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#i actually love this au so so much
llumimoon · 7 months
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Introducing the Erased AU!!! or as I like to call it: The Mysterious Disappearance of Normally Oak
Hehehehe I actually came up w/ this back in May (with the help of @kaseyskat <3) but it's been modified to be more canon compliant since some recent things got the brain gears turning :]c
The premise is essentially Norm and Dood do some. very silly goofs. aka w/out telling anyone Normal decides to go back to the Doodler's home dimension w/ Dood to keep them company and through some magic shenanigans everyone now has no recollection of Normal or the Doodler apocalypse- everything is a picturesque happy ending... or is it?
Sparrow is the first to realize something's up due to her new art studio being where Normal's bedroom used to be, but the others aren't very far behind. They all have to put the clues they discover together in order to figure out what happened and bring Normal back. Speaking of, I dunno how long a human can last in an eldritch dimension after all...
EDIT:
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beybuniki · 9 days
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they should go on a fishing trip pt.1
#DONT COMMENT ON THE BACKGROUND I KNOWWWWWWWWWWWW#anyway this is day 1. they take a bus. the bakugo household has fishing gear so ´deku is wearing bakugo's onesoe (?) and bakugo is wearing#his dad's. and notices he has grown :')#anyway they take a BUS and don't feel like doing this at all it's awkward for so many reason#also trying to relax after everything is neurologically just really hard they might be hyperivgilant dik#and there's so much they never got to unpack bnut they have to and they have to start somewhere and with someone#deku makes that flower crown while bakugo preps everything and they both look at it and are thrown back into their childhood 🧍‍♀️🧍‍♀️🧍‍♀️#and at first they just sit and wait for the bavarian fish to bite (rody should make a cameo tbh) but then bakugo breaks the iceeee.#and he starts with their moms because their moms have been such a stubbron connection between these two :')#and deku answers with the usual 'good :) how's your mom :)?' and to everyone's surprise he actually opens up#and tells deku about his mom's insomnia because she watched her son die (that shit was live streamed tpo 10 bnha tweets btw)#idk i love to think of their moms being a very easy subject to connect through i think it's easier for them that way to be more vulnerablei#and then some fish biteeeeeeeeeeee#but like 3 small ones so they have to gather berries and mushrooms and make stew (dw there's an aldi this is bavaria after all)#but yeah day 1 is a bit weird like it's just them in the woods with no distractions#which is so different from whatever went on during their 1st year of high school#don't read this i will throw up i just need this somewhere this is my public scrapbook#bnha#deku#midoriya izuku#bakugo katsuki#the flower crown on their knees makes this a bit homosexual but fishing is always homosexual im not fighting against that#au:#fishing
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shepscapades · 5 months
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I started watching through Xisuma’s Season 8 the other day (for uhhh no reason!) since I never got to watch it proper, and this early season moment really got me for some reason =w= Joe was teasing Xisuma and I was like. Yeah. Even pre-deviant joe would <3
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emry-stars-art · 17 days
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When the misunderstanding is mutual but they’re both so sweet about it (coffee shop au edition)
Inspired by the tags below (originally on this post) from @blahblaheverythingisgay and @lovelyprincejehan accompanied by some thoughts:
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thank you for bringing this GALAXY brain take to my attention 😂 this guy comes in, all cagey about his past and his scars, always wearing baggy clothes but complaining about compression clothes (being on the run does a number on your joints and muscles), picking out a name for himself??? OBVIOUSLY he’s trans right
They somehow manage to have like three separate conversations about it without realizing they’re talking about two very different scenarios. Andrew only was so wrong for so long because scars on their own (and even being a criminal lbr) are such non-issues that it didn’t even occur to him that Neil could be talking about anything less important than being trans lol
Andrew had his little crisis about it and landed pretty solid on yeah he’s still into Neil regardless, and yeah he’s still super gay. He’ll figure out the rest from there. The only thing he didn't prepare for was Neil being uh. Cis
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foryouthegays · 1 month
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aspec means whatever the fuck u want it to mean if u id with aro or ace in any fuckin way and call urself some form of aspec ur good idgaf .and this is like .average soulmate au .idfk if u see something and its soulmate au would u click.
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omaano · 4 months
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Touchy subject
"The 501st was one of the best legions during the war. I've lost a lot of good men over the years - some of them would have given even you Mandos a run for your credits. And my general... My general was a good man too, but that's enough of that, I thought you were too old for bedtime stories by now."
Din just tried to figure out what the colour of the clones' armor paint meant, and why he's never heard Rex mention his CO during all the wartime stories and lectures; whereas he's already got to meet Wolffe and his general and even heard Cody mention his every once in a blue moon. (Special thanks to @witchydom for helping with the "dialogue" :3)
The rest of my Star Wars meets Hades AU project is here
I'll take a bit of your time to give a bit of an explanation why I decided to put Rex in Skelly's spot:
During a playthrough when I was looking for screenshots to use as backgrounds the first thing that greeted me was Zagreus calling Skelly "Captain" upon entering the armoury, or whatever that chamber is called. And that really decided it, let's be honest. Rex is Captain, and that is the Captain's spot. End of story.
