasing intimacy over time.
It takes a long time to make friends as an adult. People will probably think you're weird if you just walk up and start talking to them as though you are already their friend (people think it's weird when I do this, I try not to do this) but people won't think it's weird if you're someone they've seen a few times who says "hey" and then gradually has more conversations (consisting of more words) with them.
I cheat at forming adult friendships by joining groups where people meet regularly. If you're part of a radio club that meets once a week and you just join up to talk about radios, eventually those will be your radio friends.
If there's a hiking meetup near you and you go regularly, you will eventually have hiking friends.
Deeper friendships are formed with people from those kinds of groups when you do things with them outside of the context of the original interaction; if you go camping with your radio friend, that person is probably more friend than acquaintance. If you go to the movies with a hiking friend who likes the same horror movies as you do, that is deepening the friendship.
In, like 2011 Large Bastard decided he wanted more friends to do stuff with so he started a local radio meetup. These people started as strangers who shared an interest. Now they are people who give each other rides after surgery and help each other move and have started businesses together and have gone on many radio-based camping trips and have worked on each other's cars.
Finding a meetup or starting a meetup is genuinely the cheat-code for making friends.
This is also how making friendships at schools works - you're around a group of people very regularly and eventually you get to know them better and you start figuring out who you get along with and you start spending more time with those people.
If you want to do this in the most fast and dramatic way possible, join a band.
In 2020 I wrote something of a primer on how to turn low-stakes interactions with neighbors and acquaintances into more meaningful relationships; check the notes of this post over the next couple days, I'll dig up the link and share it in a reblog.
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bmpmp3 · 2 months
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i NEEED to be more annoying about being mixed race in public i keep forgetting how dire it is. sometimes i point out stuff in like visual culture classes about like a magazine cover with a biracial model or something and it blows peoples MINDS because the whole class forgot mixed people were real
#sometimes im like nooooo i shouldnt be too loud about it people find it annoyinggggg sometimes#but then i remember. if i dont. my white peers. i love them i do they're ready to learn and they do a lot of thinking#once you point stuff out. but by god you need to point this stuff out first LOL classmates put a lot of care and thought into all kinds of#issues but HOO baby. race is a BIG blind spot for a lot of em hfkjdjdkfh#i just get surprised is all. i didnt realize how little the average non-mixed-race person thinks about this stuff#i like to call myself whiteboy. because i think thats funny. its my internal monologue. but also i am not actually whiteboy#and i forget the real whiteboys (gender neutral?) dont know much about mixed issues hjskasjfkd#oh speaking of i guess as a quick primer: i should probably mention. i tend to call myself mixed race#just the terminology i grew up with. but in most professional and academic settings i'll use biracial or multiracial where applicable#or when referring to people who are not myself or someone i know prefers the term mixed#i dont know why i like the term mixed. maybe its just easier to say and explain LOL but yeah#not everyone likes the term mixed race so its usually better to call someone biracial or multiracial if you dont know#multiracial identities are vast and can be vastly different. one persons experience is much different from anothers#my experience is different from my older brothers and we have the same parents and look pretty alike#and our experiences are different from like. my biracial cousin who grew up in the US#and all of us have different experiences than the only other multiracial classmate ive had in years#really the best thing is to read stuff written by multiracial people. books articles blogs. watch video content#theres a lot to learn constantly even if youre multiracial yourself! lots of people on this earth. but it can be fun!#interesting and fun to connect with others by listening to their stories and experiences!
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leah-lover · 1 month
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Two hearts, one timeline. Alexia putellas x reader
An age gap romance. Part 2
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“ We are delighted to introduce you to this young star. She is a 2 time world cup champion, the youngest ever to achieve that. A 2 time NWSL winner. A final’s MVP and just overall an inspiration. Welcome to the show.” said the reporter next to you. The studio was quiet and all you could hear was your heart beating in your ears. This wasn't the first time you were on TV but you were uncertain about the way the news you were about to deliver is gonna be perceived.
“ Thank you for having me.” you respond with a smile on your face.
“ After your recent NWSL win you were the talk of the sports world. Everybody is interested in whether you are gonna resign with your club or not. What do you say to those questions?”
“ Well I am sad to say that I will not resign with Seattle but very excited to say that a team I have been dreaming of joining has reached out to sign me. I have signed a 4 year contract with FC barcelona.”
“ Oh my god, that's exciting. Tell us how you feel at the moment.”
“ Well, I am very excited,but sad to say goodbye to my family in the states and at seattle. I think this challenge is gonna help me develop as a footballer and learn new styles.”
“ Well, we wish you good luck.”
“ Thank you.”
You exit the studio and the weight of the secret drops from your shoulder. You were gonna leave your home for a more competitive team and a shot at the chapion’s league.
Your move to Barcelona was smooth. You celebrated your run at your old club with the girls, took your flight the next day and landed in sunny Barcelona, the weather was as great as they all said. You then went directly to your new apartment. The time zone change weighed heavily on your body so you took a shower immediately, put your sheets in your new bed and laid down as soon as you could. You then opened your phone only for it to freeze due tha new messages and followers you received. You could see all the comments and messages your new teammates wrote on your post congratulating you on the signing and wishing well for you. This made you excited for your first day tomorrow.
When you woke up the next day you were nervous to say the least. You got ready, called a taxi and headed to the facility. You first got a tour of the facility which was empty because it was early. You met as much staff as you could, did your fitness and health test, a photoshoot, and shot some content. By the time you were done your teammates were done training too. You were ushered by the assistant coach to go to the field and meet everybody.
Your heart was beating like a drum. You were standing next to alexia putellas, aitana bonmati, lucy bronze, and mapi leon. Those people are more experienced and have more accolades than you.
“ Everybody please welcome our new signing from the US.” said your coach which caused all of them to start cheering.
“Hola a todos. Estoy emocionado de ser parte de este equipo, compartir el campo con todos ustedes y ganar algunos trofeos con ustedes.”
“Joder, hablas español y tus estadísticas son buenas, nos llevaremos muy bien.“ said patri putting her arm on your shoulder and guiding you inside.
“Si ella hablara catalán habríamos sido mejores amigas.” said aitana sarcastically.
The rest of the day went on great, you had lunch with the girls, you laughed with them, and exchanged stories. They welcomed you very well.
“ for a young girl you really carry yourself well.” said lucy
“ I had to grow up quickly.” you respond to her.
Your first month at Barcelona was amazing. You got on with the girls really well, training was going well, you had your first start within 2 weeks of your arrival and the fans were really happy with you after your first hattrick in the last match.
“Necesitamos celebrar tu primer mes exitoso con nosotros estrella.” said mapi while you were recovering in the gym. Estrella was the Spanish translation of the nickname the fans gave you when you were getting famous, which was stargirl. That nickname was used by everybody you knew, even the press. But from them it sounded different.
“ Yeah sure, just text me the details.” You responded.
You then went home, showered, and rested. You then got a message from the group chat.“ La terrazza. 8:00.”
Since they went there to celebrate you, you decided to show up and show out. You decided on a black maxi dress, heels, gold accessories, and a red lip.
You drove to the club and got there at 8 sharp. You went inside, and headed straight to the bar to order a drink. The girls started coming little by little, and by a few hours you were all jammed up dancing in the middle of the dance floor. However, your captain didn't join you; she instead opted to watch from the bar.
Alexia has been quiet and reserved around you. Maybe she didn't like you or maybe she was just a quiet person, you never really thought about it before.
“chicas voy a ir al baño.” You yell so that you can be heard over the loud music and exit the dance floor.
Surprisingly the bathroom was empty. You got your business done and went over to the mirror to fix your makeup.
“Parece que te lo estás pasando bien aquí en Barcelona..” said a voice from behind you which took you a minute to realize it was Alexia 's.
“ Capitana I am too drunk for Spanish right now.” You respond still facing the mirror
“ You look good. I mean happy in Barcelona.” She said nervously.
“ Well that's because of you and your friends out there. Actually it was more your friends than you since you hate me.” You respond l, alcohol making you braver than you usually are.
“ I could never hate you. I just can't control myself around you.” She says half whispering. “tengo que ir.” She added before she exited the bathroom.
“ This is definitely something I need to visit tomorrow when I am sober.” You say to yourself before joining the girls again. You were told that Alexia left which caused you to have more questions but you didn't give it much thought. You partied more with the girls before leaving.
Your head was pounding the next morning but you couldn't remember anything, only that you had a great time.
The following weeks were nothing short of spectacular. You were training well, winning every game, scoring every game, and you really built a community with the girls. But Alexia was giving you more space than usual which you couldn't understand why.
Jonathan could see that Alexia was cornering herself away from you so he decided to pair you with each other on everything under the excuse of her giving you more experience since she was older than you. She didn't talk when she was near you, she barely even touched you. This caused commotion in your brain. You lost sleep over why she despised you so much.
