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#handle with care zine
handlewithcarezine · 1 month
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The last poll resulted in "instruction manual" winning as a theme. We have received both support and concerns regarding having a theme, so this is the second round of polls: how strictly should HWC Vol 2 hold to the voted theme?
In truth, I probably should have run this poll first, but I didn't think far enough ahead. I personally lean toward "loose", but will listen to what the community wants.
-Ross
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vidoeslot · 4 months
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IT'S HEEEEREEEEE @handlewithcarezine
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chickenshitcowboy · 3 months
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the copy of The Boys are Back fanzine came in today and i was so excited because theres a 30ish page young guns fic… just finished it and im
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whatwillwedo · 3 months
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Can people in the dn fandom just be fucking normal or at least a little less disgusting? No? Yeah didnt think so
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ekashuu · 13 days
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Vashwood drawings😚💕
I love them SOOOOOO MUCH and I always want to draw them so here you have my Vashwood brainrot😭🤲🏻 I’ve also done a lot of comics about them and I’ll post them later!
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98 Wolfwood meets 23 Vash and he can’t handle his cuteness😌
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That’s the 98 Vash and 23 Wolfwood version but it’s reaaaaally old
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Maintenance day!!🖐🏻 malewife wolfwood is taking care of his mimir Vash🥹
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The silliessssss
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For this drawing I took inspiration by Chaoticneutralcosplay’s cosplay😚
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Vash is such a kitty😌
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Page for a trigun Zine🥹✨
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Valentine’s Day collaboration with my sister Bakenora (Vash is mine and Wolfwood is hers)💕
Thank you for your attention and enjoy😚💕
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planefood · 4 months
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my piece for the handle with care objectum zine :) there's a written portion of this as well in the zine so you should check it out
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night-giraffes · 1 year
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this lovely parcel arrived today from nic at @finalfrontierpublishing, and i was beyond excited to open it up!
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HELLO YES WHY THAT IS ME HOLDING A PRINTED AND BOUND COPY OF MY OWN WRITING. what. on. earth.
it's a very strange sensation to open up a book and see your own writing in it, practically cover to cover. obviously i'd seen the beautiful copy that nic had bound for @pleasantboat, which was brain-bending enough, but i'm holding this. in my own hands. it's real!
there are some really beautiful details that i have been running my hands over. firstly, the end bands are in fleet department colours! the golic on the back is really beautiful. i am obsessed with the marbled paper that nic used for the cover band, and the one used for the end papers.
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the chapter designs are so beautiful, and i'm perhaps too enthused about the page headers, considering they are just the title and my ao3 handle.
mostly i'm kind of surprised (why, self? you wrote something that's over 100k) by the sheer physical heft of the book. just this morning i was inpecting a new hardcover novel i'd bought, and the feel of this book - my book! - is the same. it feels luxuriously professional to hold.
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gosh. LOOK at it. it's beautiful. @finalfrontierpublishing you have done really beautiful work; i love it so much. thank you! it's on my bookcase, next to a trek zine, but that's just until i can make space on the shelf in my room, and then it will be with other novels. because it's a novel. that you bound and made real. gosh.
as a last note, nic also beautifully packaged the book for sending, and the experience of opening the parcel was itself a real treat. what a morning i am having! thank you again, nic, for your careful, thoughtful choices, and the work you put in. i'm utterly delighted!
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rat-butch · 22 days
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impera ghouls' fav art medium, from an art school dropout
found this in my notes app, i previously sent them to @gravehags but i'm posting it here because why the fuck not.
mountain's kinda obvious, but he really likes working with natural materials. enjoys woodworking and land art. despite his size, has very deft hands and is extremely delicate. makes a trip to the farm each season to get some beautiful fresh and golden hay to weave it into ornaments and jewelry. and let me tell you that's a testimony to his skill cause i literally cried over hay last october and I had to soak it in water to be able to bend it. the texture was disgusting and i got destroyed at the critique anyway lol
i've already said it before, but cumulus is totally into stamp carving and linocuts. 11/10, very calming, probably has rough hands since you have to use lots of white spirit to get the ink of off the lino, and you gotta use a special rough scrub to get ink out of your skin. puts her creations everywhere, gives you and the ghouls little cards and patches she printed herself :)
cirrus and sunshine probably share the screenprinting workshop. it's a very delicate craft, especially when you go for traditional paper stencils. but worry not, ghoul claws are sharper and more precise than your average cutter. though, a intricate multi-colored stencil implies there's a lot of drying time involved, especially on fabric. they always have some kind of brunch during that time, with tea and snacks and such. invite you to join them if you happen to pass by. (it's them printing the merch i know it)
aether makes very cool metal sculptures. he's got both the strength and the patience for it. you know those adorable little bird-shaped garden ornaments made from scrap metal ? yeah he did some because the local old ladies are always commissioning him to make them. also the workshop's babysitter, has to keep an eye on swiss and dew when they start beefing with a circular saw in their hands.
rain is very skilled in needlework. originally considered himself a better painter, since he's got a sharp eye and is good at color theory, but discovered all the ways you can use embroidery and sewing with an artistic approach during a workshop in his first year. sewed a costume made out of dried orange peels and called it 'orange leather' once. also interested in book binding. will get snappy if the others call him a little grandma while he's embroidering.
phantom is a photographer, and a pretty good graphist as well. he's too shy to admit it, but he really does know how to present his work. has the cleanest portfolio around, and is probably a huge perfectionist. i mean, perfectionism is kind of a must in art school but bug is an anxious wreck (give him a hug). very gentle, handles the lenses and lights with lots of care. mainly photographs landscapes and nature mortes, but enjoys taking portraits as well. makes a lot of self-portraits and will very shyly ask you to pose for him.
aurora makes little pop-up zines. it's a prefect way for her to give way to both her gentleness and chaotic nature. while pop-ups may look tedious to make, it's actually lots of fun, and you can get pretty chaotic with it too. has a whole collection of patterned and textured papers, she made most of them. probably has a 'cool paper stash' she hasn't touched because she doesn't want to 'waste them' and said paper is like christmas wrapping paper from 2016 (it's me i'm guilty).
dewdrop is more interest in contemporary art, especially sculpture. little guy has no patience and likes to break stuff, i see it as a match made in heaven. uses his fire ghoul abilities to burn different matters and experiment with them. kinda see him as my friend who burnt a humongous quantity of human hair for a project. was pissed no one cuddled him for two days because of the smell.
swiss is totally a performance artist. i mean, technically, all of the ghouls have a huge affinity with it, but swiss especially. a big fan of contemporary composers like john cage and karlheinz stockhausen, as well as bauhaus performance art. he likes to let loose, have fun exploring his body's and voice's capicities in an artistic light. probably submitted some kind of sextape as a project, but it's okay because the professor likes provocative stuff.
bonus : all of them probably were nude models for the evening classes at some point. i haven't included anatomical study in the hcs because no one in their right mind would enjoy sitting on a stool and drawing greek statues for 8 hours straight, but none of them would mind being the models. although they'll probably ask you for a massage afterwards because of how tiring it is to stay in the same position for so long.
