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#i just have trouble fitting characters' personalities into that kind of AU if that makes sense
soaked-ghost · 27 days
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best part of having a blorbo is playing dress up with them :}
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shivunin · 11 months
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For the edgy meme - #1 and #10 for your whole crew? Please? 🥰
Brave to ask about all of them haha!! Thank you for the questions, Lilou c: These questions are thought-provoking for sure. That first one was a doozy.
(Edgy OC Ask meme)
1. What memory would your OC rather just forget?
Arianwen: Ooh this is a tough one. I think Wen would often like to wipe the slate clean and start fresh, so to speak. It would be easier and less painful in some ways. If she were to pick just one, I think it would be going back to Ostagar and having to watch Alistair find his brother's body. I think it was the first time she could admit to herself she really cares about him and there was nothing she could do to help. That's a hard place to be if you're used to not caring about people and acting before thinking.
Maria: The sound Bethany's back made when the ogre snapped it. Not her whole death---she wouldn't want to forget her sister's last moments---but the sound haunts her.
Adahlena: The moment she realized her father had been made Tranquil. She could handle losing him and she could handle helping him settle in to his new life, but the moment she realized he was never really coming back is the singular most painful moment of her life.
Elowen: None. The idea of forgetting anything terrifies her. She keeps meticulous notes just in case.
Emmaera: Halamshiral. She despised the experience and now that it's done with and she knows she'll likely never have to interact with the Orlesian crown again she'd rather wipe the whole experience from her mind (except the balcony. She'd hang on to that dance on the balcony)
Salshira: Watching her best friend die as a child. She has always felt responsible, and for a long time would never have given up the memory (it's her fault; she owes it to Saeris to remember), but I think once she comes to terms with it as an adult she would rather put the memory to rest and stop having nightmares about it every night.
10. What's an AU that would be interesting to explore with your OC?
This is a really funny question because all of my Lavellans were originally written in AUs. Emma, who is my actual canon Inquisitor, has an extremely flimsy timeline because the first fic I wrote for her was an AU haha.
Arianwen: I am working on a sort of spy vs. spy one with her and Zevran right now that's been really fun, but I am playing with the idea of Wen being stuck in a time loop and (entirely separate) a soulmate au inspired by that *strangles you with the red string that ties us together* post
Maria: I just finished the only AU I had planned for her so far (the magician au) but I also was playing with a circus au before that...but I'd have to find a way to make it distinct from the magician au so I need to think on it more.
Adahlena: Her entire existence is an AU, so none.
Elowen: I have an avvar au and a love triangle au for her more than half written, I just haven't felt like coming back to them lol
Emmaera: The mermaid au I'm currently working on! She is an archaeologist at heart and would be out there exploring Elvhen ruins if it hadn't been for the Inquisition. I'm enjoying writing this one because she gets to be in full archaeologist mode (and finds a mysterious man on the beach etc etc). (I want to finish this but I keep getting distracted by Maria). I've also toyed with some kind of vigilante au with her (but let's be real, she spends the greatest swathe of her time in Kirkwall clearing out Darktown and it's not that much of an AU)
Salshira: I also just finished an AU for her! I do think a princess/bodyguard AU would be fun with her (because she would be climbing out the window constantly) but I don't currently have plans to write one. Oh, also the various Josiemancing fics I have for her I guess? They're not really AU but they are alternate to her main timeline.
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mochimooon · 5 months
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Nurse Gojo - gojo satoru x reader
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pairing: Gojo Satoru x fem! Reader summary: A few days post-op, you're still in the trenches of recovery. You had expected this, and assured everyone that you would be okay. In Satoru's mind, that meant you need him to be your nurse. word count: 2600+ notes: Back on the fluff train 🚂 The prompt used came from this list. Not requested, just something I wanted to write. Inspo came from my own experience recovering from a tonsillectomy. Nothing but fluff here. Also, still experimenting with Gojo's character. Haven't pinned down a solid characterization yet, but I'm having fun playing around with his personality. No references made to canon, but can be interpreted as in canon or as a non-curses AU. warnings: FLUFF ! the sugary-sweet kind ! stubborn and prideful reader, zero plot, just an excuse to write something cute ☻
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prompt - ♞: Caring for each other while ill
A series of coughs burst forth, one after the other like a litany. 
Your eyes fly open, cursing the coughing fit that tore you back to the waking world as you reach to the end table for your bottle of water. 
It quells the tickle in your throat, but swallowing a gulp sends lances of pain along the surgical site. 
You inhale sharply through your nose to keep from coughing from the pain this time. Seconds tick away until a minute passes, and you set your bottle down, certain that you’re okay for now. 
The bottle nudges the humidifier on your nightstand. A steady stream of moisture floats in the air like it has been the past few days. Cutting a glance at your mirror on the wall, you notice it's fogged up, and you don’t doubt that your whole room is mistier than normal. 
But it’s meant to help. Moisture and hydration, along with the pain pills will ease your recovery—not expedite it. 
You sigh, lying back down on the stack of pillows. From the corners of your vision, the afternoon sunlight pours in through the window, reminding you that you’re inside confined to bedrest. This’ll be worth it when you’re better, you muse. 
A light knock on the door grabs your attention. Too tired and unable to speak, the door opens on its own. 
Utahime peeks through the crack, only to push her way in when she finds you awake. “Hey, heard you coughing, so I figured you were up.” She takes in your appearance. 
You haven’t showered going on three days post-op and have been living in the same oversized shirt since. Because you’ve been laying around, you didn’t bother to run a brush through your hair. And during the last few days, you had next to nothing in your stomach. Tonsillectomies rule. 
You barely had the chance to look at yourself except for when you go to the bathroom. The rest of the time you’re watching TV or asleep. Either way, you’re stuck in bed. 
As far as your room goes, it was already a mess before you left for the hospital. By the time you made it back, it only got messier. Several empty plastic bottles piled in a box for recycling that you’ll get to when you recover, overflows onto the carpet of your room. Open, half-eaten cups of applesauce litter the nightstand and your dresser, joining the bottle of pain medicine you had within reach. 
“Would you like more?” Utahime gestures to the applesauce.
On cue, your stomach groans, making your head spin from the lack of food. You had never been hungrier in your life, and yet each gulp of anything, mushy food or water is like swallowing glass. 
You part your lips to speak but stop yourself, opting to shake your head instead. 
Utahime nods. Your roommate means well, and you’re grateful for her checking on you.
Unfortunately, there’s little she can do. There’s little you can do other than ride it out. Three weeks you were told and warned that tonsillectomies were harder to bounce back from as an adult. It was just your luck that your tonsils suddenly gave you trouble when you hardly had issues as a child. 
There’s an urgent knocking somewhere in the apartment, followed by a few dings of the doorbell. 
Utahime checks over her shoulder, brows pinched together. “I’ll be back.” With the click of your door, she’s gone. 
A minute passes and there’s an argument playing out in the living room. 
You straighten to sit up, arching a brow. 
Muffled voices rise, growing louder as they approach the other side of your door. 
“Gojo, I didn’t say you can come inside—” 
“I’m her boyfriend, I have every right to be in there with her, and if you don’t mind—”
Your bedroom door swings open with grandeur, your boyfriend and your roommates’ bickering flood inside. 
“—I’m here to nurse her back to health.” Satoru hangs onto the door handle, motioning to close it. 
Bless your roommate, Utahime, but the ire she holds against Satoru is next-level and shoves past him to demand his departure. 
“She could have been sleeping, you idiot!”
Satoru waves her off, beaming at you. “She’s not, my girl has a sixth sense for me; she knows when I’m coming for her.”
You cringe at his words, even if they are well-meaning and incorrect. It is a regular occurrence for Satoru to drop by unannounced, you’re still shocked to see him here.  
It had been a few days since your surgery, and you ensured Satoru that you would be okay. Utahime was kind enough to check in on you every once in a while. 
Naturally, Satoru insisted that he come stay by your side, which led you and your roommate to persuade Suguru to keep him busy so that you could heal in peace. 
Yet, here’s Satoru in the flesh, breaking that four-day streak. 
“Get going, Gojo—” 
Satoru spins around to glower at her. “Respectfully, Utahime, she’s got me to take care of her.”
Utahime flounders, another litany ready to spill out when her eyes flick over to you. 
With a wave of your hand and an apologetic smile, you let her know that you’ll be okay, wishing that Satoru didn’t look so smug at your roommate like he’d won some victory. 
But, of course to him it is a victory. “Told you.” 
Utahime bites her tongue, stepping away until she begrudgingly leaves your room. Satoru is quick to shut the door and lock it behind him. 
He turns around, doing a sweep of your bedroom and whistles. “Wow. Did a truck drive by?”
You level him with an annoyed scowl. If you had the ability to speak right now, he’d get another earful from you. 
Satoru crosses the room, stopping at the end of your bed. He rocks back on his heels, hands behind his back. 
You give him an expectant look.
Satoru smiles wide. “I got your favorite.” He reveals a carton of strawberry ice cream and two spoons. Because when it comes to sweets, Satoru believes in sharing. 
You bend your knees under the covers to allow him space to sit. 
He leans over, kissing the top of your head. “Still smell beautiful to me.”
