Something abt being on the aro-spectrum that I havent seen a lot is talk about feelings of jealousy.
I am a jealous person, and I'm only figuring that out as an adult. I was jealous as a kid, too, but I never thought of it in a way besides platonic. Eventually I stopped having best friends so I stopped being as jealous and bitter when my friends hung out with other people more than me.
Even though I knew I had a tendency to get jealous of others when I had a "best friendship," I never considered myself fo be jealous in a romantic context. Any time anyone would get angry when their partners talked to someone, especially straight couples who's members talked to the opposite gender, I would get confused. Like, you're officially in a relationship, right? Why would your partner agree to that if they wanted to be with some other person?
But as I got older, I understood more. I had one "crush" in my highschool years, and when he flirted with or dated other people I HATED MY LIFE it felt so gross. I always felt like I needed to change, or that I wasnt as desirable, and I needed to try harder. He did end up liking me back, but nothing ever came of it. The euphoria of him liking me back lasted maybe a night, and then it was gone. And it left a pit in my stomach. The worst feeling in the world, feeling disgust toward a thing that had made me feel alive for the first time in my life.
But, nonetheless, in all that drama I discovered that I WOULD probably get jealous if I had a partner, just because of how much I overthink. And i think that's where i sort of differ from a lot of arospec people? See, i dont want a romantic relationship necessarily. I dont need to do all the sappy shit like buying flowers and calling each other babe, or even going on dates really. But I do want something adjacent to that. I dont hate the idea of touching, even though I sort of have a phobia to that, but I DO hate it if I think about it romantically. I love the idea of holding hands in this sort of nostalgic way, like how I used to with my parents when I was a kid. I dont mind the idea of someone playing with my hair the way people used to when it was long, like they admired it so much they had to run their fingers through it. Hugging doesnt sound so bad when it's done in that protective, grounded way. Like hugging someone after a long day, or early in the morning. Just standing there like that. Even kissing sounds okay sometimes, if I dont think about it too hard. I'm sure it feels good. I'm sure being that close, that intimate with someone, would make me feel good. A combination of being comfortable and still feeling that rush of emotion. That sounds like a dream. That sounds fake. It makes me sad to think I may never experience that.
But then, I can think about the same things in a romantic way and I immediately want to turn and run. Holding hands in the way couples hold hands is so weird. I've never held a boys hand before. When I hold my friends hands, it feels awkward. I can hold my father's hand, I guess, but his hands are so calloused that they barely feel like hands. When I hold my father's hand now, I feel almost nothing at all. Thinking of someone playing with my hair like, say, a husband would do for his wife, or vice versa, or wife for wife or husband for husband or partner for partner, any combination-- it feels wrong. It's too sweet. Like, sickly sweet. The way they smile up at each other. It just feels so empty. Like whatever they're feeling just doesnt exist for me. Theres a void there, I think, where that feeling is supposed to be in my head. Hugs and kisses dont feel right from the couples in the movies. I much prefer the ones between close friends that I WANT to be the main couple, i guess. Like, take stranger things for an example. I love steve and eddie, and if they hugged, even platonically, I think I'd lose my shit. I wouldnt care much for a romantic hug between steve and nancy, but I dont really feel much for the platonic ones between steve and robin either. So, for some reason I like this weird in between? But that's not the point. Back to the matter at hand.
All that stuff I mentioned before, about how I can like all this stuff in a weird, alterous way as opposed to platonic or romantic or familial, one thing stays constant: I dont want whoever's doing it to do the same with other people. I DO want to be Their Person, and I want them to be Mine. Not in a possessive way, that's weird, but yknow. I want to want to be around them. I want them to want to be around me, too. And I want to like each other the most.
Lots of aromantic people talk about how they dont understand why friendships arent held to the same standard as romantic relationships, and trust me, I have been there, but I definitely am not exempt from that sort of "ranking." I have people that claim we are best friends, or really close, but I just dont bond with them the same way they do to me. It doesnt click. I like them platonically, I like to be around them, but I'm not attracted to them. Not like I was to my "crush" in high school, or like I am to all the pretty boy characters i think about in my head, or even my best friends from elementary school. Nothing my friends and I do is special to us. We arent exclusive to each other. And to some people, that doesnt matter one bit, but not me. I guess I'm selfish, but man, I wanna be someone's favorite. I want someone to like me the most. Even though I dont know how to kiss and might not even want to, and my personalities not that big, and sometimes I dont have much to say at all, and sometimes more than anything I just need someone to make me feel like I'm not floating through life without making a connection at all.
