Danny got caught by the GIW, tortured, and managed to escape.
Unfortunately, he didn't escape without damage.
And he can't tell his parents or they'll get suspicious.
But the damage is....obvious. He always hurts, now. He can't feel his right pinky or move it. Walking for long stretches of time is impossible, and his legs physically won't hold him up if he tries. But he can't use a wheelchair, or his parents will find out. So he resorts to floating and pretending to walk. He can't bend over as much; his core muscles are too damaged to allow it. So he phases through himself to pretend he is, or lies and leaves before someone asks him to.
He definitely can't fight.
The other ghosts know this, and ease off so that he can recover. It's a respect thing; going after another ghost when they're weak and incapable of fighting is shameful.
So he and Jazz do some research, and make a list of the medical equipment he needs to start recovering. Jazz tries to teach herself how to be a physical therapist on top of everything else in her life; college, her job so she doesn't rely on their parents, etc.
But that medical equipment is so frickin expensive.
So Danny plans for being out of commission for a week or so, visits Jazz in Gotham indefinitely, and decides to rob one of the largest suppliers of medical equipment.
Drake Industries.
His first few heists go off pretty well, but then on the final one, he finds himself face to face with Red Robin.
A noise from behind him alerts him to Nightwing.
And, again; Danny cannot fight.
He's already shaky, using his powers so much. The pain that's always there has flared to levels he can't ignore, and he knows he needs to leave immediately.
He also can't afford to be chased.
"Please. I just want to get better, and it's too expensive otherwise."
@simplestoryteller
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Prompt 208
So Danny would feel exasperated, and probably should. But Dan is actually doing good and hasn’t even bitten anyone during this situation so that’s a win in his books. Now if the turned-into-a-four-year-old could tell him where he managed to grab this other child when he was supposed to be at the babysitter’s, that would be swell.
Or why there is a hero who nearly broke the door down in a right panic.
Like genuinely, he doesn’t know who was more surprised, him, or the hero who came running up half in a panic attack.
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i love the suckening. you've got a sheltered prince and his twin brother who grew up in an LA gang,
and then there's arthur bennett.
where do i even start? imagine being a century old and spending that century hating yourself. you hate the very core of what you are, the things you must do to keep yourself alive, and you keep a physical reminder of the harm you inflicted on your body at all times. every time you do the thing you have to do in order to live, you pull out that book of names and read them. arthur bennett forces himself to remember because if he didn't make the effort, he'd hate himself even more. imagine crucifying yourself for a hundred years and being miserable the whole time- and then one day, you get caught up with two kids. teenagers, but to you they're just children, both of them naive and caught up in things bigger than themselves and you can't help but get involved because otherwise, you'd just feel guilty. so arthur takes them under his wing and knows that it's not the smartest but in the short time he's known them, he's slowly realized they're just two younger versions of him. he sees himself in shilo, devastated and paralyzed with shock and fear. he seems himself in emizel, newly turned and angry and violent and brash. he doesn't want them to end up like him. he doesn't want them to hate themselves because of what- and who- they are. he cares about them, and doesn't want to see them get hurt. he sees a chance to help shape them into something better than himself. maybe, in them, he sees a little bit of hope. maybe by teaching them how to be better he can forgive himself.
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god i want. an au where it dosn't work. where it's just arr g'raha who's woken up, and he doesn't have all these memories and all these people keep looking at him like they're mourning someone. the world has changed and time has changed and all the people he knows have changed, but he hasn't changed, he was just sleeping, just sleeping, and the world nearly ended several times and apparently he helped prevent yet another end but he has no memory of this. they want him to join the scions. he does not know these people. (he barely knows the warrior of light, now, but did he ever truly know them in the first place?) his little sister is alive and well. she looks at him like a ghost. she's changed, and she's older than him now. he acts bratty and loud and brash to cover up the fact that he does not know anything it seems, and he is tired but he was sleeping for so long, so how could he be tired?
he doesn't know these people. they seem to know him. he wonders if he'd killed someone, when it was him and not that exarch who woke up. he wonders if it should have been him who was "killed" in that way, if it is him that lives and not that man who had known and become friends with all these figures from legend. he wonders if he'll always be fated to be a historian one step back from everything, because he simply cannot be a hero.
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James Cromwell explaining how he contextualized Logan and Ewan's backstory in preparation for the funeral/eulogy. (x)
The reference to Ewan bringing home dead animals is (I think) from a deleted scene in Season 1, except below the cut.
Interview excerpt from an interview with James Cromwell with Vulture - May 25, 2023
Script excerpt from a deleted scene in "I Went to Market" in Succession - Season One: The Complete Scripts
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Seeing some pretty gross posts about Miguel, and... It's actually pretty important that Miles, an Afrolatino character, is both making friends with the younger generation of POC and in direct conflict with the older generation of POC. Like yeah Gwen and Peter B. are still important figures in his life for good and now also bad reasons, but it is Miguel and Jessica who he has an ideological conflict with. It is Hobie who in some ways takes over as a mentor and guide. Margo helps him escape. Pavitr is someone Miles himself helps and gives advice to. The antagonist is not Latino because they wanted to use stereotype shorthand to make everyone understand how dangerous he is, he is Latino because Miles is Latino. And surprise surprise this movie has a lot to say about-- not generational trauma per say, but community trauma. About what happens when shared trauma starts to define the boundaries of who is and who isn't a member of your community, rather than shared passions and shared dreams and shared missions.
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