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#great questions guys
penny-and-agatha · 2 months
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butt or boobs?
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bonus
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helsensm · 4 months
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If you’re still taking requests, Mk1 Kung Lao meets Mk11 Kung Lao?
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I will use this ask to finish the wip I had since November, thank you anon <3
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walrus150915 · 2 months
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I feel like people underestimate Ballister's actions in the movie and dumb him down to be just a guy with sad big eyes when he's literally a metaphor for transphobic gay men who participated in the system based on violence and hate. He's so much more than what fandom makes him out to be and he's quite flawed
Like :/// yes he's cute but let's not infantalize him???
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cowboy-caboodles · 2 months
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I present to you: hypochondriac jack
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yesterdayiwrote · 5 months
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Greg James (Radio 1 DJ/Fast & The Curious host) was on the Sky Sports podcast a few months back and he made a really lovely and important comment about Fandom in F1 that I think more people need to hear...
"They are popstars, that is the closest comparison. They are popstars but I don't look at that as a negative. People like these people for a reason and you're a snob or you're shortsighted if you think it's fluff, because the people that love... I'll just do a comparison. People that love Harry Styles, if you're 14, 15, 16 and you're a girl...for example my niece, 15 years old, incredibly smart, worldly, has got big dreams, big ambitions, she is obsessed with Harry Styles, and it's dangerous and shortsighted to dismiss people that are obsessed with things... that are passionate about things, because those people will grow up and those things are really important to a human. Those first touch points of 'That's my favourite Formula One driver', or 'That's my favourite popstar', you never forget that sort of thing, they shape who you are, they help you shape what you like, and I know that sounds a bit grand but how amazing to have Lando Norris as your favourite celebrity, what a great person because that's an incredibly talented person. That's a person who's worked hard and is so great at their job.
So there's a lot of 'Oh, you only like Formula One because you fancy the drivers.' Great! Whatever your way in is, that's fantastic. My niece, told me the other day 'I want to marry a Formula one driver' and she's joking with me, but how fantastic, this thing that, to a 15 year old is mad to dive into the data of a Formula One car, but just kind of likes it... I don't know how you could not find that charming and sort of sweet. You can like any bit of sport that you like. Noone is supposed to be gatekeeping this thing.
I'd also like to say, not to generalise, there will be many 14, 15 year olds who want to get into the sport and they love the granular detail of the sport and they will become the next generation of engineers. Whatever your doorway into the sport is... Amazing. You've sort of won. If you're Lando Norris you've got people who know who you are and you're brilliant at your job and that's how sport can make a difference in people's lives because these characters have to transcend the sport"
The full video is HERE - the fandom section is at 47:00 and if anyone can rip it that would be awesome because you can really see and hear the sincerity in his voice as he talks (my transcribing skills don't do it justice!) But it's so great to finally hear a guy say this out loud.
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kagoutiss · 11 months
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“what does sheik actually do in this au” fair question. everything
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adelrambles · 5 months
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Tips on Writing Bishop
I've been asked a couple times for advice on how to write a good (03-style) Bishop, and I'm well-aware he can be a bit tough to get a grasp on. As someone who's studied him specifically to learn how to write him as accurately as possible, I figured I'd compile some thoughts in case it'd be helpful to anyone else. I know a lot of Rise takes on him are basing off the 03 version, so maybe this could help generate ideas, too. SO!
Big Overall Points!
At the core of EVERYTHING Bishop does are two primary motivations. The first: the protection of the earth. What this means to him can get tricky, because it doesn't necessarily mean protecting the people, at least not all of them. But it will be better understood alongside the other:
The second: The protection of his sense of safety. Bishop has been deeply traumatized, and everything he does is born of a want to avoid that pain ever again. In his mind, earth is a safe area, a controllable factor, and anything outside it is a danger that must be eliminated. This is why he will still be willing to put himself and other people on the line in service of this; any sacrifice is worth the greater goal. (It's worth noting, Bishop will claim the first as his motivation freely, but is likely not consciously aware of the second.)
Bishop deals in Big Picture ONLY. Another reason Bishop will willingly throw away anything, including the lives of the people he claims to protect, is that he seems incapable of understanding things on a small, individual basis.
Bishop is a cold personality. He does not have strong displays of emotion. He does emote, but for the most part it's muted, so I recommend using emotional bursts very sparingly. (In my own writing, as an example, I try to limit my use of exclamation marks in his dialogue as much as possible.)
At his core, Bishop is afraid, and his response to fear is aggression. This also makes it particularly difficult to talk him down, if he's put in an emotional state. His response to not being in control is often violent retaliation.
With those basic tenants understood, let's move next to some major personality traits:
Bishop is a controlling personality. This is a direct result of his trauma response. Things that can be controlled are safe, therefore he must control everything. If something cannot be controlled, it's a threat that must be eliminated. If he doesn't know why something happened, he becomes angry (including even when it benefits him.)
