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glitterbuns · 1 year

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This whole debate about where Link lives is funny because:

1) there's nowhere else where it's implied that he lives (and he needs to live somewhere ??? Lol. Also, he can sleep in Zelda's bed, but not in any other NPC's bed)

2) it is canon that he's practically always with Zelda (so it isn't practical for him to live far away from her)

3) it is also canon that Zelda made that secret room to concentrate better when she works alone (why would she need an extra room if she lives alone?)

Edit to add: 4) she hid her gift for Link outside the house so he wouldn't find it until after their investigations (I'm citing the text from Zelda's diary). If he doesn't live in the Hateno house there would be no risk of him finding it and no need to hide it outside

I think Nintendo just made it ambiguous because they'd rather being killed than making a main character ship canon, lol

#also they paired Sidon and Paya with other characters when they were the other alive characters that were mainly shipped with him #its like they tried to kill those ships #but either way no matter what you ship your headcanons come first🗣️#botw #tears of the kingdom #the legend of zelda #breath of the wild #zelda #zelink #hateno village #loz totk #loz tears of the kingdom #i changed unalived for killed because people were being annoying i hope they can sleep peacefully tonight

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listles-s · 1 month

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man laios and toshiro's/shuro's dynamic is incredibly compelling to me on multiple levels

when you look at them, you can see the cultural and personal barriers that drive almost every single aspect of their relationship, both positively and negatively. laios is incredibly outspoken and driven by his passions, which he expresses freely even in the face of annoyance and/or criticism- he's allowed to be as authentically himself as he pleases, and it's this drive that allows him and the others to survive as long as they have, especially due to the fact that these passions and interests are intertwined with his skills as a dungeon diver. toshiro, in contrast, is incredibly reserved, not only due to his eastern upbringing but also his status as nobility- a combo of cultures that both demand that one save face, to avoid conflict at any cost, even at the expense of one's own feelings and individuality. this, in turn, has made toshiro the perfect samurai, as he's politely-spoken, agreeable, and an honorable, skilled man. both are also incredibly devoted to falin on different levels, having come to accomplish the same mission of her rescue despite drifting apart from the party.

on the flipside, it's these same strengths that cause them to clash- laios is outspoken but unable to truly decipher the emotions of others, leading to a lot of false assumptions and frustration from those who interact with him. toshiro is stoic but to the point of complacency, leading to a aggressively neutral disposition that's ushered by the needs and wants of others, rather than himself. neither man truly knows where they stand with the people important to them in their lives, and hold the ones that they do know how they feel with a fierce admiration expressed in ways that aren't always traditional.

in the end, they both share a growing feeling of isolation from other people that comes to a head when they meet again in the depths of the dungeon, and they both have different ways of coping with the frustrations that arise, seeing the other as only the things they have seen face to face.

it's laios' ability to express himself emotionally without consequence that sparks jealousy in toshiro, leading to a physical fight born out of miscommunication and envy. while toshiro is a driving force in the conflict, it should be noted that the actual fight is started by laios, breaking the dam of indirect communication through force. nothing is more direct than a slap to the face, and it's only after they start hitting each other that toshiro's true feelings come to light.

however, at the end of it all, toshiro is the one who stops torturing himself, listening to laios and giving him the bell, allowing laios and his party entrance into his homeland should they need it, and ultimately giving him support in his mission to defeat the dungeon mage, albeit in his own way. despite it all, they're still good friends with a conflict that boiled over, but came out the other end with a slightly better understanding of each other. the fight was painful for both of them, but it was a necessity for their dynamic to improve, and for them to be made aware of their faults and improve as individuals as well.

but also, if you think about it, their dynamic is literally just this

#dungeon meshi #delicious in dungeon #laios touden #laios dungeon meshi #toshiro nakamoto #shuro #shuro dungeon meshi #character analysis #anyways toshiro haters with surface level takes get the hell off my lawn boy #i hope you know this entire character analysis was born out of the realization that i'd seen this dynamic before in a different light #and i thought. man. what is the funniest comparison i could make here rn. and i'm still right abt it btw #oh yeah also of course the autism read is still there #as an autistic person myself they don't read at all like neurotypical v autism. they read a LOT more like autism v autism #you know how people with autism either get along REALLY well with other people with autism or repel each other with a force #yeah they're basically that. to me #reading toshiro as autistic with the immigrant lens btw makes him even more compelling to read that way #but that is an analysis for another time #man i missed writing these #dungeon meshi spoilers

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fuumiku · 2 months

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Chilcille huh... ngl I was a little suspicious. like why would you do that, huh... hope youre not mischaracterizing anyone in your weird and wacky ship. a little weird. but then you said they both had flat asses and you know what? I salute you and your perfect characterization

The fact you seem to think you managed to not make this ask insulting is baffling. What the hell. Fuck off.

If you actually care to be open minded about the ship, I talk about marchil on my sideblog 24/7. Funnily enough I’m currently 4k words deep into an analysis of their character arc together in canon, but that’ll take some more days to get done. Some notable posts:

Of course without counting the analyses of Chilchuck on his own I’ve made, like my masterpost on his family situation. Or better yet you could also read my fics for them, see how weird and wacky they are here.

