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#i have no outline for any of these
hannieehaee · 4 months
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okay so these are not 100% certain since i have no plot in mind yet but which long fic idea would u guys want me to try and focus on first
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accirax · 2 months
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a collection of DCAS memes so far
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muffinlance · 1 month
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Next Dark Night in Ba Sing Se part! Is! Fully outlined!
...And so is the majority of series in lesser detail because oops my hand slipped.
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whollyjoly · 2 months
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it's gon' be a long ride home tomorrow from tennessee to texas to la well if i could i'd never leave you i'd come home to stay another night from home away from you it ain't easy i know (baby, don't you want me)
the bucktommy cowboy au nobody asked for part three (parts one and two)
thinking about rancher!tommy who goes on long two-month cattle drives and dreams of the gorgeous cattle hand back home...
(song insp.)
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on-leatheredwings · 2 months
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writing sassy damian rocks!!!!!
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notkingyet2 · 5 months
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Terror AU where instead of kidnapping Crozier directly Hickey kidnaps Jopson to try and blackmail Crozier into doing what he wants.
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creativitycache · 5 months
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...what it means is they're all drawn by the same studio
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just-j-really · 5 months
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Unsoulmates AU, part two!
Part one is here.
Hob isn't exactly expecting to run into his not-soulmate again. The man doesn't text him after Will's engagement party, not even to provide his name, and after a week of valiantly staring at his phone and willing it to buzz Hob is forced to admit that maybe he hadn't been serious.
It stings. For once it would have been nice to have someone realize he means it when he says that soulmates are bullshit.
But he's too busy to dwell on it, much. He has sets to build and an anxiety-inducing new job to get used to and about seventeen different hobbies he's accidentally abandoning.
He's at a party with some of Will's Strange Art Friends, digging through the top shelf of Will's absurdly tall cabinets, when a deep, familiar voice asks, "What are you doing?"
"Banditry," Hob says cheerfully, once he's finished not concussing himself on the cabinet door in shock. "Will promised me he'd bought some of 'those gross licorice things only I like' but he was really unclear about where they are." The cabinet he'd been rummaging in is clearly not the place, being full of expired soda and electrical tape, so Hob closes the door and leans over to the next one. "Did you come in here for snacks, too?" he asks, when there's no response from behind him.
"No," his not-soulmate replies, blandly. "I was hoping for a moment alone." His tone clearly implies that Hob's presence is ruining his evening, and Hob should either leave the room or cease to exist immediately.
"Ah," Hob replies. It stings, again, even though that's utterly absurd and he barely even knows this man. "I'll be gone in a sec," he adds, because he'll be damned if some asshole sabotages his Snack Quest, "just let me find my licorice."
The man- Hob should really get his name if they're going to keep running into each other like this- sighs loudly, but doesn't make any sort of verbal objection to Hob's continued presence. Hob ignores him, and resumes his Quest.
It takes three minutes of stony silence, but Hob eventually uncovers the licorice in a bowl on top of the fridge, which is not even close to being 'in one of the cabinets', Will. He's about to retreat from the kitchen with his prize, when the man says, "You actually do know Will," in a tone of utter confusion.
"Yeah," Hob says, slowly turning to face him. The man is sitting sprawled on the counter, his bearing almost regal except for the part where he's staring at Hob like Hob is a dog who unexpectedly started doing calculus.
"How???" the man finally asks. Hob can hear the extra question marks in his voice, even if his tone stays even.
"Used to date his archenemy," Hob says, with a shrug. "We stayed friends after Kit moved."
If anything, this seems to confuse the man further. "Or we became friends after Kit moved, anyway," Hob adds, possessed by a desperate need not so much to fill the silence as to keep voicing his thoughts. "Up until that point I'd wanted to support my boyfriend and all, but then he left and I wanted to keep building sets so I started to work with Will instead."
"You. What?"
"I volunteered to help build sets at that little theater Will used to work at," Hob says. "That was how I met both of them, actually. But then Kit and I started dating and that doesn't actually matter to what you were asking, does it?"
To Hob's utter bafflement, his not-soulmate nods at him to continue. Again, 'regal' is the only word for the gesture, even though he's sitting on a grimy counter in the nasty, yellowish lighting of Will's kitchen.
So Hob makes himself comfortable against the fridge and starts again, detailing the entire stupid saga of Kit-and-Will-and-Hob-making-the-whole-thing-much-worse-in-an-attempt-to-be-a-supportive-boyfriend. And at some point he swerves off into just talking about Kit-and-Hob, which is nice, because most of his friends were there for Kit-and-Hob, and don't find his sappy reminiscing terribly interesting.
And somehow that loops all the way around to how he was technically working for the government at that point, which, of all things, was the root cause of him getting on speaking terms with Will again. That and Kit moving, although it is really weird talking to Kit now because he can't avoid talking about the fact that he's accidentally befriended Kit's mortal enemy-
"You're still in touch with him?" Hob's not-soulmate asks softly.
Hob turns to fully look at him and regrets it immediately. Over the course of his ramblings, he'd moved from the fridge to the counter next to his not-soulmate, so that he could sit down and also easily share his licorice.
This means that his face is much closer to his not-soulmate's than he'd expected it to be, and for a moment he's lost in the blue of the man's eyes, the open intensity of his gaze.
"Oh. Uh, yeah," he says, when he's managed to remember the question. "The breakup was..." he trails off, looking for a word, and finally settles on, "amicable?"
His not-soulmate gives him that little 'go on' nod again. And Hob knows- he knows- that he should get some higher standards, but the quickest way to his heart is, and always has been, prompting him to keep talking, and he can feel himself falling as surely as he can feel the blush overtaking his face.
