Tumgik
#i do talk a lot about ships etc. but the way i watch shows is literally just in the way they were intended
lenievi · 10 months
Text
you know, I expected La'an to pull out his file to check on Kirk (since we know she did read his personnel file before) but her actually calling him and making him aware of her own existence, feels a lot stronger, but also it might be hinting at a possible future development (let me dream okay lol)
looking at just his photo would feel kind of final, but her talking to him just doesn't. It opens possibilities because Kirk now knows her.
7 notes · View notes
icarusallusion · 14 days
Text
One of the main reasons I've been so fond of Otasune since I first knew it was a thing was because I think they're genuinely one of the purest forms of love in Metal Gear.
Tumblr media
Throughout the series we see horrible relationships between horrible people trying to get by and then that relationship gets dragged through the awful scenarios they live with, be it war, internal struggles, infidelity etc. Despite this common place struggle with so many other characters, we see Otacon and Snake steadfast loyal and healthy throughout every struggle they go through.
They may not be an official couple, but they will always stay the most communicative relationship even outside of shipping. I see people joke about how Otacon kind of bosses Snake around (especially in MGS4), but I always saw it as refreshing. In the series, there is so many times where x character does something horrendous and y character just sits aside and silently sulks about it.
But this doesn't happen, like at all, with Dave and Hal. There are many times where Snake doesn't think about consequences to his actions as a general rule of soldier, however Hal has never been a soldier. So when these things happen, Otacon tells him off and it's something Snake genuinely needs to hear. It's something human, away from combat. Because Otacon is one of the very few characters that talks to Snake as a person, as a human, not as a soldier or fucked up clone baby.
Snake has gone his whole life scrapping the bottom of the barrel to stop feeling so lonely, he flirts with every woman he sees, he attaches himself very easily onto superiors, etc. Snake is a man who has spent his whole life trying to appeal to people, to get the praise he was never allowed as a child. Otacon gives him the comfort he never got. While any military superior can say Dave is the best of the best. None will look him in the face and tell him he has to live to just live.
Hal also opens a lot of doors to Snake's own discovery about himself. While this next point might sound a little cringy, stick with me. People may joke about the anime interest Snake and Otacon share, but it always came across so genuinely sweet to me. Snake's only interests up until he met Otacon have been, stop feeling lonely and war. I think even part of his musher life and interests within sledding can contribute to part of this. I mean come on, not even a regular musher keeps 50 dogs in their house and dogs are a natural remedy to loneliness. But in all seriousness, David refers to the huskies as his only family and I don't see him connecting with any other mushers he works with, it reads as him wanting to not be alone while also still being so lonely. As well as how mushing is considered a more normal interest than being an otaku, especially in the early 2000s. Mushing is a sport, and being an Otaku was pretty much unheard of or hated. Watching this guy who has been stuffed full of war propaganda scream a dorky "falcon punch" and "ninjutsu" with his best friend is so heartwarming in a way.
As well as Otacon's whole meme turned question of "do you think love can bloom on the battlefield?" Is something that I think Snake needed to be asked. It's probably been something he's been thinking about. It is also one of the most human things Snake asked throughout the game. About finding love in fear. Otacon constantly prods into Snake's heart and brings out the good in him.
Not only does Hal open up a space for Snake to have genuine unashamed interests and show true pure humanity. He also shows off their childhood. Both Hal and David never got proper childhoods. They connect that with each other through cheesy animes, talking about uncertainty in love, finding out what life is all about, navigating feelings, and through that damn cheesy handshake hug. It's all genuinely pure and wholesome love that connects what they didn't get to explore in childhood with one another. When Snake opened that piss covered locker and saved Otacon, he brought his own salvation into his life without knowing it. The very presence of Otacon saved Snake. It's why MGS4 felt so depressing for me especially, the strain between Snake and Otacon left a hole in my little heart and made Snake feel even more hopeless.
I also want to talk about how Snake benefited Otacon.
Otacon begins as cowardly and timid, he's an incredibly insecure character that struggles to connect with others, probably stemming from the issues in his younger life. When he meets Snake, he's faced with someone he could relate to that has an outward appearance that makes him seem so much more confident than he is. Snake is not this, he's as insecure as Otacon. Indirectly, Snake is the whole reason Otacon gets on his feet to take action against terrorism, takes action to become a better person. Snake shows Hal that he doesn't haven't to be strong to do the right thing. Throughout time, Snake helps Otacon come to terms with his own self worth and issues.
In MGS2, it has one of my favorite examples. The infamous bro hug scene.
Tumblr media
Before it, this is when Otacon allows himself to open up about his childhood, not even just Infront of Snake, Infront of Raiden too. This showcased such a development in his character because he's proudly talking about it, while even through tears he doesn't hide it anymore.
Did you know that during that scene if you pan the camera to Snake, you can see that he is crying too?
When Hal has a breakdown over his sister's death, Snake is there to comfort him as well as tell him how it is in bluntness with a hand on his back that he needs to save people. It isn't cold or callous, it's letting Otacon know that he has something worth fighting for after a loss like that. Then when they face one another, they embrace each other and Snake tells Hal that he believes in him. Hal spent a lot of time as a scientist, hoping for someone to believe in him, while Snake puts all of his belief into Hal.
I can never forget the iconic "You're the only god I can pray to, Otacon" line. Snake has a deep loyalty, love, and belief in Otacon that Otacon has never been truly given before.
They both, in turn love each other till the end of their lives. Their love was one of the most heart wrenching and beautiful things in Metal Gear Solid and it's no surprise it captivated so many people. Their relationship, whether you ship them or just see them as a bromance. There is no denying the love they feel for one another as friends or lovers is one of the most iconic and sweetest bromances out theres They have impacted so much pop culture and I love them forever, as I'm sure many of you do who read all the way to the bottom.
429 notes · View notes
comicaurora · 2 months
Note
In the latest trope talk you used Odo as part of your examples. I think You've talked about Star Trek: The Next Generation before but not Deep Space Nine and I just had some questions about what you thought about the show.
What did you most/least enjoy about the series?
What did you think of DS9's syndicated episodes compared to contemporary trek's (TNG, VOY) episodic nature?
How do you feel about the Dominion storyline as a whole? Did you feel like it went against Star Trek's utopian future?
Which characters stood out to you the most/had the most engaging development?
What do you think gagh tastes like?
Any other thoughts about the series?
Tumblr media
Oh man, DS9.
I have this very consistent pattern of thinking that the star trek I have most recently watched is the best star trek. When I watched TNG it was the best because of its standout episodes that let Patrick Stewart and Brent Spiner show off. Then when I watched Voyager it was the best because Janeway was incredible and 7 of 9's arc was a beautiful iteration on the "inhuman character explores humanity" star trek trope. Then when I got to DS9 I was like "Oh, so this is what actually good Star Trek looks like." I do think I'm actually right this time, though.
I think they really took advantage of how different the core premise of the show was from previous Star Treks. Because the setting was very consistent, the episodic variations on the formula weren't dedicated to seeking out Weird New Shit, but to focusing on the characters and their dynamics with one another. Correspondingly I think the best thing in the show is the character writing and how everyone's arcs are built up. This was something I think they were building towards with the previous series; TNG would occasionally have character-focused episodes, but for the most part everybody on the ship operated like a well-oiled machine, inputting the Weird Thing Of The Week and outputting a solution. Voyager destabilized the formula by yeeting the heroes halfway across the galaxy and well outside the safe confines of federation space, so you got a lot more opportunities for drama caused by limited supplies or existential despair, and a lot more character-driven conundrums without clean or flawless solutions. DS9 is kind of the apotheosis of this shift away from "seek out new life and new civilizations, boldly go etc etc" because instead of our heroes briefly interacting with Bajor and then fucking off into the end credits, they're sitting right on top of a planet undergoing tumultuous social restructuring after the end of a long and horrible military occupation, and they're there for 7 seasons. Because they aren't following an adventure-of-the-week formula, absolutely everything they do has consequences they have to deal with later down the line, and that lends itself very well to longform character arcs.
I liked the Dominion storyline well enough, and I think the existence of an evil space empire to fight doesn't preclude the Federation being a utopia. Utopias are internally perfect systems, not worlds that have absolutely no conflict. I think the part of DS9 that does undercut the utopia is the whole thing with Section 31, but I think that's part of a very intentional move on the writers' part to highlight that Section 31 is not as necessary as they think they are, and that doing all this stuff unethically is a moral concession and a shortcut that demeans the principles of the Federation. That's part of why I like that they serve as a nemesis to Doctor Bashir, who has very personal reasons to despise the idea of taking the easy way out.
Character-wise, I have very predictable favs. Jadzia Dax is fascinating to me, and I love the way they play with her past lives and centuries of experience to create this very layered character packed with plothooks. Also I have very simple tastes, and "woman fills narrative Man Role trope and nobody is weird about it" is an itch I so rarely get scratched despite how not complicated it is. Jadzia gets to be a swashbuckling romantic hero with a tragic starcrossed lover; she gets to be a wise yet cheerful mentor to Captain Sisko; she gets to be a noble warrior honoring debts from a lifetime ago. And I adore how her dynamic with Sisko plays out over the seasons - another completely uncomplicated trope I so rarely get to enjoy, male and female leads who are profoundly ride-or-die for one another and have absolutely no interest in making out. I am still so mad about how Jadzia gets iced, but that doesn't mean I don't like Ezri, and there is something very beautiful about how when she gets Dax'd and her existence becomes an absolute mess of confusion and conflicting memories and she doesn't even know who she is anymore, her single point of stability is Sisko.
