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#i do think there is a lot of focus on only a specific kind of success- like the beyonce level of famous
ghouly-boiiiii · 2 days
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THE GHOUL: WHY HE'S HOT - (A SCIENCE!)
࣪⊹°˖✧ Welcome to a Powerpoint Presentation by Some Ghoul-Loving Freak ✧˖° ⊹
Why is The Ghoul hot? I think many of us who find ourselves swooning over this necrotic, murdering cowboy have been asking ourselves that very question lately. Is there something wrong with me? Do I need therapy? Will my friends ever look at me the same way again? Well my fellow ghoul lovers, you are not alone. And I am here to explain to you the exact reasons why this gun-slingin’, ass bitin’ baked potato with teeth has captured the hearts of so many... with science! (sort of) 🤠
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------(Spoiler warning... lots and lots of spoilers below the cut!)------
1. Walton Goggins… just Walton Goggins
I think we can all agree that the man behind the makeup and prosthetics is a large reason as to what makes The Ghoul so attractive. Walton himself is a very nice looking fellow, and he absolutely oozes charisma, both on the set and off. And for some reason decided to amp that up to 100 while playing The Ghoul. He managed to make Ghouly Boi likable and endearing, even when he's doing murdery things. So yeah, the dude's mad talented.
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"Strong enough to keep out the rads... and the reds." - Cooper Howard shooting a Vault-Tec commercial in episode 6.
2. The makeup artists knew what they were doing
Attempting to make The Ghoul “kind of hot” was absolutely intentional. There was serious discussion behind the scenes about how they could make The Ghoul attractive to viewers, despite him being… well… a ghoul. (So yeah, it is 100% the creators fault. They did this to us on purpose!) When creating The Ghoul’s design, they deliberately ghoulified features that weren’t that important for attraction and left the rest alone, or made them more accentuated.
For example, when it comes to the attractiveness of a male, specifically in the face, most people focus in on the eyes, lips, jaw and cheekbones, which they emphasized and brought out with the makeup. Things like the nose, hair and even skin can be safely tinkered with, and even with those they went pretty easy on. Many ghouls have cloudy or discolored eyes, but not Ghouly. (in fact, bro’s still got his eyelashes, lol) They also kept his ears, despite most ghouls’ tending to fall off just like the nose. His teeth are still intact, despite being rather discolored. And they even made his skin relatively smooth compared to most ghouls. (I’m willing to bet he gets made fun of in a lot of ghoul circles for being such a baby smooth smoothskin)
If the creators had made him any uglier - messed up his eyes, took away the ears, rotted out some teeth, or made his skin a lot more torn up - we might not be here right now. But the character designers and makeup artists were very intentional in his appearance, making him look rotten enough to be recognized as a ghoul, but not so nasty he’d be hard to look at. By keeping and even accentuating Walton’s eyes and bone structure, while giving the ghoulishness to other features, they managed to balance out the ‘yuk’ with the ‘hmmm… wait what?’ just right.
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"Sometimes a fella's gotta eat a fella." - The Ghoul to Lucy while munchin' on Roger in episode 4.
3. His charisma, charm and sense of humor
Look, Ghouly is charming as FUCK, okay? There’s no getting around it, so let’s just get that out of the way right now. He exudes confidence and beats you in the face with his overwhelming swag. He also has these… looks. Which I can only describe as “sexy” looks. I’m not really sure how to explain, but if you’re reading this, you probably know what I mean.
As mentioned before, a lot of this is just Goggins being Goggins, but the writing is brilliant as well. He definitely embodies that sort of hot badboy/outlaw/pirate sort of archetype that is often found in romantic settings/stories, so yeah. And also, who doesn't love a man with a great sense of humor? He's got all the best lines in the show and is just a joy to watch, even if it's just for the funny. Really, whoever wrote for Ghouly was a comedic genius, a gentleman, and a scholar. They should be commended.
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"I'd offer you one a' these cherreh tomaydas, but you got a hole on yo neck." - The Ghoul to some guy he just shot in episode 2.
4. He loves dogs
Okay, so yes, we all know he stabs Dogmeat in order to keep her from ripping his face off, which ALMOST ruined his character for me, but then he brought her back with a Stimpak and all was forgiven. I’m willing to bet he probably also tried to stab her in a place that he knew wouldn’t be fatal, and also his choice to stab instead when he could have easily just shot her, letting her get right up on top of him before doing anything to defend himself, shows his hesitation in harming a dog.
It’s clear that Coop has a lot of affection for dogs, especially when we see the flashbacks of him with his OG dog and how pissed he gets about not being able to bring him into the vaults. The way he handles Dogmeat with such loving care, and smiles with genuine joy as she leaps up off the table was one of the first moments to show that, underneath that hardened exterior, he’s still got a soft, squishy, gooey center (other than the rotting flesh, I mean).
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"Who decided that there were no dogs in the vault?" - Cooper to his wife upon finding out their dog Roosevelt wouldn't be able to go to the vault with them in episode 6.
5. He a genuinely good person, deep down...
Not only does he save the dog (twice), but Ghouly also did other things that were surprisingly unselfish and not awful. Does that make up for the bad shit he did? Well, no. But again, it shows that he’s at least not ALL bad, and that the man he use to be is still in there somewhere.
For example, he could have easily ratted out Lucy for busting up the Super Duper Mart, but he took the heat for it instead. And despite the fact that he shoots (and eats) Roger, he does seem to have genuine empathy for the turning ghoul. So his choice to kill him wasn’t completely selfish, but also an act of mercy. Roger was essentially dying anyway, and Cooper saved him from an arguably worse fate than death. He even took a moment to remind Roger of a happy memory before doing the deed, a scenario reminiscent of the book Of Mice And Men, when George shoots Lenny at the end after reminding him of their dream in order to save him from a worse fate as well.
And let's not forget that before the bombs dropped, Cooper struggled to even fake kill a man on screen while shooting a film, not wanting his character to go down such a dark path. This shows that he was once a man who lived by a code of morals and principals, so much so that just the idea of stepping outside of that made him deeply uncomfortable, even if it was just pretend. This is why Cooper gives Lucy the line, "Oh, I'm you, sweetie. Just... give it a little time." Because he sees himself in her, or rather the person he used to be.
One of the things I love about how Cooper’s story is told is that we get to see his present and past self right away, juxtaposed against each other. His backstory isn’t revealed as a surprise later on. Instead we really get to see up front the complexities of his character that make him so compelling. He’s not just some heartless killer. He’s like this because he’s been through so much pain, and pushed to the point where he was forced to become something he's not in order to survive and carry on. Because of this, it makes The Ghoul a lot more likable and relatable than he would have been otherwise. It also kinda lets you put yourself in his shoes and ask yourself what you would do if you found yourself in his position. Actually brilliant writing, in my opinion.
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"Do I have to kill him?" - Cooper to the director of the film he's shooting in Episode 3.
6. That tragic backstory
This is where the character of Cooper Howard really got me in the feels. Not only does Ghouly love dogs, but he loves his family too. And it’s revealed at the end of the season that even after 200+ years, they are still on his mind. He’s spent over two centuries looking for them, and putting himself through absolute hell, because he loves them that much. And not just his daughter, but his wife as well. Even though they had gotten divorced, presumably because of what he learned at the end of the season. Maybe he’s even hoping his old dog is still alive somehow, although that’s admittedly very unlikely...
So... you know what that means... Although he’s done horrible things, Cooper is a man driven by LOVE. He's stayed alive because of LOVE. He does these bad things because of LOVE. He’s become a monster IN THE NAME OF LOVE!!! It’s all about the power of LOVE, you guys. Call it cliché, but if that isn’t romantic as hell, I donno what the fuck is, ladies.
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"Now, I've waited over 200 years to ask somebody one question... Where's my fuckin' family?" - Cooper to Hank in Episode 8
In Conclusion
So yes. He's ugly. He's mean. He's murdery. Kinda toxic AF. But that doesn't mean he can't also be a sexy motherfucker as well. 👍
He's a fictional character. It's a fantasy, and fantasies are allowed to be kinda fucked up. 😃 Hey, don't ask me why humans human the way we do. I didn't make us, so I don't know. It's all in good fun though, so let's just enjoy ourselves and try not to think too hard about it, eh? 😆 (So says the person who literally just wrote a fucking essay on the subject)
Alright, well... I guess that's about it. Thank you for coming to my TEDtalk. I hope this helped anyone who was feeling their sanity slip a little bit (like me 😃). Refreshments and resources are at the back. Exits to your left. Have a lovely evening and please excuse me while I drop my mic and go find myself a fuckin' gin martini. Team Ghoul Forever, baby! 🤠
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sixteenstrikes · 5 hours
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PLEASE talk more about DurgeWyll and Hozier, PLEASE... I am rotating the songs you posted and the vision is so good
thank you for asking me :) (the doors close sealing you in the crypt)
i joke. ok first of all i need to cite ten @bladesmitten as a resident durgewyll expert and direct you to his blog... she's written some incredible fic & analysis of the durgewyll romance and made a lot of gorgeous wyll edits and art in general, can't rec his blog enough.
i have sadly never played through the durgewyll romance & only watched it so there are undoubtedly story details i am unaware of. alas i have only played the tav version of his romance so far
some spoilers for durge beneath the cut. i tried to be vague but a warning there. also i didnt stick my oar into unreal unearth or any of the adjacent eps for that album .. sorry
all that being said here are my 2 cents
i think the main draw for picking hozier songs for durgewyll is that incredibly sexy dynamic they have of being each other's foil as well as each other's love interest. both wyll and durge are bound to an inescapable doom within the story: to pay with their body and soul for the fate of baldur's gate. durge must destroy it to please their father, wyll must save it. (wyll's saved it already, at the cost of his soul, and durge has to sacrifice their soul to destroy it as (redacted), but i wont go further on that tangent lol. its fascinating though.)
i think a core concept of wyll to focus on here as well is his faith. in his act 2 dance scene, in response to one of the dialogue options, wyll replies that he 'still keeps faith in the old tales of true love'- this is crucial. wyll is the man to whom the gods gave a cold shoulder. he has no love or faith for them. but he keeps faith in the old tales- he keeps faith, specifically, in durge.. 'his greatest adventure'.. and if durge chooses to resist their father's authority, they spurn a god for wyll's sake. there's an incredible amount of mutual devotion there.
there is also the monster hunter/monster dynamic. i haven't delved into it much here bc i am more interested in how eerily wyll and durge parallel each other as twin mirrors and exiles from the gate, the light and dark sides, sharing almost a common doom, trapped in the long shadows of their fathers.... man. but the monster dynamic should absolutely be examined and explored, it's fascinating. i think it's another compelling aspect of wyll's character. he's a man with a lot of resonant contradictions. a monster hunter who refuses to hunt the monster of baldur's gate and instead severs them from the one who made them .... a monster hunter who holds out his hand to the monster he is supposed to kill... wyll's love of the mysterious and strange and his kindness, i think, predispose him to see durge as an ally and a friend. not from naivete, but from an open heart
my hozier picks for durgewyll overall:
it will come back - i love the way the view shifts in this. one of my top durgewyll picks for the way it evokes a lot of the horror & tragedy that wyll looks into and doesnt flinch away from & the hunger durge has toward wyll extending his own lonely & friendly hand
shrike - i see this as primarily from durge's view. picked for the devotion & regret
NFWMB - applies beautifully to both of them. theeeee durgewyll song to me from andy's works... consider the lyrics from both person's perspective to feel the world open beneath your feet lol
as it was - ditto, i think it encompasses both perspectives. also one of my favorite songs he wrote so im biased lmao. i think this is another very resonant choice for the durgewyll dynamic
like real people do - feels an overly obvious pick but it could work especially well for a resist durge
no plan - could be an intriguing choice. i can't quite swing it but some of the lines in this for durgewyll... i like them...
you could definitely make a case for from eden for another from durge's view. gives me a feeling of a durge who's not resisting but idk
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holyshit · 1 year
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#'no need to post' anon#yeah like you said in your second ask i think most of the criticism right now is based around them being very lazy and relying on fans#to do the work they should be doing#even if louis doesn't personally want to go on a press tour right now- there is still tonnnns they could be doing that don't require his#active participation#but instead of investing resources into him and his career and do that work#they instead just keep falling back onto the fans to do everything which is always gonna result in very limited reach#so i do very much agree with the criticism people are throwing at his team right now#but regarding what you said- i agree as well there#i do think there is a lot of focus on only a specific kind of success- like the beyonce level of famous#which is not at all what everyone is gonna want#i do think louis wants to be successful and he's said as much#but everyone has different parameters for what they consider to be success#for their own life and their own comfort and downtime#like as someone who partially owns a small business- i have absolutely no desire to make my business a multi-million dollar affair#i want it to stay at a certain level that allows me to still be in control of it#where i get to live a comfortable life and maintain my business at a manageable level that doesn't take away all my free time#i'm still ambitious but ambitious within the parameters of the kind of 'success' i want#and i think it's weird when people act like i'm not ambitious or driven because of that#and i think people often views it in a very black and white way- either you don't care at all or you want to be the biggest artist in the#world#which i think is a narrow way of seeing it#none of us truly know what kind of success louis wants. i think he does want his music to be heard and i do think he wants to continue#growing his fanbase and his live shows#based on what he's said. i think he's ambitious and driven.#so i think his marketing departments need to get off their asses and do more#but do i think he wants to be the biggest artist in the world and constantly be on press tours? not necessarily. maybe. idk.#but i don't think that should be the only barometer people use when judging what success is. it varies a lot from person to person.
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hitroow · 11 months
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I just had the sickest idea.
