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#his mental health well...
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Peepers: *Coughs*
Peepers: *Sighs and starts taking a shit ton of antibiotics*
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brucewaynehater101 · 2 months
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I can imagine after Jason's death Tim wasn't like a therapist instead he was bullying Bruce into therapy, during a fight Bruce goes "I don't need another robin, I don't need help" and Tim just stands aside and watches Bruce get his ass kicked while throwing our random tidbits of therapeutical advice.
I can definitely see this as a different hc as well.
Tim has perfected the Disappointed Stare™ as he watches Bruce in a fetal position getting kicked by a basic goon. Sometimes, when he's really tired babysitting the man, he'll allow the goons to get a few extra kicks in.
He also seems like the type not to intervene when he told Bruce exactly what was going to happen. It's not Tim's fault the man refused to listen to him.
Tim operates on spite, being right, manipulation, and bullying someone for their own good. If the bat-loving depressed middle-aged man wants to be sad by being mean to everyone else, the kid will sign him up for furry support groups. He'll get Alfred on his side to force Bruce to attend those meetings.
Tim Drake is not a licensed therapist, and he'll make damned sure that Bruce knows that. If the man wanted professional help instead of relying on bullying by a kid, the man could afford to do that. Instead, he has a thirteen year old putting itching powder in the batsuit when Bruce refuses to take it off after 27 hours.
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On Kurapika's Self-Imposed Isolation
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While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.
I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.
Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."
So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.
The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.
Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.
Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:
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[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]
It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...
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[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]
...and this...
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[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]
...and this.
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[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]
This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.
(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)
But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.
Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.
But Kurapika... doesn't come across as a naturally angry person to me at all.
He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness
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[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]
...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.
And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.
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[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]
Look at him! He's so bright! So happy!
...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?
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[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]
Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.
I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.
And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.
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[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]
Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.
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[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]
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likealittleheartbeat · 2 months
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I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.
The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.
So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.
So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.
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just-jordie-things · 10 months
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unpopular opinion on this app 😇🤗🤭
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lauraneedstochill · 1 year
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I won’t fall for someone who can’t misbehave
summary: Aemond is betrothed to the sweetest girl in the Seven Kingdoms. She's smiley, soft and kind-hearted. Until she isn't. (or, alternatively: "No one took your side when you were a kid. But I'm doing it now.")
pairing: Aemond Targaryen and F!Reader (her House is not specified) words: 9000 +
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warnings: slow (!) burn, attempted harassment, Aemond is in pain 70% of the time (headache and all that) and has no clue how to act around someone he's clearly in love with.
author's note: I'm working on 3 fics at the moment, and it's taking forever to finish (yay for my poor time management skills!), so I whipped up something short(er) for starters. I'm a bit more comfortable with sharing this one because I feel like it's actually more of my style (wow, that sounds kinda pretentious). Rhaenyra is the queen here but I barely mention the blacks (not out of spite, I just thought it wouldn't add anything to the story). also, I don't think women would be allowed to misbehave like that... I don't care ;)
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Aemond knew of the preplanned betrothal even though everyone around him was ridiculously mysterious about the subject matter. He's been made aware of the upcoming visit of some noble family, and the preparations were quite extensive. Then he overheard Baela telling Jace that the expected guests will bring their daughter. The middle one. It wasn't very hard for Aemond to put two and two together. His wedding was long overdue, and Alicent was eager for him to make his choice. But he dreaded the mere thought of it.
Aemond's never been very good at courting women, but mostly due to the lack of trying. He's used to them looking at him with fear and suspicion as if he's some kind of wild animal ready to attack at any minute. Getting sidelong glances did hurt him growing up, but with time Aemond learned to benefit from it, using his fearsome image as a shield. No one ever dared to try and break it to see what was underneath. But now he is faced with the inevitable change that's approaching his life at the speed of a storm wave. To him, taking off the eyepatch won't be nearly as excruciating as giving into the vulnerability of letting someone in, opening up to someone. He's never been afraid of much but that? That was terrifying.
The anticipation made Aemond nervous. He knew he should probably ask around and try to gain any information about his soon-to-be wife, but it felt wrong. Not knowing felt even worse. No matter how good of a fighter he was, fighting the uncertainty seemed like a challenge. Aemond spent his nights tossing and turning, wrapped up in blankets as insomnia was clinging to his body. He tried to busy himself with training, but his usual easy victories brought him no satisfaction. He's been winning for so long maybe it was time for him to lose. Except not to his training partners but to a stranger, who in time will get a permanent place in his life.
His rides with Vhagar, which usually brought him peace, now had the opposite effect. The old dragon acted annoyed and disgruntled for no reason, huffing and grumbling at every turn as if she could sense his own frustration. You can’t tame your emotions yet I’m supposed to listen to your commands? Silly boy. If Vhagar could speak, she would probably tell him that, Aemond thought. And he blamed himself even more.
Somewhere in the midst of it all, the headache came back. As usual, it started with a feeling of pounding heaviness in the back of his head, which then spread further: into his temples, forehead and down the hateful scar. Within a couple of days, the pain gets so bad, he has to grit his teeth to keep a straight face, and he's barely able to shove a few bits of food down his throat. But it's a topic he never brings up, it's a humiliating secret that's just between him and his mother. When he lost his eye, for the first month the pain was close to unbearable. The maester kept telling him that it was caused by the healing of skin tissues and assured that the intolerable feeling would go away. It never did. His scar was something he learned to cover up, and the bright red stripe faded slightly with time, but the pain lingered. Aemond opted to think that it only contributed to him becoming more resilient, yet that argument didn't withstand the test of time. The pain receded for some short periods, but then it'd always come back, and he could never get used to that, no matter how hard he tried.
He can only hope it will get better by the time the guests arrive. But the gods seem deaf to his prayers, and the night before the event he doesn't get a wink of sleep. He goes through his day in a daze, skipping the training session to hide in the library instead, although he can't bring himself to focus and read more than a single page. When the time comes for him to walk into the dining hall, it's the last thing he wants to do but he forces himself to go. Festive ornaments, tables laden with the finest dishes, bright-colored clothing of everyone around him blend and blur into each other. He takes deep breaths and counts his steps, gathering all his strength to sit down and not wince at the movement.
All it takes is one look at him for Alicent to understand what's going on.
"Aemond," she approaches him, whispering. "What's wrong? Is it the headache again?"
Aemond doesn't want to admit it, but he lacks the energy to deny it either so he just nods. She gives him a regretful look, gently squeezing his shoulder.
"Should I call for the maester? Maybe he will be able to come up with something to ease the pain."
"I don't think we have time to fuss over me," he declines with a pain-stained voice. "I was under the impression that we're expecting someone to join us today."
Alicent sighs. She knows better than to fight his stubbornness, but she hates how helpless it makes her feel. Aemond hates that feeling, too.
"Please don't tell me you require motivation," Aegon's voice is loud as it is but right now it sounds deafening, and Aemond sharply exhales. His brother flops on a nearby chair, bringing his ignorant attitude with him.
"Undoubtedly you've interacted with women before," he chuckles, completely unaware of Aemond's suffering. "Try not to scare her with your creepy stare, and maybe she won't run away."
Alicent briefly closes her eyes in annoyance. She glances around, making sure not to attract any attention, and then grabs Aegon by the chin, forcing him to look at her.
"Enough with pestering, I need you to behave yourself," her voice is tinged with irritation. "Just for one evening. Can you do that?"
Aegon's body stiffens up, the smug look disappearing from his face.
"As you wish, mother," he mutters, and she lets go of him. Alicent shoots another glance at Aemond before leaving. Aegon gives his brother a side-eye but says nothing.
Aemond is exhausted, anxiety's bubbling in his chest, and he thinks he has a few more minutes to compose himself yet that time passes in the blink of an eye. Before he knows it, the guards at the door make the announcement, and he sees a group of unfamiliar faces. None of them are of his age, though, and for a moment that realization brings him some comfort. But then he notices a female figure in the distance as she's approaching the entrance.
