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#given your shipping history you may not like them
beenoeila · 2 months
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A list of underrated fics I adore.
▪️this don’t feel anything like sinking by
@dontcallmebree
A little over six weeks and his knee heals only for his breathing to act up. It may have been a handful of decades—coming up on a century, even—but he never did forget how it felt to wheeze through the night.
Steve sees it coming when Dr. Youssef tells him his lungs are taking a turn.
The year 2032 brings about the Summer Olympics, the coldest winter of the decade, and an end to Project Rebirth.
🔹 Learning to want by @luna-rainbow
Bucky is still trying to piece together his memories, but at least he now had Steve with him.
When Steve asks him if he wanted to meet with his sister, Becca, his response was, "I don't know about wants...I'll start with the shoulds."
Steve and Bucky goes for lunch with Becca. Steve and Bucky dealing with memory loss. Steve and Bucky being mutually pining idiots.
▪️better to speak or die by emilywithoutY (@between-a-ship-and-a-hard-place)
Summers in C. are as endless and hazy as when they were kids. All James wants is to play his part well enough that his mother stops looking at him with that twist of regret in her smile.
The only thing to break the sun-soaked monotony is the arrival of the new summer intern. While the rest of the household—and half the village—fawn over Steve Roger’s movie star looks and understated charm, James finds him aloof and his polite interest near unbearable.
But as they collide in vulnerable moments, the sparks of frustration ignite something neither has the power to stop.
Do you think Jonathan understood what happened that day David first stepped into his father’s court?
🔹The weapon remembers by pushdragon
The Winter Soldier finds old fantasies of Steve in his memory, and takes them for reality.
He's got two days to sort out all his mixed-up history, before he puts himself back in cryo freeze. Harder still, he's got to convince Steve to let him do it.
▪️Preberseeschießen by Ginny_Potter (@hipsterdiva)
Bucky takes his time, ignoring his comrades’ cheering and Gaiswinkler and Mariandl’s teasing. From his position, Steve only has an oblique view of Bucky’s face, which is mostly in the dark anyway – the strong line of his jaw, a smudge of grease on his cheekbone, a sweaty lock of hair curling on his forehead, his mouth pouting in concentration. Steve itches to draw him, to take out his battered sketchbook and reproduce that instant of perfect imperfection. Steve itches to touch him, push back his unruly curls, wipe away the smudge on his cheekbone, cup his face in his hands and…
Bucky breathes out and shoots. The bullet hits water… and there it is, the zapping sound of paper tearing.
The light turns on and off three times. Third circle. Just a lick out of bullseye.
The Howlies explode in cheers.
Or, the Howling Commandos play a shooting game with the Austrian Resistance and Steve has lots of unresolved feelings about himself, his new body, and his changing relationship with Bucky. In other words, comrades are comrades, angst looms, and Steve feels.
🔹Till there were no more wolves in the West
by @dharmasharks
“I’m afraid of a lot of things, Steve,” Bucky says softly.
“But this thing sticking in my heart—the part of me that’s yours? It is the best part of me. Maybe the only good part.” His rueful smile wavers. He makes a pained expression.
“What if it’s the only good part?” he asks.
Two Brooklyn boys find themselves aboard an orphan train headed west in 1854. Across farmland, war, and the lawless frontier, a childhood promise helps them find each other again.
(A Western SteveBucky retelling.)
▪️Hiraeth by ixalit
Hiraeth
noun /ˈhɪraɨ̯θ/
[Welsh] A homesickness or nostalgia, an earnest longing or desire, or a sense of regret. The feeling of longing for a home that never was.
🔹Undone by justanotherStonyfan
You’d think, given everything, that if one of them were going to regress, that if one of them were going to break down, it would be Bucky.
(Set mostly after Endgame - canon deaths remain but Steve doesn't leave)
▪️But You Can Hold Me (Only 'Cause It's a Cold Night in Brooklyn) by Voylitscope_speed (@voylitscope)
This should just be two friends getting off after the burlesque show. This should just be two pals both thinking about the girl. That would probably be okay, Bucky thinks.
But then he ruins it all when he says,
"Come here," and puts a hand out to tug on Steve's shoulder.
(Or: Sometimes, Bucky and Steve lend each other a hand, literally. Bucky tries not to be weird about it, but he's always been bad at controlling his thoughts about Steve.)