#okay so. what do Dracula Frankenstein and Jekyll & Hyde have in common#they all (sorta) take place in england#Jekyll & Hyde quite literally takes place in London#Dracula is kind off complicated geographicly but from my understanding at the time it was England so#Frankenstein takes place in germany but it also changes a lot#specifically when Victor and Henry go on a trip to england this will be relevant later#now what if i told you#that all of those events would take place at the same time#all of the stories would happen pretty close to canon up until a certin undetermined point where the stories would convergence#and then#and then it will become a battle royal.#this idea is so fuckinf cool#like. a battle between the most famous Fictional horror characters who just so happend to all be in england#and i used those characters as example cuz they're the only ones i know but. it would be so sick if there were others who fit the criteria#i will research#i want it to focus of the horror (esque) characters but having a slightly less important sherlock holmes be there as well?? fucking sick#oh yeah and all the characters are book accurate#mainly because i think it would be so funny if Frankenstein's monster was just kind of there and very much did not want to be involved#while Victor would live up to his name andact as the fictional horror rep of Frankenstein#also each character would have a small supporting cast from their respective books#imagine. imagine Elizabeth and Mina interacting#what sort of mischief would the time appropriate mysoginist caricature of the protagonist wives be up too i wonder#they would be besties#perhaps more#Emma fits here as well but i feel like she could get along with Frankenstein's monster pretty well#like the vibes and stuff idk#omg Jon and Victor interacting#omg Jon and Henry interacting#ran out of tags oof but like. this is so cool. it's so sick. i wish i was good at writing then i would have written this and became famous#i lovee making unrebloggeable posts it's my favourite think to do ever
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thethingything · 2 years
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I think I've finally got the hang of Sylvain's productivity method of "open too many tabs and wildly jump between tasks as you follow whatever your brain decides to do in the moment" and you'd think given how chaotic yet simple this method is that it would work all the time but nope, apparently our brain has to be in the exact right state for it - 🍬
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steddieas-shegoes · 2 months
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for @thefreakandthehair (and @vecnuthy and @wormdebut while we’re at it) because sometimes you help a baseball player through French class so they can stay on the team and then they end up on the Savannah bananas and you decide to put the fictional men into situations about it *shrugs*
Eddie was going to have to transfer out of this class. This was one of his easiest classes and it was filled with every jock on campus attempting to fill their foreign language requirement with French.
And they were all failing. And annoying. And obnoxious.
And a few of them were also hot.
But Eddie wasn’t gonna focus on that!
He was gonna finish today’s assignment and then head straight to the advising office to find another class that worked with his work schedule.
“Hey,” the guy next to him whispered as the teacher droned on about conjugating verbs. “Do you have any idea what the fuck the homework was?”
Eddie turned to glare at the person, but his face dropped when he noticed who it was.
The campus celebrity: Steve Harrington.
Couldn’t quite make it on the college baseball team, but managed to make the sort-of professional, but mostly joke team Hawkins Hooligans.
Eddie didn’t like sports, never had. He could appreciate that it took skill and whatnot, but he didn’t care much to watch it or make celebrities of people who were just really good at one very specific thing usually involving some kind of ball. But he could appreciate a joke. And this team had jokes.
Steve was actually apparently good enough to play pro, had even been scouted by the MLB his senior year of high school. One week before his professional tryout, he tore a muscle in his shoulder, had to sit for three months and had to do physical therapy for another three, and voila! No pro ball for him. No college either since he missed spring training.
But he still had skill, and he still had a father with a lot of pull in the business, even if it wasn’t quite enough to get him on the Yankees or whatever.
So he was biding his time on the Hooligans until next year when he could try out for the college team again, maybe increase his chances of a real pro career.
Eddie definitely hadn’t watched videos of him during their first few games of the season where they faced the Indy Idols and the Chicago Charades.
He definitely hadn’t gotten a weird flutter in his stomach when Steve had been the one to lip sync to Hot For Teacher while pretending his bat was a guitar.
He definitely didn’t have a crush on Steve.
“Uh. Dude?” Steve asked him again, shaking him out of his thoughts.
“Yeah. It was the study guide for the first quiz. Not due until next class though,” he whispered back.
“Oh. Thanks.”
Eddie turned his attention back to the professor, not really needing to pay attention since he already knew quite a bit of French.
A tap on his shoulder made him yelp, and the entire room turned to him. He waved apologetically before turning to Steve with a murderous look.
“What?” He hissed out.
“Do you understand this?”
“Yes and you probably would too if you stopped talking to me.”
Eddie was ignoring the voice in his head screaming at him to let Steve keep talking to him for as long as he wanted.
“I don’t think that’s it,” Steve huffed before sitting back in his seat and folding his arms across his chest. He mumbled something else that sounded like ‘I’m just stupid’ but Eddie couldn’t be 100% sure.
“A lot of this stuff is just English spelled a little differently.” Eddie sighed. “You could almost definitely figure it out if you took some notes.”
“Yeah, probably.”
Eddie’s brows scrunched together as he glanced at Steve’s red face.
Hm. There was definitely something to unpack here.
“You can borrow mine if you want,” Eddie offered as he watched the professor switch slides on the presentation. “I don’t really need them until the final.”
“Oh!” Steve sounded genuinely surprised by his offer, like he hadn’t been basically asking for help only a moment ago. “You don’t have to do that. I mean, it wouldn’t do much good for me anyway.”
“What do you mean?” Steve had Eddie’s full attention now.
“I’m. I-“ Steve sighed. “I’m dyslexic, man. Reading’s hard for me.”
Well, fuck. Eddie felt like an asshole now.
“Oh.” Eddie looked down at his scribbled notes, cringing at the thought of someone else trying to read them, let alone someone who already struggled with reading from a printed page. “Yeah, my handwriting is shit so it’d probably be useless to you. Shit, it’s almost useless to me.”
Steve snorted, immediately covering his mouth to avoid any more noise from escaping. Eddie could see he was still smiling though. His eyes were very expressive.
“Don’t you have accommodations?” Eddie asked him.
“Nah, my dad doesn’t believe it’s a problem.” Steve rolled his eyes. “Said I just need to focus more and it’ll ‘work itself out.’”
“He sounds like he’s a lot of fun at parties.”
Steve snorted again. “Yeah, a blast.”
“So you aren’t a natural at French?”
Steve shook his head. “I’m barely a natural at English.”
“I could help you?” Eddie was an idiot. An idiot with a crush on someone who would never be interested in anything he had to offer except tutoring.
“Help me? You’d help me?” Steve seemed eager, maybe a little desperate.
Eddie kinda liked that.
“I mean, yeah. If you’re actually willing to put in the work and not expect me to just do the work for you.”
Steve smiled. God, that was a nice smile. Eddie was absolutely fucked.
“I work well with a reward system,” he smirked. “If you’re willing.”
Eddie’s eyes widened momentarily as the realization sunk in that he’d just been flirted with.
By Steve Harrington.
“Oh, I can definitely work with that.”
Steve nodded once, grinned at Eddie as he picked up his pen and ripped off a small piece of his unused notebook paper. He scribbled something down and folded it once before handing it to Eddie.
“Let me know when I need to show up, Eds.”
Eddie unfolded the paper and nearly dropped it.
Stevie H. 555-555-0086 My dorm at 7? No clothes required
When Eddie looked back up, Steve was facing the front, seemingly paying attention to the lecture.
Eddie quickly pulled his phone from his pocket and put Steve’s contact info in. He could wait until after class to send him a text. He could.
Instead, he typed out something quick to hold them both over until later.
Studying naked is my favorite thing 😉
Steve’s knee nudged against his in response.
Maybe Eddie wouldn’t take that trip to advising after all.
And if he was featured on the next TikTok for the Hawkins Hooligans, with Steve fake serenading him in the stands, nobody had to know he didn’t really like sports.
He liked Steve, though. Even when Steve actually managed to play real competitive baseball. Even when Steve managed to get a spot on the Cubs.
Especially when Steve proposed to him during a game in maybe the worst recorded French of all time.
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harmoonix · 5 months
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Short solar return observations
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H a r m o o n i x
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*This chart has nothing to do with your natal chart, Solar return charts happen every year *only* after your birthday. Not before, so make sure to make your solar return chart only after your birthday has passed* 🪽☀️
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Saturn in the 7th house = Relationships can be a struggle or hard to understand for you this year. You may spend some time alone thinking of your past relationships and healing yourself (for those who may have been broken up)
Sun in the 1st house = You got a lot of focus upon yourself this year. You may shine this year and everything looks nice for you
Pluto in the 4th house = Maybe moving from your home/house somewhere else? Intensity and changing in your family members lives
Venus in your 10th house = You can experience a good glowup this year. Maybe at your job or workplace (if you work) maybe you met a lover this year at your job
Mars/Lilith/Saturn or Pluto in the 11th house = May bring fake friends or arguing with your friends a lot this year, be careful to not get betrayed by friends
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Sun in the 6th house = You have to focus a lot on yourself this year, maybe on your needs and on your health is very needed. You may also look for a job to work for or you may adopt a pet
Moon in the 8th house = You can find yourself being very intense and moody this year, you may be surrounded by people who have been hurt by others this year and you can help them
Uranus in the 7th house = You can met unexpected people this year, or even having relationship with them. It may be any kind of relationship. You can end up with an unexpected circle of people
Aries/Leo Moon = You can gain a lot of confidence this year, trusting yourself more everyday and get stronger day by day
Gemini Rising/Mercury/Moon = You can find yourself being more communicative and more social this year, you can end up with having good conversations with others and gain a good social life
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Sagittarius Mercury in your Solar Return chart can indicate learning a new language or having a passion towards learning a new language in that year
Having your solar return chart with the same placements as you natal chart can indicate that the specific year may be an easy year for you
Pisces Moon/Venus in your solar return chart can indicate a lot of love towards your passions, whatever passion you have make sure to follow it and to complete it
Leo Rising in your solar return chart can indicate a big glow up about the way you view yourself in that specific year, you can change a lot of things about yourself
Aquarius Venus or Aquarius in the 7th house can indicate meeting a lover online or having an online relationship that year, maybe even making friends in online
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Cancer Moon/Cancer Rising can indicate spending more time with your mother in that year, like having a good bound between a mom - child relationship
Jupiter in the 9th house in your solar return chart can indicate good grades in your school. Having luck at your school/highschool/university etc but also traveling a lot in that year
Venus - Chiron aspects in your solar return chat indicate healing yourself and the traumatic episodes that may happened in the past.
Saturn in the 1st house = Can indicate a fear about their appearance or maybe an insecurity about the way they look, you'll improve yourself a lot when you have this placement in your solar return chart
Virgo Moon/Virgo Rising can indicate that you may tend to focus on work and on your health, but also you can be quite criticizing that year, you can blame yourself a lot when you have this placement
Aries/Mars in the 4th house = Intensity around their family, you may have arguments often in your house but there can also be that you spend less time with your family that year
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Sun/Venus in the 11th house= Attracting a lot of friends or you just tend to be more into friends relationships in that specific year. Good relationships
If you work or have a job and you have Venus in you 2nd house in your SR chart you can make good money that year, you can actually be blessed financially
Jupiter in the 11th house can indicate a desire that may come true year. 11th house is also the house of desires/wishes and Jupiter will expand that way more
Pluto/Neptune in the 12th house in your SR return chart can indicate you can experience weird dreams that year, some of them can be signs from your spirits
Sagittarius Moon in your SR can mean that you may start a journal/album that year, the subject can be about whatever happens in your life in that current year
Lilith in the 1st house in your SR chart can attract a lot of envy from people that year, you may look very attractive in this specific year and that can create envy around you
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Jupiter in the 2nd house in your solar return chart can indicate having luck with money and your finances.
Hekate (100) in the 12th house in your solar return chart can indicate you can have a very powerful intuition that year or you can be more aware of your spirituality
Pluto/Lilith in the 6th house can cause questions about your health in that year so if you have these placements in your SR chart make sure to call a doctor for a body check
I have seen people worrying about having Jupiter in the 1st in their SR return charts saying they can gain weight, which at some circumstances it can be right but it can show a good development of your personality that year
Moon - Saturn harsh aspects in your SR return chart can indicate being a bit anxious that year about some specific thing happening in your life or a fear that you have to let out
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Mars - Moon aspects in your SR return chart can mean that you may develop string emotions like anger and frustration that year. You may need to calm down a bit when it's happening in that year
Mercury in the 5th house = Can be a good year to make a good impression about yourself in case you had bad impressions in the past
Sun in the 7th house in that year can prioritize relationship a lot, you may met someone who you may prioritize or be obsessed with that year
Mars/Saturn in the 1st > If you decide to do gym in this specific year, it can help you to gain some muscles easier, also a lot of personality development
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✦ ✧ - Good day to everyone, have you ever checked your solar return? Your solar return will predict what happens in that specific year for you, and here I made some observations of some placements I met through some people charts, there are not quite a lot but I will make more parts of this in the future 🔜✨
✨ Have a blessed day and a very very very warming mood to be around you during this wonderful day ✨
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introboy · 4 months
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So so excited to share my @mcytblrholidayexchange gift for @follow-the-compass-home! My concept was to combine a bunch of prompts together into one AU.
The premise is a modern-fantasy roommate situation where Tango, Bdubs, and Etho live together in an apartment. The only issue is that none of them are human, but they're all trying desperately to blend in, even though they don't really understand humanity as a concept.
More information can be found below the cut, and an introductory fic snippet can be found here (x)!
Downstairs Neighbors AU
Prompts used as inspiration:
Focus on Tango, Etho, and Bdubs
Include Boatem
Story told from Grian's perspective
Hybrid/inhuman AU
Angst with a happy ending
Emphasis on character dynamics
Here's a summary!!!
Tango, Etho, and Bdubs found each other by looking for roommates on Craigslist. They live in a 4-bedroom apartment together.
Tango is a spirit who wanted to interact with the world in a physical sense, so he built himself a body. He's basically just a ghost possessing an android (but unlike ghosts, he was never alive; he came into being as a fully-formed spirit). He doesn't adhere to normal bodily necessities like food, water, or sleep, which is convenient but also heavily concerning from an outsider's perspective.
Etho is a specific kind of shapeshifter called a mimic. He doesn't have a true form, but can copy the shape and mannerisms of most living creatures. The only constant across all of his appearances is a scarred left eye and white hair. Unfortunately, it takes practice to nail specific species characteristics, so he often forgets what he's supposed to look like and falls into uncanny valley. He wears a mask to cover his more noticable facial slipups.