Bishop is very low-empathy. When writing him, I try to keep in mind that he cannot put himself in the perspective of others. (Or if he can, he doesn't care to.)
Bishop is a sadist. He gets personal enjoyment from hurting others.
Bishop likes fighting, but only when he's winning. He will quickly leave if he can't see a guaranteed victory.
Bishop is paranoid. This is probably self-evident, but it's the reason he's often so well-prepared even when things don't go to plan.
Bishop genuinely seems to enjoy science. He's shown to be far more lenient with scientist characters than anyone else, and he seems to involve himself in his scientists' projects to a degree. Enough to, at the very least, understand their work. (Given he was the one set to dissect the turtles, it might also be argued he has some medical or biology background, himself.)
Bishop is an opportunist and scavenger. He can roll with failures as long as he can find something to get out of it. If he's presented with an opportunity to stab someone in the back, and he has something to gain? He'll take it without a second thought.
Bishop is deeply self-blind. For all his perceptiveness and strategic prowess, Bishop is not very self-aware in the slightest. He is completely blind to his own hypocrisies, and thoroughly confident in his own righteousness.
Bishop adapts fast. He accepts situations for what they are and acts (Though he may still be angry about them, or what have you.) This is likely a skill developed via longevity; the world around him has changed rapidly, but he doesn't feel out of place at all.
Bishop will take extreme risks and thinks wildly outside the box. Also self-evident, if you're familiar with the plans he enacts throughout the show. He'll put a lot on the line if he thinks the reward is worth enough, and he's willing to go to extreme lengths to get what he wants, even if his plans would be considered crazy by normal standards.
Bishop is persistent. If he wants something, he won't stop until he gets it. If he fails, he'll retreat, make a new plan, and try again. It is very difficult to convince him to back down (and certainly not on moral grounds.)
Habits and triggers I've noted:
Being restrained of any sort puts Bishop in a panic. He is more likely to have an emotional response in these scenarios, and seems to have (an albeit muted) desperation to escape. (See: Leatherhead restraining him in the first encounter; His reaction to being trapped on the surgical table in Head of State.)
When being duplicitous or suppressing a reaction, Bishop will go to adjust his tie. This could possibly be considered his tell.
Bishop seems to have a particular fear of aliens blending in as humans. His slayer project was built around the assumption that this is a common threat. (Worth noting: This makes The Shredder the model of the exact threat Bishop is afraid of. Technically, Bishop himself may also fit the description of a threat shaped like a human.)
Writing considerations:
In 03's narrative, Bishop is EPF and EPF is Bishop. Narratively speaking, any organization Bishop is head of acts as if it is an extension of his will and character.
Bishop is shown to strike fear and/or discomfort into most characters he interacts with. Anything beyond this is an outlier, and will draw a reader's attention.
Dialogue-wise, Bishop is generally succinct and blunt. He does dabble in gloating, though, and especially likes to upset others. If he's given a chance to be mean, he'll usually take it. It can help to consider he has a Mission Mode and a Normal Mode. When it comes to Mission Mode, he gets straight to the point and hates unnecessary talking. Otherwise, he's still not very talkative, but will take the time to make pointed jabs or talk through a plan. A lot of his sense of humor seems to be rooted in how He's Better Than You (And You're Going To Die Painfully.)
It's a common pitfall that Bishop is depicted as seeking out the turtles. In 03, once he gets their DNA, he's done with them. Any encounters after that are incidental. Bishop does not care about anything that won't effect his greater goal. If he's targeting another character, it should have to do with a greater plan.
Bishop is an extremely competent combatant, shown to be able to handle up to 7 opponents at once. For a breakdown on his fighting style check out my other post on that!
Bishop is hard to kill, and oftentimes he accidentally contributes to his own defeat. (The hook from Bishop's Gambit is an example I get a LOT of mileage out of, as a perfect symbol of his self-defeating prophecies.)
We almost only ever see Bishop in the context of his work. While it could be construed that he depersonalizes himself, it's much more clear that the narrative depersonalizes him. As far as we, the audience know, Bishop's work is all that he is.
It's unclear if Bishop was released from his abduction or escaped. Depending on which you ascribe to, this can have ramifications for his mindset on how to deal with the alien threat. (Personally, because so much of his inability to cope hinges on a feeling of helplessness, I believe he was released. If he escaped on his own power, that undercuts it, somewhat.)
Thematically-speaking, Bishop parallels both his own torturers and his own victims at the same time. He has perpetuated the cycle that traumatized him in the first place by trying to fight fire with fire. (In that vein, I don't think he's capable of understanding that, not seeing aliens as people in the first place, just dangers. Considering how deeply ingrained his trauma is in his worldview and actions, it would probably ruin him, if he were ever able to actually grasp it.)
