November 26 – The Final Labor: Based on the final task for the labors, write an AU featuring all your characters in a role. Choose an AU, set out a list of goals for yourself based on tropes within that AU.
Starring
Hercules Kouros as 'the sexy secretary' The highly capable personal assistant who sees all and knows all at MI6, with a tantalising 'will they/won't they' relationship with 007 (who inexplicably features in scenes that have no call for him but round out what otherwise would have been only 2 scenes where they flirt with 007, and reminds us of how high stakes things are by fretting over 007).
Jeremy Johnson as Q, the Quartermaster. MI6's resident deus ex machina factory who is usually found signing things on clipboard handed to him by extras in labcoats, with his hands on his hips, or pushing his glasses up his nose, as 007 wise-cracks. Will speak lots of techno-babble and appear stern and unmoved by all proceedings, before shakily removing his glasses when it all finishes.
Wolfgang Amadeus as 'Wolf' the generic massive European henchman who has hardly any lines in the whole film but will need to do approximately 18 months of stunt training. Will re-appear after the audience presumed them dead in an earlier scuffle with 007, and then take part in the final high-stakes fight (ideally somewhere highly impractical like a narrow gantry over a 200ft drop or down the middle of a train corridor or something).
Special Guest Starring ...
Laura as L. The Nameless head of MI6. 007 is their favourite agent, but don't tell the others. Equal parts fond and exasperated, expect her to remind 007 of the critical geo-political stakes at play here!
and
Xuemei Song as Doctor Snow. The stylish and whip-smart villain of the piece with nefarious (if only ever very vaguely explained) plans. I'm so sorry Laur I borrowed her so I could make Wolf her henchman but also to make this incredibly dumb pun.
...
Jessica Wright returns as 007 in ...
Dr Snow.
Trigger Warnings: Guns, shooting, canon-typical fighting and violence, canon-typical objectification of office assitants, bad one-liners, the dog dies.
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Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.
For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.
And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.
I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.
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Every Universe
"I love you." She uttered, barely above a whisper. "I love you in every universe."
"Do we end up together in every universe?" He asked.
"No," She replied, and the painful memories of those life times flashed behind her beautiful eyes as she reflected to the 'back then's. Yet, she smiled, "But I love you anyway, how could I not? My soul yearns for you, even before it had come to know you. It remembers, I remember."
"Does it hurt?"
She was silent for a moment, "A lifetime without you hurts more then a lifetime when we are not together."
"I love you." He blurts out unthinkingly, desperate. He reaches out for her hand, taking it and holds it in both hands in a grounding grip.
She looked down at their hands and smiled, relishing in the bitter sweetness. "I know." She confesses quietly. She held his hand tightly, trying to ignore the buzzing within her body- threatening to tear her apart atom by atom. "But you aren't mine. Not this time."
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Will Dipper always have almost no magic of his own, even after being reincarnated? He obviously has a talent for life magic but he can’t really train to get better at it, because he’s using Bill’s magic for it (and we know the latter hates it lol). I just don’t want my guy to be sad and miserable forever🥺 He deserves to become a cool and independent magician! And prove his bullies wrong once and for all!
A reincarnation of Dipper could definitely have more magic of his own! And as clever as he is, there's a bright future ahead of him. Perhaps even one where he's excellent at life magic and healing, and getting a little cocky about his own talents.
Bill, of course, upsets all the plans he had for his life. Again.
The good news is that it's a life where Dipper could use more life magic. Theoretically. The problem there is going to be hashing out how he can use it once they're bonded again.
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I know you struggled with puppy blues. What was that moment that made you think "This is my dog"? Or did it just happen without noticing?
When I got the job offer in Yellowknife I decided to rehome Marlo. She was getting older and slowing down, my parents had the capacity to keep her, and I didn't enjoy balancing my time between two dogs. And I left Mav with them too for a couple months to get settled.
They brought Mav back to me during an extremely lonely period in my life. I had uprooted my life yet again, and living so far north is isolating in a really weird way, and the people I knew in Yellowknife had established lives that I wasn't part of. Mav got home to me, and it was like okay. this is it. I have you and you have me.
And it still took some time, he was still distractable and I still didn't trust him and we didn't really communicate well yet, but it was a start of a commitment that was just the two of us.
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you know there’s a specific kind of horror to sidestep not being Broken, but being Changed in some way. there’s obvious reasons to break, but to change is something else.
change raises questions of why? why were they changed? what is the intended outcome of the change? what specifically was done to incite the change? there’s horror in being changed to someone’s idea of how someone should act/what their personality should be; who they are as defined by someone else. existence dictated by someone else, and furthermore to wonder and live in a way as such to wonder if what came before was “who they are” or what here now is truly the reality.
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