But that's such a big job. I worry I'm not worth the work. I'm not sure I would be able to work that much for someone else, so it wouldn't be fair. It would be so imbalanced, like I was taking advantage of them or something. I can't do that.
Nonetheless, the best analogy I can think of is beds. Not having sex in beds, just literally sleeping in them. Some aro people want their own bed in their own house. Some want to share a house AND a bed, with one person or with a whole group. But me? I'd like to live with friends AND my person. The best friend, or the partner, or whatever they are to me. And I want my own bed, but if I ever have any troubles sleeping, or they do, I want each others rooms to be the first we go to. I want to love someone so much that I choose them to ground me every time. How amazing would that be? To not have each other, but still be connected. To have some in between, "other" sort of love that does is not just built on trust, but IS trust. Trust that you are wanted, you are welcome, and you are special. Being something more than friends, more than lovers. Helping each other be whole on their own. Knowing they love you not because you're friends, not because you're partners, not because you're family, not because of anything. They just do.
I do want love. I really, really do. I want love the way I love the ocean, and the way I love music. I want to be loved that way. The attraction to the beach that humans have had for centuries. The tendency to make tunes out of nothing, to hum just to hear the sounds. Even if the ocean is dangerous. Even if the song is off-key. I want love that is instinctual, that is unexplainable. I want love that has no reason. No words to explain it. I want the love that existed before we had the word for it. Before there were friends and lovers, there were just companions. Two people who chose each other. And they may have not been able to speak the word love, but I'm sure it was stronger than what we have now. I'm sure, if you sit still, you can still hear it.
66 notes
·
View notes
WELCOME EMILY, YOU’VE BEEN ACCEPTED FOR THE ROLE OF HELOISE DELACOUR
Admins Note: Heloise was certainly a difficult choice to make but after much assessment, I want to say that I absolutely adore what you’ve brought to the table! From build up of her background to every little historical reference that was placed within your application, it cohesively created this duality that Heloise has! I’ve enjoyed every interaction she has as well as the clarity and rationale behind her thinking! Your faceclaim request for Virginia Gardner has been approved. Congratulations on your acceptance again, please make sure to head your way to the checklist and submit your account within the next 24 hours!
Out of Character
Name / Alias: Emily
Pronouns: She/Her
Age: Twenty-two
Timezone: GMT.
In Character Application
Full Name: Heloise Delacour
Sexuality: Lesbian.
You like girls. No, that’s wrong. You love girls. You love the smoothness of their skin. You love their gentle curves, their bodies like oceans, refreshing and divine. You love stroking their hair as you lie between sweat-soaked sheets, curling it around your fingertips. You love sharing lipstick shades so it won’t get too messy when you kiss and the sound beaded dresses make when they hit the ground. Most of all, you love who you become around them. Bursting at the seams with euphoria, without a trace of shakiness in your footsteps, you unveil the creature you fought so hard to become - self-assured and valiant. You always slipped into her without thinking about it, knowing instinctively, that this was right. This was who you were supposed to be.
Gender/Pronouns: Cis-female, she/her
Hogwarts House: Gryffindor.
The hat was adamant. They wanted you in Gryffindor. They wanted you to learn to harness your own roar, the find power in your sort of bravery - perhaps even to tame the brasher instincts of your peers, to calm the storm inside of them. Not every kind of bravery favours the bold, the defiant, the loud. There are different kinds of bravery. The courage to carry on when the chains around your neck drag you to the ground. The strength to try and try and try. The valour in turning yourself into an anchor, a steady weight for the rest of the world to ground themselves on. There are all sorts of bravery in this world, each as useful, each as needed, as the last. Children, yourself included, see so much, but so little at the same time.
You didn’t glimpse the potential in yourself. You wouldn’t for many years yet.
But the hat knew.