Your face burns and you shove his shoulder, only for him to lasso you in with his arm. You’re too weak and mute to fight him off, accepting the shower of affection all over your face. 
“These past four days have been the longest of my life. You know how much I missed you? Loads! Just picked this up. Still frozen. We’ll give it a few minutes to thaw out.”
He’s on his feet again, moving about the room like a gust of wind. He grabs your trash bin, tossing the applesauce cups and any other debris you’ve left around in the last few days. 
Your eyes widen, trying to get his attention, but now he’s collecting the plastic bottles, picking the fallen ones off the carpet, and tossing them into a box. All while he laments how lonely it’s been without you around. 
“Every time I was ready to head over, Suguru needed something. I don’t get it. Yeah, he’s my best friend, but he’s been so needy lately…”
He moves as fast as he talks that the room spins with his energy. You shuffle out of the blanket, clearing your throat. 
Big mistake. 
Another cacophony of coughs cut through your throat, and you scramble to the side in search of a bottle of water. 
An arm is spread along your shoulders, Satoru offers you a new bottle, rubbing a hand along your back. 
The water is sharp going down, but after a long gulp, it puts an end to the coughing fit.  
A moment passes as you wait, expecting another tickle to rise in your throat. 
“Better?” Satoru tilts his head. 
Pursing your lips, you nod.   
He gives you a bright smile, on his feet in a hurry. “To finish my thought…”
You don’t hear him, not because you don’t want to but because you’re back to watching him bustle around your room, resetting the space to how you normally keep it.  
If he notices your attempt to get his attention, Satoru is slick about it, skating in circles as he gathers the last of your mess and opens the door. 
He leaves the room, cutting his own rambling short and shuts the door.
Tension simmers in your chest, ears straining to catch any sound of another argument somewhere in the apartment. 
Instead, silence is all you hear, a rarity that you associate with Satoru’s absence. But it’s brief. The door widens again with his return, already yammering on about something else.  
And he’s also back to sorting your room again. You didn’t notice the glass cleaner and the paper towel roll he brought with him. He coats your mirror with the foam spray, talking a mile a minute, clearing the mist that’s built up and only pausing to grin at his own reflection. 
“That’s better,” he says. “Now we can both see ourselves."
Now he’s across the room, spraying your window. After a few swipes, your room is brighter, stronger and the warmth distracts you for a moment. That is until Satoru’s at your nightstand, lifting up the humidifier. 
“Whoa, this is empty already,” he muses.
You want to interrupt and ask what he’s doing even though you’re already aware. The better question is why. Sure, your room is in shambles, but that’s not something he needs to worry about. It’s not something anyone needs to be concerned with. 
During the first few days of recovery, Utahime did offer to help tidy up the place, clear up the empty bottles and even do your laundry. Every time, you politely rejected her help, privy to the way your roommate would purse her lips like she wanted to say something. 
You knew what she was thinking. The same as what Satoru had once expressed. 
“You don’t have to do it all, you know? That’s what I’m here for.” It was always said with a bright, albeit overconfident smile.  
“Sa…Toru…” His name scrapes harshly in your throat. “Satoru…”
In a flash, Satoru snaps his attention to you, eyes wide, setting the humidifier back down. “Whoa…don’t speak, you’ll hurt your throat.” 
You pout, huffing through your nostrils. “You…don’t have to…” Your voice is so hoarse, you don't recognize yourself. Clearing your throat, your lips press tight as you wince. “My room…I’ll clean—”
Satoru presses his palm over your mouth. “Hey. Shhh. Don’t say anything.”
Forever obstinate, you pull away with a frown. “Satoru…”
He shakes his head. “Nuh-uh. Not going to listen if you don’t listen to me. It’s going to hurt if you keep trying to talk.”
You refuse to heed his advice, though your withering pride fails to ease the throbbing in your throat, voice cracking. “I’m fine. You…don’t need to…do anything.”
A humored sigh spills out of Satoru’s mouth. “You don’t need to do anything, other than stay in bed and let me take care of everything.”
Your lips part again to argue, and you’re already bracing yourself for the pain to follow when you speak. 
Only your words melt away before they have a chance to form. Your mind blanks, heartbeat in your lips at the firm yet soft kiss. 
You’re grateful that Satoru holds your face in his hands. The longer he kisses you, the harder it is to think let alone stay afloat, forgetting your train of thought.
His lips move along yours, gentle, minding that you’re still recovering and can only handle so much. However, you wish you can deepen the kiss, let him explore your mouth that you’re almost ready to endure the discomfort in your throat. 
He smiles as you whimper from the loss of his lips. Instead, he levels you with a tender gaze, holding your attention with the calming blue.
“You’re so stubborn,” he murmurs, lacking any ill-feelings. “What am I going to do with you?”
Your face goes warm, looking up at him with a furrow in your brows. When you say nothing, Satoru fills the silence like he always does. 
“I know you’re okay doing things on your own. No one doubts that. I just want to help. Won’t you let your charming, strong boyfriend spoil you, hm?” There’s the playful tease you’re familiar with. But his words are earnest, you know that. 
He's right, you are stubborn. Too independent, oftentimes soldiering through everything, declining all assistance with a strained smile, never asking for help unless you had no choice.
It’s a mystery, even to you, why it’s so hard to receive help. Bedridden, mute, starving, yet for the past few days, your pride wouldn't accept a single helping hand. 
But with Satoru here, stubborn in his own way, you realize how much better your spirits are now that you have his company again. 
And when you relent with a nod, it warms your heart to see him beam, knowing that the feeling is mutual. 
He kisses the crown of your head, spinning around to take the humidifier. “Be right back, I’ll have this thing filled, and the ice cream should be nice and soft to eat.”
As promised, he returns with the humidifier full. Satoru plops next to you with the carton of ice cream, blinking at the two spoons in his hand. 
“Don’t know why I brought two, when we can always share one.” He wiggles his eyebrows, setting the extra spoon aside. 
He lets you have the first scoop, the cold strawberry coats your throat, numbing the pain as the flavor revives your spirit. 
Satoru leans closer, giving you a knowing look with his lips splitting apart. 
You bring the second scoop to your lips to tease him.
He pouts. “After all I’ve done, that’s how it is?”
You smile, unable to resist feeding him a spoonful. 
The ice cream is gone in minutes and the carton is tossed out. Taking stock of your room again, it’s like night and day since Satoru dropped by, tidy as though you hadn’t been wasting away for the last few days. You’re grateful for him.   You take another pill to manage the discomfort. Satoru hands you your bottle of water, rubbing your back as you force a gulp down. "Another few days, and you'll be better soon."
But you're better now. The pain may flare up, though it's minimal compared to the company of your nurse—boyfriend who's just happy to be at your side.
Satoru settles on the bed, kissing your forehead. Long legs dig into your blanket, falling at his ankles as he gets comfortable. With one long arm wrapped around you, the other stretches to your nightstand for the remote. 
He’s already scrolling through Netflix, making a comment about binging something together.
“What’re you in the mood to watch?” He scrolls endlessly at titles until he stops at your ‘continue watching’ list. “Oh, you’ve been watching Bridgerton! Already on season two? Well, I haven’t seen any of it yet, let’s start from the beginning.”
The show plays, Satoru rambles at something every few minutes (“Look at that dress she’s wearing. You’d look really good in it”). It’s a sudden contrast to the last few days you had, alone and miserable. 
Satoru’s intentions are always good, golden even, and no matter how much you try to put on a front that you’re okay on your own and can heal fine in solitude (in peace), it’s an odd blessing that Satoru refused to leave you alone.
You snuggle closer to his side, hooking arm across his chest, and as always, he pulls you even closer. While your words remain lost, Satoru hears you through your silent gesture. 
“I love you too.”
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mental7anguish · 5 months
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I would like to know mroe about that beaststars tadc au please
The basic set up is that they all go to college in varying years
1st year — Jax, zooble
2nd year — gangle, pomni, bubble
3rd year — ragatha
It’s kind of zooble and pomni centric at first with zooble sharing a dorm with her after pomnis last roommate went missing (they were a herbivore). They’re also forced to be around each other almost all schoolday because of zooble being a hybrid and other factors making the school force them to have a 'guardian' (they’re trying to seem progressive and don’t want to get any bad rep), so basically forcing pomni to be a caretaker for a person who doesn’t want or need one.
They are not happy and cannot stand each other at first
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The cast meet each other by having all joined a new circus club by Caine, that outside of customes has almost nothing to do with circuses lol, it’s more of an theater club but clowns. Like in the show he comes up with acts and/or adventures for them to do, where his intentions are to teach teamwork or whatever excuse he came up with to create it. The crew mostly joined because they get free stuff from it.
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The story is undercooked still, because at first I loved the worldbuilding in beastars and just thought the craziness of it was fitting for tadc. I do have characteristics and dynamics in my head, like pomni having trouble with taking control of her carnivorous instincts while ragatha doesn’t have any herbivorous instincts at all, or Jax and zooble being frenemies who somehow almost always find each other in the same place and have matching pendants (zooble around their neck and Jax on his ear)
Kinger is probably a teacher, I’d imagine that he would teach something related to bugs. I also have some ideas for the abstracted, but you’ll just have to wait to find out if I flesh it out bc I think this is long enough already haha. This au will definitely include some beastars craziness, don’t worry.