So he tips his head toward his not-soulmate, so that he can keep his voice low and still be heard above the crowd in the next room, and says, "Faustus got picked up. And like half of the filming was going to be overseas, but I couldn't leave London, at least not right then." His not-soulmate gives a look that isn't so much 'confused' as 'entirely uncomprehending,' so Hob adds, "I'd messed up my knee real bad." He gives the offending kneecap a hard tap and immediately regrets it. "Long story. I spent most of that summer in doctor's offices. And hospitals. So. 'Quit your job to travel with your boyfriend for a few months' was not really an option, for me. And he didn't want to do long-distance. So we broke up."
"Your soulmate left you alone, in pain, because he 'didn't want to do long-distance'?" Hob's not-soulmate asks. There’s something raw, close to pity but more tender, in his face, which makes Hob feel unbelievably guilty for laughing at the question.
"Oh, god, no," he says, with an expressive wave of his hand. "Kit wasn't my- No. Met his soulmate while he was filming Faustus, actually, otherwise we might have-" And then Hob shuts that sentence down, hard, because the breakup itself doesn't hurt as much as that part.
"Anyway," he says, and is about to ask if his not-soulmate wants to hear the story of how he busted his knee, it's pretty funny, actually-
"But if he wasn't your soulmate-" his not-soulmate asks, leaning toward Hob.
There hadn't been much space between them in the first place, is the thing. And now Hob's not-soulmate is leaning even closer, staring at him like an entomologist studying a particularly fascinating insect, and leaving Hob with exactly two options: tilt his head up, just a bit, and kiss him, or succumb to gravity and fall backwards into the sink.
"Hey, Hobs, I just realized-" Will says, walking into the room. He proceeds to choke on his own tongue, while Hob's not-soulmate jerks away from Hob like he's on fire, and Hob gracefully avoids the sink by falling off the counter entirely.
Will is the first to regain his composure. "Oh. Morpheus," he says, nervously, "I thought you left."
Hob looks sharply up at- at Morpheus, apparently, biting back a litany of questions. It makes sense that his aloof, mysterious stranger is the same aloof, mysterious stranger that Will credits for editing his first successful play to the point that it was a success. But with the way Will talks about Morpheus he'd been half-expecting a deity.
"I did not," Morpheus says. He's back to looking bored and regal, not a hair out of its artfully disheveled place, which is just rude given that Hob is still in a heap on the floor.
"Well if you're planning to stick around," Will says, "I'd been meaning to ask you about Midsummer-"
Morpheus' eyes light up, and he slides off the counter and sweeps out of the room, Hob clutching his candy in both hands to stop himself from physically reaching out to say, No, wait.
Will, at least, lingers for long enough to mouth, "Sorry," and shrug, before following him.
"What the fuck was that?" Hob asks aloud, when he's left alone with his bruised dignity.
The cabinets have no response.
He's not sure what he's expecting after that, but it certainly isn't for Morpheus to text him, Would you like to meet for coffee? the next day.
Of course Hob says yes.
He's smarter about it, this time. Makes sure he's seated in the café, with a double espresso and a plan, by the time Morpheus comes in. He doesn't even ask so what the fuck was that when Morpheus sits down next to him, no matter how much he wants to.
Instead, he says, "Why did you ask me to come here?" with all the frustration he'd felt the exact moment he'd hauled himself off of Will's kitchen floor, knee protesting viciously, trying to make sense of Morpheus, who'd willingly listened to him talk for close to an hour and then left without bothering to say goodbye. It's a step above what the fuck was that, but not by much.
"Because I'm interested," Morpheus says, his voice low.
"In. Me?" Hob asks.
"In your experience," Morpheus says, with more exasperation than Hob thinks is really fair for someone who just said he was 'interested' while staring at Hob's lips. "I want to know what it's like. Dating without looking for your soulmate."
Ah, Hob thinks. At least that makes sense. He's aware that avoiding his soulmate makes him an anomaly- sure, actually Waiting For Your Soulmate is less common these days than it used to be; plenty enough people are willing to have casual relationships in the meantime, but even then in the meantime is an implicit part of the equation.
He can accept it, if Morpheus' 'interest' in him is purely curiosity, as long as he knows where they stand.
And, to be honest, the fact that Morpheus is curious at all is... gratifying. Most people aren't even that.
So Hob downs his drink, grins at Morpheus, and proclaims, "It's fucking brilliant."
[Part Three]
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piived · 6 months
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𝐃𝐏𝐱𝐃𝐂 𝐃𝐞𝐚𝐝 𝐨𝐧 𝐌𝐚𝐢𝐧 𝐃𝐫𝐚𝐛𝐛𝐥𝐞/𝐖𝐈𝐏 — ‘𝐂𝐨𝐧𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐬’ ᴘᴛ. 2
part 1
“Hey- wha- Danny!” Jason yelled in panic and jerked forward, hands on the ledge to look down and body ready to vault after his idiot as quickly as he could, but was stopped by a familiar cackle, a sudden burst of light, and Danny himself standing, no floating, in front of him with stark white hair and green eyes that were quite literally glowing.
What the fuck.
“What the fuck,” he parroted his thoughts. His lips still tingled from where Danny had pressed his own against them and it was all together enough to make his brain short circuit.
“Yeah, so, uh, hi?” Danny waved lamely which turned into even lamer jazz hands, “Surprise?”
Jason blinked. And blinked again. “What the fuck,” he repeated again, this time with feeling. Danny winced a little and launched into an explanation.