When she walks in, the music goes quiet, and Aemond hears people gasping. It seems like every man in the room has his gaze on her. And she certainly is a sight for sore eyes. She moves with a gracious pace, the silky fabric of her dress flowing downward with every step. It's not too revealing, but it hugs her body in all the right places. Her hair is up, and he can see the waves of her collarbones peaking through. A half-smile is plastered on her face, but she doesn't seem to be nervous. If he was to take a guess, he would've said she was tired. But she won't let it show, keeping her head high and being seemingly unaware of the attention she got. Maybe she's used to it just like he is, Aemond thinks. Although people usually glare at him for a completely different reason.
"Someone is about to get a piece of cake," Aegon elbows him lightly, his voice low.
"Someone needs to shut up," Aemond snarls, earning a laugh from his brother. That catches her attention, and her gaze lands on Aemond. When their eyes meet, her face softens, smile growing wider. He tries his best to force a wan smile in return, but his stomach turns in discomfort. He can already imagine how people will react: a stunning woman like her with a man like him, what a tragedy. That thought stings, his anxiety growing stronger. The headache gets worse, and he tightens his grip on a cup of wine that he hasn't even tasted yet. Aemond can't help but wonder if she knew she would have to marry him. If it does bother her as much as it bothers him.
The members of her family are greeted as guests, with no mention of a possible betrothal. Her name is the only one he catches — and then silently repeats it a few times. Y/N, Y/N, Y/N, the sound of it breaking through his clouded mind. She's seated next to him, as expected, and he notes that her dress compliments her eye color. Aemond is thinking of a way to start a conversation, but she beats him to it:
"You gave us such a warm welcome, but I must admit, I'm surprised by the scale of it. I hope it wasn't too much of an inconvenience?"
When her words reach his ears, the buzzing in his head stops, and Aemond turns to Y/N, astonished by his own reaction. It's not the naivety of her question, nor the friendly tone of it. It's just her voice. Melodic and mellow, it feels soothing among the loud noises they're surrounded with.
"I assure you, your family was simply welcomed with the respect you deserve," he answers pensively. His throat is sore, but he can't steel himself to take a sip of wine, afraid that it will make him sick. He wants her to speak again.
Aemond asks about her family, letting Y/N lead the conversation. She's easy to talk to and she gives just the right amount of information before jumping to another topic. At any other time, he would've really enjoyed the flow of it, yet now he is growing weary. The headache is still there, but her voice does bring him some relief. That's until she abruptly stops.
"Are you feeling alright?" she sounds worried, and the same emotion is written on her face. Aemond tries to blink away his exhaustion. 
"I apologize if I'm not exactly the best at keeping you company. It's been a long day," he knows he should've come up with a better excuse. He feels like he can hardly function at this point.
She keeps her attention on him for a few more seconds. Then Y/N moves her eyes to the other end of the table, where her family is seated. She makes eye contact with her father and gives him a big yawn. It's obviously and comically fake but it works: her family finds an excuse to leave earlier. Aemond knows that now he also got a chance to escape soon after. He feels a pang of guilt knowing that he's the reason their conversation was cut short, but Y/N doesn't make a big deal out of it.
"We shall continue on the morrow when we are both well rested," she smiles reassuringly at him before leaving.
Aemond seriously doubts that he'll get any rest as his head feels like it's gripped in an iron vise again.
The next morning he drags himself out of bed later than usual, the pain now dull but present nonetheless. He sits with his face in his hands, breathing in and out, until he's almost numb. The almost leaves a sour feeling in his mouth — or maybe it's the nausea, he doesn't know nor does he care. He's been handling this for years, he can survive another day.
Aemond decides that since he is to be wed, he should make an effort for it to work. He thinks about his duty, his mother, about Y/N, who traveled all the way to the King's Landing for a man she's never met before. Aemond thinks of everyone but himself because there's only so much he can do without draining himself completely.
He missed the breakfast already but hopes to find Y/N within the perimeter of the castle and rushes out of the bedroom. He's passing by Helaena's chambers when he hears someone laughing. And it's not his sister. Aemond debates if he can deal with kids right now, but chooses to give it a chance and quietly walks in. Helaena has embroidery in her hands but seems more focused on a sight in front of her, and he follows her gaze. Y/N is sitting on the floor with her back to the door, Jaehaerys and Jaehaera are on either side of her, their cheeks plump and pink, tiny fingers grabbing her dress. She's reading to them, and it's a tale they've heard many times before, yet the kids are listening attentively, occasionally making noises of excitement. Aemond doesn't need to speak gibberish to know that they are fascinated by the melody of her voice and the playful tone she uses to make the story more engaging. He leans on the door frame, his body relaxing at the sound. Jaehaera puts her head on Y/N's shoulder and eagerly turns the page, making her laugh again.
"You are an impatient little thing," Y/N giggles.
"That she is," Helaena agrees, and when Y/N turns to her, she is surprised to see that Aemond joined them.
"Pardon me, I didn't hear you coming in," she stands up in a hurry, both kids are instantly glued to her. "Your sister was kind enough to keep me company."
"I asked her to come by after breakfast, and they haven't left her side ever since," Helaena explains, sounding very pleased.
"Would you mind if I steal this new friend of yours?" Aemond asks while keeping his eye on Y/N, waiting for her reaction. Her face flushes but he sees no indication of discontent. Aemond grudgingly admits to himself that it brings him something akin to joy. But it fades, absorbed by his numbness.
"Make sure to be on time for dinner," his sister nods, calling for the nanny to take the kids.
It takes a little bit of persuasion but eventually Jaehaerys and Jaehaera let Y/N go, and she follows Aemond out of the room. Y/N mentions that Helaena wanted to show her the library, and Aemond agrees to take her there. Along the way, he strikes up a conversation in attempt to compensate for their last one. As she's telling him about her morning, her voice seeps into his mind like honey, and Aemond tries to concentrate to take the right turns and not trip on the stairs.
When they walk into the library, Y/N pauses, looking around in awe. This woman makes men turn around after her, yet she is so easily impressed by the simplest things, Aemond thinks. The prince wonders if she'll ever be impressed by him.
"This is where you study?" she's admiring endless rows of shelves, and Aemond gives her an affirmative "hmm".
"How many of these have you read?"
"Quiet a few," he is modest as ever, and she shoots him a curious look.
"I wonder what are your preferred subjects."
"History and philosophy," he doesn't mean to sound so terse, but whatever interactions with women he's had before, that experience obviously didn't turn him into a lady's man.
"Would you be so kind to share your favorite books with me?" when Y/N glances at him, there's a sparkle in her eyes. It looks like she's actually interested to know more, as if she does want to know him. His immediate response, however, is to distance himself, and he takes a step back.
"I'm afraid there are not enough hours in the day to name them all," Aemond opposes, hands clasped behind his back.
"Please, take pity on me, I need something to help me pass the time," she presses the matter further but does so very gently. "Name just a couple."
He gives into her pleading tone and reluctantly agrees but they don't stop at just a couple. They end up spending the day roaming in the library, lost in the labyrinth of shelves and books. She's never too pushy with her questions, she's making small jokes, she doesn't take offense at his cold demeanor. Behind his mask of feigned indifference, Aemond feels like someone is hammering at his left temple, and the pain echoes through his whole body. But he doesn't dare to leave Y/N hanging for the second day in a row.
The prince is too preoccupied with his internal struggle to notice that she's growing worried about him again, and by the time they come back for dinner, her face expresses an alarming concern.
"I must apologize if I tired you out with my relentless chatting," she says, almost whispering, when they're seated.
"You did not, no need to fret," Aemond states. I must apologize that you are to marry a man who can't curb the pain that's spilling out of him, he thinks.
Food is tasteless in his mouth. Y/N is sitting on his right, and Aemond's body can't adjust to the foreign feeling of someone being in his close proximity. He's so accustomed to being on his own, he doesn't know how to unlearn that.
Throughout the whole dinner, Aemond can feel his mother's gaze on him. Later that evening, when a maid brings him a cup filled with the milk of the poppy, he decides against taking it.
He regrets it the very next day.
When Aemond tries to lift his head off the pillow, he feels like his skull is full of rocks. They're rolling from side to side as the pain rumbles, and for a few minutes he can't hear anything else around him. That's why, when Aemond opens his eye, he's startled at the sight of his mother standing in the doorway.
"I did knock but got no response," she gives him a look that's a mix of concern and suspicion. She suspects that he's unwell again and it concerns her. He wishes she never knew of that burden of his.