Bdubs is some sort of plant creature (he doesn't really understand it himself). He has a perfect internal clock and sleeps, without fail, for 12 hours every night. He spends a lot of time in the unoccupied bedroom-- he uses it as a makeshift greenhouse, and it's filled with grow lights and humidifiers. He loves taking care of houseplants, but it's also a cover for him to spend time under the grow lights. Without enough light & water he gets lethargic.
Bdubs, Etho, and Tango, henceforth referred to as BET, all assume that the others are human. But since none of them know how to act human, they continuously pick up stranger and stranger habits from each other.
BET are close friends with Impulse & Skizzleman, who live together across the hall. Their upstairs neighbors are Grian, Pearl, Mumbo, and Scar, who are also besties with Imp & Skizz. BET and Boatem don't know each other well, but Grian especially thinks his neighbors are really odd.
Like BET, Grian is not human, and neither are the rest of his roommates. But they all know about each other, and Grian especially is really good at knowing how to act natural in public places. He's an avian shapeshifter, who can take the form of either a scarlet macaw or a human. Unlike Etho, both forms come equally naturally to Grian, and the shapeshifting process is a lot easier for him.
(Imp & Skizz are not human either-- they are a demon and an angel respectively. But, like Grian, they're really good at blending in when in public.)
One day, Grian gets injured on a flight and accidentally ends up on BET's balcony instead of his own. He's too disoriented to shift back into his human form or fly away, so Bdubs and Etho find him outside their door. Tango calls Impulse over in the hopes that he knows how to fix the random-injured-parrot crisis, but the only result is that Grian and Impulse start to truly take note of how strange their neighbors' living situation is. Incidents like the one pictured above arise (i.e. everyone finding out that there is not a singular scrap of food to be found in the entire apartment).
Ok that's all the rambling I'll do in this post, but I hope you enjoyed! Happy holidays!!
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tropicalcryptid · 6 months
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Ok so She-Ra pulled such a great hat trick with Hordak's characterization, and I LOVE it
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One of my favorite things about 2018 She-Ra is Hordak's story and development (and Entrapdak cough but that's not the point of this particular post), and the cleverest thing is that so much of it is actually being set up and told to us in seasons 1 and 2 before we even realize that that's what's happening.
When we first see Hordak in the show, he's giving "generic evil overlord" vibes. Garden-variety baddie. Maybe a little more reasonable than some and clearly capable of long-term thinking, but that just serves to make him intimidating. Everything about him--the way he runs his empire, his armor, his color scheme, his minion, his Villainous Eye Makeup(TM), even his name--are all projecting to the audience "yup, Acme Bad Guy here. Move right along."
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But then, backstory. And everything snaps into focus. Not only is it one of the first big oh SHIT moments of the show, where we suddenly zoom out and realize that there is SO much more going on than we realized--it's also the start of the audience seeing Hordak as a character rather than an archetype. Suddenly we realize that he's not conquering Etheria because he wants power, or hates happiness and sparkles, or whatever--he's doing it out of a desperate attempt to prove his worth to his brother/creator/god. This moment where Hordak lets Entrapta in is also the moment the show lets us in on what makes our favorite spacebat tick.
On top of that, we've also seen him bonding with Entrapta and opening up to this person that he respects and trusts...probably the only person he's ever respected or trusted apart from Prime. And she's Etherian--someone of a lower species, someone he's supposed to subjugate, someone who he has been raised and trained and programmed and mind-controlled into believing is below him in every way.
But instead she's brilliant and creative and mesmerizing. She's not afraid of him, and she's fascinated with his work. For the first time since being abandoned by Prime, Hordak finally has someone that he can talk to, who is on his level and both understands and cares about the science! (because he is a giant nerd). She's kind to him, a mere defect. And it just sends his whole worldview into a spin, and that's all before--
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Bam, mans is a goner. Entrapta's "Imperfections are beautiful" comment punches right through all the toxic bs that Hordak has been steeped in his entire life. You can see on his face here--I think it's the moment Hordak fell in love with Entrapta, but this is also the face of a spacebat reevaluating his entire worldview. If Entrapta, who is amazing, believes something different from Prime...what does that mean? If Entrapta, who is brilliant, believes that he is worth something, and that she herself is a failure...
Well. We know what happens after that, and how Hordak begins to doubt, and eventually fights back against Prime (and remembers his love for Entrapta after TWO mind wipes help my heart ack). But we also get to see what life in the Galactic Horde looks like: the only life Hordak ever knew before coming to Etheria.
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It's not nice.
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It's really not nice.
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Prime operates in a very specific way, and we learn a lot about it in season 5. Prime expects complete obedience, devotion and worship from his clones. He allows no individuality from his subjects, not even a name. Failure or deviations are punished, mind-wiped, or destroyed. We even learn from Wrong Hordak that facial expressions are considered a privilege reserved for Prime (apart from, presumably, expressions of rapture caused by being around Prime).
And once we learn all of this, suddenly thinking about season 1 Hordak becomes very interesting indeed. The time we spend with the Galactic Horde and Prime throws absolutely everything that we know about Hordak into a whole new context. Now all those traits that made him a generic villain are actually hugely effective characterization! And what that characterization is telling us is that Hordak had already moved much farther away from Prime than we (or, probably, he) had realized, even long before he met Entrapta.
Horde Prime does not allow his underlings to have names, personalities, or any differences of appearance. Not only does Hordak allow this among his own troops, he chose a name for himself as well! Season 5 tells us that his very name is an act of blasphemy against his god. And yet Hordak took one for himself, and that name is part of the core identity he is able to hold on to when rebelling against Prime.
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Horde Prime cast Hordak out when he showed signs of physical imperfections. Hordak not only keeps Imp (who is by all appearances a failed clone or similar experiment) around, he treats Imp more gently than we see him treat anybody or anything before Entrapta. Imp is not simply "generic evil guy's minion," he is proof of Hordak's capacity for compassion, and evidence that Hordak cannot bring himself to cast aside "defects" as easily as Prime. Considering where Hordak came from, Imp's existence is a huge, flashing neon sign telling the audience this guy here is better than the hell that molded him, and we don't even realize it until 4 seasons after it's been shown to us!
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Very cool, ND.
There's more, though. Hordak's red and black color scheme? His dark eye makeup and lipstick? Very Evil Overlord chic. But nope! Actually these are actually expressions of individuality on a level that Hordak knows would be abhorrent to Prime!
Reading between the lines, I see this as Hordak desperately trying to reconcile two diametrically opposed beliefs in his head: (1) devotion to Prime, whose approval he desperately craves, and (2) maintaining some degree of unique personhood, of Hordak, from which to draw strength. Because a failed, defective clone cannot survive on a hostile world, cut off from the hivemind and from Prime's light. A failed clone cannot create an empire to offer Prime as tribute, nor build a spacetime portal from scraps and memory to call Prime back. A failed clone cannot create cybernetic armor to keep his hurting, weakened body alive; to force himself to keep going no matter what, to fight through the pain and the doubt by sheer force of will.
But maybe Hordak can.
And so there it is. Hordak had plenty of time to gain and explore his individuality while separated from Prime, but I think the reason he did it so effectively (while still deluding himself that Prime would forgive him for these little sins, if only Hordak could prove his value) is because he had to.
Wrong Hordak gained his individuality surrounded by kind, quirky people who took care of him; Hordak was ripped from the hivemind by Prime himself and had to fight for his survival against all odds. And that produced a dangerous and damaging foe for Etheria. But it also produced the one clone with the strength of will to defy Prime himself.
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This is long and rambling, but ultimately my point is that 1) I love Hordak, and 2) I love love love love that the show was so clever about his characterization. We learn so much about him and how much progress he's already made in breaking from his psycho abusive cult upbringing, and we don't even recognize it until the show wants us to. Hordak had come so far, all on his own, before he met Entrapta. She just helped push him over the edge and finally realize (at least consciously) that Prime's worldview might not be the correct one.
Idk, I just don't know if I've ever seen all the trappings of Basic 80's Villain(TM) so successfully subverted, where looking back 4 seasons later is actually a smack in the face with the "effective character building" stick. Amazing.
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lurkingshan · 5 months
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Japanese BL Starter Pack
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It’s been awhile since I dropped a rec list, so I am here today to share one that is very near and dear to my heart—a Japanese bl primer for those who are new to the jbl game. I created this for @neuroticbookworm to help her on her journey when she decided she wanted to start getting into Japanese works. The fandom (on Tumblr and generally) tends to focus primarily on Thai shows because they are the easiest to access for international fans, since Thailand is working its way toward world domination via ql media and wants us all to be able to watch. But there is a lot of great stuff to watch beyond the easy access Thai channels, and Japan is the country where this genre originated, so its shows are important for anyone who considers themselves a bl fan. Japan doesn’t cater nearly as much to the international audience so tracking down the shows sometimes takes some ingenuity and can-do spirit, but that’s part of the fun!
And so, the list! Bookworm is about halfway through it and having a ball, so I figured it was time to stop hoarding it and share it with anyone else who would like to dip their toes into jbl and isn’t quite sure where to start. A few notes: 
I am not here to teach you about the deep roots of the jbl genre or give you a primer on yaoi manga. I am by no means an expert and there are other places to find that information. Start here with this great post by @nieves-de-sugui and then maybe wander over to @absolutebl to read up more on the evolution of the genre.
This list is by no means an exhaustive accounting of every important Japanese bl ever made; it is simply a nice sampler platter of the cream of the crop among various styles you will find in jbl. Watching through this whole list will not only expose you to some fantastic shows, but also give you a sense of what makes jbl unique and how the country’s style differs from others, and point you toward the types of jbl you’ll like most (they tend to put shows in pretty specific style and tone lanes and once you find the ones you like there are lots more where that came from). 
If you’re coming to this post as a jbl lover and you don’t see your favorite here, I promise it’s not because I don’t love it very much; I simply had to make some choices to get this down to a reasonable shortlist. Feel free to leave extra recs for others to find! 
I’m putting these in a loose suggested watch order that will take you through the various jbl lanes in a kind of popcorn style, because I always think it’s good to change it up so you don’t get too stuck in one mode, and it works its way up to most of the extremely Japanese stuff (you will know what that means by the time you finish). But do what’s in your heart and change up the order if you want, friends, I am not the boss of you! 
Cherry Magic (Crunchyroll or grey)
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I believe everyone on Tumblr is pretty familiar with this one, which is not a coincidence—this is one of the most accessible jbls. Not in terms of actual access to watch it, mind you (we’ve all jumped through shady internet hoops to watch it) but in terms of its content and style. Cherry Magic is a classic workplace romcom with a magical twist, and it is charming af. It’s a great exemplar of Japan’s light and zippy comedy lane for bl—a lane in which, importantly, the romances stay chaste even when the actual plot is about sex, or lack thereof. My friend @waitmyturtles would kill me if I didn’t make sure you know that Cherry Magic also has a lovely follow up film. And bonus: there is now a Thai remake airing so if you watch the original you can get in on the discussion about the different adaptations between countries. This is pretty easy to find these days in all the usual places, but I strongly recommend watching it here.
Old Fashion Cupcake (Viki)
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Moving on to a slightly more mature workplace romcom. Old Fashion Cupcake, another Tumblr favorite, is an age gap boss-subordinate romance, and it’s both very adult and somehow wholesome af at the same time. Sure, there is a lot of carnal desire going on here, but there is also a lot of wooing via fluffy pancakes. It’s a tight five episodes and a fantastic example of what Japan, with its extreme technical precision in writing, directing, editing, pacing, and acting firing on all cylinders, can do in two hours. There’s not an ounce of flab on this thing and you’ll want to watch it over and over again.
Utsukushii Kare (Viki)
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Time to get a little weird! Weird is a key feature of Japanese media, and lots of jbls explore unusual relationship dynamics rooted in complex psychology. This is the first show on the list that will likely feel very Japanese if you’re new around here—my advice is to lean into it and finish the show, even if you get uncomfortable along the way. In Japanese media, discomfort always serves a purpose. This is a high school story with a twisted relationship at its center, and I’m not saying any more than that. Don’t spoil yourself and go watch it! This one also comes with two sequels—one short second season and one movie—that continue from the original story. They are less essential but still excellent.
I Cannot Reach You (Netflix)
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Next up, another high school tale, but with a totally different vibe. This show is kind of a revelation in its willingness to tell a story about overwhelming desire—including sexual desire—with young protagonists. It’s rooted in a classic but often misunderstood trope, friends to lovers, and takes the angst of it seriously, giving us a low stakes story that feels extremely high stakes to our leads. It’s also gorgeous and uses a classic Japanese visual style (bokeh) that you’ll be dying to learn more about. 
His (Viki)
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Time for a break from high school, and we’ll sprinkle in a movie for some added flavor. His is a jbl film featuring a second chance romance between a stoic, introverted man who moves to a remote town to start over, and his ex-boyfriend who follows him there unexpectedly, adorable child in tow. Importantly, this movie does not take place in what we often refer to as the “bl bubble” where homophobia doesn’t exist; the leads’ experiences of being gay men in a homophobic society are hugely important to the plot and themes of the story. It’s a beautiful film and I’ve lost count of how many times I’ve watched it. @bengiyo would surely also like me to tell you that this film follows a brief prequel show called His: I Didn’t Mean to Fall in Love about the characters originally meeting in high school; I do not think it’s really necessary to watch it but completists can start there.
The Pornographer series (Gaga)
By now you should be ready to get into some classic Japanese fucked up psychosexual material, right? Right! The Pornographer series is told in five installments in this order:
The Novelist, a six episode miniseries
Mood Indigo, a six episode prequel series
Spring Life, a 15 minute short
Pornographer: Playback, a two hour film
Spring Life Continued, a 15 minute short
Confused by that distribution model? So say we all; sometimes Japan likes to make us work for it to make sure we really appreciate its many gifts to us. The story across these installments is about a very difficult to love protagonist, what makes him the way he is, and the also-unhinged-but-in-a-different-way man who finally gets through to him. It’s an extremely satisfying love story and one of the best character arcs I have ever seen, full stop. For this one, you’ll want to just pull the word problematic out of your pocket and store it in a drawer; nearly everything that happens in this story is problematic and that’s the point. Lean in! All of these installments except for the film are on Gaga, if you get that far hmu and I will supply you with the final puzzle piece.