🔹Midlife Crisis by profoundalpacakitten
Steve isn’t expecting much of anything from life, he’s content to coast by, letting life flow past. Get up, get dressed, get to work, get home, get to sleep, rinse and repeat.
▪️ The Magic Touch by @broodybuck
The soldier is finally free but he has one big problem, he can't finish. Until he meets a man called Steve who apparently has the magic touch.
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talenlee · 11 months
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Hanamusa, Explained
There is a nonzero chance if you follow me on tumblr, you’ve seen the term ‘Hanamusa’ attached to something I shared. It’s probably also some super cute art of Delia Ketchum and Jessie Teamrocket, and you may wonder what is going on and also, why is there so much good art of this.
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Hanamusa as a term derives from the Japanese names of the characters – Hanako and Musashi. If you’re into shipping name structures, Hana-Musa implies that Hanako is the seme and Musashi the uke, but I don’t think that holds for all use cases of the type of terminology. It’s a ship. It’s an AU ship, as in an ‘alternate universe’ ship, where the two characters are presented in a context outside of the normal context of the anime presentation of them.
The Hanamusa ship as I understand it is set at some point after Jessie and James stop chasing Ash around, and Jessie settles down into a relationship with Delia. There’s tension about her history with Ash and the confusion about finding Your Personal Villain dating your mom, but mostly it’s about showing a sweet domestic life between two characters you know very well in a format I kind of see as like, Comedy-Sabot Romantic 4koma. Like, Hanamusa content is funny (and it is VERY funny) but it doesn’t need to be funny, because the main thing it’s about is showing these two characters and their relationship as they do cute things together.
It’s why people watch shows like K-On basically.
As for where this idea comes from, (EDIT: Slightly wonky wording here, I should have phrased 'this current fandom push' - I don't have any reason to believe Mai INVENTED the ship, just that when you go looking you'll wind up at her work) it seems to have its genesis with the work of one Kiana Mai, who developed this ship some time ago. Kiana Mai is also an extremely skilled artist, and one of those skills seems to be focus, creating these extremely clean-line excellently structured scene vignettes with no unnecessary content in them but also no need to rocket along. It’s amazing, engaging work that uses every part of the small format amazingly well. Which makes sense because one of the things Kiana Mai does is storyboarding work for Disney animated TV shows, a task at which I am sure she no doubt excels.
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What I think is the most interesting aspect of Hanamusa, to me specifically, is that it manages to combine three things I don’t actually care about, in a way that doesn’t interfere with something I have unexpectedly strong opinions on. I do not watch Pokemon, and I have not shed a tear for Team Rocket and Ash Ketchum wandering into the sunset. That is a show that is not for or about my interests and that is okay. Indeed, imagining that it should be about what interests me is baffling. I think if I stopped watching a show twenty years ago, I have lost all right to act like I’m entitled to expect it remain the way it was all the way back then.
But I do have opinions on Jessie and James’ character voice. Not their voice acting – I mean, I know for a fact they’ve had to change over time and no voice actor should be obligated to kick it in the same role for what could be their entire career. I mean the way they talk about things and the words they use and kind of emphasis they put on words when they talk. About the way they voice their ideas, or the way they express who they are in the way they talk to one another, that stuff. It’s about affordances and persona, about the kind of people you project being by what words you choose to use and the affect when using them.
It’s why when, if a picture of a character is underneath it, you can read some dril posts as being ‘appropriately’ voiced by a character, even if it’s describing a candle situation that Francis Crozier did not have opinions on.
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Jessie has a voice.
Jessie, in my head, is someone capable of moments of tenderness and friendship that is normally overwhelmed by an incredible confidence in ability she does not have and mere reality will never be given permission to infringe on it. Jessie is unassailably unstoppably sure of herself, thoughtlessly stupid in a way that doesn’t mean she is stupid, but which exists in a context of someone who has relentlessly pursued excellence in her job which is also the equivalent of being a late night 7/11 manager. She is the Girlboss that is Gaslighting herself into thinking she has something to Gatekeep.
Delia Ketchum by comparison is a very nice piece of wallpaper. Every appearance of her in my mind is someone Very Nice who is Very Patient and Very Supportive and has managed to keep literally all emotionally challenging conversations from happening around Ash, which can be perhaps easier when you remember that he, too, is an idiot. I don’t know how Delia Ketchum talks, but I do know that there are ways that Delia Ketchum does not talk.
