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#have a delicious drink and allow the flower of conversation to bloom! i could quote spinda all day. he had “hopes and dreams” before toby
front-facing-pokemon · 10 months
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#spinda#AAAHHHH YES!!! our belovèd spinda. from their café!!! probably one of my favorite minor characters from pmd sky#whom i don't even think was in the original explorers games. i think spinda's café was exclusive to sky. if i'm remembering correct#ly. or maybe that was shaymin village. i know shaymin village was for sure but maybe it was just that and not both of them. either way#have a delicious drink and allow the flower of conversation to bloom! i could quote spinda all day. he had “hopes and dreams” before toby#ever did. THAT'S ALSO like i had no idea what spinda's pronouns were. i kept trying to figure it out because i talked about him quite a lot‚#but no one in game ever talked about him. to mention his pronouns? turns out. there's ONE line of dialogue where the post office fucker in#shaymin village mentions him and calls him a he. i think that's the only time spinda is referred to in the third person with a pronoun#i believe it's when they're talking about like. how you can send gifts or whatever and pick up the characters' responses at spinda's café#which is still a really fucking good feature. of any video game. SEE WHAT I MEAN spinda and their café is just an incredibly good      Thing#it's to the point where my home wifi network is named “Spinda's Café Wi-Fi” because i love it so much. so if you're ever runnin around#and you see a wifi network by that name… it might be me! you never know! or… it could be the real deal. the real spinda's café is somewhere#nearby…! ugh. i wish. i would go there immediately#not even to mention all the other shit about this pokémon that's really good. like that they never walk in straight lines or whatever#their little dance. it's just.  huUGHKLJKAHJVDHJHDAJSVGD i love spinda. a nice pick-me-up after the underwhelmingness that was grumpig#shake it this way… shake it that way… and stir it all around… and it's done!
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but it is sunlight
Fandom: Kamen Rider Agito, Kamen Rider Kabuto, Kamen Rider Gaim, Kamen Rider Ghost Characters: Tsugami Shouichi, Hikawa Makoto, Tendou Souji, Kagami Arata, Kazuraba Kouta, Kureshima Takatora, Tenkuuji Takeru, Fukami Makoto, Alain Song: "Sunlight," Hozier (playlist here) Warning: Mildly NSFW--not especially explicit, but people do have sex in this story
a buried and a burning flame – i
A shared day off is rare, but it does happen sometimes, and today the weather is so warm and perfect that Makoto is content to sit on the step drinking a lemonade and watching Shouichi garden.
Their garden space here isn’t as big as the one Shouichi got used to at Professor Misugi’s house, but it’s been expanded upwards with poles and frames and other contraptions that Makoto isn’t quite clear on. Really, they’re lucky to have a plot at all—the restaurant has its own rooftop space, so it’s not like Shouichi’s hurting for plant contact, but he needs it for himself as well. Makoto’s not sure he’ll ever understand the way Shouichi craves the presence of growing things. But then, he’s just happy to see Shouichi enjoying himself.
He glances around the garden briefly as Shouichi’s murmuring over a cucumber plant and frowns. “Aren’t sunflowers always supposed to face the sun?”
“Generally, sure.” Shouichi smiles but doesn’t look up from his work. “Why?”
“Well, if they don’t then doesn’t that mean they might be sick? The sun’s south of us right now, but your flowers are facing west.”
“Our.”
“Mm?”
“It’s your garden too.”
“Well, sure, but I mean it’s really—”
“Anyway, don’t worry, if they were sick I’d know. They’re probably just a little slow today.”
Makoto’s dubious, but he nods, and Shouichi beams at him for a moment and then goes back to fussing with the cucumbers. Once he finishes with them, he does something with a tomato plant nearby, and then hurries over to a small patch of green onions on the other side of the garden.
The faces of the sunflowers move to follow him as he walks. Makoto almost misses it, catches their motion out of the corner of his eye as he, too, is turning, and then freezes as they continue to shift. “Do—did you just see that?”
Shouichi frowns. “See what?”
“Ah…no, never mind.” Makoto settles forward, elbows on his knees, watching in soft fascination as Shouichi continues to work. “It’s not that important, I probably imagined it.”
---
the icarus to your certainty – i
Tendou doesn’t make demands most of the time, but he doesn’t make suggestions either. He makes statements and then continues on in the calm assumption that they’re true.
