#i did see a bunch of art though | Explore Tumblr Posts and Blogs

sirfrogsworth · 6 months

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Do you remember that Aussie sword guy who used to talk about medieval weapons?

And, like, he seemed pretty good at talking about swords and shit. He seemed to have a good grasp of the history and tactics. He'd analyze movie weapons for their realism and that was fun. He did demonstrations with real weapons. For a time I really looked forward to his videos popping up in my feed.

He seemed like a harmless sword-fighting aficionado.

But then I guess he wanted to spread his wings. So he started down an anti-woke path. Giving questionable critiques about media and feminism. He started defending boob armor by showing historical examples even though most of those were decorative and not battle ready like in the games.

Then he admitted he was a fan of The Daily Wire.

And that was disappointing.

I missed him nerding out about swords, ya know?

Well, Shad decided to spread his wings again.

He has become...

*bad French accent* An artiste.

You see, he types words into a little box. Then a little robot does a google image search and steals a bunch of art. Then that robot reconfigures that art to be nearly indistinguishable from the source material. Well... aside from the occasional artist watermark.

Whoops!

A.I. art is very difficult. Sometimes when you type words into the box you get a woman with 5 lopsided anime tiddies. Or 20 fingers on one hand. It takes time and effort and experience to type in the perfect magic words so that you get something close to your imagination that doesn't belong in some sort of Lovecraftian horror ripoff.

For example, check out this cool "pirate hat" I asked A.I. to place on my head.

Clearly, I am not skilled enough at typing words into a box to get a proper pirate hat.

It. Is. Not. Easy.

I heard someone say you have to type things in a box for 10,000 hours before you start getting truly masterful generations.

I mean, you can't type "marathon runners" and expect that to actually work.

THIS REQUIRES SKILL, PEOPLE.

And I am a lowly amateur. I can only dream of becoming the box-typist Shad has honed himself into.

The thing is... Shad is very upset.

He is upset that you don't like his "art" and he is ready to die on this hill.

So... before he croaks on a mound of bullshit, he has something to show you. He has created something truly brilliant and when you see it, he is convinced you will validate his considerable efforts.

Before I show you his "Not. Easy." artistic masterpiece I'd like you to sit with what he has said for a second.

Ruminate in the verbiage.

Process the ideas and points of view presented.

Digest his plea for you to accept and love his hard won battle after typing words into a box to manifest his imaginings.

Have you sat?

Ruminated?

Processed?

Digested?

Okay, here it is...

#long post

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blacktabbygames · 5 months

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Slay the Princess Concept Art

We shared a bunch of concept art on Twitter today. Sharing it here, too, where you can find it all in one post. Post contains spoilers, so proceed with caution (or just play the game already if you haven't 😉)

Going to start with the first piece of concept art Abby drew for the game.

In the earliest stages of development, we toyed around with the concept of there being multiple "end game" forms of the Princess.

The initial outline, rather than being tied together by an overarching metanarrative, structured a full playthrough as a 5-6 chapter long, self-contained journey down a single route, determined by your decisions in chapter 1. Here's an alternative late-game form:

The idea of deviating end-game forms didn't lost for very long, though. As we explored the game's themes more deeply, it made the most sense for there to be a singular "true" form.

If your reality is shaped by subjectivity and perception, then the "truth" has to be what's left when that subjectivity is swept away. the Shifting Mound's final design feels like that initial truth for the Princess, though there's also another truth if you push back against her and press on into the final cabin.

We really liked this "void" design, and I played around with the idea of it being an intermediary to the final form. The "void" Princess would be what you saw upon encountering the final Princess without understanding your own truth, but once you had that understanding, you would see her as the Shifting Mound, as depicted in the game.

That gave way to the intermediary design of the SM being a sea of disembodied limbs, and we also took parts of both designs and incorporated them into the protagonist (particularly the wings.) You can see the eyes and feathers for this void form in the ending card of the original trailer below:

You can see extremely early concept art for the spectre (top), nightmare (top-right), stranger (left), beast (bottom) and ??? (right) as well!

