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#how do i sew this
free-llama-arcade · 4 months
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Ok, so the TVA style always struck me as 90% vintage and 10% futuristic SciFi. BUT, Loki x Mobius outfits designs are an intentional metaphor for fitting together. Theory time! Strap in.
It starts with my obsession over the lapels on Mobius' jacket. See how they sit UNDER the rest of the fabric instead of on-top?
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Here's a grainy close up.
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Man that's cool seam work. Anyway.
Now Loki has a cool lapel too, but it's the opposite of Mobius', it's all puffed up. (See where I'm going?)
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Here's a better pic.
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It has DEFINITELY been padded out. Here's a typical wool peacoat for comparison:
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So we have Mobius and his lapel being inset, and Loki and his lapel protruding in excess.
MEANING that the two jackets symbolically fit together. Like if they hugged chest to chest. The lapels are a metaphorical puzzle piece for how Loki and Mobius go together.
Obviously there are many ways to read into this, like how Loki fit into Mobius' life, or how Mobius contains Loki's behaviour, how Mobius is more introspective and Loki is more a man of action. (Pop your interpretation below!)
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But ultimately, this costume design HAD to be intentional. It's such a cute little detail that really shows how much thought really goes into this show.
I'm not sure whose choice this was, probably Tom Hornsby the costume director? Anyway, whoever it was, I see you. I love your work. This is just my current rabbit hole after falling in love with Mobius' lapels. ✨
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cadaverkeys · 4 months
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You guys rlly don't realise how much knowledge is still not committed to the internet. I find books all the time with stuff that is impossible to find through a search engine- most people do not put their magnum opus research online for free and the more niche a skill is the less likely you are to have people who will leak those books online. (Nevermind all the books written prior to the internet that have knowledge that is not considered "relevant" enough to digitise).
Whenever people say that we r growing up with all the world's knowledge at our fingertips...it's not necessarily true. Is the amount of knowledge online potentially infinite? Yes. Is it all knowledge? No. You will be surprised at the niche things you can discover at a local archive or library.
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Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.
Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU
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deanmarywinchester · 8 months
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i like this substack article I found while googling jamie loftus’s book on hotdogs. it’s like a poem on the subject of “you can do whatever you want forever” to me
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fldx2 · 9 days
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my hand-knit dallas stars blackout jersey (sweater edition) is complete! just in time for game 1 round 1 of their 2024 playoff run 💚
this project was such a labour of love and the pictures above are the culmination of three months of planning, two months of knitting and too many days procrastinating weaving in all the ends 🥲
if anyone is curious about the project details including yarn amounts or how i did the intarsia logo, please feel free to send me a message and i’ll answer as best i can (or will send you the link to my ravelry page for this project) ☺️
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macksartblock · 10 days
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beware of burnout it's so real i'm afraid
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also bc ended up making my writing into a font to avoid killing my hand as much and bc I saw Caden do this, I thought it would be fun to see who y'all think it suits lol
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bluastro-yellow · 7 months
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Kurvitz stresses that Kim doesn't actually have a character sheet hidden in Disco Elysium's code. Imagining that Lieutenant Kitsuragi has only one natural attribute point in Motorics helps the ZA/UM team to understand the depth of his character beyond what's referenced in the game's dialogue. "We just came up with this stuff for coherency," says Kurvitz. "And because we're nerds."
"I like to think Kim has a Thought Cabinet project called Revolutionary Aerostatic Brigades that he's worked on since he was a teenager," Kurvitz says. "This raises the learning caps for his Reaction Speed and Interfacing."
Kim's high Volition skill makes him impervious to prying, Kurvitz says, as the detective can find out on occasions being met with Kim's brick-wall resolve. Kim often chastises these whims of the detective's, but will occasionally play along. The Lieutenant finds his new partner funny, says Kurvitz.
Kim is naturally shit at Motorics and thinks Harry is funny source
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kayleerowena · 4 months
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been chipping away at a new quilt
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saint--claire · 3 months
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When I was a little child, there was a particular library book I checked out week after week, endlessly renewing it as much as I was able. The book, How to Raise and Keep a Dragon by John Topsell was a quasi-nonfiction guide to, as you guessed, rearing different species of dragons. I loved it. Tiny-me had plans.
As an adult, I tried to buy it a few times. No dice. The book was so old that no mainstream bookseller stocked it. Even when I tried niche websites recommended by various booksellers and librarians, I still couldn't find it. It was sadly lost to time, apparently not popular enough to make it into the archives.
But.
My best friend had a copy of that book. We're going to call her G, for several reasons not relevant at the moment. I was discussing my search with G one day, for some reason I can't remember now. She got a funny look on her face, asked me a few questions about the cover, listened to me do a very poor job of explaining with my hands how the hardcover copy had included a real gemstone in the dragon's forehead, and then went off to fish it out of her bookcase.
I was Gobsmacked.
I should not have been, given that the history of shared childhood books between us both would have made a circle with ragged edges, more so than a venn diagram, but I digress. The book came home to live in my house for a few months, and I was delighted by the chance to read it again.
Do people remember those type of books? Dragonology, Egyptology, The Stone Age - a way of introducing children to non fiction. They very earnestly spoke about the responsibilities needed to raise dragons, the practicalities involved. There was a record of registration you could fill out, if you had carefully considered the information to your self and felt you were responsible enough to to go through with adopting a dragon.