This is interesting! It’s interesting because it presents a character where I am very sure I know what she does do when she does it, and a character about whom I can only be sure wouldn’t do some things. It creates a character space, and it creates expectations of affect and performance within that space. Ash and other characters show up as well, but because they get to interact with this already-defined space, you get treated to this really lovely kind of resonance. Would Ash call Jessie ‘dad’? Maybe, to bug her. He was good at being a twerp. Wasn’t he? I mean I remember it that way, he seems to work out that way, but… how would I know?
I know more of this AU where Jessie is studying to be a Pokemon Doctor and Ash wears glasses than I do of the source material any more. And if you’re wondering ‘hey, do Jessie and Delia ever meet in the source material?’ Like, yeah, for a few seconds. What, the point is creating something new.
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If you want to check out Hanamusa stuff and read the comics, I recommend going and clicking on the hashtag on tumblr.
Check it out on PRESS.exe to see it with images and links!
#Anime #Media
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beepboopkek · 4 months
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— I will always come to your aid (AFAB!Reader)
AMAB!Reader has also been posted! including: Jing Yuan cw: !!NSFW!!, afab!reader, grammar and spelling errors possible, pwp but barely, hinted that reader has a s1ze k1nk, f1ng3r1ng, reader is a little sarcastic, still spreading my Jing Yuan is a Bastard (affectionate) agenda, masturbat1on, getting caught masturbat1ng, d1rty talk, cum eat1ng, no use of y/n, reader can be interpreted as the trailblazer but they are NOT stelle/caelus, safe sane and consensual w/c: 2k a/n: people liked strip starchess so much so here is another one of my brainrots... i dont usually like this troupe that much but i find myself excusing anything and everything for jing yuan so here we are. for my male reader likers i got u, its being posted right after this so you guys can enjoy too :3. also just remember that this is NOT stelle/caelus, its the you haha, i dont like shipping the raccoons with anyone as a personal pref so im just making that clear :3. anyways same warning as last time this is like my third time writing smut and also english isnty my first language. enjoy!!
The crisis on the Xianzhou Luofu was mostly over.
Which meant you had to leave the man you had fallen head over heels in love with.
Well— love may be an exaggeration but you weren't fucking around when it came to him.
Jing Yuan.
Your eyes had been hooked onto him the second you two met, his pleasant smile, his calm demeanor, his body—fuck, everything about him enamored you.
You could only wish that there was some other universe where he reciprocated your feelings.
You departed with a respectful nod of the head, despite wanting to smoosh your face between his pecs and cry about never getting to see them again.
The only hope that you did have though, was the jade abacus he had gifted you and your companions.
“No matter how astronomically distant you are, The Luofu Cloud Knights will always come to the aid of the Crew, whatever your need may be.”
Of course, his next sentence was to not use it for trivial matters when he saw March’s reaction, much to your amusement.
There was a discussion on who should keep the jade abacus, March being ruled out first much to her annoyance.
It landed between you and Dan Heng and given his history with the Xianzhou Luofu, he handed it to you.
That's how you ended up here, standing in front of your locked door with the abacus in your hand.
What if you grip it— You need to rinse your brain with cold water at this point…
You flopped onto bed, letting the exhaustion of the day seep into your bones as the plush blanket and pillows surrounded you.
You threw the abacus to your side, you'll take care of it later, not like you're gonna need it right now anyway.
Your mind flooded with images of Jing Yuan, his voice and everything you had been through together.
Fuck.
Your hand drifted towards your pussy, already feeling some wetness gathering at the thought of what you were about to do.
— Touch yourself to the thought of the General of the Cloud Knights on the Xianzhou Luofu, one of the most powerful beings to ever exist in history.
You shook your doubts away, he's just Jing Yuan to you.
You took off your shorts in record speed, tossing your panties along with it.
You never really touched yourself that often so you tried to imagine your hand being his instead.
You rubbed your clit, gasping at the cold touch of your fingers on the warm flesh.
How would he touch you?
He'd take his time, surely. He's not one to rush things— He'd work you open slowly for his cock—fuck, you're sure it's in proportion with how goddamn large his body is.
You moaned as you inserted two fingers inside you. You wanted to imagine Jing Yuan doing it, really, But, you also wanted an orgasm quickly so you can sleep. So, you just decided to go with imagining his voice talking to you.
You pistoned your fingers in and out, curling them at the spot only you could reach with your much smaller hands.