Our Dining Table (Gaga)
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You could probably use a break after those last two, so it’s time to shift over to a heart-tugging twofer: family trauma mixed with the cutest shit you’ve ever seen. ODT is an example of another classic type of Japanese show: the food drama (you will see the GOAT in this category at the end of this list). In Japanese culture, food is love, and the act of preparing food for your loved ones is a common path to romance. You’ll love this story about an isolated office worker who meets a pair of brothers, learns to cook as a way of connecting with them, and begins to heal from his own trauma as a result. The image above is a scan from the manga, which @troubled-mind curates to make extremely cool comparison sets like this one. Many jbls are faithful adaptations of yaoi manga source material, so it’s good to have a bit of familiarity with them.
Minato’s Laundromat (Gaga)
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Japanese media loves to explore taboo, and often manages to do it in a way that is surprisingly light and chaste. This is an age gap romance between a teenager and his adult neighbor that explores internalized homophobia, emotional repression, and falling in love across seemingly impossible social chasms. It’s also a great example of old school yaoi seme-uke dynamics that still show up across the bl genre. Also, take my advice: end your journey with this one with the first season and just pretend season 2 doesn’t exist.
Eternal Yesterday (Viki)
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Remember what I said about weird? Time to do that again, but with a heaping dose of grief and pain on top. It’s not a spoiler to tell you this show involves a major character death; a major character death is, in fact, the root of the entire story. This is a magic realist tale of first love turned tragic, and it will hurt and heal you. It is one of my favorite dramas of all time.
Restart After Come Back Home (Gaga)
And now for a break for your poor exhausted brain. This film is basically the jbl version of a Hallmark original movie, about a city boy who goes back home to the country and falls in love with a total sweetheart while working together on a farm. Enjoy it, bestie, you’ve earned it! 
Tokyo in April Is… (Gaga)
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You’ve probably noticed by now that emotional repression and failed communication are big themes in Japanese works. This second chance romance has plenty of both, and it’s a great example of a kind of muted emotional style that Japan does so well, where the surface of the story seems almost placid and calm even as deep emotion roils underneath. This one (and Eternal Yesterday above) are part of a special line up of jbls on Japanese channel MBS called Tonku (Drama) Shower. The shows air one after another in the same time slot on Fridays (in Japan, perhaps Thursdays for you depending on where you live) and you truly never know what you’re gonna get, but they’re all interesting. Warnings on this one for sexual assault and trauma. 
The End of the World With You (Viki)
Time for sexy and weird again, but even more so! This has to be one of the most unique bls ever made; it goes to some truly divine and strange places, and it feels incredibly queer while doing it. Made by the same screenwriter/director of the Pornographer series with a lot of the same sensibilities, but in a more heightened apocalyptic setting. This one has existential angst, a road trip, a redemption tale, and a variety of interesting side characters in the mix.
What Did You Eat Yesterday? (Gaga)
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Congratulations, you’ve reached the end of the list and your reward is watching one of the best bls of all time, and a perfect slice of life food drama to boot. WDYEY now has two seasons (along with a couple specials and a movie that fall in between) because the universe clearly loves us. You can now get it on Gaga for easy access but I’m partial to the versions over at @kinounaniresource for better subs. Wherever you watch, settle in to get cozy with Shiro and Kenji and make sure to always eat before you hit play.
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kaisacobra · 3 months
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Let You Go - Tara Carpenter
Summary: It's been a while since Tara has seen you. She misses you, but maybe she's broken your relationship to a point beyond repair.
Warnings: Violence, blood, mentions of death, angst
Word Count: 7.9k
a/n: thank you so much for the ride guys! Here we have part 3 of second best, which (kind of) ends this trilogy. Of course, I'm still writing the alternate ending so stay tuned if you're interested!
third part of Second Best
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It was two in the afternoon when Tara began rummaging through that box she kept at the back of her closet, sorting the contents into "burn" and "don't burn," all in line with what her therapist had advised. She needed to overcome the past, even if in small steps, and what better way to start than by burning traces of when everything started going wrong?
She looked into the box, examining the contents that would survive the purge. To no one's surprise, most of the photos contained you.
Tara reached for a specific photo among the others. A polaroid depicting a hug between the two of you, both with radiant smiles and faces so close that your cheeks touched. Mindy had taken this photo just before you both visited an amusement park that had been in town for a while. Tara's heart throbbed painfully. She missed you. A lot.
The girl sat on the bed with slumped shoulders, clutching the polaroid as if it were a precious possession. She couldn't take her eyes off the image of the two of you, with a happiness and innocence that would soon be ruined by her own actions. With a tired sigh, Tara closed her eyes, remembering her therapist's words.
The initial sessions were slow and unproductive, mainly because Tara kept her guard up and refused to talk much about her life to a stranger. Over time, the man became a pleasant presence, and Tara began to see him as some sort of a grandfather figure trying to advise his granddaughter. That's when she started sharing her problems and actively sought solutions.
"Do you think she'll forgive me?" she remembered asking, looking at her hands with shame. The bright white light in the room made the sweat on her palms stand out on her tan skin.
"Tara..." The man sighed, taking off his glasses as if he was preparing for a battle. "Don't you think you should worry about forgiving yourself first?"
The girl frowned and looked at him as if he were crazy. If anything, she was guilty of not only ruining her own life but also becoming a problem in everyone else's. She had no right to see herself as a victim. "What do you mean?"
"From what you've told me, I've realized you harbor a lot of resentment towards yourself on the inside." He pointed to Tara's chest, and she noticed no hint of judgment in his expression. Still, she felt strangely exposed. "Have you ever really reflected on this internal conflict you feel? About feeling guilty for things beyond your control?"
Tara scoffed and leaned back until her shoulders rested against the chair again, crossing her arms and staring at the walls like a stubborn child avoiding conflicts. "Beyond my control? I was awful to the best person in my life! I let a murderer into our life for-"
"See? You're doing it again." He smiled with a patience that bordered on irritating for the girl, crossing his hands on the glass table that separated them. "I'm not saying you're not at fault for being rude to your friend, but I'd like to focus on your past. That girl's attacks, parental abandonment... You're not to blame for that, Tara, but it doesn't stop you from carrying the pain anyways. Don't you think it affects you?"
She remained silent, but now her head was bowed in embarrassment. Her arms, once crossed, now enveloped her elbows in a half-hug, as if that would protect her from something. Without more exchanging words, the therapist followed the cue and continued speaking in a gentle tone, as if trying to educate a wounded animal.
"Tara, have you ever talked about your concerns with anyone, or have you just kept all these grievances inside until they exploded? Have you ever had any healthy coping mechanism?"
I don't deserve one. That's what she wanted to say, but didn't, because she knew it would make the situation even worse.
"Do you think I don't recognize the signs? Troubled young adult refuses help out of fear of abandonment and ends up driving everyone away, taking the opportunity to take out your emotional wounds on others? You won't be the first or the last person I've seen with this pattern." He spoke as if he could read her thoughts, leaving the girl a little scared.
Sitting up straighter in the chair, Tara turned her gaze back to the therapist, momentarily becoming interested in the conversation again. "Okay, what do I do to end this? What do I do to not be like this anymore?"
Broken, she wanted to say.
The man smiled gently and pulled open a drawer in the wooden cabinet to his left. Tara watched impatiently as he took out a black notebook and placed it on the table between them, looking between her and the object with a certain expectation. "I thought you could start documenting your feelings on paper, instead of keeping them locked within you. I think it can help you in the long run."
"Do you think writing in a journal will make me less of an ass and make y/n forgive me?" Tara replied with a sarcastic tone.
"I think it can influence a change in behavior, yes." The therapist reaffirmed, deliberately ignoring the girl's foul language. "And this exercise is not about y/n; it's about you. How do you expect her to forgive you if you can't do it for yourself?"
As stubborn as Tara was, the words had truly left an impression on her. That's why, on top of her messy desk, was the damn black notebook. The calluses on her hand throbbed with the memory of the force with which she wrote each new entry, trying to release her negative feelings onto paper.
She knew that your name was probably the most repeated word on all the pages, like a sacred mantra that she had to honor. Tara couldn't escape the fact that many of her emotions were so directly intertwined with the idea of you, and honestly, she accepted having to carry that burden as her own Sisyphean stone. She deserved it, after all.
Looking again at the polaroid, she sighed and slowly ran her thumb over the smiling image of your face, almost wishing she could offer you the same affection in person.
She was going to change. She had to change. For you.
_
"That was pretty good!"
The floodlights on the university’s sports field lit up as it began to get dark, allowing the young athletes to continue their training even at night. There weren't many people around, but you could see that the track team seemed to be gearing up to practice for the 100 meters a little to your left.
"Kate, I hit the white part." You grumbled in response to your friend's encouraging words. Kate Bishop had convinced you to attend one of her archery practices to "see her talents firsthand," and at some point, she thought just watching wouldn't be enough, and that you had to experience the sport for yourself.
That's why you were now on the archery training field with her, holding a semi-professional bow that was much heavier than you expected, proving over and over again that you were definitely not a natural at this.
It didn't seem to discourage Kate, however, as the girl still smiled with enthusiasm while looking at your target with a single arrow stuck in it. "At least you hit the target! You're improving; it could be worse."
"True! You could have hit someone's foot, like Miss Bishop did once." One of Kate's teammates, Yelena, commented with a laugh. The two, along with Maya Lopez, made up the Blackmore University women's archery team and were surprisingly good at it, having won all the recent competitions.
You laughed along with the other two while Kate gradually turned redder and assumed a betrayed expression. "Hey!" She protested.
It was amazing how people you had known for such a short time could make you feel so good. You couldn't even remember the last time you had laughed so freely since the incident with Tara happened, and that was already a significant victory for you. It's not like being with Mindy, Chad, Anika, and the others didn't make you happy, but it was hard to enjoy the moments with them when you remembered that, in any other situation, Tara would be there with you too.
Your phone vibrated in your pocket, and you leaned the tip of the bow on your foot, letting its weight rest on your shoulder so you could reach the device with your hands. Through the lockscreen, you could see a message notification from Mindy, as if she had read your thoughts.
Best Twin: Movie night at the Carpenters' house, are you coming?
Best Twin: Sam misses you
Best Twin: We all do
You sighed deeply and looked at the notification with a grimace, not sure exactly what to do. Of course, you would love to spend time with your friends, and you definitely felt guilty for avoiding Sam by extension, even though she understood the reason. But your palms started to sweat just at the thought of sharing a small space with Tara again.
Mindy had already told you that Tara had started therapy after the encounter you had in some of the university’s corridors some time ago, but she had also said that it was entirely valid if you still didn't feel ready to see Tara after everything.
It was a strange feeling, as if two forces were fighting for dominance within you when it came to Tara. On one hand, just thinking about her made your chest ache. A wave of anger, sadness, and pure humiliation invaded you, and your eyes threatened to well up. What she did to you, what she said to you, marked you like a painful burn that might never stop pulsating.
But on the other hand, you wondered if there were still traces of that other Tara who loved and treated you well. The Tara who made you soup when you were sick and promised never to leave you. Maybe it was your foolishness, but you didn't want to believe that that part of her had simply gone away forever.
"Are you okay?" A soft voice reached your ears and quickly snapped you out of your thoughts, causing you to loosen the tight grip with which you had involuntarily held the phone. Looking up, you came face to face with Kate's kind blue eyes, patiently waiting for your response.
Kate Bishop had been an angel in your life, fitting in perfectly at the moment you needed her most. You had met her in the waiting room of the counseling center after spending a week living like a zombie following everything that happened with Tara, and you could barely comprehend that you were sharing the same space with someone like her.
At first glance, Kate Bishop didn't seem like someone who needed to be in a counseling center. She carried herself with confidence, always with impeccable posture and a calm expression on a model-like face. Always dressed in neat clothes that you were sure were designer and carrying a sports bag indicating her athletic background.
But when she approached you and started a conversation, saying she needed to talk to someone or she'd explode with anxiety before her first appointment, you began to realize that Kate might not be what you expected. She was, in fact, much kinder and more attentive than you could have predicted.
You talked a lot that day, and the next day, and the day after, until there came a point where you got along well enough to consider her a friend. Kate listened to everything about your issues with Tara and provided advice and emotional support. In return, you listened to her vent about her problems with a father who died in childhood, a mother imprisoned for fraud, and an inherited company she didn't want to have to run at that age.
They were quite different dilemmas, just as you were quite different people, but still, you felt at ease in her presence, and it was good to have someone who truly noticed you for once in your life.
"Hm? Okay. It's fine, yes, I just..." You searched for words but gave up, opting to speak the truth about what was bothering you. "Mindy invited me to watch movies with the others, and it's at Tara's house, and I didn't want to have to refuse, but I don't know if I'm ready for-"
Kate widened her eyes and raised her hands as if asking for a pause, interrupting your rapid and anxious flow of words. "Woah, hold on, champ. You don't have to go if you don't feel okay. They'll understand."
"Yeah, I know, it's just that..." You sighed, looking down at your feet planted in the field's grass. "I miss them, but... I can't."
As much as it hurt and was embarrassing to admit, you knew it still wasn't the right time. Not when you sometimes still woke up crying in the middle of the night with nightmares involving her.
"Then how about this?" Kate began to suggest, getting closer to you and gently shaking your shoulders. Physical touches had always been her way of offering comfort. "There's a party at my place tonight with some of my childhood friends, and I'm officially inviting you. You can tell your friend that you'll be busy spending time with a very beautiful, charming, and talented company."
You smiled as you let yourself be shaken by the cheerful girl in front of you. "A very humble company, apparently." You teased, poking her ribs playfully. "I don't want to disturb you, but thanks for the invite."
"Disturb? I'd be the one disturbing your illustrious evening by forcing you to hang out with my friends! Believe me, it's torture listening to Peter for 2 hours when he gets excited about his nerd stuff." Kate tried again, and by the way she looked at you with the expression of a begging puppy, you knew there would be no escape. "Please? It'll be nice to have you there."
There were two available possibilities. In the first, you could go back to your dorm, watch a bad movie alone, and spend the rest of the night thinking about how your friends would be having fun, specifically wondering if she would be having fun. In the second, you could take another step in getting rid of your codependent friendship (if it still existed) and enjoy the night with new people and a person who was becoming more and more important to you every day.