“So, you know I died? Well, apparently while I was dying my DNA was also being infused with, like, a shit ton of ectoplasm which made sure I didn’t all the way die but I also didn’t come all the way back and ended up as half-ghost half-living — halfa is actually the term we use, but that’s not super important right now —” his words were nearly blending together with how fast he was trying to explain, “And, oh! I can transform at will and have been fighting ghosts since I was fourteen because they come through the same portal that I well, you know, died in, and I may also have some super cool powers and technically be King-to-Be of the Infinite Realms because I beat the last King in combat and inherited the throne, sooooo,” Danny finally stopped his word vomit. “Questions?” He finished meekly.
Jason stared and stared before tilting his head back and groaning. “Of fucking course my boyfriend would be a fucking ghost king. I am never going to live this down.” He scrubbed a hand down his face and turned to see Danny grinning lopsidedly at him. “What now?” He asked warily, suddenly feeling like a long nap would do him wonders and, really, the concrete roof was absolutely not the worst place he’d slept on before, so maybe it wouldn’t be such a bad idea—
Danny floated closer and Jason’s attention was stolen by the fact that his legs had transformed into a trail of… mist? Gas? What were ghosts even made of? Jason didn’t know but the sight was disconcerting and a little more than a bit distracting, especially paired with the skin-tight suit that had taken place of Danny’s usual baggier clothing. He took it all in with fascination and still a hint of disbelief.
“Boyfriend, huh?”
His eyes shot back up to Danny’s green ones and he flushed a bit at how close he had gotten without Jason noticing. He pinched his lips together when the question sunk in.
Well, in for a penny and all that.
Danny’s grin widened even more but Jason didn’t give him the time nor satisfaction to say something witty; he gave into his desires and cupped Danny’s face, noting both how strange it was to not have to lean down whatsoever to look Danny in the eyes (since he was still, y’know, floating) and how cold his skin was (Danny had always ran cold, but this was different, like the complete absence of any underlying heat that blood and skin produced).
Danny’s grin morphed into something softer and surprised, as if Jason had caught him off guard. Good. See how he likes it.
“Yes,” Jason stated, voice a bit gruff but soft between them, and Danny’s eyes darted back to his own from where they had been staring at Jason’s lips. Score. “Boyfriend,” and then, because he was a gentleman, thank you very much: “Only if you want, of cour—“ Jason was cut off by another press of lips on his own, only this time he was prepared and held on tighter, not letting Danny pull back as quickly.
Their lips stayed pressed together, soft and gentle and it made Jason ache with something fierce. He wasn’t used to tenderness. He wasn’t used to getting what he wanted. He wasn’t used to anyone wanting him back.
When they finally pulled away it was only to lean their foreheads against each other. Danny let out a breathless laugh and nudged his nose against Jason’s in a way that made his stomach flip at the casual affection. “Yes,” Danny said with another quick peck to Jason’s lips, “Boyfriends.”
Jason couldn’t stop the small, crooked grin if he had even wanted to try (and he really, really didn’t). It had been a long time since he had felt this good. This happy. Sure, he’d gotten a lot better in the past couple of years since he came back full of boiling green rage and the itch for violence at his fingertips, but Danny was the one to make him want to be better. Jason finally wanted to come back to himself, to allow himself the grace to forgive and be forgiven and move towards a future that wasn’t bathed in blood and tainted by the Pit Rage. He wanted a better relationship with his family. He wanted to do his city proud. And he wanted Danny by his side through it all, apparent Kingly status and everything.
“Good,” Jason said, drinking in the sight of Danny’s own giddy grin that showed off the longer and more pointed canines that Jason was definitely not imagining dragging along his skin. No siree. He shuddered, and it was definitely from the cold that Danny radiated. Nothing else.
Danny seemingly felt the shiver and pulled back a little more and with a flash of light he was back to his messy black hair and blue eyes, standing on the ledge with his arms around Jason’s shoulders much like they were before he had tried to give Jason a heart attack earlier. The temperature warmed a few degrees and Jason noted the fact to ask about later. “Good,” Danny parroted and then let out a little sigh, “Though, we really do need to talk about this so you actually know what you’re getting into. There’s… there’s a lot I need to explain.”
Jason nodded in agreement. He couldn’t imagine that anything Danny had to tell him would change the way he felt, but he would very much like to know everything. “My place or yours?”
Danny grinned mischeivously, “What, not the Batcave? The sooner I disclose my identity to all your bats the less chance of me slipping that I know and being hunted for sport, right? Plus, I think I could use Batman and Red Robin’s help on a couple of things assuming they’re amenable.”
Jason shook his head immediately, not wanting to imagine how the conversation would go with his entire family there to harass them without them being a hundred percent prepared (and very curious about what exactly Danny could need Bruce and Tim’s help with).
“Absolutely not. I’m not letting that conversation happen with you there until I know they can all behave themselves and not be asses about it. Jason was especially worried about Bruce’s reaction considering the man’s trust issues and his invasive need to pry and leave no stone left unturned. His siblings would be nosy and insufferable with their teasing but at least Jason was used to their antics and could shield Danny from the worst of it by giving them the short rundown before the full question panel had to happen. No, better for Jason to learn it all first and be able to prepare them both for the inevitable shitshow.
Danny shrugged, “Probably best to go to my place anyway; I stole a bunch of tech from my parents and it’s way easier to explain everything with some visual examples.”
Jason arched a brow, “What kind of tech?”
Danny’s grin was down right devilish as he transformed once more with a flash of light and held out an inviting hand as he floated a few feet away from the ledge, “How do you feel about going ghost hunting?”
Jason had a sudden feeling that Danny was going to be the death of him, but, strangley, the thought wasn’t nearly as frightening as it should have been. Maybe Danny was onto something when he said dying once really put things into persepctive. After all, there were much worse ways to go.
He confidently stepped onto the ledge and grabbed the offered hand tightly, “Bring it on, Ghost King.”