That said, Garak is probably my overall fav. The man is an absolute drama hound and since he's not technically main cast it's a rare treat to get him focused on. He is so much fun on a rewatch when you can see exactly when and how he's lying and when he's telling the truth in a way that everyone thinks is lying, and what I think is most interesting about him is how absolutely everybody else on the station has him figured out. There's this "I know he knows I know they know" loop underlying almost every interaction. Everyone knows he's a spy, he knows everyone knows, and they're all just vibing anyway. It's like his entire character is built on telling the truth in a way that sounds like a lie, to the point where it always manages to surprise people when he does something absolutely ruthless. He's been saying he's a bad guy the whole time! People seem to keep forgetting!
Also, fun fact, the very first chunk of DS9 I caught was the back half of the episode "The Wire", and when I was mentioning this to my dad, I was like "yeah I don't remember their names but these two guys seemed extremely married-" and he immediately went "oh, Garak and the doctor?" so that's very telling I think
290 notes · View notes
stormdragon23 · 17 days
Text
My Top Solo Leveling Ships
Wanted to talk a little about them, so I'll just list three main reasons why I like them otherwise this post will be endless. There are a lot of other ships I like, but these are the main ones
It's a little unhinged, but that shouldn't be new
1. ChoiBaek
Tumblr media
This shouldn't be a surprise
They are aware of the other's intentions without needing to tell each other. They both read other people and each other very well. The only reason they don't get along is because when both of them want the same thing (recruiting Sung Jin-Woo, a gate in the area, etc), they are both very willing to fight for what they want and use their perceptiveness to their advantage. One of them doesn't mind having his thoughts being known while the other minds a lot
They both want their guild become stronger but not at the expense of their members. They have the same morals, but the actions they take because of their morals are different. Baek Yoon-Ho wants to make his guild stronger by focusing on what his members need as individuals (paying them more, training new recruits with stronger and more experienced members, etc). Choi Jong-In wants to make his guild stronger by focusing on improving how the teams work together (hunting in a orderly way to minimize injuries as much as possible, taking a leadership role to make sure none of the members are falling behind, making sure the teams are adequately prepared, etc). Both of them care a lot about other people, though they don’t make it obvious to others
Both know the other is strong (Choi Jong-In defends Baek Yoon-Ho when Sung Jin-Woo thinks Yoon-Ho is struggling during the Jeju sparring match while Baek Yoon-Ho is aware of Choi Jong-In's strength during the Jeju Raid) but tend to underestimate themselves (Baek Yoon-Ho believing he wouldn't have been able to win against the Japanese S-Ranks when he held out for a while on his own against two of them, and Choi Jong-In seeing his title as "a joke" after comparing himself to Sung Jin-Woo when he always has to limit how much of his powers he actually uses because of the people around him or the environment he is in)
This got long anyways... sorry. The others are shorter
2. SungPark
Tumblr media
I wanted to see them more than the main couple
They are both selfless to the point where they make sure others are alright before taking care of themselves
They both want their family to be safe and happy and make taking care of their children their priority. Park Kyung-Hye tells her son it's okay for him to be a hunter, even though it's the reason why Sung Il-Hwan is gone, and she understands that it's something both her husband and son feel like they need to do
The way Kyung-Hye kept waiting for her husband to return home and knew the exact moment when he wouldn't be coming back Ripped my heart to SHREDS-
They were so in love laskdjfasdlf
3. MinLee
Tumblr media Tumblr media
AKA younger!SungPark
Both of them have similar trauma, so they're able to help each other, especially since they're both retired
Even they have trauma, they have put their fears aside to help people more. Both participate in the last Jeju raid despite Min Byung-Gyu being traumatized from the last one and Lee Ju-Hee being traumatized from her previous raids
The way Lee Ju-Hee hardly showed up after she told Sung Jin-Woo she was retiring and Min Byung-Gyu barely being mentioned besides his trip to Japan before the Jeju Raid? There's so much potential for them to actually meet-
I see them as the "bunny couple"
4. ChulWoo
Tumblr media
This was actually one of the first ships I really got into
The way Woo Jin-Chul knew Sung Jin-Woo from the beginning and was watching Sung Jin-Woo get stronger without realizing it at first
The way Woo Jin-Chul looked at Sung Jin-Woo in the new timeline when he remembered the previous timeline-
Honestly, in my opinion, Sung Jin-Woo had more potential with Woo Jin-Chul than Cha Hae-in. Like, Sung Jin-Woo avenging Go Gun-Hee not just for his sake but for Woo Jin-Chul? Sung Jin-Woo actually trying to not give Jin-Chul a headache but failing? I love their dynamic
5. HeeSeok
Tumblr media Tumblr media
This is probably the most cracked ship out of these, but it's cute
Both of them have a caring, almost parent-like nature (Park Hee-Jin looking after Han Song-Yi during the Red Gate and Eun-Seok looking after and warning Min Byung-Gyu during the third Jeju Raid)
It's actually possible for them to have known each other despite it not being stated in canon (Eun-Seok was a member of the Fiend Guild, and Park Hee-Jin could have been a member of the Fiend Guild as well before leaving for White Tiger. The game might change this part about Park Hee-Jin, but I'll stick with it for now)
The way Eun-Seok wears a scarf with his hunter's outfit, and then Park Hee-Jin gets stuck in a frost Red Gate? And Park Hee-Jin looks somewhat okay despite it being cold, so it seems like both are fine in cold environments
Actually, in my monarch/ruler AU, Frost Monarch!Eun-Seok could be the reason Park Hee-Jin gets stuck there in that Red Gate...hmm
Feel free to ask for more of my thoughts and talk about your own below
59 notes · View notes
rifari2037 · 20 days
Text
Is Zutara other version of Dramione?
Tumblr media Tumblr media
I used to be huge Harry Potter fan, I watched all the movies and read all the novels. I shipped Romione at that time, in fact Romione/Grintson was the reason I love Harry Potter series.
But, I don't mind with the idea of Dramione. I found it interesting, though. Once, I made a love triangle fanfic between Hermione, Ron, and Draco. I mean, who can blame the fans if Tom Felton played Draco Malfoy in that series?
The question here is, is Zutara another version of Dramione?
For the enemies to lovers trope, yes. But, that's it! Because there is huge differences between these pairs.
I'm pretty sure, people ship Dramione because of the actors. It doesn't make sense if the ship come from the characters or arcs. Because, Draco has no redemption arc. Also, Draco and Hermione never shows relationship development. They're enemies 'till the end of the series, or maybe not enemies in the very end of the movie, but not friends too.
In the original series, Draco isn't a complex character. He is a villain, raised to be a bully, racist, and coward. Compare with Saverus Snape, who has good and bad side, I don't remember Draco has good side in him. He might hesitate to kill Dumbledore, but that's because he's afraid and there's nothing to do with morality. Until final battle, he and his family run away from the battle like a cowards.
I never read Dramione fanfic, but I think the redemption arc and Draco's good side only happened in fanfic, which is fine, that's what fanfic for.
Now, let's talk about Zutara.
Zuko has the best redemption arc and it's canon. Even when he still villain, he has good side and morality. Zuko is a complex character, in fact he banished because he has good in him. He lost his way and find his destiny by himself.
This redemption arc makes the 'enemies to lovers' trope between Zuko and Katara make sense to be canon. People not only love this ship because they look good together, but also because of their storyline and relationship development. They build connection, saved each other lives, and complement each other in the battle. All of those are canon.
And I haven't even talked about their symbols (yin yang, fire water, sun moon), their parallels (blue spirit and painted lady, their childhood trauma, their closure), Omashu reincarnation, etc.
Tumblr media Tumblr media
This is a big difference between Dramione and Zutara. In the show, Zutara has a lot of materials to be canon while Dramione has none at all.
55 notes · View notes
gunsatthaphan · 4 months
Text
✌🏻✨ ~ 2023 wrap-up ~ ✨✌🏻
another year gone, another post no one asked for djkghdf
I normally don't talk about personal stuff on here but like in the previous year I wanted do a little recap and give shoutouts to some lovely people 🧡
Tumblr media
It hasn't been an easy year for me, I started a new job which has been stressful and annihilated my work-life balance which resulted in me being sick a lot & just being stressed for most of the year lol. I barely found time to maintain this blog which may not seem like it on the outside since I somehow managed to frequently post but it's been difficult. I know I don't have to be online 24/7 but the fear of slipping into irrelevancy due to lack of content remains. I didn't have much time to watch bls & asian shows in general which I still consider my safe space and escapism so I'm resentful that I didn't get to fully take in and enjoy the things I'm passionate about and make content about them like I did in the previous years. That being said thank god for all the weekend shows that I did manage to watch and fully focus on like Only Friends and now Cooking Crush and Cherry Magic. Those have been life savers lol and also thank god for all the talented creators who gave us tons of content; I will mention some of them below.