The eyes became a motif in the Nightmare route (Paranoid's manifestation of the fear of being watched), but I also like to think of them as a part of The Long Quiet's truth. You are space and emptiness, but you're also that which observes those things, and it's your perceptions that give the Shifting Mound shape.

Anyways, on the note of the original original concepts for the game, the Princess was initially going to remain human for several loops before taking on more monstrous forms. Some concepts of that are below. Had to get Abby to tone down some of the more horrifically cartoonish designs because they creeped me out and I didn't want to romance them in a video game.

We had to hold our cards close to our chest in the non-metanarrative early drafts, which is part of why, even in the first demo, the cabin doesn't really change much in chapter 2. More room to subtly play with the concept of transformation over time.

There were a lot of reasons we moved in a different direction for the full release. The branching was unmanageably large to write, and the game felt like a slog to write.

Using an overarching narrative as a framing mechanism in the final version gave us a lot more freedom to explore wildly divergent ideas within routes while still driving the player towards the originally planned finale.

Anyways, now we've got some concept art for individual princesses. There's a lot more than this lying around somewhere, but it's all in sketchbooks, and we'll probably wait until we make an art book to show it off.

First is the tower, who really didn't change much at all. (She got a little thicker, I guess. All of the Princesses did)

Not a lot to say about her, other than the fact that we knew we wanted a set piece where she gets so big that the trees and cabin orbit around her.

The stranger went through many many redesigns over the course of development. Here, she was a "princess skin" filled with a hive of sentient bugs. The script wasn't working for me, though, so instead she became a peak behind the curtains without the necessary context to know her.

A lot of people ask how these earlier drafts of the Stranger route would have played out, and the answer is I can't tell you, because I couldn't figure out something worth writing.

The writing process for individual routes didn't really start with outlines or plot beats. Rather, the routes started from a theme and a relationship dynamic, and I organically found their outcomes by exploring actions within those themes, and then seeing if those passed Abby's editor brain.

Neither of us found actions we wanted to explore with those versions of the Stranger, at least actions that weren't a beat-by-beat retelling of chapter 1, which contained way too much variation to put on a single chapter 2 route.

If each princess examines a relationship formed by perception and first impressions, the Stranger examines one that's fundamentally unknowable. One where you've seen too much, too quickly.

An insect hive-mind pretending to be a person seemed like a good starting point, but it was too difficult to write any interactions that didn't immediately feel knowable, if still strange. So the final version of the Stranger was designed in such a way where her unknowability makes interacting with her on a human level fundamentally impossible, and you don't get to have a real conversation with her unless you satisfy extremely specific criteria.

Anyways next up is the razor's final form. We decided she needed more swords.

Hearts became an accidental motif very quickly in the development process, too. (The fact that it is only strikes to the heart that fell her in the demo was accidental, but it felt poetic so we extended it to the rest of the game.)

So on top of adding more swords, we made her heart visible. This is something we did with the fury as well, as a way of showing their emotional (and physical) vulnerability.

Here's an early version of the Adversary and what would eventually become the Eye of the Needle, back when she was still called the Fury. Originally her hair was going to be fire (as seen on the right), but it didn't feel right in its execution.

She's hit the gym since this concept art. Good for her :)

And we're going to end with the Beast, who at this point was called the Adversary. I think this was before the Witch was added? The Beast was originally designed to be a Questing Beast who lurked in the shadows, where you'd only see glimpses of her, and where each glimpse would make her appear to be a different animal. This was too difficult to execute, though we gave her a more chimera-like appearance in the final game.

This design was from when we still has the Voice of the Obsessed, and the route was going to be a more feral mirror of what eventually became the Adversary, but it felt too thematically similar while being less interesting, so we moved in the direction of making the Beast about consumption as a form of love.

Anyways, that's all we've got for you right now. Hope this was fun!