One day you had enough of the questions in your brain so you waited in the locker room knowing that she wouldn't come to it to avoid you. You stayed there af-ter all the girls left. After a while alexia entered the locker room
“ Have I ever done anything to offend you?” you ask as soon as you see her figure.
“ Mierda, me asustaste, pensé que no había nadie aquí.” she said taking a few steps back
“ capitana please just give a straight answer. What have I ever done to you?.”
“ We talked about this and my answer was nothing, the problem is in me.”
“ when did we talk about this i don't remember anything.”
“ that night at the party now will you please leave so that i can change and go home i am really tired.”
“ Alexia, this is eating away at me. All I want is for us to be friends or just teammates. Tell me what I did so that we can get past it.”
“ You did nothing, just get over it. You have plenty of friends.”
“No puc fer això ara mateix, és massa jove i hauria de proteger-la de mi” she whispers in catalan and leave without looking at you.
You didn't understand catalan but it was close to Spanish which you were fluent in so when you heard her words you could remember them easily. After she left you reached for your phone and translated her words. “ I can't do this right now. He is too young and should protect her from me.”
Alexia’s words shocked you. You felt dizzy and couldn't focus. You never realized that alexia could have anything for you except hate. You loved her and admired her for the player and person she is. You looked up to her kind heart and intelligent brain. But no matter what you thought about it you needed her approval, her attention, and her focus to be on you as much as you were on her. That's why her distance from you left you puzzled.
You knew that you couldn't stay like that, not when your brain was filled with questions that needed answering.
You left the training facility, and headed straight to Alexia's house.
Before knocking on her door your knees were weak and your brain was quiet. She opened the door mere moments later.
“ What did you mean by protecting me from you?” you asked as soon as she opened the door.
“ What are you doing here?” she asked.
“ What did you mean, alexia?”
“ i don't want to talk about this.”
“ well i do it's the only thing i have been thinking about.”
You force your way inside and she closes the door after you
“ You are not this passive aggressive. I know you. I heard alot about you. This thing you are hiding from me is killing me.” you say to her once she is in front of you.
“ Believe me when I say that I am protecting you.”
“ it's not your choice capitana. What are you protecting me from?”
“ I am protecting you from my feelings for you god damn it. We can't be together and that is all I have been thinking about. I have been thinking about you, your body, your laughter, your eyes. It’s driving me insane.” she yells as she slams the wall behind you.
You weren't shocked, you managed to keep your calm. You held onto her hand which was still on the wall. You backed up a little bit and didn't say a word.
“ this can't happen, you are 23, i am 30. I am older than you. I outrank you in the team. I just…”
“ i dont care.” you interrupt her still holding on to her arm. “ capitana i dont give a fuck. I want you. I need you. Do you want me?” you add.
“More than you'll ever know.” she whispers.
The air was still. The tension was high. You feel your body unintentionally move towards alexia. Your face was millimeters away from her you could feel her breath on your lips. You somehow got brave enough to kiss her. The kiss cut short because she pulled away.
“ please capitana i want this. I want you.”
She then kisses you deeply. Her need for you was apparent. She took control of all of you, not just your lips. She picked you up and walked towards her bedroom all while kissing you. She then threw you on her bed.
“ Are you sure estrella.” whispers
“ I never wanted anything more in this world.”
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unreliablesnake · 1 year
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How would Ghost and König react to seeing your huge makeup collection for the first time when you’re off-duty together?
You don’t wear makeup at work, even if you go out for a drink before going home, you just use some mascara and maybe a very slightly pink colored lipgloss. Since you haven’t met outside of work yet, they have no idea how dedicated you are.
Ghost
When you show up in the restaurant, you wear full makeup. Nothing dramatic, but it makes you look completely different. He can barely take his eyes off of you, because you look so good.
He makes sure you get home in one piece, secretly hoping you would invite him in. When you do, he can’t hide his smile, and he pulls you into a kiss the moment the front door closes.
In the morning he wakes up before you and he takes a good look around the room from the bed where he sat up. He notices the big makeup vanity set by the window and wonders how full it is. You can do makeup, that’s clear after the previous night.
“Morning,” you purr as you get on your knees and wrap your arm around his torso while you rest your head on his shoulder.
Simon smiles at you and kisses the crown of your head. “Good morning, love. Did you sleep well?” You mumble something against his skin without looking up. “Can I ask you something?”
Finally you look up, eyes mirroring a mixture of confusion and worry. “Is something wrong?”
“What? No! I was just looking at the makeup vanity and wondered what’s in there,” he says with a reassuring smile.
None of the women he dated before had such a thing in their homes. Sure, they had makeup, but they usually kept it in the bathroom or somewhere hidden from his eyes. You seemed to be putting a lot of effort into your looks, especially if this vanity is more than just a design choice.
“Wanna take a look? Come on, I’ll show you,” you say with a wide grin as you get out of bed and hold out your hand for him.
Without hesitation Simon grabs it and climbs out of bed as well. You open the drawers, revealing so many products that he’s beginning to wonder how you managed to fit them in there. He doesn’t even know what half of those are for.
“Foundations, concealers, and primers are stored on this side, eyeshadow palettes and eye liners are here, lip pencils, lipsticks and lipglosses are over there, blushes and highlighters–”
“You lost me here,” he interrupts you, picking up a shiny powder to take a closer look at it. “Do you really use all of these?”
“It depends on my mood and the occasion,” you reply with a smile.
He tries to understand it, he really does, but even though you explained him the use of highlighters, he just couldn’t understand it and barely remembered a thing.
Instead of trying to understand it, he just enjoys seeing the excited look on your face whenever you buy something new, and he even buys you some products as a surprise–although you’re always there to choose what you want.
König
He first learns about your collection when he watches you get ready after the first night you spend together. You agree to go for a walk then visit a museum, so you decide to put on some makeup. “Just to look good as your side piece,” you joke.
Whenever you reach for the products, he keeps asking what they are, why you use them, and most importantly, he pays attention to how you use them.
As you get closer with time, he begins to ask you to put on some makeup even when you’re not going anywhere. He loves seeing you do it, and he loves to compliment you even more. A part of him is convinced that you wouldn’t stay with him if he didn’t take any chance he got to compliment you in some way.
“You look stunning, bunny,” he whispers into your ear as he shows you a necklace. “Mind if I put this on you?”
You turn your head to look at him and flash a smile at the man. “It’s beautiful, thank you,” you say before giving him a quick kiss, leaving a lipstick mark on his cheek. “Let me wash your face,” you say with a laugh.
“Let it stay there,” he mumbles as his lips capture yours in a passionate kiss. “It feels like you just marked me as yours.”
“If you put it this way,” you begin with a quiet giggle before kissing his chin, the tip of his nose, his forehead, and any body part that you can reach from there.
These moments are incredibly precious to him, when you let him know you love him, that you don’t want him to leave. Because he wants to stay, he desperately wants to be by your side for the rest of your lives.
“I love you,” you whisper against his lips.
He couldn’t help but smile. “I love you too,” he says.
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anothermansjeans · 18 days
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oooo i would LOVE if you could do a blurb where we see youtuber reader getting ready with spencer’s voiceover spliced in between your descriptions!
hehehe YES! i was wondering if anyone would have wanted to see it SO THANKS FOR GIVING ME A REASON TO WRITE IT!!
cw: fluff, spencer is a menace at times
wc: 599
youtuber!reader masterlist
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The engagement of your most recent TikTok was off the charts. It wasn't something that you normally thought about. Yes, making content was your job and what helped keep the bills paid, but you always did well enough to not have to worry (you're very aware and never take this for granted). There was just something about Spencer in your videos that made the views and comments skyrocket.
The video went as follows: it was a simple set up, you were at your vanity with your makeup setup, and you sent a smile and wave to your phone. A voiceover of yourself talking. “Hey lovelies, I’ll be doing my makeup but Spencer will be doing the voiceover! Okay, bye!”
The video continued on with you massaging spf onto your face, followed by some primer. “This is Y/N doing her makeup routine, even though I tell her every day she already looks perfect.” Your awe was heard after his statement. “It looks like Y/N is putting sunblock all over her face. She’s not putting on the recommended amount which is about ¼ teaspoon. Many dermatologists recommend the ‘three finger rule’ when applying so that you know you’ve used enough.” Your scoff could be heard in the background, but Spencer continued. “She’s now using another product with the name ‘elf’ on it. I believe this is a skin primer, which I learned blurs pores and smooths your skin so makeup can glide on.”
The video continued on as you went through putting on concealer, foundation, and contour. “She’s now putting concealer under her eyes and on red spots. I believe this is for color correction, but she should be using a shade of green to neutralize the red and then put concealer or foundation on. She’s now blending in the concealer very vigorously.” His next words were a bit softer, most likely looking directly at you when he spoke “you should have a lighter hand so bruising doesn't occur or worse, when you're blending on your eyelid the possibility of popping a blood vessel.”
