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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
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My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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hedgehog-moss · 2 days
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The blueberry tart moral quandary has been very fun to ponder! Thank you for sharing it with us. I think the real question, however, is what each of your animals would think about ordering two slices of tart under the circumstances
You're right, that IS the true question here. Let's situate this in a universe where blueberry tart is safe & delicious to eat for all animal species.
CHICKENS. The chickens would definitely want that second helping of tart because chickens live in a solipsistic moral universe and would hesitate to share tart even if it was their dying sister's last wish. However if you place two slices of tart on the ground for 2 chickens, they will immediately and violently start fighting each other over the same slice, thus giving you the opportunity to discreetly retrieve the first slice for yourself. Moreover, if a chicken manages to break off half of the slice and starts running like hell to go eat it elsewhere in peace, the other chicken will take off after her instead of eating the other half happily by herself. If they then break this half in two while fighting over it, they will resume fighting over that half of the half, allowing you to retrieve 3/4 of the second slice. And so on. This is Zeno's paradox applied to chickens and tart: the hens will spend the rest of eternity fighting over diminishing crumbs while you get almost all of the second slice back (albeit broken in increasingly minuscule halves.)
CATS. Not only would the cats want that second slice regardless of who else wants it, they would also sit & start grooming themselves on the rest of the pie with great serenity, rendering it inedible for anyone else. However, my original post established that the pies were under large bell jars. Two of my three cats are (to their everlasting torment) stymied by this sadistic human invention. If the bell jar is heavy enough that you can't push it off the table (a popular strategy), then Mascarille and Merricat will just circle it a few times, ram their faces into the glass, do a full body swipe against it in case this might open a secret door, and then walk away in frustration. Morille on the other hand is a cat possessed of extreme patience, diabolical intelligence and acute interest in forbidden food. She will get the tart no matter how long she has to lie in wait.
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DOG. Pandolf would not want a second slice or even a first one, if he is made to understand that this might make other people sad. The thing with Pandolf is, he can smell disappointment. His great big nose picks up on every particle of human disappointment in the air and they go straight to his heart. He is also too polite to even defend his bone from thieving chickens. There's no way he would claim any tart at all unless someone gave it to him and made it clear they would be happy for him to eat it. However Pandolf is very cute when he sits there with a lolling tongue, happy for others to have a good time, and there is also no way one or several persons wouldn't give him their slice of tart. He would definitely end up with tart.
LLAMAS. Pampelune is the matriarch and since her duties involve dying to protect her herd in case of predator attacks, she considers it her prerogative to eat first and as much as she damn pleases in compensation. She would get two slices. I believe Poldine would choose to have only one slice and kiss everyone in the restaurant on the cheek for good measure, and I also believe she would actually get zero tart. As shown in the salt video, Poldine understands her place in the pasture hierarchy (the one who eats last) and has to resort to subterfuge to get even 1 lick of salt while others are gorging themselves. She will be very dependent on other people's temperance and decency to get any tart (so, Pandolf is her best bet.) Meanwhile Pampérigouste is trying to figure out how to escape the restaurant undetected to go on an adventure while the sheeple are talking about tart. She will get one or two or three slices but only if they can facilitate her various stratagems (for example, to bribe a guard at the door.)
The FISH—do not have the cognitive abilities to worry about morals but more importantly, do not experience soul-deep desires in the way the birds and mammals in this list do. My fish live in a smooth and quiet world where the gods make food rain from the sky every day. In this luminescent existence of untroubled abundance their capacity for longing has atrophied. They do not understand what wanting tart means, let alone the complex philosophical agonies humans can put themselves through when faced with culinary conundrums.
DONKEY. Pirlouit's first instinct would be to claim all the tart he can eat and then some. However donkeys and fish sit at opposite ends of the philosophical spectrum; Pirlouit strikes me as an animal who would be interested in exploring the ethical ramifications of the issue, as an intellectual exercise. 70% of his life consists in quiet deep ponderings. I think Pirlouit could get distracted ruminating the blueberry tart quandary in light of the rich philosophical heritage of donkey civilisation, and arrive too late to get any tart by the time he determined whether one or two slices is the right answer. Kind of like that time he got distracted by his need for revenge and was late for breakfast and the llamas had already claimed the hay.
IN CONCLUSION.
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Heya!!
So I'm a little obsessed with the secret relationship trope... i was wondering if you could do an Astarion x reader secret relationship but maybe during a fight, reader dies and has to be revivified? And Astarion freaks out, like he goes semiferal and histerical?
Maybe it could be during the fight with his siblings at camp so now Cazador knows he has someone he holds dear (even if Astarion doesn't want to admit it yet) which is what they were trying to avoid?
Thank you so much!!!!
🗒 ꒰⸝⸝₊ All I Want ❛ ✧
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Featuring: Astarion x Reader
Not proofread!
# Notes: I'm not too good with drabbles but I rly like this idea so I decided to try! also no use of "y/n" because I'll be honest I'm not a fan of it lmao
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It was his idea to keep the relationship a secret.
He knew how that sounded — like he was ashamed of his partner, like he didn't want anyone to know for the sake of his reputation. That wasn't true, and he assured them of it. It was simply a precaution, something to protect them both. Now that they arrived at Baldur's Gate and are closer to Cazador than ever, he couldn't take any chances. Not when it came to them, at least.
He wasn't used to this — caring about someone other than himself. It was always about his survival, but now he had someone else to worry about. Someone whose life was worth a lot more than his own. Someone he couldn't afford to lose.
So, he kept it a secret. It wasn't exactly easy to go about their day pretending to be nothing more than companions, friends at most. Ever since they got together, he realized just how starved he was for any kind of attention, any kind of affection. Having to refrain from touching them too much or being his usual, flirty self hasn't been a simple feat. But he knew how important it was that they kept things under wraps.