Bishop and EPF are likely a commentary on the military of the time 03 was coming out. This can be something worth keeping in mind, when figuring out his greater themes in your story, though it can just as well be discarded if it doesn't fit.
Adding to that, Bishop has an extensive american military background. His skills and knowledge will reflect that.
Bishop also plays on and references a number of real-life alien conspiracies. It can be worth digging through conspiracy history to drum up ideas and themes, too.
The ethical and philosophical quandaries of Bishop's body-hopping and humanity tend to not hold too much weight, because Bishop, himself, doesn't seem to care.
If I think of more I'll certainly be adding on to the reblogs of this post! Or, if you have more thoughts, please feel free to add! If you're in the mood for more Bishop ramblings, that's practically most of this blog atm, but this post is a particular favorite. If you're interested in Fast Forward!Bishop, specifically, consider this post! (also read Taking Pawns. slipped in that self-promo, nice.)
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ithinkitwasvodka · 1 year
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MIN HO? MORE LIKE MEAN HOE
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feniksido · 6 months
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For some reason my post about the Heist in the Hells has been getting some traction recently so I thought maybe it's time to talk about my actual thoughts on what I would like to see in the hypothetical Heist in the Hells DLC (my personal hell)
I was trying to figure out a whole bunch of stuff about Mephistopheles and the 8th layer of the hells! First, the vaults are in Mephistar, a citadel on top of a Glacier named Nargus, which is piloted by Mephisto all over Cania constantly on the move. Mephisto has his slowly melting throne at the very center of the glacier, and the rest of the city is like a mini-hell with 3 terraced levels where the lowest level is with “lowly least devils” and mid tier for mid devils i guess and then hellfire masters and nobles and the wizards on the third higher levels. It’s heated on the inside of Mephistar! It has baths and scented fires (not sure what they smell like but I assume something other than fire?)
The rest of Cania is just like barren wasteland full of just the weirdest left over arcane energy cus of Mephisto’s experimentation, its cold as fuck and it has constant surveillance against spies, mostly spies sent by Dispater, mr THE Arms Dealer of all the planes, so you know that motherfucker mephistopheles is very used to these types of people showing up and trying to go into the vaults and such
NOW Helsik very specifically used the words “I punched a portal into the Archdevil’s dusty vaults”, so I assume it was directly into the vaults that they fell into. I'm not sure how this is even possible but i'm not one to ask questions that i will never understand the answers to (lying, im seething) 
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However, regardless of the fact that I don't know how Helsik the queen that she is did that, she did do it. I imagine the vaults are huge and incredibly elaborate and probably several stories? Layers? Deep. The items and scrolls and information must all be neatly cataloged and kept track of in the most particular way because Mephistopheles is nothing if not obsessively controlling of all his knowledge and information
However the whereabouts of the actual physical objects must be like.. Constantly changing or magically protected so that those with no authorization cannot find their way through the vaults
Mephistopheles’s filing system is… insane but i do think he would keep track. Or make someone else keep track. He’s very busy. He typically hands down experiments he ran out of time to deal with in his busy schedule to his lessers so I wouldn't put it past him to have someone else also take care of the cataloging. The Crown of Karsus is NOT high on his priority list so i understand how this was potentially feasible to Gortash and The Dark Urge
Actually Talking about the heist itself now: 
I imagine that if a whole heist dlc (don't think we’re getting one but a man can dream) did happen it would start with a bit of exposition. Probably explaining a little bit of the Letters between Durge and Gortash. Specifically these ones:
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Then we cut to a scene where they’re already at Helsik’s place. They’ve discussed the plans in depth, they’ve been doing test runs for this in the House of Hope and now it’s time for the real deal. 