Lastly I’m just gonna make a list of the character species:
–pomni: cat, long–haired Scottish fold, but shaves fur short
–Jax: European hare + Flemish giant rabbit hybrid, the latter of which is mostly just the height
–Ragatha: Dorset horn sheep
–Gangle: Malay weasel
–Zooble: Hybrid, dog + bird + deer (don’t rlly have any specific species)
–Kinger: lion
– Kaufmo: also a cat
–bubble: Thresher shark (Ik in context this doesn’t make sense, but it’s my au so I’m gonna have fun with it)
– Caine: genuinely have no idea, I need suggestions please
So yea, I hope this gives more insight! This au also dips a little into ships, which hopefully people won’t mind.
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aerkame · 1 year
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Welcome Home Finfolk AU Headcanons Part 1
Just some headcanons on the characters so I can come back to this later for writing/reference. And a bit of a tease for some people eager for Finfolk/selkie stuff. Warnings: Implied kidnapping. It's kind of a given considering that in Orkney folklore finfolk often kidnap people they like/love.
Original post:
(I guess this takes place in a puppet world? Like humans are just humanoid puppets so it's not as confusing to make Welcome Home characters complete puppets but finfolk versions.)
Eddie Dear:
A complete sweetheart of a captain that's a bit clumsy. While Wally can steer the waters himself, he'd much rather have Eddie be the captain on most of their ships, having found that the much larger man knows the waters better than himself and Home.
Eddie is so sweet that most don't even notice the unusual way his felt skin slightly changes colors when it rains, the small finned ears tucked under his captain's hat, or the tiny teal scales that grow under his arms when he's stressed. Maybe he's a lot more clever than people realize. Using that sweetness of his to distract others from what's happening...nah, he's just a clumsy sweet guy, right?
Instead of having shipments in, it's usually Eddie that helps bring in most of what the island has when it comes to strange items. They're still a bit stuck in the 70s so sometimes Eddie brings back boatloads of lost shipments with up to date everyday items.
Wally Darling:
Wally Darling is a true finman at heart. He keeps all those he is close with very close on this island he made so long ago with his and Home's own magic. He may or may not have helped kidnap a few of the neighbors with Home and others, bringing them here.
Sometimes Wally will find himself in looser fitting clothing on warmer days. But usually he keeps a suit worn with his pompadour being well-kept. Everything at Home must be perfect.
Unlike most finmen, his powers have gone far beyond what is normal. While most can control the ocean waters through waves and small rain showers, Wally has little to no trouble making storms, hurricanes, giant whirlpools, and changing the very currents of the ocean to his favor.
Making Home was probably his greatest feat yet. Creating an island wasn't uncommon for his kind. But creating a giant, living, sentient island hidden within a vale of sorts in the middle of the ocean that not even other finmen could reach was something otherworldly. It's like he's creating a whole new world.
He will sometimes crash planes and ships far out in the ocean if they so much as get too close to the world they reside in. Of course he ensures that Eddie, Howdy, or Barnaby goes over to the crash sites to wipe away any memory of where the passengers have been, just in case...and maybe he should start up a rough storm or two in that area for good measure. You can never be too sure.
Of course Wally never expects anyone to actually make it to the shores of Home, but if someone ever did, well...that would be quite the impressive feat! You'd have to not only get past the others sensing your presence in their waters (coupled with oncoming storms), but also get past the vale their world resides in.
Truly, Wally just wants everyone in Home to be able to live happy and free here. He often creates more and more islands and small peninsulas along with the others just to explore and have fun. And they do have fun and joy, almost everyday! Though he needs to slow down on the island-making, he often gets lost on his own creations sometimes.
Barnaby B.Beagle:
At first glance he's just a big ol' fluffy dog with a big personality, but when it rains or when water is doused on the guy? He really tends to grow in size.
Unlike the others, Barnaby tends to have a completely different form when he lets loose. Instead of scales, he grows smooth and cool skin, and instead of pointy fin ears he grows side gills and one large triangular fin on his lower back. (Poppy often needs to help fix his clothes for this reason.) All this topped with giant rows of sharp teeth. Very shark-like indeed.
Due to his size and sharp features, it's no wonder that Barnaby often accompanies Eddie or Howdy when taking care of people that are getting too close to Home, or when someone on the mainland is getting a liiiittle too close to pinpointing where Home's vale is. You could say he's a bit like a giant guard (shark?)dog.
Sometimes Frank wonders if Barnaby is even a finman like the others or if he's some kind of hybrid...or possibly a subspecies?
This big guy is friendly and loves cracking jokes, but he isn't dumb, and he definitely isn't letting anyone hurt his family.
Wally and Barnaby go way back to when he was just a pup (get it?), having been washed up ashore on what was a lonely Home at the time. Wally was the first person to ever treat him so kindly and not judge him for how he looked in his original form. Most finmen hated it.
Barnaby so far has been the only one to ever make it to Home on his very own. Maybe it takes something special to get here. Or maybe it was Home who invited him that time and not Wally's invitation.
Frank Frankly:
Quite frankly the most nerdiest guy at Home. Not only is Frank's house neatly organized with specimens of insects everywhere, but that has evolved to specimens of fish and many books on mythical sea creatures, something that started all thanks to Eddie and Home.
Frank remembers his first time here clear as day. He was so skeptical that finfolk were real or that any mythical creature was real. It took a lot of convincing and quite a few magic tricks to finally get him to open up his eyes about that.
The man has been obsessed with the life that resides in the ocean since he first learned about finfolk. You could ask him about any, and I mean ANY sea creature and he'd probably know everything about it.
One of his keen interests is that of finfolk and selkies. They had similar traits but were vastly different in many ways. Finfolk he could research on however long he wanted considering he was living with them. But unlike finfolk, selkies weren't seen as much anymore. Stars, selkies were even considered on the verge of going extinct according to other finfolk and sea creatures, something about selkies getting their coats stolen too often? Frank would shake his head at that thought. Some people were just too cruel.
Sometimes Frank will feel a pang of loneliness when studying on his own, but usually Eddie is there to cheer him up, or Julie, even if she was a bit too much.
Both Julie and himself are the only residents at Home that are not finfolk, just some ordinary people that found their way here, though they don't remember how or when...
You(Suprise short fic! Hahahaha-):
There was something off about this part of the ocean. You have never ventured this far out before, always staying close to coasts and peninsulas, but it was like you were just drawn to a force here.
You perched yourself onto the small deck of the tiny sailboat you owned and crossed another spot out on the map. There was nothing here either, just like the past few miles you checked. No islands or signs of land in sight...and yet you could sense that something was indeed there. Call it an instinct, but your body was refusing to leave you alone until you satisfied your curiosity.
Looking down into the deep waters, you debated on going back down there to take a second look...nah. You were still soaked and the fur would take forever to dry off again. That, and the skies continued to darken as if it would rain any second now. Actually, a nice swim and a quick look seemed like a good idea.
The fur hood slipped over your head as you buckled the inside of your jacket to keep everything secured, the last thing you needed was a current to take away your seal jacket, you put too much time and effort into making your seal fur a real set of clothes.
You jumped in as soon as thunder roared right behind you, feeling the tingling feeling of bristles and fur wrapping around your felt skin. There wasn't supposed to be a storm yet...
The currents began to change, almost pulling you towards the place of interest from earlier, it was far too strong for you to swim against even as your flippers swished back and forth as hard as they could. Before you could turn your back to face another direction, rough waters ripped your body from left to right, up, and down, until everything felt too dizzy to gather your surroundings. Your vision was such a blur that you did not notice the sailboat you were once on begin to sink down towards you. A long metal object suddenly made contact with your head and everything went black.
I had this finfolk-selkie hybrid OC for the longest time and every time I looked at selkie OCs no one seemed to make it into normal-ish clothing. Like imagine being a selkie in the modern world. Having a seal coat turned into the softest hoodie or jacket would be the best thing ever. You could take it anywhere with you in plain sight and no one would even know.
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wolfspurr · 1 year
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Way Down We Go (50131 words) by Wolfspurr
Art by @idkmyartwork & Art by @thotpuppy Rating: Explicit Warnings: Underage Relationships: Derek Hale/Stiles Stilinski Additional Tags: Post-Nogitsune, Nogitsune Trauma, Stiles Stilinski is Seventeen, Canonical Character Death, Stiles Stilinski Has Nightmares, Stiles Stilinski Has Panic Attacks, AU - Canon Divergence, Canon-Typical Violence, Season/Series 03B, Canon Compliant up to end of 3B, Minor Stiles Stilinski/Malia Tate, Slow Burn, Road Trips, Getting Together, Sharing a Bed, Hurt/Comfort, Making Out, Top Derek Hale/Bottom Stiles Stilinski, First Time, Anal Sex, Happy Ending, + More... Summary: Set during 3B and its aftermath. The blacklight party at the loft leaves Stiles with more than one revelation playing on his mind. He's losing time, and apparently he might be more than just a little bit interested in Derek Hale. By the time he's fought off the Nogitsune and somehow lived to tell the tale, the rest of Stiles' sanity might just rest on Derek, the Camaro, and a few hundred miles of Pacific Coast Highway. It's going to be one hell of a road trip.