#slay the princess #interactive fiction #character design

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moonbakeries · 1 year

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HOW I MANIFESTED MY DREAM LIFE IN A WEEK

BACKSTORY

So I decided to fully immerse myself in "persisting" and fulfilling when I listened to Lonely one by LOVA because I spent around an hour just sobbing because I related to the song.

the week that I started was around Easter break and I was under the most amount of stress I have ever been through and I could see it the effects on my body

I was breaking out with huge pimples even though I was on accutane, I was averaging 2 hours of sleep a day every week for 2 weeks, my period had going on for 2 weeks, I was losing weight rapidly (was under 35kg:( ) my anxiety was at an all time high because I got harassed again(sexual assault victim). I used to have severe depression and have had multiple failed attempts of suicide. AND YES I WAS DESPERATE AS FUCK TO MANIFEST THIS DREAM LIFE OF MINE WHICH IS NO LONGER A DREAM

in the mornings I would be super anxious but I learned how to deal with it and get myself into the state super easily

HOW I DID IT

I GOT OFF TUMBLR: you know how many times I doubted myself only to realise I was doing everything right

I also read and listened to Edward Art MULTIPLE TIMES

Within a week of fulfilling and persisting, I had manifested my dream life. just like that. I woke up one morning and everything I had ever desired was right there. and it was super easy.

all I did was affirm(to remind not to get), visualise and feel. I would only do these methods if I wanted to, if I didn't I wouldn't.

Within a few days, the anxiety lessened so much and it started to feel natural.

this was a question on Bambi's " how I manifested with hard circumstances " post which has now been sadly deleted but I remember copying this because it gave me hope at the time I copied it (don't hope, just know)

"But isn’t ranting “not letting the old story die out?” you and i could rant until our minds are cleared, just as long as you flip my thoughts, you are on the right track. I rant for 2% of my 24 hour days. The other 98% i was persisting in the fact that creation was done. as “time” went on, it began to feel more natural and I felt more at ease. I held onto that feeling because I knew this was when I would get my desires and I did."

and that was when I knew I shouldn't give up and I just kept going even when I wanted myself to just get on tumblr and overconsume

I actually nearly decided to see what I was "doing wrong". I clicked on one of Aphrodite's posts but I didn't read it. I just asked myself if I would look through it if I had my desires and I wouldn't and since I already have all of my desires I didn't.

Whenever the anxiety was too strong and I could feel the frustration and desperation building up, I would just rant and it helped me calm down and get back into the state super easily.

why?

because STATES MANIFEST THOUGHTS DON'T

which is why you can rant.

you know how many FUCKING DOUBTS I had, but I didn't even give them attention coz they didn't deserve any and how many times I wanted to just give up, but I was like NO, STFU, I DON'T WANNA LIVE MISERABLY ANYMORE and now I'm not :)

The affirmations I used:

It is done

I am living my dream life

I am in my desired reality

The 3d will conform as long as i keep persisting

Imagination is the real reality

I also daydreamed, but since imagination is the real reality they were real

WHAT I MANIFESTED

- desired appearance

- name change

- family change

- skills (drivers licence etc)

- apartment and furniture

- wealth

- a bunch of random materialistic things

- desired friend group (I absolutely love them!)

- desired uni and always getting good grades

- outfits from pinterest

and a bunch of other things

- I also ended up manifesting an sp without even knowing and he's pretty much I everything I scripted him to be(scripted a year ago because I didn't really care for a relationship) but this happened before I manifested my dream life

after a year and half of being on loablr I finally manifested my dream life. and you can too

(there was probably over 100 things I wanted but I realised what I want is not much, nothing ever is when you know about loa and yes, i was super desperate)

you don't need anymore information other than @angelsinluv states post and fulfillment challenge

you shouldn't ever be stressed or worried while manifesting whatever you want, because you wouldn't stress if you had it

TAKE YOUR TIME

YOU GOT THIS

#success story #affirmations #loassumption #law of assumption #dream life #manifesting #manifestation #loa

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u3pxx · 23 days

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“Thanks a bunch, Trucy,” Apollo muttered through chomps of his bagel. Her bounciness jolted to a stop, her stare locking onto Apollo. It was as if Apollo had grown another head. At this point, anything was possible. “You called me Trucy,” she plainly stated. “Yes, is that not your name?” He smiled the best he could at her, though Klavier could see the sweat pooling at his forehead. “It’s not that,” she continued. “You always call me Frau Wright, or Frau Magician. I’ve never heard you use my first name.”