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katabay · 7 months
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L'APPEL DU VIDE
okay so. jack! jack. what a collection of guys. the overlap between jack and the beanstalk and jack the giant killer, though. that sure is something! sometimes king arthur is there, which always takes me by surprise.
this. specifically. is an idea I've been kicking around. jack and the beanstalk is not a story I've ever enjoyed, as a kid it was probably my least favorite to read. as an adult, I was INTENSELY fascinated by reading j.g. ballard's the drowned giant. I think about it frequently, and somewhere during a re read of it, I ended up revisiting jack.
combining different versions of jack into one character is not a new concept, but it IS a fun one! the version I've been assembling together plays less with the fun elements of a jack story (and adjacent folklore stories), and focuses more on the potential for tragic elements with the addition of the usual grim and jagged narrative edges that I personally enjoy.
jack with the backstory of the devil and the three golden hairs, only jack doesn't find love, he's TIRED, all he wants to do is go home, but there isn't a home to go back to. what is the point of being born lucky if this is what it gets you? jack the giant killer, only he doesn't want to kill giants, jack who saw a body of a giant when he was a small child and cannot bring himself to do as a king commands. jack, who climbs up the beanstalk and stops halfway to look down. etc.
to go back to the drowned giant real quick, both to set the tone about jack seeing the body of a giant as a youth, and also because I've been haunted and obsessed with this excerpt of it ever since I read it:
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J. G. Ballard, The Drowned Giant
anyway! this was originally like, a two illustration concept to get out of my system. however. I'm halfway through outlining a narrative. so. maybe it will also be several illustrations and also comic.
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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introspectivememories · 8 months
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shanks and buggy denden au where:
the crew kinda splits up in the 2 year gap before roger's death and in an effort to make sure their sons cabin boys are alright, rayleigh puts them on the ship denden plan
so their little apt in loguetown has two dendens, one in the living room and one in their bedroom
they use it all the time. to call oden and toki, to call spencer. even to call roger, hoping that he'll pick up. (he never does)
phone calls are nice but nothing beats talking face to face and visual dendens are on the market they're just super fuckin expensive and both shanks and buggy are saving up for one. it'll be nice to see momo amd hiyori again.
anyway the execution happens and then the loguetown breakup and they pack up their apt in complete silence, each of them taking one denden.
(it'll be a decade and a half before they see each other again.)
they both expect the phone plan to just get cancelled but one day the mail seagull comes to them with a denden bill. turns out, the pirates denden company just grandfathered them into the old plan.
and you know what? it's not like they have any money and this plan is cheaper than all the other plans the company offers so they keep it. they get two separate numbers for the both of them and they dont think about it.
they decided to alternate the months they paid after one very terse call. or that was the plan but shanks is sooo forgetful all the fucking time and he never pays his denden bill on time. it ends up being buggy paying 8 months out of the year and shanks paying the other 4
(benn ends up setting up auto pay 5 years into traveling with shanks. what? it's not like they're broke.)
anyway buggy ends up becoming the terror of the east blue and shanks goes onto become an emperor and still neither of them change their numbers. they don't have the heart to.
and it's not something they consciously think about but sometimes when buggy gets drunk enough, he'll pull out his old ass denden book and trace his fingers over shanks' number. and if shanks is drunk enough he'll get halfway through dialing buggy's number before his brain catches up to what he's doing and stopping
anyway skip to marineford, and shanks is giving buggy a ride back to his ship. when they finally arrive at the island buggy's ship was docked on, both crews decide to throw a "im so fucking glad we lived through that/ captain buggy's the greatest!" party
buggy desperately tries to avoid shanks and shanks is literally holding himself back from looking for buggy but the party goes on and they get drunker and eventually they gravitate towards each other.
bc of course they do. they were shanksandbuggy, buggyandshanks, long before they were part of their respective crews. so they both sneak away from the party and they end up in shanks' room, with shanks sitting on the bed and buggy on his lap, curled around each other.
it feels just like their apt all those years ago. all those quiet nights on their fourth-hand couch, that they spent curled together -- buggy reading a book and shanks quietly talking his ear off.
(it was easier then. those two years where they had an apt together and the air was still heavy with the scent of hope. it was smth to look forward to -- 2 years and then captain will come back and there will be new adventures!
shanks got a job at the docks and buggy tried at least 17 different jobs before settling at a bookstore. and he'd go to work early in the morning and come back late at night to buggy in his hoodie, making dinner, ranting about rude customers.
and on weekends they'd both sleep in and cook breakfast together. or well buggy would cook breakfast, shanks would sit on the countertops and make buggy laugh. and then they'd spend the day inside or go out to eat. and it was good. better than good even. shanks could almost see why people stayed on land.
and then the execution happens and their father's blood stains the cobblestones crimson red and they seperate and then just as quickly as it started, it ends.)
that's when buggy notices the denden.
🤡: you still have that thing? 🍶: yes of course 🤡: and your number is still the same? 🍶: ....yeah. you? 🤡: yeah, never changed it. 🍶: why'd you keep it all these years?
and buggy may be drunk and his inhibitions may be lowered but he's still buggy at heart so he gives some bullshit answer
🤡 looking away: it was cheaper
and shanks knows he's fucking lying bc it may have been years since he last saw buggy but who knows buggy better than he does? who knows shanks better than buggy does?
🍶: c'mon bugs, tell me the truth. why'd ya keep it all these years? 🤡 unwilling to give in first: why'd you keep it all these years? 🍶: because i kept hoping that you'd be on the other end.
and buggy is floored.