Excerpt: In hindsight, it probably shouldn’t come as a surprise.
Stiles generally considers himself to be a pretty intelligent guy; his GPA is second only to Lydia’s - and he still maintains that he could beat her. If it weren’t for all the nightly wanderings, research binges and general chasing after things that go bump in the night, he’s certain he’d be giving her more than a run for her money.
The point is, Stiles knows stuff. A lot of stuff, including a truly impressive number of things he’ll probably never actually need to know, but has squirreled away in his head regardless. His brain is a sponge, ready and waiting to soak up as much useless shit as he can come across.
Apparently it’s the stuff a little closer to home that he’s been having trouble with.
Stiles has always thought he had a pretty good grasp on himself (no pun intended, but second meaning also definitely true), so he really has no idea how he’s managed to miss the glaring epiphany that has just been handed to him this neon night in Derek Hale’s loft.
"I thought you liked girls?"
"I do like girls! Do you?"
"Absolutely!"
"Great."
“So, you also like boys?"
"Absolutely! Do you?"
Stiles knows stuff. This is a question he should definitely know the answer to. The anticipated response is right there on the tip of his tongue, but something about it just doesn’t quite taste right. The expected ‘no’ sits heavy on his palate. It feels like a lie.
It’s not like bisexuality is a foreign concept to him. Stiles is a worldly guy, and it’s not exactly complicated; it’s just never occurred to him to try applying it to himself. He’s definitely applying now. He’s trying it on for size, and surprisingly enough he doesn’t hate the fit.
Maybe it’s because he’s been fixated on Lydia for so long, strawberry blonde goddess that she is. No one else has really got much of a look in for years, because that’s who Stiles is. He falls too hard and too fast, and he’s too damn stubborn to give up when he’s convinced that he’s on the right track.
But recently, if Stiles actually stops and thinks about it, maybe that stopped being true a while ago; somewhere between the night his life got infiltrated by werewolves and the night Jackson’s creepy lizard self was saved by true love. That kind of shit is hard to ignore.
If he’s completely honest with himself, maybe loving Lydia had become a habit that was easier not to break, because Stiles knows himself. He loves deeply, he falls too hard and too fast, and he always, always falls for the most unattainable person possible. And if that’s not Lydia anymore, Stiles is a little terrified of what that might mean for him now.
Yeah, Caitlin. I’m pretty sure I do.
Stiles is losing time.
He thinks he’s known it for a while, but it’s like he doesn’t want to know. It keeps slipping his mind.
Maybe he’s losing that as well.
He knows he should tell the others, but there’s something stopping him. Stiles genuinely isn’t sure if it’s just him burying his head in the sand, determined to ignore the implications, or if there’s something else that’s keeping him from telling anyone about the tracts of time that he just can’t remember.
Something not entirely Stiles.
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Could you do something involving Kid and Killer for that one piece crossing au please 👀
Separate or poly, whichever you want to do ~
I think that I have just the thing for them and I’m pretty sure that I might be able to handle the two of them being poly, my apologies though in advance if I don’t do them right
But let’s get into it before I potentially start rambling about something! And I hope that this is good! I tried my best!
!-MINORS DO NOT INTERACT AT ALL-!
!-POTENTIAL TRIGGER WARNINGS-!
Violence, Murder, Sentient Video Games, Kid being Kid, Stalking, Writing Similar to Old Creepypasta, Obsessiveness, Noncon, Loss of Hope
!-POTENTIAL TRIGGER WARNINGS-!
!-MINORS DO NOT INTERACT AT ALL-!
So honestly I can imagine that you’re the next person to wind up with the One Piece Crossing game and let’s say that like how you got your hands on it was that it appeared in a used games store for dirt cheap and you were hoping to get your hands on at least something like Animal Crossing
You returned home and you got comfy before booting up the game, you did the typical stuff of customizing your character and setting the time and all that but eventually it came time to pick your villagers
You hit the random button so many times as you had picked pirates over marines, you hoped to find something that fit your aesthetic but none of them really stood out to you
Shanks and Benn, Luffy and Zoro, Roger and Rayleigh, Omatsuri and Muchigoro, Bear King and Honey Queen, Doflamingo and Crocodile
None of them seemed to fit your type until you pressed random one last time and wound up with not Kid and Killer but two other characters instead, the two of them seemed like they would be pretty alright and match your aesthetic
Like let’s say that your aesthetic is like soft and cute, these two fit it pretty well however when you go to press confirm that these are the villagers you want
Random gets hit one more time by accident and suddenly you don’t know who you’re heading out with until you arrive at the island and dread fills you when you see who you got. Two punk looking guys who look like they don’t at all match your aesthetic
It’s disappointing but it is too late to go back and change it so you’ll just have to make do with these two as you go through the tutorial and figure out how to do things
As you go through the tutorial, you talk to what’s going to be your fellow islanders and find out that although Kid is rather grumpy and makes fun of you for having trouble with certain parts of the game. Killer is at least chill as he does make comments like “You really can’t get it?” before sighing and slightly assisting to get it out of the way
Eventually when your individual homes are set up and the tutorial has ended, you’re free to start having as much fun as you’d like here on this island
You make progress through the game and start trying to customize the island to fit your aesthetic, you start around your home with a very soft almost Sanrio esque aesthetic that just feels pleasant to look at but as you start stretching it out
That’s when trouble arises as you place down an item just a bit too close to what Kid must deem as his territory causing him to rather aggressively and rudely kick it over telling you to not put that kind of shit near his and Killer’s part of the island
These are just characters in a video game so you decide to wait until Kid isn’t around to place it down again only to be stopped this time by Killer who picks it up and gives it right back to your character with a “Don’t…”
It’s getting irritating as all that you want to do is decorate your island so you reload the game when it’s late at night and when the game indicates that the two men are asleep, you decorate and put the game down for the night when you’re done
The next time that you pick up the game… Guess what’s waiting for you in your mailbox? It’s a letter from Kid and Killer with a gift attached! You open it up only to find that it’s an item labeled as “Ruined Object” and the letter simply states “Don’t try that shit again!”
It took a long time to get this item in the game so you decided to talk to them only to find a new option for conversation in the dialogue box when you spoke to Kid called “I have a suggestion” and when you picked it. He told you to be quick
You were then presented with two options one that suggested you halve the island with them and the other being to insult him but considering how he and Killer ruined your object, you could not see that going well for you so you picked the first one
“Finally you’re talking sense… What do you have in mind?”
This brought up the in game map showing the island, Kid gave his suggestion first of very little of the island for you but you gave yours and drew a line down the middle of the game map. He didn’t sound happy but he told you to keep your shit on your side now
You continued the game after that and it seemed like everything was going well, you decorated your side of the island exactly how you wanted and they decorated their side too to fit their own style
When you would wander your island, you would occasionally see them on your side usually just wandering or needing to talk to you about something like “I found *insert object* and it looked like something you might want” or “Have you seen Kid anywhere? I can’t find him…”
These conversations would typically be short and the items that they gave you usually were your aesthetic but customized to be more in their style causing you to usually store it in your home inventory space or just get rid of it altogether
Eventually though you opened the game map one day to see that Kid and Killer had moved in with each other as there was one less house on the map, you went to see what was up thinking maybe one of their houses burnt down but when your character knocked and went in
You almost immediately turned around and left with a face bright red in real life the two of them were currently engaged in some very passionate activities with each other in their home, it was safe enough to say that you had your answer as to what was going on to make them move in together
They entered a relationship with one another and the game made it so that they moved in with each other as a result of it
You really weren’t expecting that sort of graphic scene to be in a game like this but then again, it wasn’t exactly straight up animal crossing so you just tried to forget it until you got a letter telling you to take a picture next time as it’ll last longer…
The game continued on after that with you hopping on for at least an hour everyday to do stuff, a few more villagers even moved in as well. Heat, Wire, and a few other people as well who all choose to live on Kid and Killer’s side of the island
It didn’t bother you though considering they much more fit in with their aesthetic anyways
There were a few days where you didn’t play as you were busy and whenever you returned, the two of them almost seemed slightly curious like “Where were you yesterday?” and “Don’t sleep so much… I’m not gonna wake you up if you do…”
But it was one day however when you and a friend of yours decided to try something as they had a copy of animal crossing and wanted to see if they could visit your island
So you did and your friend’s character was soon running around your island with you, the two of you were having quite a bit of fun as you both played around in every way that you both could think of but that fun started to come to an end when one of your villagers wandered onto your side of the island
It was just Killer at first who came up to you and asked who that guy was when you choose the dialogue option of him being your friend, Killer’s model visibly looked your friend up and down before turning back towards you and telling you to straight up ditch them before ending the conversation
After that, you continued to hang out with your friend but oddly enough you kept running into your villagers. It wasn’t just Kid and Killer who you kept running into either as you even encountered a few of the other villagers
All of whom told you that Kid and Killer were looking for you like “Killer wants to talk to you about something” or “Kid has something for you” but you always just ignored them thinking you could see them later
Eventually though, Kid came out of nowhere and entered a conversation with you while you were in the middle of something. You tried to speed through his dialogue by mashing the button but by the end of the conversation, he looked visibly pissed
Once that was done, you couldn’t get rid of him as he followed you and your friend everywhere like were you and your friend just trying to fish together to catch something? There’s Kid standing right in between the two of you
Honestly he almost seemed to be trying to get your attention too as he would make jokes about the small fish that your friend would pull up but if you pulled up a small one then he would give a gruff “Nice job”
This only ended when your friend finally left and you both agreed to meet up on his island next time due to the actions of your villagers
And when you did, you had a ton of fun but when you had your character return to your island. Almost immediately they were practically swarmed by Kid and Killer who demanded to know where you had been
Then after you selected the dialogue option to tell them, they looked visibly angry like “Didn’t we tell you to ditch that guy? They’re not good for you…” among other things
Eventually you got tired of it and decided to shut the game off while they were speaking as it wasn’t like you were going to lose any progress and besides you needed a break from that shit…
Especially when you hopped on the next day only to find your house that you had worked so hard on looking absolutely trashed
So you took a break for a good long while and played on your other consoles whenever you got the urge to play something, you even spent time with your friend in real life and the two of you got closer. You didn’t start dating but it could be assumed that you were
When your friend told you that they had something to give you on the game, you booted up your console at the same time that they did only for something that made you scream bloody murder to happen
Almost as if you had suddenly stepped into a horror movie, a large metal hand shot out of the screen and grabbed you in its grasp, your friend tried to pull you out of its grasp as you were pulled in but wound up getting sucked in too
Once you both had crash landed, you saw that you were being held by Kid as he wrapped one arm around you that kept you pressed tightly into him no matter how much you struggled
Your friend was lying on the floor looking dazed and confused, they barely even got a chance to register anything before they were suddenly cut down by Killer and as their blood was splattered across the floor, you found yourself as the center of their attention
“What do you think you were doing cutting us off like that when we were trying to talk to you?”
