Anyway. Akumatization as traumatic. Losing your autonomy and sense of self. Hawk Moth taking advantage of you at your absolute worst. Knowing there's nothing you can do short of not feeling negative emotions, but that stress just causes you to feel more negative emotions--people bottling up everything until it explodes in an absolutely perfect storm for Hawk Moth himself. Seeing your friends and family turned into villains and there's nothing you can do about it--only two people can do anything about it, and they're barely surviving themselves. Not wanting to be the trigger of an akumatization. The guilt. The fear. The anger. The collective trauma. Everyone knows someone who's been akumatized, and more and more people are getting akumatized themselves. It doesn't matter how much it's no one's fault--it's everyone's fault. Everyone feels like they can do better, be better, and it's making the problem worse.
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Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.
And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.
That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.
Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.
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god thinking about katsuki murmuring "gotta win... right izuku?" right before charging right into his death is so so so fucking batshit insane of a thing to include. like he's yearning for him. like not only is he speaking as if izuku is still at his side, but he still remembers what izuku said to him all those months ago and is fighting to live up to the version of himself izuku admired. and then he goes "tell me.... izuku.... can i still reach you" CAN I STILL REACH YOU LITERALLY LONGING FOR HIM, TELL ME, ONE LAST THING BEFORE I GO, JUST TELL ME IF I CAN REACH YOU FUCKING I'M LOSING MY MIND OVER HERE IT'S PEAK PINING TRAGIC ROMANCE
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god i fucking LOVE shows fuck the whole concept of shaming people for watching tv all day or binging a show i am CONSUMING ART
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a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…
you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.
and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.
it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--
the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.)
for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.
melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack.
for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.
the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands.
for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.
the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.
anyway. this was a post about naddpod music.
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In sally and poppy's character page it says "Sally and Poppy are often depicted together and, according to recovered material, could potentially be best friends."
and to that i say, best friends my ASS!!
those are lesbians right there
oooo i actually talked about this in the update stream when i was reading the updated bios! to restate!
a common Cover for lesbians used to be "best friends". why are those two women living together? why they're best friends, so why not! why do these women spend all their time together? they're best friends! why are those women so physically affectionate - well! they're best friends! an excuse that would never fly with gay men is perfect for lesbians.
and you still see this in recent years! remember all of the posts making fun of facebook moms / grandparents seeing photos of lesbians and going "well they seem like a lovely pair of Best Friends!" this still happens! i'm sure there are people today seeing lesbians and thinking that they're best friends. the amount of times i've pointed out to my own parents "they're gay" and gotten surprise and sometimes even denial is response because they genuinely thought these blatantly gay people were only friends
to me and my current knowledge, this addition to Poppy & Sally's bios is evidence worth considering with this context. a tally in the "canon Popstar?" box!
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POV you’re a medieval townsperson in a poor village that’s being frequently raided and the only plan anyone has is for this one mom to go fetch her son from another town, but when she comes back, not only is it with her son- who you remember as this weird awkward kid- and two other women, but with the fucking PRINCE of an enemy kingdom. and after you recover from the shock of that, you realize that the prince and the weird kid are like……… really close. they’re always having private conversations and staring into each other’s eyes and you heard tell that the prince is sleeping on the floor of the kid’s hut? you remember hearing that this kid was the servant to the prince, but clearly you missed something along the way, because this literal actual prince who is here in your town won’t stop smiling fondly and making the world’s most obvious heart eyes at this random lanky teenager from your small village.
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