Your giggles could be heard as well as your words, “okay babe, you're missing some of the video though.”
“Right! Okay, now she's using foundation. This shade looks to be a shade too dark though. Y/N, did you run out of your winter shade?”
“Spencer!”
“Sorry, sorry, now she’s blending again, still very harshly, but now she's using a darker shade to contour under her zygoma and on her mandible.”
The video went on with Spencer’s commentary sprinkled in. He knew exactly what each process was (you think he watches more of your videos than you originally assumed), and he would only roast you every other step. It was the end of the video when you were putting setting spray on and Spencer let out a sigh. “And the last step. I think. She’s spraying something on her face. She told me this helps her makeup stay on all day, but her skin produces oils throughout the day so it's likely this really only works for a couple of hours at most.”
Your grumbled voice could be heard after his. “Outro, Spence!”
“Thanks… for watching? Was that good? I don't know how to stop the recording, Y/N–”
And the video was over. People were obsessed with Spencer just from his voice alone. The quips were funny, his voice was a bit raspy, TikTok declared they loved him (and you– they were obsessed with this relationship). You had a feeling Spencer would be a lot more involved in your content from here on out.
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BONUS: some comments
@ user: HE KNEW SO MUCH??? 😭
@ user1: he's so sassy PLEASE...sassy man epidemic is REAL
@ user2: his...voice... girl i would die a happy death fr
@ user3: SHE'S GETTING COMFORTABLE WITH SHARING HIM WE'RE WINNING
@ user4: why is he DRAGGING you ever so slightly LMAOSHSJDJD
@ user5: yall are so cute i want what you have 🫶
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youtuber!reader taglist: @im-a-ghost666
let me know if you would like to be added or removed!
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britcision · 6 months
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So I’ve been thinking about cultural Christianity lately and how people tend to get very upset about it without really understanding what it is, so here is a primer
Cultural Christianity is not a choice you make. It does not mean you are Christian, or even that you remotely like Christianity; a lot of people who vehemently hate the religion do so because of their own cultural Christianity
It is not a shortcoming, or a moral failing, or a sin. It just means that the culture you were raised in was predominantly Christian.
Note: I did not say “majority Christian”. Christians don’t need to be a majority to have a dominant cultural influence
Cultural Christianity means you inherently understand and probably use swearwords like “damn”, “hell”, or a variation on the name “Jesus Christ”
It means when I say cultural Christianity is not a sin, you understand exactly what I mean without needing to have it explained - and you probably know the phrase “original sin” or “seven deadly sins”, even if not in full detail
It means hearing about Hades, god of the dead, wealth, and volcanoes, and assuming he’s the bad guy of Greek mythology… y’know, like Satan
(EVERYONE went to Hades when they died. The Elysian Fields, where the best heroes went, was in Hades’ underworld. The Eleusinian mysteries, a cult to Demeter and Persephone, was basically about asking them to tell Hades to give you a cool afterlife
And he would cuz he drank his “respect wife” juice if not all of his “respect women” juice. Did still kidnap her. But she is a major feature and often makes the decision herself or influences his when they’re mentioned together
Meanwhile, people try and cast Zeus as a good parent)
It means having to have a dreidel, a menorah, or a kinara explained to you at a time when you already knew about Christmas trees and Santa
(Yes, Santa Claus, Saint Nicholas, major host of the Mass of Christ, is culturally Christian. Even though Coke invented his aesthetic - that’s the “cultural” part)
It’s when you go to make up a new non-religious or pan religious winter celebration… that is centred around a day with family and gifts which is obviously the 25 of December. Maybe counting down 12 days before
It’s defaulting to calling a place of worship you don’t know the name of a “church”
Cultural Christianity is not something people have a choice in; you don’t pick where you’re born, and there are so many other cultures in places like Canada, America, and Britain that are culturally Christian out the ass! But… you will catch Contact Christianity in any of these places
It’s damn near impossible to consume any American or most Western media without brushing across it; cross imagery is everywhere, Christian demons and devils sneak into media all around the world
Western (and some other) Gothic fashion leans heavily on gothic architecture and, yeah, heavily Catholic imagery
Now, brushing across the media in other parts of the world does not impart the same level of cultural Christianity as growing up in a city with four churches on a single block and a Santa Claus parade
And you can grow up heavily in an entirely different culture even in the Bible Belt (but you know what Bible Belt means); you don’t have to abandon all other culture just because Christianity has a chokehold on your home
But when December (or fucking November these days) hits and you hear Mariah Carey in 3/6 stores, yes, you probably have some cultural Christianity
You sure as hell don’t need to be able to name half the denominations (can you name more than 4?), you may never set foot in a Christian church in your life, and still have a cultural Christian influence
If your street names have “saint” in them
If there are crosses or angels on more than half the graves in a cemetery
If you know how to cross yourself but aren’t really sure when you learned; you didn’t look it up or do research to find out
Now note: none of these have an inherent moral judgement attached to them
It’s just about what the culture you live in has taught you about the world, and there’s no culture that is magically the Right One or better than the others
There’s no reason to expect even specifically Christian culture to be the same around the world; it isn’t. It has the same root, but what flowers from the soil is another matter entirely
There is nothing wrong with acknowledging that you have culturally Christian influences and biases; being human is 90% absorbing information from the world around us and half processing it at best - there’s just too much input, and intentionally filtering out Everything Christian Ever?
Well unless you started at 2 years old, odds are pretty good it’s not really a personal choice kinda thing
And you cannot compensate for these influences unless you acknowledge that they exist, that you did not choose to form them, and that you do get to choose how they affect your actions going forward
Christmas stuffed a bunch of other religious traditions into a single package to make itself popular, but if you learned them as Christmas traditions first… do I even need to say it?
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antimony-medusa · 4 months
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*I emerge from scrolling tags to avoid writing an essay about learning styles, staring madly and with my hair torn out of my head*
okay so btw, Phil is the top requested QSMP character for the exchanges I run, usually followed by Chayanne (and then spiderbit/parrot duo, usually only like one or two votes behind).
Pissa is the 7th most popular QSMP ship, with 299 fics of this writing, and Phil & Chayanne is the 10th most popular ship, with 265 fics. Phil is the single most popular QSMP character on Ao3, tagged in 2,354 fics.
Speaking as someone who regularly goes into both the Phil and the Etoiles tags to queue art, Phil has tons of awesome art. People liveblog his lore streams. I personally saw the Cellbit discord doing a primer on his hardcore lore the other day because someone had the theory that it was going to be applicable to general QSMP lore. If I see a cool moment on stream, I can open up the tag six hours later and there's art of it.
Do you know how many fandoms would absolutely kill for that?
Phil is not sidelined by the fandom. He is doing FINE. That is the opposite of the problem we are having, we are having the problem where Phil is popular enough that people show up to other people's lore like "let me make this about my guy" and I scream and claw my face and apologize for them. We are having the problem where while MOST people in the tag are well behaved, just by laws of percentages, even a very small portion of the fandom acting badly makes fans of other characters clutch their blorbos to their chest and mutter darkly about "phil fans".
It might seem a little less if you're used to DSMP at its peak, but I assure you, DSMP at its peak was a megafandom. We are a healthy midsized-to-large fandoms and Phil is one of the big characters. I promise you.
Let me put this in DSMP terms. Phil crows? We are the inniters of QSMP. We are doing FINE. I assure you. Trust me.
Do I agree with the characterization everyone is bringing to the table for my blorbo? No. Popular characters get misrepresented. Is every fic in the tag a masterpiece? No. Baby writers get to have fun too. Do I sometimes go "aw I'd love to see more art of phil and [x] because I love their dynamic"? Yes. The nature of being human is to want more of your blorbo and for your takes about your blorbo to reign supreme.
But if you were kind of going "I want to see more of my blorbo :(" and thinking that represented that the fandom was not paying attention to the blorbo, I assure you, I've run the numbers, Phil is not being sidelined.
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The art of Daniel Danger
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[Image ID: Daniel Danger's art print, 'To all who home to this happy place,' depicting a ruined Disneyland castle in a post-apocalyptic landscape with a statue of Walt and Mickey in the rubble.]
There’s this behavioral economics study that completely changed the way i thought about art, teaching, and critique: it’s a 1993 study called “Introspecting about Reasons can Reduce Post-Choice Satisfaction” by Timothy D Wilson, Douglas J Lisle, Jonathan Schooler, Sara Hodges, Kristen Klaaren and Suzanne LaFleur:
https://www.researchgate.net/publication/240281868_Introspecting_about_Reasons_can_Reduce_Post-Choice_Satisfaction
The experimenters asked subjects to preference-rank some art posters; half the posters were cute cartoony posters, and the other half were fine art posters. One group of subjects assigned a simple numeric rank to the posters, and the other had to rank them and explain their ranking. Once they were done, they got to keep their posters.
There was a stark difference in the two groups’ preferences: the group that had to explain their choices picked the cartoony images, while the group that basically got to point at their favorite and say, “Ooh, I like that!” chose the fine art posters.