You pleaded for Hufflepuff, knowing you’d be able to carve a home out of the house. The world underestimated badgers, sneering at their perceived lack of intelligence, wit or ambition. You didn’t see that at all. You saw steadiness, a bedrock to build a person upon. It wasn’t a leap of faith. But society couldn’t be built around those who flew. Someone had to be waiting, down below, rooted to the earth, ready to catch falling angels.
The hat laughed.
“Better be…” Panic rose in your chest, a knot tightening inside of you. “GRYFFINDOR.”
They weren’t unkind to you. But you were the fawn in the pride of lions, the hovering figure in the background, the mute who never could make herself heard. Years later, with your personhood more fully attached, half of you wistfully wishes you could go back and do it better. Do it again. And yet, in your heart, you know there’s no value in looking backwards. You must journey on.
Head canons:
Trigger warnings for violence, war, alcoholism and mentions of abuse.
I. la petite fille
Your father - and you only have the confidence to say this now you’re a fledgling, grown to use her own voice - always cared far too much about what people thought. Cream of French society, darling of the elite, a career-hungry politician intent on climbing the ladder. Ironically, the sunshine in your soul can be traced directly back to him. And yet, where yours is woven into the very essence of your being, a warm touch to steady a storm, an easiness to still a monster, a brightness to diminish the darkness, his is a mask, a choking falseness. It was that, more than anything else, that scared you. He changed before your very eyes - shaking hands and kissing cheeks one second - to plotting behind their back the next. Nothing about him was real. He slipped between your fingers, never a solid thing to hang onto.
(The feeling, you know, is mutual. You were a grand disappointment. Too timid to follow in his footsteps and too honest to lie. You’re mostly strangers now, each unable to understand the other).
Your mother you know a little better. An English rose, she fell for your father’s charms one summer, a fling that never was supposed to turn into a marriage. You were the bump that interrupted those plans, the shame that would have befallen her good name. Both parties were hastily married and that was that. You’ve always wondered if she blamed you for it. Always been too afraid to ask. Your mother, you know, was miserable, far far away from home, shackled to a man she barely liked, forced to play the part of politicians wife. When she played it well, there was harmony in the household. But if she slipped up…all hell broke loose. And her, with her love of expensive wine and flirting with other people’s husbands, did mess up. You never witnessed the war inside of your father unfold, merely lived its after effects. Silently, you’d pull a blanket over your mother’s quivering frame and give your father his favourite cigar.
(As you grew, you became rather good at predicting the ticking time bombs. So before the storm ravaged, you nearly always scrambled to safety, grabbing your teddy bear and retreating to the back of the wardrobe. You never found a secret world in the back of there, but you did find safety - and that was a comfort in and of itself).
Peacemaker, your father would sometimes say with affection, your mother with scorn. You’d gulp and nod silently, opinions kept to yourself. Over time, a survival instinct became a pattern and from a pattern into a habit. Such things are hard to shake.
Ii. maison choisie
Your mother hailed from London’s big smoke and your father made Paris his home, so you’ve always been accustomed to cities - you could even say it’s in your blood. But nowhere ever felt like home more than your Grand-Mere’s home a stone’s throw from Amiens. Reluctantly, with great effort, your father would make the bi-annual privilege there, dragging your mother in tow. You never had to be forced, you galloped ahead, a country girl at heart. There was something so liberating about Amiens, especially in the summer, where the line between the fields and sky was impossible trace and wildflowers bloomed. Your grandmother was kinder than your parents, the only one who could pull you out of your shell - but even then, only when you were alone. More a hedgewitch than practiced individual, she used to set you upon a stool as she practiced her potions, entrusting you with the responsibility of stirring from time to time. She was the one who taught you that magic had more than rigid purpose, that it would be as beautiful as life itself.
She also taught you a second, valuable lesson.
You remember the very first muggle you met. You remember them because they waved joyfully as you stepped into the town square - and knew your father by reputation, your Grand-Mere by face. Your father, ever the diplomat, turned his face away, pretending not to have heard. You, bashfully, didn’t meet their eyes either. It was only later, when your parents had been placated by a bottle of wine or two, that your Grand-mere took you aside.
