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#i do the very same thing honestly
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Armand says he doesn’t give a fuck about Lestat and then has a panic attack over him
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skitskatdacat63 · 1 year
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okay.
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scarycranegame · 17 days
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guys. guys listen.
if you wanna write and/or post a fanfic but are worried that no one will like it.
do not be worried. at all.
because even if no one else is interested, YOU are. you enjoy this idea. you're passionate about this concept. you should write for YOU, not for potential critics.
and even besides that, i guarantee you that there's at least 1 other person out there who would also enjoy your fic. it's essentially statistically impossible for you to be the only person on the planet who thinks the way you do, and enjoys the themes and ideas and characters and settings that you do.
write it. post it. take pride in the fact that you created something that you value. your fic exists, and that in of itself is amazing.
antis dni, this isn't about you or the graphic threats of harm you send to real people whom you dislike. get a real hobby.
proship/comship/profiction/etc. safe!
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poorly-drawn-mdzs · 9 months
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End of Empathy (time for violence)
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan jingyi#jin ling#lan sizhui#We are back to the present! Honestly I think I'm going to try and truncate the rest of this arc.#I LOVE yi-city and I really appreciate all of the support the yi-city lovers have given me. And the patience of those who aren't.#But it's been two months. And I need to move this along </3#Anyways; I love the start of ep 3 so much. The worried concern of the juniors is so cute#but the crown jewel by far is wwx responding like a parent that's very hungover but trying so hard to be nice about it#like 'shhh shhhh guys hi I'm up now. Can you keep the volume down. Can you get me some water and my sunglasses from the glovebox.'#and of course the incredible wham line of 'Xue Yang Must Die.'#'Is YX irredeemable? I'm pro 'everyone is capable of change and deserves a chance.' So Im of the camp of 'if he had the opportunity...maybe#The issue is that this setting has no structure to provide those opportunities. You are perceived as a threat therefor you must die#XY is a very interesting parallel to the YLLZ because they both meet the same fate: outsiders determining that they need to be killed#plus both did war crimes. I know it's easy to forget the YLLZ actually did do some of the things he was accused of (most wrong)#but wwx also has blood on his hands. He also sought revenge in pretty twisted ways. Both were given opportunities to step away and refused#The difference is that we empathize with and like XXC & SL and A-Qing. The Narrative says they were wronged and that is an injustice.'
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rottmnt-residuum · 1 year
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Any other LGBTQ+ Headcannons that are canon is the comic??;)
*patiently awaits Cupioromantic Donnie*
hmm... had to think about this for a while and talk about it with co-author, but here's what we got. we mostly base this stuff on how plausible it is in show/if there's evidence for it. with a dash of personal experience. This only applies to residuum, btw. I have different personal headcanons for these characters outside the comic.
april: lesbian. this is mostly based off of the fact that most aprils get with their caseys & the comment she said to dale. which could be taken as disinterest in dale specifically, but she seemed more concerned with impressing that popular girl earlier and that reads as more... saphic, i suppose. or at the very least homoromantic.
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raph: raph is just raph. we look at him and basically just *tv static*. go crazy. all we got is jokes or stuff that has too little evidence to support. so, yeah, he's whatever you want him to be i guess?
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leo: trans. already said my reason in the other post. also, gay. if gay were a power source he could power the entirety of the united states for five months straight without a single power outage. failing power grid notwithstanding (< thats the actual word. its supposed to be mushed together like that. wack.).
donnie: as much as i'd like him to be ace/aro spectrum rep, he just doesn't have the evidence in show for us to apply it to him in this comic. it's funny, for being hc as ace so often he sure is the most outwardly romantic/sexual turtle in the show lmao. one! cherry: "you're so cute, but you're so mean! why do i always go for your type?" two! astrogirl?? (whatever her name is) he is very very romantic with her. he has a type y'all. also just look at those two, he's a leg man lmao (bootyyshaker9000 anyone? ha!) anyway. and with the bromance/instant chemistry he had with that one guy in the purple dragons... Pan. or possibly Omni as he does seem to favor... cute brutal femme... Yeah. Omnisexual.