When he gets back from his trip abroad, for example, the first conversation Arata has with him ends with, “We’ll see you for dinner at six.” It’s not an invitation, or a request, or a question. It’s just a statement of fact, its truth etched into the fabric of the universe, and so Arata gets to the house at six precisely.
There are other statements that follow, of course. Like, “I’ll see you at the same time tomorrow,” and, “Other people address me by surname, not you,” and, “It’s late, you’ll stay the night.” The thing is, Arata wants to bristle at this casual certainty, but he can’t manage it, because so far Tendou—Souji—hasn’t said anything incorrect. When he makes these statements, Arata wants them to be true, and so they becometrue by default. He shows up at the same time the next day. He says, “Souji,” instead of, “Tendou,” and is shaken by the faint, surprised smile he gets in response. He stays the night.
Tonight Souji’s making some kind of crab risotto thing, and Arata is helping, which is to say making a salad. This is already strange, since it used to be that he was barely even allowed in the kitchen. Hiyori, visiting for the evening, is sitting on the couch with Juka while Juka talks about one of her classes at Jounan University. It’s very domestic.
He finishes slicing cucumbers and is reaching for the lettuce when Souji turns to him holding a small spoon and says, “Taste this.”
On automatic, and because his hands are busy, Arata just leans forward and eats the spoonful of risotto, letting it spread out creamily over his tongue. “Mm.”
Souji is looking at him expectantly. “What do you think?”
“I think—wait, you’re actually asking me for my opinion?”
“Shouldn’t I?”
“You just…don’t usually ask for opinions.”
“Not from other people, no, but other people aren’t you.”
Arata laughs in warm surprise. “Really? What makes me so different?”
He’s not really expecting an answer, but Souji looks at him for a long moment and then says, “If all of humanity were alchemically distilled into one specimen exhibiting only its finest qualities, that specimen would be you.”
Arata stares at him. “I. You. Are…is this a quotation, are you quoting something?”
Another one of the faint, surprised smiles he’s gotten to like seeing. “No. But perhaps someday, someone else will quote me, and rest assured, the recipient of the quotation will not deserve it nearly as much as you.” And, before Arata can really process that, “I would appreciate your opinion on the risotto now.”
“I…it’s really delicious, but. Maybe it could use a pinch more salt?”
Souji nods firmly. “I’d suspected as much. Thank you.”
He returns to his cooking, reaching for one of the little pots of salt next to the stove, and leaves Arata to cut up lettuce and try to figure out what just happened.
---
i had been lost to you – i
Kouta’s visits are infrequent, inconsistent, and never announced. The most warning Takatora ever gets is a sudden, powerful waft of flowers and fruit, moments before a zipper opens in the air in front of him. He’s gotten used to it, as much as one can get used to something like that.
(Kouta always comes to him. His house has more privacy than most other spots Kouta knows in Zawame, and anyway, according to him, “You’re always easy for me to find.”
Sometimes those visits are for “work,” as Kouta calls it, and he stays only for a brief moment before rushing off to whatever world-ending crisis has caught his attention. More often, though, the reason is nothing more than, “Things are aligned correctly right now, and I missed Zawame.”
He’s sitting in the park now, on a bench under a camellia tree. A casual observer wouldn’t look at him and see a god, just a smiling young man in a plaid shirt and dark jeans, shoes kicked off so that he can curl his bare toes in the grass. Maybe he’s waiting to meet a girlfriend, or a boyfriend; maybe he’s just enjoying the good weather. As Takatora watches, though, a squirrel runs down the trunk of the camellia tree and leaps onto Kouta’s shoulder, and he turns and beams at it, apparently listening intently to its chattering. A jay is perched on his knee. Two stray cats are sprawled on the grass flanking him like indolent sentries, and a dog with a collar, probably lost, is curled up against his hip on the bench.
He lifts a hand, cupped, and Takatora knows without being able to see it that his palm is filling with seeds, manifesting as if from his skin. He’s done it before. The squirrel runs downs his arm and begins to stuff itself, the jay hopping from his knee to his fingertips to do the same. With his other hand he reaches up absently to catch a gleaming red apple that drops down from the camellia tree and begins to eat. Only the plants nearby lean away from him, which seems strange until Takatora realizes that they’re not really leaning, they’re growing, extending outward from his presence like an aura, the grass increasingly tall around his ankles.
How strange to see him at peace. And what an astonishing thing, that he should turn his face even for a moment from the new world he guides and his cosmically-designated beloved to walk once more in the city that treated him so poorly.