But aside from my personal schedule and despite not watching a lot of stuff, I still tried to keep an eye on what's going on in the BL world for my monthly breakdowns, which I still enjoy making and I will likely continue them in 2024. I also came to the conclusion that 2023 ended up being another rendition of quantity > quality in the BL-verse so not much has changed lol - not that I expected it to. We got a wild and extended mix of different genres and subgenres this year which was nice to see. We saw companies & actors experimenting a lot (with varying results), we got new ships, new fandoms and new enemies, as well as a variety of comebacks and retirements. My watchlist this year was limited to Thai BLs and my blog mostly consisted of gmmtv related content and like I said, if I had had more time I probably would have explored more different shows - but I eventually resorted to what's familiar. I guess I needed an anchor in midst of all my personal chaos lol.
But despite my short list, there were a few gems that I enjoyed. The big ones like Only Friends, Moonlight Chicken, Be My Favorite, etc., and the small, less popular ones like Be Mine Superstar, Mission Fan Possible and a few more. I enjoyed talking to friends & making content about them in the limited timeframes I had. My opinions mostly matched those of the general public but unfortunately there were a few disappointments that were bathing in a success that I could not wrap my head around - Dangerous Romance and A Boss and a Babe being at the top of that list, followed by La Pluie and also a few of the lakorns I watched. But anyway.
Anyone who knows me knows my blog has been 83% FirstKhao this year lmao, they're my favorite people in this industry and watching them act, interact & making content about them has been one of my highlights. I'm excited to see what 2024 brings for them and even if it's not a series, I'm looking forward to seeing what else they will be up to 🥺 🐈‍⬛ 🐈
I'm going into 2024 with mixed feelings but above all I hope I will get the chance to expand my watchlist a little. I will post a personal top10 of the shows I watched this year shortly; until then I want to talk a bit about some lovely people this year - I’m not good with words lmao but thank you for being you and making this hellsite a better place 🥹 lol.
@leonpob - bestie!!! 🧡 our BL opinions have drifted apart this year lmao but who's to say friendships are solely based on mutual opinions. You're the best, stay the way you are and here's to another year of sharing thoughts and hopefully finding more shows to watch together (no matter if trash or not lol) 😉😘  @mayalunas - ahhhh I loved talking to you sooo so much this year, we agree on so many things that I'm convinced we share the same BL braincells lmao. You're one of my favorite people on this website, thank you for being such a good listener and a positive & supportive person to talk to 🥺 I hope you have the best 2024!!! ily!!! 🧡 @khunvegas - GURL idk where you went this year or if you still exist sdjkds but just know I haven't forgotten about you and I miss our talks 🥺 come back pls thank. @my-wandering-rabbit - I love our random out-of-context talks once a month lmao, I appreciate you and I hope we will continue our ritual of me watching shows and you asking me questions without watching them kjsdhg @bl-recs-and-reviews - Bestie!!! I love our catch-ups on Discord, you were one of the first people I ever talked to like 4 years ago? crazy. look at us. I still love you, you're the sweetest and I love talking to you 🧡🥺 @dreamedofyou - ahh I absolutely love your blog!!! I noticed you a lot in my notifications this year so I wanted to say thank you so much for interacting with my unhinged content (mostly FK related lmao) - We haven't talked a ton but I think of you as a very nice person and I hope we can talk more next year 🥹🫶🏻
and then of course some more shoutouts go out to all the wonderful and talented creators out there; I will never be able to tag all of you so sorry in advance but here are a few that I appreciate, some of which have also mentioned me in their wrap-up posts so thank you for that!!!
@taeminie @seatawinan @loveisactivated @forcebook @jimmysea @guzhu-furen @daymork @itsallaboutbl @seatawinans @blneobin @blmpfff @wanderlust-in-my-soul @pranpat @milkpansa @raypakorn @ahxu-laowen @forcebookish @forcebookcorner @morkofday @chinzillas @seajimmy @dimpledpran @i-got-the-feels @bengiyo @benkaaoi @25shadesoffebruary @moonkhao @smittenskitten @respectthepetty @earthfluuke @pharawee @khaotunq @khaotunqs @pranink @gabrielokun @piningintrovert @zhaozi @markpakin @firstkanaphans @firstforkhao @khaotungsfirst @wen-kexing-apologist @firstkpp @firstmix @bunnakit @khaothanawat @alienwlw @ffirstkhao (I can't tag the last 4 for some reason..)
have the best 2024!!!
🧡🧡🧡
92 notes · View notes
stagefoureddiediaz · 7 days
Note
Hi Kym! I apologize if you have answered an ask like this before, but I am curious for your opinion.
You've talked a lot about how intentional all the Buddie parallels are in terms of costuming for several seasons now, both with Buck and Eddie together, then with their respective girlfriends, and in comparison to Bathena. We are now even getting throwbacks to season 2 and Eddie's first episode with Buck's stonewash jeans! Tim is adamant in interviews that he never planned this bisexual awakening in advance (we know that Eddie was originally meant for Maddie ofc) and that he doesn't know where the characters are going yet, but even Oliver has said he intentionally leans into the Buddie of it all with his acting, or at least into Buck's then-presumed bisexuality.
My question is, with just how pointed and intentional the costume choices have always been, is Tim is lying? Or are the costume designers secret Buddie shippers and intentionally lean into this storyline too? How much of what we see in terms of costuming is the decision of the show runners/directors vs creative expression of the costume designers? Is there a point in the show for you where it became clear how intentional it was becoming with the costuming, where they may or may not have said, "we're going to commit to telling this story in subtext until we are allowed to tell it overtly"?
Thanks :)
Hey Cookie-Kat!!
How lovely to have you in my inbox, and what a great question!
putting my answer under the cut - because it got long!!!
The answer I give is going to have to be a bit vague I'm afraid because the reality is that as I don't work on the show and I'm not 100% sure on the set up of their various departments, I can't categorically state how they are going about things in 911 land! I can share my experience and knowledge of how things can be done and try to give you some sort of framework - but I can't definitively say that this is how they are doing things.
First up let's address the whole Tim lying thing.
Tim is all about subterfuge in interviews - its literally his job as a showrunner. I would take every thing he says in an interview with a giant grain of salt. the entire purpose of his interviews is to tease and hook people, without giving anything way becasue why would he spoil all the things he has planned that make people watch the show he is creating. If he came out in an interview at the start of the season and said
'yeah, we're going to do a cruise ship disaster and all these things are going to happen, and in episode 4 Buck is going to get kissed by a guy and figure out he's bi and Eddie is going to find out his girlfriend was a novice nun and its going to send him into a catholic guilt spiral, and maddie nad CHim are going to get married, but x, y and z are going to happen before they can get down the aisle'
Why would anyone tune in to watch the show? we'd already know what was going to happen so there wouldn't be any point - there would be no buzz and the viewing figures might be ok, but they wouldn't be remotely close to what they are. I know for a fact I probably wouldn't be tuning in - people like to be surprised, they like to speculate - we in fandom take it to a higher level, but even the general audience speculate - water cooler conversations about what you watched the previous evening and how you think it's going to play out are part of a show's appeal - part of how it keeps people watching - shared experiences are a powerful commodity, especially in network television and they cannot be shared if we all know what is going to happen.
I would also add that this season is the most explicit acknowledgement of buddie that we've had in interviews and that means something. The show - writers, actors etc have all been incredibly careful before no to ensure that they haven't crossed over into queerbaiting the audience - which is something I really appreciate them for. But this season, things have definitely changed. whether that is down to being on a new network, that actually has a marketing strategy and that actually seems to care about the show and the stories that they have wanted to tell, I don't know, but it is so refreshing and exciting to see.
Tim is a clever person - he knows exactly what he is doing and every single season, without fail we have him saying things in interviews that can be read in multiple ways - none of them have ever been lies - subterfuge is the name of the game - then if you reread them in the aftermath of the season, you can see what he said did in fact play out as he hinted at - he has the context that we didn't have at the time and that is why he can subvert and talk his way around things.
I genuinely don't think Tim planned to give Buck a bisexual awakening from the start - we know he never planned on the buddie of it all, but a good writer will go where the characters take them. As soon as you create something and put it into the hands of others (the actors, directors and crew) things can very quickly take on a whole new direction and a life of its own.
If you ask me, I genuinely don't think Buck could've had a bi awakening before this point - it wouldn't have made sense from a narrative perspective (and his death and rebirth actually make the perfect jumping off point to explore) until now because of the very nature of Buck.
There isn't a single show (by show I mean one that isn't a limited series which will by definition have a planned arc) on network television that knew where each and every character would end up at the end of the show or that characters journey (by this I mean when cast chose to leave a show). Yes they might have planned a few beats to hit along the way, but they wouldn't know the end point for the character. We have a perfect example on 911 - Michael - the show hadn't intended to end Michaels arc in the way it did - his journey as a queer man coming out later in life was an important part of the show - important for representation as much as anything - they had to adapt and change in light of what was going on with Rockmond and write out a character that they would've had other plans for.