His feet were killing him after a long day of adventuring, from Wyrm's Crossing all the way to the Lower City. At least they managed to avoid some confrontation for today, so he had one less thing to complain about. They got settled in an inn and he managed to sneak out for a few seconds with his partner to at least get a good night's kiss. He wanted more, but knew that would have to suffice.
The others had already fallen asleep, but he remained tossing and turning. Something felt off. He wasn't sure what, but his nerves were on end, like his fight or flight response had picked up on something he himself hadn't yet. Perhaps that was for the best, as it allowed him to notice the sound of footsteps early enough to stand up and grab a dagger. His hand shook slightly, wrapped around the handle of the weapon as two familiar faces walked in. He felt sick. He knew what they were here to do.
"Get the hells away from me!" It wasn't quite a yell, but definitely loud enough to wake the others. He instinctively took a few steps back, trying to maintain a distance far enough to deceive his brain into believing that he was somewhat safe. "Peace, brother. We're here to take you home." Aurelia uttered somewhat gently, but it almost made him puke. Brother. Home. Just the notion of it made him dizzy with disgust. The Szarr Palace wasn't his home, and these goons were not his family — he was tired of playing along with this fucked up game of pretend.
It didn't take long for a fight to break out, despite his attempts at deception. He should've known Cazador wouldn't let him off easy. Karlach was the first to react, letting out a guttural scream of rage as she charged at Violet. The axe cut through flesh before the spawn could realize what was happening, getting stuck where it met bone. She screamed, but was soon silenced by another blow. While it was supposed to be lethal, she simply vanished into a cloud of black smoke instead of dropping dead on the ground.
Leon was next, aiming for the person who was closest to where he stood which, to Astarion's despair, happened to be his darling. The spawn's claws slashed their skin open, blood splattering on the floor as they yelped in pain. Astarion didn't think — he simply acted, pouncing on Leon only to drive his dagger through his heart one, two, three times, until he too vanished into thin air. He snapped his head back in their direction just in time to see Yousen sneaking up, grabbing them from behind and sinking his teeth into their neck. The scream, the way their eyes squeezed shut in agony and their hands clawed against the spawn holding them still was enough to make Astarion see red.
He hardly remembered moving. But he did remember the screams. Not from his darling, but from his brother, as he drove the dagger into the side of his neck and twisted it. He looked back at his lover again, but the dark cloud from Yousen obscured his vision. He didn't hear screaming anymore. Only his ears ringing slightly and the sound of laboured breathing from his companions.
When he could finally see again, he almost wished he couldn't. That'd be better than the sight of his beloved's body sprawled out on the floor atop a pool of blood, their empty, cold eyes gazing into his soul. He rushed to their side despite his shaking legs, stumbling on his way there until he fell to his knees beside them. He raised their head by the back of their neck, resting it on top of his thigh. He hardly realized he was hyperventilating, hands shaking violently as he cradled one of their cheeks in his palm. "No, no... You can't die. Wake up, damn it!" He choked out, his voice rising from a whisper full of disbelief to a screech of the utmost despair.
Karlach too rushed to their side, fumbling with her bag with quivering hands. "H-Hold on, soldier, I think..." She stuttered out nervously before cutting herself off as she pulled a scroll of revivify from the bag. She knelt next to the two and placed the parchment atop the corpse's chest. It glowed a bright white light, seemingly seeping into their skin. There was a deafening silence for a few seconds when suddenly, they woke up with a loud gasp, eyes widening as life was brought back into their being.
The pale elf didn't waste a second before pulling them into a hug, not minding the blood staining his clothes. He hid his face in the crook of their neck, only a small sob and whisper being heard from him. "Oh, thank the gods... Please, please never do that again..." He choked out before pulling away from the embrace, cupping their cheek and pressing his lips against theirs. He never felt that before. That immense sense of hopelessness, agony and grief. Not to this level, not of this kind — and he'd make sure he never felt it again.
However, as he pulled away from the kiss, he saw something in the distance. Aurelia, bleeding out on the ground, watching them seconds before she too vanished into the darkness. If he still had a heart, it would have skipped a beat out of sheer terror alone. Cazador knew. He knew about his spawn's newfound love. And Astarion would have to be a fool not to expect his master to take advantage of that fact.
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wings-of-ink · 21 hours
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Chapter 3 is Live!
Hello everyone! I hope you are doing well.
Just wanted to announce that the demo for God-Cursed has been updated to include chapter 3. It has been submitted as part of the Amare Games Festival 2024. I don't believe it will be game-breaking if you do not fully restart, but I recommend that you try to zip through the first chapters if you are only wanting to see what’s new in chapter 3.
https://wings-of-ink.itch.io/god-cursed
Some notes on the update if you are interested…
Chapter 3 is quite large and has more than doubled the word count - but keep in mind that includes coding and text that is entered for multiple passages. This chapter was actually shortened from my original vision to accommodate time constraints and as the current ending point provided a natural break after a very hefty segment. Unfortunately, you will have to wait a bit to meet the last of the ROs.
Several general updates were made and even to chapters 1 & 2 were touched up. This includes:  simple corrections to typos and grammar, the altering of some values for certain variables, the addition of MC hair customization options (white hair added, option to have MC go grey as well), and some general improvements to some of the text.
The Codex was also updated with a good bit of pantheon information, the contrast color for dark mode links was improved, a link to a bug/error report form was added to the menu, and trigger warnings were updated to include things that will come up even beyond chapter 3.
Chapter 3 will continue to be refined as it did not get the amount of editing and testing that I would have liked, and there’s one or two smaller extras that I didn’t have time to add. Please report errors to me via the linked Google form in the game menu - nothing is too small. I think I caught the biggest, game-breaking, errors over the weekend, but there’s likely some issues with code floating around. If you are uncomfortable using the form, you can send me an Ask through Tumblr as well.