If Tara didn't want to be stuck in the past, you also had the right to do that. You deserved it too.
So, you accepted and only remembered to inform Mindy when you were already in the passenger seat of Kate's black Audi RS7.
_
Tara was distraught. Actually, saying that she was distraught was an understatement.
Last night had already started off as garbage from the moment Mindy announced that you wouldn't be coming to see them at the apartment. Sure, she should have expected it, but that didn't mean she didn't have any hope. She couldn't stop thinking about what you might be doing, the reasons why you hadn't come, how everything would have been better if you had.
But mostly, she felt relieved that you hadn't been there, because that meant she hadn't put you in danger again with another ghostface attack. It was a selfish thought. Quinn, her roommate, had died in front of her, Anika had her belly almost cut from end to end and was now in surgery, and all Tara could think about was finding you to see with her own eyes that you were okay.
She urgently searched for your face in the midst of the crowd of students walking through the Blackmore University campus, seeking the slightest fragment of your presence anywhere. She cursed herself again for not being able to just call you like she would if she hadn't messed up and made you block her in practically every possible place.
Finding you and making sure you were okay, in addition to delivering the terrible news, was her obligation. Mindy and Sam were with Anika at the hospital, and Chad had gone to check Ethan's alibi in the damn economics class. She needed to find you.
Fortunately, her prayers seemed to be answered by whatever entity it was. She saw you in the distance, radiant as she hadn't seen you in a long time. Tara's heart skipped a beat, and she opened her own smile after yours. It was bittersweet, the feeling of seeing you so happy but knowing that this happiness would be ruined the moment you laid eyes on her.
In a moment of distraction, a new wave of people passed in front of her, blocking her view of you. Fucking height. She thought with some annoyance as she tried to make her way through the students, trying to get closer to where you were.
When Tara finally managed to locate you again, the scene was quite different from before. Instead of laughing, looking forward, you had your back turned, seemingly struggling while a girl wrapped her arms around your neck. Tara felt a wave of anger rise through her veins and marched in your direction, ready to free you from whoever that crazy bitch was.
The younger Carpenter approached you with a speed she couldn't quite explain, and her motivation only seemed to grow when she noticed that the mysterious girl looked a lot like that senior she had seen with you in the hallway some time ago. Choosing to embrace her negative feelings, she used her strength in a way that would make her sister proud and aggressively pushed the girl away. "What do you think you're doing?!"
"Tara?!" You exclaimed in shock, your voice carrying surprise, and your expression wavering between anger, astonishment, and anguish. "What do you think you're doing, are you crazy?!"
Tara saw you getting closer to the girl (Karen, Kendra, she couldn't remember.) and gently placing your hand on her shoulder, as if checking her condition. That small gesture made more anger bubble in her stomach. She wanted to scream, throw a fit, damn, she wanted to destroy something just to get rid of that rotten feeling corroding her from the inside.
But she looked into your eyes and could see a glimpse of the sadness she had caused in the past by this same line of thinking. She couldn't do this to you again, especially because that wasn't even why she had come looking for you. Tara swallowed hard and clenched her fists, deciding to save her frustration to take it out on calluses on her own fingers later.
"She was attacking you," Tara mumbled reluctantly, knowing that the explanation sounded stupid but that she also owed some reasoning for her actions.
You clearly didn't seem satisfied with her motivation, as you only stared at her with a frown and crossed arms. "Kate is a martial arts expert, Tara. She was just showing me how to escape from an arm lock."
Well, how was I supposed to know that? Tara thought, but she decided it was better not to worsen the situation. Before you could ask why she had been clearly looking at you for some time, she decided to explain.
"Look, I'm sorry. There was a ghostface attack in the apartment yesterday, and I just needed to know if you were safe."
"What?! An attack?! How- Are you guys okay?!" You asked exasperated, and Tara saw it. She saw the exact moment when you had to restrain your arms by your sides before doing something you would regret.
Tara remembered that being the first thing you did when you could see her after the surgeries last year. You ran to her on the gurney and held her face with both hands, as if she were fragile. You ran your thumbs over her cheeks, right above the freckles, wanting to make sure nothing was injured. She remembered feeling well cared for and loved.
But that was before she messed everything up. Now, all that was left was that. You restraining yourself from offering your heart to Tara, and she wanting to die realizing the damage she had done between you two.
"Sort of. Anika is in critical condition in the hospital, and... Quinn died." Tara delivered the news with a solemn voice, trying to control her own tears as she remembered what happened. She saw when Kate raised her arm to offer a comforting stroke on your back, and, for the first time, all Tara felt was emptiness knowing she couldn't comfort you in that way.
You let out a few sobs before trying to compose yourself. It was clear that you had been affected by the events, and Tara knew you well enough to know that you would want to go after the others to comfort them. "Which hospital is Anika in? And where are Sam, Mindy, and Chad, I... I need to talk to them."
Tara felt a bit of pride in realizing that she still knew your way of dealing with things, even though she was worried that your priority was always to take care of others' pains. Of course, much of that was her fault, and a knot closed in her throat every time she remembered that fact. "Sam and Mindy are at the hospital waiting for Anika to be discharged. Chad went with Ethan to handle something about an alibi."
"I can take you if you want," Kate offered you  in a chivalry that almost made Tara vomit. "It will be faster if we go by car."
"Or maybe it would be faster for her to take the subway with someone who knows the address, like me." Tara retorted sarcastically, crossing her arms to try to cause, at least, the minimal intimidation to her rival. It didn't seem to be working, which made her even more irritated. "Speaking of addresses, where were you last night, Kate?"
Feeling that the conversation would only escalate, you quickly shook your head. "Stop it, Tara. There's no way Kate could be the ghostface."
"And why not?" The girl asked defensively, with an offended tone almost similar to one she would have if you had accused her. It was frustrating for Tara that you seemed willing to vouch for a person you had barely known. "She suddenly appeared in your life, got so close to you in such a short time, don't you find that a bit suspicious?"
"This might sound a bit surprising to you, Tara, but some people actually like having me around." You retorted with irritation, throwing daggers at the girl with a look so intense that she almost stumbled backward. "Kate can't be ghostface because I spent the whole night with her, okay?"
Suddenly, Tara felt dizzy, with a buzzing in her ears. Apparently, you hadn't had the best problem in overcoming your feelings for her. She felt weird inside, as if something were stuck in her throat. "Oh, I didn't know you guys..."
"No! Not like that, I just..." You widened your eyes and hurried to correct the double meaning of the sentence, waving your hands frantically in a way that made Kate open a smile in amusement beside you. "...I slept at her apartment, but not with her. Not that I owe you an explanation anyway."
Your phone vibrated with a notification, and all three pairs of eyes turned to the device. You quickly checked the message and let out a sigh of relief. "It's Sam. She sent me the address of the hospital; I'm going there now. Without any of you, please."
"Okay. Just be careful, alright? And call me if you need anything." Tara watched reluctantly as Kate pulled you closer by the shoulders and planted a small kiss on your forehead. She swallowed the envy and looked away, trying to think of the last time she had offered you any kind of affection.
You said goodbye to Kate with a warm smile and a hug. For Tara, your lips pressed into a line, and you nodded briefly, almost as if you were greeting a stranger.
She wondered if that's what you two were now.
The Carpenter girl prepared to leave, maybe to find Chad and help him or just take a walk to ease the tornado swirling in her chest. However, she was interrupted by a hand on her arm. Kate Bishop tried to get her attention, wearing a conflicted expression on her face.
"What is it?" Tara grumbled, shaking her arm to free herself from the other girl's touch. She was used to being shorter than most people, but with Kate, it became even more annoying, especially when she had to look down at her.
"Look, I know you don't like me, and, to be honest, I don't like you one bit, but I need you to do something for me," Kate said seriously, putting a hand in her pocket and retrieving an object that Tara could only identify as a car key.
The shorter one scoffed. "Listen, I know Y/N and I are on bad terms, but I don't need you to ask me to take care of her. I'm going to do that anyway because I care about her, believe it or not."
Kate rolled her eyes impatiently. "I know. I can see that in you the same way you can see it in me."
It was true, as much as it bothered Tara to admit. She wasn't blind, and she had enough experience in reading people to know that the way Kate looked at you was sincere, and the girl genuinely cared about you. Putting aside her own jealousy and envy, Tara was relieved to know that there was someone good enough to show these feelings for you. You deserved it, after all.
The girl continued, "This device here is a prototype from my mom’s—my company. It's for security." She raised the object and placed it in Tara's hand, who could now see the details of what she had previously thought was a car key. It was a black oval keychain with a single button in the middle, also black. "I pulled some strings and turned it into an emergency button. As soon as you press it, a signal will be sent to police cars and ambulances, and it will be their priority to get to you. That's one of the advantages of being rich and having contacts, I guess."
Tara turned the button in her hands, feeling the object weigh more now that she knew its function. "And why are you giving this to me and not Y/N?"
"Because I know she would use it on anyone but herself." Kate sighed in frustration. Tara knew it was implied in the sentence that you would use the button for her. "I'm giving it to you because... despite the fighting and you being a jerk..."
"Wow. Thanks for the honesty."
"... I can still see that you care." The taller one finished her sentence without caring about the interruption. She looked between Tara and the button with a bit of uncertainty. "When you press it, a signal will also be sent to my phone, and I'll come running wherever it is."
There were more implicit intentions in that sentence that Tara could pick up. I'll come running to help Y/N. I'll take her away from you. I can protect her better than you can.
Tara just offered a short nod and turned to leave, with the emergency button weighing as much in her pocket as her heart weighed in her chest. Thousands of thoughts filled her head, and all of them were about you and your safety. It was Tara's duty to keep you safe, first because it was her fault that you were even in that situation, and second because she had already hurt you enough.
It was her mission to protect you. To prove to herself that she could still be good for you. To prove to you how much she still cared.
And if she couldn't, if she had to press that button... well...
Maybe it would be the sign she needed to understand that Kate Bishop deserved more of a place in your life than she did.
_
The lobby of the abandoned cinema ironically looked like something straight out of a horror movie that Tara would hate. Dust had piled up in heaps on all surfaces, and the orange lights were so dim that they threatened to go out at any moment.
The others were in the center of the other room, where Richie Kirsch, being the maniac he was, left his extensive collection of items from stab movies and real life ghostfaces. Tara, however, thought it would be a better idea to follow you wherever your feet and lost expression took you, just so she wouldn't have to leave you alone, of course.
You had your back turned to her while leaning on the filthy counter with your elbows. Tara couldn't tell what you were thinking, but obviously, you were not okay, just like everyone else in that situation.
From the corner of her eye, she saw a box of Milk Duds on the other side of the counter that seemed untouched, just a few inches to your left. She approached with light steps, not wanting to make any sudden movements as if that would scare you away, and reached out to bring the box closer. "You like these, right? You can have them if you want."
You didn't respond to the joke, and you didn't even turn around to look at Tara. She felt your indifference like a stab to the chest, but she continued nonetheless. "Or not. This must be like a thousand years old anywa-"
"Tara, shut up." You finally responded sharply, making the younger girl look down in shame. She really needed to get used to your new treatment of her. You ran your hands over your face, covering it as if you were tired.
"Sorry." Tara whispered back weakly. She deserved it, but more than anything, she wanted to be able to offer you some kind of support in that difficult moment, just as you had given her all the support she needed in the past.
You scoffed, in a gesture so hostile that the younger Carpenter almost couldn't believe it came from you. You were still facing away from her, but now slowly taking steps away with tense shoulders. "Did you learn a new word? Didn't know it was in your vocabulary."
Tara felt the anger in your voice, and it made her hands begin to tremble with anxiety. You were right, and it was long overdue for you to know that. "I’m sorry, Y/N. I know it's too late for this, but I'm sorry for everything I did."
"Do you even care? Seriously, Tara, do you really feel sorry, or do you just miss having some idiot around who would do anything for you?" You retorted, your voice rising even as your vocal cords trembled. A dam had just burst open between you two, and now it was time to deal with the flood.
"Of course, I care, I love you!"
"SHUT UP!" You shouted in response. Tara recoiled from you with a start, startled as she had never seen you raise your voice at anyone. You were still facing away, but Tara could see that, even though you had wrapped yourself in a hug to control your reactions, it wasn't working. Your entire body was tense, as if your brain was struggling to choose between fight or flight, and the result was the tremors that seemed to spread through your system. "You have no right to do this to me! To play with me like this!"
"I'm not lying!" The shorter one retorted, and in an impulsive move, she grabbed you by the shoulder and forced you to turn until your gazes met. Tears were already streaming down your eyes like waterfalls, and your entire face seemed contorted in excruciating pain. Tara wished she could absorb all your hurt for herself. "I know I messed up, but I really love you!"
"You're toxic, Tara! That's what you are!" You shouted back with strength, holding the girl's gaze as if it were a challenge you needed to win. "You hurt me! And I was getting better, damn it, I was getting better away from you!"
"I know you were! I know! That's why I'm apologizing, okay? Because you're the best person I've ever met, and I ruined you like I ruin everyone! Because the best moments I've ever had were with you, and I feel like tearing my eyes out when I remember that I hurt you by being this way!"
"Tara..."
"No! Please let me finish." She rejected your interruption, taking the opportunity to relieve all the pain and guilt she felt inside her. "I'm getting treatment, okay? And I know you're not obligated to forgive me for anything, but I want you to know that I'm trying to be better for you! I'm trying to fix my shit to be someone you and Sam and the others can be proud of!"
"Tara..."
"And I know I hurt you a lot, but please don't doubt the love I feel for you because it's the only good thing left in me. I won't blame you if you never want to see me again, but..."
"TARA, GET DOWN!" You shouted, and before Tara could react, you were already pushing her toward the dusty wooden floor.
Everything was happening too fast for the Carpenter's mind to process. She hit the ground with a grunt of pain and a potential bruise on her arm, but she could see the exact moment when an arm covered in a black cloak descended toward your leg, making a deep cut in your thigh.