Reading "still got it" by qigiined even before I got into watching TCW was such a personality defining experience (seriously, this fic lives forever rent free in my brain), that I really had no other option but to put the few clones that I'm willing to work into this AU somewhere around home base (the covert) - so you can guess where Cody and Wolffe are situated. Or will be, hopefully soon enough. Rex needs to be able to hang out with Cody, that's just how it is. (Rebels and TBB canon who?)
Rex deserves to teach some uppity Mando bounty hunters and other warriors who think too much of themselves a few lessons in humility and some crafty tricks. I think it would be very good for him.
As a throwaway note since we are already under the read more section, I've been thinking about sigils and keepsakes (trinkets) and cthonic companions (I know that over a year ago I inaccurately but very self indulgently designed one for Din, Boba and Cobb, that is not the point now) and while Cody can have one shaped like Boga, and Wolffe can obviously get a stuffed loth wolf (and Bo-Katan a very squishy owl)... I have no idea what shaped companion Rex could have. If anyone has any suggestions and would love to share it with me, I'd be very grateful!
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shortkinglink · 3 months
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they're talking shit
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wasyago · 15 days
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oh mah goood who is this ????
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rapidhighway · 6 months
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trying to show you the absolute cinema i had the pleasure of watching in tonights dream. We could’ve had it all
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starflungwaddledee · 5 months
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night flight on the frozen ocean ❄️
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carrotkicks · 2 months
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cupid depression edition
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libraryofgage · 9 months
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Decided to combine 4 and 12 of the prompt list! Something about these two prompts was giving me major Addams Family vibes, so I rolled with it lol
If there are any other prompts you want to see written, lemme know!
4. “You know I’d do anything to have you stay by my side, right? Anything.”  
12. “I’m going to have so much fun with you.”
Wherein the Munsons are branches on the Addams Family tree, and Steve finds himself the object of Eddie Munson's flirtations and devotion.
---
When the Munsons move in next door, Steve sits his brother down in the living room and says, "Don't bother them, Dustin. Wait, like, three days before asking for their life stories."
Dustin looks offended, to say the least. "I wasn't gonna ask for their life stories, Steve. I was gonna ask where they got all the bats and birds that hang out on their roof."
Honestly, Steve would love the answer to that, too, but that seems to be encroaching on the "life story" territory, considering the sheer number of flying creatures the Munsons brought with them. He'd been outside getting the mail when the Munson kids, a boy his own age and a girl Dustin's age, had opened a tiny cat carrier, and a veritable storm of black wings and feathers and screeching had somehow come streaming out of it.
The girl was watching them with a smile, and the boy turned around like he'd felt Steve staring. Their gazes met, and Steve's awkward wave was returned with the boy's eyes raking over him before winking with a grin.
"Look, ju-"
Steve's words are cut off by a banging on the door, the person knocking out a beat that he can't follow. He shoots Dustin a look to stay put before he opens the door to find the Munson boy on the other side. He's got that same playful grin and a plate of pitch-black...something in his hands.
"Uh, hi?"
Somehow, the boy's grin gets wider, and he shoves the plate into Steve's hands. "Heeeellooo, big boy," he says, his voice almost lowering into a purr that makes heat flood Steve's cheeks. "Wayne wanted me to drop off some of his famous arsenic and chocolate chip cookies. You know, since we're neighbors and all."
"Wayne? Arsenic?" Steve mumbles, looking down at the cookies warily.
"Our uncle," the boy says, leaning on the doorway and crossing his arms as he looks Steve up and down again. "Don't worry, it won't kill you. Yet. That's a friend of the family privilege, at least, and you just ain't there yet."
It must be a joke, and Steve lets out a strained laugh. He balances the plate in one hand and holds his other one out. "Right, well, uh, nice to meet you. I'm Steve. You'll probably meet my brother, Dustin, later."
The boy takes his hand, but instead of shaking it, he brings it up to his lips. Then he turns Steve's hand over, brushing his lips across the meat of his palm before nipping. Steve jerks, yanking his hand back and holding it close to his chest, his heart beating erratically as the boy says, "I'm Eddie, my sister's name is El, and I'm going to have so much fun with you, Stevie."
And with that, Eddie turns on his heel and saunters back to the Munson home, which had been painted pitch-black (just like the cookies) at some point. Steve doesn't move from the open door, feeling a faint tingling in his palm, until he hears Dustin shout that he's going to let all the cold air out.
The arsenic and chocolate chip cookies had not, in fact, killed either of them. And, despite their burnt-to-coal appearance, they were soft and chewy. It had immediately put the Munsons in Dustin's good graces, which he happily proclaimed while Steve's head and heart were still reeling from Eddie's introduction.