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blueskittlesart · 7 months
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I finally caved. I couldn't take it anymore, I had to order your zine. For the whole MONTH I've been debating because I'm in college and shouldn't spend money, but I love your art and comics SO MUCH 😭. With my adhd I can't really handle urgent money decisions, so with this being the last day to order (I've kept careful track of the days cause I couldn't decide), I couldn't not order because it's my last chance! I was really afraid I'd regret it if I didn't because I love your art so much. Anyways. I ordered your zine. I look forward to having it I love your art I hope making and selling it has been a good experience for you 😁
i appreciate it so much! i was honestly really worried abt this as my first foray into selling my art as a product bc i am also a broke college student and there's always some financial risk with these things, but you all have really made this an amazing experience for me! I didn't think I'd even get 20 orders, but i ended up with almost 200, which is legitimately insane. I'm REALLY looking forward to packaging these and sending them out in the coming months, and i really hope they live up to everyone's expectations bc i had SO much fun producing them!!
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azuremist · 10 months
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Alterhumanity and Autism (Script)
During my panel at this year's Othercon, I said that I would publicly post my panel's script, and my survey's results onto my tumblr, for easy archival purposes! (There is no way to submit Google Docs to archive.org that I'm aware of...)
This is the panel's script! What I said before the QnA part of the panel. Once the panel recording is uploaded, I'll reblog with the link to it, as well! The results for the survey will also be posted to this account shortly.
Here is the blurb that I originally wrote for the panel, on the schedule:
"This panel aims to explore the relationship between autism and alterhumanity, by looking at the history, the modern autistic community and what real alterhumans have to say on the topic. Why it is that neurodivergency is seemingly so common in the alterhuman community? Is it correlation, causation, or perhaps something in between?"
And, below is the script itself!
Hi, everyone! I am so excited to be speaking at Othercon this year and I hope everyone else is enjoying the 'con so far. My name is Azure! You may also call me Bede, as I answer to both. I like he/him, she/her and bun/buns pronouns, and I am a multitude of things! I am a demon (a fallen angel if you wanna get technical), and my main fictotype is, you'll never guess who based off my names, Bede from Pokemon. Shoutout to any Pokemonkin listening. I've been active in the alterhuman community for around 5 years now, and was the head and sole mod of ‘From Fictionkind’, which is a zine released in 2022, aiming to explore the experiences of those who have a fiction-based identity. If you are interested, you can download it here. (Send link)
I am a grab bag of disorders and disabilities, most of which I won't list, but what is relevant to this panel is that I am, in fact, autistic. Not only that, but I have done, by all metrics, way too much research into autism, and I am an autistic activist!
To preface: although this panel is going to specifically namedrop and talk about autism a lot, I am sure that a lot of different beings can relate to what I am going to talk about today. Not just other neurodivergencies and disabilities, either. Much of what I am going to be talking about today could resonate with any oppressed being's experiences. I welcome all discussion about the similarities of different experiences with open arms!
But, for the sake of transparency, I am not very good at talking off the cuff. So I am going to spend the bulk of this panel reading from a pre-prepared script. If anyone is interested in a transcript, it is available on Google Docs for viewing! I will send it in the panel chat right now, so that anyone who needs to may read along, for word-processing purposes. (Send link) This also means that I am not going to be looking at the chat a whole lot, so if there's something you'd particularly like for me to see, I encourage you to hold it until the end so that I can be sure to see it and give it the thought and recognition that it deserves. All this being said, I still will be looking at the chat occasionally.
To prepare for this panel, I took a survey polling autistic alterhumans, which was taking responses from March 7th to July 1st, so around 4 months. I was hoping for about maybe 90 participants, but that number was blown out of the water with over 500 responses!! I will be going over those results later on in the panel, and will also be referencing the anonymous freeform responses.
The very last point of my preamble here is to warn that this panel may not be suitable for all audiences. This lecture contains extended discussion of ableism, and, while I try to keep the mentions brief, there will be specific talk of disabled folks, including children, being hurt. If you're unable to handle that at this time, that is absolutely fine. Take care of yourself and have a great con!
This panel aims to explore the relationship between autism and alterhumanity, by looking at the history, the modern autistic community and what real alterhumans have to say on the topic. I hope to, perhaps not explain, but look into why it is that neurodivergency is seemingly so common in the alterhuman community, and whether it's because of correlation, causation, or perhaps something in between.
Now, let's start off with a question and feel free to try and guess: What do fairies, aliens, and crystals all have in common? Do we have any guesses?
The correct answer is that all 3 of these things have been used to try and claim autistic children are nonhuman!
Let's get into the specifics, starting from the top with fairies.
The changeling is a form of fairy found in European folklore. Also referred to as an "oaf" historically, a changeling is a fairy that is left in the place of an identical human child, when they are stolen away by other fairies. This is to say, parents believed that their human child was being replaced by an identical fairy child. There were multiple tricks that were thought to fend this off. When you believe you already have a changeling, though... There were less ways to go about that. Historical records and tales about changelings unfortunately imply that the solution chosen for a changeling child was often times infanticide.
Many modern psychologists now believe that most tales of changelings developed in an attempt to explain disabled children. This includes, but is not limited to, deformities, Down syndrome, Williams syndrome, cerebral palsy, and, of course, autism. The fact that boys are more often born with birth defects lines up with the touted belief that boys were more likely to be taken by fairies.
Furthermore, see "regressive autism". This so-called phenomena occurs when a child appears to develop, quote-unquote, "normally", until they start showing symptoms of autism in their later years. Now, what actually happens in these cases is that they never noticed their child's autistic traits until those later years. But the fact that there is still a name for this sudden perceived shift in an autistic child shows the sheer amount of cases there are like this, even today. Now, imagine how bad it was hundreds of years ago, before we even had a word for autism. This "sudden shift" perspective very much parallels the supposed markings of your child being replaced by a changeling.
Second verse, same as the first: aliens. Although the term "starseed" has been picked up in the alterhuman community as a way to describe one's self as an alien, "starseeds", or "star children", didn't originate in the alterhuman community. Their existence is a theory put forth by Brad Seiger in his 1976 book, titled "Gods of Aquarius". It posits that some humans originated as extraterrestrials, and arrived on Earth through either birth or by taking over an existent human body.