It was too intense, the thought of his deep voice guiding you through was enough to get your orgasm to graze along the edges of  your belly slowly, building up to be a strong one.
You grabbed the blanket next to you, gripping it tightly as you whispered Jing Yuan's name and continued thrusting your fingers inside you.
You swear the normal part of your brain recognised you gripping an object while gripping the blanket as well but you were genuinely too out of it to care in the slightest.
You're just about to orgasm when everything in your room rattles, as if there's an earthquake. 
Which should be impossible considering you are literally on a massive train that travels through space.
You let go of the blanket and sit up in shock, looking around to see what happened.
…With your fingers still inside you.
“Followers of the Nameless, I am here to assist you, tell me about the situ— Oh.”
You blinked.
Jing Yuan blinked.
Oh. Fuck.
You scrambled, ripping your fingers out and slapping your lower half with a pillow.
“J-Jing Yuan I-” 
You gulped, trying to calm your racing heart, you just got caught masturbating by your crush.
Life is going great.
Your cheeks and ears were beet red now, opening and closing your mouth as you tried to say something, anything to get you out of this situation.
Jing Yuan was just as surprised, if not astonished, by the scene that had unfolded in front of him.
He was finishing up some paperwork that Lady Fu had so kindly delivered to him in the Alchemy Commission when suddenly, the jade abacus he had clipped to his belt loop started vibrating.
Not one to panic, he quickly unhooked it and got it closer to his ear, so that he could hear what the Express were asking of.
What he didn't expect was to hear the voice of his crush, the one that he has acquired after decades of not entertaining any romantic relationships, whispering and calling out his name.
Okay, maybe now he should panic.
Without a second thought, Jing Yuan summoned his weapon and gripped the jade abacus back, signaling it to teleport him to your location.
Paperwork be damned he would rather lose a hundred years of his life if it mean you would be safe.
That landed him here, in front of a half-naked (and very surprised) you.
He dissolved his weapon into thin air and folded his arms against his chest.
“Well, this is a surprise.”
“Wow, you don't say.”
Jing Yuan raised an eyebrow at your tone.
“S-sorry, I don't know how you got here.”
An interesting turn of events.
“... Did you not call for me?”
“No, Why would I? Even if I did, how did you just…magically appear here?”
“Oh, dear.”
“What?”
“The jade abacus. I think you… I think you gripped it while you were…busy.”
He looked into your eyes and back down at the pillow that was barely covering your lower half.
“The jade aba—” 
You cut yourself off, turning to your side to where you had thrown it, only to find the wretched object to be in the center of your crumpled blanket.
“Fuck.” 
“Jing Yuan— I am so, so , so, sorry, I swear this was an honest mistake and I'll—”
Jing Yuan cut you off with the raise of his hand. “I forgive you.” “Really? Great let me j—”
“On one condition.” Of course there’s a catch. You sighed begrudgingly.
“What do you need help with?” “Quite the opposite, actually.” Your eyes widened but before you could let out your protests, Jing Yuan spoke up again. “You let me help you finish.” The gall of this man.You’re still going to take the chance that he doesn’t know what you were doing. “Finish what?”
You tried to sound innocent but your voice came out breathier than you wanted it to be. “Dont play coy now, you know exactly what I mean.” Your face burnt in embarrassment as you looked away. Jing Yuan dragged your desk chair and got it to the front of your bed before sitting down and making himself comfortable, propping one leg on the other and leaning back. “Go on, show me exactly what you were doing before I got here,hm?” “I can’t.” Jing Yuan paused, shit, had he misread the situation? Maybe he should—
“I can’t do it without you.” You had covered your red face at this point, way too embarrassed to look him in the eye while speaking. Jing Yuan just about lost it at that, abandoning all doubt and pouncing on you, grabbing your face to take you in a devouring kiss. He threw the pillow covering your bottom half in a random direction, quickly pecking you on the cheeks before pulling your hand over his. “Guide me.” You nodded shyly and pushed his hand towards your dripping pussy again. Fuck. His hands were just the way you imagined them. Warm and big, enough to hold your own two hands.
His hand (under your guidance and insistence) cupped your pussy and grinded the heel of his palm into your sensitive clit. “I’ve barely touched you, were you this wet while we were talking,hm? Did it turn you on to have me catch you in such an embarrassing state?” Jing Yuan whispered in your ear as he hovered over you and you thanked every aeon known for this opportunity because fuck, your imagination did not do any justice to how good the general was. Jing Yuan dipped the tip of his finger in your core, not entering but adding just enough stimulation for you to feel something there.