Helsik “punches” the portal into the Vaults and they jump in. The portal closes behind them, Helsik will not allow herself to be implicated in anything. They take in their surroundings; they have to be quick, although it is heated inside of Mephistar the frigidness of Cania cuts deeper than anything Baldur’s Gate could ever manage. I imagine that they, having never been here before, look for something that can help them navigate/orient themselves in the vaults. Perhaps that whole cataloging system I talked about earlier. You can choose to ignore it and just go straight forwards checking every room making it substantially harder and less efficient which makes Gortash a little pissy at you for not taking his advice and helping him look for that or you can look around for one but the actual system for cataloging is encrypted 
Maybe a mini puzzle game can take place here, like the one with the brain in Moonrise Towers 
The thingy would then lead deeper into vaults where they would fight Gelugons (the main residents of the 8th layer also known as ice devils) and other assorted devils including pit fiends and pain devils. Maybe a couple dire polar bears also who knows who Mephisto but on his security team
At one point i want to come across an ice devil that much like Yurgir in the house of hope in act 3, can be convinced to side with you and become a temporary ally (perhaps it holds resentment towards Hutijin, mephistopheles’ second in command, and just got sick and tired of the monotony and wants to stick it to the man, i just want a devil in my party even for a second) 
If you manage to successfully persuade this devil to join you, Gortash might be impressed and tell you about how tricking a devil is no easy feat, you can ask him to elaborate on that and he might tell you a bit about his time in the house of hope as Raphael’s unwilling guest Who knows
Moving on, I’d like several more puzzles to delve deeper into the vaults, some that lead nowhere some that lead exactly where you need to go, if you did the earlier puzzle Gortash will be able to guide you and say which ones lead nowhere and which ones are the ones you need to do 
Eventually I want a mechanically engineered door to be the next hurdle which Gortash takes upon himself to solve on his own since he’s more well suited towards this kind of thing, during this, rounds and rounds of incoming security swarm around you both, and Durge has to defend Gortash while he works on getting the door open. Much like the quest for Halsin looking for Thaniel in the Shadowfell, you gotta keep the portal open but instead of “keep the portal open” its “keep Gortash alive and not distracted”
When the rounds of enemies are done you get a little cutscene where you see Durge being overwhelmed by the many devils and it cuts to Gortash who has just opened the door and he takes less than a second’s pause before he decides that instead of going through the door and escaping to relative safety on his own, leaving durge to die he helps durge and they are both able to get through the door sealing it behind them, now in relative safety, they both take a second to breathe 
You as durge now can talk to Gortash and have the dialogue options to say Thank you, scold him for dragging you away from the bloody slaughter, or question his decision to come back for you
I THINK IN MY MIND that the response for all these options would basically be the same, because Gortash is a well practiced speaker and knows exactly what to say but his body language would sort of give him away for the way he’s feeling about the option you choose 
Thanking him would lead to a more defensive “pushing away” way of saying “I still require your assistance, we’re not done. Don’t expect it to happen again.” tsundere ass but like imagine that but better written 
Scolding him would get a sorta like “I cant fucking believe this” as if he expected durge to be a little more practical about things and not lose focus in the madness that was that slaughter and rampage, like i said still the same but just “Argh! I still require your assistance! We are NOT done. DO NOT expect it to happen again if you intend to act this way.” He needs you to focus, not lose yourself in blood
Questioning and challenging his decision but not outright saying you disapprove would probably be playing right into the whole “equals who challenge each other” thing that he likes to do so it’d probably make him slow down, talk slower, make him really think about why he did it and do the thing where while talking he can't look at Durge in the eyes so he looks off to the side or down at the floor “I still need your help. We’re nowhere near done. Let’s not expect this to happen again, yes?” Like acknowledging that yes that was in fact weakness that neither of their masters tolerate (because obviously the correct thing a baneite would have done is let the bhaalspawn die so that he alone already so close to the crown could take it for himself) and almost regretful that he didn't have a better excuse
You continue forward and finally come into the room with the Crown of Karsus and the portfolio labeled “Accelerated Grand Design”, there they encounter a boss fight, probably not mephisto himself cus they’d be dead tbh but maybe a simulacrum or something idk here things get a bit dicey for me cus what the fuck! How do they get out? I thought maybe they do the fight and once they grab everything they need or want they maybe have an enhanced cloak of dimension door or maybe a scroll of teleportation or something to get them out of the deep deep VAULTS themselves and into a place where they can “safely” create another circle on this side with the components and specific instructions Helsik gave them 
They’d arrive home back in Baldur’s Gate and celebrate their victory briefly and bada bing bada boom the dlc is over. If i had it my way at the end right there those two idiot geniuses would get so horny from the powerrush and bloodlust they just experienced that they end the dlc with durgetash fucking nasty 
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dragonanon · 3 months
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can you do a chapter based on your Death!Reader and God!Brother hcs where Death wakes up from her sleep and goes to Heaven to check up on her brother's children and everyone is obviously terrified of her?
Hmmm…I’m not typically one to do requests because the urge to write is so sporadic and random for me. BUT I have been thinking about the initial confrontation in Heaven for a while now, so here are some head cannons for that. >w>
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- It’s a typical perfect day in Heaven…Until it isn’t. Having seen what had become of your realm and learning Heaven was to blame for it, you’re on your way to rip someone a new asshole.
- Screams erupt from the Angels as the ground begins to shake and the bright sky darkens. Sera and Emily rush out just in time to join the Angels in watching in abject terror as a massive pool of darkness forms on the ground, and from it slowly rises a menacing figure.