Wanna talk about mischaracterisation? They’re literally a comedic duo who interacts 24/7. Marchil is crazy bc ppl are like "did those shipper read with their eyes CLOSED?? They have no chemistry!" Meanwhile canon is like: "She’s obsessed with knowing everything she can about him and she reads him like a book." In her eyes he’s like that extra rare and hard and shiny unlockable dating sim character, that brooding mysterious character trope that’s thrilling to crack open and typically is at the center of the plot. The wife roleplay???? "Hey, did you know his type is blondes. Hey did you know he likes his women pretty and blonde. Hey did you know he likes her hair. Hey did you know that he teases her 24/7 and it’s one of the few things that consistently gets him grinning because he finds her reactions cute." Like a schoolyard bully pulling on the pigtails of the girl he likes.

It’s not like they have any thematic narratives or relevance. It’s not like she’ll live to 1000 and has existential dread about it while he’s logically gonna be her next friend to die at 50 and wether it’s romantic or platonic it’ll terrify her to lose him. It’s not like it’s fear of death x fear of rejection so they’re both obsessed with the thought of loss looming, past and ongoing. It’s not like it’s half-elf x half-foot and there’s an inherent journey that was and still is to dispel prejudices and truly come to see each other. It’s not like he’s painfully real and raw and flawed but still a good man, that he’s not the figure of prince charming that she’s always dreamed of while still being virtuous and worth fighting for. Or you know, her hair being golden and it being the epitome of beauty to him, and his hair turning silver and it being Marcille’s worst nightmare.

Just a weird wacky ship who means nothing but shallow things to people who have weirdo reasons for liking it. Like can you not. If you’re not imaginative enough to think of reasons why this ship may have an appealing dynamic that’s not my issue. But yes, yes, they’re both flat asses to me, thanks.

#Dungeon meshi #Ask #Spoilers #dungeon meshi manga spoilers #Marcille donato #chilchuck tims #Marchil #You me the parking lot after i finish and post my arc analysis #Sobbing……… we’re 20 over here in the rarepair pit come on. Like do u not see how obsessed i am. Do u think they like. Mean nothing to me #Do u think it’s all incidental and i slipped and the 10 thousands of words I write for them had no thought or feelings behind them or #Their arc is so beautifuuuuul they come to see each other and her standards become more real while he allows hope and openness #Into his heart again 😭😭 not the way two of their scenes lowkey read as a proposal…#Anyways I hope this makes it clear I’ll fight to my dying breath for them.#I don’t want trouble and i imagine you don’t either so just don’t come shitting on my doorstep #In positive news my fic Grind Me Down Sweetly recently reached 100 likes and 1k hits <3 it can also be read as just platonic so if you like #Them as a duo even as friends give it a shot #Every time I see someone shitting on marchil I start making marchil content faster btw #Not art

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freeasfishes · 2 months

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Indiana University, a major university here in the midwest, recently had a faculty meeting that concluded in a "vote of no-confidence" in university president Pamela Whitten as well as two other academic administrators.

Major concernes raised by faculty included "the university’s barring of Abdulkader Sinno, an associate professor, from teaching this spring and summer after he booked space on campus for a Palestine Solidarity Committe-Hosted Event. Docherty wrote Sinno’s suspension letter, which said he might also be fired following continued investigation.

The second incident mentioned was IU Bloomington’s cancellation of a long-planned art exhibition by Samia Halaby, a Palestinian-American abstract artist."

Link 1

Link 2

More quotes below the cut, in case the links decide not to work.

Faculty cannot remove a leader from the university, and Bloomington Faculty Council President Colin Johnson said the vote is advisory.

Faculty often cheered at criticism of Docherty, Shrivastav and Whitten, and Johnson had to remind faculty to maintain order at least once.

Associate Professor Amrita Myers said IU has changed in her 19 years at the university. She said it’s depressing to work at IU.

“It's very difficult to recruit graduate students here,” Myers said. “It's difficult when they look at you in the face and say, ‘Am I going to be safe because I'm transgender? Am I going to be safe as a woman? Am I going to be safe as a Black person or a Latinx person or an indigenous person?’”

Faculty, including those who successfully petitioned for the vote of confidence, have noted fear of retribution from the administration. An unnamed person took the stand to share a message.

“On behalf of all faculty who feel uncomfortable stating their names, on behalf of faculty who are afraid to be in this room, on behalf of all faculty who feel precarious, please don't leave the room,” the speaker said. “Vote.”"

For Whitten, 827 faculty voted for the no-confidence resolution. Twenty-nine opposed the resolution.

There were 804 people who supported the no-confidence resolution against Provost Rahul Shrivastav. Forty-seven faculty voted in opposition.

For Carrie Docherty, the Vice Provost for Faculty and Academic Affairs, 672 faculty voted for a no-confidence resolution, while 107 were against it.