Generally agreed-upon signs that you or someone you love is a starseed, according to believers, include that person feeling like they don't belong, being hyperempathetic (which is a sign of autism, despite what the stereotypes would have you believe), introversion, and... Actually, I'm going to quote this in its entirety. In "What Is A Starseed & 50 Clear Signs You Are One", published by The Spirit Nomad, the first listed sign is, quote, "You are highly sensitive. You easily feel overwhelmed and drained when you are in a place with many people and with intense stimuli – like shopping malls, clubs, and networking events. You might also be sensitive to stimulants like coffee, alcohol and even dark chocolate." Endquote.
You think I'm joking about these things just listing autism symptoms. I'm not!
Finally... Crystals. Crystal children and indigo children are both believed to be sort of the next step in scientific evolution, according to New Age circles. More specifically, crystal children are the newest generation, while indigo children were the first wave, from around the 70s to the 90s. I'll just be calling both of these 'waves' crystal children for the sake of simplicity, but know that they are just two waves of the same thing. Crystal children are believed to possess special or supernatural abilities, such as telepathy. Autistic children having telepathy, as we all know, is the plot of Mob Psycho 100.
Signs that your child is a crystal child include high empathy, being perceived as 'strange' by others or intelligent for their age (see the autistic gifted kid phenomenon), and being sensitive to the point of fussing in crowded spaces. It's also said that crystal children may struggle in socially conventional schools, because of their dislike of rigid authority, being smarter than their teachers, and their lack of response to guilt, fear, or manipulation-based discipline. (Read: indirect communication.)
It is actually a noted phenomenon that many parents, when confronted with a diagnosis like a learning disability, ADHD, or autism, will alternatively label their child as a crystal child. Autism researcher Mitzi Waltz noted this phenomenon, and spoke about it in a 2009 issue of The Journal of Religion, Disability & Health. He suggests that parents recategorize autistic symptoms as telepathic powers to attempt to reconceptualize these autistic traits as a part of a more conventionally positive identity. He also puts into words why this can be harmful, stating that parents could refuse to acknowledge their child's impairments, refuse accommodations, and, quote, "transmit belief systems to the child that are self-aggrandizing, confusing, or potentially frightening." Endquote.
Believe it or not, there are actually MORE examples of myths or conspiracy theories that attempt to explain autistic children as nonhuman. But, I will leave it at those three.
Let's take a brief look into modern media now. Specifically, the "autistic-coded robot" trope. A lot of times, when humans try to write robots, or AI or such, they think that they can just take all essential things that make humanity what it is, and take away a few things. Make them not express empathy, they don't get nonliteral phrases, they obviously speak in monotone. We could sprinkle in a little bit of feeling out of place with humanity for flavor aaaand it's autistic. Your robot is autistic. To name some examples of this trope, think Data from Star Trek, or Zane from Ninjago.
This trope is more or less echoed, beat for beat, with the autistic-coded alien trope. Examples of this flavor of the trope include Peridot from Steven Universe, Spock from Star Trek, or, and I'm sorry for anyone who I'm about to violently throw back into 2016 with this, Keith from Voltron.
Because nonhumanity is so often linked to autistic beings by the culture around us, desiring to be nonhuman or connecting with nonhumanity is now a recognized part of autistic culture. We often feel out of place in neurotypical society. Join autistic spaces, and you’ll see jokes like, “What kind of nonhuman did you think you were as a kid?” (In case you’re wondering, the answer is werewolf for me.) Growing up thinking that the reason behind your autistic traits is because you are secretly nonhuman is a common experience. Jokes about desiring a tail and to purr often go viral within autistic spaces, because they are forms of natural and nonverbal communication that shows those around us that we are happy. The topic of nonhumanity within autistic culture is also talked about within professional settings, such as in Kim Duff’s speech, “The Role of Changeling Lore in Autistic Culture”, at the 1999 Autreat conference of Autism Network International.
There is also discussion of how autistic beings oftentimes connect with animals better than with humans. For example, Temple Grandin is an autistic animal behavioralist who has written extensively on how her being autistic helps her understand how animals feel. For example, she speaks in 2004’s, “Animals in Translation: Using the Mysteries of Autism to Decode Animal Behavior”, and in 1997’s “Thinking the Way Animals Do: Unique Insights from a Person with a Singular Understanding”.
In more modern times, we have the 2022 article, “How Autism Connects Me With Animals”, in which Emily Moran Barwick, writes, quote, “I knew how profoundly frustrating, isolating and demoralizing it was to be unable to convey what I wanted to convey. I knew how it felt to never be truly understood. And it broke my heart thinking of what non-human animals were experiencing at the hands of humans; that no matter how desperately and clearly they communicated their terror and pain, they were ignored and discounted.” Endquote.
All of these connections have led to the creation of subcultures created in an attempt to reclaim the dehumanization put onto us. To name one example, voidpunk is a subculture created by tumblr user arotaro in the 2010s, and more or less hinges on this idea. Key points of this subculture include the rejection of the norm, embracing nonhumanity, and comfort in the unknown. In the words of it’s creator, quote, “It’s not the same as otherkin because it’s not really like, “Ah yes, I am a cat/dragon/wolf/that one guy from Homestuck/etc.”, it’s not necessarily something specific, and it’s not necessarily literally believing you’re something other than human. It’s, well, punk. Society puts out a lot of messages about What It Means To Be Human (trademark) that can make a lot of people who don’t completely fit the bill feel lost, broken, alone, or like they’re doing something wrong; Voidpunk is about taking that message of “you’re not human”, making it your own, and throwing it back in society’s face. You say I’m not human? Sure, ok. That’s chill. Why does being Human (trademark) have to be a goal to aspire to anyway? What’s so great about humanity?” Endquote. She then goes on to specifically namedrop neurodivergents as one of the target audiences for the subculture, as well. She also later answers an ask to clarify, quote, “Someone who doesn’t face dehumanization cannot be voidpunk.” Endquote.
So, where does all of this information intersect with the notable number of autistic alterhumans? Well, that’s just the question, isn’t it? Is it possible that alterhuman identity may correlate with those who have identities and neurotypes which are demonized by society? After all, queer beings are common within alterhuman spaces, too. And, if there is a correlation, is there causation there, as well? There are already some terms coined to describe when alterhuman identity is caused or influenced by autistic traits; such as ‘otherspin’, a term for when one’s alterhuman identity is caused / influenced by special interests. Furthermore, ‘altervexo’ attempts to describe identifying as alterhuman out of spite for the dehumanization one has faced. However, to my knowledge, no term has been made or extensive talks had about, voluntary or nonvoluntary, alterhuman identity, as possibly having origins within dehumanization.
