It is funny to me how much arguing there was between people trying to speculate on Ryoko Kui’s sexuality and people saying it’s literally none of our business. Then she uploads art where she draws a bunch of elves from video games and refers to multiple of the of the elven women as “her wife” or “fell in love at first sight”. And yet in a twitter thread about it I still saw people saying that referring to women as your wife could be straight woman behavior actually (???)
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yo omega would still be around in silver’s time as well as shadow, right?
and i assume shadow n omega would still stick together ‘cus they’re a team, so like would silver see omega as like an uncle? or dad 2? or just omega??
would omega even try to help raise silver or would he just be like “the tiny white hedgehog has psychokinesis and has been surviving on his own, he does not need our help. also i don’t want to help.”
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I want to talk about this photograph!!!
It’s the one on Reigen’s “With our satisfied customers!” corkboard hung up in the office and it appears specifically when seen by Tsubomi in s2e8.
This corkboard displaying all of Reigen’s satisfied clients didn’t show up until s2e6—after Separation Arc begins. Reigen realizes he’s completely alone at the bar, has his panic attack in the alleyway, and then starts his big push for fame with the livestreams and stuff. He puts up this corkboard around that point in the episode, partially to showcase his efficacy to potential clients, and probably also to try and convince himself that he’s not alone.
Upon first—and even subsequent—watches, I didn’t think anything about the picture. Like, yeah, of course Tsubomi would see some evidence of Mob in the Spirits n’ Such office. He’s been there multiple days a week for years. But I’ve been thinking about it more this time around and it kinda just hit me how sweet it is.
This picture of Mob and Reigen is on the corkboard for satisfied clients, where it doesn’t really belong. Mob isn’t a client. It’s markedly more casual than the other photos all taken in the field because it’s literally just them hanging out together in the office. Also, Reigen has his arm on Mob’s shoulder, so this is the only picture on the entire board where Reigen is initiating contact and demonstrating affection (the one where the lady has her arm around his shoulder doesn’t count because that wasn’t his personal action).
The picture is also pinned beneath two other photos that are layered on top, insinuating that they happened after his picture with Mob. I like to think that Reigen hung this picture up on the board after he and Mob reunited, even though it’s a board for clients, just because he loved it and wanted to have it in the office. I think he wanted to have tangible evidence of his connection with Mob after spending so long alone, especially in the office. And the two pictures on top might just be clients that came after the end of Separation Arc but before the events of episode 8. Sneaking photos of a loved one into office space is such a classic dad/big brother move lol.
In addition to this, there’s an illustration that came in the Mob Psycho 100 II DVD/Blu-Ray set that’s very similar to this. (I couldn’t find a full version without the “SAMPLE” 😭)
It looks like another version of the “satisfied client” board with another picture of Reigen and Mob pinned on it, both of them making peace signs and smiling at the camera. I think Reigen just really likes taking cute photos with Mob and pinning them around the office lol. It’s incredibly endearing when you think about it—especially since Reigen tried to act so cool and unaffected by everything near the start of the series. No one is immune to Mob.
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Aziraphale: Crowley, dear, I'm going to get us hot chocolate. How dark would you like it?
Crowley: As dark as my soul, Angel.
Aziraphale: So, white chocolate, then?
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i genuinely feel like there should be some sort of penalty if you take characters where literally the entire point of them is that they're the kid of a villain who's absolutely nothing like their family & that they're a good person despite the way they were raised and do some "but what if they WERE actually exactly like their shitty parents!!!" nonsense with them
if superman writers want to continue using rebirth's "reinvented" chris kent and calling him lor-zod, they have to be prepared to take a 10% pay cut. $1,500 fee (per issue) for plotlines that require ignoring all of damian's character development since 2006. evil cass requires a $20k down payment. and evil joey arcs should honestly just be an executable offense at this point
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God. What if Pandora didn’t want to open the box. What if she was manipulated, her hands tied to and guided by strings she couldn’t shake off. What if when she released the horrors out into the world, Hope chose to stay with her, in the box. What if Pandora couldn’t rid herself of that guilt. What if Hope couldn’t convince her that not all was lost, and that she wasn’t responsible for the strings around her hands. That she wasn’t a monster.
What if Pandora and Hope found a way to trap everything in the box again. What if Pandora couldn’t do it. What if she didn’t want anyone else to feel the guilt she did. What if she thought that trapping the horrors in the box would just doom everyone into the same cycle. What if she felt she had to break it by bearing the suffering of everyone else. What if Hope tried to convince her that it could be better. What if she wouldn’t save herself. What if Hope had to kill Pandora for a chance to save everyone, including her. What if they both were sealed in the box. What if no one ever knew what happened to them. What if their last words to the world and to each other were “I love you.”
What if the world ending was never Pandora’s fault, but in her guilt and grief she blamed herself for it, and the Hope that voluntarily stayed by her side had to take her life to save it.
What if?
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