I hope you enjoy this little update! I found it enjoyable but not as exciting as I would have hoped (personally), though there are some very fun antics you can get up to. The next installment will have a lot more adventure (and mishaps), and you’ll finally get to meet all the main players of your story!
Take care!
~ Lunan
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kaylatoonz · 2 days
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Context
I have always loved how Amy always has faith there’s good in everyone even if they don’t believe in it themselves. Most of her allies and sometimes enemies view this as a strength, but what about those that view it as a Weakness who would take advantage of it? Surprisingly I haven’t seen that much content that has someone take advantage of Amy’s kindness and compassion. So what if when Amy first arrived on earth in the SCU someone took advantage of Amy's trusting nature?
(Like her origin in the game) Amy does a tarot card reading that leads her to Earth in search of her hero
She arrived a couple of months before G.U.N. Locate and release project shadow
Unfortunately, G.U.N. are the first humans Amy encounters who gladly accept Amy’s offer to aid on their mission
They were even kind enough to gift her a new outfit and high-tech pack that would be more practical for the “adventure” they’re going on.
In reality, the “gift” was Eggman's old tech that they refurbished to keep new intergalactic arrivals in their control (they were originally going to use it on Shadow once they found him).
The pack on her back is meant to send a controlled shock to keep the chosen subject in line
Sadly By the time Amy discovers that these people are up to no good she is already in too deep, experiencing her first shock at her first act of defiance.
Since then, Amy unwillingly works for G.U.N alongside Shadow (and eventually Rouge too).
Despite the circumstances, Amy remains kind and compassionate toward the humans she works with.
She even won the hearts of some of the more compassionate agents who worked at G.U.N (unfortunately they couldn’t help as much as they wanted to).
She still retains hope that she find her hero, and they’ll put their heads together and get her out of this mess.
Until then, she begrudgingly obeys orders and tries her best to wait out the storm (and maybe try to find her way out).
Shadow is the opposite of Amy, he is a lot colder and sometimes even aggressive towards other humans (especially G.U.N. Operatives).
He just works with G.U.N. For his own means to an end ( like the game shadow has amnesia and his memories have been tampered went to exact his revenge on humanity for Maria’s sake).
Despite his cold nature toward those around him, he forms a genuine bond with Amy Rose (and eventually Rouge too).
Amy is one of the few people Shadow finds comfort and peace in despite her sometimes overwhelmingly bubbly and energetic personality.
He can’t help but be reminded of Maria whenever he catches Amy taking in every nook and cranny of what Earth has to offer whenever they’re on their missions.
G.U.N. Takes notice of this and eventually takes full advantage of this to keep Shadow in their control
Shortly after Shadow was released, Rouge arrived on Earth, her sights set on the legendary master emerald.
Fortunately, Rouge was able to keep her distance (and guard up) enough to not let G.U.N. pull something similar to Amy (much to Amy’s relief).
Rouge and G.U.N. Do strike a deal, if rouge works with them the emerald is her’s (at least it is what they lead her to believe)
The team officially form intending to apprehend Sonic and his friends
Throughout their missions and training sessions, Shadow and Amy's bond grows stronger along with their new teammate Rouge.
Shadow and Rouge form a friendship built on trust and respect.
While Amy and Rouge's friendship is rough around the edges (they bicker a lot), they do have some form of respect for each other (they kind of have a sister relationship going on that neither of them would admit).
Rouge eventually gets curious about what is in it for Amy working for G.U.N. Which gets Shadow curious. they both know Amy is not the type to work for these goons to get something out of it.
Amy hesitantly replies that she wanted to help them out, but things got… complicated, so now she’s here.
Amy doesn’t want to worry Shadow or appear weak to Rouge, nor does she want to get them too involved in her problems.
Shadow and Rouge are suspicious that there’s something more going on between Amy and G.U.N that she’s not telling them.
Sadly, their suspicions are confirmed when one of their missions goes wrong and Amy takes the brunt of the blame.
shadow and Rouge witness firsthand what the pack on Amy’s back is meant for, and they both don't like it one bit
Shadow steps in to stop them while Rouge comforts Amy the best she can
with the confirmation that not just Shadow but Rouge cares deeply for Amy, G.U.N. not so subtly threatens Shadow and Rouge that this could happen again if they aren't so compliant on their next mission.
As Shadow comforts Amy, his hatred for G.U.N and humanity has cemented if it wasn’t already. He promised himself that he would stop at nothing to get Amy out of this place and make every last one of these agents pay. Unbeknownst to him, Rouge had made a similar promise to herself (but not to the full extent of ending all of humanity).
Eventually, the team encounters their target Sonic heroes, which leads to a lot of conflict
Amy is certain that Sonic is the hero that she was destined to meet and that they should accept the help they are offering
Shadow disagrees, feeling that Sonic is nothing but an idiot who can’t save anyone (and besides he didn’t need saving).
Amy is willing to take that chance with Sonic and attempts to accept his help but Shadow quickly intervenes when he notices the two warning beeps and her pack starting to activate.
Before the final warning, shadow grabs Amy (unintentionally sending the message that Shadow is taking Amy hostage to the heroes and pissing Amy off).
Realizing that G.U.N would never let Amy go so easily (assuming that the pack would terminate her if she were to side with the enemy). Shadow decides to take a risk with the heroes.
Before Shadow Chaos controls away with his teammate/hostage, he gives the heroes a good look at Amy’s pack and glares down at the heroes stating “If you’re truly looking for someone to save then pay attention!”