“Answer me.”
“No, I swear I didn’t, Jing Yuan, please—”
Jing Yuan smiled, he didn’t know you would be this easy to subdue.
He gently thrusted his finger inside, watching your face for any discomfort or resistance.
But, he was only met with your blissed out face, as you gasped in pleasure from his ministartions.
“Were you able to reach here?” He curled his finger upwards, hitting your sensitive spot just right.
You threw your hand over your mouth, pinching your mouth shut and praying, once again, to all the aeons you knew that the other passengers on the Express were dead asleep and couldn’t hear you. Granted, your room was the last in the carriage and had a decent amount of sound proofing but, you were still not risking it.
Your snapped out of your worries when Jing Yuan pushed in another finger alongside the one that was already in you.
“It looks like you’re getting distracted, maybe I’m not doing my job well enough?”
“N—Fuck, Its good, I’m sorry—Shit—”
Jing yuan simply kissed your head affectionately like he wasnt fingering you to hell and back right now and picked up the pace of his fingers.
Your hand was just gripping his wrist and you werent sure if it was to egg him to continue or get him to slow down and stop.
Maybe both.
Your head rolled back on the bed, exposing your bare neck to Jing Yuan as he immediately took the opportunity to cover your neck in kisses, Aeons be dammed. There's no way hes letting you walk out of this room unmarked and not carrying any proof of the evening you spent with him.
You gasped as your orgasm finally, finally overtook you. You shook in the general’s grasp as he continued thrusting his fingers in and out, drawing out the pleasure.
Taking his soaked fingers out, he popped them in his mouth, savouring the taste while you recovered from the intense bout of sensations you just went through.
You propped yourself up on your elbows again, looking at Jing Yuan owlishly as your head cleared from the horniness.
Jing Yuan only smiled at you before holding your head and kissing your forehead again before gathering you in his arms.
“Call me old fashioned or old but I do believe in the proper process of courting someone and,”
He looked into your eyes as he cupped your face in one palm and brushed the thumb along the seam of your chin.
“I think we skipped a few steps.”
“Yeah, no shit, general.”
He laughed at that, his chest shaking as the deep sound rumbled from his throat, you blushed again.
You were in the arms of the man you’ve wanted to kiss since you stepped foot on the Xianzhou ship.
You covered your burning face with your palms again as Jing Yuan’s laughter died down into little chuckles.
“We did all of that and youre getting shy now?”
“Shut up. You have no idea how much I’ve wanted this.”
“Wanted what? To get fingered by me?”
“No! — I mean that too, I guess, but I meant being held by you! Stop playing games, Jing Yuan.”
Jing Yuan only laughed as he took his free hand and grabbed your hands, turning them towards him one after the other and kissing the palm.
“I jest, I jest. But, I must stay here for the night. I’m afraid I cant travel back to the Xianzhou Luofu seeing as we aren’t closeby.”
You smiled.
Jing Yuan’s eyes twinkled in mischief right back at you.
“Be my guest.”
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amuseoffyre · 7 months
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In The Soup
From my first watch, I couldn't help notice the number of reference to soup and broth all the way through the first three episodes and I've been - to be thematic about it - simmering said thoughts overnight and now have put them in order.
'Susan's' soup kiosk
"this broth…may be the best thing I've ever had"
noodle soup on arrival on the ship
the underworld boil-up
"we could make soup"
There is something very significant about the fact that Zheng's chosen cover in the Republic of Pirates is as the owner of a modest little soup kiosk. Jackie even refers to her as the "soup bitch".
It's a sign of how good Zheng is as hiding in plain sight because soup is a universal staple in almost every country in the world. No one questions the presence of a soup stand, because who wouldn't want a nice bowl of soup?
There's something about soup that is seen as a universal basic and comforting dish. There are dozens of proverbs about soup being like home or something to bring someone when they're ill. It's a quiet symbol of safety and comfort and home and Zheng absolutely uses this.
And she doesn't just keep it for the land ruse. More warm and delicious soup is served up on the ship: Stede and his lot get it as a meal and then when they bring the remains of Ed's crew over from the Revenge, they're wrapped in blankets and plied with soup too.