“Why didn’t you wave back?” Dumbstruck, you look for somewhere to scurry away and hide. Gently, she took your hand into her own. “I won’t hurt you chérie.”
“Maman et Papa didn’t.” And you never were awfully comfortable around strangers, bashfulness seizing control of you.
“They were wrong to.” Bopping your nose, your grand-mere drew giggles from you. “They didn’t wave because he was…” her voice strained over the English word. “A muggle. Have they told you not to talk to muggles?”
You shook your head.
“Don’t let them. There will be some, especially when you go to school, who tell you not to talk to witches who have muggle parents. You musn’t let them order you around. No one is any better or lesser because of the blood in our veins. Even muggles…they’re not witches. But they’re not the enemy. After all, if I never spoke to a muggle, I’d never speak to anyone! Never forget that.”
You promised you wouldn’t. You haven’t since.
Iii. armes de guerre
Ultimately, it was war that drove you away from your beloved France and your cherished Grand-mere, who refused to stand down and flee when the German troops overran Amiens. You like to imagine she would not take a cowards way out, apparating whilst the others were rats in a barrel, trapped by the advance. You like to imagine she fought to defend her farm with every trick up her sleeve. You like to imagine she remained strong and valiant until the very end. But you’ll never know. The war snatched her from you, her story lost to the wind. All you had left was an owl from the French ministry and the personal condolences of the French Minister La Magie.
It took you a very long time to summon the courage to return. And even then, you couldn’t do it alone. Kenshin stepped in without being asked, the year after you left Hogwarts, stability at your side as you confronted the ruins of the happiest parts of your childhood. Violence had ravaged the landscape, scarring those who survived. Left with nothing, you saw the hallows of hunger in their sunken cheeks and poverty wrecked on their bones. Beauty had perished and been left to die. But in the ruins of her farm, you saw all was not lost. The Peach trees were still rooted, their bounty just as sweet. The goats, against the odds, made it out of the shelling alive. The old stool you had once assisted your grandmother had merely cracked, not splintered. Life went on - and through the cracks of darkness, light emerged.
You saw something of yourself in that light.
A hopeful creature, timidly taking her first steps into the world. A passionate believer in the strength of goodness, in victory and vanquish over evil. That progress, ultimately, would triumph. That even in the face of blasphemy, there is room for beauty, for brightness. The trick is in finding it and nourishing it, so that it may grow.
From seed to sapling to great oak.
The spark within yourself ignited that day. You felt your grandmother’s presence and smiled. You mourned, not in sadness, but in joy - for all the happiness that had been, for all that would yet come.
The world treads down on optimists, mocking their faith. But you’ve learnt there’s courage in that kind of relentless determination. That day, you felt its whispers in your soul. That day, you swore to let it go free.
Iv. soldat improbable
The time that followed ‘The Great War’ was supposed to be the long peace. If you look with hooded eyes, you’d find that in the cityscape of New York. Illicit drinking. Parties that last until dawn. Jazz bands. Woman’s emancipation. There is so much beauty, so much progress. But squint harder - and you’d find an underground war, a cold one, lurking just below the surface. It’s cause is more just than any muggle one ever fought. It isn’t a battle between great powers, princes and their cousins. It’s between right and wrong, progress and past, egalitarianism and inequality.
You know you’re not a likely candidate to fight in it. Most overlook you, sneering at your daintiness, soft smiles and open heart. They should understand that it’s what makes you strong, too. All you want is some small part in this larger battle, to be a part of the greater good. More than anything else, you’re a visionary, able to picture a world beyond this hatred. If you can see the brightness, you can be the brightness, a bedrock for those wearier than you, a guide for those who might come in your direction. You’re no warrior, not in the conventional sense, but not every battle should be fought with a weapon. Some need softer tools. You could be that person.
It is the sum of your duties with Dahlia. You see yourself in her, the girl you were but a few years ago, timid and unsure of the power in her own voice, but possessing a rosy heart. She deserves better. You long to show her that, to share your brightness and certainty in betterness, to pull her from the den of snakes and away from the Pride Society. You’re not asking her to fight, for the Coalition, for you…never. You simply want to help her. You would do anything - give her the means to runaway, a safe roof to shelter under, because you long to see her flourish. You’re just so afraid of failure…of failing her, your duty and yourself. The powers against you are overwhelming, those who wield the weapons lethal. The horrors she confesses terrify you. Light, as bright as it is, can be snuffed out. That is your greatest fear where Dahlia is concerned.