Aemond moves up in his bed, clenching his jaw. He knows his mother well enough to realize she must've had a reason for this early visit. Alicent proves him right when she speaks:
"The queen went into labor a couple of hours ago."
He absentmindedly hums, not knowing how to react. His mother continues, with a hint of hesitance:
"There will be a feast when the baby is born. We thought... Rhaenyra and I, we thought it would also make for an occasion to do the announcement. About your betrothal."
Her words come as no surprise to Aemond. It is what's expected of him, it's about his duty and his responsibilities, but this time he doesn't want to think of that. He wants to be left alone, to drown in the layers of blankets, to go back to his short-lived slumber.
"The day Y/N arrived, I asked the queen to postpone the announcement. To give you some time to get to know each other," Alicent takes a few steps towards his bed. "It seems like you're getting along quite well?"
"I could think of no better woman than Y/N," Aemond admits and it is true. What he doesn't say is that he can also think of a dozen other men who would be more deserving of her, more than he is.
Alicent catches the discreet sadness in his words but doesn't know what caused it. She eyes her son with undisguised empathy.
"Her father implied that she is content with the betrothal, too. I thought you'd be happy to know," Alicent gives him a lax smile. "I shall let you go back to sleep," she adds and leaves.
Aemond knows he'll get no sleep now. He repeats the well-known routine of deep breaths with the minimum movements, scraping up the remains of his strength before leaving the room. He goes straight to Y/N's chambers, wondering if his mother visited her, too, and how that visit went.
To his surprise, Y/N is nowhere to be found. A maid informs him that she left the room a few hours ago. He can't find her in the library and she isn't in Helaena's chambers, either. He searches for her in the courtyard and then goes back to roam through the corridors, peering into every room on his way. He's lost in his thoughts until he hears Y/N calling his name. Aemond turns around — and there she is, at the other end of the hall.
"I've been looking for you," she skips towards the prince, beaming. He could never imagine anyone being this happy at the sight of him. She stops when they're only a couple of meters apart, her smile glowing.
"We must've passed each other, because I've been looking for you, too," he confesses. Y/N seems very pleased with herself though he isn't sure why.
"I think the weather calls for a walk," she blithely suggests. "Would you like to accompany me?" — as the words leave her mouth, she reaches out a hand to him. For a moment Aemond's looking at her baffled, and then hesitantly takes Y/N's hand. Her skin is soft, fingers warm, and she intertwines them with his own. That gesture comes so naturally as if they've done it before, yet Aemond clearly hasn't. The feeling of holding someone's hand is unusual to him. But it seems enjoyable.
By the time they get to the garden, Aemond finds that her hand fits perfectly in his. He's blushing profusely. He also notices that his headache receded a little and he can't help but think that Y/N was the reason for that.
"Your mother came to me this morning," she informs him as they are walking hand in hand. "I assume she talked to you, too?"
"She did," Aemond confirms. "Am I right to guess we had the same conversation?"
"Well, mine was about uniting two great Houses," Y/N mimics a man's voice, and Aemond grasps that Otto was there, too. "Your grandfather gave a very convincing speech".
"He had a lot of practice while being the Hand of the King. Maybe he misses having an audience," the prince chuckles and she laughs. Aemond holds a pause and then adds:
"Forgive me if I'm being too blunt but I wonder if the conversation was of unpleasant nature to you."
"It was not," she slows her steps. "I know what's expected of me and I will perform my duty. But if I'm being honest...," she turns to him, and the tenderness of her gaze tugs at his heart. "I am glad that it's you," Aemond feels a flare of an unknown emotion deep in his chest. "We'll make a pretty good team. Wouldn't you agree?"
Aemond lets out a breath he didn't know he was holding. He looks down at their hands and then back at Y/N.
"It seems so," he tells her, a slight smile in the corner of his lips. There's a moment of comfortable silence as they make a short stop in the shade of the trees.
"But I shall give you a warning," Y/N says with a mischievous grin. "My siblings take any celebration very seriously. Every single relative of ours will come to the wedding, and most of them won't shy away from enjoying a cup of wine... Or two".
"Can any of them outdrink Aegon?" he jokes, and Y/N bursts into laughter.
Aemond gets carried away by their conversation once again, losing track of time. While she's listing her relatives, adding innocuous remarks about each of them, the prince is enthralled by the warmth that radiates off her. Her presence alone calms the storm of his insecurities, lulling his fears to sleep. She does that so effortlessly, it's almost intimidating. But there's a certain thrill to it, too — the thrill of being close to her, sharing laughs and stories, and Aemond clings to that feeling.
He enjoys the moment while it lasts; until his headache predictably creeps up on him a few hours later. He can't tell if Y/N senses that something is wrong but she's the one to suggest returning to the castle. Aemond gladly accepts it.
On the way back they're greeted by one of the guards who notifies them that the queen gave birth to a girl. Y/N lightly squeezes Aemond's hand.
"Tomorrow is a big day then," — and the prince knows exactly what she means. The fragile bond that they only started to get the hang of will soon become public knowledge. It won't be their secret anymore but rather an over-discussed gossip.
"There is still time for you to plan an escape," Aemond jests half-heartedly.
Y/N looks puzzled for a second, but then shakes her head:
"Only if you're planning one. We are in this together, remember?" her thumb brushes over his. "It's all about teamwork."
Aemond savors the last fleeting minutes of their day. He barely touches the food at dinner, the pain in his head intensifying but he pushes through. When the time comes for them to part, he doesn't want to. That feeling is alien to him and the prince is clueless about its nature. But he knows that with her any misery will be bearable.
When Aemond walks into his chambers, he notices a little jar on the bed table. It's the one that the maester used to bring him the ointments in, and the prince sighs. The maester doesn't grasp the extent of the problem but occasionally would suggest a thing or two to help with the pain. They've tried using cold packs, then the warm ones, tried massaging his temples, then drinking cinnamon tea, then adding some ginger that's known as a remedy for reducing inflammation... Nothing has worked so far.
But he should make an effort.
Aemond barely glances inside the jar and tosses away a piece of paper with the instructions scribbled on it. The prince already knows it all too well: he applies a thick layer of whatever that concoction is on his scar, involuntarily wincing at the cooling sensation. It smells of herbs and feels oily but absorbs into the skin pretty fast.
For some reason, his mind goes back to his mother's words — "I thought you'd be happy to know". Aemond is unsure what happiness means. The happiest day of his life is forever chained with the worst one, smeared with blood and pain that he's been carrying through the years.
But now that he met Y/N, he questions if there's more to life than what he's been through so far.
While he is laying in bed, Aemond wonders if can consider Y/N his friend. If she will ever be more than just a friend to him.
And then, before he knows it, the prince is fast asleep.
He wakes up feeling like a new man. At first, he mistakes that feeling for the remnants of his dreams that he was enveloped with at night. He shakes off his drowsiness and looks at the ceiling, catching a glint of sunlight that seeped through the curtains. That's when Aemond realizes that the pain is gone.
He sits up, bewildered, waiting for any sign of discomfort yet nothing happens. He waits for a couple of minutes — and then for up to thirty, but his head is clear and doesn't ache at all. His eye shifts to the jar on the bed table, and Aemond makes a note to extend his gratitude to the maester later. Suddenly the upcoming festivities don't seem so torturous anymore.
He doesn't get a chance to see Y/N throughout the day as everyone is preparing for the feast. When Aemond walks into the hall of the Iron Throne, he takes in the decorated surroundings. Unlike the last time he was here, now he wants to remember every detail, knowing that this evening would be of great importance.
The room fills with people, but Aemond patiently waits for her alone. He spots Y/N the second she steps in. Her dress is violet, the material bright and luminous, and it puts her into the spotlight yet again since she's the only one wearing that color. As soon as she takes her place at the table next to Aemond, her hand finds his. He's getting used to that way too fast. It's hard not to.
The first round of toasts goes to honor Visenya, the newborn daughter of the Queen. Rhaenyra willingly tolerates the sweet talk, generous with her smiles and appreciation. At some point, when the timing seems right or maybe when her cheeks are already aching, she gives a nod to Alicent, and Aemond knows what it means. As she starts her speech, he ruefully releases Y/N's hand.