(She doesn’t visit. She can’t set foot outside of her hallowed forest now. But Takatora did get to speak to her, once, and he knelt and begged her forgiveness for all that he allowed to happen and received in return a kiss so gentle and yet searing in its benediction that even now he can feel it on his skin, and sometimes has to look in the mirror to see if she left a mark on his forehead.)
“Hey!” Kouta is waving to him with the hand holding the apple core. “Takatora! Are you done with your meeting thing? Come on over, I want to hear everything that’s happened since the last time I was here.”
Takatora blinks and nods, shocked out of his reverie, and heads over to the camellia tree. The stray cats scatter as he approaches, but none of the other animals move, so after barely a moment’s hesitation he sits down in the grass at Kouta’s feet, unmindful of his suit, and says, “Well, reconstruction work is nearly finished, we’ve only got two or three more buildings left to repair. Did I tell you about the dance classes at the new community center?”
“The ones that Zack and Peko are running? I think you mentioned them a little last time, did those finally start?”
Camellias bloom out of season over their heads. “Yes, only a few weeks ago. There may be a few other Beat Riders assisting as well, possibly by running additional courses, apparently enrollment was well past what anyone had anticipated.” Takatora leans against Kouta’s shin as the grass slowly creeps up past his knees, comforted by his radiant warmth. “And Mitsuzane’s continuing to enjoy university, he’s going to be working for one of his professors next semester as a teaching assistant…”
---
love and its decisive pain – i
Being around Takeru is a strange experience now, because by simply existing he exerts a spiritual pressure unlike anything else Alain’s ever encountered. The pressure isn’t negative, but it is constant, the weight of a higher reality radiating from his skin. Or, not a higherreality—Alain isn’t sure what it is, but Takeru’s certainly of the human world.
Alain isn’t sure if people who aren’t from the Ganma World even notice it. Certainly he’s seen Javert twitch minutely when handing Takeru something, he’s seen how Igor goes tense around him, even Alia’s been known to flinch away from the intensity of his proximity. Are they unusually sensitive, or are the people of the human world just numb to it?
Perhaps it’s nothing new, and he’s just always been like that and that’s why people don’t notice. Makoto would know—he’s of the Ganma World now, even if he came to it late. “Has Takeru always had such…presence?”
Makoto glances at him, and then over at Takeru, who’s crouching to offer a rice ball to a child sniffling on the temple steps. The child takes it, hand brushing Takeru’s, and relaxes in the same way that Igor might tense at the same contact, perceptibly basking in that unseen but powerfully felt aura.
“No,” Makoto says. “No, this is new. He wasn’t like this before. Or at least he wasn’t like this when we were young.”
Somehow this answer isn’t reassuring at all. “I see. That’s…it’s a lot.”
“It is, isn’t it.”
That’s the point at which Takeru hears them and looks up, face transformed by delight at the sight of them. “Makoto! Alain! When did you get here?” Behind him, Narita comes forward to walk the sniffling child over to a quieter corner, asking her as they go whether she knows either of her parents’ phone numbers. Takeru waves goodbye to her, beaming, and then hurries across the room to crash into Makoto’s arms, and Alain can see Makoto being overtaken by that benevolent pressure. “You didn’t tell me you were coming! Nothing’s going on, right? Everything’s ok? Who’s taking care of things in the Ganma World?”
“Everything’s fine,” Makoto says into Takeru’s hair. “Alia’s got everything under control.”
“This is a social call,” Alain adds, and is favored with an embrace of his own, knees almost buckling under the warmth of Takeru’s presence. “We just missed you.”
“I missed you both too. I hope you’ll be here for a couple of days, at least?” The weight of his joyful expectation is so much that Alain can only nod. “Wonderful! Here, come on, you’re both probably hungry, let’s go get takoyaki.”
He’s human, Alain realizes as Takeru’s fingers wrap around his and he feels that shiver run through him again. That’s all it is, and also everything that it is. More than anyone else in this realm, he is human.
What an extraordinary thing.
“I’d like that,” Alain says out loud, and Takeru is already grabbing Makoto’s hand as well. “It’s been a while since we shared a meal.”
“It has, hasn’t it? Let’s go, you two can tell me all the news while we’re eating.”