So, I set out to have that conversation. As stated at the start of this panel, I ran a survey, mostly promoted on tumblr, from March 7th to July 1st, posing questions to the autistic alterhuman community about their personal experiences, which got over 500 responses! 537, to be exact. I’d like to share the results of this survey with you now. The raw data collected is available here. (Send link) I will also be posting both the raw data, and the script for this panel, to my tumblr, @azuremist, but that’s mostly for easy archival purposes. Now, it’s NUMBERS TIME, baby!
I asked everyone to indicate if they agreed or disagreed with the statements I made. For the statement, “I believe that my autism has influenced my alterhumanity in some way, shape, or form,” 92% of those who took my survey agreed, and 8% disagreed, which is a WILD split. Far beyond notable.
For the statement, “I feel like the way that autistic beings are seen by society has influenced my alterhumanity”, the split is a bit more even, with 72.4% agreeing, and 27.6% disagreeing.
This means that, of those who I polled who agreed that autism influenced their alterhumanity, 78.6% (rounding down) also agreed that the way autistic beings are viewed in society influenced their alterhumanity. This is a rate a bit over 3 in every 4.
This next question is one of the things that I asked more out of personal curiosity, which is, whether or not they feel more safe to be openly autistic in alterhuman spaces, when compared to other community spaces. Of those polled, 89.4% agreed, and 10.6% disagreed, which makes me quite happy! One anonymous being commented, quote, “I generally find that most alterhuman spaces are a lot more accepting of autistic beings than wider society if that makes sense? Going into an alterhuman space, I'm never concerned that it may not be safe or accessible for me.” Endquote. Someone else wrote in that they could testify to the opposite being true, as well; autistic spaces, in their experience, had a higher likelihood of being accepting of alterhuman identities. However, one being who answered ‘no’ to this question stated that they avoid alterhuman spaces for things related to this subject. They list as an example, quote, “Like the refusal of tone tags? I understand not wanting them to be used for you but banning them from the space all together? And also a lot of spaces, despite being accepting of autistic beings, still find a way to hate those beings for being autistic.” Making community spaces safe for autistic beings is an ongoing learning process for everyone involved. So please make sure to consult your local autistic advocate to make sure everything is accessible for those of all neurotypes.
For the next questions, I asked about everyone’s specific experience with alterhumanity. Another question that I asked, mostly out of curiosity, is, “Would you consider alterhumanity, as a subject, a special interest?” 64.8% of respondents answered ‘no’, and 35.2% answered ‘yes’.
The next question, though, is really quite interesting to me. It asks, “If you have any kintypes which originate from a piece of media: Would you consider that kintype's source material a special interest?” 69% of respondents (nice) answered ‘yes’, and 31% answered ‘no’. That’s a pretty close percentage to the question about alterhumanity as a special interest, but with the answers flipped. Indeed, many times in the section where I invite others to talk about their experience, there are respondents specifically namedropping that they believe their special interests contribute to their alterhumanity. Some, but not all, of these instances include a space conceptkin who has space as a special interest, two catkin, with one having Warrior Cats as a past special interest, and the other, cats in general as one, and someone who specifically wrote, quote, “I also feel as though my special interests in some medias have influenced the fact that I identify with both real and fictional species. For example, I have a large number of original characters who are demons and I feel like my special interest in them may have led me down the path of discovering myself as demonkin.” When discussing the subject of autism influencing alterhumanity, special interests were easily the thing that came up the most, other than how autistic beings are seen by neurotypical society.
The final multiple choice question I had asked, “If you have a nonhuman kintype of any kind: Do you experience species dysphoria and/or euphoria?” To this, 85.9% answered ‘yes’, and 14.1% answered ‘no’.
We can compare this to a survey not aimed at autistic alterhumans; specifically, the ‘Alterhumanity and Gender Survey’, as conducted by Eli, at pantomorph on tumblr. These results were posted on July 22nd of 2019, and reported that, in response to the question, “Do you experience species dysphoria?”, 4.9% answered ‘I used to,’ 8.9% answered ‘unsure’, 22.7% answered ‘no’, 36% answered ‘sometimes’ and 27.6% answered ‘yes’. Adding up the percentages of ‘I used to’, ‘sometimes’ and ‘yes’, we get 68.5% of respondents who are certain that they have, at some point, experienced species dysphoria.
This means that, according to these surveys, autistic alterhumans appear to have a higher chance of experiencing species dysphoria, with a 17.5% difference. Though, keep in mind, I included euphoria in my question, and Eli did not. This would certainly require more data to confirm, however, this at least would warrant further polling, in my opinion.
All of this talk about autistic beings and species dysphoria may have you thinking about the fact that autistic beings are statistically more likely to identify as transgender, with some estimates stating that transgender individuals are up to 6 times more likely to be autistic than cisgender individuals! This is because gender is stupid, and autistic folks are not. Multiple respondents to the survey brought this point up. One being specifically wrote in, quote, “Statistically, autistic folks are more likely to know they're trans than allistics, and I support the theory that that's got something to do with autistic beings seeing things without the lens of social cues and societal pressures, including more awareness of who we are and how we see ourselves. … Society is like, "You should be like this," and autistics are like, "But why? It doesn't really make sense, plus I don't fit in to those standards anyway, so why not choose my own path in life?"” Endquote. I definitely agree that the reason so many autistic folks identify as transgender may be similar to, or the same, reason that autistic folks seem to be more likely to be alterhuman.
Hello to all trans autistic alterhumans listening! Call that a triple threat.
Now, the final question that I asked. I listed multiple different alterhuman identities, and asked everyone to indicate which, if any, of the provided labels that they identify with. And, indeed, my hypothesis when going into this question was proven correct. Of the terms that I provided, it was “nonhuman” that most autistic alterhumans identified with specifically, with 74.9% of respondents identifying as nonhuman. Other popular answers to this question included ‘therian’, with 57.5%, and fictionkin with a nonhuman fictional character. Indeed, I did put two separate options for fictionkin, where they could indicate if their fictional kintype was human or not. 45.1% of respondents had a nonhuman fictotype, and 41.2% of respondents had a human fictotype. So, autistic fictionkin appear to have around a 9% (rounding down) higher likelihood to identify with nonhuman fictional characters. Unfortunately, I could not find another survey to compare this statistic against, but it is a statistic we have now, nonetheless.
Furthermore, I specifically listed 3 common kintypes that have been associated with autistic beings, as previously discussed: fairies, aliens, and robots / technology. Of these, techkin was easily the most popular, with 19.9% of respondents identifying as such. Alienkin and fairykin were close in numbers, with 11.2% identifying as alienkin, and 11.9% identifying as fairykin. On the subject of being robotkin, one being wrote, quote, “I do not on a literal, physical level believe I’m a robot, however, tropes related to robots and the way they behave and are treated feel analogous to my own lived experiences, so in some ways it feels as though I experience my life as a robot would.” Endquote.