You screamed in pain, and Tara screamed next, watching your blood soak through the fabric of your pants and start dripping onto the floor. In a surge of adrenaline, the small girl ran to your side and almost reached for your arm when she was suddenly engulfed in a tight grip, with her two arms pinned to her back and a hand holding a knife to her neck.
She struggled against the masked person holding her, futilely trying to break free to get to you. Tears streamed so quickly down her face that she could taste the saltiness invading her senses. "Let me go! Y/N, run! Please, run!"
A sinister laugh reached her ears like the hiss of a snake. "Oh, Tara. Did you think it would be that easy?"
She recognized that distorted voice with effects all too well. She still heard it in her nightmares, calling her name in the dark. Ghostface was back. "I'm going to kill you, you motherfucker!"
"Oh, but I don't think so." The voice spoke in an amused tone as another killer, wearing the same mask and black cloak, approached your figure on the ground. Tara wailed like a banshee when the other pulled your hair forcefully, forcing you to stand up as he placed a knife on your neck.
She struggled a little more. "Leave her alone!"
"And where's the fun in that?" The ghostface holding her responded, almost as if they were laughing. "Come on, Tara. Weren't you the one who liked to release your anger by hurting Y/N? Why should only you have that privilege? Let's see, where was it that you got stabbed again?"
At the same time, as if reacting to a code, the ghostface holding you advanced in quick and precise movements, gripping you by the waist with one arm while thrusting the knife into you with the other, just above your kidney.
You let out another gasping scream as the blade pierced your skin, and Tara felt your body sagging as if you were about to collapse. She herself wanted to fall to her knees and plead for you to be released, but she couldn't. Whoever was holding her had great strength.
"Don’t you want her to feel the same pain you felt, huh, Tara? Don't want her to suffer what you suffered?" The voice continued to growl in her ear, sounding increasingly excited by the escalating violence. The knife on Tara's neck kept her head in place, so she couldn't look at anything other than your agony.
"No, I don't. Please, PLEASE." Tara pleaded with a tearful voice as another stab was delivered to you, this time in the center of your abdomen. Your shirt gradually turned into a pool of blood, and Tara feared you would faint at any moment.
"Tara..." You could barely pronounce her name, your voice choked and your own blood streaming down your lips. Tara's gaze met yours, and she shivered when you shook your head. She knew what that meant.
You looked feverish. Sweat and blood mingled on your skin, creating the most disturbing of the paintings. Your eyes were vacant, and Tara was so afraid they would close at any moment, never to open again.
And yet, with that nod of your head, Tara understood that your top priority at the moment was to make her understand that it wasn't her fault.
The girl's knees threatened to give up as the knife entered you one, two, three times. She shook her head but couldn't close her eyes because she needed to see you, needed to see that your eyes were still open, that you were still alive.
You couldn't die. You promised not to leave, even if everyone else did. You couldn't die. You couldn't die. You. Couldn't. Die.
"I love you. I'm sorry for loving you, I'm sorry," Tara whispered because she had no strength to speak louder. She felt on the verge of giving up and letting those maniacs do whatever they wanted with her. Nothing mattered anymore if you weren't here, and it was all her fault.
The ghostface holding her laughed with a deep voice. "You know, I could turn this into a Romeo and Juliet scene, but I think it would be more fun to kill you while Sam is watching."
With that, Tara felt her body being thrown backward, and she hit the dirty wooden floor again, this time landing with her head in a wound that would undoubtedly become a concussion.
She got up in a frenzied pace, in an adrenaline rush, thinking she could try to save you now that she was free. But, looking ahead, she realized she was outside the lobby’s door, and the maniac murderer already held the handles. Despite Tara's attempt to advance, the ghostface had already sarcastically waved and locked the doors, creating a deadly separation between you and herself.
Tara pounded on the hard wooden door, ignoring the pain in her knuckles. She hit and hit and hit, feeling cuts open on her skin and burn from the repetitive contact. She was crying, screaming, punching, cursing, doing things she couldn't even rationalize because it didn't matter anymore.
Nothing mattered anymore. Not without you.
She collapsed on the floor, tired, injured, and desperate for you. Her sobs echoed in the seemingly empty hallway, and she was too afraid to put her ear to the door and hear screams of pain like your last breath. Tara felt lost until she remembered that she was no longer trapped.
Rushing to reach the device in her pocket, she sighed in relief to find it unbroken. She pressed the button multiple times without a second thought. If she had a chance to maybe save your life, she would grab it without a doubt.
Tara remembered what she had thought before, how pressing that button might symbolize that she shouldn't be in your life. She stood up and leaned against the wall, trying to rid herself of the wave of nausea, and left the button hidden near the door. If help came following the signal, the first place they would look would be where you were.
If help came and you made it out alive, that was a promise. Tara would finally leave you alone. That's what you deserved.
---
Tara was almost sure she had developed a hospital phobia since the events of last year.
There was no other explanation for why she felt uneasy in that environment, even after they had taken all precautions for her. She still hated the white walls and the smell of chemicals and couldn't wait to get out of there.
For now, she decided to ignore this feeling and continued following Sam through the corridors of fluorescent lighting. It was important for her to stay inside until they finally found the doctor who could tell them what they wanted to know.
She checked her hands again, finding the tanned skin covered in some bandages but free from the mixture of her blood and Ethan's after she... lost control.
After she was separated from you, everything happened so fast that Tara could almost think it was all a delusion. All the revelations, the attacks, her adding another victim to her count, the police arriving... All of that had taken a back seat because nothing was more important than you.
It was as if her life had turned into a black and white movie in the moments she was without you. Everything felt colorless, purposeless. Fortunately, she was pulled out of her own spiral of melancholy when she saw you being taken out of the old movie theater on a stretcher by paramedics. She tried to get closer, but it was needed to give you space so that nothing touched your wounds and caused an infection.
Tara tried to go in the ambulance with you, but she and Sam were pulled for another checkup, and you needed to be rushed to a surgery room urgently if you wanted to have the slightest chance of survival. So, Tara let you go, but there was not a moment when you weren't on her mind.
That's why now, she desperately searched for your surgeon with Sam. No one seemed to know about your condition, and she already felt like tearing her hair out from anxiety. Tara just needed to know if you were at least breathing.
"Dr. Isley?" Sam called the attention of a red-haired doctor who was passing by them in a hurry. Tara sighed in relief that her sister was paying attention to her surroundings because her mind was in a completely different place. "We were informed that you performed emergency surgery on a family member. Her name is Y/n Y/L, admitted with multiple stab wounds."
"Oh, yes. Miss Y/L." The doctor replied in a professional tone, but there was impatiency all over her body language. "It was a difficult surgery, and she lost a lot of blood, but fortunately, no vital organs were hit. I won't lie, the recovery will be painful, but at least she survived the operation without any apparent severe collateral effects."
This was the best news Tara had heard in days. She opened a smile and didn't even try to hide her own happiness as she prolonged the conversation. "Is she in any room? Can we see her?"
"Miss Y/L is in room 604, but I'm afraid only one person is allowed in at a time to avoid any disturbance."
"No problem, we can take turns." Sam pointed between her and her sister. Despite seeming much calmer than the younger one, Tara knew Sam was just as relieved as she was to know that you were still alive.
"No, you didn't understand. There's already someone in Miss Y/L's room." Dr. Isley warned and, seemingly losing the rest of her patience, she began to walk away. "Sorry, but I have other patients to attend to."
The two Carpenter sisters looked at each other alarmed. Who could be in your room? Chad was still in his own surgery, Anika had gone to stay with Mindy while she received some stitches, and frankly, your parents had never been present enough to travel between states so quickly for your sake.
They walked down the corridor, moving as fast as possible without disturbing the other people being treated or working in the area. Tara's heart threatened to jump out of her mouth as she looked from door to door, searching for the numbering of your room. 601. 602. 603.
Tara stopped so abruptly at the door that she and Sam bumped into each other, their sneakers making noise against the shiny white floor. The simple door had a small window through which it was possible to see the inside of the room without necessarily entering. Tara looked inside, ready to break the handle and force her way in if necessary.
But it wasn't, because Tara Carpenter recognized exactly the girl sitting next to your bed, holding your hand gently and stroking your hair, even though you were sleeping. She remembered, with a tightness in her chest, that Kate Bishop would be notified the moment she pressed the button.
And, in her own words, she would come running to take care of you.
"Tara, who-"
"I have to go." Tara interrupted her sister's words, looking at the scene in front of her without blinking. She knew what she had to do; there was no reason to fight the facts.
"What? What do you mean? You just got here." Sam asked, partially annoyed and partially confused by the younger one's actions.
"You heard the doctor. Her recovery will be painful, and if I stay around, all I'll cause is more pain." Tara opened a small smile just to try to pretend that she wasn’t dying inside. She knew Sam could see the truth, that she could see her broken heart and internal conflict, but she also knew that was the only possible solution.
"Tara..."
"Sam, you know I'm right. You told me that yourself a few days ago, remember? I hurt her." The girl shook her head in surrender and took a few steps away from the door. Away from you. "She needs peace, Sam. And the only way she can get that now is if I'm not around."
Tara took one last look inside the room, seeing how peaceful you looked. Sleeping, without any worries, and with an incredible and caring person by your side, ready to help you in whatever you needed.
Someone much better than her.
Perhaps that was the first time Tara had made a selfless decision in a long time, but she didn't feel deserving of any credit for it. What she had to do now was get better. Maybe more entries in her journal and more visits to her therapist would eventually fill the void she felt within her.
For now, she just turned around and started walking away from room 604. Each step hurt, like a razor cutting her skin, but it was the right thing to do. Tara had hurt you for far too long, and now...
Now it was time to let you go.
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phoenixyfriend · 3 months
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How to Call Your Reps About Gaza
I make a lot of posts telling you to call your reps! Anyway, here's the overall shape of how to argue to them.
Disclaimer: I am not in politics. I do not have experience as a staffer. I am just someone who cares a lot about where things are going, and wants to help. Also, this is specific to the US, because that's where I'm based. Hopefully, people with expertise can add more suggestions on.
Find your elected officials.
My Ko-fi: this took me two days to write up, so uh. If you've got a few dollars, send them my way so I can keep doing this sort of thing, and maybe move out of my parents' house sooner.
General tips:
Be polite, or at least civil. Do not swear or shout at whoever answers the phone. This will quite possibly get your number blocked. Fifty civil calls over the course of several months will do more than one where you shout. You can be frosty, you can say you are disappointed, you can say you find the actions of your reps to be reprehensible or morally bankrupt, sure. But keep calm and aim criticism at the rep, not the staffer.
Keep it short. The staffers who answer call centers are busy. They usually start trying to hurry me off after about two minutes. I've yet to manage a call longer than four or five minutes. Pick one or two topics for the day, and focus on those. Cycle through them every time you call. Stick to just one from day to day if it's a large, ongoing issue like Gaza.
Plan for voicemail. I get voicemail more often than not. My House rep usually has a staffer free, but the Senators are almost always voicemail. This will give you a minute and a half max. Be ready to get your point squeezed into that.
Only call your representatives. The important, powerful word here is "constituent." You will be ignored or even counted against if you are from a different district or state. The first thing you start with is your name and address. A staffer will ask for the information they need. On voicemail, leave your full name, your city and state, and zip code before you go into your message. Do not lie, either. They look these things up in the system when you call. I'm not sure how--I think maybe they have access to a database of registered voters--but every time I call, they ask for my last name and address and at some point say, 'oh, yep, I've got you right here,' which indicates a database of some sort.
Research at least a little bit about their opinions. If they already agree with you, then it's much easier to leave a quick "I support you and want you to know that" to combat anyone who's arguing from the other side. If they don't, then you're best off finding out what specific issue they have so you can know the best kind of comment to leave.
Look up specific bills or arguments. I get daily emails from GovTrack about bills that are on this week's docket or have been voted on in the past day. IDK about anyone else, but being able to say that I disagree specifically with HR 815 or something makes me feel powerful, and possibly like I will be taken more seriously. Sometimes you can start with articles like this one, which include links to specific bills on the official congress website.
Email after if you can. Reportedly less effective, and takes longer, but you are more likely to get a written (canned) response, and it reinforces whatever you called about.
Basic structure of a call, at least as I've been doing it:
"Hi, my name is ____ ____, and I am a constituent from [city, state], [zip]. I am calling to express my opinion on [topic]. I am concerned about [short argument with a clear impact on the topic]. I ask that you support [measure or fellow congress member]/vote [yay/nay on specific legislature]. Thank you for your time, and I hope you keep my opinion in mind."
For this post, the topic can be stated as the war in Gaza, military funding for Israel, or unrest in the Middle East, depending on which you think your elected official will respond to best. That said, the structure should work for whatever your call is about.
Arguments to use against your elected official... or your on-the-fence cousin:
I'll be honest, some of these are not going to do much against your representative. They know the arguments, and have been going over them with each other for months. You just need to have one locked and loaded that they consider relevant instead of a nonstarter, in order to back up your opinion as 'founded' instead of 'nonsense, can be swayed with a good marketing campaign.'
I'll include explanations if I don't think something is self-evident (or needs more evidence to tell your cousin), but in most of them I'll provide some suggested verbiage that you can tweak as needed, and for a few of them, that's really enough.
THESE ARE FOR THE TOPIC OF CONCERN, ONLY. You still need to end each one with "I ask that the [official] votes to [action]" at the end. Give them something actionable (example from Feb. 13th). My go-tos right now:
Both chambers: Reinstate funding for UNRWA
Both chambers: Place mandatory restrictions on any aid to Israel, with contractual threats to cut funding if Netanyahu and his government continue to disregard civilian life
Senate: Put support behind Bernie Sanders and his motion to restrict funding to Israel until a humanitarian review of the IDF’s actions in Gaza has been completed (S.R. 504) (Tabled by the Senate on 1/16, but it is being brought back in as conditions continue to escalate)
House: Put support behind Rep. Rashida Tlaib’s petition for the US government to recognize the IDF’s actions in Gaza as ethnic cleansing and forced displacement, and put a stop to it.
House: Put support behind H.R. 786, introduced by Rep. Cori Bush, calling for an immediate deescalation and cease-fire in Israel and occupied Palestine.