#honestly I can't really tell if this is a good thing or not #it's been hard to figure out what the reasons are for most of these faculty #like was it mainly defense of Dr. Sinno?#my understanding is that a lot of the upset is like... you say its freedom of speech when someone is bigoted yet when someone responds to #that bigotry suddenly its not freedom of speech?#which obviously bothers a lot of people #but there also seems to be some just administrative things that people are mad about #which is not as significant to things like human rights #either way it does make me a bit hopeful to know that most of the faculty at least think you shouldn't be fired for speaking out #whether or not they agree with Dr. Sinno I can't figure out

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yumedoca · 2 months

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⚡🐯

This one is a little present for @fricchead for being so kind for giving me a lesson on her rendering process; once again, thank you so much!! (　^ω^)

#maybe i shouldve done something more detailed but art burnout has been attacking me for a while and i didnt want to be way too late either.#hope you like it!!!#urusei yatsura #うる星やつら #urusei yatsura 2022 #uy posting #lum #my art #yucaillusts #god i love her sm

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jemmo · 4 months

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Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

#wow look at me writing actual kinda thought out meta #also something something about how the pen being in his pocket wasnt a pen given to him by the author its a pen that was his the whole time #look even if this isnt the right interpretation as intended by the author i just kinda adore this headcanon ive come up with and i cant wai #to rewatch the show again through this lens and see if it holds up #i just adore the idea of this whole thing being this manifestation of a flawed doubtful person trying to navigate through their own messy #nonsensical thoughts to find their own happiness #bc yes thats what triggered me thinking of this whole thing. me seeing that post and thinking yeah that doesnt make sense7 #but then again when you tell yourself things an put your own mental blocks in the way they dont make sense either but you still have to fin #the ways to work around them in order to find happiness #like those things dont go away we just find the loopholes or the ways to overcome them that mean we can be happy #the game is your own mind - deal with your own existential crisis as you wish #anyway this is only part 1 in what i hope will be a very extensive meta analysis of this show - stay tuned #love for love's sake

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flythesail · 10 months

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I'm so tired of the way tv is working right now. And it's not working. Seasons are getting shorter, and shows are canceled before they even get a chance to prove themselves. Shows with new concepts often get the worst of it, and it just makes me so sad to think of all the fantastic stories we're losing because of a system that prioritizes profit over the art itself. I want to live with these characters over years. Get to know them and grow with them and not watch as their stories are crammed into six episodes or even worse, go entirely unfinished.

#shows used to be 18+ episodes for 7+ seasons!!!! how did we end up here #with both writers and actors on strike too.. i can only hope they get what they deserve and it's a turning point for the better #audiences want these long run shows #either streaming needs to get on that or go away #disney+ moving to prevent password sharing now too.. like do you want people to watch or not?? i dont get it #this isnt even getting into the way they erase shows from existence either #flythepost

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cassandracain52 · 3 days

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A canon compliant guide of Bruce Wayne’s officially adopted children

I noticed there has been some confusion about who all in the BatFam is actually legally adopted by Bruce Wayne so I thought I’d try and help clear some things up.

(Full disclosure you can of course headcanon whatever you like, I made this is strictly to help newer fans know what is actually canon💕)

Dick Grayson: Adopted

(Batman: Gotham Knights #17 and Batman #600)

Many fans argue over whether or not Dick is officially adopted, many saying it was never official and he is still just his ward.

Though he does admittedly usually spend the majority of his actual childhood as a ward, Bruce ends up officially adopting Dick as his son(as I have explained before here)in multiple timelines

Barbara Gordon: Not Adopted

(Batgirl and the Birds Of Prey Rebirth)

There was never a need for Barbara to be adopted because she still has a Dad. She is however still very much in the BatFamily and has trained under and with Bruce

Jason Todd: Adopted

(The New Titans (1988) #55 and Batman: A Lonely Place of Dying)

Now I couldn’t track down a comic where we actually get to see Bruce adopt Jason, but there are plenty of instances in which his adoption is referenced -including but not limited to these two- throughout several timelines and reboots

Cassandra Cain: Adopted

(Batgirl 2008 #6)

Now this one is a bit more debatable as aside from this one instance, Cass’ adoption is never really mentioned again even after the timeline gets rebooted. Still the general consensus is that Cassandra’s adoption is considered canon.

Tim Drake: Adopted

(Batman #654 and Red Robin #4)

Though Tim declines Bruce’s offer of being adopted at first, we get to see Bruce adopt Tim as his son about a year or so later. His adoption is also referenced across multiple reboots

Stephanie Brown: Not Adopted

(Batgirls #13, Robin (1993) #174, and Robin (1993) #126)

Now the main reason Stephanie is not and probably will not be adopted is because both her parents are alive. While her Dad is a villain and out of the picture, her mother is a nurse and fully capable of taking care of her.

Bruce does however train her during her brief stint as Robin and much like Barbara she is no less apart of the BatFamily, she’s just not in the Wayne Family

Duke Thomas: Not Adopted (technically)

(All Star Batman #1 and Batman & the Signal #3)

Now Duke is never officially adopted because technically his parents are alive just insane due to Joker’s toxin of which there is no cure. However Bruce does take him in and let him stay at the manor and it is heavily implied he becomes Duke’s foster parent so do with that what you will

Damian Wayne: Not Adopted/Biological child

(Batman and Robin (2011) #0)

Damian is Bruce’s one and only biological child -of the main canon- and therefore does not need to be adopted because you don’t need to adopt your own child