Which segways nicely into the final question, which is the filled in responses. For this question, I prompted, “If you have anything you'd like to add, please tell me about your experiences involving your alterhumanity and autism.”
Many took the chance to speak on if they felt like their autism and alterhumanity were connected. As previously mentioned, lots of folks mentioned special interests as a factor. Lots of folks also said that they felt the two were connected, but couldn’t explain how, with a common sentiment being that it is a ‘chicken or the egg’ situation. Two different beings whose kintypes are their past lives wrote in, and both said that a hypothetical allistic version of them wouldn’t be able to get memories as easily. Multiple beings also wrote that they felt like the awakening process was made easier due to their autism. They were so used to seeing themselves as different from everybody else, and not understanding social cues, that they were more willing to take on, quote-unquote, “weird” solutions as the source of their feelings. Other commonly-mentioned points include dehumanization as a reason for alterhumanity, autistic traits being seen as similar to animalistic traits, and the possibly-related high rate of autistic pagans and witches.
Something that I didn’t expect going in, but perhaps should have, is the amount of autistic alterbeings who wrote about their struggle to find words to describe themselves. One ghostkin wrote they felt like their nonconformity to their kintype’s typical associated traits (like darkness, doom and gloom, et cetera) was due to their autism, but that they felt they didn’t belong with other ghostkin because of it. And a LOT of folks wrote in saying that they had a lot of trouble figuring out what terminology to use, especially regarding the ever-dreaded ‘identify with’ or ‘identify as’ question. One being wrote in that they see themself as psychological otherkin, but would be more accurately described as having a neurotype-based, or neurology-based, origin, due to their autism. However, this has caused some issues, as it is not seen as a, quote-unquote, ‘valid’ origin. Someone else describes having issues with this because the community does a lot of gatekeeping, and because it is easier to find beings complaining about words being misused than the actual use of words.
Now, there are some responses that I would like to read in full, or mostly in full, for your listening pleasure.
The first one is as follows. Quote. “When I was 6-ish, I started noticing that people treated me a bit like they treated our old Windows ‘98 Dell computer. The computer was inhuman when it worked (and praised for its distance from humanity! “Yes, it can play videos from the internet! Isn’t technology cool?”) and human when it broke down (“He’s getting overwhelmed, give us a sec.” “She’s blinking at me. I have no idea why this is such a difficult task.” “It ate my fucking CD. Stubborn POS.”). It’s a bit frustrating that my autistic traits are only praised when they make me convenient for others to use... I’m self-sufficient, I’m quiet, I’m a fast learner and a thorough researcher, so I rarely need to bother another person to complete the tasks I’m given. But because that’s all anyone ever seems to want me for... It’s a self-fulfilling cycle which is useful for the neurotypicals but exhausting for me, and when it ends in a burnout (inevitable) then I’m finally treated as human, but only because I’ve failed to be the computer they wanted. So I’m a computer when someone’s pleased with me, and I’m human when I’ve disappointed them. You can see why I might like the idea of being a PC more than a person. Also, when something’s wrong, computers’ error messages are both clearer and harder to ignore than a human’s requests for accommodation. This is a bit of a bummer, sorry. The upside is that I’m crazy good at data analysis now.” Endquote. This was excellently put, and I’m sure something that may resonate with autistic techkin.
Another write-in reads, quote, “One does not have to be autistic to be alterhuman or nonhuman, but one does have to be autistic to be my species. My species does not have human neurology, or allistic neurology. To be my species one must be autistic… though it’s more that my species has neurology which allistics will refer to as autism. I could not be my species if I wasn’t autistic.” Endquote. This is a very interesting response, and, to be honest, I sort of wish I knew what this being’s species was so that I could look more into it. It’s almost like a sort of alternate view of autistic nonhumans or autistic aliens, which is just lovely.
Then, there is this submission. Quote, “Diagnosed with autism at 15, explained a lot, I can't help but wonder - if I'd known, would I still dehumanize myself in the way I do? Other kids called me "cat boy" because when they would pick on me, I'd hiss at them. I don't know why. I think I just saw my cats do it and it was the only way I knew how to retaliate. But it just made them laugh. ... I stopped seeing myself as human a long time ago, more of an animal for people's amusement. ... But when I found out about otherkin, it was like suddenly this experience of mine I was certain I was alone in was shared. For some people it's spiritual, but even in our differences, our feelings were the same. The community  taught me to love this nonhuman side of me, and they were understanding of my diagnosis. I didn't feel like an outcast there, they made me feel like it was something to cherish, and I do.” Endquote. Again, absolutely very well-said. Reclaiming and celebrating nonhumanity is, from what I’ve gathered, a large part of the autistic alterhuman experience, and this response phrased it just wonderfully.
Lastly, in regards to responses: shoutout to the one guy who said, “I just finished making my first ever tail, isn’t that sick?”, because yes, yes it is.
Thank you so much again to all the respondents to my survey!
And so, we have now reached the discussion section, which will last until my time runs out. This is where I will cease looking at a script, so please send anything you’d particularly like me to see now! Also, feel free to ask me questions, and I will answer to the best of my ability. Alternatively, tell me about your experiences, or just give general comments!
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sprintingowl · 1 year
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Writing Your First TTRPG
So you want to write your first TTRPG system.
A short thread.
First, you should know that you don't have to make your TTRPG from scratch.
You can always use Mork Borg or Fate or PbtA or Trophy or any other system that supports third party content.
Systems like Caltrop Core even come with tutorial material for how to write your game.
But let's say you don't want any guardrails. You want to make the whole thing yourself. Here's how to do that.
To start, zero in on what your system's about.
Don't worry about genre or style, just find something you think would be fun to tell stories about. Dinosaur bikers. Astronauts in a lover's tiff. Spiders selling hats. Anything.
Now that you've got your subject, the next step is crucial.
Dive right in.
I'm serious. Open up a document and start writing the part of the game that is most interesting to you.
It might be character Classes, or monsters, or even just a basic idea of how you want your game to handle some part of gameplay.
"Food is important! There's rules for hunting!" is a fine place to start.
From there, build outward.
If you've written "Gremlin Class: +1 to Sneak, +1 to Airship Repair", that tells you two things about how your system works.
It tells you that both sneaking and airships matter in your game, and that you should write rules for them.
When writing rules, here are some things not to worry about just yet:
-Are the rules realistic?
-Do the rules work?