Then, months later, the experimenters followed up and asked the subjects what they’d done with the poster they got to take home. The ones who’d had to explain their choices and had brought home cartoony images had thrown those posters away. The ones who didn’t have to explain what they liked about their choice, who’d chosen fine art, had hung them up at home and kept them there.
The implication is that it’s hard to explain what makes art good, and the better art is, the harder it is to put your finger on what makes it so good. More: the obvious, easy-to-articulate virtues of art are the less important virtues. Art’s virtues are easy to spot and hard to explain.
The reason this stuck with me is that I learned to be a writer through writing workshops where we would go around in a circle and explain what we liked and didn’t like about someone’s story, and suggest ways to make it better. I started as a teenager in workshops organized by Judith Merril in Toronto, then through my high-school workshop (which Judy had actually founded a decade-plus earlier through a writer in the schools grant), and then at the Clarion workshop in 1992. I went on to teach many of these workshops: Clarion, Clarion West and Viable Paradise.
So I’ve spent a lot of time trying to explain what was and wasn’t good about other peoples’ art (and my own!), and how to make it better. There’s a kind of checklist to help with this: when a story is falling short in some way, writers roll out these “rules” for what makes for good and bad prose. There are a bunch of these rulesets (think of Strunk & White’s Elements of Style), including some genre-specific ones like the Turkey City Lexicon:
https://www.sfwa.org/2009/06/18/turkey-city-lexicon-a-primer-for-sf-workshops/
A few years ago, I was teaching on the Writing Excuses cruise and a student said something like, “Hey, I know all these rules for writing good stories, but I keep reading these stories I really like and they break the rules. When can I break the rules?”
There’s a stock answer a writing teacher is supposed to give here: “Well, first you have to master the rules, then you can break them. You can’t improvise a jazz solo without first learning your scales.”
But in that moment, I thought back to the study with the posters and I had a revelation. These weren’t “rules” at all — they were just things that are hard and therefore easy to screw up. No one really knows why a story isn’t working, but they absolutely know when it doesn’t, and so, like the experimental subject called upon to explain their preferences, they reach for simple answers: “there’s too much exposition,” or “you don’t foreshadow the ending enough.”
There are lots of amazing stories that are full of exposition (readers of mine will not be shocked to learn I hold this view). There are lots of twist endings that are incredible — and not despite coming out of left field, but because of it.
The thing is, if you can’t say what’s wrong, but you know something is wrong, it’s perfectly reasonable to say, “Well, why don’t you try to replace or polish the things that are hardest to do right. Whatever it is that isn’t working here, chances are it’s the thing that’s hardest to make work”:
https://locusmag.com/2020/05/cory-doctorow-rules-for-writers/
But if I could change one thing about how we talk about writing and its “rules,” it would be to draw this distinction, characterizing certain literary feats as easier to screw up than others, having the humility to admit that we just don’t know what’s wrong with a story, and then helping the writer create probabilistically ranked lists of the things they could tinker with to try and improve their execution.
Which is all a very, very long-winded way to explain why I bought a giant, gorgeous art-print at Comic-Con this weekend, even though I have nowhere to hang it and had sworn I would absolutely not buy any art at the con.
I was walking the floor, peeking into booths, when I happened on Daniel Danger’s booth (#5034, if you’re at the con today), and I was just fuckin’ poleaxed by his work.
http://www.tinymediaempire.com/
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[Image ID: Daniel Danger’s ‘It stopped being about the panic,’ depicting a ruined mansion interwoven with the skeletal branches of a tree, with a weeping statue and two human figures]
Now, see above. I can’t tell you why I loved this work so much (and that’s OK!), but boy oh boy did it speak to me. I just kind of stood there with my mouth open, slowly moving from print to print, admiring works like “It stopped being about the panic.”
https://tinymediaempire.myshopify.com/products/2022-sdcc-it-stopped-being-about-the-panic-v4
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[Image ID: Daniel Danger’s ‘headlight in the path of,’ depicting a ruined mall with a pair of stags standing at the top of the escalator.]
On the surface, this is moody, post-apocalyptic stuff, heavily influenced by classic monster/haunter tropes, but it’s shot through with hope and renewal and the sense of something beautiful growing out of the ashes of something that has toppled. There’s real “(Nothing But) Flowers” energy in “Headlight in the path of”:
https://tinymediaempire.myshopify.com/products/sdcc2023-headlight-in-the-path-of-v2
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[Image ID: Daniel Danger’s ‘We are no longer able to protect you,’ depicting a ruined factory with a coming-apart sign reading ‘We can no longer protect you forever,’ and a statue of a sword-bearing angel.]
Danger isn’t just a
very
talented artist, he’s also an
extremely
talented craftsman. As a recovering pre-press geek, I was (nearly) as impressed by the wild use of spot color and foils as I was by the art, like in “We are no longer able to protect you”:
https://tinymediaempire.myshopify.com/products/sdcc-2022-we-can-no-longer-protect-you-forever-v3
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[Image  ID: Daniel Danger’s ‘made of smoke and chains,’ depicting a ruined landscape with a pair of derelict subway trains at the foot of a hill on whose peak is a rotting mansion. A pair of human figures, holding hands, are approaching the mansion.]
Danger himself calls this work “weird sad hyper-detailed artwork of dreamy buildings of ghosts and trees,” which is a very apt description of this work, as you can see in “Made of smoke and chains”:
https://tinymediaempire.myshopify.com/products/made-of-smoke-and-chains-mist-preorder
So I looked at this stuff and sternly reminded myself that there was no way I was going to buy any art at the con. Then I walked away. I got about two aisles over when I realized I had to go back and ask permission to take some pictures so I could put a little link to Danger in my blog’s linkdump, which he graciously permitted:
https://www.flickr.com/search/?sort=interestingness-desc&safe_search=1&tags=danieldanger&min_taken_date=1687478400&max_taken_date=1690156799&view_all=1
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[Image ID: Daniel Danger’s art print, ‘To all who home to this happy place,’ depicting a ruined Disneyland castle in a post-apocalyptic landscape with a statue of Walt and Mickey in the rubble.]
But then I got all the way ass over to the other ass end of the convention center and I realized I had to go back and buy one of these prints. Which I did, “To all who come to this happy place,” because fuckin’ wow:
https://tinymediaempire.myshopify.com/products/sdcc2023-this-happy-place-v6-foil
This was unequivocally the best thing I saw at this year’s SDCC, but I also got some very good news while there, namely, that Emil Ferris’s long, long-awaited My Favorite Thing Is Monsters Vol 2 is finally on the schedule from Fantagraphics:
https://www.fantagraphics.com/collections/emil-ferris/products/my-favorite-thing-is-monsters-book-two
It’s coming out in April, which gives you plenty of time to read volume one, which I called, “a haunting diary of a young girl as a dazzling graphic novel”:
https://memex.craphound.com/2017/06/20/my-favorite-thing-is-monsters-a-haunting-diary-of-a-young-girl-as-a-dazzling-graphic-novel/
If you are or were a monster kid or a haunter, this is your goddamned must-read of the summer. It’s a fully queered, stunning memoir for anyone whose erotic imagination intersected with Famous Monsters of Filmland.
(Also, if you’re that kind of person and you’re in the region, you should know about Midsummer Scream, a giant haunter show in Long Beach; I’ll be there on Sunday, July 30, for a panel about the Ghost Post, the legendary Haunted Mansion puzzle-boxes I helped make:
https://midsummerscream.org/
Now Favorite Thing book two was the best news, but the best experience was watching Felicia Day get her Inkpot Award and give a moving speech:
https://en.wikipedia.org/wiki/Inkpot_Award
And then learning that Raina Telgemeier also got an Inkpot; I love Raina’s work so much:
https://memex.craphound.com/2016/10/04/ghosts-raina-telgemeiers-upbeat-tale-of-death-assimilation-and-cystic-fibrosis/
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[Image ID: A photo of me with Chuck Tingle, who wears a pink bag over his head on which he has written ‘Love is Real.’]
To cap yesterday off, I also ran into @ChuckTingle, which is as fine a capstone to a successful con as anyone could ask for:
https://www.flickr.com/photos/doctorow/53065500076/in/dateposted/
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If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/07/23/but-i-know-what-i-like/#daniel-danger
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literary-illuminati · 4 months
Text
2024 Book Review #6 – Exordia by Seth Dickinson
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This is a book I have been looking forward to for quite literally years, from someone who is easily one of my favourite working authors. I also read the short story the book was expanded out from before I even knew it was going to be a book, and so went in spoiled on the broad strokes of what turned out to be the climax of the whole thing. All to say my opinion on this is unlikely to match that of the typical reader, I guess.
Anyway, Exordia is a glorious spectacular mess that has no right to cohere anywhere near as well as it does. It’s target audience is small, but I’m certainly somewhere in it. Please ignore all the marketing it’s so bad you have to wonder if someone at Tor just has it out for the author.