V. Coup de main
As fun you’ll admit the parties Wren and Kenshin drag you out to are, you couldn’t carve a life out of them. Pleasure is for hedonists - and you do not count yourself among their ranks. When you found your own voice, the grit beneath porcelain skin, you were determined that it should count. You sought purpose in yourself, a way to matter. Almost as if you were trying to prove yourself…to yourself.
You found clarity in the most unlikely of places. A non-descriptive building in Queens - that would appear empty to an unsuspecting muggle. It’s purpose only became clear when you stepped inside, finding an overworked and overwhelmed refugee agency. In the aftermath of the great war, the creation of a dozen new states in Europe, thousands of wizards chose to emigrate instead, heading to the United States in search of a better life.
It’ll be tough work, the supervisor warned, staring you up and down, disdainfully. You bit your lip. Old habits die hard.
I’m tougher than I look. Promise. Your voice rang with clarity, in how true that statement had become.
You began volunteering on a trial basis. You distributed donations and held shaky people in your arms. You played with children and made puppets dance. After a fortnight, you began to offer your services as a translator, hoping to connect people into the interior of the US. A little while after that, you suggested you could be used by the organisation at large, rather than ad-hoc.
You felt a rush in your chest, advocating for yourself. You felt strong and brave and…right.
VI. bizarreries personnelles
Here are the little things that make you, you.
You never broke the habit of walking on your tiptoes, a legacy left from a childhood full of ballet dancing. Slender limbs, porcelain skin, your teacher used to sigh and wish you centre stage. Bashfully, you refused, your cheeks darkening. The spotlight was never yours to claim.
You cannot cook without making a mess. In your presence, the kitchen comes a bomb sight, ravaged by war. Nose flour-stained, fingers sticky, you chase Kenshin around the kitchen. You always catch him. He always allows himself to get caught.
Your pastries are infamous, light and puffy, the sort only the french know how to make. You refine your recipes with magic and tap your nose whenever anyone asks for their secrets. (Later, in fine ink, you pen them a letter, containing the details).
You despise British food. You ate dutifully at Hogwarts, too shy to even dream of asking for an alternative. Toad in the hole. Pies. Casseroles. Blegh.
You bit your fingernails until you were fifteen years old. Your mother enchanted them after that, exasperated at your lack of self-control. The spell has long worn off, but the manicure never lasts long. It’s a nervous tick.
You used to chew your hair. You threw off that habit by twelve.
Birthdays are your favourite times of the year. You take great pride in the gifts you give friends, a thoughtful gesture behind each one. You do, however, despise your own birthday. Being at the centre of attention makes you uncomfortable, you’d much rather spread and share the joy. Luckily, everyone’s learnt not to throw you surprise birthday parties. Instead, you have small, intimate gatherings.
(You and Kenshin have a ritual. A cupcake at midnight as eve becomes day.)
You’re hopeless at keeping plants alive. There isn’t a green bone - or thumb - in your body. You failed herbology miserably.
But you’re incredibly attentive when it comes to writing in your diary, daily and in french, to prevent eavesdropping eyes. A habit you haven’t shaken since your days in Gryffindor.
Your patronus is a lamb. An individual with a lamb patronus has a sort of natural innocence about them, and have a very serene disposition. They are kind to most, though they tend to have a difficult time reaching out and expressing themselves. They have a shy aspect of them that is not only social, but inner, which makes them hesitant to do many things. That said, they are very patient and calm creatures, which allow them to be workable with this nature.
You talk too much when you’re nervous. Far too much. About things that have nothing to do with anything. The weather. The latest show that opened on Broadway. The dance craze everyone’s talking about. Whether you should get a bob. You blabber, filling the space with…words. It’s endearing to most, but you despise it in yourself.
Your wand is 9 ½”, french-made and slim. Beech and Unicorn Hair. “The true match for a beech wand will be, if young, wise beyond his or her years, and if full-grown, rich in understanding and experience. Beech wands perform very weakly for the narrow-minded and intolerant. When properly matched, the beech wand is capable of a subtlety and artistry not seen in any other wood, hence its lustrous reputation.”