Just get some mechanics down. Give people a way to interact with your game.
"Roll a d6. High is good and low is bad" is a fine place to start, but you can get weirder.
Do you want people to roll a lot of dice? Or use dice that get neglected?
Do you want to test something other than dice rolling, like playing cards or flicking a paper football?
Do you want players to have some degree of control over the dice? Can they spend a resource for rerolls, or to simply succeed?
You might end up finding that your dice system works a bit like another game, and this is completely fine. There are thousands of TTRPG systems that have elements that overlap with each other. Nobody has a patent on target numbers.
Once you've got some mechanics, take a look at how they interact with the other thing you built---the thing you care about. This will inspire you to design further.
Add new Classes, new monsters, new subsystems.
Keep designing until you feel like you've written down everything you want to, and then get some sleep.
Yes, really. Put the project down, go to bed, wake up the next day, and edit it.
Your game is going to look incoherent at first, and that's fine. The goal of this editing pass isn't to get it perfect. It's to get your game to the point where someone can read it and make a character.
Once your game is in that state, get some friends to build PCs. Play a session. See what breaks. Go back and adjust your game to fix the things that broke. Then play a bit more. See what else breaks.
If you wrote a really big system, this will all take longer, but eventually you'll find that your system isn't breaking all the time.
At this point, you can keep it for yourself and your friends, or you can distribute it.
Platforms like itchio are great for posting new TTRPGs. Depending on your skillset, you might illustrate your game and put it through layout, or you might just export it as a PDF and post it. Both approaches are fine.
If you decide you want to make your project into a commercial undertaking, you can go to kickstarter or gamefound, or print zines and sell them yourself. Or you can just sit back and enjoy the thing you've made.
--
Coda: This is absolutely not the only way to design TTRPGs, and I'm sure a lot of designers have completely different processes. If this approach isn't working for you, or if there's something you hate about it, go with your instinct and do things different.
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handlewithcarezine · 4 months
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Handle With Care Vol. 1 is out now!
Handle With Care is a SFW objectum zine featuring 9 different artists. It is available for free at:
gillesbyross.gumroad.com/l/handlewithcare
Thank you to the OKZ discord for contributing!!
Contributing artists:
@computerkisser24
Stix
@atomicc
@holycolin2015
@mrs-marriott
@lovetridents
@cryslerbuilding
@vidoeslot
@planefood
A limited edition of printed copies will soon be available, so stay tuned!
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vidoeslot · 4 months
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my piece, NONPHOTO BLUE, for the handle with care zine! check it out!!
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chenziee · 3 months
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Red
My piece for @lovinglawzine! It's completely free and available to download right now! There's two zines, >SFW< and >NSFW< and both are full of Law love 🤍🐯 (did I mention it's free?)
[ READ ON AO3 | KO-FI | COMM INFO ]
—————
The first time Law noticed the red cord tangled around his little finger, he dismissed it. He was still deathly sick from amber lead, the brutal loss of Cora-san painfully fresh on his mind, and some strange thread couldn’t be anything but a hallucination. After all, he couldn’t even touch it and it didn’t lead anywhere his hazy eyesight could see. What else would it be except something his exhausted mind had made up?
The second time he noticed it, Law accounted it to still not being used to his devil fruit. It was barely the third time he had managed to successfully conjure up a Room—as he had decided to call it—and it was still wonky, still clumsy, still unstable. He couldn’t see any strings on his hand or anywhere else when he wasn’t using his powers so there was no way it was really there.
The third time he noticed it, he inadvertently remembered a story his mom used to tell him and Lammy. A story about a Red String that connected two fated lovers, two people who were of one soul, never to be complete without the other. Soulmates, so to speak. He disregarded the thought immediately for being too unscientific and ridiculous.
The sixth time he noticed it, he decided he had to be losing his mind because now he could see a red string on everyone who entered his Room.
The twentieth time… 
The twentieth time he barely even noticed the strings tangling in the snow underneath his feet anymore.
—————
After eleven years with the power of the Op-Op Fruit, Trafalgar Law could confidently say he understood how it worked and what it allowed him to do. He could remove people’s organs without hurting them, he could perform near-impossible surgeries without so much as thinking about it, and he could do whatever he wanted within his Room.
And, despite his best efforts, Law couldn’t ignore that anymore either.
It took a lot of back and forth between Bepo and Penguin’s romantic mindset, and his and Shachi’s more realistic—or jaded, as Ikkaku liked to say—worldview. It took him years but in the end, Law had no choice but begrudgingly admit that his power also allowed him to see the so-called ‘Red String of Fate’, whatever that was.
Strings that weren’t so much red sometimes as they were on a scale between black and gold. Black—dark, charred, and dead—presumably for deceased partners. Red for disconnected strings. Gold for a string that found its other end—the second (or third or last) person sharing this bond. To this day, Law wasn’t sure how much weight he should be giving to it though. He had seen people with strings blood red, yet with wedding rings on their fingers, crying for their beloved wives and husbands while Law cut them in half with morbid fascination, uncaring.
On the other hand, he had encountered people with beautiful gold around their left little fingers… who seemed nothing but happy to meet their demise by Law’s unforgiving hands.
All in all…
Law didn’t care.
Least of all, about the red string that was still securely tied to his own hand.
Honestly, if he could, he would have burned it long ago. And boy, did he try. After all, what use did he have for a ‘fated partner’? What did that even mean? He didn’t know and he didn’t care. The only thing that mattered to him was Cora-san… and Doflamingo.
But, eleven years in, he had long since resigned himself to the thing being there to stay.
Not that it made any difference to him or anyone else.
At least, that was how it was for a long time. How it was supposed to be.
“You guys stay back. I’ll handle this,” Straw Hat Luffy announced as he, Eustass Kid, and Law took their stand in front of the Sabaody human auction house.
“No, you two stay back!” Eustass snapped back—raising to the bait like a child.
Law, on the other hand, stayed perfectly calm. “You tell me what to do one more time and I’m killing you first, Eustass-ya.”
“Just me, Trafalgar?” Eustass asked, shooting Law a look.
Law didn’t bother dignifying that with a response.
Not that there was that much time for chit-chat once the marines surrounding them from all sides broke out of their pathetic stupor and cannons started going off, shooting straight at them.
“Room,” Law said lazily, taking Kikoku out of its long scabbard. Nonchalantly cutting off the head of the nearest marine, Law quickly switched it with the cannonball hurtling at him, then caught the screaming head easily. 
As he tossed it in his hand a few times, a smirk playing at his lips, Law wondered… how should he play with these rats? They didn’t have much time before an admiral would be on their asses so he couldn’t get too creative…
“Wow, your power’s weird.”