Exordia is a, well, a profoundly difficult book to give any sort of plot summary for. The first act involves Anna, a 30-something survivor of the Anfal Genocide now living a rather unimpressive life in New York City, until one day in the early 2010s she sees an alien eating the turtles in Central Park. Then there’s a cat-and-mouse hunt between terrifying alien snake-centaurs for the future of free will in the galaxy, and the plot jumping to kurdistan, and six more POV characters from as many different nations, and nuclear weapons, and oh so many people dying messily. The first act is an oddly domestic and endearing piece of table setting, the second is (to borrow the idiom of the book’s own marketing) Tom Clancy meets Jeff Vandermeer or Roadside Picnic, and the third is basically impossible to describe without a multipage synopsis, but mostly concerned with ethical dilemmas and moral injuries. It’s to the book’s credit that it never bats an eye at shifting focus and scale, but it does make coming to grips with it difficult.
This is, as they say, a thematically dense book, but it’s especially interested in the fallout of imperialism. The Obama-era ‘don’t do stupid shit’ precise and sterile form of it in particular – the book’s a period piece for a reason, after all. The ethics of complicity – of being offered the choice of murdering and betraying those around you or having an alien power with vastly superior destructive powers inflict an order of magnitude more misery to you, them, and everyone in the same general vicinity to punish you for the inconvenience – is one that gets a lot of wordcount. It is not an accident that the man most willing and able to collaborate with the overwhelming powerful alien empire in hopes of bargaining some future for humanity is the National Security Council ghoul who came out of organizing surveillance information for the drone wars. It’s also not a coincidence that the main (if only by a hair) protagonist is someone with a lot of bitter memories over how the US encouraged Iraq’s kurdish population to rebel in the ‘90s and then just washed their hands and let them be massacred (the book couldn’t actually ship with a historical primer on modern kurdish history, so it’s woven into the story in chunks with varying amount of grace. But it is in fact pretty thematically key here).
Speaking of complicity, the book’s other overriding preoccupation in (in the broadest sense) Trolley Problems. Is it better to directly kill a small number of people or, through your inaction, allow a larger number to die? Does it matter is the small number is your countrymen and the larger foreigners, or vice versa? What about humans and aliens? Does it matter whether the choice is submitting to subjugation or killing innocents as a means to resist it? What about letting people around you die to learn the fundamental truth of the cosmos? Does the calculus change when you learn that immortal souls (and hell) are real? This is the bone the story is really built around chewing on.
All that probably makes the text seem incredibly didactic, or at least like a philosophical dialogue disguised as a novel. Which really isn’t the case! The book definitely has opinions, but none of the characters are clear author-avatars, and all perspectives are given enough time and weight to come across as seriously considered and not just as cardboard cutouts to jeer at. Okay, with the exception of one of the two aliens who you get the very strong sense is hamming it up as a cartoon villain just for the of it (he spends much of the book speaking entirely in all caps). There definitely are a couple points where it feels like the books turning and lecturing directly at the reader, but they’re both few and fairly short.
The characters themselves are interesting. They’re all very flawed, but more than that they’re all very...embodied, I guess? Distracted with how hot someone is, concerned with what they ate that morning or the smell of something disgusting, still not over an ex from years ago. Several of them are also sincerely religious in a way that’s very true to life to actual people but you rarely see in books. The result is that basically comes as being far more like actual humans than I’m at all used to in most fiction (of course, a lot of those very human qualities get annoying or eye-roll inducing fairly quickly. But hey, that’s life). Though that’s all mostly the case at the start of the book – the fact that the main cast are slowly turning into caricatures of themselves as they’re exposed to the alien soul manipulation technology is actually a major plot point, which I’m like fifty/fifty on being commentary on what happens to the image and legacy of people as they’re caught up in grand narratives versus just being extended setup for a joke about male leads in technothrillers being fanfic shipbait.
Part of the characters seeming very human is that some (though by no means all) of the POVs are just incredibly funny, in that objectively fucked up and tasteless way that people get when coping with overwhelming shock or trauma. It’s specifically because the jokes are so in-your-face awful that they fit, I think? It manages to avoid the usual bathetic trap a lot of works mixing in humour with drama fall into, anyway.
Speaking of alien soul manipulation technology – okay, you know how above I said that the points where the book directly lectured the reader were few and far between. This is true for lectures about politics or morality. All the freed up space in this 530 page tome is instead used for technobabble about theoretical math. Also cellular biology, cryptography, entropics, the organization of the American security state, how black holes work, and a few dozen other things. This book was edited for accuracy by either a doctoral student from every physical science and an award winning mathematician, or else just by one spectacularly confident bullshitter with several hundred hours on wikipedia. Probably both, really. I did very much enjoy this book, but that is absolutely predicated on the fact that when I knew when to let my eyes glaze over and start skimming past the proper nouns.
The book has a fairly complete narrative arc in its own right, but the ending also screams out for a sequel, and quite a lot of the weight and meaning of the book’s climax does depend on followthrough and resolution in some future sequel. Problematically, the end of the book also includes a massive increase in scale, and any sequel would require a whole new setting and most of a new cast of characters, so I’m mildly worried how long it will be before we get it (if ever).
The book is also just very...I’m not sure flabby is the right word, but it is doing many many different things, and I found some of them far more interesting than others. I’m not sure whether Dickinson just isn’t great at extended action scenes or if I am just universally bored by drawn out Tom Clancy fantasies, but either way there were several dozen pages too many of them. The extended cultural digressions about the upbringing and backstories of each of the seven POVs were meanwhile very interesting! (Mostly, I got bored of the whole Erik-Clayton-Rosamaria love triangle Madonna complex thing about a tenth of the way into the book but it just kept going.) It did however leave the book very full of extended tangents and digressions, even beyond what the technobabble did. Anna herself, ostensibly the main protagonist, is both utterly thematically loadbearing but very often feels entirely vestigial to the actual, like, plot, brought along for the ride because she’s an alien terrorist’s favourite of our whole species of incest-monkeys. The end result is, if not necessarily unfocused, then at least incredibly messy, flitting back and forth across a dozen topics that on occasion mostly just seem unified by having caught the author’s interest as they wrote.
It’s interesting to compare the book to Anna Saves It All, the short story it was based on – quite a lot changed! But that’s beyond the scope of this already overlong review. So I guess I’ll just say make sure to read the book first, if you’re going to.
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bixbythemartian · 28 days
Text
Okay, I wasn't going to say anything, but I've seen posts about this get passed around. And it's probably too late to push back on this, anyway, but I'm so frustrated I feel the need to say to say something. This is coming from a place of love- I just hate seeing this going around, and I want to offer some perspective on the matter.
First of all, regarding that poll where the user did not know how to pronounce 'Miette'- if you look in the replies, it doesn't take long to discover that the OP was genuinely confused about the pronunciation and, when corrected, was working to get it right. That poll came from a place of innocent ignorance. I hope the OP took it down and stopped reblogs and turned notes off or whatever, because some people said some awful shit. I hope you are the kind of person who is kind and understanding, in the face of such ignorance. Or, if you can't be that, I hope you can at the very least be quiet. (And props to the people in the replies who patiently and kindly explained things to the OP.)
Second of all, I've seen a lot of posts talking about literacy rates, and I'd like to point out that English literacy has very little to do with figuring how to pronounce a French fucking word, goddamn. The OP just didn't know. The dunking, the pointing, the laughing- rude, unnecessary, not helpful.
Thirdly, in response to the complaints of 'they don't even teach phonics in schools these days'- that's bullshit. Because the odds are very good that they didn't teach phonics in schools when you went to school, either.
When I was a kid, it was called Whole Language. It was the new hot literacy technique, and a lot of schools adopted it. It used cueing techniques and sight words and was very similar.
If you're a millennial, you might remember the commercials for Hooked on Phonics, and you might conclude that teaching phonics in schools was perhaps not common, if you think about that for a bit. If it was worth it to sell a whole reading tutoring program for struggling readers based in phonics, perhaps it might lead one to conclude that phonics weren't as common as other methods, right? You might not have been taught phonics to start. What you do know about phonics, you might have picked up in the past 20-30 years, right?
Okay. Lets go back further, you know Dick and Jane? It was based on, more or less, the same sight words principle, and those primers date from the 1930s, although I don't think that teaching technique came really into vogue until the 40s.
If you are alive, today, in the United States, the likelihood that you were not taught phonics in school is well above non-zero. Especially if you're a millennial.
The notable exception is the 1970s. And during that period of time, there were probably plenty of schools that still used fucking Dick and Jane. And plenty of schools that were starting to adopt Whole Language, because while it was popular in the 80's and 90's, it was developed before. So, Gen X, you didn't get out of this unscathed either, though you had a better chance of getting a phonics-based reading program, I think.