Languages are your forte. You have a knack for wrapping your tongue around them, inheriting a little of your father’s silver-tongued mantle. French is your mother tongue, but you’ve added English, Spanish, Italian and a pinch of Latin to the mix.
When you’re making a bold declaration or gesture, you rehearse the words in your mind the night before, like a politician preparing for a speech. You muse over the most effective way to get your point across, the comfort a person will be most receptive to, or whether it’s better just to hold someone and let them cry.
Connection expansion:
I. meilleur ami (Note: I’m happy to change all of this if the Kenshin player disagrees, this is merely my interpretation).
“Mon Frere…” Kenshin catches your grin. Deliberately, his mouth forms an ‘o’. “Ma sœur” You wince at the deliberately butchered pronunciation, but smile nonetheless. He’s always had a particular knack for that, drawing the happiness out of you. And you for him. The only label that fits your description is that of platonic soulmate. Or big brother. For truly, the lines between friendship and family have blurred, that you can’t tell them apart. Certainly, he feels more like family than your own blood ever did.
You met on your tenth day at Hogwarts, in the middle of Herbology class. Devil’s snare wrapped around your hand, you panicked, but were too shy to raise you concerns, suffering in silence. Where few did, Kenshin noticed you - and calmed you down with that bluntness of his. Before you knew it, you were smiling, then laughing and then free. You’ve been attached at the hip since - and shall be, until death do you part. The years did little to change the pair of you. Where some friends grow apart, you grew together, slotting like two jigsaw puzzle pieces. By third year, you were spending Christmas together, Kenshin sensing your unspoken reluctance to go back to France and face the holidays with your parents. After your first one together, you confessed the truth, honesty no one had even known. But most of all, he brought light into his life - different to yours, more brazen and bold. Like two twinned suns, strung across the sky. He is your confidante, secret keeper, joker, dance partner and now, roommate.
The latter made sense. When the two of you ended up in New York at the same time (it’s impossible to imagine the two of you oceans apart, impossible and terrible and dreadful), it made sense for the pair of you to find a two-bed apartment in Manhattan and make it your home. You are as compatible roommates as you are friends.
And, for the first time, he made a house a home.
II. le fruit interdit (Again, I’m happy to alter things dependent on plotting w/ Prosperina’s player)
You shouldn’t want to kiss her. If you are the doe, she is the wolf - a huntress determined to strike clean. In your heart, you know you should hate that dynamic, as you know you should despise her - resent the intimidation that rises through your bones, abhore the uncertainty she makes you feel.. You should be afraid. Very afraid.
And in so many ways, you are. You’re scared of what your attraction to her says about you, now that you are both girls grown, living with the choices you make as adults. You aren’t school children anymore, you aren’t praying to be noticed, doodling hearts with your names encased in it. You’re fearful of what might happen if you find yourselves alone, in a dark - or a light - room. But you’re more frightened, in a strange way, of nothing happening at all.
With Prosperina, there are so many unspoken anxieties, so many things you can’t possibly wrap your head around, that you can’t possibly know. Why she notices you now. When you began to crave the burn. If the risk is worth a moments ecstasy. How beauty could wear such thorns.
You know, now, how Eve felt, in the Garden of Eden. Just one bite, the snake hissed. Just one kiss, Prosperina whispers. You have no wish to shed your wings and toss yourself from Paradise’s gate. But she’s just as beautiful as any angel you’ve ever gazed upon.
In Character Paragraph:
Thursday night, 9pm sharp, the Yale Club. Dress elegantly. Heloise didn’t need to glance down at the invitation to know its contents, her heart having memorised them ten times over, skipping a beat each time it paused at a cursive. Even Prosperina’s writing was beautiful. She would have liked to say that the invitation was unexpected, out of the blue and had been firmly rejected. Yet, since she distastes lies, she could not.