new chapter update for @strawberricakeandpie's fic, turnabout on a friday! last time @taxkha drew the chapter art and now it's my turn once again! don't mind that the style changed from the first spot art i drew haha don't mind th

extra stuff under read more ;^P | like what i do? support me on ko-fi!

i can't think of much to say about drawing this, so many things have happened since this piece that i kind of, don't remember much of the drawing process ASKSKS

i did remember that i used a new pen for inking this one! watch out for that in future spot art made by me because i shrimply can't help myself. sometimes i draw with a pen for months and months and suddenly i hate how it feels, i'll have to not use it for a long time before my brain decides that that pen is okay again, it's weird pftt

i do enjoy the color's for this one!!!!! i'm so enamored with that shade of purple i used on klav and the light blue i used on trucy. apollo!klavier nervously eating his bagel in the background was so funny to me pftt

and a lil bonus thing, as you may or may not have noticed, i usually draw apollo with a yellow pupil, and since he's in klavier's body...

klavier!apollo also has a yellow pupil! i usually give klav a blue one so teehees :^]

i think giving body-swapped characters little traits of each other is pretty fun! i've been doing it with klav!apollo's two strands of hair that keep sticking up and apollo!klav's bottom lashes pftt

if you managed to read this far and still have not read the fic, what're you doing man!!!

#ace attorney #apollo justice #klavier gavin #trucy wright #klapollo #klapollo minibang 2023 #klapollomb23 #klavier x apollo #apollo x klavier #kyodoroki #sunnysidedraws #sunnysideattorney #described #id in alt text

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shoomlah · 25 days

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Oh gosh, if you're taking questions I have like, a bajillion. The neopets "style" has been pretty loose over the years but... What sort of guidelines did you have to follow? Were there any hard "no"s? Was there a style guide or bible? In terms of design, what were you most proud of? Anything that was rejected that was disappointing to not see come to fruition?? Pardon my excitement!

From my recollection there was no official style guide, which I'm sure is pretty apparent from the art on the site—we'd run things by our art director Anthony/Tigercatcher for feedback, or by Adam or Donna to get their stamp of approval, but otherwise it was relatively lawless. It is fun to be able to look back at the old art and immediately tell who drew it, though!

A couple memorable anecdotes:

There was this brief phase in the early years where we had anthropomorphized neopets, but we hadn't really standardized how we drew them. They eventually got fingers and fully rendered eyes BUT I do love this transitional period where I just drew a bunch of sexy aishas with nub hands and dot eyes:

At one point there was a moratorium on giving the anthropomorphic characters helix piercings. It had become a kneejerk instinct to just toss a couple hoops onto a character's ear as you were designing them and it got: wildly out of hand

the worst notes were the ones we'd get on the Neopets Magazine covers, hands down. We could have so much fun with the on-site art, but anything public-facing like merch and the magazine were under way more levels of impenetrable scrutiny. The feedback was always to make the smiles BIGGER and B I G G E R

#neopets #ask #taldigi

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steddielations · 17 days

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nsfw, actor eddie, hair and makeup artist steve, sub top

The downside of Eddie having a bunch of tattoos is that he has to sit in the makeup trailer longer than anyone else getting them covered, along with his character’s makeup.

The plus side is he gets more time with Steve.

They have this game. It started on Eddie’s first day. He was all wired up with nerves because it’s his first time in a lead role on a big production like this.

Every nightmare scenario of how he could screw up was running through his mind. He couldn’t sit still enough for Steve to give him the wavy hair and facial scars that his character has.

Eddie kept apologizing and Steve was great about it. He asked Eddie about the heart on his arm with “Wayne” across the ribbon and distracted Eddie from over-practicing his lines, busy telling Steve all about his uncle who raised him and where they’re from.

Eddie killed it on set that day, and pretty much every day since then. He loves acting, he loves fully immersing himself in the story he’s telling. This role is the biggest of his career so far, but it’s not even about that, he loves the character he’s playing, he meshes well with the director and has chemistry with his co-stars.