Sonic and Knuckles are enraged by Shadow's cowardly and low action of taking the girl hostage to escape their fight.
That was until Tails showed his brother what unit managed to pick up on Amy.
The brothers are horrified by what could’ve happened if Shadow hadn’t intervened in time. They all agree to take things carefully when trying to help Amy.
Sonic wants to help Shadow reignite after learning what he is willing to do to save Amy (he was just gonna be a tough nut to crack).
Rouge later gives the heroes blueprints on the pack to aid them in safely getting Amy free
Eventually, thanks to the help of Rouge and Tails’ careful planning, they were able to free Amy from their control.
With Amy safe, Shadow finally initiates his revenge against G.U.N and humanity.
Amy isn’t having it, so she confronts Shadow who doesn’t understand why after everything the government/humans have put her through she would still defend them.
She calmly replies that yes, she has experienced the worst of humanity, but she also witnessed the good in humanity with her brief time on earth.
Amy’s heartfelt speech strikes a chord with Shadow, reminding him of his true promise to Maria.
Wanting to make things right Shadow makes a new promise to Amy before aiding Sonic in saving the world.
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tac-the-unseen · 1 day
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COD Random character quirks
Fluff
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Ghost:
•Remembers every story somebody tells him, but can't remember where he left his sweater
•Bites the inside of his cheek constantly, to the point of scarring
•If somebody doesn't drag him out of the house he would never leave. Despite this he does love going on a walk from time to time
•Hates talking about his past and will always redirect the conversation
•Extremely fast eater, it's a combination of Trauma and military training. Can finish a whole plate in less than 10 minutes
•Pauses for a long time in between speaking but can't stand it if someone else does the same
Soap:
•Obsessed with swords, but is terrible at wielding them
•Screams “DON'T GO IN THERE!” to the T.V when watching any horror movie
•Wears the ‘I <3 my hot S/O’ shirts unironically, and the loves them because “It's true!”
•Loves to be the best at everything
•Consistently orders the same thing at a restaurant. Has a specific order for every restaurant he goes too
•Learned some magic tricks as a kid and can still do most of them
Price:
•Wears crazy socks, think Spencer and his friend Socko (from iCarly)
•Laughs to jokes no one else laughs at to make the other person not feel bad
•Has one nipple piercing on his left nipple, He doesn't want to get the second one and just likes having the ones.
•Overly Humble, You have to fight him to take a compliment
•Eats while driving and has made adjustments in his car to be able to eat with full effect
•Knows a surprising amount of useless trivia and will bring it up in any conversation he can
Alejandro:
•Screams and runs at the sight of the bee
•Notorious for his eye rolling abilities
•Has a pretty sizable jewelry collection. Necklaces, bracelets, earrings, rings, and brooches (and he's willing to share)
•Frequently complements his S/O
•Steals food off of his S/O’s and friends plate
•Great cook and spends most of his time around/in the kitchen
Gaz:
•Secretly wants to be in a boy band
•Can't swallow pills normally
•Make fake scenarios in his head about him being the ultimate hero
•Snorts when he laughs
•Eats healthy snacks and playful shames others for eating unhealthy snacks
•Surprisingly good at impressions specifically impressions of British government officials
Roach:
•Sneak attack hugger
•His all-time favorite book is Dr Seuss's ‘Put me in a zoo’
•Sometimes forget other people don't know sign language/can't read it that fast and signs so fast that others have no clue what he said
•Gets a bad case of the giggles when someone trips (He cannot stop no matter how hard he tries)
•Likes to eat in private and feels weird looking at other people eat (Not a fan of restaurants or Mukbang asmr)
•Squirms in his seat/Can sit still for that long
Konig:
•Wears a bunch of hair ties around his wrist
•Has to spend hundreds of dollars making custom shoes that actually fit him
•Is an adrenaline junkie on the battle field. He lives for the blood rush
•Has a house shaking laugh and Horangi makes fun of him for it
•Is a very neat eater, he's not overly delicate with his food but just likes to eat in a certain way
•Likes stretching out and popping his joints all the time.
Rudy:
•Sits on the floor rather than the couch
•Will politely remind you how good he's being in the midst of chaos
•Always supports/Roots for the underdog
•Always has Snacks in his pockets/backpack
•Messy eater, somehow always ends up with sauce on his shirt or crumbs in his pockets
•Lean onto the people closest to him
Mace:
•Puts hot sauce on everything
•Tells jokes with a serious face
•Always looking for new adventure, loves exploring, hiking, climbing, and learning about different cultures
•Frequently adjusting his shirt to show off his body modification (traditional tribal scars)
•Likes to eat food with his hand more than with utensils. He'll use forks, spoons, and knives when at restaurants, but when he's at home everything is finger food.
•Gets spontaneous piercing / tattoos
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ratgrinders · 3 days
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Re: Kipperlilly not instituting the Rat Grinding. There are truly so many angles to their enigma! Any of them could've tried to mix up parties over the summer if they were really unhappy and it doesn't seem like they did. It's incredible time commitment to do something you're unhappy doing.
Little to go off of for the others still, but I wouldn't be surprised personally if Ruben didn't particularly want to be an adventurer, just a performer.
oh yeah for sure! like, there's definitely some intra-party tension and we've seen evidence that at the very least the other rat grinders tend to get mildly annoyed with kipperlily, AND YET they still decide time and time again to choose each other! it really does take an incredible amount of buy-in to grind rats for hours, not even mentioning the dying in service of a rage god and committing multiple murders thing.
there's something that binds all these kids together, i'm willing to believe that they really were just incredibly close before everything went to shit. if kipperlily really is a riz parallel, then grinding rats for hours on end because it helps your friends succeed academically, even if there's something else you'd rather be doing, is the type of sacrifice I can see riz making.
and i can totally buy that it was ruben specifically that didn't care much for school and just wanted to focus on his music. like a freshman year Fig lol
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Okay…I gotta talk about these last two episodes of RWBY Beyond…
As much as I liked the “Boba” episode; I mean it was very sweet for the series to finally address one of the remnant elephants in the room which was Yang and Ruby briefly discussing what happened to her in the Ever After.