---
a buried and a burning flame – ii
For the most part Shouichi doesn’t initiate. It’s not that he’s not enthusiastic about sex, he’s just an awful tease. Little gestures, bumps and brushes, obvious double entendre that he then winkingly denies; he’d rather drive Makoto to distraction and pretend innocence until Makoto finally loses patience and backs him up against the nearest wall. He even admitted to it once, in an unguarded moment of drowsiness. “I like when you do that, it’s fun. And it’s not like I can just ask you to.”
“You could, though,” Makoto had said, but Shouichi had already drifted off.
They’ve been together all day, but Makoto can barely remember any of it clearly except Shouichi. Everything else fades into the background when faced with the vividness of his smile.
Makoto’s shirt is somewhere back in the living room, he thinks maybe on the couch. They’ve been trying to get Shouichi’s shirt off, but that’s been a tougher prospect, because it’s a pullover. Finally, though, it comes off over his head and lands on the floor, and Makoto presses him to the wall again. And now, even more vivid than his smile is the feeling of his skin, burn-hot against Makoto’s lips and hands and chest, his fingers like a brand curling around the back of Makoto’s neck as Makoto kisses his throat.
They barely make it to the bedroom.
The heat of him is extraordinary, feverish, it would be frightening if Makoto wasn’t used to it. He is, though, they’ve been together for years now, so instead his own thoughts can melt away in the face of Shouichi and his pleasure, the taste of him, the sound of his breathless cries, Shouichi arching up against him. Sure, he gets off somewhere in there too, but the important thing is Shouichi, climaxing underneath him with a gasp of, “Makoto,” and a kiss that Makoto would be willing to end the world for.
Afterwards, they lie wrapped around each other in a state of abstracted bliss until Shouichi mumbles something about being thirsty, at which point Makoto extricates himself despite the attendant sleepy protests and heads to the kitchen with a blanket around his waist to get drinks. Passing the bathroom on the way back, he pauses, frowning, at the sliver of his reflection in the bathroom mirror.
It hadn’t been sunny enough today to get a real sunburn, but there’s a sunburn on the back of his neck nevertheless, bright red although not painful. He sets down one of the glasses, reaches up and covers it almost perfectly.
When he realizes what it is—although Shouichi’s palm is slightly broader than his, Shouichi’s fingers slightly shorter—he blushes and picks up the glass again, heading for the bedroom, hoping that his hair is long enough that no one at work asks about the handprint burned into his skin.
---
the icarus to your certainty – ii
It’s not always so precipitous.
Normally they have to be quiet, because normally there’s at least one other person in the house. And in any case, Souji dislikes rush—he’ll approach anything and everything with a plan in mind, sex included.
Tonight, though, after dinner finished, Juka distributed a round of cheek kisses and then gathered up her bag and headed out, to meet up with a university friend she’s doing a project with. Hiyori left shortly after that. (She rarely stays the night anyway, she doesn’t like to leave her parakeet alone.) They’re alone in the house unless the Zecters are around somewhere, and they mostly keep to themselves, they’re hardly company in the same way.
But.
Precipitous.
They do dishes together, in comfortable silence, and once that’s done and his washing gloves are off Souji turns to make one of those true statements. Except that Arata decides he doesn’t feel like hearing one right now, so before Souji’s even gotten through one word Arata takes a step forward and kisses him, bracketing him against the edge of the counter with both arms. Souji makes one of those little surprised noises and drapes his arms over Arata’s shoulders and pulls him closer, and a couple of minutes later Arata’s hands shift down to lift and Souji’s legs wrap around his waist, and.
It’s good that they have the house to themselves.
They can’t stay at the kitchen counter, because it’s a bad height and also that’s not sanitary, and the dinner table won’t support their weight, which is a lesson they learned the hard way. The couch is an option, though, and it’s not easy to get over there with another person wrapped around him, but it is doable. He sits, or more lands, with a thump, Souji in his lap, Souji’s hands on the sides of his face tilting his chin up, and for some while lets himself be overwhelmed by having all of Souji’s considerable attention focused on him.
A pause for breath, for the removal of at least some clothing (and if Souji fumbles Arata’s shirt buttons, Arata’s going to save the memory for himself and certainly never mention it), for—“Are you all right?”
For Souji looking down at him, dizzy-eyed, and saying, slowly, “Your depths are such that I think I could drown in you.”
Arata reaches up, takes hold of his wrists, thumbs rubbing gently across the pulse points. “I mean, I can’t get poetic about it like you can,” more quietly than warranted given that they’re alone, “but you’re so much that sometimes I feel I could burn up, so that seems like a fair trade.”