“We told you to ditch that guy and you brought them over… You mind as well have fucked them right in front of us with how close you two were!”
You of course tried to fight against the two of them with tears in your eyes as they both dragged you home, your island had been completely changed as well by them and the others. It was practically unrecognizable
Your home was no better as it had changed for the worse, the entire thing was completely in their style compared to yours as they dragged you upstairs. They threw you onto what used to be your bed and suddenly you were seeing notifications pop up in front of you
All things saying that while you’ve been asleep, Kid and Killer took over the island as its new leaders and completely got rid of the fact that you halved the island with them. They renamed the island as well and not only that but apparently entered a relationship with you as well
With eyes wide, you read all of them and didn’t quite know what to think but you didn’t have much time to think as you were slammed back onto the bed quite roughly to the point where you were sure you would have a nasty bruise
”If you want to cheat in front of us with someone like that then we’ll just have to remind you of who exactly you belong to…”
And it was after that when your outfit was completely ripped away from your body as they held you down and used your body like it was a sex doll as they made you move into so many positions and made you do so many things
By the very end of it… You were so relieved that it was over as you were covered in sweat, tears, bruises, bites, and a lot of cum…
“Better not try anything like that ever again…”
There was no escape from this game and you were stuck here forever with the two of them, they forced you to dress in a style exactly the same as them and treated you like a toy
They would tell you that they loved you dearly so there was no reason to act like you were trapped in some kind of horrible situation, you just needed to be reminded of who you belonged to is all and they were sure that you would be good now
Over time, they did start to become more kind with you even if just a little bit as Kid did start actually allowing you to leave the house without one of them. It wasn’t like you could go anywhere but they did tell you that these things could be revoked if you acted up
Eventually once you were good enough, Killer even allowed you to have something from your aesthetic and despite the slight bit of comfort that you felt when you held it
You knew that it could be easily taken away from you at a moments notice especially if they ever saw you trying to find a way out of the video game and back to the real world
Really truly… You just needed to accept that you would be here forever… There was no way out with them…
They had taken over your island, they had forcefully started a relationship with you, and they had shown what they were willing to do if you ever misbehaved too much
Plus what would you tell the police about what happened if you ever made it back? Your friend had been pulled into a video game with you and murdered by the characters? Like they would ever believe you
So… You were going to stay here forever and simply hope that maybe one day just one day, you would potentially free
Although you knew you never would be
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the-cu-genswap-au · 9 months
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hey hey, welcome to the first official post on this blog!
First order of business: updated refs for the cast! Starting with what I've been calling the "Main Quintet," or just the core cast of kid characters. I'll be posting a couple more of these bios to tide everyone over while I plan out the next comic.
Massive dump of information incoming:
- Ben Krupp takes the main character spot for this AU. Like mainverse Krupp, he's kind of grouchy and impatient and likes to stick to the rules, but there's meant to be a feeling of.... performance to it in this AU. He's had to take on a lot of new responsibilities in the family after losing his dad a few months ago and it's resulted in him feeling like he has to give up his childhood and be Mature™ now. The kid's stressed.
- Despite this, though, he still secretly holds on to his love of the Captain Underpants comics. He sees the fictional hero as a role model of sorts, the kind of person he wants to aspire to be. His attempts to be that kind of person, though, usually tend to fall a little flat....
- Design note: Ben's main color motif is green, but the bits of red are there as a nod to Cap's color motif. Ben may not actually be Cap in this AU, but I still wanted there to be a physical link between the two.
- Jasper Krupp is Ben's younger brother, the middle child of the Krupp family, and the glue that holds this whole group together. Unlike his brother, Jasper is a lot more open and friendly, and a lot more trusting and empathetic. He's a sweet kid, but like his brother, there's a hint of performance to his behavior, too.....
- Design note: the majority of Jasper's character in this AU is based off of my personal headcanons for Jasper, since he's pretty much a blank slate of a character otherwise. Canon is but putty in my hands etc. etc.
- Toilette Ree and his younger brother Lavatore are the new kids in town, having moved from Quebec to Piqua over the summer. It's been.... hard adjusting to the move. The other kids at Jerome Horwitz haven't exactly been making it easy for them, either. But hey, that's why they've got each other!
- Toilette is the more rowdy and confrontational of the two, but mostly when it comes to defending his brother. When he cools off he likes to put on this snarky, cooler-than-you attitude to make himself seem more formidable than his tiny frame would suggest. It.... doesn't really work all that well.
- In his spare time, he has a budding interest in engineering
- Lavatore, by contrast, comes off as the more timid, less aggressive brother, but that's only because he has a tendency to fall back on Toilette whenever the two of them are in trouble. When he's not struggling to survive third grade, Lavatore's actually a pretty nice, chill kid, with a surprising rebellious streak to his personality that comes out whenever he's emboldened enough.
- Design note: Toilette and Lavatore have the same color motifs as Ben and Jasper (green/blue). This is only partially accidental on my part.
- Design note: Toilette's hair curl is essential
- Edith (they never caught her last name) rounds out the core cast as Ben and Jasper's closest (and only) friend. A quiet, painfully shy girl, Edith has a hard time fitting in with the other kids at Jerome Horwitz Elementary, not that she isn't trying. Sometimes she can't help but think that the other kids can just tell that she's different, somehow....
- In her free time, Edith has a huge passion for baking. She likes to share whatever she makes at home with Ben and Jasper, her self-proclaimed biggest fans.
- Design note: Edith's color palette is an inversion of her mainverse counterpart's colors—mainly yellow with red highlights instead of mainly red with yellow highlights
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ccrisntok · 11 months
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TW// Blood, Implied Death, Suicidal thoughts/actions, Violence, Homophobia, Mentions of SA (Basically all the stuff that happens it Heathers: The Musical.)
this is really long and you kind of have to know the plot of Heathers to understand it. Major spoilers for DRDT and Heathers btw
Ayoo, I'm here with some doodles and basic story outlines based off of @another-danganronpa-fan's DRDT + Heathers au! I took some like, creative liberties I guess. Didn't really change things at all, but added a lot of things! Sorry if I messed with your au a bit too much haha. (Also this is probably not the only doodles I'll make about this au it has snatched my brain.)
I'll explain some stuff along the way.
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Xander as Veronica! (He still has his eye, its just sensitive to light and a different color). I feel like you could switch Xander and Teruko and the au would still work, but as the creator of the au explained, Xander just *barely* makes more sense as Veronica. He's more optimistic than Teruko is, and more willing to trust others. Also, David is a Heather in this au, so it makes sense that Xander would idolize them. Also also, we see canonically that Xander hates murder, but will do it if he really thinks it's necessary. I don't think he would kill people in this au on purpose though, and still feel as bad, if not worse about it than Veronica does.
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Teruko as JD: Pretty obvious. Troubled family past, prone to violence if necessary, extremely distrustful of others? i don't really know if her luck would be a factor in this au, but if it was, it would probably explain why her life is so messed up. She'd kill some bitches.
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Arturo as Heather Chandler. I feel like he's the only person in the cast who would be a big enough dick to be Heather C, and his obsession with beauty could be a factor of why he treats everyone like minions instead of people. He would probably die the same way, and for the same reasons as Heather C. Poisoned after making Xander and Teruko mad. His red ribbon... tie, thing would be the "red scrunchy" of this au.