The thing is that we've seen how Zheng operates when she subdues Bartholemew. She doesn't even need to use threats against him. Champers and a tasty meal and a sympathetic ear and she gets what she wants. Even Stede falls for it, right up until the moment she points out that the other alternative was "or death". This is the blade they are all now living under.
Do not trust the comfort of the soup. The soup is a trap and an illusion.
This is even more significant in Ed's scenes with Hornighost. The soup he's making there is reminiscent of Māori boil-up and given that he's a manifestation of Ed's own brain, this once again gives the illusion of comfort and home as well the adage as soup being best for a recuperating invalid.
Only coming from Hornigold, that comfort and warmth becomes a horror. "It's poisoned!" Ed says as soon as he realises who's holding the spoon. He sees something deadly and a trap. He knows this isn't what it seems.
Being fed by a man who has past history of killing people with the things he fed them and who threatened to feed Ed his own skin makes that soup a very real and tangible threat.
Their next conversation on the beach is very telling. "You've got to move on or you blow your brains out… or we could make some soup." And Ed chooses soup. He chooses a warm and good food. He chooses something that is two of his reasons to keep living: warmth and good food. The fact he gives voice to good food and warmth being two of the things he values most, the repetitive appearance of soup and mention of gravy in this purgatory is Ed's subconscious grasping for what he really wants and needs, but never quite getting it.
Only once again, the soup is a subterfuge, because what's happening can't be ignored. No matter how safe or homey or domestic it looks, Hornighost keeps on slipping in the knives and all of Ed's worst thoughts and impulses keep coming to the surface. He wants the warmth and the comfort that soup symbolises, but the soup is a lie. He can't get that. Not here. Not now.
And last of all, the classic old idiom, when things have gone wrong and you find yourself in trouble: you're in the soup. They have double-crossed one of the most powerful pirates they have ever encountered, broken her ship, stolen her crush and are on the run from the English. They are most definitely in the soup.
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Hiiii me again
Related to the post about the ownership of characters and the tags you put-
I just wanted to mention that you’ve given me a lot of confidence. I used to be the type of person who believed “if your oc even breathes in the direction of a canon character, it’s cringe and Mary Sue and you’ll be ripped to shreds for it.” I’d have to tread so lightly with characters I enjoyed and love them from afar because I felt if I made even a joke post someone would bring it up.
I’ve only just gotten into the cod fandom, found your blog a couple months ago, and it’s given me a lot of like. Idk!! Just “fuck it, do what you want” kinda vibes in the best way? It’s really hard to word this lmao. But since finding your blog I’ve made a 141 character, a shadow, literally shipping an oc with ghost now, and I’m having fun that I wouldn’t have if I didn’t find your blog
So thank you <3
Hello! (。・∀・)ノ゙
Well, It's been an apparent issue in this fandom. idk why, but when I visit other fandoms, the sense of ownership and possessiveness to the characters is not that high, like what's up with these people I don't know. Like, the characters in media, especially in games, don't belong to anyone except the studios that made them 😭
We as fandom members can create original characters, alternative universes, and stuff for them. I can't imagine a piece of media without fanarts, fics, and OC's really. Heck, that's what keeps the fandom alive. If there's one thing we can learn from history of media, is that you can't hold back people's creativity. OF COURSE, there are cringe ones and unhinged ones, but it's fandom, of course, it's filled with different types of people from normal to bizarre ones.
Here's the thing, just because one person has already shipped their OC with one character, that doesn't mean that character is LOST forever to that one particular OC like it's a damn popularity competition 😭.
I've also seen some people saying that they're so emotionally attached to this one character, that if they see him with someone else's OC. they get super emotional and super angry?? Okay that's just-- WOW.
If you feel uncomfortable seeing your favorite character being shipped with someone else, then that just means that you're NOT ready and not mature enough to be an OC creator and be in a fandom space. Full stop.
and if I may speak from experience, I've lost a few friendships due to being... quite popular OC shipper with Ghost 🥲 I personally don't feel anything when I see other's OC's with Ghost, or any character I like with other OC's -- I EVEN DRAW OTHER OC'S WITH GHOST FOR COMMISSIONS 😭
But yeah, before I yap too much, thank you so much for the good words in the last paragraph! It's very very lovely, and I'm glad you have your own OC to have fun with! Happy creating and happy drawing💖!