- The figure is massive, and it only continues to rise until even the tallest building barely reaches its hips. Its six long horns twist and arch toward the sky, only making the figure appear even taller. Upon reaching its full height, the figure spreads its six mighty wings, each one sporting a menacingly sharp claw and all as shrouded in darkness as the rest of the figure.
- As its wings blot out the sun further, the figure opens its many blazing white eyes; two where you’d normally expect to see eyes, a third in the center of its forehead, and dozens more scattered across its wings and body.
- Sera lost all color as soon as she saw the figure rising, and somehow lost even MORE color when the figure opened all of its eyes. She looks like she shit herself, and Emily is panicking, trying desperately to get Sera to tell her what’s going on; she’s never seen the older Seraph look so terrified.
- With this unimaginably imposing figure now looming over Heaven, Adam decides this is the PERFECT time to attack, having been dumb enough to think this was a Demon attacking Heaven.
- The exorcists fly up towards the figure, ready to attack. This only angers the figure further however, and with a rumble that shakes the ground itself, the figure merely flaps its wings; creating a gust of wind so powerful it knocks all the exorcists back onto the ground.
- It’s at this point Sera FINALLY snaps out of it, rushing to Adam in mad panic and damn nearly strangling him while telling him to call off the exorcists. Which he does, albeit with some reluctance.
- This doesn’t stop him from asking Sera what gives, and her response is “Adam you absolute fucking fool, that is DEATH!”
- Now it’s Adam’s turn to look like he shit himself. “Death? As in, “the big man himself’s younger sister” Death?? As in, “the baddest bitch you’ve EVER seen, but can kill ANYTHING by just touching it” Death??? THAT fucking Death????” Ignoring that last statement, Sera’s frantic nodding in confirmation confirms to Adam that he has indeed fucked up. Big time. Adam then proceeds to lose all color in his face and practically cowers behind Sera as she cautiously approaches you, mentally preparing herself to be reaped on the spot.
- Back to your perspective however, you’re fucking PISSED. So pissed that you don’t even notice or stop to think that most of Heaven’s inhabitants likely have NO CLUE who you are, and are likely legitimately fearing for their lives. Meanwhile for all the older Angels and Angelic beings who’ve been alive long enough to have known you before you went to sleep, like Sera, they’re all still very much afraid, but it’s more in line with the “oh shit mom’s home early and she saw the mess we made in the kitchen, she’s gonna kill us!” kind of fear.
- The fact that they sent exorcists at you makes you even angrier. Like for starters, how fucking weak do they think you are that you could be stopped by just some low level Angelic beings with pointy sticks?? And then the audacity to even attack you to begin with, like THEY weren’t the ones who fucked up and you’re just some kind of strange intruder needing to be slain?? The INDIGNITY of it all!
- Your voice booms throughout Heaven, making even the ground tremble at the sheer intensity of it. “WHO DID IT?” You’re met with only silence, so you ask again with more force. “MY REALM IS A COMPLETE MESS WITH MILLIONS OF DISPLACED SOULS RIGHT NOW. SO AGAIN I ASK, WHICH ONE OF YOU FLAT FOOT CHILDREN DID THIS?!”
- Sera replies, voice trembling slightly. “Are…Are you talking about the exterminations? “IF THAT IS WHAT YOU’RE CALLING THIS MOCKERY OF MY WORK, THEN YES.” Sera looks visibly confused and concerned. “But…That SHOULDN’T be possible!…The exterminations KILL the Sinners; their souls should be gone, not stuck in Limbo! There has to be some kind of mistake here!”
- Hearing this, you can’t help but let out a brief but harsh cackle, making the ground jolt from the abruptness. “DEAR YOU HONESTLY THINK A SOUL COULD BE SO EASY TO DESTROY? A SOUL IS A POWERFUL THING FOR A REASON CHILD, IF THEY WERE SO EASILY DESTROYED THEN NONE OF YOU WOULD BE STANDING HERE BEFORE ME NOW!…SO ONCE AGAIN, WHO. DID. THIS?! AND SO HELP ME, IF I HAVE TO ASK AGAIN THERE WILL BE CONSEQUENCES.”
- Whilst Sera is dumbfounded by this revelation, Adam sees a golden opportunity to save his ass and points at Sera. “I-It was her! Yeah it was all fucking HER idea! I-I tried to tell her it was stupid, b-but she just REALLY wanted to go down and kill those bast- Demons! Yeah she REALLY wanted to kill all those poor Demons, can ya fucking believe this shit?!”