Law huffed, tilting his head to the side to glance at Straw Hat; there was a look in his eyes that was slightly curious… but mostly completely honest, almost innocent, but with a strange weight behind it that made Law freeze completely just for a second. It was the same weight, same intensity as when he had punched that Celestial Dragon, but at the same time, it felt completely different.
But, before he could decipher it or really think about it, the moment was over.
“Look who’s talking, Straw Hat-ya.” Law huffed in amusement, turning his attention back to the scrambling marines.
He called forth another Room just as Straw Hat dashed past him. Law wanted to roll his eyes at his impatience but then something else caught his eyes—a smudge of red trailing after him, flowing happily in the air as if to mark the path he took.
Inadvertently, Law’s eyes followed the string. He wasn’t sure why; maybe because it basically hit him in the face when he flew past, or maybe because Law hardly ever saw a string that wasn’t dragging on the ground, hardly saw someone with the other end of the sting being close by.
Or maybe, that too was fate.
As he followed the path of the string, Law’s eyes widened once his gaze reached his own hand. His own left little finger, where the other end of the string was tied snuggly… while a gold glitter started to spread around it.
No.
No, that couldn’t be right.
There was no way Law was tied to Straw Hat Luffy.
“You chickening out, Trafalgar?” Eustass called mockingly as he stole the swords out of the hands of the three marines that had attacked Law, the three marines that Law had completely failed to notice in his shock.
At least it’s not this fucking guy, Law thought to himself.
“Shut the fuck up, Eustass-ya,” he snapped back, then sighed deeply.
What was he doing? It didn’t fucking matter if Straw Hat was his ‘soulmate’ or whatever other unscientific, superstitious, childish word he wanted to call this stupid thing.
After all, what did he care? He never cared. Not once.
He had neither the time nor the capacity to waste on pointless ideals like love. He knew what love was. He had received love. And then he lost it, every single time. 
His country, his city, his parents, his sister, Cora-san…
He’d lost all of it and now, nothing mattered—nothing but fulfilling Cora-san’s ambition.
Least of all, some reckless idiot in a straw hat with a smile that could blind a person, and passion that could burn down the entire world.
—————
When Law heard about the execution of Portgas D. Ace, he thought nothing of it. He was curious to know how it was going to end: who would win, how the world was going to change, where the delicate balance of power would tilt. He was looking forward to seeing it… but he had no personal interest in it—not in the war, the government, the Whitebeard Pirates, in Fire Fist, or anyone else involved in the fighting.
When Bepo asked him why they were going to Marineford, Law didn’t have an answer for him.
—————
Law was used to operating on people. He was a surgeon, after all. It was what he did.
It was supposed to be routine for him by now.
So why were his hands shaking when he stood above Straw Hat Luffy lying on the operating table, unconscious and bleeding heavily, his life escaping him with every weak breath he took?
Law knew why, but he refused to acknowledge it.
He refused to acknowledge the string hanging between them, the very same string that had changed colour from red to gold just days ago—now slowly turning black. He refused to think about it when he first saw the state Straw Hat was in, he forced himself to ignore it when he first created a Room around them inside the Tang, and he actively turned his eyes away whenever he checked on him while he recovered.
And now, as he sat on the shore of Amazon Lily, clutching the old, tattered straw hat in his hands, he fought with himself trying to not pay attention to the way his left little finger tingled, almost as if the invisible string was strangling its blood flow. Which was ridiculous; the string wasn’t really there, it wasn’t real. Law knew it was only in his head but even so, with every distant scream and every creak and crash of a tree falling, he felt another tug on his hand.
How long had this been going on?
It felt like hours since Straw Hat had woken up—since he started this self-destructive rampage.
At the back of his mind, Law wondered whether this was it. After all the work he had done, after spending two weeks saving his life… Straw Hat was going to kill himself. The thought bothered him more than it should have; his heart was beating at a nervous rhythm, his hands sweating and shaking just the smallest bit, his stomach heavy as if he had swallowed the rocks Straw Hat had shattered with his bare hands earlier.
He hated it. He hated feeling like this just because of a patient.
Clicking his tongue in annoyance, Law forced himself to focus on his surroundings. He let his eyes wander around the bay, taking in Ikkaku and Hakugan checking the outside of the Tang to make sure Straw Hat hadn’t damaged her anywhere, Bepo scribbling out a clumsy map to the side, Jean Bart chatting with Uni and Clione, telling them about his days as a captain of his own crew. They all seemed to be having fun…
It left Law feeling that much more stupid for being so nervous—so scared. 
How pathetic.
“Whoa!!”
Law startled at Shachi’s sudden call; inadvertently, he looked his and Penguin’s way—the both of them were looking at the sea just off the shore, pointing and shouting about sea kings fighting. As if that was so strange in the Calm Belt.
Still, Law watched with them as the creature struggled, sending violent waves across the water surface in its pointless fight for dear life. It didn’t stand a chance and for a moment, Law wondered just what kind of monster was out there, and if maybe it was going to turn its eyes on the Heart Pirates next. Not that he was worried—rather, a fight might distract him from his thoughts, and from the pirate who was fighting for his life and sanity behind him; so close, yet so far out of Law’s reach.
It didn’t take long for the fight to end and oppressing silence to settle over them. It was like no one even dared breathe as they waited for something to happen. Something, anything…
Except for what did actually happen.
“What a nuisance…”
Both Law and his crew could only watch in stunned silence as a regular human emerged from the water, climbing up the rocks that made up the Amazon Lily’s shore line as if he had just gone to take a quick dip on a vacation instead of fighting a Neptunian in the middle of the goddamned Calm Belt.
Maybe it wasn’t too much of a stretch to call him a monster anyway.
“D-Dark King Reyleigh?!” Penguin cried, the first one to break out of his stupor.
“Oh, it’s you guys. We met at the Auction House, right?” Dark King noted as he casually wringed water out of his clothes.
“Why—how—?” Clione stuttered.
The Dark King huffed. “My ship sank in a storm so I had to swim the rest of the way. It was more taxing than it should have been, I’m really getting old.”
“Storm?” Penguin repeated. “This is the Calm Belt, just how far did you swim?!”
“Anyway,” Rayleigh said, completely ignoring the question in favour of turning to look directly at Law with an unreadable smile on his face. “I’m assuming Luffy is on this island somewhere, isn’t he?”
The question was so simple… but it was as if lightning ran through Law’s body. His breath hitched in his throat, his heart beating a pace faster, his grip on the straw hat tightening. How did he know? Did the navy know too? Were they safe here? What did he want with Straw Hat?
Law wasn’t stupid. He knew that if the Dark King wanted to kill Luffy—or any of them—there was nothing any one of them could do to stop him. No one on this island was a match for this man.