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David as Heather Duke: Yeah. Like, I feel like he fits her to a tee. After Art dies, he takes place as the leading Heather, and becomes a total asshole (probably similar to his breakdown in cannon). Also, since Arei is Heather Mac, it would make sense for him to try and force her into suicide, since that's what he insists he does in cannon. He may give Xander some hair-clips as a show of friendship.
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Arei as Heather Mac: This one seems weird at first, but this Arei is in the middle of her redemption arch (for reasons that will be explained later). She's more snarky than cannon Mac, but also is going through a lot of mental turmoil. I'd say her sisters are still around. and her home life is pretty terrible, so she relishes in the power being a Heather gave her. Until she meets Eden, and realizes how little being powerful in high school matters.
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Eden as: Martha! I made quite a few changes to her character, because her being in love with the Ram of this au wouldn't have worked. So I made her in love with Arei. Obviously, in cannon Heathers, Veronica helps forge a love confession to make a fool out of Martha, and I feel like Xander would be pressured to do the same thing. In doing this, he could also end up outing her publicly, admittedly probably not thinking about that as a factor (can you tell this part of the au is where I'm most passionate hflkas).
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I feel like Xander wouldn't have bad intentions with outing Eden, but he still does it accidently, probably being like "THERES MORE GIRLS IN THE SEA BESTIE, FIND A BETTER ONE" in a crowed room while wasted.
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I also feel like these feelings would be ACTUALLY mutual, unlike Martha's feelings for Ram. I added this in because I just don't think Arei and Arturo would be very close, or "Ram and Kurt", but seeing Eden's recent public humiliation added to her "friends" deaths might push her over the edge. It also would give her a reason to soften up, and fit the Heather Mac role.
Also, hearing about Arei's suicide attempt could also influence to Eden's suicide attempt later, since she doesn't really care about the other people's deaths in this au.
now to my least favorites...
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...Ace as Ram, and Levi as Kurt. Hu as Mrs. Fleming makes total sense and I support that wholeheartedly, but Levi and Ace.... are kinda the only ppl who could fit the roles so 💀
I made quite a few changes to these two, the huge, major one being they don't try and SA Xander. There was no way in hell I was making them rapists, in any way shape or form. They're still pieces of shit, just not in that way (fuck Ram and Kurt in actual Heathers frfr I HATE those men oh my god JD was so based.)
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Now, Ace and Levi are most definitely still jocks, and bullies. Ace would probably more of a harasser, while Levi is the one beating people up. As mentioned in my little doodle, Ace is only popular bc he "plays sports", rides horses I guess, and is rich, and Levi hangs out with him for only those reasons. Also probably a little gay idk
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Instead of trying to SA Xander and lie about him sleeping with them, in this au Ace and Levi lie about Xander beating up Ace for no reason.
Levi is actually the one who beat up Ace, and idk, either Ace lies about it out of spite to Xander, or just doesn't remember and assumes its Xander. I'd say the remaining Heathers, Ace, Levi and Xander get super drunk in the woods or something (idk why Xander would be invited or show up but why not) and Ace said some dumb shit and got beaten up.
This gives both Teruko (for beating their asses before) AND Xander a violent rep, and Xander hates that, so he's pretty pissed. I'd say Xander would challenge them to a real fight, Teruko would bring the fake (very, very real) gun, and hilarity ensues (Ace and Levi get shot.)
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Since Xander thought this was a harmless prank, he's pretty traumatized ofc
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Then ofc, Teruko and Xander forge a suicide note. It would probably be like "oh yeah we were gay or whatever but levi beat me up so i killed him then myself."
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ofc Xander is haunted by the ghosties he murdered <3
uhhh I haven't drawn the saddest parts of the au yet so get ready for a part 2 😈😈😈 which will also prob include better refs.
this was so long omg I'm sorry. this is gonna take tons of tags djssfklafhdls
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wolame-o-ccx · 1 year
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I have read everything that has (so far) come out in pitmdAU and I am very excited waiting for new posts
I really like your au, if only because I had a similar one in my head and I see a person who does it much better and it's really cool; your ideas are very interesting and Belos in funny hoodies makes my day :)
also, I think that Philip would ask at least Luz and Camila to call him Philip, and not Belos (in your drawings Luz kind of called him Belos), my opinion is that it will be uncomfortable for him to be called Belos since he is no longer on the boiling islands
AHhh you finally interact!!! I've seen every post you've liked LMAO I've been waiting for this for a while now🤭🤭☺️ /pos. Yet again another person who had a similar idea!!!! We are all sharing the same braincell yes yes 😁😁😁 thank you so much for supporting the au!! It means a lot to me 💜💜
As for the name thing it's intentional that I make the characters call him Belos. I think it just fits the characters as of now because most of them have been calling them Belos their whole life. I think Philip would definitely tell Camila to call him Philip and she does but Luz has some trouble, still really traumatised from Hollow Mind so her brain is kinda mushed on that part. Luz does try to remember to call him Philip sometimes tho!! Hunter would either call him Belos or just uncle still even if it stings a little for him. Soon in the near future they will call him Philip tho!! :)))
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mutable-manifestation · 8 months
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"So he pasted on a stoic expression and gave a simple "No.""
Here's where we differentiated because I shifted to Damian's POV and kinda forced the matter. So we could Get Damian's perspective on Danny's cover." After that was the stuff I couldn't figure out because of this spot right here! Danny's answer had to be "no" the misunderstanding doesn't sink as well if it doesn't.
The memory of tests, the pre-established no-codewords *chef's kiss* because it is always going to be safer for Danny to make contact in some other way. With invisibility and intangiblity even more so.
Closing the box cutter like that, perfect. Danny knows better than to attempt to rival Damian, especially when he's under the assumption that Damian is still acting heir. Oof I can't think of any reason getting called back wouldn't spell trouble.
I love the slight implication with the evil billionaires list and tuckers unspoken question, to me it reads like Lex has also tried to clone Phantom. Which I don't think was intended but, it tracks! He totally would!
Tim's questions, Danny looking to Damian for orders. Yes. Just yes, perfection, right there in front of my face but the question didn't even occur to me. Wonderful.
Everything that follows, YOUR TAGS they look like my notes we were on the same wavelength I swear!
Do you have plans to keep going with this? Can we collab if you do?
See I couldn't bring myself to use the Damian POV because in my mind his internal dialogue would just be. Static.
Like, yes, he's a highly trained assassin. And idk too much about batman timeline but I've seen stuff about how he's had character growth and gotten better about things over time. If he came to them at 10 and he's 16 now, that's 6 years for his personal growth. Learning to care about people again.
But outside of missions the batfam are all hot garbage and personal interaction, and I imagine Damian's had enough growth by this point to get to the "people matter to me as more than murder tools/mission tolls" idea, but without any of the understanding of how to deal without a given context.
And with Danny, the context has always been "avoid/ignore."
Danny isn't a classmate. He isn't one of his adopted brothers that he has learned how to squabble/get along with over time. And, most of all, whatever Danny might believe, he is not a League member. Which leaves Damian with no framework for how to deal with him.
Damian had/has a hard enough time getting over his League training, how does he help Danny get over his? Especially when 10 years of it would have been training he did to himself.
How does he interact with someone he was raised to hold at arms-length^2?
So I figured doing his POV would be too difficult because I couldn't think of much beyond static, panicked rambling, and several mock-conversations on how to break it to Danny that the League is gone without him going off on a suicide mission against the coup-people.
Which is kind of a shame, because you could fit a lot of angst in ala grief for Danny's seemingly emotionless state and guilt for forgetting him (which, not Damian's fault the League just sucks, but people don't stop blaming themselves for things just because they know they don't need to. Emotions be cray).
"Oof I can't think of any reason getting called back wouldn't spell trouble"
idk why but this made me think of an AU version where Damian intercepted the letter but the League actually was calling Danny back at the time (no coup), so they try to find him in Nanda Parbat only to find the (fake) dead body to the resulting tune of: Batfam Grief Rampage Time (TM). Except the League called him back because they found out what he was leaving out of his reports (about the portal & tech, not about him being a halfa) so when the batfam go to Amity to talk to the Fenton's about their "dead" son Amity is walled off w/an anti-liminal shield & armed to the teeth waiting for assassins (bc u know the whole town is in danger of being conscripted after bathing in portal radiation for so long. Call that "League of Assassins Park" at that point - sans the whole cult aspect. Unless u count the Phantom Phans).
"I love the slight implication with the evil billionaires list and tuckers unspoken question, to me it reads like Lex has also tried to clone Phantom. Which I don't think was intended but, it tracks! He totally would!"
You know that really wasn't the implication I was going for, but I could totally see Lex trying to clone Phantom. Maybe he heard about the whole overshadowing thing and was like "yo loyal clone to control the actual superman is way better than a second superman that could (did) go rogue! And this one can even be a (former) human!!!"
"Tim's questions, Danny looking to Damian for orders. Yes. Just yes, perfection, right there in front of my face but the question didn't even occur to me. Wonderful."
Am basking in the positive feedback like a lizard in the sun thanks ☀️🦎🥰 
"Do you have plans to keep going with this? Can we collab if you do?"
I thought about making a follow-up, but the stuff others tagged on kinda satisfied the brain itch for me.