I liked that Yang finally no longer needed to front the burden of leadership by herself like how it was in the past.
I like that the show finally had that point brought up because it’s been a key observation of Ruby’s role in the group for a really long time. So I’m happy we finally got this development along with other drops of info---like Tai Yang missing in action in Vacuo.
That’s interesting. What could Tai be doing if he’s not in Vacuo with everyone else? My best bet is that Tai is probably teamed up with Glynda Goodwitch since she’s also MIA and the “assignment” at hand must have something to do with the true whereabouts of the Chamber of Choice. At this point, it has to be that.
Overall, “Boba” was a sweet episode and I’m looking forward to seeing how this new detail will be used in the future. The episode left off with Ruby and Yang agreeing on using the word “boba” to signal to one another when they will need emotional support from each other moving forward and I’m looking forward to see how that will come into play down the line.
That being said, while the last episode was nice, it’s not the one that I got my attention. It’s actually the previous episode. The one with the Adventures of Somewhat. Particularly how that one ended.
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That ending got me hyped.
One thing that I’ve been itching for was to have RWBY return to the Ever After. And the main reason I wanted for this return is because of Oscar.
As ya’ll know, Oscar is going through the Merge with Ozpin which he is also trying his best to fight off.
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So one headcanon that I’ve been playing with is something tragic happening to Oscar to force RWBY and co to return to the Ever After in order to help him.
So my headcanon was that while in Remnant, Oscar gets poisoned by Tyrian and falls into a comatose state, twerking the lines of life of death. In order to save Oscar, Ruby and the others figure out the only way to help him lies in the Tree of the Ever After. So they have to figure out a way to get to the Ever After. Unfortunately, the only way for them to get back to the Ever After is through how they got there in the first place: through the powers of the Relic of Creation which is sadly in the possessions of Salem. Therefore, our heroes must figure out a way to regain the Staff in order to get back to the Ever After in time to help Oscar go to the Tree so he can be saved through his own form of ascension.
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The portal that opened was one of the portals created through the power of the Relic of Creation. And given Somewhat’s reaction, it has to be someone that they recognize which means that whoever it is before them has either got to be Ruby or all of Team RWBY (plus Jaune).
My money is that it’s probably Ruby since Ruby was the closest to the Somewhat back when they were still Little.
Either way, this has me excited! I mean, yeah sure, I could completely be heavily mistaken about this return to the Ever After being connected to needing to save Oscar at all.
But regardless, it does at least confirm that there will be a return to the Ever After to come for V10.
Personally, as a Pinehead, I want this return to be related to helping Oscar with the Merge so badly because I can’t think of it being related to anything else but that. Unless it has to do with finding a way to stop Salem in the Ever After.
I mean, it was highlighted back in V9 that the Brother Gods were the “children” of the Tree of the Ever After. And given that Salem is a by product of the Brother Gods’ meddling, finding a solution to undoing Salem’s immortality in the very birthplace of the very Gods who made her what she is isn’t too far of a stretch. I mean it makes sense from a narrative standpoint.
But regardless of that, I’m sticking with my first hunch. I really, really want the Return to the Ever After to have to do with Oscar’s Merge and potential Ascension.
I just want it to be about taking Oscar to the Tree.
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I need it to be about that because…it makes sense. Ever since ascension and the Tree were brought into RWBY’s lore, I’ve been wanting Oscar to go to the Tree since I really think it could be the key to helping with the Merge.
Either to stop it as a whole or…have Oscar go through his own form of reform and become the person he needs to become.
Of all the characters who I wanted to meet the Blacksmith, Oscar is one of them. Like he’s the perfect candidate for this kind of development.
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But I dunno. These are just my wild thoughts on this subject after watching the final two episode of RWBY Beyond.
Speaking of which, that's it. That's all the episodes of RB officially out which means, as of now, that's it for RWBY until they announce something about V10.
In the mean time, these are my jumbled thoughts on the last two episodes.
~LMS (2024)
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gotyouanyway · 1 day
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time lord ocs info post
ok this is a LOT of info and doesn't even cover it entirely but here's the main details about my little trio of time lord ocs :)
some of the canon details might be a little off - i haven't listened to all of gallifrey: time war yet and i'm pretty sure i nudged some facts around to make everything fit but don't worry about it <3
names:
caldinsedravin (caldin) 3rd regeneration (f, m, m) - ex cia agent - prydonian
hollustallamanta (hollus) 1st regeneration (f) - ex guardsman - prydonian
kilicoversonterast (kilic, kilico to friends and family) 2nd regeneration (m, ?) - genetic engineer - arcalian
story:
academy
- become best friends through constantly being put in weird situations together
- eventually they become known for being an inseparable trio, nicknamed gallifreyan equivalent of “XYZ” as a group like cartesian coordinates. caldin is x, hollus is y, kilic is z. they hate it but privately consider themselves lucky it wasn’t something more mean
- graduated a few years before the civil war
pre/early time war
- caldin went into the cia, hollus into the chancellery guard, kilic became a teacher at the academy
- hollus and caldin got together romantically toward the end of their academy days, slowly get more serious over the years after they graduate
- they all have individual adventures for a bit (caldin regenerates) but all stay friends
- time war starts
- kilic is drafted into project revenant, gets obsessed with it and starts experimenting on himself
- when the chancellery guard is dissolved, hollus wants to run rather than be forced into the idu
- eventually she convinces caldin to go with her
- caldin wants to bring kilic with them, so they go to get him but he’s not having it at all
- they fight badly. caldin pulls a staser and goes to shoot kilic. at the same time, kilic grabs the staser and caldin’s arm, causing the blast to go through them both and intensify/kick back. they’re both badly hurt and regenerate
- kilic regenerates into the same body because of their experimentation, but it's messed up
house era
- hollus takes caldin and runs. they can’t get any kind of off-planet transport so they just flee the capitol
- they go through it for a while. they aren’t important enough to be hunted down, but if they ran into conscription officers or anything they’d be taken back in and punished
- eventually they find a House (unnamed rn) that looks abandoned and they take shelter there. the house is a little senile
- they find 2 children/loomlings/whatever you want to call them. all the adults were conscripted, the older children were taken away, but these two hid (sidan and linara. they’re a whole other story, lots going on there)
- eventually more kids join them from other houses/from the house’s loom. hollus and caldin are kind of stuck taking care of them and it’s dangerous and insane. see my post about broken looms for a little more detail but they need their own post tbh
- kilico stays in the capitol working for rassilon and the war council. the others are always trying to convince them to come join them and they won’t do it. but they can’t just leave them out there to suffer either, so they help with supplies and evading conscription etc. at great personal risk and not always unselfishly. they want hollus and caldin to come back to the capitol where they can keep them safe. they want them to stop being childish and running away. they want them to be back together and happy again. etc.