(you have no idea how fucking bad i want this boy to be ace spectrum. hes got the colors y'all!! The Colors!!!!! but alas... i am bound by my canon plausibility creed for this comic)
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mikey: ace. possibly ace/aro. he shows interest in literally no-one. we're aware that the common hc is pan but... we know a pan 13 year old, and let me tell you ahahahaha, kids going through puberty are very uncomfortable to be around sometimes, especially around their partners. or crushes. and mikey... well, that boy is ace behavior personified lmao. aces in the back you get what we mean right?? right??? anyway commiting to aroace
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#residual asks#rottmnt#i really get a kick out of he/him butch lesbian raph and ghostbear-sexual raph#but i'd never use those seriously. or at least in this comic#co-author says what they get if they really had to choose for raph is ace homoromantic#but otherwise...#he's just raph#like we can't apply any identity to him. and we really mean ANY identity. not even straight or umbrella terms like queer#its a very odd feeling#i also really like trans april but we don't have enough evidence for it#in fact there's actually counter evidence- but don't let that stop your dreams y'all. it just stops ours :P#sorry for stepping on your donnie dreams anon#but honestly i think that label applies more to 2012 donnie imo#i really do personally prefer ace/aro donnie. but i'd make everyone ace if i were able lmao#co-author would also do the same thing ahaah#i just don't like depicting romantic relationships. or attraction ahahaah#with mikey... we get why people hc him as pan... but like its a fandomism stereotype#that literally every fandom applies to optimistic friendly characters. and honestly i really don't like the fandomism stereotypes#i just find them... unenjoyable i guess#cuz like y'alll... your sexuality isn't inherently determined by your personality or vise versa#cuz like i know for sure that in fandom spaces- if i were a character- i'd be stereotyped as pan or a hypersexual cis het#to which i am neither. at all.#and co-author would be stereotyped as the demure femme book lesbian#which they are VERY much not#and i know this because i've been fandomified by people in my life more than once#it is a very uncomfortable experience y'all#whoops rant in the tags#residuum#rottmnt residuum#residuum wb
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kanansdume · 2 months
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I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.
The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.
Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.
But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.
So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.
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puppet-purgatory · 2 months
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so let me get this straight, watcher:
An unknown party is planting VHS tapes on your own set weekly, containing ad reads by:
a self-proclaimed professor
who mentions unfortunate encounters with horses
who has an 'estranged wife'
whose jacket is tan and tie and red
who is a 'gamer'
whose image flickered in like a hologram in an earlier ad read,
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and you want us to just like, not think Something Smells Fishy. OK...
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a thing about Nathaniel is that he has some of the same issues and problems as Sean, except Nathaniel successfully compartmentalized (a revolver locked tidily into a mahogany box) and is more controlled about his own descent. sharing in a different degree in it, but sharing in it nonetheless.
and there's many reasons why Nathaniel is coping significantly better—among the most important of which is he hasn't shot children, as far as we know—but I think, just as much as Sean is, Nathaniel is afraid of the person he can be. he hates himself, for many reasons going back to his childhood. I think he hates and is afraid of Lt. Trapp too, at least a little. he hides the revolver in that box and is hesitant to take it, and it is a dark place, and one he has to slowly get himself used to even thinking about over multiple days.
to use Beatrix's hole metaphor, Nathaniel has just as much a hole as Sean does. Nathaniel's may not be as deep and dark, and Nathaniel has managed to claw his way back up out of it, but it is there, and he is trying to climb a little ways down it on purpose without falling back to the bottom. and it's voluntary, and he has more control over it than Sean does in his rapidly deteriorating state, but there is always a risk against what it may to do Nathaniel to walk back into a place and state that has and can ruin and harm him as a person.
I think it's why Sean and Nathaniel seem to intuitively understand one another sometimes, when it comes to these things. even if they don't materially grasp their circumstances all the time. it's why their relationship is so easy and automatic. they have share this thing where they hate and are afraid of themselves, of that man who came back from the war.
unfortunately, that man of them both is useful for the task at hand.
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oceanwithouthermoon · 15 days
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i feel like im obligated to remind everyone that the time we see the characters spend with saiki on screen isnt the ONLY time they spend together,,, i just see a lot of people take their screen time very literally and assume that this is the case despite it being heavily implied that it isnt, and im not entirely sure why but i can guess that it may be because of the assumption that saiki genuinely hates his friends (i do also see people doing this with specific characters they dont like or that they have a specific agenda for, which i think is them being like "i feel a certain way about them, therefore saiki the narrator who gave me all the information that made me feel this way about them must not like them" which i dont really have a problem with (its just an hc) until they start arguing with people that their hc is the only right answer and saiki canonically hates that person or is only around them when forced to be LOL)
yumehara and teruhashi immediately recognize "kurikos" eating manner as saikis despite us never seeing him eat in front of them, kaido + nendo + kuboyasu bribe saiki for his homework with coffee jelly because they know hes obsessed with it despite us seeing no on-screen reason for them to know that (we do see a bit later that he walks home with them every day and he stares at coffee jelly every single time though LOL), and mera talks about saiki spending a lot of money at her workplace despite us only seeing her and him there at the same time once before..