But right when they're standing up, with everyone around cheering and staring, Y/N lightly presses her body against his, and Aemond feels how tense her back is. That's when it dawns on him that she's well aware of the attention but she doesn't really like it. Instinctively, he puts his fingers on her waist, his touch respectful and delicate. She breathes out and briefly rests the back of her head against his shoulder. For a moment it feels like it's just the two of them.
That feeling doesn't go away.
Usually, he's not the one to take part in dancing, but he does so for her. Aemond feels out of practice and he can't tell if that's what makes his head spin or if he's getting tipsy from the intimacy of their dance. Her moves are elegant, well-rehearsed, her body follows the rhythm of the music with ease. He doesn't remember when was the last time that silly activity brought him so much elation. Did it ever?
Time flows by in a blur, and they eventually take a pause after going into a fit of giggles at the sight of Lord Velaryon trying to improvise a move and failing, only to amuse his loving wife. Y/N suggests going out for a while and Aemond is keen on following her but then his mother catches up to them, her hand and her gaze are on him in an instant, pulling him away.
"Aemond, you've been dancing," she can't hide her bewilderment, a timid smile on her face.
"Should I not? Seems like a suitable occasion," Aemond chaffs with a tilt of his head.
"It is, indeed," she doesn't let him go just yet, and he discerns the hidden meaning of her words, the apprehension she fails to conceal. Aemond wants to grant her some respite, at least for the rest of the day, so he tells her with plain-spoken sincerity:
"I can assure you, this isn't a cause for your distress."
But then he quickly finds a cause for his when he doesn't see Y/N around. He goes searching for her in the crowd, then leaves the room altogether, coming out into the hallway.
Aemond hears her before he sees her — and she isn't alone. It takes no effort to recognize the second voice, which belongs to no other than Jason Lannister. As the prince rounds the corner, they come into sight, and Aemond has a very bad feeling.
He missed the start of their dialogue, and the look on Y/N's face is unreadable. She's oblivious to Aemond's presence and he decides to watch them. He tells himself that he'll never allow her to get into trouble. There is something very tempting in having a chance to save her from anything; as if he feels the need to prove himself to her. He tries not to entertain that thought.
"... It's not too late to change that, don't you think," Ser Lannister purrs, his tone sickly sweet but arrogant.
"It is. Which I have no regrets about, ser", when Y/N talks to him there's not a hint of friendliness in her voice.
"Your approach may be short-sighted. The proposition of mine wasn't of a frivolous kind," he's circling her, the manner of his movement is borderline predatory.
"I believe you will soon find a lady to welcome your advances but I would very much prefer to drop this conversation," she recapitulates.
Aemond tenses up, feeling like this is the moment for him to step in. Then he looks at Y/N and realizes that something is off. Her face expression changes — but it's not a look of fear. By the rising of her chest, he detects that her breathing sped up, eyes are shooting daggers at the man in front of her. She's looking, for the lack of a better word, positively furious.
But Ser Lannister, apparently, is not very good at reading signs as he comes improperly close to her.
"I can be very persuasive," his fingers fall on her back — and then go lower. "I think you should appreciate the attention while I'm this generous and..."
He doesn't finish his sentence. In about two seconds his face is suddenly slammed into the nearby wall, the hand he put on her is now twisted behind his back. Y/N uses her free hand to push right between his shoulder blades, pressing him into the stony surface.
To say that Aemond is shocked would be an understatement.
Right at this moment, she looks like a different person. This side of her he's not acquainted with but it only adds to her appeal. The change is barely perceptible: she's still maintaining her posture, keeping up the face of a woman who knows her worth. But Aemond catches a flaming spark of defiance that threatens to shutter her restraint. He can sense her anger from far away despite her doing her best to contain it.
"I do not know what kind of attention you are used to, but you're forgetting your manners. Next time you dare lay your hand on me, I will not hesitate to break it," her voice doesn't lose its usual softness, but now has an added layer to it. It sounds sharper, bolder. It sounds like she's not afraid of anything.
Y/N lets Ser Lannister go, taking a few steps back and smoothing her dress. He's frozen at first, but then slowly turns to her.
"You didn't... You did not just do that," there's a visible red mark on his cheek that will undoubtedly turn into a bruise.
"Did what, ser?" her tone is laced with coldness.
The man looks at her in disbelief, his face is a parade of emotions — from shock to annoyance to anger.
"You will not get away with this," he scowls, nettled.
"You're telling me that you're considering letting everyone know you were overpowered by a woman? Sounds hard to believe," Y/N seems unfazed.
His mouth opens and closes a few times before he roars:
"You, insidious wre...!"
This time Aemond is the one to interrupt the man:
"I suggest you watch your tone when speaking to my betrothed," Y/N flinches at his voice, turning to face him, and Aemond slackens his pace a little.
"Shouldn't she watch hers? She's talking to a lord," Ser Lannister exclaims lamely, his arrogance instantly toned down a notch.
"And I see no wrongdoing on her part. Care to explain what got you into this situation?"
"It was a... a simple misunderstanding," his excuse is so pathetic that it makes the prince sneer.
"And what was the matter in question?" Aemond comes closer to the man which makes ser Lannister evidently uncomfortable. He carefully contemplates his next move.
"I only wanted to extend my congratulations on her betrothal," the man fakes a smile. "Mayhaps I expressed myself poorly".
"You should opt to choose your words more wisely next time," Aemond looks down on him. "Perhaps you are needed somewhere else?"
"I shall rejoin the celebration then," ser Lannister eagerly agrees and bows out way too quickly.
Aemond can barely wait for the man to get out of sight before turning to Y/N. Even though the prince witnessed the whole thing, he can't stop himself from asking:
"Did he harm you?"
"He didn't get a chance," she mumbles, avoiding his gaze. She looks so embarrassed, he wants to offer her some comfort but isn't sure how.
"Dare I say we've got enough interactions for one evening?" Aemond tries to lighten the mood yet she only offers him a half-hearted smile.
"I'll escort you to your chambers," the prince suggests, and before she can argue he adds: "I know you can stand up for yourself if needed. But I insist."
Y/N doesn't move an inch.
"...You are not mad at me?" she's looking at him with doe-eyed sincerity, clearly upset. Aemond is mad at himself.
"I'm thinking about cutting his arm off," he says under his breath, but she catches it.
"Aemond, there's no need!" Y/N gasps and he sees a glimpse of a smile on her lips.
"I will have to disagree," he starts but then she grasps his elbow and Aemond's hand — finally — clings to her again.
"I don't want you to get in trouble because of me," Y/N confesses. 
"And I don't want you to get hurt," his fingers caress her arm through the lace material. Y/N's cheeks heat up and Aemond finds it adorable.
"I think I... I was the one who did some damage," she complains.
"You must imagine my surprise," Aemond drawls, teasing.
"Oh, Gods," a quiet groan leaves her mouth. "That was not very ladylike of me."
Y/N covers her face with the other hand, her grip on his arm loosening. Aemond dithers before gently brushing her palm away from her face.
"You did the right thing and you have nothing to be ashamed of," he enunciates each word. "He only sets an example of unseemly behavior."
"I'm afraid I wasn't too far off," Y/N remarks, her voice relenting.
"Hmm, you're certainly not to be truffled with," he retorts, earning a faint laugh from her as they start walking, arm in arm.
"May I inquire how did you... master that very handy skill?" Aemond ventures to ask. That image of her — brave and unapologetic in her anger — will be forever engraved in his memory. Aemond is apprehensive about voicing his curiosity, uncertain of her reaction but when she answers:
"My father taught me that," her tone is surprisingly impish.
"And how did you manage to talk him into it?"
"Talking didn't help much, actually," Y/N grins. "And then I broke my brother's nose and my father decided he should find a way to guide my enthusiasm."
"How old were you?"
"Nine," she looks so satisfied with herself, Aemond can't hold back the laugh.
Y/N joins him and they fall into the comfort of each other's company. But then her smile wilts.
"There was a time when I was the youngest child and my siblings... They weren't very nice back then," she blurts out. Aemond feels his heart sinking.
"What did they do?"
"Oh, it wasn't that bad, honestly, they were only teasing. It's just um," she's looking for the right words or maybe for an acceptable explanation, but there isn't any. "It was very tiresome mostly. I could never understand the reason for them being mean."
Aemond is yet to tell her the story of him losing his eye, and the memory pops back into his head in a flash. He knows exactly what she feels, his own sense of helplessness fresh in his memory. And it still stings the same, and Aemond loathes that.