- Before Sera can defend herself, the darkness seems to intensify, and she can just FEEL every one of your eyes glaring daggers into her. “SERA…YOU SIGNED OFF ON THIS?? YOU SHOULD BE ASHAMED OF YOURSELF, I EXPECTED SO MUCH BETTER FROM YOU! I LEFT EXPLICIT INSTRUCTIONS FOR HEAVEN AND HELL TO WORK TOGETHER TO SORT SOULS FOR THIS VERY REASON! AND NOW BECAUSE OF THESE BARBARIC “EXTERMINATIONS”, YOU’VE COMPLETELY DESTROYED THE BALANCE I WORKED SO HARD TO CREATE AND MAINTAIN. I HOPE YOU’RE PROUD OF YOURSELF, BECAUSE I’M CERTAINLY NOT!”
- It’s a strange and mildly amusing sight to see the head seraph get scolded like a misbehaving child by this massive dark entity. But here we are anyway!
- At one point during the tongue lashing you’re giving to your niece, Emily buts in and asks for an explanation for what’s going on; having not heard Sera’s previous explanation to Adam apparently.
- Your temper flares for a brief moment, and you just about launched into another lecture at the little shit who DARED interrupt you. But upon seeing Emily, you softened considerably, seeing that she was young and TRULY didn’t understand what was happening.
- “AH…I APOLOGIZE DEAR, BUT I DON’T THINK I RECOGNIZE YOU…COME CLOSER LITTLE ONE SO I CAN SEE YOU.” You slowly crouch down and lower your hand, offering Emily to climb onto it. Emily is hesitant, obviously a bit scared of you. But Sera encourages her to go to you, she knows that you won’t hurt Emily and it’s high time she meets her aunt anyway.
- With the small seraph in hand, you stand back up to your full height and bring her closer to your face. Now FINALLY able to see her properly, you speak. “YOU’RE FAIRLY YOUNG FOR A SERAPH…YOU MUST’VE BEEN BORN DURING MY SLUMBER, AND IN THAT CASE I APOLOGIZE THIS HAD TO BE OUR FIRST MEETING. TELL ME, WHAT IS YOUR NAME CHILD?”
- Her voice trembling slightly, Emily tells you her name and then asks who you are and asks if you’re a seraph like her and Sera. The innocent question gets a genuine laugh out of you, and despite it shaking the ground it’s a lovely sound. “OH CHILD, I AM FAR FROM BEING A SERAPH. THOUGH I CAN SEE WHY YOU WOULD THINK THAT. YOU WERE ALL MADE IN MY IMAGE AFTER ALL.”
- Seeing the visible confusion on Emily’s face, you elaborated. “LONG AGO, YOUR FATHER WANTED TO SHOW HIS APPRECIATION OF ME. SO FOR HIS FIRST SENTIENT CREATIONS, THE SERAPHIM, HE BASED THEM ALL ON ME.” Emily looks surprised, and follows up by asking how you know God.
- You give another genuine laugh at her question. “SWEETY I’M HIS YOUNGER SISTER, I AM “DEATH”, THE GODDESS OF WELL…DEATH. BUT YOU CAN CALL ME “D” OR “AUNT D”, MOST OF YOUR SIBLINGS DO.” Emily’s mind is blown “Wait! YOU’RE aunt D?! Sera told me all kinds of stories about you before you went to sleep, like the time you got into an argument with Father over his invention of the “Snuggie”. I never thought I’d get to meet you!”
- “IT WAS LITERALLY JUST A BATHROBE YOU WORE BACKWARDS, AND I STILL CAN’T BELIEVE HE THOUGHT THAT WAS AT ALL CLEVER.” You huff, feeling amusement and mild irritation at that memory.
- “SPEAKING OF YOUR FATHER, WHERE IS HE?” Sera speaks up, having managed to recollect herself, and explains that no one has seen or heard a word from God since before you went to sleep.
- The irritated snarl that leaves your throat sounds like thunder and shakes the ground, making everyone tremble with fear. “THAT LAZY BASTARD HAD ONE FUCKING JOB, WATCH HIS DAMN KIDS, AND HE COULDN’T EVEN DO THAT?! NO WONDER THIS ALL HAPPENED THEN, HE LEFT YOU ALL UNSUPERVISED!”
- Bending over, you carefully set Emily down before standing back up. “I HATE TO CUT MY INTRODUCTION SHORT, BUT APPARENTLY I NEED TO GO AND HAVE A LITTLE CHAT WITH YOUR FATHER.” You stare pointedly at Sera and continue. “DON’T THINK THIS MEANS YOU’RE ENTIRELY OFF THE HOOK EITHER. WHILE YES, YOUR FATHER’S ABSENCE IS MOSTLY TO BLAME FOR THIS DEBACLE, YOU ALSO KNOW BETTER THAN TO DO SUCH TERRIBLE THINGS. WE WILL BE DISCUSSING THIS MORE ONCE I FINISH WITH YOUR FATHER, AND IF I COME BACK AND FIND OUT YOU HELD ANY MORE OF THESE “EXTERMINATIONS” I WILL TURN YOU INTO A HOLLOW! DO I MAKE MYSELF CLEAR?” Looking at the ground, Sera nods and says “Yes Auntie D…”
- Satisfied with that response, you bid everyone farewell and slowly melt back into the ground, completely disappearing. Once you’re gone, the sunlight is back and it’s as if you were never there.