🤡: .... what? 🍶: i kept hoping that if i kept my number the same, you'd call one day. 🍶: i can't tell you how many times i've picked up the denden, hoping it was you on the other end. 🍶, laughing sadly: i kept it all these years because of you. and you never called, not once. 🍶, cupping 🤡 face with his hand: why'd you never call bugs?
shanks is tearing up and buggy has already started the waterworks
🤡, sniffling: you knew where i was. why didn't you ever come and see me? 🍶: can you honestly say that you would've seen me? you probably would've told me to leave. so i stayed away. 🤡 hitting 🍶on the chest: idiot! i probably would've called at some point if you had came to me. but you never did and i just took it as a sign that anything we had was done and over. 🍶, grabbing 🤡 hands and staring into his eyes: how could you ever think we'd be done and over? it's only ever been you for me. only you. 🤡, full on crying by this point: idiot, idiot, idiot!
they're both curled over each other sobbing into each other's shoulder bc they could've had this the entire time but they were too fucking stupid
🍶: why'd you keep the denden, bugs? 🤡: haven't you figured it out by now? it was the only thing i had left of you. 🍶: you're such a fuckin sap, bugs. 🤡, blushing: shut up
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feralmoonlight · 1 year
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A walking masterpiece~
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total-drama-brainrot · 2 months
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TD World Tour AU, where Noah doesn't tell Owen that Alejandro is an eel in London... In Area 51, Noah is accidentally splashed with an alien truth potion (which wears off after a few days) and he talks to Owen... Owen asks Noah what he truly thinks about Alejandro, and Truth-Potion Affected Noah says this: "I have mixed feelings for Alejandro. He's a brilliant, interesting guy and I like him, but I don't trust him. He's like a slippery eel dipped in grease, swimming in motor oil. Basically, Heather with social skills. Wait a minute, why am I telling you this?!"... What if Alejandro secretly heard Noah call him all those conflicting things + Alejandro also learns that Noah is affected with an alien truth potion? 👽
Alright, you got me. I'm an absolute sucker for truth potion plots, especially when the character(s) effected by them are usually either pathological liars or incredibly secretive- of which Noah absolutely falls into the second category, given he shares so little personal information.
I'll gloss over why Noah declined to shit-talk Alejandro in London (though there's so many ways this change in behaviour could be justified) since the focal point of this hypothetical centred around their time in Nevada, so let's start from the beginning of the Area 51 challenge.
Area 51:
Before we start, it'll have to be established that no one was eliminated in London. Let's say that the majority vote went towards Duncan (team CIRRRRH voted him out immediately because they found his re-admission to the competition unfair, I guess. I imagine he'd also vote himself, if not as a plan to escape the competition he'd been actively skiving from, then just as an act of spite) but Chris instead claimed it was a rewards challenge- much like he does in Greece- because he doesn't want to let Duncan slip away again so soon.
I see no reason to alter the first part of the challenge- the sneaking into Area 51 portion- since team CIRRRRH's course of entry is fairly straightforward. Noah's presence doesn't make much of a difference to how it would play out; the majority of them throw their rocks and run, Owen gets lasered over the fence and Owen-napped, ect ect.
When both teams have managed to make their way into the Black Box Warehouse, Noah immediately suggests they should prioritise rescuing Owen. Tyler's quick to agree, since he's a firm believer in the "no man left behind" mentality (and he probably makes a not-so-subtle jab towards Noah for his chance of tune compared to London, where both he and Owen did leave Tyler behind) leaving Duncan and Alejandro to split from the group- Duncan in search of Gwen, and Alejandro just takes the opportunity to finally be free from his 'incompetent teammates' and prioritises finding an artifact.
Noah and Tyler come across the contraption Owen's trapped in, Tyler punches it in a futile effort to break it open, and the face hugger cube drops into Noah's hands. This is where the point of divergence comes into play; Tyler has his E.T. moment with one of the face huggers, but Noah- who's a tad bit more observant than Alejandro, and used to dodging surprise attacks from his various older siblings (and Izzy)- anticipates his own face hugger attack and promptly starts a game of cat-and-mouse with a taser alien hot on his heels.
The commotion of which attracts the rest of his team. Alejandro and Duncan arrive on the scene to see Tyler being electrocuted by an alien and Noah running in circles evading another.
Duncan attempts to rip the face hugger from Tyler's face, finding success at the cost of sending Tyler trampling into Owen's captive contraption (essentially taking Alejandro's canonical place in this scene) and inadvertently freeing Owen.
Meanwhile, Alejandro swipes up the nearest box he can find and snags the alien chasing Noah, who's still very loudly panicking as he flees, and succeeds! The alien is swiftly captured into the box, netting team CIRRRRH their artifact, and Noah promptly goes careening into the nearest tower of junk in his face hugger-fuelled hysteria. This causes another box to topple from the peak of the tower, landing directly on Noah's head and spilling its contents onto the bookworm- glass vials filled with a mysterious, luminescent cobalt blue liquid shatter into pieces drenching Noah in whatever they contained. (i.e. truth potion.)
Owen has his false-amnesia moment, characterised by his Joker makeover, and Alejandro enacts his revenge post-hypnotic suggestion after being addressed as "Al" one too many times.
Noah, understandably, swiftly objects to Owen's treatment and demands that Alejandro snap him out of it. Alejandro concedes, and Owen's brought back to himself. At least, for a moment, before the fatigue of having his mind messed with sends Owen into near-catatonia (the same as canon), meaning he has to be ferried through the Warehouse and back to the Jet by Alejandro and Duncan.
Things carry on canonically from there; Noah's just sort of there for the most part, though there'd be a minor hint to his newfound proclivity for honesty. Something along the lines of him giving an uncharacteristically honest answer to Owen as to who he's voting- Tyler, of course, since he was the one who ultimately threw the challenge for them... and also because Tyler still holds some resentment towards Noah for what happened in London, and Noah feels guilty about it every time he looks at the jock. Wait, why did he say that?