characters:
caldin
core traits across regenerations: hot headed, deeply emotional, self interested/internally focused (as in, only cares about themselves and loved ones, doesn’t pay much attention to society in general)
caldin 1 (academy & cia)
-bright, sarcastic, playful
-overly ambitious, competitive, arrogant
-loyal to her friends but doesn’t always treat them super great
-recruited by the cia more for her disposition and potential than her skill or intelligence, but did really well in training
-regenerates on her first field mission when an enemy operative attacks her
caldin 2 (pre/early time war - cia)
-serious, compassionate, tense
-still ambitious, but less tolerant of navigating fair competition and existing power structures. makes him frustrated and eventually, unwilling to even play the game once the time war messes everything up
-barks at authority but doesn’t bite
-terrified of regeneration
-regenerates due to staser feedback when shooting kilic
caldin 3 (house era)
-funny (both intentionally and not), cautious, old soul
-no filter, no patience for small annoyances, but more mature and rational than he’s ever been where it really matters
-tired, hurt, scared, but keeping it together and trying to make the best of things
-just wants his loved ones with him and for the fighting to stop and the kids to live (against all odds, he’s pretty good with the kids. not great, but pretty good)
-almost won’t even look at kilic. fight on sight. but needs the help they’re giving and misses them so bad
-extremely grouchy about the house but protects it like a housekeeper
-the struggler
hollus
core traits: analytical, bloodthirsty, insecure in herself as an individual (needs a group to thrive)
(academy)
-meticulous, straightforward, level headed
-really into weapons and weapon maintenance as well as the technical aspects of combat
-bit autistic in general
-not a peacekeeper but gives the impression of being at the eye of the caldin/kilico storm
-challenges authority but in a respectful bargaining way that gets her what she wants
(pre/early time war - chancellery guard)
-the guard becomes her life and she loves it
-quickly promoted to commander
-really discovers her love of combat here and feels good having healthy safe outlets for it (not something she actively recognizes about herself but true)
-everyone’s favourite trainer because she’s honest about extreme violence and knows everything about stasers. plus she’s pretty. the new recruits all fall in love with her
-most of her squadron sided with romana during the civil war they were like blood bonded brothers and all that. except for the ones she lost (either to picking sides or to the virus or to death or whatever) which hurt so bad she never even processed it oops
-loyal to the guard (her friends) over gallifrey so when the guard is disbanded she splits immediately
(house era)
-still the same but colder. getting emotionally closed off. lonely without her comrades
-finds herself wanting to either cling to caldin or push him away depending on the day, but he’s sort of immune to it (doesn’t take it personally, doesn’t overreact to her moods)
-feels guilty about how much she still secretly enjoys combat even though it’s real and dangerous now (same as she felt during the civil war but so much worse because of how many innocents are involved now, + it's worse without the buffer of a dozen other bloodthirsty guardsmen surrounding her at all times)
-struggling to develop some kind of maternal instinct toward the kids but it’s not going great. would still do anything for them but it’s all very weird for her
-also grouchy about the house. would throttle it if she could find out which part was the neck
kilic/kilico
core traits: obsessive, curious, “i can fix everything if i try hard enough”
kilic 1 (academy)
-flippant, brainy, head in the clouds
-cares about studies and about his eventual place in time lord society way more than the others (stuffy old professor in the making, but not yet yknow)
-obsessed with the biology of regeneration. weird about it. gets the group to play eighth man bound
-stumbles into opportunities rather than having any idea of how to navigate time lord society, but it works
-often feels like he and hollus are babysitting caldin. hollus would say she’s not babysitting anyone she’s just watching the show
-a little jealous of his friends, he thinks they’re cooler than him, but doesn’t actually want to be like them. just wants to also be cool (they are all equally cool/uncool in reality he’s just got self esteem issues)
-constantly fighting with caldin but when they’re not fighting they’re inseparable
(pre/early time war)
-genetic engineer specializing in regeneration
-professor at the academy, not really through choice but because that’s the best way to get research grants and assistants
-doesn’t care that much about his students or their education, but does have a soft spot for the much younger ones and the ones who get all excited about regeneration biology like he does
-has sort of a cult following of students who are obsessed with him in a ‘this guy is so insane it’s funny let’s study him’ way but he doesn’t know about it and never finds out
-occasionally gets caught up in petty prof drama and has a good time with it (caldin’s influence)
-when the war starts and the academy is shut down, he’s drafted into project revenant and gets freakishly obsessed with it
-he’s scared of the war and thinks this will keep everyone he loves alive and safe
-personally supervises resurrections and is working on augmenting regeneration
-starts going wild with experiments and does them on himself when willing volunteers run out (he’d never get unethical enough to experiment on anyone against their will, at least)
-regenerates when shot by caldin, but into the same body because of self experimentation
kilic 2 (house era)
-regeneration induced identity issues. same body, same mind, but still regenerated. entire personality shifted to the left, intensified, came back wrong. gave them gender issues too (many such cases)
-still working on proj. rev. after the dalek attack but everything is going crazy everything is broken the vibes are twisted now that the project has moved and half the people on it are dead or resurrected
-questioning loyalty due to everything falling apart and the identity issues
-really trying to have everything both ways. keeps helping caldin and hollus evade capture on purpose, wants to go with them, wants them to come back, wants them captured, wants them safe and happy in their new home
-increasingly wants to run away and go live with them but can’t let go of the project. despite everything they still think revenant is the only way they’re all going to survive the war
-even if they did decide to flee, they don’t think hollus and caldin would take them in and they’re probably right
notes:
i forgot there was a hollis in gallifrey s4 when i made my hollus so we're just ignoring that. that guy wasn't anything anyway
idk what's meant to have become of proj. rev. after the dalek invasion but based on narvin saying they might resurrect his dad later on, i'm assuming they sort of tried to keep it going. idk.