- Now the seraphim have to soothe the murmuring crowd while Sera starts attempting to get in contact with Lucifer to let him know that “Hey Aunt D found out about the exterminations and is NOT happy about it. She just got done yelling at me, and now she’s on her way to go read Father the riot act. Just warning you now because once she’s done with him, you’re probably gonna be next.”
- Lucifer receives the message and is now frantically trying to create peace offerings in hopes they’ll make you more amicable, while also preemptively planning his own funeral in case the peace offerings don’t work.
- Meanwhile in God’s palace, God is currently relaxing in an elaborate hot tub and watching American football on an absurdly large TV whilst drinking wine like it’s water. He’s pretty drunk and having a grand time yelling at the TV.
- His fun is interrupted through by you literally kicking in the door and storming in, you’ve shrunken down to your smaller size so all your features are actually visible now and not covered in darkness as you glare at your older brother with an intensity that could peel paint.
- God startled momentarily before seeing it’s you and giving you a dopey smile. He’s also in his smaller form, so that makes things slightly easier for you. “Ohhh heeeyyy Death!…You startled me thereee…It’zzzz beeen awhillle, huh?” You scoff at his slurred speech, in disbelief that he could be so drunk right now.
- “Yes, it HAS been awhile. Good to see that you still choose to spend your days getting completely wasted instead of tending to your children.” You answer tersely, and God rolls his eyes. “Zzstill the saaame old ssstuck up bitch…Tha kidzz are fahine Deee! Yyyoou should cohme haave ah drink wib meee.”
- You ignore God’s offer for a drink and cut right to the chase. “No, your kids are NOT fine! When was the last time you checked in on them?! Do you even know what they’re up to right now??!” God dismissively waves his hand and chugs more wine. “I juzzt checked on thhhem ah couple decades aghooo..They’rrre prohably makinnn neeewh liffe.”
- “God that is a load of shit, and you know it! I was JUST down in Heaven, and the seraphim told me that you haven’t seen or spoken to ANY of them since I left to take my nap eons ago! And furthermore, while you’ve been in here drinking the day away, your children have COMPLETELY destroyed the balance we created! They’ve been mass slaughtering Demons annually for millennia now, and Limbo is a complete disaster right now because of this!” Hearing this, God looks down at his bottle of whine, embarrassed, and mumbles an awkward “oh”.
- Silence hangs heavy in the air for a moment before God clears his throat and says. “Zzsooo…You’rrree NNOT gooing to drink wiff me?” At this you snap and snatch the wine bottle from God and chuck it at the TV, smashing the bottle and the TV. God shouts in anger but before he can ask you wtf that was for, you just lay into him. Calling him a deadbeat and pathetic excuse of a deity.
- “How can you just sit in here day after day, while your CHILDREN are out there causing such mayhem! Do you not love your children all??!” God is shouting back at you, his anger having sobered him up some so he’s not slurring as much. “How DARE you accuse me of not loving my children! I would giive ANYTHING for them and you know that!”
- “Then fucking ACT like it!! Don’t just sit in here and rot your mind with booze and TV!” God growls. “I don’t need you to tell meee how to handle my children! Why do you even care?! It’zzz not like they’re yours anyway!”
- “I care because they are part of MY family, and I want my family to be safe and happy, something that you couldn’t give less of a shit about apparently!” God throws his hands up at this point “Well what do you want from me Death, go hhhold their handz?! My children are ALL capable of thinking and being on their own, they don’t NEED me to do shit for them!”
- “That doesn’t mean that they don’t still need you there emotionally! But with the way you act maybe it’s best you ARE never there! After all, what use could any of them get from your pathetic drunk ass!!” This clearly struck a nerve as God points back at the door you came in through and roars at you to get the fuck out of his house. Growling, you give a harsh “Fine!” and tell him he can sit and be a drunk deadbeat all he wants because you’re done with him and his shit, and he’s NEVER to contact you again unless it’s in regards to his children or business.
- You stomp out of God’s palace and return to Limbo, wanting to start working on getting things cleaned up and cool off some before you go check on things in Hell.
- Once you’re gone though, God slumps his shoulders and hangs his head. With your venomous words echoing his head, he summons another bottle of wine and begins chugging it while he trudges into his bedchambers.
- He flops down onto the bed and picks up a framed photo and slowly brings it closer to his face. It’s an old photo, one taken shortly after God created the first few seraphim. You and God are both standing next to each other, arms around each other’s shoulders and leaning in close while the first seraphim all stand in between the two of you. Everyone is absolutely beaming, and God looks especially happy; so proud of his creations.