I vaguely remember filling out some of the riddle and puzzle questions in the Dragonology books. I would never have written in John Topsell's book, it was a library book.
But.
When I re-read G's copy at home, smiling over the familiar artwork, I was surprised to turn the page and find the painstaking, somewhat-wonky handwriting staring back at at me. Baby G, with her name spelled out in freshly-joined but still-not-quite-got-the-hang-of-this-yet cursive lettering. Baby G had filled the registration out in her best handwriting, in glittery green gel pen to denote the importance of the document. This was compared to the earlier, less important checklists done in plain black ink.
I read the registration certificate. Smiled. Smiled some more at the names listed for G's dragon, her dam, and her sire - Eragon was also a great book. Go off, Christopher Paolini.
Breed; standard Western Dragon. The box 'miniture' was ticked, to show that G's dragon was of the minature specic variety, rather than a full size dragon. This was, as she would later explain to me, chosen on the basis that baby-G felt it was the more financially responsible choice. Also so she could keep her dragon in her house with her, but we're not there yet.
I looked at that certificate. Looked at it again. Looked at the calendar, and then looked at the sewing machine I had just been given for Christmas.
G celebrates her birthday in January.
The template came first. I studied the different images of the standard western dragon through the book, picked my favourite, and re-drew it to a significantly larger scale.
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Inking the design to the fabric, four times over probably took the longest.
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I very subtly asked G the next time she was over (after hurling all dragon-related materials in a panic into the depths of my wardrobe) what type of colour dragon she would have, should it come up. As G later said, that type of question from me truly did not register as anything other than a question asked from theoretical interest. I transitioned the topic as discreetly as I could after she answered, and delightfully, my sneakiness went in one ear, out the other, and she forgot I had ever asked until several weeks later.
I enjoyed painting them.
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Don't ask me how many mistakes I made through this process. So many. I do already know how to sew, but it's been a long time. I'd been meaning to get back into it for a while.
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Given that various aunts and grandmothers and my mother had a knack for calling when I was up to my elbows in either paint or pins, it became a family affair. Each of them peered at the project through face time and offered their advice.
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Some of the advice I took, some I didn't. No regrets about sewing it in pink thread. Considerable regrets about accidentally slicing one of the feet in half and having to fix that.
In the end though, she was finished.
I carefully pinned on her name tag, with the name baby-G had chosen with a little blue ribbon. A collar was unacceptable, this is a dragon, people, come on. Dragon's don't wear collars.
I put the book in the box, open to the registration certificate, and put the dragon on top. Wrapped the whole thing up with a bow and then refused to touch it before I sent myself mad trying to fix details that didn't really need to be fixed.
A bit late for her birthday, sure, but there we are. We'd gone for a trip off to nowhere for a weekend, to go try wine made out of blueberries and hike up a waterfall. (And climb on it. And swim in it. It was a very good waterfall).
I gave her the box, informed her she wasn't allowed to keep the box, just the contents (it was the only thing I had that was big enough for me to keep all of my A3 portfolios in, it had only been temporarily-repurposed as dragon housing), and then left the next bit up to the gods.
A surprise, sitting un-awaited for some 15 years in amber, to catch up to baby G and adult G together.
Happy Birthday, baby and adult G.
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taxinealkaloids · 1 year
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harrianthe + sewing (variations on a theme)
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b4kuch1n · 2 months
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THEE audiodrama disguised as podcast
#sherlock and co#s&co#sherlock holmes#john watson#mariana ametxazurra#Ive been thinking abt these design SO much lmao. even while doing other things#decided to take cues from acd/granada more. hence sherlock's headband to mimic slicked back hair#and I went with Colors bc. well first of all Im a clown. but second of all I recall some stuff abt victorian fabrics and uh. the wonder of#arsenic green etc#they were enjoying the colors I can commit to some#and. okay Im so real with u Im also a long haired john truther bc he has a podcast of course he'd have long hair but#I think its gonna take a Hot minute. currently this is still like the slightly-grown-out regulation cut#john's jacket is bc he and sherlock are 90s kids. this was a moment of enlightenment to me. I can give john every windbreaker on earth#mariana gets the jean jacket bc I like to imagine she's a y2k kid#(sherlock I think is only 90s kid in year of birth that man's childhood was skipping class to burn shit in the wood)#(but he canonically sews which I fucking love so much. he has not bought new clothes for almost a decade#if a shirt's disintegrating no it isn't. not on his watch)#a lil sad I cant figure out how to give them hats lol I feel like thats the most victorian thing there is. a stupid hat#I can at any moment give one of them a beanie. but I refuse#there are. like a Hoard of other scribbly sketches I did to get used to drawing them. but those are for me those are not for the public#and also theyre in my sketchbook and Im too lazy to scan them#happened mostly during lunar new year lol. I was getting Hard whipped then thank u s&co for carrying me thru#ok I do other things now. have this for a while ok? thank u#have a good night lads. enjoy motion
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atopvisenyashill · 5 months
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i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
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tj-crochets · 6 months
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The elusive arboreal octopus (currently in its winter coat, to better blend in with the snow)
aka I made my giant octopus pattern with faux fur and it turned out, according to my dad, “vaguely prehistoric”
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puddii-ng · 2 days
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a nostalgic feeling ♪
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klunpro · 4 months
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I may not be a professional but I am neurodivergent and have watched at least one (1) YouTube tutorial video
So I will DIY it even if it kills me
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