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ofsappho · 11 months
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Magindara
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When invaders threaten your home, life, and people, you, a sirena, strike a desperate bargain with Dream of the Endless to save them all.
Dream of the Endless x mermaid!reader, one shot (for now)
Tags: war, gore, torture, death/murder, mentions of SA, slavery, things that generally come with colonialism
Inspired by the episode “Jibaro” from the Netflix show Love Death + Robots. This one shot draws heavily from Filipino mythology, culture, and history. I ENCOURAGE and INVITE people who don’t come from a Filipino background to read this story and enjoy! There is so much beauty to be had in cultures of color, for everyone. Just as I have read many stories steeped in Greek, Celtic, Norse, medieval England, etc cultures, without coming from those backgrounds, I humbly ask you do the same and entertain this little fic. Thank you. I may write a follow up if there’s interest. Glossary at the end.
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From the banks of your river, you can hear the horses.
Metal plate clangs and screeches against itself, swords jostle in their sheaths, and shields bump where they rest on armored backs so loud that you want to scratch your sensitive ears out, just to make the sounds stop.
Your ates and kuyas hide deep below in the caverns known only to your kind. When you close your black eyes, you feel them tugging at the edges of your mind like little lights in the deep darkness of the sea. They believe that will be enough to save them.
Only you have braved the surface, because only you know what these strange men upon their strange beasts want.
They want the gold in the dark, fertile earth. You don’t understand why - it’s just shiny metal. Only the dwarves under the hills covet it. But the men who ravage your lands and your kin like wildfires, grasping everything and destroying it in the same breath, care very much. They want the never-dying orchids that line the banks and the brilliant emerald green vitality bursting from every leaf and vine that could keep a mortal alive for a thousand years. They want to feed their glory on your broken bodies. They want to take the people you protect for slaves, the women shamed and disgraced and the men subservient and humiliated.
You’ve seen it for yourself.
You’ve tasted the water of streams running red with blood, the iron like acid on your blue tongue.
You’ve swam farther and seen enough to make you hate. Families torn apart, children with their hair cut off and given names in an ugly language, forbidden to speak their own - the same language you speak. Fathers dragged onto large ships, larger than a butandíng, never to return. Altars burned. The men put your red sisters who live in the balete trees, their hair tangled with vines and lovely, fierce, flickering yellow eyes, to the flame. You witnessed their dying howls and curses for vengeance.
Some of the white-haired annani have already begun to clip their pointed ears, tear the crowns of flowers from their hair, and even cut out their tongues so as to lock away the magic these men desire, never to be spoken again. “There is no place for us,” Those tall, graceful elves told you. “We will be gone in a generation, by sword or by starvation.”
They’re coming.
The jungle is quiet as it has never been in a thousand years.
You could no more hide your tail, glittering blue and turquoise, with long, sweeping fins like ferns, than you could hide the long sweep of hair that reaches your waist, or the ink-black lines embedded on your skin, painting your face, your neck, and your arms with the story of your people and your home.
The calls that echoed from the depths of the river have stopped. It seems that your family has accepted that you won’t come back.
You look at your webbed hands, test your claws against your flesh. What is one magindara to a hundred conquistadors?
When the men spear you, they won’t just be slaughtering a mermaid. They’ll be killing the stories you keep. Centuries of stories. Countless names. Each pearl around your neck is a tribe, full of the old songs of grandmothers and the new rhymes of babies. You’re draped in thousands of shimmering strands of pearls.
You may not be the cleverest, or the most beautiful, or the one with the sweetest voice…
But you can be the bravest.
“Lord Morpheus,” You intone, frowning as the syllables ripple wrong and harsh from your throat.
You’ve never spoken to any of the gods beyond your islands before. “Dream of the Endless.” All you can do is hope and pray this one listens and comes to you in time. Will they be kind? Will it be merciful? Will he, or she, save your home?
Perhaps such a god does not exist at all, and you are praying to wind and sunlight, and soon your guts will color the cerulean water purple and black. The strange men will defile your body, no doubt. A week ago, you crawled from your river to cut down the corpse of a long-gone ate from a stake, jagged holes ripped into the tail of her corpse that made you vomit and her dead eyes full of pain.
Once you’d laid her to rest in the water, she dissolved into nothing. “Prince of Stories,” You sing. That is what faces everything you’ve ever loved if you fail.
“I beg you, save us. Save our stories, our dreams. We call for your aid.”
