So much BTS lore feels like fanfiction and I can't get over it
Two of the members hated each other at first. They argued a lot and one time, they threw folded clothes at each other and the member who folded them had to come scold them. And now they keep reminding everyone how long they've known each other for. They wrote a song together where they said that "respect is a higher tier than love" and then called each other "my respect."
The smartest member of the group (one the previous two morons btw) didn't know how to tie his shoelaces until highschool. He doesn't eat seafood because he loves crabs. He's a literal geniues and he's so clumsy and such a dork (and I relate so deeply). And that body, guys, I'm telling you. This whole guy was made by a fanfic author.
Their company was near bankrupcy when they debuted. One of the members, who was getting offers from so many other companies, joined this one because he admired another member who was already a part of it. When these two met for the first time, member two was only wearing underwear and member one said "wow, thighs."
Another member came to an audition, not to audition himself but to support a friend. He was the only person from that audition round to get in. The friend did not.
Another member, who was studying to be an actor, was street cast on a bus.
One of them lost confidence and tried to leave before the debut, but another convinced him to come back, because they "needed him."
The whole industry hated them when they debuted and now they're arguably the best kpop group worldwide. (Arguably, read: argue with the wall)
(Add your own pls, I want to make a collection from this)
860 notes
·
View notes
I disagree with Narrator in a very fundamental and philosophical level, but you know, even if I agreed 100% with his worldview and the reality he wants to bring about, I’d still think he’s wrong for taking matters into his own hands and changing THE VERY FABRIC OF REALITY affecting people in the entire universe, simply because HE thinks he knows what best for the world.
Like– that’s why I find him so fascinating, it’s not only the fear of death or disgust towards the very concept of change (tho that is very funny and interesting in its own right), but the utter arrogance to champion himself Savior of the World without EVER considering that maybe– just maybe, people might not agree with what he plans to do.
Like. Hubris indeed, and he even has the gall to say, “you can still do what you must and kill her” when we call him out on it. Like. Wow. I want to study this guy under a microscope.
278 notes
·
View notes
i’m in desperate need for a scholar to undertake the jhughes thesis
Jack Hughes has all the arrogance of a true American superstar, but none of the vulnerability. Jack Hughes has all the grace of an undersized, injury-prone forward, but none of the caution. Jack Hughes has all of the social status of a chosen one, but none of the leadership.
jack hughes is a middle child and despite my own lack of siblings i can Definitely tell -- the vicious competitive drive that made him become that good. quinn takes his stick and pulls out jack's braces. as much as the endless hughes brothers fascination can totally grate and i Get That you HAVE to look at each of these three as once part of a unit (especially Luke because he was drafted after Jack, and to his team -- he will only ever be in Jack's shadow, unless one day one of them leaves).
the hugheses are not a huge family -- that is, not a family of very large people -- and they've made a name for themselves as smooth-skating, agile skill players in spite of that, or perhaps to make up for it. jack as a result is notably smaller than a lot of other players both on the devils and in the league and you can Just Tell he's insecure about it. the skill his hughesness afforded him has made him better than other players his age when they were All small and size was less of an issue. when he wasn't so much of a boy among men. it was for this reason he was picked first overall, you see. when he made the NHL he was suddenly confronted by a faster game, of players who could and did just knock him to his ass, and he was suddenly thrust into a world where he wasn't the biggest fish in the usntdp pond and it threw him.
you see, that's another thing. skill in hockey means social status. they like to tell you that it doesn't, but there's a reason that the captain's most likely to be one of the best players on the team, if not outright the best. and in the usntdp jack was The Best. so he was made captain. so his teammates flocked to him. so it was allowed to all go to his head, so caufield and zegras -- the cady and gretchen to his regina george, and i don't mean that in a fun way -- congregated to him.
and now on the devils he might be the star but he's not the captain and because hockey players are Supposed to love their teammates he loves nico but nico's bigger than him and nicer than him and can grow real body hair. and jack's the darling of every teenage-girl devils fan, a fact which i understand and have minimal opinion on but fifty-fifty he either soaks up attention from or resents, or possibly both.
so yeah he's a greasy insecure uncharismatic controlling arrogant frat boy, and because he has a cute perfect smile and scores PPG people love him, and because he is not the archetype of the ubermasculine hockey superstar he believes that he is barely clinging to this thread. and i love him too don't get that mixed up
262 notes
·
View notes
Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):
• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.
• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.
• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".
• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.
• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.
• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.
• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.
• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.
• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.
• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.
• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.
• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.
212 notes
·
View notes