It's unreal. The light is streaming in through the windows, the curtains still drawn to block out the midday heat, tinging their living room in golden hues that match so well with the light grey fabric of their new sofa.
Eddie should probably snap out of it and head over to the windows, open the curtains and let the light in, and with it the warmth and fresh air of a surprisingly wonderful day.
It's March, he hears the echoes of Steve's giddy voice a week or two ago. Everything's better in March.
Eddie didn't agree then, and he's not sure he agrees now, but he must admit there is something magical about this moment.
Still he remains rooted to the spot, leather jacket heavy on his shoulders, his hands hidden in the sleeves of it, just in case this really is a dream. Just in case someone will come in and snap him out of it, take away their couch and leave an eviction notice.
It's dumb. But Eddie doesn't deal well with things that are unreal. Things that he knows aren't meant for him. Things that he knows he only gets in this one play-through of his life, while millions of other Eddie Munsons are out there in parallel universes who never get to even lay eyes upon a couch this nice. Let alone buy it. From their own real adult money.
It's a corner sofa, the fabric light grey, and he remembers it being harder than it looks. Solid. Just perfect for both their fucked up backs, scar tissue pulling if they sit wrong for too long, phantom pain and muscle aches coming in hot when all they want is to just relax and enjoy a lazy evening.
Eddie bites his lip, trailing his eyes along the pristine fabric, the pillows lining the back of it, the flawless stitches keeping everything in shape.
They have a couch now. A sofa.
It's so fucking unreal.
He drops to the floor right then and there, sitting with his back against the wall, and never once taking his eyes off their sofa. It feels important to look at it for a while. It feels important to wait for Steve. It feels... It feels like maybe he'll ruin everything if he goes and sits on it now.
And it feels really fucking big.
At some point he hears the front door opening, their lock going so smoothly now that Steve fixed it with some graphite, and the sound makes Eddie smile. That's another thing that's unreal. The key barely making any noise, the lock not rattling, the door not creaking and cracking. Eddie pulls a strand of hair between his lips, the smile feeling too silly for this room, for this home, for everything he gets to have now.
For all the tiny things that matter now. All the tiny things he gets to have, turning the key's smooth slide into an allegory of everything he ever wanted but never dared to hope for.
The slide of curtains, the click-click-click of the window handle being turned to let the air in. The breeze of fresh spring air dancing around his nose.
It's all a little much. It's so fucking addicting.
And then Steve. Socked feet coming to a stop beside him, a hand landing in his hair, a voice that's so endlessly warm and fond and maybe a little worried sounding from above him, "Hi, angel."
"Hi," Eddie says, tearing his eyes away from their couch to meet Steve's. The sunlight from the windows hugs him, making him glow. Eddie smiles. He smiles and smiles and never wants to stop.
Steve hums as he leans down to press a kiss to his forehead, and Eddie weaves his arm through Steve's legs, holding onto his knee.
Everything feels a little less silly now. Like every time Steve doesn't question his little moments of sitting on the floor and just staring at things.
"We have a couch now," Eddie says, because it feels important to point out. Because Steve isn't looking at it.
"We do," he hums. "I got the call earlier. Thanks for helping with that, baby."
Eddie nods again, leaning his cheek against Steve's knee and trailing the couch again with his eyes. It looks brighter now that the curtains don't turn the room into something out of a sepia-type movie anymore.
Steve's hands comb through his hair, massaging his scalp a little with his nails. It's nice. It's warm. It's pretty.
And it's so unreal.
"I'm twenty-four," Eddie says then, and some part of him wants to carve that into the fabric. He won't. But maybe he should carve it somewhere else. "And I own a couch. It's a little crazy."
Steve comes to sit down beside him, their shoulders pressed together and he links their hands, resting them in his lap after a brushes a kiss to Eddie's knuckles.
"Why's it crazy, angel?"
He shrugs, resting his head on Steve's shoulders and curling into his warmth some more.
"Most of my life I never thought either of those would happen, y'know."
Another hum, followed by another kiss to the crown of his head. Another smile.
"But you did it," Steve whispers. "You made it. And we've got a couch now."
"We've got a couch now."
Saying it out loud doesn't make it feel any realer. It only makes his heart race and his eyes prick.
"I love you," he says, finally looking away from pretty grey fabric to meet prettier hazel eyes. "I love you so much."
Steve leans in, kissing the tip of his nose. "I love you. Thank you for buying a couch with me."
And it occurs to Eddie then that Steve understands him. Sitting there on the floor with him, hearing his words and listening to those unsaid, understanding Eddie on such a fundamental level that it should be scary. And it is, sometimes.
But he's not scared now. Because they have a couch. And they have pretty curtains that keep the light outside and still turn the room into something magical. And they have a lock that only needed a bit of graphite to let the keys glide smoothly.
And they have each other.
They stay on the floor until Steve's stomach growls, and they eat dinner with their backs against the couch and Eddie's feet in Steve's lap. They hold each other close after dinner, just breathing each other in as the breeze blows around them.
In the end, Eddie is the first to sit on the couch, with Steve standing between his legs and giving him a scalp massage in silence. In the end, Eddie buries his face in Steve's stomach to hide the tears, and Steve lets him.
Because this is real. And he gets to have this. They both do.
🤍 permanent tag list gang: @skiddit @inklessletter @aringofsalt @hellion-child @stobin-cryptid@hotluncheddie @gutterflower77@auroraplume@steddieonbigboy @n0-1-important@stevesjockstrap @brainvines @puppy-steve @izzy2210 @itsall-taken @mangoinacan13 @madigoround@pukner@i-amthepizzaman @swimmingbirdrunningrock @hammity-hammer @stevesbipanic@bitchysunflower @estrellami-1 @finntheehumaneater @goodolefashionedloverboi @awkwardgravity1 (lmk if you want on or off, for this story or permanently)
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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Okay so realistically speaking, giving birth is an excruciating, painful nightmare, and from the few Crocodad fics I've seen most people seem to prefer to write realistic pregnancy and make Luffy's birth a (physically) painful thing. Because it makes sense, it might be more relatable for some writers that way etc, and that's perfectly fine (like genuinely, it's not an issue at all, this is not a critique or a complaint)
God I don't know how to make this segue- Have any of you watched Ore Monogatari!! (My Love Story)? It's a great early 2010s romantic comedy series, funny as hell, super cute and sweet, would reccomend, but that aside. During the series the protagonist Takeo's mother gets pregnant and she ends up giving birth to Takeo's baby sister. And it's that scene, where Takeo's baby sister is born, that I keep on thinking back to whenever I wonder how Luffy's birth might've gone.
Takeo and his mother alike are Sturdy Motherfuckers. Like absolute gigachads, borderline superhuman, it's great and it's funny as hell. And because of that near superhuman nature...
Takeo's mother goes to give birth at 4:15 pm. And she has finished giving birth at 4:16 pm. One fucking minute is what it took for this woman to bring a child into this world. An absolute legend
The screencaps do not do justice to how fucking funny this is in the actual episode
And so like
Like we know Crocodile's been through absolute hell, being an amputee and all. And as Domino told us at the entrance of Impel Down, we also know the man did not even flinch when forced into Impel Down's traditional 200 Celsius cleansing bath (or 392F)
So Crocodile has better pain tolerance than the average person. Like, you might have to put in a bit of effort to cause him actually hurt. So if giving birth to Luffy was an absolute cakewalk for Crocodile, not only would it make perfect sense in-universe and be completely in-character for him, but also
It would be objectively funny as hell
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