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#heavily edited!
michelle-manips · 2 months
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From the shadows, Klaus carefully observed Bonnie's every move, making sure to remain hidden from her keen senses. As she made her way towards him, he was taken aback by her bold approach. But he knew by now not to underestimate Bennett Witches.
With a sly grin, he stepped into the light, greeting her with a confident and polished demeanor. "Well, well, well. Look who it is, Bonnie Bennett," he purred, oozing charm with every word. Despite her racing heart, Klaus noticed that Bonnie kept her cool, her focus fixed on her goal. With a wave of his hand, Klaus invited her to join him in the lavish living space, settling into a chair as he studied her with curiosity.
"What brings you to my doorstep?" he asked, a hint of mischief glinting in his eyes. Taking a deep breath, Bonnie steeled herself before taking a seat across from the hybrid. Convincing Klaus would be no easy feat, but she was determined to protect her friend at all costs. “I want to make a deal.”
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homkamiro · 3 months
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That one tf2 comic scene but it's Dadspy
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even-disco-baby · 1 year
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THOUGHT GAINED: INFERNAL ENGINES
PROBLEM
The world is ending. You know it, your neighbor knows it, the dealer knows it, the jailer knows it, the king and all his men know it. All one has to do is look around to see it— the future is curdling into something pale and incorporeal. The infernal machine that is this stupid world is going to blow, sooner rather than later. So what are you doing? Why are you still here? Why is anyone still here?
SOLUTION
You are doing the only thing worth doing. You are living. *Why,* you ask? Try and remember now. Remember your mother’s hand on your shoulder. Remember the taste of a fresh catch. Remember the times when you were kind to the dogs in the valley and they did not bare their teeth. Remember the weight of a child on your shoulders. Remember the stars throwing their light against the wall of sodium and smog. Remember singing until your throat was raw. Remember crying just as loudly and publicly, and the gentleness with which someone opened your curled fist and pressed a handkerchief into your palm. Crying, laughing, running, eating, screaming, haunting, loving, fighting, fighting, fighting. The fight fuels you, and you fuel the fight. You run yourself ragged just for a chance to keep running. You never stop. You cannot stop. The world depends on it. *You* are the infernal engine. You are the world. And, simply put: you want to live.
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eggoatt · 6 months
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euphoria ❤️‍🔥
this is the last full spread illus from my zine "Unicorn Dysphoria". i have some nice prints of it, as well as the zine itself, available here
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chrisrin · 10 months
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Do you have gemcyt designs for joel and lizzie?
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i do now!!!
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rosenfey · 2 months
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⊱ BALDUR’S GATE 3 + scenery — 10/?
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spaceymaseyy · 6 months
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imagining sith anidala pt. 1
This is sort of how I imagine they would be if Padmé had joined him and if Anakin wasn’t deep fried.
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starry-bi-sky · 26 days
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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bunnithechubs · 3 months
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townie makeover 2.0
thank you for the suggestions: @waitingforspoons, @sojutrait, @socialtownie, & @nuttydragonbird ! 💗
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kewpiekills · 9 months
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assorted studies and sketches
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fleshdyke · 3 months
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citron crested cockatoo
Cacatua citrinocristata
arteza felt tip brush pen, arteza paint markers on 8in x 10in watercolour paper
~2h 45m
(last drawing of age 16... weird)
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poisonous-honey · 3 months
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Soul Crushing Guilt
(This is a re-upload: Originally posted to UniverseUchu on December 2nd, 2022)
You've treated them all like toys. In your defence this was just another video game to you a couple of weeks ago, but they're actually real with thoughts and feelings of their own. You don't know how to feel.
Who’s Here! Venti
Contains: isekai reader, Self Aware Genshin (not the Cult SAGAU), Insecurities (reader), Hurt/Comfort I guess it’s called
Note: I will say this takes place in the middle of a story, but it works on its own and I really liked how this turned out. I do have more written, but it's incomprehensible (even after a whole year it's still incomprehensible lmao)
Sitting on the cliffside of Starsnatch is not where you intended to be at this time, but your soul crushing guilt and insecurities have led you here. You needed to be away from all the positivity from everyone in Mondstadt. Their kindness was only worsening your mood. Staring over the edge, lost deep inside your head, you almost miss the way the wind whirls around you before you hear the one person you wanted to avoid the most right now.
“There you are! I’ve been looking for you everywhere. Why’d you leave without saying anything? Everyone back at Mond is worried, you know.”
You don’t say anything in response and let Venti walk up and sit next to you. You both stay silent and watch the waves crash onto the beach. Venti occasionally takes glances in your direction, but for the most part his eyes are on the scenery. After a few minutes, he tries asking you again.
“I know you told us that we aren’t overwhelming you, but please, if we actually are-”
“That’s not the reason I left Venti.”
“Then what is it?”
Silence is all that greets him. “Please, we just want you to be comfortable with us. We can’t help if we don’t know.”
Hearing him say that only makes you feel more guilty. They’re all so nice to you, and for what? The pressure and the guilt keeps building and building the more you stay here. Everyone’s been so understanding and kind, but all you’ve done before is use them any which way. You’ve judged them for superficial reasons and have even gotten them killed on numerous occasions. Venti showing up and putting the blame on himself and the others like they’re the reason you left just adds onto your shame as tears start to escape your eyes.