'Kids these days' are not less literate because they were taught wrong. A great deal of us who are alive and speak English as a first language were taught wrong.
(I also think this is the common way English as a Second Language is taught and I'm sorry if you learned sight words, it's so much less intuitive than phonics, and English phonics aren't particularly intuitive. But I know a lot less about this, and I'm not sure.)
The reason some younger people struggle with language and words that I, for example, don't, is that I've been reading and speaking the language a lot longer. That's it. That's likely the same thing for you.
Please quit mocking people for their lack of information, for a start. I don't blame you for not knowing this about the literacy programs, for example. I had to do a lot of research on this. Right? Odds are good, you didn't know this.
And you are hitting people who struggle with literacy for other reasons- English as a second language, for example. The people who deal with dyslexia, there's plenty of autistic people who struggle to communicate fluently in their first language, and many more people who struggle with learning, speaking, and otherwise communicating in English for a huge variety of reasons.
Even if you're right, you're hitting people who had no choice in the language method they were taught from. They were five.
I don't think people mean to be unkind, generally (some do, but we block and move on), but it's really frustrating to a lot of snark circulate without the greater context of 'actually, a lot of English speakers of all age groups were taught English this way, especially USAmericans' and 'hey, what does English literacy have to do with pronouncing a French word, anyway?'
Okay? Okay.
Love you bye
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ms-demeanor · 9 months
Note
any thoughts on the new post that staff went scorched earth on which is now making the rounds abt tumblr live? it basically screenshots all the tos and claims if you've ever opened the app (or in some rbs, unsnoozed live) tumblr has gotten your data. on the one hand i feel like this is fearmongering, but on the other its true that MOST sites have your data as is so its pretty standard. you seem pretty knowledgeable abt data gathering so i was wondering abt your take
This is going to be pretty unkind but watching tumblr users interact with staff and live is a great primer on how conspiracy theories happen.
Nobody on this fucking website knows how to read a ToS, nobody on this website knows how anything fucking works (sorry, this is not a dig at you but how would tumblr "get" your data from you clicking or unclicking live; the only data that tumblr has on you is the data that you have put on tumblr what data do people think that clicking the "new" button is scooping up that is anything beyond interactions or posts or IP addresses which are the things that tumblr already has information about like you do not introduce new information into the tumblr ecosystem by clicking a button you haven't installed anything you haven't changed permissions on your browser if everyone is so goddamned scared about live stealing their data i strongly recommend they stop using anything but public internet through an anonymizer and making sure location data is shut off on all of their devices and anyone who is flipping their shit about the type of data that live is collecting but who is using chrome on any device needs to chill the fuck out about live and flip the fuck out about google)
this is like that post about twitter's content policy that circulated the other day or that post about deviantart's content policy that circulated ten fucking years ago nobody knows how to read legal documents and nobody knows how to read technical documentation and this comes together into unholy matrimony on the no reading comprehension at all moral panic website
live never violated the GDPR it was just rolled out in the US first but the entire userbase decided that because it hadn't been rolled out simultaneously in the EU and the US that it was SO UNSPEAKABLY PRIVACY VIOLATEY THAT THE EU HAD BANNED IT FOR ITS CRIMES with, like, nothing whatsoever backing that up because, again, even at its most intrusive Live collects about as much data as Twitter or Yelp, both of which are *capable* of meeting GDPR standards with that level of data collection (even if musk sometimes makes decisions that violate GDPR).
Live is significantly less intrusive than any facebook product, than Amazon, and than any Google product. If you use youtube logged in, don't worry about live, the horse is out of the barn and tumblr is the least of your worries *regardless* of live. If you regularly use Google as a search engine please god learn how to evaluate and compare risks across platforms because Live is like a coughing baby compared to about a dozen things that most highly online people interact with every single day.
If you don't want to use live don't use live. Clicking the button doesn't magically transfer your secret FBI file to tumblr and even agreeing to the ToS doesn't share anything that tumblr doesn't already have if you don't continue to interact - if you don't interact with live after agreeing to the ToS it's not collecting any data except your non-interaction.
For everyone who is losing it over Live just turn off your goddamned location on your fucking cellphone and turn off your location on your goddamned computers and that's it, you're good, you're fine, relax. If your response to "turn off your location" is "but I need it for _____" then don't worry about Live, whatever "_____" is was already collecting and selling your data.
Do you use an activity tracker? Congrats, you have much, much bigger privacy issues to worry about than tumblr live.
Okay but also I yelled about that post and the very many ways in which it was incorrect in January.
And I happened to take an archive of the page at that time because I'm a paranoid motherfucker.
And if you want my guess as to why staff went "scorched earth" on that post it's probably because if you scroll down to the bottom of the page on the archive, OP calls on everyone looking at the post to send a kind fuck you to the CEO then tagged his tumblr.
If you look at the other posts that went scorched earth in relation to tumblr staff they were also posts that very pointedly directed a lot of ire at a single staff member.
I don't think that any individual tumblr staff members are above criticism and I don't think that staff as a whole is above criticism but part of learning to read a ToS is understanding that someone can be shitty and vague and use TERF talking points and skirt the line and be technically okay under the ToS while someone can have a legitimate gripe about another user being horrible and manage to violate the ToS by accidentally spinning up a harassment campaign or suicide baiting someone.
Shitty people like nazis and terfs thrive on being edge cases. They are very good at finding a boundary and standing juuuuuuuuust on this side of it and going "la la la I'm not violating the ToS, you can't stop me!" and that blows and it leads to a lot of people encountering a lot of shitty stuff on a lot of websites but personally I'm pretty glad that there's a lot of gray area because when you cut out gray area that's when you see things like It's Going Down getting banned as extremist content alongside white supremacists. Please continue to report nazis and terfs, and when possible go deep into their pages to report because a pattern of behavior is more likely to get recognized as hate speech than a single post that gets reported a hundred times. Please block as many people who it's harmful for you to interact with as possible because it's clear that staff is not going to do the kind of work protecting users that users would like staff to do.
However I just can't get angry on behalf of a blogger who got nuked for saying "Hey everyone who hates this feature that we all hate please go tell the CEO to fuck himself at this URL specifically" - that is an extremely clear violation of the ToS because it is absolutely targeted harassment.
So now tumblr-the-userbase is going off on its merry conspiracy way skipping through fields and lacking reading comprehension and saying "users are getting banned for reporting the crimes of tumblr live and its gdpr violations" and ignoring the fact that the post was nuked because the last line was saying "hey everyone, let's all individually tell the CEO to fuck off in messages sent directly to him that are certainly not going to include any threats, exaggerations, gore, etc. etc. etc."
If I were to make a post that had 50k notes and the last line was "and while you're at it, please send tumblr-user-ms-demeanor a personalized message telling them why they're a terrible person so they know what we think of them" it would absolutely be reasonable to say that was harassing that user. And that post did it with the CEO. Who is not above criticism (and I have my criticisms! I don't think he really gets tumblr and that's a problem!), but jesus fucking christ don't tag the goddamned CEO or any other staff member in a call to action asking users to send them messages saying "fuck off" this is literally the stupidest thing I've ever seen a tumblr conspiracy theory coalesce around.
Anyway thank you for giving me a place to vent i've been getting more and more pissed about this for three days. Everyone feel free to kindly tell tumblr user ms demeanor to fuck off.
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callsign-relic · 8 months
Note
Hi! How are you? Sorry for my rudeness early, but I was so excited when you open your request that I kind of forgot saying at least hi. Anyways, can I request the continuation of your story about Optimus Primer/humanF reader First Contact ?👀 It was a very interesting plot. And I certainly want to know more about it.
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Wow, two people asking for a sequel of the same fic!!! You guys must have really enjoyed it HAHAH. I’m more than happy to write it for you both :) for those who haven’t seen it, here’s part one! Hope you enjoy :)
Warnings: SFW, Fem!Human!Reader, Yandere, First Contact AU
When you next awoke, you didn’t recognize any of your surroundings.
As you laid flat on your back, eyes slowly opening as they adjusted to the light, you saw the expanse of the room’s ceiling stretch out high above you— farther than you could ever reach, and much higher than the ceiling to your bedroom. Head pounding, you sit up, and even as that little motion gives you vertigo you try and push through the pain to try and figure out where you were.
Your vision finally clears up, and you grimace at the sight of the drab brown walls that surrounded you. The place was huge, yet from where you were standing, it all seemed relatively eye-level… Just what was this place? How did you get here?
Then, you hear the sound of metal. Clanging rhythmically behind you, slowly becoming louder and louder until it’s heavy echoes are all you can hear.
You turn around and, suddenly, all of the memories come flooding back to you.
Two giant robots, one falling dead at the other’s feet.
Your life flashing before your eyes as you thought it would all come to an end under the pede of an oblivious mech.
Only for that mech to notice you and whisk you away to lands unknown, as you passed out before you could see how far he had taken you.
And the mech whose name you would soon learn is Optimus Prime.