But Steve is his favorite part of this whole deal.

Eddie ran out of tattoos for their little game of telling Steve the story behind a different one every day. They never ran out of things to talk about though.

But Steve takes his job seriously and he’s good at it. He explained once why he likes doing this. It’s an art, getting the right look for the right character, or the right person, connecting with and taking care of whoever’s in his chair.

He explained it all while he was running his fingers through Eddie’s hair in those perfectly practiced strokes. Steve’s very good at his job, that’s why it feels so nice when he touches Eddie, even if it’s just work, because Steve cares about this. That’s why it’s easy for Eddie to be lulled into bliss when Steve’s fingers are so gentle on his scalp.

And, okay Eddie’s not made of stone, and he has eyes so he has a thing for Steve. A crush, but there’s a line there. This is work. They’re co-workers, despite how many pretty smiles and lingering looks are exchanged. Eddie won’t cross that line.

Until he does.

It’s an accident. He never would have done it on purpose.

Steve’s fingers are just so talented. Eddie’s eyes are closed, he was having another fit of nerves earlier so Steve took extra time with his hair. It put Eddie in a space so relaxed that he feels like he’s floating when Steve’s hand twists in his hair with the perfect amount of tension. It feels so intentional. The moan just slips out.

Eddie apologizes like crazy afterward, he feels terrible. Steve is a picture of professionalism, he’s charming and fun but he runs the makeup trailer like it's the navy and he takes his shit seriously and Eddie crossed a line.

But Steve just shushes him, guides him to sit back in the chair and says it’s alright.

Eddie blinks in disbelief but Steve just looks at him.

It’s a look.

A look that Eddie can’t stop thinking about for the rest of production.

It’s a look he sees again on his last day on set.

Eddie already shook everyone’s hands and said his goodbyes. He's just stopping by his trailer one last time to make sure the assistants got all his stuff cleared out.

When he opens the door, his stomach flips, finding Steve waiting inside for him.

“You wrapped filming today,” Steve says in place of a greeting. But his smile and the way his arm is languidly stretched over the back of the couch is inviting.

Something tells Eddie to lock the door before he goes over to sit next to Steve.

His gaze is even more intense up close. Eddie feels Steve’s eyes on him everywhere, like he’s just eating Eddie up.

“Yeah, I did,” Eddie says, a tad nervous.

He doesn't want to make a move he can’t take back in case he’s wrong about why Steve’s in his trailer looking at him like that. He doesn’t want to be one of those douchebag movie stars that assumes everyone wants him and he has a free pass to hit on the crew. He’s sure Steve’s had enough of that bullshit.

“We don’t work together anymore,” Steve simply states.

“I know, it sucks,” Eddie laughs a bit sad because he really is, “Sorry if it’s weird to say, but I’m gonna miss you.”

Steve’s eyes shift between Eddie’s and then down to his lips, making his heart stutter in his chest.

“No it’s a good thing,” Steve says and Eddie’s brows knit in confusion. “It means I can do this finally.”

Eddie thinks he’s watching his daydreams play out the way Steve starts leaning in.

It’s only real when Steve’s lips press softly to his.

Just once, so light, long enough for Eddie to catch on that it’s happening, then Steve pulls back before Eddie can reciprocate.

Steve chuckles faintly at the dramatic frown Eddie’s pulling.

Then Steve’s hand cups Eddie’s cheek, his thumb stroking Eddie’s face as he tells him, “We can stop there and keep it professional and say our goodbyes. Or I can climb on your lap and give you something to remember me by.”

Eddie gulps. Steve’s offer and his silky voice and his perfect touch that Eddie’s already so addicted to is such a heady mix, making it hard to form words. “Yes, climb me— I mean, option B.”

“Yeah, honey, you want that?” God, Eddie always blushed hot when Steve called him that casually in the makeup trailer, now he’s melting hearing Steve say it like this. “Well, go on and take your pants off for me.”