In the following weeks, Eddie kept popping up whenever Steve left the house. He never overstepped, though. He'd appear at a distance, wait for Steve to wave or say hi, and then approach with that big grin with canine teeth that looked a little sharper than they should. Sometimes he'd offer more baked goods from Wayne (always with some schtick to them: eye of newt brownies, hag's breath toffee, cyanide and cherry pie). On one notable occasion, he'd offered a baseball bat with nails stuck through the end.
"El let out a demodog the other day, so you probably ought to be careful. I'd hate for you to get hurt by something that wasn't me," Eddie had said as Steve confusedly took the bat.
He blinked when he had processed the words and looked up. "You would hurt me?" Steve asked.
Eddie had leaned close, his ringed fingers ghosting over Steve's side and inching closer to his waist, and whispered, "It wouldn't just hurt, Stevie." His words had sent a shiver down Steve's spine, his mouth suddenly dry as Eddie pulled away.
And their interactions had escalated from there. With every meeting, Eddie strayed closer, lingered longer, spoke softer, and Steve couldn't escape the growing devotion and fascination in his eyes. At some point, Steve knew, things were bound to boil over.
So, he definitely wasn't surprised when they did at the neighborhood's annual Fourth of July cookout. Eddie had waited until El and Dustin were distracted by their other friends, checked to make sure Wayne was sufficiently busy with helping at the grill, and then kidnapped Steve to a hidden corner of the Byers's yard.
Which brings Steve to the present, the Byers's house casting a long shadow over him and Eddie so nobody notices them. The sound of other kids screeching with delight and parents discussing summer camps fades when Eddie leans in closer.
"You know I'd do anything to have you stay by my side, right? Anything?" Eddie asks, tilting Steve's chin up as he crowds him against the wall.
Steve presses back against the cool brick, silently holding Eddie's gaze. There's a stark seriousness to his words, and Steve can't help his curiosity about just what anything encompasses. "Would you kill for me?" he asks, his voice soft.
Eddie practically lights up, a feral grin pulling at his lips. "Gladly, sweetheart," he purrs.
"Would you die for me?"
"I'd tear out my heart and present it on a fucking silver platter for you. In fact, I can do it right now, if you'd like." A knife appears in his hand from seemingly nowhere, and Eddie brings it to his own chest only for Steve to stop him by grabbing his wrist.
"Then, what about living for me?" Steve asks, carefully taking the knife from Eddie and smoothly returning it to the holder tucked into his jeans.
Eddie leans in until their noses brush, his hand cupping Steve's jaw. "I wouldn't even dream of dying without your permission, Stevie," he whispers.
And Steve would fucking love to meet the person who could withstand Eddie Munson's attention and flirting and gifts and care and sheer devotion without falling head-over-heels for him. Steve would want to put that person in a jar, study them, see if their indifference is something he could mass produce. He's sure Eddie would be thrilled to help him do it, too.
"I have one request," Steve whispers back, reaching up and pushing his hand into Eddie's hair, warmth rushing through him when Eddie leans into the touch.
"Anything. Say the word, and I wouldn't hesitate to crawl through hot coals and broken glass." Steve has zero doubts Eddie would; in fact, he knows Eddie would be ecstatic to do it, if only for the chance to make Steve smile.
"I want one of the bats. And Dustin wants a demodog, but you better make sure it doesn't hurt him, or I'll make you listen to bubblegum pop and watch a Disney marathon."
Steve can feel the shudder that goes through Eddie, his eyes revealing a mix of horror, pride, and love at Steve's words. "You, Stevie, have perfected the art of making threats. Consider your two requests granted and me sufficiently...threatened," Eddie breathes, somehow managing to press even closer.
And Steve can't make either of them wait a second longer. With a grin that can easily rival Eddie's, Steve kisses him and begins to think of names for his bat.
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coolnonsenseworld · 8 months
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(it's a continuation of previous posts about the calendar)
For March Lance voted to do some tree hugging and grass touching in a constantly busy world of trying to pass exams and earn money and they had a picnic for an entire day. Keith wholeheartedly agreed, but also felt like it’s way too cheesy. Still, Lance didn’t even have to win him over with sushi. Sushi was just a nice surprise. When Lance reports back to Hunk how his Saturday went using the phrase "dancing underneath the moonlight", Hunk opts out of the details. Lance tries to explain it’s not an euphemism, but Hunk just politely reminds him he can keep speaking just. No. Details. (he does that a lot when Lance starts gushing about Keith)
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sculkshrieking · 3 months
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saw or mcyt you say… how about saw AND mcyt. put trafficgrian into a situation. reverse bear trap him or fuck em up in some other way do whatever you want forever have fun!!!!!
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i loooove drawing AUs that a total of three people wanna see <3 this is how we finally get mcyt fans into Saw
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world's most annoying man is not allowed outside due to his inability to shut up
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starry-bi-sky · 18 days
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
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Home is where we are
Home is where you are
Home is where I am
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Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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