saiki does not succeed at avoiding them, and in fact is probably not even trying to most of the time LMAO he loves those idiots. dearly.
the people i see the least true implications of him spending off-screen time with are actually, weirdly enough, the other two psychics. this doesnt necessarily mean to take that at face value and assume he DOESNT spend as much time with them, but its interesting i feel... please correct me if im wrong though cuz i would love to see more examples of these kinds of implications, for any characters actually!
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brookheimer · 1 year
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i feel very mixed on shiv's ending, particularly her choice to return to tom -- i think it makes sense from a thematic/character arc perspective and is a powerful yet devastating indictment of both shiv and the world that created her as well as showing that the cycle of abuse will always continue to cycle, that shiv will become her mother etc, but i also think it does not make sense from a character/internal logic perspective. it's a choice that makes sense from the writers, but not from shiv, not yet. it could've been a brilliant ending to her character, but is tainted for me by the less-than-ideal execution of it, which felt very rushed, making shiv's final submission to tom feel forced by the show rather than forced by the situation or honest to her character. the ending is not inherently misogynistic from the writers' side as i've seen some criticisms claim (it is a dark but real portrayal of misogyny within capitalist society and how it's internalized within the white women who end up at the hips of the CEOs who run it), but i do understand how it could feel that way. the show fails at building up to (and thus convincing us) that the version of shiv we currently know would so immediately subject herself to her mother's fate, so instead of it feeling like shiv's hand was forced by patriarchy to place herself into her worst nightmare, it instead feels like the show itself was the thing that forced shiv to take that route, which does leave a sour taste in the mouth. it doesn't feel like the result of a choice shiv would make or the impact of patriarchal society bearing down, it just feels rushed and thus wrong. shiv would've benefitted immensely from a few more episodes or even just a few scenes dedicated to teasing out her newfound willingness to subject herself to immense disrespect in order to remain close to power, but given that her entire character has always been defined by her inability to do just that unless forced to (which i don't think she was in this situation as she could've easily not waited in the car for tom, not put her hand in his, but she did), her return to tom feels hard to comprehend, and her near immediate submission to him hard to stomach.
(read more under the cut because jesus christ did this get long)
in my mind, at least, i've always understood shiv as being respect-driven rather than power-driven -- she wants power, yes, but more than anything she wants to be taken seriously and respected and seen as a legitimate player, and time and time again we've seen her blow up situations that would've been very advantageous long-term because she felt disrespected and needed to speak up and force people to take her seriously (which, ironically, typically results in the opposite). shiv's overarching goal is power, but her immediate necessity is always respect. her dignity is her number one priority at any given moment, even when it shouldn't be, even when it stops her from attaining the success and power she wants. i can kind of understand shiv going against kendall because of this -- she's always had a very, very narrow lens whenever she feels like she's being disrespected, and even though it is infinitely more humiliating for your (somewhat ex) husband to betray you and boot you out of the CEO position behind your back at the behest of your supposed closest ally (and for you to still vote for them after that!!!) than it is for you to magnanimously allow your brother to be CEO (which would publicly be seen as a choice, as telly etc said - sibs need to stand united behind one chosen CEO - rather than shiv being out of the loop and fucked to infinity), the narrowness of her vision upon seeing kendall about to win makes it impossible for her to think about that legitimately. it's not just jealousy, it's indignity: shiv feels she earned CEO through her machinations with mattson and feels genuinely sick seeing the loganified kendall grinning at the head of the table, hearing his "that's fucking right" and witnessing his cocky entitlement to the job that belonged to her. so, she does what she always does when she feels disrespected, when she feels her dignity is at stake, and impulsively blows everything to fuck, including her own best interests. that makes sense for shiv, at least somewhat -- i still think that as much as she wouldn't want ken as CEO she'd feel like at least w that outcome she'd be seen as a player and a deciding factor, whereas with mattson/tom she'd be viewed as a pathetic fucked-over nothing woman pawn etc (a situation of unparalleled indignity imo), but i can rationalize her choice to go against ken anyways as being part of the narrowed field of vision she always gets upon feeling disrespected by men in her life that makes it impossible for her to think strategically (and i guess even though the disrespect was greater and more humiliating from tom/mattson than ken, ken was the most recent most present and most lifelong source so that's all she could focus on; seeing him like logan was too much to bear). it's hard to imagine shiv publicly throwing her vote behind two men who publicly fucked her as humiliatingly as mattson and tom just did, even if the other option is kendall, but i think that's part of it -- it's fundamentally illogical, even from her disrespect-lens, because there's just something about kendall specifically being in charge that she's never been able to stomach. it's visceral and impulsive. it's not meant to make "sense." it's just what she feels she has to do to preserve her own dignity, even though it works directly against those same interests realistically. it wasn't executed very well, making it hard to entirely buy it given just how publicly humiliating the alternative is, but it can still be chalked up to her historically one-track-mind when it comes to indignity by the hands of kendall in particular. it's a last-ditch attempt for shiv to at least feel like she's maintaining her dignity, her self-respect, as counterintuitive as it actually is. it makes sense. i can stomach it.