Heloise had, however, made an attempt or two to excuse herself. Sending an owl in return, she had outlined her disapproval of the Pride Society and its galas in no uncertain terms. Prosperina had take an age to respond - deliberately, Heloise supposed, to make her nerves hop and jump. When she had, Heloise could almost taste her tone. It’s not one of those. It’s for charity. Don’t you support charity? She had caved. Heloise couldn’t be sure if that was strength or weakness, good or bad.
Three days later, another letter had arrived. Wear pink. It matches the blush on your face.
Stepping into the room, Heloise steeled herself, a picture of defiance in angel-white, beads reflecting the light back.
Not so long ago, she would have cowered, a ghostly slip of a thing, trembling in the corner. Glass of champagne stitched to her hand, she would have sipped until someone had taken pity on her - and even then, she might have fled. That worked under the assumption she plucked the courage to attend at all. Time sandpapered everyone, some for the better, others for the worse. Heloise liked to think she took after the former.
The first eye she caught was from across the room, her gaze instantly drawn to the slip of a girl shrouded by demons, unable to do anything but stare from her cage. Dahlia. It hurt to see her here, to see the shackles bound and to know she was powerless to help. To approach her, to take her hands into her own and wrap her arms around her shoulders was to betray her newfound friend, to expose her doubts to the world. There was cruelty in watching her suffer - but there was greater cruelty in taking a hammer to the foundations below her feet. That wasn’t Heloise’s job. Hers was to encourage Dahlia to flutter her own wings, to learn how to fly. All in good time. Smiling softly across the room, she let her face say what her tongue couldn’t. Stay strong, keep the faith.
The second pair were Prosperina’s - appearing from nowhere, sneaking up behind. Departing from conventions and norms, she didn’t bother with small-talk. “You look ravishing. But not as pretty as you would have had in pink.”
Tongue-tied, Heloise searched for a response. No one had the power to shrink her anymore, now that she had freed her voice from its restraints. And yet, that didn’t mean anymore wit had returned to it. In times like these, she prayed for Kenshin’s presence at her side, always ready with a sharp retort, the sort that drew him closer to someone. Or even Wren, brazen and bold, who spoke without thought. You don’t want to impress her! One voice screamed.Not like you imagined you might, a lifetime ago.
And yet, a little bit of her did.
Heloise spurned her interest. But a little bit of her didn’t want to do without it either.
“I - Thank you. You look…” Staring at Prosperina for the first time, Heloise felt the breath be stolen from her lungs. Divine. Enchanting. “Like a million bucks.” Slanting her voice into an American accent for comedic effect, she immediately regretted her choice no sooner had it been said. “And this…it’s certainly big. Very big. I suppose that’s good. The more people you can fit in, the more donations you can collect for charity.”
Prosperina laughed. Heloise was never sure if she was being laughed at or with. She preferred to think it was the latter.
“The committee had a few reservations. Something about…vermin control. The guest list is rather exclusive, you see.”
Confusion flashed across her face. It wasn’t as if New York was a stranger to rodents…but something about her tone, about the look on her face…made it clear that it wasn’t animals she was referring to. Without noticing, Heloise had become a player in the game. The smile froze on her face. “I sure hope that isn’t a reference to the architects who built the place. Or the perfectly nice people going about their business on the floor below. They’re not doing any harm.”
“Ah yes, the No-Maj’s, as our Yank friends love to say.”
Heloise tensed on the mention of that word. She despised it. No-Maj. So…derogatory. And rather rude. As if they didn’t count as people, or deserve respect, on the merit of something they didn’t have - and had no choice in having. “I hate that term. I hate - you shouldn’t talk about them like that. Nobody should. They’re hardly hurting anyone. And technically, this is their territory so really we should - be respectful.” Exhaling heavily, she steadied herself.
“Oh,” Prosperina leaned in, all smiles now, tucking a strand of loose hair behind her ear. “You’re such a doll. I was only playing. But I can be nice, if you ask nicely.” Her touch felt like electricity, the sort of chemistry that couldn’t be duplicated or faked. When it was real, it was real. “I’ll go fetch us expensive champagne to make amends.” Half-purr, she broke off and Heloise dropped her gaze. “Pink Champagne, I think.”
Cheeks deepening into rosy-red, Heloise watched her depart, wishing she could look away.
Extras:
Pinterest Board: X
2 notes
·
View notes