“Ah, you’re awake, little one.”
The gigantic mech leans down before the platform you quickly realized was a table, leveling his face before you. The blue glow of his optics reflect in front of you, and that also makes you realize that glass surrounded you at all sides. You were trapped in a giant cage.
Now, some morbid part of you almost wishes you were crushed that day.
The glass ceiling slides open with a smooth click, and a black servo suddenly encompasses your vision. Instincts kick in and you stumble backwards, landing on your bottom, kicking yourself further and further back until you bump roughly against the wall.
Optimus’ warm smile fades the tiniest bit. His optical ridges furrow as he huffs a little sigh. “I understand. You’ve certainly been through a lot these past few hours. But I can help you.”
Without regard for your panicked state, Optimus’ servo approaches you anyway— long, thick digits wrapping all around your form. You can only let out a breathy scream as the world shrinks around you, the mech pulling you out from your containment into the big new world that surrounds you. The pressure around you then releases all at once, and you’re left sitting smack in the middle of his palm. Despite your better judgment, your fear of heights suddenly takes over, and you scramble over to cling to Optimus’ thumb.
“It is alright, little one, there’s no need to be afraid,” the mech assures you, running the tip of his free digit on the top of your head all the way down your hair in slow, methodical motions. His whispered comforts escape you, however, as the alien language he speaks only instills a deeper fear within you. No matter how much you try to pull away from his touch, the mech’s finger always finds its place on your head again.
Eventually, you lurch forwards once again as Optimus carries you forward across the base. You want to shut your eyes, pretend none of this is real, hoping that in the next moment you wake up and this was all some messed up dream— but you can’t. There’s too much adrenaline running through you to do so. Not to mention, the constant reminder that Optimus was there, taking such gentle care in your tiny human body.
“Ah, I see it finally woke up,” a different voice calls out. Your head perks up at the sound, but your stomach drops at the sight. Another one of these giant aliens— thankfully slightly less menacing in appearance. Boxy in its frame and painted in white and reddish-orange.
“Indeed, Ratchet. My little human seems to be doing much better now, thanks to your expertise.” Optimus’ digit finally pulls away from you, if only to gesture as he spoke with Ratchet.
The medic huffs out a scoff. “Well, it was certainly a challenge. Figuring out an entirely new alien anatomy is not something someone can typically cram within the span of a few hours.”
“All the more reason I could only trust you with such an important task, old friend.”
Ratchet resets his vocalizer, disregarding the compliment for the sake of continuing his report. “Besides its sudden power down when you brought it in through the ground bridge, all of its other vital stats seem relatively normal,” he explains, turning fully away from the computer module to face his companion. “If all goes well, you’ll be able to return it to its natural habitat in no time.”
While the movement was imperceptible to Ratchet, from your view, you could notice Optimus’ fingers twitch at the news. Curling inwards ever so slightly, hiding you away from the world the slightest bit. Pulling you closer to him, and him alone.
“That may not be necessary, Ratchet,” he decrees in that all-knowing voice of his. Though Ratchet blinks in surprise, Optimus continues. “I first encountered the human during a battle with the Decepticons. Though I emerged victorious, the Decepticons may now be searching for the human as a result. In order to secure her safety, I find the best course of action to be that she stays by my side until the threat level decreases enough for her to be safe on her own.”
The older bot sputters for a moment. While Optimus wasn’t exactly wrong— any life lost by the hands of the Decepticons was bad, and if they could intervene in any way, they should— but, still. Something about the Prime’s insistence felt… off. Ratchet almost wanted to argue further against it, see how he would react— but he knew he didn’t have much standing ground for a decent argument. At least, not yet.
“…alright,” the medic finally conceded, and a soft smile spreads across Optimus’ faceplate. “Only until the threat level dies down. Then, we’re returning it home.”
“Thank you, old friend.” The blue and red mech reaches out a servo, landing it softly upon Ratchet’s shoulder playing and staring kindly into his optics.
All the while, Optimus’ servo shifts around you. No longer did it serve as a platform hanging above the air, but it pulled in closer towards his frame— pressing you right up against his spark. The powerful energy throbbed and hummed beneath you, the deep reverberations filling your ears entirely. You couldn’t pull back from it if you tried, as his curled digits surrounded you like a brick wall.
“I will ensure she doesn’t leave my sights.”
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mysteryshoptls · 3 months
Text
SR Vil Schoenheit - Apprentice Chef Vignette
"Master Chef"
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[Kitchen]
Master Chef ― Vil Version ~Let's Make Chocolate Cake 1~
Ghost Chef: I know you said you wanted to take the Master Chef course so you can appear on a cooking show…
Ghost Chef: But I can only teach you how to cook. I don't know anything about television programming.
Vil: I completely understand that. My purpose here is only to strengthen my cooking prowess.
Vil: As I learn the proper techniques and gain experience, each movement I make will start to naturally refine, wouldn't you say?
Ghost Chef: I get it. I feel a bit better after hearing that, Vil-kun. Alright, let's get started on a Chocolate Cake!
Vil: A classic pastry, everyone's favorite. I suppose I should pre-heat the oven.
Ghost Chef: Oh, nicely done. Set it to 180°C.
Vil: Set it for 180°C and… It's now pre-heating. So then, I'll start the prep now.
Ghost Chef: Crack open the eggs into the bowl, then add the granulated sugar. Mix it thoroughly until it's white and thick.
Vil: I understand. Now that I'm taking a look at the ingredients before me, I see that we'll be using a lot more granulated sugar than I had expected.
Vil: It reminds me of the first time I made dressing, I was taken aback by the amount of oil needed for it…
Vil: Unless you make it yourself, there's no telling what kind and how much of certain ingredients are in a dish.
[mixes batter]
Vil: I've been stirring and letting it take in oxygen… It's starting to become fluffy and white.
Ghost Chef: Look at you, moving your hands and speaking at the same time. Is that something you'd have to do on those TV shows?
Vil: That's right. If all I do is cook silently, that would be completely uninteresting, wouldn't you say?
Vil: On top of that, my own pride wouldn't let me appear as though I lack the know-how.
Ghost Chef: Hmmm, that's pretty rough… Alright, go ahead and stir in the cocoa powder and wheat flour.
Vil: I see they're already mixed together. Now I'll just sift it properly so there are no lumps…
Ghost Chef: Nice, well done. Mix it all well together with the rubber spatula as if you're trying to slice it.
Vil: I just need to scoop the batter from the bottom of the bowl and make sure it evenly blends together… Baking cake is much more laborious than I thought.
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Vil: Everything has been tidied up, and I've finished making the apricot jam for the cake.
Ghost Chef: The cake sponge has probably cooled enough by now. Try popping it out from the mold.
Vil: Right. …The cake slid out of the mold just like the recipe said it would. Very nice.
Ghost Chef: Alright, now pour the apricot jam you made earlier onto the surface.
Ghost Chef: And spread it evenly across all sides with a palette knife.
Vil: So a thin layer of the jam is spread over the sponge-like surface, to help smooth it out.
Vil: This is exactly how it would be preparing to apply makeup.
Vil: Especially if I think of the jam as the primer, and the chocolate as the foundation.
Ghost Chef: Ahaha. That's an interesting way to put it. Now, let's make the chocolate glaçage.
Ghost Chef: Put the chocolate in the bowl and melt it by immersing the bowl in hot water.
Vil: And then I stir it with the rubber spatula like so… It's starting to melt from around the edges.
Vil: As the chocolate warms, its sweet scent starts to pervade the air.
Ghost Chef: Heh, maybe that aroma will even be trailing out of this kitchen.
Ghost Chef: Oh, looks like the chocolate has all melted. Next, immerse the bottom of the bowl in cold water.
Vil: We just melted it, and now you want me to cool it?
Ghost Chef: Yep. By applying heat and cold repetitively, the cocoa butter in the chocolate can crystallize.
Ghost Chef: When you temper in this way, you can make a velvety rich chocolate glaçage.
Vil: I understand. I'll make sure that this cake is enveloped by the most gorgeous chocolate glaçage you've ever seen.
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[Kitchen]
Master Chef ― Vil Version ~Let's Make Chocolate Cake 2~
Vil: So, we lower the temperature of the chocolate by immersing it in cold water… and then warm it before it hardens?
Ghost Chef: That's right. And don't let up on the stirring. The slightest change in temperature can affect it.
Vil: I can't allow myself to get distracted one bit, hm. I need to be able to continue conversation even while concentrating on the task at hand.
[tempers chocolate]
Ghost Chef: Wow. Tempering is a pretty difficult task, but you did pretty good for your first time!
Vil: Temperature management is just as important in potionology, you see. Even a 1°C difference can transform a potion into poison.
Ghost Chef: I see. I guess your potionology knowledge came in handy, then.
Vil: There's also the way the recipe needs to be fully understood and followed to the letter and the ingredients need to be carefully prepared, measured and mixed in…
Vil: As well as how everything needs to be thoroughly blended together until the desired outcome is realized… Potions and baking have much in common.