But! I could totally see this turning into a fully fleshed-out fic, and I think I'd enjoy writing for it, so if you want to make it happen I'd be happy to collab :)
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madlad-sadgal · 8 months
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Goldenheart AU Pt. 2
I got bored, you get this. Enjoy.
[Part 1]
I'm gonna talk about why the Director/Livia (I'll be calling her Livia because calling her "Director" feels weird in this AU (she doesn't deserve a name but oh well)) doesn't want Goldenheart/Boldloin to be a thing
Just for fun, I'll also talk a bit (I say while writing a whole book) about the band members' backstories
Livia's reasons of not wanting Ambrosius and Ballister to get together comes down to three things: Social Classes, Influence and Reputation
Even though Ballister is doing pretty well thanks to his band, his family is essentially part of the Lower-Middle Class; he had some trouble when it came to getting education and his parents had a low income.
Ambrosius on the other hand is part of the Upper-Upper Class; a good portion of the Goldenloins' money is "old money" which has been passed through generations in his family thanks to their very successful company
For the influence part. The Goldenloins have an absurd amount of influence in a lot of stuff, and Livia worries that Ambrosius marrying someone like Ballister, who kind of has influence in the music industry but not much, will change the way other see him and will then make other companies trust them less (they aren't influenced much by him) which would send the company tumbling to the ground
Reputation now. The Goldenloins' reputation is interesting to say the least. They're known to indulge in their company a lot, making changes to raise profits and all in all just keep it at the top, but they're also known to be snob and kind of rude. Something that's interesting about Livia, Valerin and Ambrosius is that none of them fall in the same categories
Livia is the snob one. She is always seen following Valerin around and is often the one sent to attend meetings when Valerin isn't available. She says her decisions are for the good of the people, but often makes them because she does not wish for the lower/middle class people to gain more money and cause this whole social class thing to fall
Valerin is exceptionally kind and spends a portion of her work looking into helping the lower/middle class people, but she still spends most of her time concentrating on the company because she believes her status and money is what allows her to have such influence and therefore allows her to help the lower/middle classes
Ambrosius falls into none of the two categories. He is kind and charming and doesn't mind stopping to talk to kids who are curious about "his work" (he doesn't have the heart to tell them he doesn't own the company yet) contrary to Livia who will more often than not glare at them and keep walking (that's just an example). Ambrosius also believes that although keeping the company running is important, keeping on top isn't. His main idea for when he inherits the company is to make a few changes that will benefit the lower/middle class people only without lowering the upper class people. He basically just wants to start slowly removing social classes until everyone is around the same level when it comes to education, money and food because he made a friend who lived in bad conditions (Ballister) and wants to change society to make it a better place for people who had similar struggles as him
Obviously, Livia doesn't like Ambrosius' idea, so when she realizes Bal is actually just Ballister (shocking, I know) she is convinced he put those ideas in Ambrosius' head and basically tries to foil their relationship to make sure Ambrosius doesn't "ruin" everything his ancestors have built
Now onto the band. In the first part, @echoing-locations talked about how they thought The Shifters (band) could be a three person band with Nimona, Bal and Meredith Blitzmeyer (character from the comic) and I loved that idea
Nimona would definitely play the drums. Hitting something on repeat to make a beat, it fits them so wonderfully. At first I wanted to make Bal the lead singer, but I think the both of them sing their own songs throughout the shows and have occasional songs they sing together
Bal definitely plays bass. I have no idea when or from where this idea came to me, but I think it just fits.
Then I was struggling with how Meredith would fit into the band, which instrument she would play, especially considering she's this kinda weird scientist in the comic, but I eventually decided she works more backstage, with the lights, making sure the mics, bass and drums work, and everything else that needs to be done backstage
So I had written down what I wanted for the band members' backstories but I lost my notes and my memory is shit so I'll do another part about that when I either find my notebook or write down new ideas.
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imviotrash · 2 months
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I've started seeing more people appreciating Elizanne and making content of it, which I couldn't be happier about! So let me tell you how I came up with Joanne x Elizabeth, because it was actually really funny:
So I was working on my "100 yrs later" AU back in late July of 2023 and was figuring out what the individual style of each character would be.
So I worked on Joanne and later Elizabeth and it dawned on me that I gave them very similar styles (still different from one another but very similar on terms of aesthetics) and figured that they probably start being friends in my AU because of that.
So I thought a bit more about their dynamic and realized that they both present themselves very similarly, while also having a lot of contrasts.
They bounced off eachother well, TOO WELL.
It was like connecting two puzzle pieces from completely different sets, that fit perfectly with eachother.
Let me elaborate even further on that:
-Their contrasting skillsets (fencing and reading) and personalities (bubbly and timid) make for a quite interesting dynamic and also serve as an opportunity to learn more from eachother.
-Strong Gf protecting her boyfriend, need I say more?
-they're both very high femme and have a very interesting relationship with their gender, especially within such a highly gendered society. Elizabeth is struggling to be a cute girl while also being incredibly strong and Joanne is the exact opposite of that (very timid and quite cowardly). Both of them do not adhere to their gender roles to different degrees and on different levels. I think they can bond over that while also learning from eachother based on the experiences they were allowed to have, because of their gender and their individual education (-> Example: Elizabeth teaches Joanne to fence and he teaches her to dance or something like that)
-I think both of them could be a kind of "safe space" for eachother, a person where they're not afraid to be judged for being "too sensitive" or "too bubbly".
-they're both incredibly emotional and I think Elizabeth desperately needs someone she can confine in on an emotional level.
-They both have unfortunately been confronted with the horrors beyond human comprehension and I think it's nice that they can perhaps find some comfort in eachother because of it.
-I'm gonna be fr and just say that these two have some incredible fluff potential that should definitely be utilized. LET THEM BE HAPPY THEY'VE BOTH BEEN THROUGH ENOUGH!!!! I want these two to HEAL!!!
-O!Ciel is a lovely character of course, but I don't think her relationship with either of the twins is healthy, especially since they're all very young and very troubled. There isn't any open communication, she's only appreciated when she can be utilized for her skills, and other than that she's seen as more of a burden and a status symbol. Elizabeth deserves to be bubbly girly girl without having someone around her who's constantly rolling his eyes at her and truly appreciates and loves her outside of her role as a Bride and her skills. Her cute and bubbly personality is part of her character and should be loved like any other aspect of her.
- As a sucker for colour palettes it's also very nice to see a very vibrant character paired with someone with more muted colours.
-Red and pink is a very underappreciated colour combo in ships and it should be utilized more.
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wings-of-ink · 1 month
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If you could put the ROs in another IF which one would it be (they don't all have to go in the same one) and/or alternatively: what kind of au do you think would be fun to see them in? Coffee shop/futuristic/any kind of media/etc. I know I'm the type of person who loves making au's for my own characters so I'm curious!
Oh my goodness Anon, that is such a good question! I was about to go to bed and saw this and couldn't stop thinking about it, lol!
I kinda do something like that with my MCs for the IFs I devour. I have *whips out fingers* 7 or 8 I think derived from characters I’ve written up that I play as (though I have a top 4 that are my primaries). They all ascribe to some sort of different “schtick” and it’s fun to see them in each world.
As far as putting the ROs in another IF though…
Oswin:  Trouble Brewing (the man needs some levity in his life)
Zahn:  Wolf set Free (I think they’d do so well with a pack-family)
Duri:  When Life Gives you Lemons (they’d have a blast and cause so much trouble)
Rune:  One Knight Stand (I’d love to see them in a modern setting and I am pretty sure they’d either adore or hate Merlin and I kinda want to just see them fight lol)
???:  The Nameless (I feel like I could just see him fitting in here somewhere, and I think he’d enjoy the beauty found within the world)
I’d love to see any of them in completely different universes from their own. I could also see Zahn, Duri, and Rune enjoying something futuristic. Poor Oswin and ??? need to sit in a coffee shop somewhere and just chill for a bit lol.
Thank you for the fun ask! ^_^
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froot-batty · 2 months
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Hii! Important question:
How did you start your AU in the first place? Im having some trouble with mine so if its not a bother and if you dont mind, do you have any tips or anything for starting and developoing a AU?
HMMM, that's a tough question!
In my personal experience, I started off small. I had a handful of characters I liked and who's personalities and relationship dynamics I had the basic grasp of and just started posting about them. I didn't start out with a storyline or character arcs in mind, just the characters themselves and how they interacted with one another. All of the rest came after, and even still I don't have that much planned out in the grand scheme of things! I just let ideas take me wherever my brain wants to go, and I add or rework characters as I see fit
For making your own AU, I'd say one of the first things you want to think about (besides a few characters you know you want to include and their dynamics) is whether you want to tell a more linear story or not. If your AU follows a linear story (say the kind you'd find in comics), then think about your characters as devices within the plotline. You might want each of them to fulfill a role to progress the story, so how can you change them up to serve the purpose of the narrative? Of course this doesn't mean characters all need to be a plot device, you can have characters outside of the story you talk about, but the main ones should lead from point A to point B!