And that’s all of Bruce’s official and unofficial children in the main canon!💕🖤

#Don’t even get me started on the whole Meta verse “everything is canon” nonsense because I straight up don’t even know #I’m pretty sure everyone can pick and choose canon at this point and not be entirely wrong #So don’t let this stop you from head canon-ing your heart away #Babs and Steph not being adopted is a good thing because that would make them brother kissers #don’t take this too seriously #I didn’t have time to go track down more sources so hopefully this is sufficient #batfam #dc comics #bruce wayne #A guide for Bruce Wayne’s children #hope this helps #Honestly I don’t care much either way if people make Duke Bruce’s official son #Pop off #let people enjoy things #canon is a suggestion #I left Damian out once cause I was just doing adopted kids and someone told me I “forgot him”#So he’s here this time #But like I hope everyone knows Damian is not adopted #Ignore my aggressive italicizing #I do it a lot

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urostakako · 3 months

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Utahime dancing Dabke !! id in alt - as always, from the river to the sea, palestine will be free

Embedded within the heart and soul of the Palestinian people, the dabke – an ancient folkloric dance native to the Levant – transcends mere artistic expression, serving as a resolute act of defiance against the Zionist state's occupation. With each rhythmic stomp and synchronised movement, Palestinians reclaim their cultural identity, defiantly asserting their existence and resilience in the face of systemic oppression, while igniting a flame of resistance that resonates with generations past and present, affirming their connection with the land. - Fadila Khalid, Dance & Defiance: Dabke as an Emblem of Resilience in Palestine

below are resources for information on palestine and donations !! and reference photo is below that

donation masterpost by @/nabulsi:

info:

An Indicative Archive: Salvaging Nakba Documents | Institute for Palestine Studies (palestine-studies.org)

A Threshold Crossed: Israeli Authorities and the Crimes of Apartheid and Persecution | HRW

Institute for Palestine Studies | (palestine-studies.org)

Free Ebooks for a Free Palestine! | HaymarketBooks.org

Palestinian Culture - Anera

reference:

#had meant to post this on february 18 for her bday but here we are #i had a thought you see. utahime is a dancer. thus became the natural course of things.#also i wanted to participate in jjk for gaza but unfortunately i didnt have time to do art like that. or to do art at all 💀#either way i hope this counts for something. dabke dancing utahime is so true i hope you see my vision !!!#also the id is really bad please if anyone has a better one with proper terms i'd be grateful 😭#anywayz #free palestine #palestine #palestine art #free gaza #utahime iori #jujutsu kaisen #jjk #jjk fanart #hanancouldyounot #hanancouldyoudraw

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cheshiresense · 9 months

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[Last Part]

Can't have a Yuzu POV without a Karin POV lol~

-0-

Karin makes it back before curfew with fifteen minutes to spare. Their brother had extended hers and Yuzu's curfew to 10pm since they'd hit their double-digits, and she's always been mindful to never break it. Yuzu isn't usually one to stay out late, but Karin likes her freedom to wander around without supervision enough that she isn't going to risk a grounding just because she couldn't be bothered to check the time. Besides, she knows kids her age don't get half as much trust or leeway from their guardians, so Karin isn't going to disappoint Ichigo's expectations by not following the few rules he'd set for them.

Not to mention she has exactly zero faith in her own ability - or honestly anyone else's - to slip under her brother's radar anyway. Only an idiot would think they could, and Kurosaki Karin wasn't raised a fool. Sneaking in late isn't even worth considering.

So she's back by 9:45 sharp, and she unlocks the apartment door to reveal a scene in the sitting room that's not entirely unfamiliar ever since dinner last Tuesday.

"Shoes," is Ichigo's greeting, and Karin immediately rallies.

"I rinsed them!" She insists defensively. "Thoroughly!"

She had. Karasu River, specifically that spot where their mother had died so everyone's avoided it ever since like they might get cursed if they stray too close, is a great place to get rid of evidence.

"And now you're thoroughly tracking water through the door," Ichigo points out dryly, which, oh yeah, she is, whoops.

Karin makes a vaguely sheepish face before quickly toeing out of her sneakers and leaving them outside to dry instead. Just her luck that Yuzu dropped a vial of her newest poison yesterday and burned a hole straight through the entryway doormat, and they haven't had a chance to replace it yet.

She shuts the door, drops her duffel bag against one wall, and ambles over to her brother for a hug and a cup of tea from the fresh pot on the kotatsu. Or rather, Ichigo goes about pouring her one while she slumps into his side with a content, if tired, sigh.

Ichi-nii has never really been one for hugs, even when she and Yuzu had been smaller, and that's no different now. Occasionally, on a birthday or new year or when - very rarely - something had made them cry, he'd dole one out to each of them, stiff and a little awkward, but genuine in a way Karin knows he'd had to learn just for them, and that alone had made it precious. Besides, he's never refused their hugs when they take the initiative to go in for one, and Karin knows full well that anyone else would be thrown across the room or tossed out a window, Mizuiro included, so that's just as good even if Ichigo doesn't often return them.

She leans against him now, and he endures it stoically, handing her tea and also casting a surreptitious eye over her for any signs of injury. There are none of course— Karin's been learning how to protect herself ever since her brother had become the undisputed head of the household, even if Isshin still remains determinedly blind to anything related to his son to this day. And on top of that, Ichigo's long since ensured their safety from most lesser predators in this town, so it's not as if they have anything to worry about.