Vil: Those who have a penchant for potions and poisons could have what it takes to be a pâtisserie.
Ghost Chef: I-I think it's a little scary to think about how the ability to craft poisons could help bake sweets.
Vil: Joking aside… How does the chocolate glaçage look now?
Ghost Chef: Perfect. That's all you'll need for the tempering. Time to finish the cake!
Ghost Chef: The trick here is to take the palette knife and spread the chocolate before it cools and hardens completely.
Vil: To present a beautiful cake, the chocolate must be uniformly spread over the total surface.
Vil: I only need to think of it as though I am applying foundation after having used primer on the face already.
Vil: Alright, I'm ready to pour the glaçage now.
Vil: The cake sponge is now completely covered in the glaçage. Now I'll use the palette knife as if it were a make-up spatula…
Vil: …LIKE THIS!
Ghost Chef: A-Amazing! Usually, we'll get amateurs overusing the palette knife and leaving lines everywhere, but…
Ghost Chef: You've not a single wasteful movement! What a beautiful display…
Vil: Heh, done to perfection. This is my masterpiece, combining techniques from both make up and potionology.
Ghost Chef: It looks so smooth and shiny and beautiful. It would be a shame to cut into it.
Vil: I fully agree… But I suppose we must head to the judging venue momentarily.
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[Cafeteria – Judging Venue]
Idia: I thought I'd just order a choco cake to get a quick sugar high but then… Next thing I know, I'm dragged into this mess...
Vil: So, my judge is Idia, I see. I'm rather surprised you ordered the chocolate cake.
Idia: HIEE! N-N-N-NO WAY, VIL-SHI!?
Idia: Th-There's no way I'm getting out of this without an earful no matter what I say. I'll just smash the like button, so can I go…?
Vil: Stop thinking and tell me what you honestly think. Here, have a taste.
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Idia: I-I just need to eat and get this over with… [chew, chew]…
Idia: …I…I g-guess… it's good…?
Idia: Tho this is just a singular opinion… It in no way guarantees or endorses the actual flavor of the product…
Ghost Chef: Uhh, right, so I guess that's a passing grade then. Good job, Vil-kun.
Vil: Indeed, thank you. But more importantly…
Idia: Y-YOU'RE THE ONE WHO ASKED ME TO JUDGE, WHAT DO YOU MEAN MORE IMPORTANTLY!?
Vil: I wonder how I looked while cooking. Let's check the camera footage.
Ghost Chef: …Ah! You recorded yourself with your smartphone while cooking!? I didn't even notice!!
Idia: His eyes are just glued to that video… Despite deleting my comment from his IRL feed…
Vil: There doesn't seem to be many issues with how I do any of the basic techniques, like breaking eggs, or mixing the batter.
Vil: The issue is with tempering. I was so focused on the task that I couldn't spare a single glance towards the camera…
Vil: My conversation level dropped immensely. It seems I still have much to improve on.
Vil: Not only do I need to present my food beautifully, but myself as well.
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Requested by @sakurakudo and @dare-to-walk-alone.
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pianokantzart · 3 months
Note
Since you brought up the idea of Luigi having “masculine” and “feminine” days with cologne/perfume…. Do you think Luigi would dip into the makeup world? And, y’know what, let’s extend this question to Mario too. (Mostly because it lowkey saddens me when people seem to forget that Mario has been pretty open to feminine things in the past as well. Maybe Peach tries to do his makeup? Or, maybe she does both of the bros’ makeup? ….Does makeup exist in the movie! version of the Mushroom Kingdom? Whatever— I’m getting off topic!)
As far as I see it, Luigi has a more traditionally feminine approach to looks compared to his brother, focusing harder on personal grooming and properly maintaining his clothes.
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And let's not forget his strong inclination to crossdress.
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Meanwhile, Mario's approach seems to be more "a pretty dress is a pretty dress." Gender norms don't even cross his mind. He likes what he likes, and sometimes what he likes in that moment just so happens to be a dress.
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As such, I think Luigi would have much more of a "vision" in mind when it comes to makeup. He'd study it carefully for months before even the first bit of moisturizer or primer touches his skin, learning what colors best suit him and what brands provide the best results before taking the plunge.
Meanwhile, Mario just sees makeup as a fun thing to play around with. He's the type of guy to forget primer or moisturizer and just start putting powders on his face because he's excited about the colors. Either Peach or Luigi would have to step in to help out if he wants the results to actually look good, which Mario doesn't mind in the slightest.
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carnivorousyandeere · 7 months
Note
Dorian with a Darling who does body painting and is determined😏 to make him their newest masterpiece..... although it might be a project best left for Darling's eyes only 🤭
Dorian’s fingers still over his phone at the work of art displayed on its screen. The painting is gorgeous, yes. He assumes the model must be rather attractive as well, but it’s obvious with your level of talent you could make anyone look ethereal. He’s not the least bit interested in the model, the canvas. He has to know more about the person behind the paintbrushes and air brushes, behind the camera. He has to know more about you.
( MDNI, No Age in Bio DNI )
CW: murder, smut, jealousy, praise kink, unprofessional work environment, technically Dorian is Darling’s employer;;; post-sex photography
Info: gn reader, no agab mentioned; switch/dom reader; switch/sub yandere
Dorian invited you to stay in his home to pursue your art more freely, but his bitterness at you bringing home “random tramps” to paint wears away at his nerves. He certainly doesn’t feel himself to be a prime candidate for artistic inspiration or photographs, but he can’t stand you spending so much time with other people. The curse of your line of work is that need for a living canvas; a need he cannot deny you, or else your art will enchant no longer.
He kills your models when you’re through with them. If you ever question why none return your calls to work with you again, you don’t mention it to him. You don’t talk much to him at all. It’s both comforting and frustrating. He wants to hear your thoughts, but he never knows what to say in response.
Imagine his surprise upon learning you want him to be your canvas— that you were even feeling a bit shy about asking him to sit for you.
“You’ve already done so much, I don’t want to trouble you more…”
“Nonsense! If anything—” Dorian seems to realize his tone is too passionate, too loud, and coughs self-consciously into his sleeve before continuing more quietly— “if anything, it would be an honor.”
~~~
Dorian is mostly bare, his last vestige of modesty a blanket covering his privates. He tries so hard not to squirm under your gaze as you evaluate the planes and curves of his body. He has to fight for that stillness even harder at the cold touch of paint on his skin, knowing that it’s you who’s adorning him like this, making him into art. Your art.
If you notice him trembling and breathing a little shallowly as cover his face, then arms, then chest in a base layer to protect his skin followed by swathes of deep blue paint, mercifully you don’t say so.
Dorian is beginning to relax, patting himself on the back for being so normal when he feels a swipe of primer across his hip and jolts away with a gasp, eyes shooting open.
You jolt back too, drawing your hands back to yourself, apologizing profusely.
Dorian swallows down the lump in his throat, willing his heart to stop sending so much damn blood down south. His ears are ringing. He clears his throat again, avoiding your eye. “I should be the one apologizing… you are only doing what we agreed to…”
He coughs again, hiding himself from you as best he can. “I-I’m afraid it’s just been… rather a long time since somebody has touched me… there…”
Oh. Here you were, so afraid to paint your handsome benefactor, and he was even more nervous than you!
Dorian cringes away at your laugh, beautiful though it is. He relaxes when you take his hand in yours, kissing the back of his knuckles.
“It’s okay to feel that way. It happens surprisingly often.”
Dorian frowns at the thought of other people in his spot. Did you hold their hands too? Kiss their skin, smudge the paint drying there? Dorian turns his head to kiss your hand in turn, watching the gentle laughter dry in your throat at his heated look. “And what do you usually do when that happens?”
“I…” you swallow harshly, looking away. “I usually leave the room so the model can compose themself…”
Dorian hums, kissing up your wrist and nipping at the skin when you answer. “And what if I don’t want you to leave? What if… I want you to stay?”
Your head spins with sudden heat as Dorian pulls you into a kiss, smearing blue paint all over your lips and nose. You’re out of breath long before he lets you go, sucking down air greedily and giggling a little at the absurdity of it all. Dorian pulls you even closer, guiding your hand to his cock.
You gently pull him out from under the blanket. He’s dripping already. You smear pre-cum with your thumb, licking your lips as Dorian shudders and tilts forward to rest his forehead against yours. His eyelids flutter with every stroke, soft whispers of your name leaving his lips like a prayer.
He’s beautiful like this, and you tell him so. Dorian whines. His gasps of your name only grow louder, his cock twitching harder as you continue to praise him— no matter how much he shakes his head in denial of your sweet words.
He cums hard, white splattering across his painted stomach. You coax him to lay back in a more comfortable position, petting his hair and reassuring him he did a good job for you, before taking out your camera and snapping some pictures to start a… private collection.
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