they do have other friends and relationships besides each other. but you know how it is.
i didn't reference it much in the post for clarity but they used their academy nicknames a lot in the academy and occasionally after to tease each other. they also use them when delivering coded messages between the house and the capitol. they are xyz :)
made picrews of them <3
caldin 1, 2, 3
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hollus
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kilic
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frog-man-moments · 1 day
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Villain agent 8 au
(this is my silly little idea for a villain agent 8, i have been talking to @flamingskull28 about it and he even gave me a couple of idea's for the au so major thanks to him)
During the fight with smollusk, smollusk in an effort to turn the tides of battle aims for an weakened agent 4, which ends of killing her. .This sends agent 8 into a frenzy which leads to her mostly destroying smollusk in a fit of grief.
After escaping the memverse agent 8 locks herself away as she is unable to comprehend four's death. Marina and pearl are the ones who have to deliver the bad news to the NSS, all of them are distraught but this news hits marie the hardest alongside eight, as marie always viewed four as their child . However while marie accepted and grieved fours death, agent 8 was unable to process it. Eight could not accept four's death and just kept denying and denying until she had an epiphany, the memverse had the power to mess with souls, eight began to wonder what else the memverse could do.
This line of thinking brought her to wonder if she could use the memverse to bring back agent 4. She brought this idea up to marina however she told eight that she believed eight should accept four's death and to try to move on, unsure if resurrection could even work. This caused eight to go behind marinas back to try and execute her plan. 8 begins to study souls in hopes of finding a way to bring four back. This causes damage to the souls she's studying and makes marina get involved. Eight falling into madness didn't care, all she cared about was getting four back.
Eight brainwashed marina to get her out of the way and to get her help. 8 also kinda blamed marina for fours death for creating the memverse and smollusk in the first place. Parallel cannon in this au is eights first attempt to bring four back. It looks exactly like her but grey and emotionless. It hurts eight to see this thing and puts a mask on it in order to not see its face.
Eight's attempts to bring four back is causing four pain in the afterlife. Four even temporarily contacts eight to tell her to stop because shes hurting her. However eight does not listen deciding four doesn't know what's good for her.
Eight eventually discovers a way to bring four back. In order to bring a person back it requires hundreds of souls to be sacrificed in order to bring a person back. This ritual is very painful for the person being brought back.
It ends up being marie who has to climb the tower to take down eight as see can relate to being hit very hard by fours death. she is accompanied by callie drone.
There are 3 possible endings for this au
Good ending: marie takes 8 down and drags her our of the memverse. Eight ends up getting help to process four's death. fairly simple.
Resurrected good ending: eight is successful in bringing four back but is still taken down. four is mortified by what her lover has done. hundreds of people are now souless and she was dead and brought back. four breaks up with eight which breaks her even more(she does get better)
Resurrected bad ending: eight brings back four and kicks the other agent's out of the memverse. She creates and ai to wipe her and fours memories every couple of years and to create adventures for her and four to enjoy. She and four go on adventures for a while unaware of everything that happened. until the NSS enter the memverse and stop the temporarily ai and bring back four and eights memories. 8 and 4 are overwhelmed by the past. Eight is horrified by what shes done while four is trying to comprehend the fact they died and came back to life. they have the option to either go to the real world or continue living the lie
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athen0910 · 28 days
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Yk what, i might actually be related to the mer sharks because I can't live a day without getting myself injured. I don't even know where half of my scars come from.
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bonebrokebuddy · 1 year
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It’s time for a, “things I sent to my twin’s inbox but she said I should post myself because I never post my own work and she’d like if I stopped spamming her inbox with ideas but I forgot about it and just kept it in my drafts notes for months and now finally I’m posting the fucking things.”
Or for short:
DP X DC PROMPT #7:
————————————
Danny visits metropolis and people are deadset on believing that Danny is either Clark’s little brother or his nephew from Illinois… despite that Clark can literally not be related to him. Not that the people at the Daily Planet know that, but even the ones who do know are giving him a hard time.
“I’m adopted Jimmy!” Clark threw his hands in the air in frustration. “You are very aware of that.”
“But he looks just like you Clark, you even talk the same!” Jimmy peaked around the corner, catching a glimpse of Danny talking to Lois in the employees lounge.