Upon seeing your eyes water, Venti slightly panics. “W-Wait, why are you crying!? I’m sorry for whatever-”
“Venti please stop.”
You turn to look Venti in the eyes, and see the panic and worry etched onto his face. It only makes you feel worse.
“Venti… Why are you here? Why do you keep following me?’ You look away from him, trying to keep from balling on the spot. ‘Why are you so nice to me?”
Hearing this, Venti’s face slowly scrunches in confusion. “What do you mean? Of course, I’m going to be nice to you. Where is this coming from?”
“You were conscious the entire time I was playing. I used you all like you were dolls for my amusement. After I got you, didn’t you feel like I was holding you captive or-or like some sort of toy forced to do my bidding? I don’t understand why no one hates me! I feel so guilty of everything I’ve said and done, but everyone’s apologizing to me like they’re in the wrong, and I don’t get it! Especially you! As the God of Freedom, don’t you hate me for taking away your own freedom from you? I just don’t understand… So why…” Unable to continue, you look away as you try to wipe your eyes and wait for Venti to finally tell you he hates you. That he’s going to stop pretending and get up and leave you alone. In your mind you know he would never, that's not who he is, but fear and anxiety is irrational.
Your breath hitches as you feel his hands land on your cheeks and turn your head to look at him. Instead of the disgust or apathy your heart was expecting, Venti’s face is filled with sorrow.
“I can’t believe you would think so low of me.’ He looks downwards and wipes away a few tears with his thumbs before looking back at you with nothing but care. ‘I guess from your point of view that’s a reasonable assumption to make, but you seem to be forgetting one key detail.”
You stare at him as he proceeds to give you the smuggest look you’ve ever seen on him. “I came home extremely early on my banner, didn’t I?”
What he’s saying doesn’t make any sense to you. He’s already treating you extremely differently than you anticipated, and now his question is putting your already malfunctioning brain into overdrive. What did his banner have to do with anything?
“What? Venti I-I don’t understand. What are you trying to…’ Finally, it all starts to click into place as your eyes widen, and his stupid grin gets larger. ‘You… Did you influence the banner wishes???”
Venti laughs joyously as he lets go of your face. His eyes sparkle like he’s recounting the best moment of his life.
“Why yes, I did! I actually got in a lot of trouble for that! It's part of the reason you lost the next 50/50, but I couldn’t miss the chance to join your team. I refused to wait another second.”
“But why? I still don’t under-”
“I have the freedom to make my own choices, do I not? I wanted to join your team, so I did.”
His expression changes from smug to such a soft look. You have a hard time believing it is being directed at you.
“Why, yes, I may be the God of Freedom, but I’m also simply one of the many characters this game has to offer. I’m one of your many characters in particular. And out of such a colourful cast of individuals, I was your favourite. To be the reason someone even downloaded our game in the first place sends me over the moon. For everyone else, you still give their lives a purpose and have earned everyone’s respect. Sure, you might be a bit crass, but even when you were rude or made a mistake, you still treated everyone with more care than necessary. I especially could feel and hear the level of adoration you had for me through the screen. To me, there’s nothing I want more than to travel by your side for as long as you’ll have me.”
Such a heartwarming and earnest speech from Venti has your eyes start to water again. Not all of your insecurities and guilt have been lifted, you don’t think that kind of guilt will be something you can get rid of, but with Venti here…
“You’re allowed to stay for as long as you want.”
He cups your cheeks again while looking straight into your eyes.
“Then till death do we part, my dear player.”
You break down and cry as Venti pulls you in for a hug. With Venti by your side, you know he’ll help you through your guilt with as much care and love as you’ve given him.
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ink-the-artist · 1 month
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I love your artwork so much! Your colors are so vibrant and none of the white speckles in the paper ever shows, its so impressive and I really dig it! I was wondering if you use any sort of blending medium? Like baby oil or anything? Either way, I really enjoy looking at your artwork and I'm always excited to see whatever you'll make next
I use a colorless blender (prismacolor, which is wax-based so baby oil probably wouldnt work) but my scanner is also rly bad about picking up white specks in a way photographing the art with my phone isnt, so I usually have to do some digital editing to get rid of them as well.
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I do this by duplicating the layer, setting the one on top to "darken," and using the mixer brush to blend out the white spots + just use the eyedropper tool to select the color of that area (needs to be a slightly lighter shade of it) and color over the white spots with the brush tool
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i edited a small bit of the original scan to show what i mean
original:
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with the edited layer:
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heres how it looks set to normal instead of darken, I used both the mixing brush and regular brush just to demo it
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howliteart · 5 months
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Fuzzy and Feathered Friends 🐝🐦
Commission for Cynical_spirit on Twitter! :D
Higher res and drawing stage snapshots on my Patreon!
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notelizapancakes · 20 days
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i present to you, a toxic celebrity couple 🤩
here a some more pics from the come back concert 🥰
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jxnxai · 2 years
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waiting
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