again, shiv's fatal flaw (in logan's eyes and aside from her original sin of being a woman) has always, always been her inability to shut up and make the smart move in situations where she feels she's being disrespected or not taken seriously. if shiv stayed quiet during that dinner with the pierces, maybe she would've been logan's CEO, but no, she couldn't stop herself, she needed to feel she was being taken seriously, she burst out 'cmon, dad, just tell them it's going to be me.' she is unable to play it smart, to keep quiet, to win when winning means perceived disrespect. she's allergic to it. even on a personal level, she shoots herself in the foot constantly because of this: she is unable to let herself have the things she wants because she can't put herself in positions that open her up to disrespect and perceived inferiority. she can't be vulnerable because she needs to be respected. tom asks her if he could 'try to make love to her' in episode one of this season, and even though she clearly wants to, she says 'no, i don't think so, tom.' tom tells her he 'wants her, wants this' back in episode six, and even though she clearly wants that too, she draws back and says 'well then you shouldn't have betrayed me.' shiv is fundamentally incapable of allowing herself to remain in possibly advantageous situations when she feels at risk of being seen as lesser, of being disrespected, of being perceived as weak. that is her response to patriarchy. when patriarchal forces bear down, shiv is unable to grin and bare it -- she has a short fuse, a sharp tongue, and an inability to entertain even a second of being treated like The Woman, of being looked down upon, especially when it's for her gender. it's the one thing she cannot do, cannot let herself do, and it's why she fails to "win" over and over and over again. she shoots herself in the foot the second her patriarchy disrespect sensors tingle. she makes the wrong choice, the dumb choice, the one that makes her feel like she stood up for herself in the moment but ends up leaving her powerless and helpless in the end. that's the only explanation for why she chose to vote against kendall (the clearly better option for her long-term as she'd 1) be respected as part of the decision, as someone who helped choose the CEO rather than a Woman who got fucked over and had the door slammed in her face by her husband and close ally simply because she possessed a womb, and 2) probably be head of ATN or some other area of waystar, she'd have actual power within the company and be respected as a legitimate source of power rather than the CEO-to-be made CEO's humiliated wife -- if she was capable of making the smart, selfish choice in terms of power instead of having a hair-trigger reaction to gendered disrespect and cocky male superiority, she would have voted kendall. but she is not capable of doing that. she never has been. so she voted tom and mattson.
so what i still cannot for the life of me understand is what would compel this shiv, the one who cannot stomach indignity even when power's on the line, to immediately return to tom's side the second he beckons her, which is like five minutes after he becomes CEO (the job she was promised) by mattson (who gave it to tom instead of shiv because 'why get the baby lady if i can get the man who put the baby inside her?'). it makes perfect, cruel, devastating sense from a show perspective, and that's what most people are talking about, understandably. it's a devastating yet unavoidable, inevitable outcome. she's left with no other choice once she makes the decision against kendall, and patriarchy compels her to play the good wife to stay close to power. except, like... she does still have a choice. she does not have to go back to tom's car. she does not have to sit patiently waiting for him. she does not have to quietly congratulate him on his victory. she does not have to place her hand in his. these are all choices she made very voluntary. they're choices between maintaining her dignity and self-respect at the cost of future power versus maintaining the potential for future power at the cost of her dignity and self-respect -- the classic siobhan roy conundrum. she's been faced with it time and time again (even just five minutes prior with kendall) and she has never, not once, chosen the latter of her own volition. she hasn't been able to. that's her fatal flaw. maybe i could stomach her going back to tom if she didn't congratulate him, didn't place her hand in his when he expectantly held his out -- then some dignity would be preserved, maybe. but her complete and total submission for the sake of future power does not make sense with her lifelong inability to do just that. it makes sense that this would be her eventual endpoint, but we have seen nothing that implies shiv would so willingly subject herself to this feminine submission of wife and mother before person or source of power, to the complete and utter humiliation of being the quiet wife at the side of the man who knifed her in the back (and notably handed said knife by the man she thought her closest ally) in order to steal the job she fought for her entire life and, in her opinion, had earned. maybe she would come back to him eventually, for love or (more likely) for power, but it is incredibly hard to believe that shiv 'impulsive when faced with indignity' roy would be capable of immediately and publicly playing the role of the good wife after such intense and public humiliation at the hands of her husband.