While he revisits the past, unwillingly slowing his pace, Y/N spots the change in his demeanor within seconds. She sees his facial features congealing, his fingers clenching, and she comes to the only conclusion she can make.
"Is it the headache?" her voice is suddenly quiet, and Aemond comes to an abrupt stop. The question catches him off guard, words stuck in his throat and his mouth agape. He doesn't know how to react nor does he understand how could she possibly know that. Y/N is quick to clear up his confusion:
"I noticed not long after we met and then your mother confirmed my suspicions. I am sorry that I didn't ask you directly, I thought... I didn't want to sound intrusive," she explains coyly.
"By asking about my health?" he finds his voice again. "I am to become your husband, you are free to ask such questions."
"We've only known each other for about a day back then. Surely, you're allowed to take more time than that to open up to someone," she kindly points out.
A day. Up until now the only person who's known about his pain was his mother, and for years no one else ever questioned his well-being. And it took her a day to notice that something was wrong.
"Did the ointment help?" she asks hopefully. For a second he thinks he heard her wrong but the shadow of concern on Y/N's face tells him otherwise.
"That was your doing?" he can't hide his amazement, and it elicits a laugh from her, sonorous and dulcet. Aemond likes the sound of it, he really does.
"I've been fortunate to obtain the knowledge required," she informs him.
"And what kind of witchcraft is it?"
"It is not," she playfully elbows him. "It was something my grandfather taught me. He used to have an ache of a similar nature. No one could understand the cause of it, and it only got worse with age. But my grandmother refused to sit idly by and one day she found a way to ease his pain," Y/N has a dreamy expression on her face but it melts into a wistful one. He guesses that both of her grandparents passed away.
"After her death, he wouldn't let anyone help him. It took me months to persuade him and eventually he let me on her secret," her smile is bittersweet. "Then he died, and I never thought the recipe would come in handy ever again."
Aemond hates seeing her wallow in sadness. He puts his palm on top of her hand in an attempt to offer some consolation. If there was a way to free her of that grief, to take at least some of it upon himself, he would've done it in a heartbeat. But his touch is enough to bring back the cheerfulness in her voice.
"I should mention that your maester did help, too, although he was reluctant at first," Y/N reveals.
"And I presume that it also took some convincing?" Aemond thinks of the maester's face that always looks like he is surrounded by imbeciles.
"I shamelessly boosted his ego," she wrinkles her nose. "Told him there was no way anyone would ever be as skilled as he is, and that my attempt was merely a gesture of goodwill."
"But I wasn't just that," Aemond cordially protests.
They already reached her chambers but he doesn't want to let go of her hand. He wants to tell her that meeting her was like taking a breath of fresh air after being held underwater, like finding a source of light in the pitch darkness of the night or feeling the warmth in the dead of winter. Aemond wants her to know that she's been a saving grace for him, but he's somehow at a loss for words, his thoughts jumbling together.
"It was way more than that and I...," never in his life had he gotten this tongue-tied and flustered. Yet she treats him with the same kindness and with no sign of prejudice, listening closely and keeping her eyes on him. Her gaze is disarming enough to make him say the first thing that comes to mind.
"I must admit, you exceeded my expectations," Aemond breathes out.
It immediately feels like the worst, the dullest choice of words possible, and he wants to sink into the ground right this second. But then he sees her natural smile, genuine and bright, blossoming on her face again.
"I am glad to be of service, my prince," she murmurs the last part, and his heart skips a bit.
He didn't register the moment Y/N came a bit closer, but she isn't shying away from shortening the distance. There's something enamoring about her trusting nature but that's not what draws him in. For the first time, he experiences an unfamiliar feeling that tightens his chest, makes his breathing rapid. His gaze slips over her face, down from her radiant eyes to her smile, framed by the lips that look as soft as freshly bloomed flowers. The feeling melts into an urge — he only needs to take a step, to lean his head forward just a bit and...
Aemond inhales deeply. He thinks they are in no rush, he thinks it would've been disrespectful and naive. He's mostly afraid to misread the situation, to scare her away.
But he wants to make his intentions clear. Aemond runs his thumb over her knuckles, brushing them one by one. And then he takes her hand to his lips, planting a kiss on it. He allows himself just this flicker of bravery before straightening up and releasing her hand. When he looks at Y/N, her gaze is directed at him already. It feels like a particular question is hanging in the air; they let it dissolve for now.
"I shall bid you goodnight," her eyes linger on him for a second before she turns away.
As Aemond watches her go, he is certain he wants them to be more than just friends.
Lucerys's name day comes in a about month, and by that time Aemond's routine has changed drastically. It might look the same: he wakes up with the sun, flies with Vhagar, he trains regularly, he spends his free time reading — except now Y/N is a part of his every activity.
She's never nosy or clingy; he's the one seeking her company at all times. She's an early riser, too, and they're always the first ones at the breakfast table: he asks her about her dreams, they make plans, they poke fun at Aegon, who is perpetually sleepy, and Y/N can effortlessly hold any other conversation with his family which only makes him ever so pleased.
She watches him train with genuine curiosity, she never looks away nor flinches, even when he gets too competitive and rough. Her attention is flattering — and it's all on him, and it feels unusual at first, but becomes empowering and he bathes in it.
When he takes her to meet Vhagar, she's terribly nervous. Aemond jokes that meeting his old dragon will pose no challenge after she handled Ser Lannister. It gives Y/N enough confidence to pat Vhagar's snout as the beast observes her calmly. Aemond assures her that the dragon will never go against his wishes. What he wants to say is that Vhagar senses how he feels about her.
They spend evenings in the library, both absorbed in reading but always sitting close by, their arms and shoulders coming into contact more often than not. He sometimes can't help but get distracted which leads to him forgetting about his book, instead secretly watching her, his glance full of adoration.
For a while, he's oblivious to how inseparable they've become until Helaena tells him one day, while Y/N is playing with Jaehaerys and Jaehaera in his sister's chambers. When Helaena mentions it ever so nonchalantly — "You two seem joined at the hip!", it startles him. But that moment doesn't turn into an awkward one — instead, Aemond realizes that he's not scared anymore.
"I will steal her away from time to time," Helaena says, as cheery as ever.
"Bold of you to assume I will let you," he chuckles, his gaze not leaving Y/N.
"I think she’ll have the last word," his sister retorts with a cunning smile.
Aemond doesn't think twice before admitting:
"She will never say no."
"My point exactly."
The Queen plans a great hunt to celebrate her secondborn son, and a feast is being held in no time. Aemond detests those pompous events yet Y/N seems too enthusiastic about the idea, and he begrudgingly agrees to participate. He doesn't want to burden her with his weighted resentment toward Luke but, as usual, she sees right through him. Y/N asks him if he has any reservations about the upcoming celebration, and that's when he decides to tell her. Aemond doesn't want her to pity him nor does he want to upset her so he keeps the story brief: he claimed the dragon, his siblings didn't like it, things escalated way too quickly and they haven't been on good terms ever since. 
She heeds his every word, then bluntly asks:
"Must you really go?"
He ponders before answering with a sigh:
"It would be rude not to. I should pay my respect."
"I wish he had the courtesy to do the same for you," she frowns.
"It would be a little too late for an apology," Aemond shrugs even though her caring tone moves him deeply.
"I still think you deserve one," she says like it's the most obvious, logical thing in the world. He wonders how obvious the reddening of his cheeks is.
"I do not wish to dwell in the past when so many great things lay ahead of me," and he only means her. Having a future with her is his greatest blessing.
She bestows him with her softest smile:
"I guess we should make the best out of the situation we are in. Maybe you will have some fun hunting."
Aemond doesn't know what was her definition of fun, but his definitely doesn't involve babysitting Aegon. Yet that's what he ends up doing as they get separated from the group of hunters and his brother gets so drunk, he can barely stay in the saddle. He babbles and whines and Aemond is on the verge of praying for a miracle when the two of them finally stumble upon a boar. The younger prince catches the animal without a struggle.
"Oh, must be good to be a boar. Wild and free!" Aegon grumbles on their way back to the camp.
"I just slit his throat. I doubt you would want to switch places with him."