Sometime between this and the elimination scene, Noah wipes the truth-goop off of himself, but not before the effects have already started.
Tyler's voted out, yada yada yada.
The Jet:
Thus begins the start of "Picnic at Hanging Dork". Team CIRRRRH, consisting of just Alejandro, Duncan, Owen and Noah, are slumming it up in the Economy Cabin. Alejandro tries to rally his team by asking how to break apart Courtney and Heather's tentative co-operation. Owen suggests having Alejandro seduce Heather, since it worked for both Bridgette and Leshawna. Duncan makes his "Babe Olympics" comment. Noah pipes up that playing with someone's feelings is pretty scummy, even for someone competing for a million dollars.
Alejandro takes Noah's reluctance towards his methodology poorly; he hadn't spoken up before, when Alejandro had utilized the same strategy against other girls- and even Owen noticed that, so surely Noah did too- so why was he to outwardly against him using the same tricks? Duncan agrees, and offers ''his'' idea of having Alejandro flirt with Courtney to throw both her and Heather off their games (since Heather has an obvious crush on Alejandro), and things follow canon.
Then, the scene between Alejandro and Courtney happens. Noah scoffs at the display from the side lines, prompting Owen to ask him why he's so against Alejandro's plan.
"I mean, you never said anything before, when he flirted with Bridgette and Leshawna." Owen comments, light-hearted in nature but with an underlying questioning tone.
Noah's eyes flicker with a cobalt glow, easily mistaken for a trick of the light, and he speaks without even thinking.
"Yeah, because I was trying to give him the benefit of the doubt. Bridgette was happenstance, and Leshawna's whole deal could've been a coincidence, or some massive misunderstanding. But this?" Noah extends an accusing hand out towards a smug looking Alejandro, then pans it over to a flattered Courtney, "He's outright toying with Courtney's feelings after she was cheated on in front of an international audience. It's scummy."
Owen nods in understanding, momentary contemplation evident in the pouted curve of his lips, and he chimes in.
"Does that mean you don't like Al?"
"I never said that."
"Well, how do you feel about him, then?"
Again, a flash of blue light against the hickory backdrop of Noah's eyes, and he responds thoughtlessly.
"I guess I have mixed feelings about him. On the one hand, he's slippery, like an eel dipped in grease, swimming in motor oil. He's like if you took all of the worst aspects of Heather, wrapped them up in a pretty package, and gave them social skills..." He holds his hands out before him in a scale-like manner, with the left tipped downwards and tie right raised by his chin. Then, the two hands swap positions.
"And on the other hand, he's brilliant. I've never met anyone as talented as Alejandro; he's smart, he's athletic, he's funny. It's almost unfair just how perfect everything about him is- even his face is perfect. It's ridiculous! Infuriating, even. It's so hard to dislike him, even when I know he's bad news, but that doesn't mean I trust him."
Owen stands slack jawed beside his best friend, both impressed and stunned at the raw honesty of Noah's tirade. Noah, now a little more aware of himself, realises that he's said more than he intended to- more than he thinks he's ever spoken in one go throughout the entirety of Total Drama. He's not usually one for speeches, after all, let alone honest ones.
He's always been the type to play his cards close to his chest, so why...?
"I, uh, didn't mean to go off like that."
And he also didn't mean to admit it, either. What was going on?
The look Owen gives him is, in a word, vivid. The blonde has a shit-eating grin stretching across his face, a sort of elated smugness practically glowing from his features.
"Sounds like someone has a cruuuush!~"
What? No? No! Not at all, where would Owen even get that idea?!
Noah splutters to correct Owen's assumption (to disastrous results, because he does sort-of has a crush on Alejandro, so the truth potion doesn't allow him to outright deny it), and in his preoccupied state he misses how a calculating pair of sage green eyes never seems to stray from him.
Alejandro has a lot to think about in regards to a certain cynic, it seems.
#I'd like to apologise for taking this idea and running with it.#Cutting myself off here before I breach 2k+ words or else I'll be here all day.#Sort of entered actual Writing Mode at the end there instead of Outline Mode but this idea is. So Full Of Potential I couldn't help myself.#But from here it'd basically be Alejandro using his newfound knowledge of Noah's crush on him to his advantage.#Whilst Noah's doing his best (and failing) to deny that he has any feelings for Alejandro.#Eventually leading to the two of them having a Bonding Moment where Alejandro gets Noah to divulge some personal information.#And in turn- or an effort to garner some trust (to be abused later)- Alejandro also lets himself be vulnerable towards Noah.#Something something Alejandro tries to use Noah as a pawn but ends up catching feelings of his own.#Then of course the potion wears off and Noah goes back to being just as prickly and standoffish as he was before.#A point of conflict maybe? Imagine bearing your soul out to someone only for them to close themself off to you not even days afterwards.#...Also imagine being practically forced to divulge information about yourself to someone you don't trust because of a truth potion.#Oh yeah. That's some good angst material right there.#Especially is you have Alejandro be- if not fully aware- than at least suspect that Noah's not being agreeable on his own terms.#Anon why have you given me The Thoughts?? I can't keep brainstorming AUs when I already have fics to work on!!#ophe's ranting in the tags again#total drama#td noah#td alejandro#team chris is really really really really hot#alenoah#-ish#silly ideas#other's ideas#long post#replies#kinda drafty in here (posts from the drafts)
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xenonsdoodles · 6 months
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sometime after training.
in which byleth and felix are both trans and this was the first and only time they acknowledged it out loud in any way
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aroaceleovaldez · 1 year
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I think one of the problems with the HoO characterizations is Rick kind of forgot to give half the cast hobbies and general interests, and maybe like people they know outside of their families and outside of camp, or if he did remember to it rarely gets brought up for most of them, or in the special case of Annabeth - she randomly develops a hobby in weaving for exactly one scene and then never again. Apparently she just knew how to do that, even though it is a skill she has literally never used before nor uses again.