- Tears drop onto the photo as God remembers how things used to be back then, back when he was actually NEEDED by those around him and wasn’t just some brand figure who’s only job is to smile and wave. Even as he slowly sets the photo down, tears continue to fall and he holds his head in his hands. “…I’m sorry I’m so damn useless…Hopefully you’ll forgive me someday…Not that I deserve it though…I’m…so fucking sorry…” No one is there to hear God’s sobs, and eventually he passes out. He’d rather be dreaming of happier times anyway.
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one thing about me is that i love answering questions. you could ask me the most ridiculous hypothetical known to man and i will consider it with scientific curiosity and sincerity
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w98pops · 5 months
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about volga
hes mute (autism),
loooves to draw and make paint out of questionably safe materials (autism),
really into woodcraft, mostly children toys and masks (autism)
and loves their dad very very much.
they're a bit of a rebel teenager stereotype with an UNEXPECTED TWIST where volga actually respects his elders and is a big part of his community. volga is also a furry and his super-mysterious-vigilante mask is their fursona called the bullsparrow (all rights preserved).
so yeah, volga is a certified cool guy of the young generation of khans because they're mysterious (mute) and potray themselves in an unconventional way (furry).
i kinda got too much into the jacket i forgot i had to design a character 😭 but i think its great. also the handprint on the back is bleached out by volga and is a handprint of his dad, because nicodemus loves to pat his son on the back and volga is very sentimental about it.
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count-nicula · 5 months
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genuinely hate whoever came up w the lie that being hairy disqualifies you from being femme
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dhmis-autism · 3 months
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Why do you think there’s such a strong military motif associated with Duck Guy throughout the show? I’ve always thought that it was because he’s the one who cares the most about having a routine/‘order’ in the show (Or at least as close to an order as the surreal world of the show allows them to have). This certainly hit me in the last episode the most where it almost sounds like Duck is nearly brought to tears when Yellow Guy isn’t talking and acting like he typically does. There are other characteristics with Duck that I believe could me closely associated with militaristic ones (Such as his anger and desire to be the center of attention in their lessons), but wanting their world to keep sticking to its routine and not enjoying change at all are the main traits that stuck out to me the most.
OKAY NO INTERESTING QUESTION AND VEEERY INTERESTING TAKE HERE I LOVE ITTT I LOVE THIS ASK I LOVE IT HEREEEE !! OKAY! OKAY!
First of all I do think it’s VERY sweet that Duck sounds like he’s about to cry in episode 6 it’s very sweet and very funny to me.
Second- I’ve seen a lot of takes on his weird little military thing!! The oddest of those takes (TO ME) has been the idea that he somehow served. At some point. In some sort of legitimate puppet war. MY interpretation of his little puppet thing tends to lend a bit closer to what you think!
So, personally, I see all three of them as autistic (big shocker) and his intense military interest (hyperfix maybe...) REALLY reads to me less like someone with actual experience with it, MORE like a violent, weirdo, shut-ins IDEA of what it’s like. Which makes sense to me! It’s a pretty apt combination of a lot of his expressed interests
(violence,
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technology,
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order/routine thing you pointed out,
repetition,
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his recurring thing about respect
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it’s like a perfect venn diagram of stuff he would be into! It makes a lot of sense to me, actually. I think he talks about the military the way we talk about the guys tbh like same hat different head type deal. In my head he's like. At his chair like WHO WANTS TO HEAR ABOUT THE RUSSIAN MILITARY BEAR FROM WORLD WAR TWO FOR 45 MINUTES and YG is like YAAAAAAAAAY and RG is like you already. We’ve heard this one. We know how it goes. You don’t have to say it again.
I also think the routine thing is a very autistic thing lol! I know me personally, I like knowing what i Have To Do in a day or else I get kind of restless or aimless and I can’t handle myself well. Like, I’ve gone out before and had plans change on me suddenly and gotten so distraught at just the change in what we were Planning To Do that I almost cried and needed to sit quietly for a minute. From what I can tell it’s a pretty common autism thing!
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So to me, the military thing is a hyperfixation for him + the strict adherence/ almost reverence of routine is just an autism thing. But that’s my take! :] Thanks for the message!!
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whatsanameanyway · 4 months
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wanted to do some ddvau fanart bc i love the series and these guys are everything to me
au by the amazing @kitsuneisi and @xmaruu11 you guys are amazing
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hershelwidget · 15 days
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guys idk i think this might be the captain
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hey side note has barnacles seemed happier lately? yeah i think he’s just smiling a lot more. good for him
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closeup of his big ol grin because he put a lot of effort in. he brushed his teeth and flossed just for this photo guys look at that award winning smile. hey does anyone else feel dizzy and li
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