It happens in a syrupy warm blur. Eddie sheds his jeans and underwear like he’s told and he’s rewarded with a gorgeously naked Steve Harrington in his lap. He’s allowed to touch, only after Steve has threaded his fingers through Eddie’s hair more reverently than any time before, like something precious in his hands, and kisses Eddie deep and hard.

Then Eddie gets to nuzzle the chest hair that’s been driving him crazy peeking out of Steve’s shirt every time he leaned over. Eddie gets to touch Steve’s soft strong thighs, feeling the smatter of hair leading up to his ass that’s been driving Eddie even more insane trying not to stare at. Then he slips his fingers in and moans into Steve’s mouth when he feels the hard bulb of a plug nestled inside Steve.

Steve pulls back from the kiss, smiling and smearing his thumb over the spit on Eddie’s lips. “Yeah, I’m so ready for you, Eddie, baby, you have no idea.”

Eddie’s practically drooling watching Steve take out the plug and get a bottle of lube from between the cushions and a condom, oiling up his hand. When his fist wraps around Eddie’s cock, Eddie helplessly bucks into it, but Steve’s solid thighs pin him down. That makes his mind lust-foggy and his eyes flutter up at Steve, who bites his lip watching Eddie as he lines up to his hole.

“Mm... you know how bad I wanted you?” Steve sounds relieved as he sinks down on Eddie’s cock. “You know how bad I wanted to climb on your lap when you were sitting in my chair. You know how starry-eyed you get when you’re drifting? Just from me touching your hair, so fucking cute.”

Eddie’s just a mess of moans, Steve is so hot and tight around him. It’s too much with all the sweet praise to really comprehend that Steve knew all those times he was getting spacy.

“It’s so easy to put you down.” Steve’s breath comes harder, not letting Eddie move as he starts to roll his hips. “Such an actor, high strung all the time but that’s okay. It’s your passion. That’s sexy. Been dying to hold you down and ride you until you can’t think about anything but me, though.”

Eddie gasps out a groan when Steve tugs sharply on his hair, being right about everything that Eddie’s into so far. It’s no secret that Eddie’s intense, just a different kind of intensity in the bedroom than with his craft.

Steve seems to get it, seems to know that Eddie needs everything hard and relentless with the way he’s bouncing on Eddie’s dick. He can feel the strength in Steve’s hips, dying to feel them fucking into him too, mouth watering at the sight of his thick cock jumping with all the movement.

“You’d let me tie you down and use you, hm?” Steve asks, drawing Eddie by the hair into a biting kiss that just barely grazes the surface of what Eddie would let Steve do to him. “I know. I’d fuck you up so good if we had time, baby.”

“Steve, holy shit,” Eddie practically sobs, fingers digging into Steve’s ass.

“You close, honey?”

“Fuck, yeah.”

Steve suddenly cups his face, just a tad rough and Eddie thought— hoped for one hot moment— that Steve was going to slap him. Just the thought is enough to make him do what he's supposed to, “Can I?”

“Mh-hm just keep looking at me,” Steve strokes Eddie’s face as he circles his hips and takes Eddie deep. “Wanna see those pretty eyes when you come inside me.”

Eddie does as he’s told, his gaze falling half-shut as he lets go, spilling into the condom like he’s pumping Steve full.

It’s the hottest thing that’s ever happened to him, followed by the second hottest thing when Steve kisses his slack mouth as his warm heavy spurts of come land on Eddie’s belly.

While Eddie’s coming down, he lets Steve shift him onto the couch. He gets some tissues and then pulls Eddie to lie on his chest because of course he would, he’s Steve.

“Was that enough to remember me by when you get all big and famous?” Steve asks after a while, trailing his knuckles down Eddie’s bare arm.

Eddie looks up, seeing the first glimpse of hesitance in all of Steve’s practiced smoothness.

So Eddie leans in and assures him between pecks on his lips that slowly turn to smiles pressing together. “Nope, think we gotta do it again. And again. And again.”

#here's some sub top eddie from yours truly #also i've talked about actor eddie before but we need to talk about him more plssplss #steddie #eddie munson #steve harrington #steddie fic #steddie ficlet #steddie smut #subeddieweek #sub eddie week #famous eddie munson #hairdresser steve harrington

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