“He has a upper midwestern accent. I’m from Kansas, Jim. Not all midwesterners know each other!”
“So?”
“Jimmy. You know damn well why we can not be related.” Clark subtly gestured to his cheap “I believe in aliens” mug. Jimmy was Clark’s best friend and most of the time he really appreciated the kid’s keen eye but Jimmy also seemed to be constantly dead-set on figuring how to give Clark a headache.
“But he looks like a mini you! Have you asked him if he has a spare spaceship lying around anywhere?” Jimmy snarked as he glanced over to Danny and Louis who were finally heading back from their break.
“Jimmy, I will put you on the moon and leave you there.”
“Alright sheesh. I get it, I’ll drop it.”
#dpxdc#dcxdp#dc x dp#dp x dc#dp x dc crossover#dp x dc writing prompt#bones writes#clark kent#superman#jimmy olson#danny fenton#daily planet misunderstandings#a reminder that Clark Kent simultaneously has the biggest heart in the dcu but also is a snarky asshole who is able to keep up with Lois#the threat clark uses in the end is inspired by the adventures of Superman radio show#because Superman has used the threat ​‘tell the truth or we go to the moon’ More Than Once In The Radio Show to intimidate villains or goons#into telling him information#but the best part is TAOS Superman would 100% follow through on that promise bc that version of clark is 110% the sass I love to see#but also that snark is literally All of his personality in the typical bad writing version of ‘blank slate character is relateable#and a self insert so young men can fit themself into the main character’s shoes’#and TAOS Superman has Zero hesitance to maim or injure a criminal no matter the crime bc he’s a very black and white thinking bitch#but I think he’s a neat specimen from the past that I’d like to put in a jar and study#bones writes in the tags#anyways if you go into the show aware that it’s a piece of it’s time (1941-50) and occasionally is Very racist. go listen to TAOS#it’s very interesting as you see the difference in media as it shifts from pre-WWII to current WWII to post-WWII#it’s very neat. just listen to it through a ‘this is not canon’ mindset (bc it’s a radio show that’s officially non-canon)#and a historical view mindset#then you’ll have a fun time listening to the old timey radio show with the occasional ‘wait What the fuck did they just say?!’ moment#to keep you on your toes
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turtleplushi · 1 month
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Borb day
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lyril · 4 months
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when you get into a piece of art / media, do you usually take interest in the creative voices and crew behind the scenes, such as voice actors / storyboarders / writers on a TV show and such?
if not, feel free to tell me about any exceptions
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varyathevillain · 7 months
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one thing I definitely don't want out of the rest of S2 episodes, and afraid that will come to happen nonetheless due to the "love triangle" interview, or due to stereotypic expectations of "softer love saving from past abuse and toxicity", and also, like, LOTS OF SPOILERY STILLS for the episodes premiering tomorrow... is for Izzy Hands to come out of his fucked up dependent toxic love for Ed into another romantic relationship, especially if it includes Edward.
I want Izzy Hands to be developed as a character, to finally untangle his love towards Ed/Blackbeard, not through falling in love again... but through the love towards the crew, and of them towards him. I want for the trauma pack of attempted Ed Teach murderers to bond, not so hard it's impossible to untangle them from one another, but enough to see "yeah, all these people are together, and they're gonna stay shoulder to shoulder to protect one another".
I want a friend group that did bond through a traumatic experience, but came out trusting one another because of care, not trauma. I want that to be the crux of Israel Hands' development, to be someone who can finally see himself apart from Edward Teach, and apart from "this love he has", like a disease... I want him to embrace what he has yet refused to admit. that he wants to care for his people, his crew, and to be cared for back equally, without any dynamics of power in the way.
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my-thoughts-and-junk · 7 months
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Anyway prohibitedwish dark medieval mystery drama au. The story is interjected every so often by prismo and scarab arguing over what should happen next
#random thoughts#adventure time#over time scarab learns to accept when things dont go his way (especially when prismo has a very good idea)#and prismo gets help working through his depression through the beauty of creating with another person (euphamism for gay sex lol)#hey prismo why do you want to collab with scarab hmm? to create life with another man? pretty gay it does seem#anyway in the beginning they argue because scarab wants stuff to go his way#and prismo keeps bringing up bad ideas and wanting to put jake-esque characters in everything#prismo is. not very creative#anyway their universe ends up following a sheriff and a self-declared wizard in the late-12th century (so around robin hood times)#as the sheriff hunts down a group of bandits#(prismo ends up really liking the bandits and thinking the sheriff sucks balls for hunting them down and scarab's like you just dont get it)#the self-declared wizard is very much a conman hawking snake oil (i do NOT sound like that is. very commonly interjected by prismo)#there is no magic. prismo keeps trying to put magic in there. scarab keeps shutting him down#scarab ends up trying to kill off the wizard for a dramatic moment and prismo gets upset about it#'it's a tragedy! it's supposed to be sad!' 'but WHAT IS THE POINT??? it's just tragedy for the sake of tragedy!'#'if your plan this whole time was to make me upset then congrats!!! you made everyone's friend prismo upset. im gonna do something else now'#prismo disappears and scarab feels. bad. it doesn't feel good.#eventually prismo comes back in to apologize for getting too into the story and leaving in a huff and shit and surprise!!!#the wizard is still alive! scarab LISTENED and he CONCEDED and CHARACTER DEVELOPMENT BABEY!!!#now the ending of the story they were trying to tell is more bittersweet instead of a full-on 'everyone's dead or sad' thing#btw the sheriff and the wizard end up kissing and prismo and scarab are both VERY awkward about it#scarab still likes dark edgy stuff but he recognizes the universe he created with prismo is a SHARED project and he's been kind of a pill
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