The other thing I should mention is that When Tim says he hasn't decided or written the scripts for upcoming episodes, that doesn't mean he doesn't have a plan. He very much will have a plan. There would've been clear arcs for each character laid out at the start of the writing process for the season - they would want to get character a from one point to another by the end of the season. Its the how they get there that is the unknown - at this point we don't know the end points for any characters this season, but if we take season 5 Eddie as an example - at the start of the season he is post shooting and back at work, seemingly perfectly fine. By the end of the season he is genuinely in a good place having gone through his trauma arc. The arc they would've decided on for Eddie that season was to explore his trauma and how to get him from a 'seemingly' good place to a genuinely good place. From there they would've decided on various touchstones - so Ana being mistaken for Christophers mother and them being a family is his trigger to launch his arc. Chris being scared of loosing his father a major touch stone, pushing him into leaving the 118. His then feeling on the outside - left out and replaced by Lucy is his next one, followed by the fact all his army buddies are gone, another touchstone - coming in quick succession to build momentum and leading to his breakdown. Pushing him to actually get help - therapy is another touchstone - one that helps to get him to the end of the season in a vastly different place - healing but still working on things.
So you see - they generally plan an overall direction, but how they get there is the bit that is a bit fluid and can be determined to a certain extent by audience reaction (I don't mean that they would out and out rewrite the entire plan for the season for a character, but they might chose to lean into different aspects if the audience react in a certain way - we saw this with Lucy - planned for a bigger arc, but the audience reaction to her was pretty negative, so they changed direction with her character and cut her part down).
In terms of Bucks bi arc - they will have been waiting on how it was received before fully determining how to play it out for the rest of the season - I genuinely think we'll be seeing more of Lou as Tommy later in the season as a part of Bucks arc - The way Lou has spoken about it being initially a 4 episode arc, suggests to me that its always been intended to run it longer if reaction was good - which we know it was. My explectation remains the same - that Tommy will be around until either the end of episode 9, or the middle of episode 10, to get Buck to where he needs to be by the season end.
I am on the fence as to where exactly that is - Everything from set, costuming and the script is screaming at me that it's about Buck figuring out not only that he is bi, but that he is also in love with Eddie. That is his arc for the season. What I am unsure of is how they are going to leave things at the end of the season (and I think a part of that will have been determined by audience reaction), whether or not we'll leave him acknowledging his feelings to himself, to a third party (Tommy and or Maddie), or to Eddie himself. Of course part of it will be determined by Eddies arc and how far they plan on getting him in regards to dealing with his catholic guilt and what form and direction t hat is going to take, but I cannot see any reason to start exploring that aspect of his character if you weren't going to use it for a queer arc of some description.
In terms of costuming - which was the main point of your ask - sorry I get rambly in these replies some times - I always view it as the first 2-3 seasons at the very least will be about establishing a characters look and vibe within the wider show, and from then on you can start to play into themes and colour theory etc. Somethings you can establish earlier - especially if they are centric to a character more widely. Examples of this are Eddies army green tees and shirts - establishing him visually as ex military, or the black singlets that he wears when in an emotionally vulnerable place, or Buck wearing his white trainers as part of his search for self, or his white shirts as a signal of him being in danger. You can do this, because they aren't playing on anything in relation to other characters at this early point.
So the decision to take Buck out of jeans (stone wash jeans specifically - he's been wearing jeans they've just been black or dark navy) and have him in very obviously shorter trousers, creating a specific aesthetic for him - this smarter, fitted clean cut style that is different from his season 1 looks, has been about playing into his journey of searching for self - that is his big overarching arc - the one that spans multiple seasons.
The intent to do that, wasn't about Buddie (or bi Buck) when they started to use it as a visual marker for him. It was (and always has been) about Buck. about his search for meaning in his life and who he is, who he wants to be - about being his authentic self.
The reason I got so excited about seeing him in jeans once more, when the first stills dropped at the start of the season - was because I knew that it was a signal that this bigger arc was coming to fruition and moving into its next phase. The costume team have been sitting waiting for when the time was right to do this - its being done with such intention.
Of course I hoped that it would be buddie related - things were pointing in that direction from other costuming choices. And to me at least, I still think its very much buddie related - because to do this now - for this bi awakening arc - its too loud and too big for 'just' a bi awakening arc - its about something bigger for Buck - something long term (and I'm not saying Buck being bi is't long term, because obviously it very much is - bi rep is so important!) him figuring out he is bi is a smaller part of a bigger whole for his character. The implication of the jeans returning is that this part of himself he has unlocked plays into a bigger story. Bucks search for self has always been about finding love - about being wanted and seen and accepted for who he is. As a costume designer, I wouldn't personally be putting him into jeans at this point unless it was related to his endgame - being bi isn't enough on its own for them to decide to visually show that he has fully found what he has been looking for on his search throughout the seasons (the white trainers still being in used also play into this) because he is still looking for that lasting happiness - he's just taken a massive step forward to figuring out what it is and where it lies.
With regards to colour theory and the paralleling of Buddie with other ships such as Bathena or Madney. Colour theory alone it wouldn't be enough to convince me, it is in combination with other factors such as the paralleling of Bathena and Madney that it comes into play. The thing is, creating those parallels and colour theory combinations doesn't have to lead to something. I'm going to do a terrible job of trying to explain this, but I'll give it a go.
Various people, who work on the show in some capacity have all commented over the years that they weren't expecting the level of chemistry that Oliver and Ryan have. We also know that they have played into the buddie of it all with some of the scene choices they've made - sort of an acknowledgement of what we're seeing - the elf scene in s2 is a prime example - a nod to fandom and the fact that they are being shipped together - and an acknowledgement of the chemistry - without it necessarily needing to mean more (the same goes for things like the text comments on the botfly influencer livestream call etc).
Back then wardrobe are still very much in character establishment mode - creating and defining the looks of the characters, and playing into colour theory on an individual level, not necessarily on a partnership level (S2 Bathena would've been treated in this way as they were already intended to be an end game couple so you can play into colour theory much earlier), that comes later. I wouldn't have been able to write costume metas in season 2-3 in the way I do now, because the parallels didn't exist and the ground work hadn't been laid.
Once you get past that intial establishing phase, hat is when you can start to play into the colour theory much more in relation to specific characters and pairings. One of the clearest examples of this is Eddies black shirt green trousers combo that he wears at the loft when having serious conversations with Buck. He first wears it in season 3 at the end of the lawsuit/fightclub arc (3x09), and then we dont see it again until season 5 (5x04) at yet another scene in Bucks loft.
The meaning of the colours in that scene are important sure, it is playing into colour theory, but what is happening visually is that we're subconciously connecting dots and remembering that Eddie has worn this outfit before to talk to Buck - that means it must be a serious conversation, one very much focused on something Buck has done (or hasn't done depending on which way you look at things). Eddie has been in Bucks loft on multiple occasions between those two scenes, and Buck and Eddie have had multiple serious conversations in the intervening episodes as well. so why that scene if its not meant to make us connect dots?
Now on a fundamental level, those two scenes can be read as establishing the close friendship Buck and Eddie share - that they are following through on their s2 promise to have each others backs. its entirely correct to assume that - it is after all what those scenes are establishing. But what it is also doing is laying the ground work for if they want to take Buddie further. we know that the conversations about Buddie have been happening in the writers room and on set for a good long while, and even if you don't yet know if you're going to go in that direction, you would be foolish not to lay the ground work in a subtle way if you can, so that the option is there if you did decide to take that direction.
A show will use what ever tools are at its disposal to lay various foundations that it can then pick and choose to build on as it wants or needs to. It is why we see the pictures in Eddies house moving around, why things on the fridge change (fridge theory is not as out there as some people would have you believe - there is a whole thing coming up on Eddies fridge in reaction to guts and the digestive system - which will very much be playing into his catholic guilt arc!) in Christophers room move around and change - its not just about him being a growing (soon to be teenager) boy, its also about laying foundations for story arcs they might choose to develop down the line and the Buddie groundwork is no different.
Its not about the wardrobe team being shippers of Buddie - its much more about them knowing where a season is headed (in brad strokes, even if they don't have specifics) being really good at their job and now being able to bear the fruits of their labour from earlier seasons - they had been doing the same with buck and Taylor - now they're doing it with Buck and Tommy (and Eddie). It would've been super easy to spin the costuming for Taylor into more positive colours - especially on Buck - in season 5, but they had the bigger picture and knew she wasn't going to remotely be endgame, so they were able to play into that throughout the season. Establishing Tommy as a version of Eddie is building on the Eddie groundwork they laid and using it to make it very clear that we are supposed to see the similarities between them - its steering us as viewers towards thinking 'oh Buck has a type - He's dating someone like his best friend - he should just date his best friend' is all about subtly nudging the audience in the right direction - towards Buddie - its just most people won't pick up on it in a conscious way.
I'm not sure if this makes any sense or if it even answered your ask, but essentially the show is using everything at its disposal to tell the story its telling and they have been laying groundwork that can take things in various directions - they are just choosing to push the buddie agenda to an increasing degree (and I have said groundwork far too many times in this post!!)
Thaks for the great ask 💜💜💜
47 notes · View notes
aida-sparks · 4 months
Text
Buddie fans are relentless (and it's a good thing)
Geez, I was not prepared for the rollercoaster of woe that comes from shipping a pair that is not canon (yet!).