"I didn't say I want to switch places," he shakes his head so vigorously, he almost falls down. Aemond moves his horse closer, grabbing Aegon by the shoulder to steady him.
"Although switching places with you sounds tempting," he sneers.
"And why would you ever want that?" Aemond raised his brow questioningly.
"You've got yourself a pretty wife-to-be," Aegon chants and whistles.
"Are you asking for me to tie you to that boar? That can be arranged," Aemond deadpans.
" 'tis won't be necessary," Aegon's quick to object. "Whatever she sees in you, those qualities are not in my possession," his frown turns into a grin and he winks at his brother.
Aemond lightly chuckles:
"You'll get no argument from me."
Leaving Y/N is not an easy task for Aemond but coming back to her might be the second-best thing in the entire world. And the first one, obviously, is being with her.
When they return to the camp, he helps Aegon down, impatiently looking around, and as his eye lands on her, his breathing hitches.
She's standing next to the hunting tent, surrounded by a group of ladies, Helaena by her side and they're both laughing as his sister unsuccessfully tries to finish her sentence. Y/N has a violet in her hair, strands of it falling down her shoulders, her smile bright against the fading evening sun. She helps Helaena to articulate whatever she's talking about, the ladies around them cackling.
Aemond admires his betrothed from afar, savoring the moment.
It amuses him that her softness is a choice, that she chooses to be open-minded and kind, even though the world around her is armed to the teeth, and she does know how to fight back. And yet, that's not what motivates her. Instead, she's an image of benevolence and generosity, always understanding and forgiving, hence why people are so naturally drawn to her. And he is no exception.
Aemond gets distracted when a couple of servants approach him and he instructs them to take the boar's carcass away.
"You had a successful hunt, dear prince," when Aemond hears the question, he rolls his eye. Turning around, he sees Tyland Lannister with a smile so forged his face might crack in half.
"As usual," Aemond answers indifferently. "Never took you for a hunter."
"I cannot appreciate cruelty," Lannister forces out. "And I am afraid I will not be able to negotiate my way out of a bear's grip. So I am here merely to control my brother's primal impulses."
The mentioning of Jason makes Aemond cautious.
"Developing some self-control may be beneficial for him," the prince mutters.
Tyland goes blanch white, taking the hint.
"I was wondering if I should address the delicate issue of my brother's sympathy toward your..."
"You should not," Aemond cuts him off. "Would be better to address his manners but it's the thing you must sort out amongst yourselves," with that, he turns away to find Y/N again.
Except she isn't there.
The ladies moved closer to the tent but she and Helaena are the only ones missing. It takes him a second to realize that the women look alarmed, glancing at the tent. Or rather inside of it.
Aemond all but runs there, going over the worst scenarios in his head. When he gets in and sees Y/N in the company of Ser Lannister, he thinks he's never been angrier in his life. If Aemond was a dragon, the lord would've been burned to a pulp as of right now.
Jason keeps his distance and his face expresses nothing but regret yet it looks like it's already too late as Y/N is glaring at him with a sharp glint in her eyes. And in the next moment, she loses her temper.
"...What am I missing exactly?" she asks Jason, her voice unexpectedly loud, and it draws the attention of some nearby men. She doesn't care.
"You've been eager to win me over, but I am yet to find a single reason why would any woman find your company endearing," she takes a step toward the lord and he shrivels under the weight of her words.
"Is it the winery that your servants built for you? Is it your herd of fine horses? You talk so much about your stable, one may think your betrothed is to marry a stallion," her smile is mirthless. Aemond hears a faint groan behind his back and recognizes Tyland's scared tone.
"But what are your accomplishments?" the tent gets deadly quiet as she continues. "Do you consider your persevering courtship to be one of them? Or your harassing of my parents, my relatives and even my maids with your never-ending propositions, no matter how many times were they all rejected? Or mayhaps ambushing me in the hallway counts as an achievement for you?"
Out of the corner of his eye, Aemond sees Helaena and Aegon, both looking stunned. Pretty much everyone around him has the same expression at the sight of Y/N. He, on the other hand, has never been more proud of anyone.
Y/N looks at Jason as if she wants to bore a hole in him, her voice getting lower but harsher.
"You want to know what prince Aemond did? None of the above," Aemond feels his heart freeze at the mention of his name. She is yet to see him but when she speaks, it feels like she's seen enough.
"The man I am about to marry has been nothing but kind, respectful and loving, fulfilling my every wish, granting me the comfort of his company and his loyalty. The man with the sharpest mind and the kindest heart — both of which you're clearly lacking," Y/N casts Jason a disdainful glance. "So from where I am standing, it looks like I'm the luckiest woman in the Seven Kingdoms."
When she feels a hand on her waist, she isn't surprised and welcomes the touch with no hesitation, knowing full well who is standing beside her. She swiftly turns to Aemond, their eyes locking.
"I would like it if we left earlier, my prince."
"As you wish," Aemond wishes he could marry her right now.
Disregarding everyone's attention, he leads her out and asks the coachman to fetch their carriage. When they are away from prying eyes, her confidence wavers a little. It only fuels Aemond's ire.
"Give me just a second," he can't help himself.
Aemond goes back to the tent — and right to the Lannisters, one of them is already scolding the other. Tyland stops his lecturing when he notices Aemond, but the prince doesn't let him make a sound.
"That was the second time your brother couldn't hold his tongue," Aemond ignores Jason and walks up close to the other man. "If you care about his well-being in the slightest, make sure there will be no third time."
"Aemond, let us not make another scene. You must think how that will look like..."
Aemond stares Tyland dead in the eyes and promises:
"I will gut him like a boar. Imagine how that will look like."
Without saying another word, the prince storms off.
Y/N already got into the carriage, fidgeting with the hem of the dress as she falls deep into her thoughts.
"Ser Lannister will not bother you anymore," Aemond says, sitting next to her.
"I sure hope so," she mumbles, looking down at the wrinkled fabric.
"Y/N, whatever he said, you should not let it get to you. I do appreciate the gesture," way more than he cares to admit, "but there's no need to go through the trouble of standing up for me," Aemond barely finishes the sentence when she retorts:
"I will."
She looks at him, her eyes burning with blazing certainty.
"No one took your side when you were a kid. But I'm doing it now," she states as her palm covers his, the touch is as warming as her glance.
Aemond thinks he is the luckiest man in the Seven Kingdoms.
He runs out of luck so fast, he must've jinxed it. They are nearing the castle when the pain on the back of his head stings so unexpectedly, he winces, his eyebrows furrowing. Y/N notices it immediately and insists he should take a rest when they arrive.
"Mayhaps you have some of the ointment left?" she wonders, leading him to his chambers. Aemond rarely allows people to coddle him but he accepts her care freely. He is also aware that the near-miraculous balm that she makes is long gone because he hasn't had a headache in a while.
When Y/N finds out, she looks devastated.
"It must steep for a few hours, I can't make it right away," her enthusiasm brittles. She glances at him in a dither, mulling over something, while he lights the fireplace.
"There is another way that I know of," she slowly suggests. "But you will need to lie down."
"Quite a vulnerable position you want to put me in," Aemond lightheartedly jests but brings himself at her disposal with no second thoughts.
She sits on his bed right next to him, the bend of her hips an inch away from his arm.
"Close your eye," she asks calmly and he obliges.
Aemond senses that Y/N leans over him and he struggles not to hold his breath at the realization of how close she is. Then he feels the tips of her fingers on his face, the touch is so light and gentle, it makes him shiver. The pattern of her movements first contours his face, then goes up to his forehead, then slowly glides onto his temples. She massages them delicately in a circular motion.
"It was probably all the noise that caused this," she presumes.
"Or maybe the fact that the man makes my blood boil," Aemond says, although his anger is completely gone by now.
"He is pissed I didn't choose him," she laughs quietly.
"Choose him?" her words peak his interest. "You had a choice in the matter?"
"My father said he would hate it if I marry someone I didn't like," her thumbs are following the lines of his cheekbones, then run under his chin, then all the way up to his hairline, right next to his ears.
"May I ask what was your decision process?" Aemond selects his words very carefully. What he really wants to ask is why would anyone pick him, out of all people.
"I've heard you claimed the biggest dragon in the world at the age of ten," he can't see her smile but he can hear it. "That was impressive enough."
Aemond takes a peek at her through his lashes:
"That can't be the only thing you've heard."