The best examples I can give of this are comparing/contrasting the examples of when we do actually get this with the lack-thereof: Hazel and Frank are good examples. Hazel has hobbies and interests generally unrelated to all her demigod stuff (horses and art) and we see this repeatedly discussed and brought up. She also knows and interacts with people outside of the necessities of her quest/Camp Jupiter or her family - Sammy was her best friend at school and they hung out and stuff! Meanwhile, Frank, as far as we know, doesn’t know anybody outside of his family even though he presumably went to school before Camp Jupiter? His hobby is... archery? That’s the only thing he ever really shows interest in but at the same time it only rarely gets brought up except for him using a bow as his main weapon and the like two instances of noting that Frank had hoped he was an Apollo kid for a little bit. The closest other detail we get to Frank having any other kind of hobby/interest is him mentioning off-hand that he used to play Mythomagic.
Piper and Leo - We can presume that Piper knew Shel before moving to Oklahoma, because Piper used to visit her grandpa often and as far as we know that’s also where Shel lives. But we never see Piper ever mention knowing anyone else in her grandfather’s community. Heck, when she’s introduced we’re basically outright told that she doesn’t interact much at all with any of her classmates outside of necessity, and we don’t even have any confirmation that before Hera’s mind-meddling that she even acknowledged Leo’s existence. Also, Piper has like, exactly zero hobbies. We do not know what Piper does in her free time or what she likes (except vaguely that she has surfed before), only really what she dislikes. Leo at least does have some kind of excuse for not really knowing anybody, and an explicit explanation about why that is the case and how he feels about it. Leo also has a repeatedly referenced interest/hobby in mechanics that’s very core to his character.
Percy and Annabeth? Pre-HoO, they both have plenty of interests and know people outside their general circles! Percy knows kids at school. Annabeth’s general outer social circle is Camp Half-Blood, because she grew up there, but she clearly knows people at camp. She’s also super into architecture! And Percy does a ton of stuff in his free time - he skateboards! He plays basketball! He has two pets he takes care of (Blackjack and Mrs. O’Leary)! Post-HoO he’s on a swim team! But during HoO? Percy’s hobbies just kind of disappear, besides “oh yeah he uh. Does water stuff.” There’s no acknowledgement of like, “Yeah Percy sets up a little basketball hoop on the back of his door on the Argo 2 and shoots trash at it.” Literally anything! And yeah, Annabeth’s architecture interest is somewhat acknowledged, but also like, not really? We at least get some kind of “Yeah, in her spare time she’s usually on her laptop working on stuff” but we also barely get any instances of Annabeth thinking about her friends at camp except for like, Tartarus.
For Jason it at least kind of works because a.) he has amnesia and it’s implied he doesn’t really have close friends at Camp Jupiter besides Reyna, so it figures he only ever really references random other legionaries like, twice. and b.) there is also the heavily implication that Jason doesn’t have hobbies, because his entire life was so focused around his training at Camp Jupiter. This works less with Reyna, but she also kind of has an excuse for not knowing people besides like, her sister and Jason, given she ran away when she was young, Circe’s island was destroyed, and she could have only been at Camp Jupiter for like 3 years maximum at that point. And she’s not exactly the most social character. We also don’t get much indication of her hobbies, besides she also likes horses and it’s heavily implied she likes nature/gardens? Presumably, given we get like, one note of that in HoO, maybe two if you count her living on Circe’s island, and then like one more nod to that in TOA. And we only get her POV chapters in BoO anyways so again, she has some excuses. Coach Hedge also is incredibly bland besides maybe him having a hobby in sports, and... violence? Which definitely does not count. And him lacking any POV chapters doesn’t really help.
I think this is why Nico continually feels like such a strong character, simply because we know what he does in his spare time. We know he knows people outside of the camps (most of those people are gods or ghosts, but he at least knows people) and technically you could argue him knowing about Camp Jupiter between BoTL and TLO counts too. He even references his old neighbor at one point. Obviously, he’s very into Mythomagic, and that comes up a lot because it’s his special interest and is usually also relevant to their quests. He travels a lot, and apparently used to when he was younger as well. We also learn he used to have a special interest about pirates and that apparently may have played into his crush on Percy. Like, all that is so simple and minor but it makes such a difference for how Nico feels as a character. Most of Nico’s stuff though is established in the first series, which definitely helps because the first series was pretty good about giving characters hobbies and maybe some people they know - Annabeth, Percy, and Nico we’ve already covered, but also like, Grover knows other satyrs and is usually practicing music and also we know what foods he likes. Thalia is very into punk culture and music. We know she particularly likes Green Day. We know she knew the Hunters of Artemis before the events of TTC. Rachel's whole thing is that she’s super into art and she has a bunch of connections through her rich family, and she’s basically Percy’s only mortal friend. They have lives!
If you put a protagonist in a room and told them to occupy themselves, you should have an answer for what they do. They should be able to name one person outside their immediate social circle who they are generally friendly with or vaguely know, unless they have a specific reason for that to not be the case. HoO crew needs to occupy their time by themselves, no weaponry, for twenty minutes? Hazel could be drawing, Nico could be organizing his cards, Leo could be tinkering, Annabeth could be working on her laptop, Percy could be trying out little skateboard tricks. Jason, Piper, Frank, and Reyna? What would they be doing?