I am not a new fan to the show, 9-1-1. I've loyally watched every week for years, cherished the members of the 118, cherished Buck and Eddie's special relationship. I just hadn't been involved in the fandom of it all up until recently. I was just a tv viewer. But being newer to interacting with the fandom, I admit that consuming social media about 911 and Buddie has thrown me for a bit of a loop. I keep seeing the same recycled tactics to argue why people who ship buddie are delusional and why buddie will "never happen". These arguments are off-putting and frankly quite poor. (I don't like to focus on the negative so this will be my only post dedicated to this.)
Argument One: "There's already a gay couple on the show." No kidding. The statement is problematic in and of itself; people don't go around limiting the number of straight couples on a show, do they? It's fantastic that we have a strong, integral gay couple in Hen and Karen, two beautiful and fabulous lesbians, that are vital to this show, but why can't there be more? One representation alone doesn't cover the spectrum of LGBTQ+ portrayals of different romantic dynamics.
Argument Two: "Why can't we have two guys be close without putting a romantic label on it? It's refreshing to see male friendship." Bro... Platonic male friendship is important (all friendship is). It's not all that uncommon, though. Male friendship is focused on a lot already in many shows. But two adult male friends discovering new aspects of their identify that shift their relationship with each other toward something romantic? That's the more refreshing take here; it's one that we don't get to see in media right now but should. Flip the script, 9-1-1.
Argument Three: "They weren't introduced as gay or bi-sexual. It would be too out of left field to go there now." Not true. The show has the creative freedom to explore this narrative and can do it plausibly. There is obviously a very large part of the 9-1-1 fandom that has already interpreted Buck and Eddie's story as having the potential to become romantic. The pair has many parallels to the other canon couples on the show. There are plenty of moments and scenes from prior seasons (post-tsunami with Christopher, the shooting, the Will, all of Eddie Diaz's fond gazes aimed at Buck, etc.) that can be referenced in future episodes via well-crafted montage/edit that will help shed light on any developing feelings from either or both Buck and Eddie. Besides, not allowing a relationship to evolve into something different just because it didn't start out that way? What kind of stunted outlook is that? We want a story about how individuals can question and explore their sexuality at any age. Heck, during the graveyard scene near the end of season 6, Buck and Eddie talked about how experiences have changed them. They're clearly still growing and changing as individuals. It is not a stretch for them to discover whatever they've been searching for this whole time is actually found in each other. ---- That's it from me on this. I'm going to try doing a better job of ignoring the negative talk out there. I hope all buddie fans stay positive too, and when they call us relentless, we take that as a good thing. I hope we all recognize and resect the other characters and ships of this wonderful, wonderful show of ours too! Most of all, I hope we respect each other.
83 notes · View notes
whatsyourcolor · 1 year
Text
Psycho-Pass Providence Review (with major spoilers!!! Don’t read if you don’t want spoilers!!)
As promised, I went to see Psycho-Pass Providence at Nijo Toho Cinemas in Kyoto. They had a little merch at the theater. They also gave everyone a booklet with artwork that I’ll include at the end of this review. If you want to wait until you can see the movie, please stop reading now because I will be basically telling everything that happened, good and bad. I was glad to see more people coming to watch the movie because when I bought the tickets most seats were available! We are a small fandom, but we are loyal! Now, please understand I don’t know any Japanese, so a lot of the information here is things that happened, but I can’t tell you much about the dialogue. I’m dying for someone to translate it once the movie becomes available everywhere.
Spoilers below:
The movie starts in a ship off the coast of Kanagawa, Japan, that is being attacked by the infamous peace breakers led by Akira Ignatov, Kei’s strange brother. The men in the ship are SAD agents that are getting murdered left and right. What do the peacebreakers want? Get something from a woman named Stronoyka who is currently traveling in the ship. From the synopsis we know this woman holds a dossier that details how to destroy Sibyl (or something of the sort, can’t quite remember). Kogami is the first on the scene in a suit reminiscent of a flying squirrel, but unfortunately, he’s too late. He looks hot as hell though when he jumps in the water.
The intro with a song by Ling Tosite Sigure had me excited to be watching a Psycho-Pass movie in a movie theater and surrounded by Japanese fans of the movie. It was sweet!
To skip ahead, SAD and the MWPSB have to work together. Akane, Kogami, Ginoza, Sugo, Saiga and Frederica travel to Dejima to investigate, I think. Let’s get to the meat of what the fandom wants to know.
Kogami and Ginoza Reunited
Akane is talking to Frederica and as they’re walking towards Division 1 office, they find Ginoza grabbing Kogami by the collar and yelling at him while Sugo is trying to separate them. What was Ginoza saying? No idea, but he was probably getting back at Kogami for leaving or coming back, etc.
At some point, however, Kogami and Ginoza fight together against their enemies. There seems to be some will for reconciliation.
Akane and Kogami Reunited
Akane walks in the room with Frederica when Gino is yelling at Kogami. Ko says “Kanishkan” at some point, so I think he’s addressing Akane, but her reaction is…should I say, enigmatic? Indifferent? Maybe she’s controlling herself?
SAD and the aforementioned team travel together to Dejima, and Akane and Kogami barely talk on the way. Once there, Saiga and Kogami talk and at some point they mention Akane. Later Akane calls Kogami while he’s in his room. They both sound like they disagree about something or like something is awkward between them and Akane hangs up on him, surprising him.
The thing about this movie is that they gave Akane the cutest outfits. Especially one in a very crucial moment. I’m so glad they made her look so cute and beautiful in the movie.
At some point the infamous peacebreakers begin their attack, and in the famous explosion scene, Frederica, Saiga, Kogami and Akane are walking down a hallway when an explosion goes off. Kogami doesn’t even think once about protecting Saiga or Frederica, he straight up runs to Akane and they fall to the ground. There are some lines of dialogue here while he’s laying on top of her. This is the part when Akane gets her bruised cheek.
In another scene, after Akira basically gives himself up, Kogami is interrogating him and then another guy shows up and shoots at them. Kogami gets shot and he ends up in the hospital. Akane visits him and when he makes to start smoking, she takes the cigarette off his mouth. There’s a moment here where it seems like he’s teasing her, because he sits up on his bed and kinda leans towards her. Very cute moment between them.
Saiga
Saiga and Kogami have a long talk about many things (I assume, remember, I don’t know any Japanese) but at some point they mention Akane.
A very sad, traumatic moment for Akane. They get attacked by a specially unkillable peacebreaker and Saiga ends up being held hostage by the guy. In the last moment, what we feared happens. Saiga’s last words are for Akane. Our poor girl suffers a lot and Kogami is there to console her and help her push through. They look so good together!
Akira, Kei, Maiko, Arata and Arata’s Dad
Honestly, most of the plot escapes me. Akira at some point even fights himself. He seems to be controlled by an old man who appears to be creating his own version of Sibyl. Akane is actually invited to Kei and Maiko’s wedding and on the same night Arata’s dad, with whom she seemed to have a very good relationship (there’s a lot of dialogue between Arata’s dad and Akane), killls himself while holding a photo of his family.
Craziness Ensues
Akane agrees to meet the mastermind behind all these terror attacks while a tactical team formed by Frederica, Gino, Kogami and Sugo fighting lasers from the air attack the headquarters of the peacebreakers. Here we see for the first time the two old dudes that become obsessed with Kogami in Season 3.
While everyone is fighting and there are explosions and shooting everywhere, Akane has a dialogue with the mastermind. At some point she draws her dominator but his crime coefficient is around 40. The whole place begins to collapse and by then, the mastermind has shot Akane on the leg and has her cuffed. They discuss and debate when he shoots her again (that asshole!). By the time Kogami shows up to rescue her, the other man is pointing his gut right at Akane’s forehead while they debate. At some point Akane says something that irks the guy and he pistol whips her a little bit. Kogami shoots him and gets her out of there.
The craziest plot twist
They show Akane dressed in a ceremonial uniform (and she looks so beautiful!) while Kogami is confined to an isolation facility. He begins reading a letter she wrote to him. They show her at a ceremony where it seems she will be recognized for her achievements. It is here when Akane shoots Chief Kasei in front of everyone.
They show Mika running to arrest Akane for her crime and she yells at Akane with frustration for what she did. Akane offers no resistance. As Kogami is reading the letter he looks angry, frustrated and sad for what Akane did. Why did she do it? We will have to wait until someone translates the movie.
Akane’s face is plastered all over the news as the inspector who went crazy and killed her boss. They show a parallel of Kogami walking out of the isolation facility while Akane is walking in. They don’t cross paths, but once Akane is alone she completely breaks down sobbing uncontrollably. It was so sad to see her suffer like that! Then they show Kogami walking free on the street and he says something and then the movie ends. Did Akane go to jail because of Kogami?
I’ll write more thoughts tomorrow! Overall it was well made. Lots of CGI and explosions almost made me think at times that I was watching a Transformers movie.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
288 notes · View notes
kianamaiart · 2 years
Note
Sure you know about the entire Beanhead artstyle, the stuff people been booeing and hating back in 2015-2021-today due to its minimalistic look and repetitive use in most media. Anything to say regarding that?.
LOL it's annoying.