really, the way i feel about the shiv ending is similar to how i feel about the daenerys ending -- unlike most people, i really wasn't that against the daenerys outcome. i thought it made a lot of sense and was interesting, devastating, and fascinating. i thought there had been a few signs all along and that that ending for her would make sense and be far more interesting than a Hooray ! Girlboss ! ending. however, it was poorly executed -- it was rushed. it did not make sense from where daenerys was at that point in the text. it could've worked, it could've worked brilliantly, but it needed more time to build and fester in order for her ultimate turn to feel earned rather than forced for the sake of the point the writers wanted to make. that's kind of how i feel about shiv. i get the ending and i don't think it's inherently bad or misogynistic or anything, but it feels like the writers saw the possibility for a shiv 'mommed' ending and immediately took it, with little regard to what actually made sense for shiv herself to do in that moment. outcome > character. that's frustrating for me particularly for succession because my like number one reason for adoring succession as much as i do is their consistent refusal to operate the way most media does (using the characters as instruments to achieve the plot/outcome the writers want), instead prioritizing following the characters themselves in a way that feels honest and real. it's character-driven, not plot or ending driven. i think that this fell by the wayside a few times in the latter half of this season simply because there was so much that needed to happen in such a short space of time (especially during the finale), but in my opinion, at least, the most egregious case is shiv. given more time, more development, more build-up, the last shot of her hand in tom's would've struck the chord the writers wanted it to -- and for some people, it did anyways! but for me, it rang out and fell nauseatingly flat. it felt hollow and wrong and unearned. shiv could end up becoming her mother, that feels entirely possible, but not in this particular sense, not yet. in what world would siobhan roy willingly choose to be seen as nothing more than a woman hanging off her husband's arm, especially when said husband had publicly humiliated her and ruined her entire life just five minutes prior? when, just five (metaphorical) minutes prior, she was the one poised to be CEO and everyone knew it? when now everyone will see her on tom's arm and whisper and gawk? she has become her worst fear, yes, but unlike kendall, it does not feel earned. it does not feel like she has actually become her worst fear. it feels like the show forced her to. not patriarchy or the situation or her own desire for power, but the show itself. that's what feels so shitty.
i wouldn't necessarily call the writing misogynistic as a result of this, as it's less a flaw of misogyny and more a flaw of bad, rushed writing that could happen to any character. it's the same as with daenerys -- although (somewhat unlike succession) there were many, many aspects of GoT's writing that were deeply misogynistic, especially in the last season (just look at fucking brienne), the core issue with the daenerys plotline is not one of misogyny but of time. they did not give daenerys the time needed to become the version of herself seen burning down the city. that could've easily been a focus of previous episodes, but it wasn't. they simply did not develop her enough for that turn to make sense yet. it could make sense, hypothetically, at some point down the line, but at that point it felt sudden, off-putting, and wrong. shiv could easily become her mother. that's been made evident especially regarding her relationship to pregnancy/children, love, and vulnerability (or the lack thereof). but for this ending to make sense, we would have needed to see signs of shiv imitating her mother's willingness to be relegated to the sidelines, to bring out the food while the men eat and make deals, in order to remain tangential to power. that is a concession shiv roy had never been willing to make prior to the last five minutes of the entire show. other signs of shiv imitating caroline or falling prey to patriarchal norms throughout the show are not enough to undo shiv's fundamental refusal to weather gender-related indignity even when doing so would benefit her. in my opinion, that's why the final five minutes of shiv's plotline were so unsatisfying.
shiv could become her mother, and her ending could be a devastating portrayal of the inability for even rich white women to escape their original sin of being a woman in a man's world, as well as a dark, ironic criticism of both women like shiv and the patriarchal world that breeds them into existence. but because the show did not develop shiv in this particular direction and because her entire character thus far has been defined by her self-destructive insistence on being respected at all costs, shiv's ending did not land the way it could've, or should've.