What Not to Say
"There is no threat to Israel." I've talked about this elsewhere, but the short version is that this will be basically laughed out as you not knowing what you're talking about.
Anything generically antisemitic. (I mean, it might work on some of the white supremacists, but do you really want to encourage that thinking? No, so don't do it.)
Facts that you "heard somewhere" but cannot find a reliable source for. If it's being reported by the New York Times, NPR, or the BBC, it's probably trustworthy by government standards. If it's not a super common statistic, cite the journal you got it from by name. Remember, you aren't arguing to tumblr mutuals. You are arguing to your elected official or your 'I don't really pay attention' cousin. When it comes to this, big name news sources are better.
Unrealistic demands for complete isolationism, permanently abandoning Israel to its own devices, supporting Hamas, etc. Again, you will not be taken seriously. Pick an argument they might actually listen to, and use it to press them towards a possible solution. You want them to believe that if they adjust their position, they will be doing the will of most of their constituents, and thus more likely to get reelected.
The Ethics Argument
Third-party reporting has stated that that nearly 29,000 Gazans are dead since Oct. 7th, as of 2/18/24. The vast majority of those are civilians, and over half are children. Palestinians in Gaza are facing an acute hunger crisis threatening to become a full-blown famine.
The International Court of Justice has found that there is credible reason to believe that the state of Israel is committing a genocide against the Palestinians of Gaza.
This does not mean that every single Israeli is complicit. It does mean that the government, particularly Netanyahu and his associates, has been reprimanded by a large, diverse coalition of countries, and has consistently refused to listen to that court since.
This argument will possibly work on your cousin. Less likely to work on your elected official. They already know the numbers. I just wanted to get it out of the way first.
The Re-Election Argument: Michigan vs New York
Meanwhile, this is possibly the most effective. Again, this is not an argument of ethics. This is an argument of "how can I make my elected official do what I want." We do not use only the purest moral argument. We use what works.
What to say to your elected official: Michigan, as a swing state, was won by democrats on the power of the Arab-American vote in the 2020 election. We (either party) are at risk of losing Michigan due to the current Congressional approach to the Gaza conflict, as that demographic is now polling as likely to abstain from voting entirely. The risk of losing several congressional districts due to the Jewish vote is a real one, but the risk of losing the the executive branch is greater, especially after what we saw with Suozzi. Supporting Palestine might lose us parts of New York, but supporting Israel will lose us Michigan.
Explanation: Something that has been taking up a lot of time and space in the election coverage is the situation in Michigan, and more recently, there has been attention paid to the special election of New York's third district, AKA the "who gets to replace disgraced George Santos" competition.
Michigan is traditionally a swing state. While 2.1% doesn't sound like a lot, that is some 211k-278k people (depending on your source), and while not all of them can vote... Michigan was won by about 154k. Arab-Americans are not the only relevant demographic, but they sure are an important one, and they are vocally opposed to the situation. Approval has dropped from 59% to 17%. From that same article:
As Axios notes, Biden won Michigan in 2020 by 154,000 votes, but there are at least 278,000 Arab Americans in Michigan. Biden took Arizona, a state with an Arab American population of 60,000, by only 10,500 votes. In Georgia, Biden prevailed with a margin of 11,800 voters, in a state that has an Arab American population of 57,000.
Democrats cannot afford to lose these states. Pressure your congresspeople about that, especially if you live in one of those states. I assume most Arab-Americans in said states are already calling every day; the rest of you can join in.
Meanwhile, most Jews (considered the most pro-Israel demographic by strategists) in America are concentrated in a very small number of electoral districts. Of the twenty most-Jewish, ten are in New York, which is why I put it up in the section header.
One of those districts was won by a Republican in 2022: George Santos, New York's third congressional district. Following his scandals and ousting, the seat was up for a special election, and the two candidates were Tom Suozzi, a democrat who held the seat previously (he decided to run for governor, and lost), and Mazi Pilip, a Nassau county legislator who was of Ethiopian Jewish background and had been in the IDF. She ran on a campaign that leaned strongly pro-Israel and anti-immigration, and when Suozzi won, she interrupted his victory speech to accuse him of supporting a genocide against Israel due to his rather centrist, rather milquetoast stance on the conflict during his election campaign.
Now, Suozzi's win probably had more to do with Pilip being anti-choice than her pro-Israel arguments, but he still won.
Democrats can better risk possibly losing a few seats in NY than definitely losing three swing states.
"But I don't want Dems to win their districts after what they've been--" Nope. Listen to me. Surveys indicate that Republicans are on average more pro-Israel, because Trump and Netanyahu are buddy-buddy, and we do not have a viable third option.
Also, again, this is about convincing Dems to be better. "If you do not vote to put restrictions on funding to Israel, I will not vote for you in November" is a lot more powerful than "I will not vote for you either way, because of what you've been doing, but you should do what I say anyway."
The Re-Election Argument: Risk of Escalation
So, that thing I said about Trump and Netanyahu?
Yeah, so, while Biden is giving Israel military aid while cautioning them to slow down and be careful, Trump is... complicated, but suffice to say he's much closer to Netanyahu on a personal level than Biden is. Biden's relation with Netanyahu is reportedly pretty frosty, while Trump's is based on relations through the Kushners.
Just from wikipedia:
Netanyahu made his closeness to Donald Trump, a personal friend since the 1980s, central to his political appeal in Israel from 2016.[21] During Trump's presidency, the United States recognized Jerusalem as the capital of Israel, recognized Israeli sovereignty over the Golan Heights, and brokered the Abraham Accords, a series of normalization agreements between Israel and various Arab states.
Trump's been more all-over-the-place recently, badmouthing Netanyahu for being what Trump perceives as a loser, which complicates understanding what his approach is. It's kind of incoherent right now.
Given Trump's general history of being pro-Israel, though, and the attempts by House Republicans to push through a bill of unconditional funding for Israel. It failed, but notable is that the more recent bill passed in part because it was paired with aid for Ukraine and Taiwan (something Dems are much more invested in having happen).
What to say to your elected official: If Trump is reelected due to his current appearance of being more critical of Netanyahu, there is evidence from his presidency to indicate that he will support Israel much less critically if elected. While he claims to want to settle the Middle East, it seems incredibly likely that he will worsen the situation for Palestinians, and ramp up retaliatory strikes to groups like the Houthis in a manner that will impact non-military parties, igniting tensions that are already tenuous.
The Disrespect/Wild Card Argument
This particular argument is best used against the Very Patriotic Politicians who are more concerned with the US's image and Being The Alpha Nation than with other things. Basically, this might work on Republicans.
This isn't really something I believe in, as a matter of foreign policy, buuuut it might work on your rep, so. Consider it!
What to say to your elected official: With Israel's recent actions in ignoring Biden, blocking US-sent aid like those flour trucks that got stopped at the Rafah border because they'd be distributed by UNWA, and generally Disrespecting The USA and Being Unpredictable is not only making the US look bad for being unable to wrangle a smaller country, but also making it so we are less able to wrangle other countries in the future, because Israel cannot be predicted and might set someone off.
The Europe and Reputation Argument
What to say to your elected official: The United States is losing credibility as a world power known for its military and ability to manage international disputes on behalf of the UN, because it is seemingly unable to influence Israel, and losing credibility as an upstanding moral state that is not doing foreign coups and banana republics anymore, as it appears to be tacitly supporting Israel's ICJ-labelled genocide, which is a really bad look with the other Western Powers.
I'm not entirely sure who this might work on, but there's gotta be at least a few politicians who are really concerned about America's image, more than about actually doing the right thing. Figure out if your politician is one of them.
If necessary, you can bring up how Trump is threatening to pull US support for NATO if Russia attacks someone.
The Middle East Stability Argument: Iran-backed Militias
What to say to your elected official: I'm concerned that the continued support of Israel, and thus the funding of their actions in Gaza, will increase the instability of Iran-backed militias, as we have already seen with the Houthis and Hezbollah. Entire Muslim-majority nations are showing increased displeasure not only with Israel, but with the US by extension. We cannot afford another war in the Middle East when we haven't yet pulled all our troops from the last one, not with the recent and recurring economic recessions. Any situation would also very likely be complicated or inflamed by the growing tensions among Eritrea, Djibouti, and Ethiopia regarding Red Sea access as well.
Use this on the ones that claim to be pro-military or pro-veteran. See what they said about HR 815 before the foreign military funding amendment was added.
The Middle East Stability Argument: Egypt
What to say to your elected official: Egypt's government has been unstable since the Arab Spring, and even now the military government is incredibly unpopular. With that existing instability, the addition of economic strain from the reduced usage of the Suez canal, the international disputes occurring because they're the main throughway for aid into Gaza, and the threat of a sudden influx of nearly one and a half million Palestinian refugees should Israel continue to push south... Egypt is looking at a possible near-collapse as we've seen in nearby nations suffering similar instabilities.
Explanation: It took several years for Egypt to really start recovering from the revolts in 2013, and it has applied for four IMF loans in recent years. The current government is unpopular to such a degree that they are looking to build an entire new capital from scratch in the middle of the desert so that they're less open to the risk of civilian uprisings; one of the primary causes for civilian dissatisfaction is economic issues.
Due to Houthi attacks at the Bab al-Mandab Strait, traffic through the Suez canal is down massively, and since the canal "represents almost 5% of the GNP and 10% of GDP and is one of Egypt’s most important sources of hard currency." (src) Various sources are reporting that trade through the canal is down 40-50%, which is putting more strain on the already unstable economic and political situation.
Finally, Egypt's population is about 110 million, but the governorate that shares a border with Israel and Gaza, North Sinai, has a population of barely 500,000. A push of one and a half million starving, injured people will, very suddenly, nearly quadruple the population of the governorate, and require extreme aid response from Egypt's government to keep alive and prevent a larger crisis in North Sinai and neighboring governorates.
The Middle East Stability Argument: Normalized Relations
What to say to your elected official: I am concerned that Israel's continued attack on Gaza is jeopardizing any chance of normalized relations with the Arab states in the future. American has put a lot of work into trying to get these various countries to normalize with Israel, and our funding of the current attacks on Gaza are sabotaging all that effort.
This one can be combined with the Iran-Backed Militias argument: Israel, in pursuit of revenge against Hamas, is setting itself up to be in more danger long-term, rather than less.
The International Trade Argument
What to say to your elected official: I am concerned about how the war in Gaza is impacting international trade and shipping costs. With the Suez Canal down to half its usual capacity and the Panama Canal raising costs and dropping capacity in response to the water restrictions, along with rising fuel costs in Europe and Asia, global trade is incredibly strained. We are being relegated to the Cape of Good Hope, Cape Horn, and the Malacca strait for much of intercontinental trade, and the macroeconomic projections are looking very bad for America.
The Domestic Economics Argument
What to say to your elected official: Many of the plans for Israeli military funding cause damage to other parts of the budget. For instance, a recent plan put forward by the Republicans of the House suggested IRS cuts in order to move that money, a plan which would impact the US budget negatively in the long term; we need those 14 billion being spent domestically, not supporting an overreaction/possible genocide in Gaza.
Explanation: In general, pick something receiving budget cuts that your congressperson will care about. I care about IRS funding, and saw it mentioned as a target in an article, so that's what I've got in my suggested verbiage up there.
The fewer people that are working for the IRS, the more they focus on auditing poor people (simple, easy taxes) and the less they can effectively audit rich people (complicated, time-consuming taxes), which means rich people are more likely to get away with evading millions or even billions in taxation. So yeah, you want more funding in the IRS if you are poor. They are already auditing you. You want them to audit the big guys.
The Russia and China Argument
What to say to your elected official: I am worried that the current focus on funding Israel without restriction is causing us to lose sight of the international threat posed by Russia and China. Russia is actively invading Ukraine, which continues to put massive strain on the European economy with regards to oil prices, especially with the Suez situation, and China has been testing missiles near Taiwan, and thus testing US responsiveness to those threats, for months now. We cannot afford to support an internationally unpopular war if we want to remain ready for Russia and China.
This is less likely to work on Republicans, since Trump is friendly with Russia, but hey, give it a shot if they're one of the ones who aren't fully in his camp.
EDIT 2/22/24: I'm a bit unsure of this tactic, but I'm putting it out there with hopes that someone with more political experience can offer feedback:
"Congress, and the US government in general, has promised to sanction Russia for the alleged assassination of one man within a week of the suspicious death, after five months of refusing to enact even slight consequences on Israel for the deaths of nearly thirty thousand, half of which are children. This is ethically questionable at best, but for the interests of elected officials, it is a very bad look. The mismatch shows a massive bias by the American government in regards to Israel's ongoing mass murder, with over two million facing famine as a result of Israel's aid blocking, and America's reputation on the world stage, as well as individual politicians' reputations domestically with constituents, is plummeting."
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Finally, my ko-fi again. I spent a long time on this and I'd like to move out of my parents' house sooner rather than later. If you appreciate my time and effort, please feel free to donate a couple bucks.
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togglesbloggle · 10 months
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Why do you think tumblr will die in only a few years?
Answer with jargon: a strong correlation between recent economic shifts and chaotic choices by major tech companies is most easily explained if the 'traditional' social media platforms of 2005-2020 are mostly a zero-interest rate phenomenon.
Longer answer, with less jargon: Even though Musk's takeover is making all the headlines recently, the last year has in fact seen major shakeups at many social media platforms, so Twitter is actually part of a trend. Almost inevitably, these are cases of social media companies trying to find a way to squeeze more money out of their userbase (Reddit), cut costs dramatically (Twitter), or both. This marks a sudden departure from a much more relaxed attitude towards revenue in the Pictures Of Cats industry, where the focus was historically more on expanding the userbase to a global scale and then counting on world domination to sort of <????> and then the company would become profitable eventually.
We joke, correctly, that Tumblr has never been profitable. But the entire structure of ad-supported content curation between human users is deeply suspect as a business model; IIRC Twitter was never profitable either, and Facebook has been juicing its numbers in very shenanigany ways. Discord was actually making money on net last I checked, at least a bit, so they're not all completely in the hole. But even if you take the accounting figures at face value, none of these companies has anything like the amount of money that their cultural prominence would suggest. Instead, they're heavily fueled by investment dollars, money given by super-rich people and institutions in the expectation that fueling the growth of the company now will pay off with interest later.