My explanation/rant got long haha (under the cut)
Like I get it, it's very prevalent nowadays, but every era of tv animation has a ~style~ that a good chunk of mainstream shows fall into. And if you reaaaally look at the entire catalogue of shows that have come out in the past decade, there's actually a good amount of variety. The problem is most people are just looking at the 5 most popular shows that are out at any given year.
And the reason for these styles being pushed is because they ARE appealing. Appealing to kids. The demographic of most of these shows. I think people forget that focus testing exists. Kids are the people who are streaming these shows, watching on cable and buying toys (or rather their parents). Networks aren't gonna cater to teens/young adults/a much smaller demographic who likely know how to find and watch the shows they like for free. And as much as it may seem like online fandom has an impact, networks won't notice unless it's reaaally benefitting them monetarily.
I understand that people may not like this style, and that's alright, but I take issue when creators and artists are attacked for it. Most of us don't even draw in the style of the shows we work on (ex. i work on big city greens, but draw mostly anime-esque stuff on my own time). I don't speak for all of us but I don't think it's a stretch to say that a good chunk of us would LOOOVE to pitch stuff or have shows with more variety in style. But at the end of the day, most of the stuff on mainstream tv is "a product" to be sold. It sounds cynical, but it's true, and networks are usually gonna play it safe and pick up stuff that has a winning formula, and part of that winning formula at the moment is this particular style.
I think people also fail to take into account that animation is hard lol. Simple designs mean easier animation. Most American studios unfortunately do not have in house animators and animation is done overseas. Because of this storyboards are hardly storyboards anymore. They're cleaned up key poses so that there's less room for error when shipping everything over. Those errors being hard to fix because 1. a lot of the time there's a language barrier, 2. it takes a long time and 3. it's expensive. Every artist on each end of the process is already overworked, so any way to make the process easier is ideal.
If people want to see different styles in animation, they gotta support the stuff that's different and trying something new! And support it more than the kids and said kids' parents who are being catered to. That means streaming said shows (legally), tuning in on cable, buying merch, etc. I know it's a lot to ask for, and not everyone, understandably, has the means to, but a lot of the time, networks/studios/companies see everything in black and white. If a show is not a complete success, then they will assume the problem is because it's not following that winning formula I was talking about earlier. Trying new things is a risk in their eyes.
It's not hopeless! Just look at Spiderverse and its impact on the style of animation we're currently seeing in feature/movies. Us artists WANT to do different stuff and make inspiring work, but we need that viewer support!
2K notes · View notes
survivalove · 6 months
Text
Thinking about why I like Kataang so much
so a lot of my posts/asks lately have been about things I dislike so I decided to balance it out by talking about something I actually do like! ofc I immediately thought of kataang and started thing about why i like them so much compared to other couples in media I watched growing up.
first thing is, I don’t actually like romance in visual media. I much prefer it in books but having to actually watch it gives me the ick idk why. also when i first watched atla I was like 5, so the romance really had no appeal to me and I was super focused on katara and the other girls on the show because they were girls! i would completely block out the boys and all the ship scenes for years after that because my attitude to romance never really changed.
right up until I was about 11/12 and became aware of romance from hearing people my age start to talk about crushes, boyfriends/girlfriends, kissing etc. suddenly I had entered this phase in real life where romance was suddenly relevant among my peers and this made me start paying attention when it played out in the shows I was watching like Hannah Montana, Wizards of Waverly Place, etc. this also included ATLA as my dad and I would rewatch it together on DVD throughout the year.
as I watched with my katara blinders, like I always do, for the first time I started to notice the boys in the show, particularly aang, (yes I finally started focusing on the main character after 6 years 😭) and certain interactions katara had with him that I never noticed before.
*dramatic pause*
and the way I consumed media would never be the same.
jk, but really tho.
fast forward to now, and I’ve recently started watching anime after consuming a bunch of western media my whole life from cartoons and disney shows to contemporary literature and Y/A movies/TV shows. and one thing that stands out to me with kataang compared to most of the romance i see in shonen animes (one of atla’s biggest inspiration as a TV show) is the way katara and aang develop in a way that is realistic, yet too good to be true.
let me elaborate:
starting from the very first episode, katara and aang have that classic meet-cute interaction. the music is playing, their eyes are widening, aang’s acting like he’s never seen a girl before and katara is impressed by literally every single thing he does. this is pretty much how every ship is set up, anime or otherwise, and kanna basically spells out their imminent connection when she sends katara and sokka off and sokka even explicitly says the word boyfriend seconds before that. obviously, these two characters are gonna get together at some point and it’s just a matter of when.
this is where it gets more than that:
the more katara and aang spend time together, the more they start to get on each other’s nerves.
I’m sure everyone’s had a crush at some point, where you see someone for the first time and go “oh they’re so cute” and you feel the butterflies blah blah. you either fantasize about them for a while and move on, or you pursue the crush and start to actively make moves to get to know them better.
and as you get to know them, you notice some things about them that kinda piss you off. the way they pick their nose, the way they bounce their knee, the way they chew. it’s always something. it can even affect friendships because that’s life. we are humans, not concepts. no one is perfect, there is nobody on this planet that you will 100% agree with or like about them. it just doesn’t work like that. and for some relationships, there is that one irritating thing about them that breaks the camel’s back and it doesn’t work out. you learn what annoys you and move on to the next relationship. or you have the lucky ones who actually stay together and the relationship continues to blossom as you get to know each other better.
similarly, kataang in the beginning are completely enamored with the other. until they’re not. throughout season 1, we see katara becoming more and more disillusioned with aang going from “aang’s so brave. he’s the avatar!” to realizing he’s just a boy with insecurities and flaws just like her. some of which get on her nerves BAD. similarly, aang goes from trying to impress katara and going along with every single plan she has, to disagreeing with her and even getting annoyed by her as the seasons go on.
despite this, it doesn’t stop that thing they have for each other from growing and flourishing. that is the magic part. watching two characters fall in love as they continue to annoy and irritate each other more and more. the more katara and aang butt heads throughout the seasons, the more and more unambiguous their romantic interactions become.
aang bluntly telling katara she’s not funny like he didn’t just ask her to dance with him in a candlelit cave in front of dozens of people a few days ago? katara constantly getting annoyed at aang’s antics to turn around and ask him for his opinion on the way she looks or kiss him on the cheek? right.
this is what makes them stand out from other fictional couples I’ve seen, where the girl and guy’s opinion on the other never changes significantly from that first interaction they have. one person, usually the girl because of course, worships the ground our main character walks on, meanwhile he seems to barely notice her apart from that first scene where she looked pretty and his jaw dropped or something. and even if they do interact a lot, their dynamic hardly evolves from that initial setup. they never get upset with each other or at the least, visibly annoyed. their dynamic is static, stagnant, mostly affected by major events in the plot rather than personal characteristics and minor misgivings the characters may have.
there’s no juice. it’s stale. and for me, very unrealistic.
I was watching this video about writing couples in media and one comment stood out to me in particular:
What you said about charm is so true. Entertaining chemistry to watch ≠ chemistry that pairs people together. A lot of sitcoms try to pair opposites romantically or as best friends, because opposites are good for comedy and conflict, but I find myself not understanding why they’re so into each other.
instantly i was reminded of the way people call kataang vanilla/boring, in favor of pairings that are far less similar. and while katara and aang do fight a lot, fundamentally they are very similar which is why they are so believable and realistic. I love watching them slowly become disillusioned with the idealized version of each other they had in the first episode to seeing all the ways they manage to piss each other off, and still being drawn by that initial mutual attraction.
katara learns the hard way that aang isn’t the infallible savior from her grandma’s stories, but she never stops believing in him. aang comes to discover katara’s flaws and conflicting opinions, but he still encourages her belief in hope, affirms her as a waterbender/healer and yes still calls her beautiful every chance he gets.
and what I love about this, is, it gives them reasons to fall in love that go beyond the superficial reasons that drew them towards each other in the first place.
they don’t fall in love with each other in spite of those little minor flaws, but because of them.
katara doesn’t love aang because he’s the avatar. she loves him because he is the goofy fun boy that allowed her to be a kid while taking up this heavy responsibility. aang doesn’t love katara because she’s beautiful. he falls in love witnessing those moments of her being determined, speak up for herself and others, and even going to great lengths to inspire hope in everyone she meets.
78 notes · View notes
rupertgayes · 1 month
Note
How would you pitch watching Due South to someone who doesn't know it?
THE PREMISE: mountie from the northern reaches of canada goes to chicago to avenge dead dad (also a mountie), gets into buddy-cop shenanigans with a detective. said detective leaves the show in season 3 and gets replaced by another detective, shenanigans continue to ensue. there's also a dog. he's very cute.