"I can distinguish valuable information from pointless rumors," she notes imperturbably.
"I bet those rumors included the stories of me being the scariest man in the realm..."
Her fingers cover his mouth and he stumbles.
"I decided I would be the judge of that," Y/N says firmly.
"And what is your verdict?" he can't stop himself from asking, his pulse speeding up.
She doesn't think for a second:
"All the people who were spreading those vile tales clearly have never met you. There isn't a single bad thing I can think of when it comes to you."
Aemond shouldn't take it to heart but that's precisely where it hits, her voice cracking his shield, her eyes telling him she will never regret knowing him, caring for him. He thinks this is what true happiness is — being with someone who will choose you every time.
Her fingers graze over the strip of his eyepatch and she pauses her movement. She isn't breaking eye contact, waiting for his reaction, for his permission or refusal. Aemond gulps, helpless under her gaze, and doesn't stop her.
She picks up the leather strip slowly, as if she wants to give him a chance to change his mind. Aemond watches her, his body still, heart rate booming in his ears. Y/N removes the eyepatch and looks straight at the sapphire that gleams brightly in the warm lighting. And then she smiles.
"What do you see?" he exhales.
"Nothing scary, that's for sure," Y/N's gaze doesn't leave his face, her index finger tracing the scar, barely touching his skin.
"Nothing I don't admire," her voice is a little above a whisper.
"Nothing I wouldn't love."
His heart is beating so fast, it feels caged and ready to jump out at any second. Aemond forgets about the headache as if it never existed. In this state of bliss, he contemplates making a very emotional decision. But she makes one instead.
Y/N lowers her face closer to his and all of a sudden he feels a touch so light, it's almost like a petal brushes over his skin. It's her lips. She kisses his face — his scar — moving tenderly from the high point of his cheek to the area under the sapphire and then right above what's left of his eyelid.
When their eyes meet again, Aemond can only think of one thing.
He surges upward, his lips colliding with hers — she responds in an instant. His chest feels like it's on fire as kissing her is the most overwhelming feeling in the world, but he doesn't want to stop, ever. Her fingers gently slide down to his neck and Aemond uses his arm for support as he sits up without breaking the kiss. He then pulls her closer, one of his hands on her lower back and the other nestled under her jaw.
She softly sighs into his mouth — and it might be his new favorite sound. She tastes like berries, her lips getting more eager, fiery, addictive, and he is dizzy with joy and longing, trying to memorize each second. The pacing of the kiss grows heated and intoxicating as they melt into each other perfectly. They only part when both are out of air, their lips tingling, swollen and craving to continue.
"I must admit," she tries to catch her breath, she can't stop smiling, her hands caressing his face, "you exceeded my expectations."
Aemond laughs, cheerful and carefree, his nose bumping into hers.
"It's all about teamwork, as I've heard," he plants a quick peck on the corner of her mouth — and on the other one. And then they're kissing again, desperately drawn to each other. He's lost in the sound of her voice, in the feeling of her lips on his.
His love for her is all-consuming. Her love for him is healing.
Turns out, letting her in doesn't make him lose. With her by his side, he always feels like a winner.
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English is not my first language, so feel free to message me if you spot any major mistakes!
> the title is a quote from Hozier's song
>> I originally took inspiration from this post that lists the possible consequences of losing an eye. I also can't help but mention the extensive research that @ adderess did, which only adds to that heartbreaking yet very realistic concept.
>>> I have a playlist for Aemond 🎵 I didn't add any music in this fic BUT I've listened to "Mr Sandman" a lot, especially the instrumental version (I didn't mention it earlier in case you don't like listening to music while reading). 💕 my masterlist
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dorianbrightmusic · 5 months
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i'm seeing a lot of Pokémon SV DLC analyses where people say 'Oh, Kieran's fixation on Ogrepon is because he sees it as a path to strength; Carmine's bullied him long enough that his shield against admitting his weakness to himself is adoring a legendary creature'. And don't get me wrong – these interpretations certainly hold water – but I've actually been working from basically the opposite angle for all this time.
By all means, Kieran idolises strength, but he inhabits Carmine's shadow – he's the weak sibling, and probably has been for a long time. Yet, rather than fixate on the fantastical power of the Loyal Three, he identifies himself with Ogrepon – the downtrodden, ostracised creature cast out to eke out a subsistence. A terrible demon that wasn't quite terrible enough to cause anyone any lasting harm. The creature defeated by heroes, rather than the perfect, heroic figureheads themselves. He's enamoured with the downtrodden; he sees himself in its grief, in its being cast out and excluded. He's been cast out and excluded all his life (and he can't be a bad person, right? It's not fair – he's hated senselessly, surely, rather than for some reason?) – he sees himself as harmless; so the ogre, too, must be harmless, mis-blamed. Strength is thus in resistance; in growing a shell to tolerate others' inexplicable cruelty. So Kieran looks to Ogerpon, and he thinks that the meek shall inherit the earth, and it gives him the strength to tolerate long nights with poor company. Others are villains – not him, not this creature – and he's safe in the knowledge that at the end of the day, at least an ogre can go down in mythology as the putative sole survivor of its trials.
In this sense, Kieran's like Penny – he finds himself in a position of weakness, of being victimised, and forms himself an armour of being an underdog, of being the thing that bites back. Yet while Penny's position is that the underdog might muster the strength to bite back and restore justice, Kieran's view is that at least the underdog was worth loving. He's inert and preoccupied with his inertia. He can't understand that maybe he could be a human, with the capacity to grow, the capacity to sin. And when Carmine is cruel to him, he reaffirms his own contrarian mindset more – she says I am worth little for my weakness, so my weakness is all I am worth; my weakness is my strength.
And yet he chases strength, because he has to to survive. So when the player comes by, and supports him, maybe he has the safety to walk away from his preoccupation with being an underdog, to enjoy strength for strength's sake. And then, he starts losing, but this time, there are stakes, since he can't just withdraw and be consoled by the fact that withdrawing is right, is right, is right. Thus, he must get stronger. And then, when Ogerpon turns out to favour Juliana, who's become Kieran's idol for all that strength means, rather than Kieran, who's Kieran's selfsame designated weaklingpatheticscumidiot——well, what can Kieran do but fracture, since his whole ideology, his whole premonition that he might have the right to inherit the earth, has been fractured? And, under stress, he pivots from one extreme to the other. All he knows is that weakness is now unbearable. He must get stronger. Must get stronger. Must get stronger—because otherwise he's doomed, he's nothing. He has no myth to dissolve his identity in any longer, so he reshapes himself around the only other standard he's ever known. And it twists him and it breaks him into tiny pieces, because suddenly, the last thing he can bear to be is Kieran: Kieran, the downtrodden and meek boy. He has to flip on his axis; he must become the designated villain of his story by popular imagination, or else be subsumed in the fact that he's going to die someday without any place in the world. He has to play a part, because he's been consigned to one so long, and he can't think of anything other than heroes and villains, enemies and martyrs. He can't be the bad guy. Strength is now goodness; weakness is now evil. And he can't reconcile who he thought he was with who he must become, and as a result, all he can do is try to destroy the person who's destroyed his ideology.