Of course, there are still morons who slip through Ichigo's iron-fisted oversight - or rather, are allowed to slip through - either because they're new to Karakura or they're lured in from a neighbouring town, all of them deemed harmless enough prey for Karin and Yuzu to play with. They make for wonderful test subjects for Yuzu when she's getting creative again, and very convenient outlets for Karin whenever soccer and karate aren't enough to siphon off her excess energy. Unlike Yuzu, Karin really isn't made to sit still or stay indoors all day.

She blinks when Ichigo jostles her out of her thoughts with a nudge and a succinct reminder, "Greet."

Karin's pretty sure there's some kind of What Manners And Social Norms To Teach Your Kids So They Can Fit Into Society self-help book squirrelled away in Ichi-nii's room somewhere. Possibly even a series. Of course, her brother certainly doesn’t follow his own lessons on conduct, but this is one of those things that Ichigo has always implicitly expressed his preference for her and Yuzu to ‘do as I say, not as I do'.

So Karin can only swallow a forbearing grumble along with her tea before nodding curtly across the table, "Good evening, Hirako-san, Urahara-san."

Ichigo's already turned back to some papers in front of him, because bright side— her brother's number of fucks to give begins and ends with the most perfunctory of civilities, so at least Karin doesn't have to waste time on small talk. Yuzu, her crazier half, is the only one of them who actually enjoys that stuff. Karin sometimes can't believe they're related.

"Brat," is Hirako's response, and his voice says amusement but his eyes say caution. Well, amused caution, but Hirako seems to find almost everything a little funny, and it's not even some weird bravado because his reiatsu manifestation is constantly a glittering field of yellow-gold-blue that takes the form of a sunny beach. Usually.

On the other hand— "Good evening, Kurosaki-san," Urahara returns, perfectly polite, with a perfectly pleasant if distracted smile, perfectly suited for someone who's genuinely glad to see an acquaintance's sister home safe. Except his reiatsu manifestation is a fucking ocean of blood, deep and dark and completely still on the surface no matter what he says or does. The only times Karin's seen even just a ripple in it is when Ichigo is talking. Her brother at least seems to have a knack for taking Urahara off-guard. Nobody else though, and the external mimicry of human reactions - no matter how expertly crafted - doesn't impress Karin one bit when she can see the disconnect between his insides and outsides.

So she snorts and goes back to ignoring them both. Since the dinner last week, these two have come back a couple more times, mostly meeting with Ichigo for something or other, probably a ghost-related problem, with Urahara also dropping off a stack of books and scrolls for Yuzu, and they seem like they'll be sticking around for a while. But until Ichigo tells her that they're going to be part of the family, like Mizuiro, Karin's not going to waste her time on getting to know them. Honestly, just by dint of being people, and worse, troublesome ones, means that they're more likely to get themselves offed at the business end of Ichigo's swords than anything else.

"Ichi-nii," She says instead. "I have another away game on Friday. Can you sign me out of class?"

Ichigo makes a noise in the affirmative. "Leave the form on the kitchen table before you go to bed. Is it in Naruki City again?"

"Yeah," Karin makes a face. "Back-to-back matches against Hiromasa. Dunno why they even bother when they're not serious about it anyway. And they're so annoying. We always kick their asses but they still look down on us cuz I'm a regular on the team. What, a girl can't play soccer now? But we literally run the score up into the double digits every time we play and all they say is that they were going easy on us cuz we've got girls on the team!"

She stops and takes a deep breath. She's actually complained about this before, multiple times, ever since she'd turned nine and been deemed old enough - and tall enough - to play in official matches. Or as official as elementary school club competitions can get anyway, and being able to play against other schools was awesome, but that didn't mean some of their opponents weren't dickheads. At least she'll finally enter middle school next year and probably won't ever bump into this particular group of idiots on the field again, but until then, she's no doubt going to complain some more.

And her brother always listens with the sort of patience he wouldn't extend to anyone else's whining, which Karin likes to take shameless advantage of, but on occasion, she also needs other ways to vent, and that was really what today had been all about after enduring last Friday's game.

Right on cue, Ichigo asks without looking up, "Haven't you gotten it out of your system yet?"

Karin huffs and takes another long drought of tea before speaking. "Kind of? But the guy didn't even put up a fight! He even pissed himself, Ichi-nii! Before I even did anything! It was gross!"

Ichigo finally lifts his head just to level a look at her. "You play with your food too much."

Karin stares indignantly back at him. "I do not!"

"How long have you had your eye on this latest one?"

Since like, three weeks ago, but that's not Karin's fault! "It's not my fault he took forever to take the bait. You'd think it would've been easier with the way he stalked my jogging route every single day just to see me in a tank top and shorts. Besides, I was saving him for after last Friday's match! You know, as a treat."

"And now it's already Tuesday," Ichigo mutters, but he also pats her on the head in a vaguely comforting if condescending manner, like he's consoling her for a botched job.

Karin splutters. "Ichi-nii!"

Ichigo smirks briefly. "You're still young. You'll get better. There's no rush."