THE PITCH: honestly, after being in the spn fandom and having most of popular culture awash with prestige shows (that are not spn, but like spn are typically dark and gritty and like killing characters off too) and having most of the popular media landscape try to cover their collective asses by having an aloof, 'you-can't-make-fun-of-this-because-we're-not-taking-it-seriously-ourselves' air, it was truly refreshing to sit down with a close friend of mine and check out this show.
i'm being completely serious when i say there's a certain je ne sais quoi about this show. is it because it's from the 90s? perhaps. is it because it's canadian? maybe. i wasn't even alive when this show first started airing and i'm not a media analyst. it basically takes the premise of the dudeley do-right cartoon and asks 'okay, but what if that was like, a real guy?' and fucking runs with it to the wildest heights. it's a comedy, but it's also so bizarre in some ways that it makes it a truly unique treat to watch. i love psych and brooklyn 99 for having a comedic procedural aspect, and neither of them are comparable in whatever it is that due south is doing.
there's honestly a lot of heart and soul in the entire show, and it has the ability to shift from just being comedic to having drama, mystery, and moments that pull at your heartstrings. it's a show that you can enjoy on the surface as a fun episodic show with fun characters and fun moments, but it also lends itself quite well to extrapolating on the characters, their motivations, etc. (and by etc i'm also including any shipping you might want to do).
i won't say it's a paragon of DEI, but again, i think it has a level of earnestness which makes any slip-ups it does have something i can kinda view with indulgence, versus shows that are making the same (or worse) mistakes 20+ years after this show already ended. these characters are treated with a level of dignity and respect, and i think overall the characterization is pretty consistent - there are some shifts happening between seasons 1-2 and 3-4, but i feel like it has more to do with budgets, a change in creative team, etc., versus writers not 'getting' certain characters.
there's also a lot of memorable episodes, scenes, bits. i think the latter seasons are more campy (my favorite) and some eps from s1 and 2 make for legitimately some great television. even the more mid episodes have something worthwhile, too. some of my fave moments in no order:
fraser (the mountie) saving and talking to? a rat in a strip club
also him going to a leather club
twice
and meeting a mountie in a latex version of his red serge uniform
using a tarp as a parachute
mafia egg conspiracy
aliens??
due south but make it silence of the lambs a little bit
performance arsonist
lake pirates? ghost ship?
also why are most of the major bad guys here doing some form of environmental crime? get your captain planet on ig, i'm into it
also fellow cops can also be bad guys. acab ig??
sick muscle cars eric kripke himself would've enjoyed. sometimes they get set on fire tho
due south but make it to wong foo thanks for everything
fraser running away from women so he doesn't have to kiss or interact with them
way too much time in closets, in general.
fellas is it gay to ask your new partner of one week maybe to pretend he's a woman so he can decide if he finds you attractive
there are red ships and green ships but no ships like partnerships :)
and to reiterate about the dog: there's a dog who's half wolf and all deaf and fraser can talk to him 'because he (the dog) reads lips'
his dead dad shows up too sometimes
anyway, it was really nice to watch this show for the first time, there are still moment i scream-laugh at because they're just so ridiculous and i'd never catch any other moments like that in any other show. i definitely see why there's still active fans for it thirty years later. there's also some wild shipping fodder here, which is at least partially why there are still fics getting written for these guys today. destiel if the cw weren't cowards etc etc. when i watched the finale, i cried tears of joy because while i'd miss the characters, they got an ending that actually seemed to fit, instead of it being a rush job, which is not unique to spn but, you know.
also you can watch it for free on youtube rn.
51 notes · View notes
betaphannie · 4 months
Text
Thoughts about the latest video essay about the phandom
This is more about how Certain People have spoken about the phandom, but that video really showed many of the gripes I have with people talking about the phandom.
rant/thoughts under the cut
One thing I notice a lot of people when talking about the phandom's past never mention is the existence of antis (If you aren't aware, back in the day before dnp came out there were a plethora of people who insisted that dnp were straight, not dating, and shipping them was violating their privacy. These people were members of the phandom deemed "antis."). Imo, antis were just as loud as demons, and honestly being in the phandom at that point usually meant that any kind of belief that dnp were queer and/or dating was met with pushback from antis. Like all the time.
I find this exclusion of any mention of them in these video essays and retrospectives odd, especially since people tend to treat the entire phandom as demons that were running around and analyzing/shipping dnp "without any moderation" (to quote the latest video essay), when that moderation often came from within in the phandom itself. I can't speak for earlier eras of the phandom, but when I joined in 2016, you could not avoid seeing phandom "rules" outlining when it was inappropriate to to tag dnp, what should not be talked about in detail within the phandom, what should not be sent in the chat during live shows etc. Between the phandom's own rules and antis sending out death threats at the smallest speculation, the phandom was in a constant state of tension from policing themselves. It was not a free-for-all wild west that people tend to view it as.
Also, for at least the era that I joined, the phandom was very aware of the reputation they had online. I knew of this reputation myself before I had joined, which was part of the reason I avoided watching dnp for a couple of years before caving. There were constant videos and posts being made to hate on the phandom. Dnp was a fandom that people associated with teenage girls, and as we all know there is nothing the internet hates more than teen girls. And these girls were also often emos, which was to say that they were especially hated and viewed as "cringe." I think that all the years of phannies trying to distance themselves from those stereotypes led to this overall feeling of Shame for being in the phandom. You felt like you had to constantly prove you weren't one of the Bad Ones, regardless on your actual opinions on dnp's relationship.
It's also weird to me how people discussing the phandom seem to act as though RPF and speculation surrounding real-life people's relationship is a novel concept and dnp are the only case of this occuring. It wasn't considered Super Cringe when normies tried to figure out if Tom Holland and Zendaya had a thing for each other, but getting invested in the lives of two people who literally made it their career to share their lives with the internet is somehow outlandish. I'm not saying it's good to be overly invested in a stranger's life even if they are sharing parts of themselves online, but this behavior wasn't exactly unique in the phandom, and yet the phandom always gets the brute end of parasocial relantionship critisms, even though dnp themselves talk about how much they treasure the relationship they have with their audience.
I think the phandom is a very interesting fandom with interesting history, structures, and lore. However, it is constantly reduced the shipping/speculation from demons and nothing else, which honestly to me seems to come from the fact that there is an urge within people not in a group to feel better and more intelligent than the people inside that group and a refusal to want to actually understand that group. The behaviour from antis and people "caught in the middle" is just as important to understanding its history and why the people currently in the phandom act the way they do, but that doesn't make a video where you can laugh at The Weirdos for liking something too much. Also, despite the fact that people love to criticize the phandom because they believe all the phandom cares about is dnp's relationship, those same people love focusing entirely on that themselves.
40 notes · View notes
buddiebeginz · 20 days
Text
I just want to say if you're following me for 911/Buddie I don't plan on posting much Buck/Tommy stuff. This isn't anything against Buck or what's going on with his story right now. I've wrote posts myself talking about how I know that Buck having this journey and this relationship with Tommy before Eddie is important. Still I'm not a multishipper I'm here for Buddie first and foremost and I want to see the guys end up together eventually.
The issues I have with Buck/Tommy and the reason I plan on avoiding them isn't even really a shipping one so much as it's how parts of fandom are responding to them. It's literally only been a few days and already I've seen tons of posts, comments, tweets, fanfiction, tiktoks, etc being anti Buddie. I just came across a fic last night that was about how Eddie treated Buck awful (used him for sex) and then Tommy came along to be the best boyfriend ever.
I'm just not here for the way people are treating Buddie and Eddie. I also don't like how people keep saying Buck's story is more important than Buddie. All of it is important. Buck, Eddie, Buddie, Buddie and Chris (as a family) all of their stories and what they mean for incredibly needed lgbtq represention are important.
I'm so thankful that 911 is doing a bi storyline with a character like Buck (one I relate to a lot) but the fact that I still want to see them follow through and extend that to Eddie and Buddie doesn't mean I'm trying to take anything away from Buck's journey.
We've never really had a same sex slow burn story like this and especially not with characters like Buck and Eddie. Older queer characters who are figuring out their sexuality later in life. Who are also raising a son together. Who don't fit into some preconceived mold of what it means to be queer. Having Buddie be canon would be groundbreaking it’s own way and if they follow through on this story I believe it has the power to really change media in some ways. I think them doing Buck's coming out storyline is already doing that. It is basically unheard of for a primetime show like 911, with a character like Buck who was basically written to appeal to straight men and women to now come out so late in the shows run. The show is taking a risk and will be taking an even bigger one to make Buddie happen but that's why they need to follow through on it.
I'm not going to apologize for wanting all of the stuff we've been hoping and begging the show runners and networks to give us for 6 seasons. It is possible to care about more than one thing. I can wholeheartedly love and relate to and support Buck's journey while still wanting to see Buck and Eddie together and definitely still want to see Eddie's coming out story too.
I'm also tired of seeing people outside of the Buddie fandom say Buck and Eddie are too good of friends to "ruin" with making into a couple. That Buck and Tommy should be endgame so Buck and Eddie can stay friends. Fact is Buck and Eddie have never been just friends. If you look at how Hen and Chim and Athena and Hen and any other friendship on the show is they're not written the same at all. They don't have the same kind of depth and definitely don't have the same romantic and sometimes sexual overtones that Buddie's does. We obviously need more male friendships in media but Buddie isn't about two guys who are just friends, it's about two men who have loved and supported one another for six years and we're about to watch that love turn into something even more profound in the coming seasons.
So yeah I probably won't post much about Tommy but if I do I'll try and tag anything as b*ck t*mmy for bl. The other reason I probably won't post about them is that it feels like every space in our fandom is getting swallowed up by this ship. It's just frustrating when all of the tags are full of Buck/Tommy.