If you're going for a "whatever goes" kind of AU like I and a lot of other people do, then honestly, it's up to you how you want to do it! I had no idea where I wanted to go when I first started out, I just knew I wanted to talk about characters I liked and the trials and tribulations they went through. And you never have to stick with the things you first come up with - I CONSTANTLY add new characters, new dynamics, new plotlines, and new elements to backstories. I leave a lot of my AU open to changes like that
For developing characters themselves, I'd look at their canon backstories/abilities/characterization/events as well as fan interpretations of them. A lot of the time you can get good inspiration from what other people are doing - I know I did! But there's no stopping you from completely changing a character all together. In that case I'd say just do whatever interests you that you think you can apply to them. You can take elements of their common characterization and flip it on it's head; give it new meaning. You can make them fulfill themes and character tropes you think would be interesting for them. It's really up to you! All I'd say is have a basic knowledge of what the character is in canon before you do something completely different - it'll give you elements to work with!
But honestly, the main thing is to have fun. You have the freedom to develop the story and the characters within it however you'd like, and I don't think any two people will do it quite the same. Don't overthink the beginning, either! All beginnings are messy and complicated, and your best bet is to just go for it; you'll never properly develop it unless you dig your hands around in there and start playing
I hope that all helped! My DMS and inbox are ALWAYS open to anyone who wants to infodump or bounce ideas off of me. I love seeing the creativity people can have :]
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vacayisland · 5 months
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HIII! YOURE LIKE MY INSPIRATION I HAVE LIKE A QUESTION SOO,,im having trouble writing a fanfic
do you plan out your stories beforehand?
(because personally when i write i would want to add a bunch of things and ended up dragging the whole story)
i did try to make a plan but i keep changing it because if i added something, i will want to change the whole thing. and it will get me nowhere (i hope it makes sense)
I LOVEE YOUR WORK THEYRE AMAZING 💕💕
Okay I totally gets this, because this happens to me with longer fanfictions! It's a real struggle for many writers I've talked to, so you're actually not alone in this. But for starters, for my one-shots or "head-cannon" like stories I don't really plan them out. I have a vague idea of where I want to go and just kind of follow the flow with most things. But that's how I do it, and I know not many people are like that. I have a friend who needs to plan everything out, reread their stories thrice and then change things they don't like. Which is totally fine! Remember writing is a creative art, it's meant to represent the person who is typing the words just as art is meant to represent the person drawing it.
So, going into planning works gets a bit more complex because it means you might actually have to stick to a vague plot. I'm going to try and explain this through the rough idea that I have going for the Mafia! Trolls au that I've scrapped up. You'll want to start with a basic idea first. You cannot get anywhere without a starting idea to bounce off of! (and this does not mean this has to be your story through and through, this is just a starting idea. It can be changed. But too much change might mean you'll be writing a different story than what you started with so be weary of that.)
Example: Brozone Mafia au where the reader gets sold to Brozone.
A one sentence starting idea is your baseline. From there, depending on how long your fanfic is you'll go between two options.
Shorter fic: what is the plot that I want to do? Longer fic: How can I make this fit into the already established world and/or how do I make it fit?
For shorter fics, you don't need as much world building as longer fics. This is because they're meant to be little chunks of your writing; think of it like a snack instead of a full meal or maybe a sampler. Shorter fics are meant to be digested in relatively one sitting, they're meant to be sweet and fulling but not stuffing. As such, that'll severely hurt how much you want to put into a fic! Personally, I do an average 2-5 scenes for a short fanfiction. And for those, if you really need to structure and limit yourself, pick the top 2-5 things you want and/or need to put into the short fic. Remember, not everything has to be used, the more you store for later fics the better! Because one day you're going to run out of ideas and wish you didn't shove them all into one fic when you could have expanded it out between multiple. Furthermore, I don't know if this will help but to stop myself from dragging on I remember one rule:
If you get bored writing and reading your own writing other people will get to!
Literally, if you're sitting there bored out of your mind writing something because it keeps dragging and dragging and dragging very few people will want to read it. And it's not because your writing is bad it's just boring because scene A keeps dragging when scene B should have started and there is a lot of dead space between actions of dialogue. Remember you can achieve the allusion of time passing with words instead of writing full paragraphs detailing everything a character is doing. Furthermore, you can also achieve the same illusion of background characters doing things without fully describing what they're doing! If it's not important don't spend more than three sentences on an action!
In example, say Branch is doing bunker up-keep in the background and Poppy is trying to talk to him. Would you rather read: Option A "Branch come on!" Poppy exclaimed towards Branch, standing in the center of his bunker tapping her foot. watching as he climbed his later to grab his ration jars. He was doing his daily bunker upkeep, counting out his food and tallying his water all the while Poppy kept pestering him. or Option B "Branch come on!" Poppy exclaimed towards Branch, standing in the center of his bunker tapping her foot. Branch was scaling up his latter to grab jars of peanuts, nuts, berries, and anything else he had managed to scavenge from the wilderness; Bringing them back down to pour on the table as he began to slowly count each nut. Poppy was less then amused watching this, hearing Branch's slow counting as he went from one to two to three to four.
That might have been a poor example because I'm not in my writing mode, but it serves its purpose. Most readers know what Branch is like, furthermore what his rations is and how he's about them! So option A gives off the same idea as option B in fewer words and it lets the reader to visualize it a little more in their own way. Which also goes into knowing your audiences. If you're writing fanfictions you're writing to a specific audience who knows your media! In which, you don't have to describe as much as you would for a story you've just made up. Readers know what Branch's bunker looks like, what Pop village looks like, who characters are and what they look like. You can describe them, always, but don't go full out and be like:
Branch is a grey toll who stood a little higher than me. His dark-grey hair stood up in and... etc.
Know your audience, only describe what is needed. Such as facial expressions, differing clothing or hair that a character has in your story than cannon, if someone is losing or gaining their colors, and honestly anything important. I'll say this again, a good way to kill a story is to get bogged down in the unimportant factors.
Backgrounds and scenes are important! Setting a tone and mood are important! Setting a place for your readers to visualize is important!
But they're not more important than your plot. Do not spend 1/4 of your story describing a village that people know. Do not spend 4+ sentences describing what background characters that are adding nothing to plot are doing. Do not spend your effort writing something the readers will forget by the end, spend your efforts on other things! Of course, there is no defendant rule to how everything should go and how everything should be. There is no oh, this should be x sentences or x paragraphs. Writing is an art, it's meant to be free styled, to the most part, and a lot of this is decided upon the writing and their style. As such, you can push the boundaries of things, you can describe some things more in detail and some not at all. The most powerful tool you have is honestly your imagination and that's all you need to start writing. But here is just a few things I believe personally kills stories and I try avoiding, if you want to reference them:
1) Describing what villager B is doing for a whole paragraph or more. 2) Handling too much and doing way too much. Let there be one major plot point over arching the story and not several that keep stacking upon each other. It will confuse the reader. 3) dragging out plot points. 4) Unnatural reactions or speech 5) Plot holes or unexplained plots later in the story.
And that's honestly just a few that I can think of off the top of my head. Personally, I've only been writing since 2018-2019, so I have a little experience but sure not a tone. Much like art and theatre, or anything else creative, writing takes times and practice and effort to make good. Listen to your gut more, let yourself just write. Soon you'll find some sort of balance between everything that'll make it work. Because trust me, my first stories were all over the place and those will forever remain locked in the wattpad vault. Also, much like art, don't be afraid to get inspired by other people's writing styles. Identify what you like about them, wording choices, transitions, flow, etc. and try using it with your style! It's a lot of experimenting, a lot of revising, and honestly (for me) a lot of turning off my mind and just writing.
For bigger stories, it's a lot more complex. It takes more effort to plan everything out before you can actually begin writing and that's honestly a whole separate post upon itself. Since oneshots are snippets and not full stories they don't follow the natural flow of stories, they don't have those extremes ups and downs, they're kind of always dissected straight from the middle of a story, a don't have a true ending or beginning. So with longer stories you need to spend time actually plotting it out, trying to figure out how it'll go and get a good plot going with some sub plots to make the story feel alive. That requires a lot of different little traits such as world building, character building, and understanding troupes, and growth, and plot. Longer stories are always going to be harder because it encompasses so much more and it's harder not to go off once you set a plot down for it. Because unlike oneshots they're a continuous story being told in different snippets called chapters and those chapters are different parts of a full meal. If you choose option A, which is like potato, and you throw in option B mid way, which is like brownies, they won't mash and just taste and read awful together. So you have to plan it much more than oneshots.
But honestly writing is supposed to be fun, even if it takes a lot of time and a lot of practicing to do so. So please do not stress yourself over it, things can be changes and things can and can't be helped. Just keep writing and find your flow, it'll come and you'll impress yourself will all the things you do.
Writing is an art, I will say this over and over. And like any art it takes practice, patience, referencing, and time to develop. It doesn't just grow off trees and while some people might have some natural talent they still need to practice and develop it like everyone else. It's okay to be burnt out, take a break. It's okay to not have the perfect story, it's practice. It's okay to not like a work, you're not always going to. It's okay to write something you're not going to publish, it's your decision. It's okay not to write everyday, you need breaks. It's okay to take writing at your own pace and time. It's okay to get through things fast or slow. It's okay to do whatever you need to do to write in a way that makes you happy, in a way that makes you want to pick up a pen or a keyboard or laptop and write what's in your head.
But it's never okay to give up. You can take breaks, pause from writing for however long you might need. But never give up.
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