He’s expecting that surprised look, but it doesn’t come, because what he gets instead is a kiss that would definitely have him on his ass in seconds if he wasn’t already sitting down. “More than fair.”
---
i had been lost to you – ii
Even before his apotheosis Kouta was a man built for pleasure. It must have been a glorious accident of his birth, Takatora thinks, that on his mouth smiles are so natural, that his body responds to any rhythm with grace, that he laughs so easily. Takatora has lived his entire life on the far other end of that spectrum—at best, he might call himself austere—but he can’t bring himself to be jealous of such an infectious and in-born joy. He can only hope to increase it, in whatever way he can.
So he kneels.
It isn’t worship, because Kouta will not accept his worship. Or anyone else’s, for that matter, he may be a god but he refuses to be treated like one. But love, as a great man once said, is a sacrament best taken kneeling, and while there are many points Kouta will argue, Takatora’s esteem and affection for him are not one of them.
Really, though, Kouta isn’t saying anything especially coherent right now.
His unnecessary but habitual breathing is coming short, and his hair flickers from deep brown to unearthly gold as his concentration disintegrates. If his eyes weren’t squeezed shut, they, too, would be flickering. His fingers, curled on the edge of the bed, have flowers blooming between them. And Takatora, the indirect cause of this riotous growth and rendered speechless for more immediately physical reasons, continues until his lips are numb and Kouta is pulling him up and flattening him to the bed with a kiss.
“You don’t have to stop me, you know I wouldn’t mind if you—”
“No,” and a kiss, “no, we don’t know if it could—” and another kiss, “so no, even though you know I, you know—Takatora, I—” and the dissolution of coherence once again, now for both of them, as Takatora dizzily allows himself to be subsumed by Kouta’s passion and enthusiasm.
The first few times he was able to visit, afterglow involved actual glowing on Kouta’s part, which was the cause of some mutual hysteria—Takatora doesn’t want to call it giggling, but that’s really the accurate term. The glow’s under control now, and Kouta lies against him, asleep, and does not look more divine than any other beautiful man in repose.
There are still flowers blooming on the edge of the bed, red and orange against the plain bedspread. They’ll be scolded away later, but for the moment they are bright and strong and vivid. Takatora, drowsy himself, drifts off gazing at them, Kouta’s arms tight around his waist.
---
love and its decisive pain – ii
They are devoted partners, and thus Takeru’s anger is their anger, Takeru’s sorrow is their sorrow, Takeru’s joy is their joy, and, most crucially in this moment, with the dawn not arrived and the day yet to start and make them all busy, Takeru’s pleasure is their pleasure. And because he is who he is, because he feels everything with such strength and fervency that it radiates from him like sunlight, it is such pleasure. On his back, hands above his head, eyes bound, he has given himself over to their loving mercy and yet the weight of his existence is still enough to envelope them both.
Alain leans down to kiss the smiling mouth below the blindfold and say, softly, “Is there something you want?”
“Isn’t the point of this that you two are making the decisions?” Takeru sounds like he might laugh.
Alain glances over Takeru’s chest at Makoto, who is already looking over at him, and who raises an eyebrow before saying, “Is that a serious question or are you just being difficult?”
It’s definitely suppressed laughter. “A little of both, really. I want you to do what you want. I trust you.”
So they do what they want, which, gloriously weighed down by Takeru’s unconditional trust, is what he wants too. And what they want is to kiss, to touch, to take their pleasure in ways that render him arch-backed and breathless and crying out as they take their turns on him. They take their pleasure until he’s coming in an unexpected avalanche of laughter which, like all avalanches, overtakes them as well.
Dawn is breaking, light spilling in through the open window for Takeru to flinch against as they uncover his eyes. He buries his face against Makoto’s chest as soon as his arms are free and he can move, mumbling, “It’s too bright, I’m going back to sleep, you both have to keep me company since you’re the ones who wore me out.”
“Right,” Makoto says drily, wrapping an arm around his shoulders as Alain is draping himself over Takeru’s back, “humans need sleep, I forget that sometimes.”
He can feel Takeru’s smile like a separate presence in the room, even though he can’t see it. “Oh, like you’re so inhuman.”
Alain presses his face to the back of Takeru’s neck and finds that, at least for the moment, the pressure of his reality is not so much a weight as it is an embrace, enfolding the three of them as they lie together drowsing. “It’s not that we are less, perhaps.” A yawn against Takeru’s warm skin, occasioning a ticklish wriggle. “It’s just that you’re so much.”
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