Karin pouts into her tea. Eleven - literally twelve in less than half a month! - isn't that young. She's definitely not a kid anymore. Ichigo was already scaring the crap out of half the town before he'd even hit his pre-teens. He hadn't even killed anyone yet back then but people twice his size would pick fights with him that he'd always win, and then he had started killing once he'd turned thirteen, which had only cemented his reputation. Karin and Yuzu had had to beg forever to get their brother to teach them some of the tricks of his trade, because they hadn't wanted to wait years to follow in Ichigo's footsteps, and Ichigo had thankfully agreed that it made sense for them to learn how to protect themselves.

Still, no matter how many bodies she and Yuzu have put in the ground - not that many actually, they've got a long way to go to catch up to Ichigo - Karin isn't so oblivious that she doesn't know that a good portion of the respect they receive these days is entirely down to their brother's looming shadow behind them. But everyone needs a goal or two in life, and one day, she wants people to look at her and flinch because she's scary enough all on her own.

"Did you clean up properly tonight?" Ichigo adds like an afterthought.

Karin rolls her eyes. "I would've called you if there was a problem. You know I have like three different cleanup crews and Mizuiro-nii on speed-dial."

She can't wait until she's tall enough to bag and carry adult corpses around on her own. It's embarrassing to have to call someone every time she - okay, she admits it - makes a bit of a mess. It's not an issue when Ichigo is there, and she just has to help him, but when she's alone, it pays to have extra hands in the aftermath, even if it feels kind of like she still has to be babysat.

"Cleanup crews?" Hirako suddenly interjects from where he's just been watching them and listening like he's never heard a single conversation in his life and it's somehow super fascinating. What a weirdo. "Where'd ya get those from?"

Karin squints at him. Why does he want to know? Shinigami old as dirt still don't know how to do their own cleanup?

"They're just local yakuza," Ichigo actually takes the time to answer, which seems exceptionally tolerant of him. He must really like this guy for some reason. "Someone always has some free time to lend a hand, and they don't mind sharing their dump sites."

Hirako arches an eyebrow. "They don't?"

Ichigo smiles lazily at him. "Not anymore."

Hirako stares at him for a beat longer before bursting into raucous laughter, except the sunny beach from before is shifting, sliding, fucking shimmering, and then it's no longer a beach even if it's still a field of yellow-gold-blue. Instead, sand dunes rise where there'd only been wild grasses and rocky outcrops before, an endless desert as far as the eye can see, while the sea isn't a sea at all but something that could be an oasis or just a mirage, now gone hazy behind a wave of heat, and all of it so deceptive and deadly that you might wonder how you could've ever mistaken it for anything remotely harmless at all.

And it's even worse beside him, because Urahara is sitting there, blandly smiling away from behind his fan, and he doesn't look much of anything, but the ocean of blood he's literally submerged in stirs for a minute like there's something large and lethal swimming in its depths. Karin can't see what it is though because the blood is so thick that she can barely even make out Urahara's face, let alone anything else.

She rubs at her eyes. They're giving her a headache. This is why she prefers baseline humans over ghosts. Ghosts naturally have more reiryoku than average living beings, and Shinigami have even more than that - way more - so Karin in turn sees a whole lot more than just flashes of transparent images when she has to look at them. And it would be bad enough if it was just that, but these two lie so much. She doesn't know if it's a Shinigami thing or Ichigo just attracts complications, although now that she thinks about it, Mizuiro had given her headaches at first too. It'd just been easier with him because when he'd started coming over to hang out, he didn't have anywhere near as much reiryoku as these two guys, and now Karin's just used to him so it doesn't much matter anymore.

But these two. She doesn't even know what Hirako's deal is, because as far as she's aware, he hasn't really lied about anything so far. His insides match his outsides, so to speak. But his manifestation also seems to imply that everything he says is as much a truth as it is a lie, or that it could be a lie just as much as it could be a truth, depending on the situation. Which doesn't make any sense, at least not to her.

And don't even get her started on Urahara. That man oozes shady vibes so it's not exactly a shock that his manifestation reflects that. It's just... who the heck has an ocean of blood representing their soul? It's not the fact that it's blood that confuses her; it's that the blood is all there is. Even if you kill a person a day for a thousand years, it can't be all that you are, right? Even Ichigo doesn't have something like that. Although to be fair, his reiatsu manifestation can probably come across as pretty disturbing too. But Karin basically grew up with it so she can't really say for sure. It's certainly never frightened her. Not that Urahara frightens her either. It's just... weird.

Both of these old dudes are so weird. They're the first people she's come across whose manifestations are as complex as her brother's, but she doesn't really know what she can interpret from them because manifestations are different from emotions, and besides that, emotions are her sister's wheelhouse anyway. Yuzu is the one who can pick up what someone is feeling at any moment and extrapolate from there. Karin just gets a bunch of pointless shitty abstract art shoved at her eyeballs, and Shinigami are clearly the worst about it.

And just to make it really unfair, Yuzu says that emotions rarely get too loud for her. Karin doesn't know if it's because her sister had been born with natural talent when it comes to controlling her ability while Karin... hadn't, or if Karin's ability encompasses so much of one of the senses she depends on most in everyday life that it simply affects her more easily, but either way, if the manifestation is a powerful one, then the longer she focuses on it, the more it can overwhelm her.