So what changed?
I'm not an expert here, but I'll do my best to muddle through. The American Federal Reserve has one mandate that dominates all others (sometimes called the 'dual mandate'), and one primary tool that it uses to enforce that mandate. The goal is to maintain low (but nonzero) rates of inflation and unemployment, which in their models are deeply interlinked phenomena. The tool is 'rate hikes', or more specifically, tweaking the mandatory rate of interest that banks charge one another when making loans.
As a particular consequence of this, hiking the rate also means that bonds start paying out much better. When the rate hike goes through, that affects people who let the government borrow their personal cash- that is, people who buy bonds- as well as institutions like banks that lend to one another. A rate hike means that you, personally, can make a little extra money by letting the government borrow it for a while. The federal government of the US is a rock-solid low-risk choice for this kind of moneymaking scheme, so the federal interest rate sort of defines the 'number to beat'; to attract investors, a company has to give those investors money at a better percentage than whatever the feds are offering. Particularly since a company is a lot more likely to go out of business than the state!
To wrap this back around to the Pictures Of Cats industry: the higher the rate hike, the better your company needs to be doing (or the less risky it needs to be as an option) to attract big investment dollars. Very high rates make it very hard to convince people to invest in business activity rather than the government itself, and very low rates put moonshots and big dreams on the table, investment-wise, in a way that wouldn't otherwise be possible. Social media companies were one of these big dreams.
In the great financial crisis of 2008, the Fed took the dramatic step of reducing their rate to zero, trying to juice the economy back to life. And ever since then, they've kept it there. This has produced an unprecedented amount of funding for very crazy stuff; it's part of what has allowed so many weird new tech companies (Uber, streaming services, etc.) to get so much money, so quickly, and use that to grow to massive size without a clear model of how they're ever going to make money. This state of affairs kept going for quite a while, with no clear stopping point; that zero-interest environment has been one of the shadowy forces in the background that shaped fundamental contours and limits in how our Very Online World has grown and developed. Until COVID.
Or rather, the bounce back from COVID: we suddenly saw a massive spike in inflation and an incredibly strong labor market, as employees quit in record numbers, negotiated higher salaries, and found better work, and at the same time supply chain issues and other economy stuff caused prices to climb dramatically. Recall the Fed's 'dual mandate', to control the employment rate and inflation. This was, basically, kicking them right in the jooblies. They responded in kind, finally finally raising their rates for the first time in 15 years. For some of the people reading this, it'll be the first significant shift in their entire adult lives.
The goal, as I understand it, is to fight inflation by reducing the amount of outside investment into private companies, forcing them to hire fewer people and pay smaller salaries, ultimately drawing money out of the working economy and driving prices back down by lowering demand for everything. You get paid less, so you eat out less, and buy at cheaper restaurants when you do, so restaurants have to compete harder by lowering their prices; seems pretty dodgy to me as a theory, but it's the theory. And the first part will almost certainly work- companies are going to see less investment.
For social media companies that are still paying most of their salaries with investor dollars instead of revenues, this is especially catastrophic. Without outside investment, they're just a massive pile of expenses waiting to happen, huge yearly costs in developer salaries and server fees. This is why, all of a sudden, every social media company is suddenly making bonkers decisions. They're noticing that nobody wants to give them any more money! So they're trying to figure out how to live a lot more cheaply, to actually somehow for reals turn their giant userbases in to some kind of actual revenue stream, or both.
Tumblr is kind of the ur-example of this kind of thing, supporting a very large userbase with no coherent plan whatsoever to start paying its staff with our dollars instead of investors' dollars. When interest rates were low and Scrooge McDuck had nowhere else to hide his pile of gold coins, a crazy kid with a dream was the best alternative available to him. But now, unless something changes, he's going to notice he can just buy bonds instead, and that crazy kid can go take a hike.
That's why I think Tumblr is living on borrowed time, though I don't know how much. Like all cartoons, the economy doesn't really fall off a cliff until somebody looks down and notices they've been standing on thin air this whole time. But they always fall eventually; that's the gag.
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AITA for only reading gay books?
Kind of exactly what it says on the tin. I have a huge home library, like 100+ books, and the vast vast majority of them are either gay romance fiction or memoirs from gay men. A lot of stuff about gay sex specifically too. The few that aren't explicitly gay are still decidedly homoerotic classics and/or written by gay authors. I have the tiniest little section of books that have nothing to do with being gay. And... even then I basically still have them for gay reasons, tbh. Like as reference for writing a period novel that's a gay romance or something.
Anyway I've had a few people including my mom see my library and note that they think I'm creating an "echo chamber" or something along those lines. Basically what's been expressed to me is that I need to value some other things. And the thing is, I do sometimes feel bad about that already? But I genuinely just do no have any interest in much else enough to read a whole book. My mom in particular insists that I'm removing myself from reality this way and I need to give other stuff a chance instead of ONLY valuing gay stuff. I would dismiss that as homophobia but even some other gay people have said similar things to me, just more with careful wording and with more focus on appreciation for literature and critical thinking and whatnot.
I wanna think that they've all just got internalized things going on but I can't help the sense that they're right. AITA?
What are these acronyms?
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Oh god now that toh ends with luz being able to travel between worlds ppl are using that to dunk on amphibia. And now that belos died ppl are using that to dunk on su.
They are different shows people! They have different themes! Amphibia is a classic take on isekai as escapism! Marcy went to amphibia to avoid her real life and while she had fun she didnt mature until after she accepted she needed to embrace change in her life! Anne matured in amphibia bc she always recognized that she has her own life to get back to! Sasha matured after realizing that too! Leaving amphibia for good means to embrace the step out of childhood! Something thats inevitable for everyone!
The owl house is about finding a community in midst of ostracization! Luz stayed in the boiling isles because she found people who accepted her quirks! The boiling isles was in danger from a bigot and luz helps her new community defeat him! Its a very queer story! Community is the center of the story so it makes sense for luz to be able to go back to the boiling isles since shes maintaining her place in the community!
Steven universe is about choosing to be kind! Its that everyone has their own specific traumas that they can overcome with the right support! Its about surviving in a world of bigots at any cost, even if it you have to work with the bigots to carve out a space for the people you love! Because people like you exist and theres nothing anyone in power can do about it! Its also a very queer story! The diamonds can never stamp out the off colors because they will always be there! Steven works with the diamonds not because he likes them but because they can improve the world for his family if only he could get through to them! Hes rewarded for choosing to be kind with success because the theme of the show is hope! Hope that anyone can change! But even though the diamonds stop being fascist steven still doesnt like them because its not about forgiveness! Its about fixing things! Stevens just polite about it!
The owl house starts off with the assumption that everyone can change but its not about the potential its about the willingness to change! The focus is on belos, whos had every chance to turn his life around but will never admit that hes wrong! And the show posits that if someone isnt willing to change theyre not worth helping! Its not about whether or not the character is fascist its about if theyre willing to stop being fascist! Several characters stop being fascist and are welcomed by the characters with open arms belos just wasnt one of them! Several characters clean up their acts but dont adequately address the previous harm they did and are STILL fully forgiven eventually! For toh forgiveness is paired with fixing things you just need to give it time!
And theres an argument that some of these shows didnt do their themes well. If you wanted to portray amphibia as an escapism world that the girls need to leave behind to get to their richer futures then having them get such caring found families go against that by giving them a potential of a good life in the isekai world. Steven universe uses the diamonds as metaphors for mental illness and relationships but its hard to stick with that when you also need to consider the countless other gems they hurt. I think its also fair if people prefer one theme over another.
But a lot of stuff i see comparing these shows just go over surface similarities? Like oh shit! These two shows have the same character archetypes! They have the same inciting incident! This must mean that theyre exactly the same in everything but names and artstyle and are trying to say the exact same things! Like. No. Sometimes,,,,,two stories,,,,,,can talk about two different things,,,,,,,
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francis-writes · 2 months
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FEYD-RAUTHA HARKONNEN NSFW ALPHABET
A/N: btw in these headcanons as well as my other posts about Dune i kinda mix movie and book versions of character
Tumblr media
A = Aftercare (what they’re like after sex)
Feyd-Rautha isn't the most affectionate person, even if you're together. He just falls asleep, hugged into you. He may help you clean yourself and take care of the wounds if it was particularly rough session.
B = Body part (their favorite body part of theirs and also their partner’s)
It would be a hard decision but if he had to choose, Feyd would say that he most likes his hands. The way they use a knife, how they engulf your neck... he loves how many lives he took with his hand and you still kiss them and want them on your body.
When it comes to you, Feyd would probably choose all these spots that he uses to make you shiver and writhe. He knows you body well and remember where he needs to focus when he wants to give you pain or pleasure.
C = Cum (anything to do with cum, basically)
In you, almost always. He sees it as a kind of marking his territory (there was that one fanfic where Harkonnens had black cum so basically everyone could notice stains and knew that they fucked and I absolutely love this headcanon), moreover he needs to secure his line and get an heir.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
It takes a bit of time together for Feyd to accept this (and even longer to admit it) but he enjoys being soft with you. He still loves violence and rough sex but he also likes cuddling with you and being petted.
E = Experience (how experienced are they? do they know what they’re doing?)
I suppose we all know the answer. Sex and violence are two things he mastered.
F = Favorite position (this goes without saying)
He can't choose just one. Missionary is good for keeping eye contact and observing your reactions. Anything where he takes you from behind, gives him feeling of control and domination. Also there are a lots of moment when you're restrained in all possible positions.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
Feyd isn't a very humorous person in general and sex is no exception. Smile is the best you can get from him.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
I'll go here with his 2023 movie look and say that he's as bald and smooth down there, as everywhere else.
I = Intimacy (how are they during the moment? the romantic aspect)
Well, he's not the most romantic person. Even if he loves you, he doesn't know how to show it except for being more delicate and caring with you.
J = Jack off (masturbation headcanon)
He rather doesn't do it. When he's horny, he can just find you or one of his concubines.
K = Kink (one or more of their kinks)
You can pry that headcanon from my cold dead hands but I think that he has a mommy kink. He didn't got much affection in his life, growing up in Harkonnen's family and in movie version he killed his mother sooo lots of issues here (in comics he was just kidnapped from parents as a small kid so not much better). Anyway, he wouldn't admit it but he loves when you hug him and stroke his head as he rests on your chest or belly. Praise him, tell him that you love him, you're proud of him and he will melt in your arms.
Also, of course, all kinds of BDSM. Feyd prefers to cause pain but he's sadomasochistic and lets you torture him as well. I won't list specific things he likes because it would be easier to list things he doesn't like.
And semi-public sex? He wants people to hear how he fucks you and to know that you're his and his only.
Perhaps breeding kink (but in Dune almost everybody has breeding kink; bene gesserit is as if somebody had breeding kink and decided to make this everyone's problem). As I mentioned, he sees this kinda as marking his territory and bounding you to him? And of course, he needs an heir (not that he actually likes children).
L = Location (favorite places to do the do)
His bedroom is the best. There's a big bed and all of his toys and tools... but Feyd isn't picky. If mood strikes him, he may fuck you on any surface.
M = Motivation (what turns them on, gets them going)
Almost everything lol
But just to give a random example, he's always horny after fight, especially if he kills someone (same if you love violence as well and kill somebody).
N = No (something they wouldn’t do, turn offs)
Hmm he's rather possesive so it may be hard to convince him to a threesome. But at the other hand, he's a hedonist so maybe he would like it.
It's hard to say what he wouldn't do because as I say later, this man is down to try almost everything.
O = Oral (preference in giving or receiving, skill, etc.)
It's not his favourite sexual thing to do, but he never refuses a blowjob. He prefers receiving, giving you oral is a rare occasion. He can do this, just usually his pleasure has priority.
P = Pace (are they fast and rough? slow and sensual? etc.)
Usually fast and rough, Feyd only goes slow when he wants to tease you or to torture you.
Q = Quickie (their opinions on quickies, how often, etc.)
Feyd prefers longer sessions when he can focus on the act and perhaps torture you a little but quickies are not far away in the ranking. As I mentioned, he has a very high libido, so it often happens during the day that he's busy and don't have much time so he just pulls you to the nearest room. And if some servant walks in (very unlikely, considering all the noises alarming people what's happening behind the doors)? Then that's their problem. Feyd doesn't stop thrusting into you, as they leave the room in hurry.
R = Risk (are they game to experiment? do they take risks? etc.)
Feyd is that type of man who will try anything in his life at least once, so take care of yourself.
S = Stamina (how many rounds can they go for? how long do they last?)
In general, he has amazing stamina (years of training paid off) but it depends on situation, like, whether you have a standard fast fucking just to satisfy your lust, or you have a whole session with long foreplay. Amount of rounds varies but he can go for a few hours.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
Feyd has a whole collection, whatever he could get. Dildos, clamps, spreader bars, ropes, whips, knives, needles, wax candles, dick rings, chastity belts, butt plugs and a few things that look like torture devices. Anyway, both of you use it rather frequently.
U = Unfair (how much they like to tease)
He loves to tease you. With his voice, his words, even his gestures seem sexual. He also likes to touch (or rather grope) you through the day. Fortunately, he has a high libido so it won't take long before he pulls you to the nearest free room.
V = Volume (how loud they are, what sounds they make, etc.)
He isn't very loud, if he moans or gasps, he does it rather quietly. But he likes every once in awhile talk to you and tease you. Maybe it's nothing special but even "How does it feel, my pet? Don't be shy, look me in the eyes" said in his low voice can make you shiver.
W = Wild card (a random headcanon for the character)
He is actually a switch. Top leaning but occasionally enjoys when you take control. And, no matter who's in charge, he's still a sadomasochist so even when he's dominating, he wants you to give him pain.
X = X-ray (let’s see what’s going on under those clothes)
Perfectly average but he knows how to use it.
Y = Yearning (how high is their sex drive?)
Probably you all expected this, but yeah. Very high. There's no day without sex and not just one round.
Z = Zzz (how quickly they fall asleep afterwards)
Rather quickly. He has a good stamina but sex takes a lot of his energy, especially considering how long you do it and how much he engages in it.
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