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Penny Lamb 🤝 Ricky Potts
Love is the closest you come to another person because it is the closest you come to being another person
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captainpangolin · 5 months
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Anyone else think it's weird that only like half the ghosts in bbc ghosts have spooky powers? Like okay I get it, and I know they don't need to have powers, and this isn't really a criticism, I just think it'd be... neat, y'know?
Honestly tbh it's one of the few things I almost prefer about the cbs version - I like how they expand the lore and give almost all the ghosts powers, it makes things interesting. Trevor and Julian can move things a bit, Thor and Robin can fiddle with the electricity, Mary smells like smoke, Flower gets you high, Fanny can be seen in photos, Isaac smells like dysentery, Alberta can be heard singing, Hetty's husband makes you horny, and Rebecca Wisocky has implied Hetty has a power different to the one the other ghosts thought she had (sending people to hell), so there seems to be an expectation that each ghost in the US version has a power/ability even though not all of em have been revealed yet (i.e. Sasappis, Pete, Crash, and ofc Hetty). And it's the expectation of powers that makes me think it'll be all of them having one as the show goes on. Only 3 of the core cast of 8 ghosts (not including Crash, he's even less relevant than my guy Humphrey) do not have CONFIRMED supernatural abilities. Compared to BBC Ghosts, it's definitely a bit different.
I'm reminded by what Nigel said about Isaac's power - that he still has an effect on the living world from beyond the grave. So it kinda saddens me more than anything that the other 5 ghosts don't have anything like that, yk?
I just-- wouldn't it be cool, and hear me out, if the other British ghosts could do something in that way? Like okay I think it was kingofthefrog's Ghost Swap AU (it's on ao3 and plot bunnies on tumblr) suggested that Kitty can be heard with a spirit box? That's genius. Kinda like Alberta's thing where her singing can be heard and Alexa hears her. I'm not a very creative person, but what if the other ghosts are walked through and it makes the living person feel a certain way or they have an unusual reaction? For example, Kitty walks through someone and they get the giggles and/or dance fever, or it's Thomas and they're suddenly depressed and/or romantic and/or Scottish, or it's Captain and they get butterflies in their stomach/they get all lovesick or their heart starts hammering and/or they're really anxious or get the sudden urge to listen to Kylie Minogue, or it's Humphrey and their neck hurts real bad and the Marseilleise is stuck in their head. Some of those I'm kinda joking but I just think it'd be neat, okay?
Let them have some nifty and/or stupid ghosts powers pls it would be so awesome it would be so cool etc etc
(I mean, BBC Ghosts is ofc over, so... it's not happening. In canon. 😈)
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thedrotter · 4 months
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cw BLOOD!!!!
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2003 Kinder Yuuichi doodles motivated by this one battle sprite of him with this goofy face ... (also 2003 shunsuke appears there too did I need to draw him differently from my design of him no did i do it anyway yes)
Wanna doodle him more but first I'll be figuring out what's being said in the game ... Do not want to mischaracterize him even if he's slightly different so for now THE SILLY
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randomminty · 2 years
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Ive only got sv in the brain right now
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sonknuxadow · 7 months
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people are always talking about what sonic games they think should be remastered and honestly. i dont think i want a full on remaster for any sonic game not even the ones i really like. i think if they wanna bring older games to current consoles they should just port them mostly unchanged aside from maybe adjusting the controls and other necessary changes
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dootznbootz · 3 months
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I honestly get a little annoyed that people will act like Penelope wouldn't be in the Fields of Punishment alongside Odysseus :P
Because she'd either go with him or literally be there because of her own things. I mean...She's not that nice either. They're literally "likeminded", all the war crimes he would tell her, she'd be thinking "Oh!!! Good thinking!!!" The only thing is, she just didn't GET to do those war crimes because she wasn't in the war. She would scold him for the stupid things he did acting like she's never done the same or wouldn't do the same.
Also as if she wouldn't also tell Polyphemus her name? Maybe not exactly, but she'd do something JUST as prideful/dumb eventually. BECAUSE THEY'RE SIMILAR. SAME MIND!!!
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