It'd been almost unbearable at first when she was younger, all of eight years old and finally tapping into her portion of the family inheritance, except even a glimpse of another student with slightly above average reiryoku levels could wipe her out for hours. There'd been days where Ichigo had had to pull her out of school just so she wouldn't have to see anyone, living or dead, and she'd needed almost six months before she'd gotten a proper handle on it.

During last Tuesday's dinner, she actually couldn't even see what Hirako and Urahara's faces looked like until near the end of it. Their reiatsu is just that strong, which means their manifestations appear completely solid and three-dimensional, and that means that those manifestations are the only things Karin sees most of the time when she has to look at them.

She doesn't even get the benefit of practically being able to read minds like Yuzu can. Although Yuzu always says it's nothing like reading minds. Karin remains unconvinced. Emotions can reveal a lot, especially with context clues. Manifestations on the other hand almost never react to whatever is happening in real time. Unlike emotions, they're rarely a consequence of outside stimuli. Hirako's had changed earlier, from illusory beach to the real desert hidden underneath, but that's because his manifestation has always been like that, switching between the two when the mood - his mood - strikes. Even now, it's already settling back onto the beach scene. It may have been somewhat affected by what Ichigo had said - by cleanup crews??? - but it hadn't shown anything that hadn't already been there, part of Hirako's soul.

In contrast, Urahara's the real outlier. Karin doesn't even want to think about his manifestation, never mind look at it. It's not that his soul has become something new either - the whole person would have to be swapped out for that to happen - but she's never met anyone, ever, whose manifestation seems to hinge so absolutely upon one person before. She's not even sure if Urahara is aware of how... fixated he is. And she definitely doesn't know what it means. Ichigo doesn't even like the guy, and Urahara - inside or outside - doesn't seem particularly hung up on Ichigo. Except of course for the little matter of how his actual-facts immortal soul is doing the near-equivalent of placing itself in the palm of Ichigo's hand, which- what. Didn't they just meet like two seconds ago? If Karin actually believed in love at first sight, she'd say this might be what it would look like if it could manifest a physical form in the creepiest way possible, but she doesn't, so to her, Urahara's just insane.

Anyway, no one can blame her for not wanting anything to do with these crazies, especially when coupled with her ability. She wouldn't give it up if she could, because it's hers, and it makes her special like Yuzu, like Ichi-nii, makes her part of the family in a way no one else but the three of them can be, but at the same time, it's honestly a pretty useless skill. Manifestations are just... portraits of souls laid bare, which sounds all kinds of impressive and philosophical but is actually just a fancy way of describing a lifetime of squatting in an art museum with all its exits sealed.

It's terrible all around, made doubly so by their houseguests, and in Karin's opinion, the sooner Ichigo gets tired of them, the better.

The room has gone silent, and Karin only notices when the mostly empty tea mug is plucked from her hand. She's pinching the bridge of her nose with her other hand, eyes closed, but she opens them then to peer up at her brother.

"It's getting late," Ichigo says without much inflection in his voice, but he also pats her head again, and a flare of reiatsu floods her retinas like cold spring water on a hot day, washing away the pain. "Go to bed. Lights out by eleven."

Karin's more than happy to get out of there, away from Less Crazy 1 and More Crazy 2.

"Mm, I know," She gives her brother a quick hug before clambering to her feet. "'Night, Ichi-nii. I'll leave the form in the kitchen."

Ichigo grunts his acknowledgement, and Karin spares a moment to nod in the general direction of the Shinigami before wandering away, pausing only long enough to scoop up her bag before making her way up the hall and to the master bedroom. She and Yuzu still prefer sharing each other's space even though Yuzu is fastidiously possessive about her own belongings, so Ichigo had given them the biggest room when they'd moved in, while he and Mizuiro had split the single and study-turned-bedroom between them. The best perk of this is of course the fact that she and Yuzu get the en suite bathroom to themselves.

Her sister is still up, bopping to some music on her headphones while reading one of the scrolls Urahara had given her. She barely glances up when Karin comes in, although she wrinkles her nose plenty when it's clear Karin hasn't had time to do her laundry.

Karin rolls her eyes and shuts the door behind her. "I won't leave anything lying around, don't faint."

Yuzu glowers at her. "I don't faint!"

Karin snickers as she ducks into the bathroom. "Whatever you say, princess."

The thud of a pillow hitting the bathroom door is her reply. It's actually pretty hilarious when Karin thinks about it. Yuzu's manifestation is a sterile white room lined with perfectly preserved faceless corpses wall to wall, but give her a human body with its guts spilling out, and she immediately runs for the nearest toilet. She doesn't mind the scent of blood, but gods forbid any stains linger where they shouldn't.

Speaking of, Karin digs out the set of clothes she'd changed out of earlier, after her stalker had been dealt with. She hadn't even gotten them very dirty this time, and she'd made sure to scrub everything clean in the river anyway before coming home, but she'll still have to toss them into the washer again if she doesn't want Yuzu nagging her about it. In the meantime, she shoves it all into a vacuum seal bag and leaves it in the corner. She can haul them over to the laundry room next door in the morning with the rest of the past week's load.