I'm not trying to hate on people who ship them. I think everyone should be able to multi ship if they want or just ship whatever ships they like. I've been hated on many times for ships I like. But I do think those of us who just love Buddie shouldn't have to see Buck/Tommy 24/7 and definitely shouldn't have to see anti Buddie stuff.
I also want to say don't let anyone make you feel like shit if you're not super into Buck/Tommy. You can still love Buck and support him without gushing over him in a relationship with someone else. I hate when fandoms get this crowd mentality where if you think any differently you're told you’re a bad person. Just remember that the story the show is telling is leading towards Buddie canon eventually. So people can be excited over Buck and Tommy for now if they want but it’ll be Buddie in the end.
Also if you have Buddie or Eddie gif requests please let me know. I really want to see Buddie and Eddie back in the tags.
20 notes · View notes
basslinegrave · 1 month
Text
i was being a completely sane person today (/s) and was creating a timeline tree for snm would anyone even be interested in that. and collecting my shipping thoughts (or specifics about them being a couple etc). know that i still consider my knowledge of the franchise as poor. its just tidying it up in my head so when i talk about something i can pinpoint a specific thing (i was too deep in fnaf theorizing so now i have to suffer thru a franchise that doesnt even have a canon)
in short/tldr the comics are the base that happened in every possible timeline and everything else is derived from that, happening after, except the cartoon, which shows some events the same way so that would be more intertwined; not everything is connected/within one timeline. and the cartoon is my most fav and where i see them as a true couple.
long rant ahead
on one hand i really like the time travel theory where its like comics -> ttg -> cartoon etc by them travelling back in time for that, however there are many holes especially thinking about their families and stuff so
i like the idea of things branching off. one branch is comics - htr - cartoon, as something more intertwined
second is comics -> ttg -> poker night 2 (since it references ttg events) (idk bout 1 i havent played/seen that)
third would be comics -> ttiv (or comics -> htr -> ttiv, i have no idea atm if bosco's is mentioned in the comics but it is in htr and mentioned in ttiv. ttiv is also set in the year it came out, so theres a huge gap inbetween ttiv and htr but i wouldnt say its where the ttg games happened!)
and i dont mean this in like a multiverse way, since the creator seems to dislike that, its simply just a very loose canon that differs with each installment (simply due to different people working on these imo. nothing too deep imo)
but the juicy part!! i even made brackets that im too lazy to remake digitally so i will just write it out for each bigger installment. im excluding poker night 1 as i havent played it nor watched much gameplay
M = married, BF = best friends (in all technically)
comics: M - unlikely; BF - yes absolutely
htr: M - possible; BF - yes
cartoons: M - i take it as canon here. BF - yes million percent
ttg all seasons: M - no; BF - yes.
poker night 2: M - not sure, implied dating, i take that as good enough; BF - yes
ttiv: M - absolutely not. not a couple at all. BF - they seem too tense, yes, but from my experience playing, their interactions were imo the worst in all of their media, so i wasnt buying it at some points
note - ttiv has to be like the straightest they ever were and i also see it in S.P.'s more recent work. im looking too deep into that, perhaps, but im just thinking were never gonna get anything similar to what we got from back in the 90s again, if theres any future projects
people are also saying they got married like 4 times and its making me a bit confused here. do people mean cartoon, htr dress up card, cake topper and tdph ring scene or am i missing something big?? because to me that is married once, other ones being just for jokes (first one as well but its less vague), and in the ttg games its so extremely vague i cant count that (being realistic here) that said its still fun to joke about them getting married several times, but in this case wouldnt it be more of a marriage per timeline?
and to end this, a personal tierlist
my most fave obviously is the cartoon. not only is it the easiest to work with for me, with the fast pacing and short watch time (but ofc i wish it was longer) i absolutely love how their relationship is depicted there, even if a lot of stuff there is just jokes, but if everything is a joke then its also fine to take everything as canon within this media, to me! like when haters say that people only take the wedding scene out of the intro and ignore the rest - as if the other stuff couldnt happen (isnt one of the shots them fighting a giant octopus, which they end up having an episode about too. like cmon. anything goes here) even if it was contained within this specific part of the franchise, im ok with calling them a couple here. and its S tier overall
another S tier is the comics. nothing else to say
HTR is like A tier to me, only taking off points because its soooo sloooowwww and playing it after watching the series took 3 years off my life immediately. otherwise gud game.
ttg is like A to B tier for me, because of some specifics and preferences but thats just me being nitpicky so, the games overall are good. A- it is. thats all
poker night 2 is fun, i watch the gameplay a lot lately when im too tired at midnight to do anything else, A tier
ttiv. oh how mixed i am about you. gameplay by itself and my first experience with the game - S tier. it made me so giddy more than one time and i kept wanting to come back until i finished the game fully. i dont mind the bugs, its just what i expect in VR games and even tho it made me a bit frustrated at times it wasnt all that bad. its also the only vr game i played for over an hour once and didnt get motion sick - the exception was the level at the store which seemed too bright and actually made me nauseous. which is a feeling that somehow comes back whenever i think about this game. what i dislike was the dialogue, while most of it was fun and fine, i had moments where i just burst out laughing, they (or max especially) were way too mean towards the player. i know its a joke and you could chalk it up to max being unhappy with us/jealous, but it got like, generally unpleasant very quickly. with stuff like good throw - "nice!" bad throw - *neverending insults* and the second was how painfully straight it was and like. the vibes i got from them two was like, oh theyre fed up with each other and my shipping self was just left quite disappointed. i did not get all lines during my gameplay which made it great but upon going thru every line manually after, i was just more and more uncomfortable with what they said in their banter. this drops the game to like C for me? maybe B if i squint. being generous. i also got sick of their talking animations over time... the models are fine just got to be too much. bonus points for max ragdoll physics tho. coming up with a conclusion that this is a completely separate timeline and has nothing to do with anything other than the comics and perhaps HTR. i talked so long about this one cause its the one thing that prompted all of this lol.
but its not that serious! i just knew this franchise for ages as "oh its the two animal guys that are married and its funny" and now that i got into it fully, i see a lot of the shippers are obviously daydreaming and taking things out of context - which is fun, i agree!! i also do that. but it just painted a completely different picture for me. so no. theyre not married, theyre not a couple, except for the cartoon, where its implied, which stays on top for me. but in ttg at least, they love each other, its not as romantic, but i can ship them there (so i ship them in the context of the cartoon and ttg basically)
anyway. nothing is canon for them, everything is canon for them, and everything they say or do is a joke so. its not that deep at all. they gay tho
23 notes · View notes
fireuntjlcombust · 9 months
Text
I finished Hannibal two days ago and my heart broke for a strange reason, actually. Not because the show ended, or should I say, not only because of this: I always thought that Will was manipulated by Hannibal, I was so blind by this information that I didn’t recognized a lot of signals that Will was actually “sick”, not like Hannibal but still, and in reality this was his nature.
I love them together, don’t get me wrong, I ship them and Hannigram edits are the reason why I started watching this show but with Season 3 finale my prospective changed completely: Will became just as bad as Hannibal was, just with more empathy and humanity and he wasn’t gaslighted by Hannibal as I thought.
When watching the show I didn’t ask myself “if Will hates Hannibal so much and he wants him to be dead, why he never kills him?” I thought it was normal to have a lot of occasions to kill Hannibal and never doing it (for me, Will was waiting for the perfect time) but in reality he didn’t kill him because he cared and he was his lover. He just couldn’t do that because he needed the way Hannibal made him feel since no one would be at the same level as him culturally, emotionally and mentally as Hannibal was.
In the last episode (3x13) he had a lot of possibilities to kill Hannibal but never did it (when they were in the police’s car, in the house on the cliff since they stayed there ‘til the sun went down, when Hannibal changed his clothes and etc. all of these were great moments in my opinion but he didn’t even tried to kill him); Will tried to hide his true self because it was ethically wrong but he loved killing Hobbs in the first place (as he said in the first episode, if I remember well) and Hannibal did not manipulate him, he just helped Will seeing his true self for real.
I am asking myself.. would Will have ran away with Hannibal and Abigail for real? He seemed so comfortable with the person he was becoming side by side with Hannibal and when he got a little taste of it, he got scared and denied his feelings even if he forgave Hannibal. There was this “enemies to lovers” dynamic that really blowed my mind; Will just wanted to be loved for the person he really was and Hannibal really devoted his whole self and freedom to Will.
At first I didn’t recognized his acts like devotion but at the end of the series I picked up all the missing pieces I didn’t understand and that’s why it hurts this much: their love was really emotional, passionate and intense.. Will really took the train after being stabbed just to see Hannibal again. There’s a lot of things to say, to talk about, it’s just insane how their love is more powerful and intense than others fictional couples that kissed or had s3x: mental connection is stronger than kisses or physical touch, as I read in an article: when jumping on that cliff, they were sorrounded by all the kisses they never shared psychically but just mentally.
Love is about forgiveness.
Sorry, these are just a bunch of night’s thoughts, here is 4:00 am and I can’t sleep; english is not my first language too.
69 notes · View notes