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petrichorium · 9 months
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pluvi begging you to expand on gojo not wanting what happened to his mother to happen to you 🙏
warnings: it’s all a dream so nothing is real aside from the flashback stuff but pregnancy as horror, (sewing) needles, implied gore/eye trauma, implied child harm, gojo is messed up yo!!! and its bc of his mama!!!
he dreams about her.
it’s an odd thing, really. gojo isn’t much of a dreamer—not much of a sleeper, all things considered, but it’s difficult not to give in when you drag him to bed and curl up in his arms. the soft rise and fall of your chest, the steady thump of your heart, the sound of your breath; it soothes him into slumber.
and he dreams about her. she was always young. he’s older now than she ever got to be. frail, thin; borderline skeletal, robes hanging from her body like webbing. she sits in a chair facing a window, swathed in moonlight, the silver of her embroidery needle glinting with each stab. her face is veiled. her stomach is swollen with child.
she doesn’t turn to him, but she beckons without noise. his feet take him easily to her, and he kneels at her side as she sets aside the embroidery hoop to let him place his head on her knees.
her hand is cold as it threads through his hair. it’s gentle, at first. then harsher a moment later. she grips firm, tugs him up by those electric white threads, stares down at him through all that elaborate lace.
he imagines she’s weeping beneath it. his mother never wept before him, but she was pretty in the aftermath, eyes puffy and pink and shining. they were a cold kind of loving when they regarded him. she must have been beautiful once, elegant and lithe and willowy, cruel like the heartless sea and sharp like a brilliant diamond, but whatever was there is long gone. he thinks all sons must empty their mothers, bleed them dry from within, because his was always a shell.
she trails her hand down the side of his face, and he turns into the palm and closes his eyes, and she is silent as she sets down her embroidery to lift her veil. she is silent and hollow and eidolic as her fingers brush down his jaw and tilt his head up to look at her.
but it’s your face that he sees when he opens his eyes.
it’s your hand against his cheek, your eyes pink and puffy and pretty, your stomach bulging by his own doing. it’s your fingers that pluck up the needle, still attached to a thread of brilliant cerulean, and raise it to his eye.
his mother never was able to pierce him with that needle. she stopped herself, each and every time, dropping it and tugging him close in shame. she never doted, never was kind, but she never did manage to harm him.
you do. he lets you. it’s only fair. whatever thing is in your stomach can’t be human—whether god or demon what does it matter, at the end of the day—and didn’t he put it in you himself? if his mother never got the satisfaction of spilling his blood, shouldn’t you?
but he wakes just as the tip pierces his iris, and you hold him in your lap, eyes wide with concern and not puffy from weeping, and you hold no child within you. your hands thread through his hair and they’re warm, your lips plush when you bend to press a kiss to his brow.
he turns inward to press his face into your (empty, blissfully vacant) abdomen. the wetness he leaves there, falling from his so very coveted eyes, is colorless.
he thinks it ought to be brilliant crimson.
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cult-of-the-eye · 20 days
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Ok listen, Gwen being killed off would be interesting because the rest of the OIAR would have to grapple with the grief and the underlying feeling of suspicion in the way she died. Like she'd be a warning that would be ignored and I think it would switch up the dynamics in a really cool way.
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ravenkings · 1 year
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the thing about sylvia plath and ted hughes is like...she obviously struggled with major depression throughout her life and was probably more sensitive than most people but like....ted hughes did cheat on her and i would actually be more willing to give him the benefit of the doubt if plath were the only significant other of his to commit suicide......but like.......the fact that assia weville, the woman he cheated on plath with, ALSO killed herself (and their daughter!!!) in a VERY similar way several years later is...................suspicious to say the least imo..........
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floofyeldog · 7 months
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So, uh, that chapter was pretty interesting, huh?
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tthelady · 17 days
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I definitely recommend giving this thread a read. It's genuinely very interesting and touches on several aspects of Childe's mental state
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uncanny-tranny · 11 months
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This might be controversial to some, but you cannot "tough love" your way to preventing suicide. You cannot have the attitude that people who complete suicide are selfish or are ungrateful or immature. If your mindset about suicide isn't coming from compassion rather than judgment, it won't help suicidal people. You will never help us with a slap on the wrist and a lecture about how we're awful for even thinking about completing suicide.
Suicide intervention starts with compassion and care.
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ingravinoveritas · 6 months
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Have you seen his latest tweet? He’s having one of his moments and is blocking people left and right. I got myself blocked for commenting on a comment… TF is this poop? 😒
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@phantomstars24 Okay, so...I have seen what's been going on on Twitter with Michael and there is...obviously a lot going on. Let me first put up the screenshots of his other tweets, which followed the initial one in @ourtubahero-blog's screenshot (the first one is most recent):
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I think there are a few things (well, a lot of things) that are getting missed in all this, specifically the context for why Michael wrote the original tweet in the first place. It appears that it was meant to be a reaction to this incident, which just occurred today in the UK:
The wording of Michael's tweet was not clear, and I also don't think anyone outside of the UK would readily know what he was reacting to, so straightaway this seemed to lead to a lot of misunderstanding. A large portion of the criticism of that tweet stemmed from people thinking Michael was taking a neutral stance on the situation in Gaza/Israel, which is what then led to him making a clarifying tweet in that regard. For my part, I did not interpret Michael's original tweet as neutral, but rather that he is and does stand with innocent people of every stripe, and wishes for there to be no more bloodshed or further loss of life.
Michael's subsequent tweets only seem to have compounded the problem, as they appear to have been made out of an emotional response on his part, which is not a good thing when it comes across as defensive. Emotions are running incredibly high right now, and sadly that is the time when misunderstandings are most likely to occur. In the interest of clarity, in his second tweet, Michael did not say that he had no time to do research, but rather that he "has no time for people telling him to do research." What I took this to mean is that he already has done research and thought very carefully about this entire situation, and therefore felt slighted at people implying that he had not.
The problem inherent in all of this, however, is that this is an extremely difficult subject to have nuanced conversation about, particularly on social media and especially on Twitter. This then leads us to the issue of blocking. I think what Michael was attempting to say (again, badly worded) in his tweet about blocking people was that he was blocking people due to what he perceived as personal attacks. This would explain people being blocked for saying apparently innocuous things, as Michael was on the defensive and does not really have that button in his brain telling him to stop or back off once he gets going.
It goes without saying that Michael seemingly blocking people indiscriminately is definitely not a good look (though it is not without precedent, as I remember well him doing the exact same thing four years ago, albeit under different circumstances). But what is also not acceptable is people sending him death threats, or tweets such as this falsely accusing him of horrific things. In this instance, it is more than understandable that he would have a strong reaction to being dogpiled and block someone, because no one should have to accept threats to their person on their own social media page.
I think what is also happening is that a lot of fans (not either of you who sent in these asks, for the record) are correlating online activism to activism in real life. Michael has always been about walking the walk and not just talking the talk, to where we know he donated almost all of his money to the Homeless World Cup in 2019. He is also a UNICEF UK ambassador and has visited Lebanon, Chad, and Guatemala to meet and help refugee children. All this to say that we have no idea what he has done outside of social media to assist refugees and victims, or if/how much he has donated to Palestinian charities or other relief funds for victims and their families. And for my part, I would rather Michael be clumsy with his wording on social media (again, not defending the indiscriminate blocking) and taking tangible action in real life than engaging in performative Internet activism that ultimately goes nowhere.
(Also, I cannot help but facepalm at people asking Anna to weigh in, under the assumption that a) She would even care about this; and b) She has any influence whatsoever on Michael's behavior, which it is abundantly clear she does not or else he would have stopped flirting with David years ago. I just really hope people do not tag her or expect her to have the ability to somehow "rein him in," because they will be very disappointed...)
So yes, I think what made Michael make a statement tonight after all this time was the above-mentioned MP. I think his intentions were likely good and that his heart was in the right place--as are all of ours, in wanting to protect innocent civilians and stop the horrific violence that is happening. But I also think that if Michael wasn't prepared to handle certain types of criticism, then it probably would have been better for him to say nothing at all, or at least certainly to not escalate things by continuously tweeting. I am also sorry for the fans who were hurt by his actions, because I know fans who have been there before, and it really sucks.
I am hopeful, however, that we can all step back and breathe once emotions are no longer so heightened and try to find a way to listen to each other and engage meaningfully. Because it is truly disheartening to see how things escalated so quickly tonight, and I want to believe that we as a fandom and as human beings can do so much better. I suppose only time will tell...
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spaciebabie · 5 months
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nadiawritessomething · 7 months
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Let's talk about the angst onse again.
And recall a moment in the house 42 Morales' house that is not much talked about
Because details in this movie are insane
LIKE NOTICE HOW RIO STANDS THERE AND HARDLY SPEAKS DURING THAT WHOLE SPEECH, MOSTLY CONFUSED.
But as soon as Miles mentions his father.
She says something with the subtext of "Oh, dear."
AND IT BREAKS MY HEART.
LIKE IT'S SUCH A SMALL THING, BUT IT HURTS SO MUCH.
LOOK AT THAT FACE, IT'S SO COMPASSIONATE.
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AND THAT'S WHY THEN SHE GOES ON TO SAY
"Miles, please."
That's why he mentioned his father for the second time in the dialog
This is something Miles G. would never do.
So she just politely, but a bit abruptly, asks him to stop.
She's had enough of this once.
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