Her knives are tucked inside the duffel as well. Those she'll take care of tonight. Ichi-nii went all the way to Nagasaki to commission them for her from a semi-retired blacksmith last year. They're elegant and gorgeous, and they cut like a dream, sheathed in black leather and embossed with a small stylized K on the flat of each blade, only noticeable when the metal runs red. It's the best gift Karin has ever received, and if they ever rust, or she ever loses them, she'll probably bawl her eyes out.

She hops into the shower next, sighing happily as she relaxes under the hot water. Despite the atrocious company Ichigo keeps these days, today's still been an overall good day. She'll be able to go back to her jogging in peace starting tomorrow, and the upcoming match on Friday doesn't seem quite as irritating now that she's had someone to stab a time or ten. Of course, after the match is another matter entirely. Maybe she can tag along to Yuzu's bake sale on Saturday. There's always a couple suckers at the outskirts of Karakura too stupid to live.

It's something to look forward to. For now though, she finishes her shower, brushes her teeth, and then gets to work cleaning her knives. She doesn't have all night.

"Was Onii-chan still talking to Hirako-san and Urahara-san?" Yuzu asks a little later as they get ready for bed because their brother always knows if they stay up too late.

"Yeah," Karin says around a yawn as she sets her alarm. "They might still be out there. Can't you sense them?"

Yuzu shakes her head, leaning over to switch off the lamp on her nightstand. "They're... quiet, I guess. Quieter. I have to be in the same room as them to pick up on their emotions."

Karin hums as she rolls herself into her blankets. "What do you think about them?"

"I don't, really," Yuzu admits easily, so they're agreed on that at least. "Although if Onii-chan gets rid of them, I hope he can wait until after Urahara-san has finished teaching me."

Karin snorts. Typical.

They're silent for a moment until Yuzu speaks up again. "I think they're trouble. I mean, Onii-chan did mention it during dinner last week. But I think it's a different kind of trouble than the usual stuff. Not like yakuza or random creeps or even the monsters. Worse, I think they're going to bring trouble."

Karin frowns into the dark. Well, it's not anything she hasn't thought of herself. It's another reason why she dislikes them. If they've got problems, why do they have to dump them at Ichigo's doorstep? What have they ever done for Ichi-nii?

Still, "Ichi-nii will be able to handle it," Karin says with certainty. She's never known her brother to fail at anything. There has never been a problem Ichigo couldn't solve. He'd even cowed their father without ever laying a single hand on him, and that was back when Isshin had still been stronger than Ichigo.

"Well, obviously," Yuzu says, equally confident. "Maybe Onii-chan will even have some fun with it. I know the monsters don't give him any kind of challenge anymore. And he likes Hirako-san and Urahara-san well enough."

"He likes Hirako," Karin corrects, shooting a flummoxed look at the bed across the room. "Urahara, he could take or leave. I'm surprised Ichi-nii lets him come here at all."

"Yes," Yuzu says with an audible smile. "Onii-chan lets him come here."

Karin blinks. ...Huh.

"So, what, is it like... a crush?" Karin grimaces. Ew. "They're old and weird!"

Yuzu giggles. "I don't think I'd go that far. Yet. Besides, they're also powerful and interesting and not afraid of him, and you know what Onii-chan's like."

"Yeah, but I also thought Ichi-nii doesn't get crushes," Karin grouches. "I can't believe it's both ways."

"Both ways?" Yuzu echoes, and Karin can almost hear her eyes go wide. "Urahara-san too?"

Karin squints up at the ceiling. "What, you didn't pick that up from him? I mean I don't think it's actually a crush. Like you said. But there's something there."

"Urahara-san is a bit strange about Onii-chan," Yuzu agrees thoughtfully. "But I'm not exactly sure what it is. His emotions are hard to read sometimes. Hirako-san is easier. And nicer."

Karin makes a disgruntled sound. 'Nice' isn't how she'd put it, considering Hirako's reiatsu manifestation.

"Hirako-san isn't that bad," Yuzu says, amused. "And they're both kind of like Onii-chan, so that might be good. It's good to have friends."

Karin shrugs and grabs an extra pillow to hug. "Whether they're like him or not, if they do something dumb, Ichi-nii will handle it all the same."

Yuzu laughs, bright and cheerful and just a little anticipatory, even if she does seem to have a better opinion of them than Karin does.

The conversation between them fades away. Karin shuts her eyes and lets her thoughts drift. She has morning practice tomorrow and can't be late, so old weird men calling on her brother are frankly the least of her priorities.

#bleach #myscrap #stunted empathy verse #kurosaki karin #kurosaki ichigo #hirako shinji #urahara kisuke #kurosaki yuzu #karin's way less impressed with the two old dudes who followed her brother home #not that yuzu was all that impressed either beyond what kisuke could do for her lmao #anyway fleshing out karin and smacked her with a much more unique ability than yuzu's lol #not that yuzu's is particularly common in the bleach world but you see the empathy trope in general more often #they're kind of opposites in that #yuzu's relatively more normal in the spiritual powers department #not so normal with her poison obsession in everyday life #karin kind of doesn't want to have much to do with the spiritual side #and is more normal with her daily life #kind of #okay murder's not normal but she goes about it more straightforwardly at least #the main point is i hope they actually feel like people instead of cardboard cutouts lmao #sorry kubo but they were so flat in canon

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