A beat of silence passed while the two of them eyed each other, before Law took a deep breath and spoke up, voice carefully measured. “And if he is?”
At that, Rayleigh laughed. It wasn’t mocking—a genuine, light laughter, one that finally helped Law relax, knowing that there was no immediate danger from him. 
“You’re quite protective of him, I’m glad!” Rayleigh noted after a moment. “I was wondering what the feared Surgeon of Death wanted with Luffy but I see I didn’t have to worry.”
The smile he gave Law this time was so amused, so knowing, that Law suddenly felt incredibly exposed. It was like this man could understand everything about him and Straw Hat, and about Law’s motives; things that even Law himself didn’t know.
He hated the look.
Clicking his tongue in annoyance, Law finally looked away. “He’s here. Unless he manages to reopen his wounds and dies.”
“Wonderful! Thank you for taking care of him. I’ll take over from now on.”
"Why?" Law asked before he could stop himself, or at least try to keep his unfounded hostility out of his voice.
And once again, laughter was his response. "Oh, did you intend to keep Luffy all to yourself?"
Law startled at those words. Suddenly, as if doused in ice-cold water, Law was brought back to reality—the reality where Straw Hat was just some pirate he had barely met once, where Law had his own life, his own mission which allowed for no attachments to anyone or anything.
The reality where he had no reason to stay.
Ignoring the painful pang next to his heart, as well as the sharp tug on his little finger—imaginary, it wasn't real, there was nothing there—, Law gave the hat in his hands one last look before he closed his eyes momentarily and sighed.
“No,” he said simply as he finally stood up to his feet. “Two weeks of absolute rest, minimum.”
The Dark King didn’t say anything for a moment, merely studying Law’s expression as if he was trying to cut into his brain and pick him apart, but before Law could snap at him to stop, the man nodded. “Alright, thank you.”
With no reason to linger anymore, Law tossed the straw hat at Rayleigh, not sparing either him or the hat another glance. “Let’s go.”
“What?!”
“But captain—”
Law cut off his crew’s protests with a single glare, one that made them all deflate and shuffle to the sub without another word of complaint. He could hear Shachi and Penguin whining quietly to each other about having to leave the Maiden Island without even getting to properly talk to a single girl but he ignored them, choosing to focus on their departure.
Briefly, he wondered whether he should have waited to at least say goodbye to Straw Hat… but he knew that if he waited for him, if he had to look into those huge, expressive, beautiful eyes that were so full of energy and passion and life… he wouldn’t be able to say it.
Wouldn’t be able to leave.
And Law knew, he knew he needed to go now.
He had no right to stay by his side, after all—not when Straw Hat was injured, broken, and suffering, not when Law could do nothing about it except stop the physical bleeding. Not when Law himself was already broken, his path set for him since eleven years ago—a path that led to nothing but destruction, and which would have Law leave eventually regardless.
It was better for the both of them like this; to part ways before it was too late. 
Before either of them could do something as stupid as falling in love was.
—————
That was two years ago. During that time, Law had managed to forget about Straw Hat Luffy—forced himself to pretend he didn’t see the golden string on his left hand, to act like he didn’t know who it led to. Focusing on his mission, on Joker, Law lived his life without looking back at those eyes and bright smile.
But now, Straw Hat Luffy was standing in front of him in the snow of Punk Hazard, bright and beautiful and oh-so-warm and Law…
Law knew.
He knew he wouldn’t be able to pretend anymore.
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netherworldpost · 3 months
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A Comic About the Business of Art (and Comics) That I Wish I Had Ages Ago
I drew this as a warmup because it is the beginning of a long cycle of drawing and comics, my friends! This understanding took about 4 years to cram into my brain and structure and compile into a super simple graphic.
Sharing is caring.
When you have an art business, you have 3 basic structures you can pick, and the third has two paths.
OPTION 01: MAKE LOT OF ART
You can do a LOT of art on a FEW things. I am focusing on greeting cards as the main project, printable downloads as the secondary, and comics/zines as a tertiary.
Medium difficulty, small difficulty, large difficult, in order that order.
When I want to tackle a project, I'll work on a greeting card. When I want to sink my teeth into something for a long time and get deep into the details, I'll do a comic/zine. When I JUST WANNA MAKE SOMETHING NOW, I'll make a printable.
You find success because your customers and audience are interested in the latest pieces of art.
OPTION 02: MAKE A LOT OF STUFF
You can do a LOT of things, with a few pieces of art each. This is a very common approach because it lets an artist/art shop/etc. bounce from project to project, eventually having a large platform of stuff to sell. Often a slow build up over years.
It is particularly great if you especially enjoy production wrangling, finding vendors, and doing The Business part in the Business of Art Stuff.
By nature, your focus is split.
You're going to get so focused on wrangling shipping times and building in overlaps of Vendor A and Vendor B to ensure you can fulfill orders quickly and efficiently.
Your success is found in efficiency -- better vendor relationships, easier packing orders, increasing volume of production to decrease costs.
You have less time to focus on specific pieces of art. The above focus never goes away, because even if you say "Okay well I'll just order 10,000 of ART THING and then use the rest of the year to make more art" you still have to handle the business of storing 10,000 things, building up sales to cover the costs of initial production AND storage, etc.
You find success when your customers say "Hey, I like this art print. I also want it on a shirt, and a tote bag, and a key chain, and a sticker." (etc.)
OPTION 03-A: Focus on collaboration
Similar to Option 02, you can focus on having collaborators make the art and you manage the project, manage the production, putting stuff into boxes, putting boxes into the mail.
Extremely popular in the zine space, the independent graphic novel space.
You can be one of the collaborators to the project! That helps keep your art bones happy!
But the bulk of your job and time and energy is going to be corralling Incoming Art into Product(s) into Production into Customer's Order into Mail Boxes.
OPTION 03-B: Focus on an internal team
Same as Option 03-A, but instead of spending time finding external collaborators, you have an internal crew. Either as employees (more direction, less negotiation) or partners (less direction, more negotiation).
Your team(s) will focus on either Options 01 or 02.
Or you scale your company HUGE and they focus on both. I want to stress, though, by "huge" I mean each portion of your company is going to have a team. Instead of 1 team, you have teams of specialists.
QUICK OVERVIEW
Focus on Variety in Art (Option 1), Variety in Stuff (Option 2), or a Team (Options 3).
One is not better than the other. All can be great.
You can start down one path and reverse course then head down another.
But you DO have to pick.
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atomicc · 4 months
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My piece for Handle With Care, an objectum zine a server I mod for ran! Some other amazing art and writing in this zine (which is free digitally btw!) so be sure to check it out!
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