TOA does actually answer that question for Jason, at least, because we learn that Jason makes tiny dioramas! That’s adorable! Why doesn’t he do that in HoO?! TOA also gives us more depth to Will Solace besides “He’s a medic and does medic things” with telling us that he’s into Star Wars. Like, that’s actually so much information to work with! Thank you! And then we also find out in TOA that Nico’s also kinda into art! We still don’t get anything new for Piper, Frank, or Reyna - besides again one more potential implication that Reyna thinks plants are Pretty Okay, and that nature is Mildly Alright. Like, not even “maybe she keeps a houseplant” territory, all we have is “if she had the option, she might be interested in visiting a flower garden.” But honestly TOA at least gives us something for most of the characters we see. Like at least one thing. Most of the rest of the writing is a mess but at least the characters are mildly interesting.
Anyways, give your characters hobbies, it’s good for them.
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liminalpsych · 26 days
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A very, very roughly sketched, unedited scene that wouldn't leave me alone this morning and demanded to be written (....oh hey @queer-ragnelle! I accidentally made a Lusty Month of May / May Day Parade contribution!):
The week they arrive at Sorelois. Perhaps even the day. Guinevere is half-mad with rage and grief, reeling from Arthur's betrayal, the loss of her marriage, of her court. It's the usurping of her entire life.
It makes her bold. It makes her want to be cruel. It makes her want to strike back or to take what she wants or to rebel in some small or large way. It makes her want to hurt Arthur in turn, or transgress since she has already been spurned from society and convicted for something for which she's innocent.
"There is something I wish to see," Guinevere says, there in the somber quiet of the receiving room with Lancelot, Galehaut, and Lady Bloie of Malehaut. An announcement to the air, undirected.
Lancelot responds first, of course, as expected. He kneels before her, the picture of earnest devotion. "Whatever you wish, my queen, I will strive my utmost to bring it to you."
Across the room, towering nigh to the ceiling even leaned against the wall as he is, Galehaut watches her with a carefully neutral expression. Unblinking, unsmiling, and there's the barest tightening around his eyes. He is wary of her still, and senses her mood.
The Lady of Malehaut is a different kind of unreadable entirely, lounging next to her with a spot of embroidery to keep her clever hands busy. Her full mouth is always a breath away from smiling, like she carries with her a trove of private amusements at all times. She observes from beneath half-lidded eyes, her needle flashing through cloth more by touch than sight.
Guinevere lifts her loyal knight's chin with a touch of her finger. His lips part, eyes wide and wondering. She smiles. "I want to you to give Galehaut a kiss."
Ah, if only she dared to watch Galehaut's expression in that moment! Yet she must keep her focus on Lancelot. His face pales. His breath catches in his throat. His pulse thrums against her finger like a trapped and frantic bird. "M-my queen?" he stammers, gaze darting side to side as if for an escape.
Her smile sharpens, serpentine. "Do you not wish to?"
"I— I am not—" He's breathing rapid and shallow now, on the edge of panic. It's a pretty quandary she's put him in, one with no known safe answer, and he's reeling under it.
(She feels more steady by the moment, her control re-establishing in the small sphere she still possesses.)
Galehaut steps forward. There's the edge of fury in his warning, in the creak of leather and the rattle of maille. "My lady," he rumbles.
Now Guinevere looks his way, and she lifts a graceful eyebrow at the storm in his countenance. Lancelot quivers beneath her touch, unmoored by the loss of her pinning gaze. "Will you tell me truly that you don't want this, Galehaut?"
He halts. His jaw works; the stormclouds thicken. He glares, proud and silent.
Guinevere laughs. It's a free, bell-like sound—as playful as a day a-Maying. Lancelot stills and his breathing steadies, soothed by her apparent merriment. She makes a show of taking pity on him, releasing his chin to stroke his cheek. "Do you wish to kiss me?" she murmurs, leaning closer.
His breath catches again, no different than before. He nods.
She kisses him, sweet and soft; he returns it with a small desperate sound against her lips. (It tastes like power.) He's breathless when she pulls away, and she smiles down at him, indulgent. "I know Galehaut desires a kiss from you as well," she says, "and he is the one who brought us together, yes?"
Another nod, and Lancelot seems more dazed than panicked now. Swaying towards her, and glancing shyly towards his boon companion, who draws a sharp bracing breath.
"It is not as if he's a lady," she says with a wink. "So it is not being untrue to me. And it is my request, is it not?"
"Y—yes, my lady...?"
"Do you not want to kiss him?"
"I..." Those expressive eyes flicker from her lips to Galehaut's and back again. His breath quickens again, but this time it is a little less panicked. "My lady, you ask hard questions," he says at last, helplessly.
She laughs again, darkened with satisfaction. "Kiss him, then," she commands, "and then tell me if you want to do it again."
"My lady," protests Galehaut, strained—oh, and there is longing so sharp that it is agonized, bare and naked in every rigid muscle and the aching furrow of his brow. He looks at Lancelot like a man starving. He looks at Guinevere like a man betrayed.
To give Galehaut what he so desperately desires, when he knows it is something she can take away at any moment? To receive a kiss from his Lancelot, but only on the order of Lancelot's lover-queen? For Galehaut to touch his companion in the way he desires, but only so long as Guinevere allows it, never knowing truly if Lancelot would have initiated on his own, never being certain of Lancelot's desire?
It's a power like none she's ever wielded before.
Lancelot stumbles to Galehaut on unsteady legs with a last hesitant glance over his shoulder. Guinevere smiles encouragingly and nods her approval. One last nudge—and still, Galehaut could refuse Lancelot. Galehaut is sworn to neither Guinevere nor Arthur; he needs not obey her. Galehaut could save the last unconquered edges of his heart and maintain this last barrier of distance. He could still refuse himself what he wants so badly.
Galehaut tenses, and Galehaut wavers, and Galehaut's heaves great draughts of air as if he's in the thick of a melee.
Lancelot reaches out, and Galehaut surrenders.
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