The men bark at each other. Any moment now, they’ll see you, your hands raised and your face tipped towards the heavens, inky flowers blooming on your forehead and cheeks and crocodile teeth tattooed on the sharp line of your jaw.
A new quiet falls over the world. Like nighttime, when things are resting, not dead.
You have called, and I answer.
A being stands on the banks of your river in the shape of a man. His hair is blacker than Bakunawa’s maw and his eyes are filled with gold and silver stars brighter than any you’ve seen before. His pale skin carries no markings.
He is as grotesquely, menacingly beautiful as the razor’s edge of shark teeth, as a great python curling in a tree, as an eagle with its claws stuck in the beating, bleeding heart of a monkey.
You feel the weight of his gaze on your brow heavier and hotter than the sun on the longest day of summer, burning out the truth in your heart. “I would bargain with you, Dream Lord. For my people, and my land, and my home, which I love more than my own life.”
What would you have me do? When Lord Morpheus speaks, his voice pours through your mind ringing like the purest, clearest freshwater.
The many jewels around your throat, pearls, sapphires, rubies, diamonds, plates of beaten gold, click as you swallow nervously.
The dream king stands so tall that he could touch the sky if he reached up. And he doesn’t look away or blink. You can’t read the inhuman planes of his face whatsoever, you can’t find any familiar sign in his long limbs that might bring comfort. For all you know, you’ve spelled your doom.
“Keep them alive. Keep our names and spirits alive. Bring our stories into your kingdom so that we won’t be forgotten. That is what the men want. They want to raze us to the ground and rebuild the world in their image but we will not go.” You pause. “We will never, ever go,” You growl, fierce and deadly, around a mouth full of fangs. In your words you pour the horrors you’ve seen, combined with the beauty surrounding the two of you.
The hot, muggy air, the warm rain, the scent of night-blooming jasmines. Orange mangoes, bursting with sweetness, bamboo sticks clacking as joyful youths dance in and out of them, laughing gaily. Rolling drums. Bright feathers tucked into black hair. A toddling child reaching out to her grandmother with a chubby-cheeked smile, pressing the back of the withered, ancient hand against her little forehead. Love, so much love.
I have not walked these lands before.
You found traces of Lord Morpheus scribbled in the margins of paper and in the back alleys of lost dreams. Your last and only hope.
When you went to Diyan Masalanta, she wept and showed how the soldiers bound her hands. When you cried out to her brother, Apolaki, the sun god called back and said the invaders took his shield.
Bathala is gone. Mayari is gone. Lakapati is dead. The conquistadors stripped her naked, cut her ribs from her chest, and planted her bones in the fields they set their slaves, your people, to work.
“They say you are Endless. You preside over all beings in all places. Please, I beg you, preside over us. Are we not worthy of your favor? Do we not deserve to live in your dreams and nightmares?”
If Lord Morpheus refuses you, you’ll cut your throat before you let your enemies have you.
He tilts his head like he can hear your thoughts. One shining hand stretches out, almost as if to touch your face. You sing prettily, little siren. You draw back with a start. Why is there hunger in his voice? A hollow, all-consuming, terrifying hunger?
You know what it feels like to starve when the fish are scarce. This is leagues away, a typhoon to your trickle of rain. Shadows bloom under his hollowed cheeks. His pupils eclipse his brilliant aquamarine irises.
He’s-
He’s aching.
Morpheus flashes his bone-white teeth as he bends at the waist to examine you further. His gaze traces your tattoos, your large, frightened eyes, and your body beneath the necklaces and bracelets.
As scared as you are, as convinced that you’ll bleed the instant his fingers brush your blue-streaked skin, your numb lips move.
“I vow to you now, Lord Morpheus, before every god and being I know, that should you render us this aid, I will give you anything within my power to grant that you wish.”
Anything?
“Name it, my lord, and it shall be yours.” With that, your eyes flutter shut as you await his judgment.
You can’t hide from him, even in your mind. You don’t see him, but you feel a straining pressure build where he prods at you, pushing on the fragile edges of your being like he’s cracking a duck egg. He claws and scrapes until-
I will aid your people.
You open for him like a sampaguita flower. Dream of the Endless picks through your soul like he’s picking blossoms, you feel how much he wants with every brush, every long moment where he sticks his fingers in and relishes the feel of you. Nothing has ever touched you like this before.
He’s on his knees on the riverbank, the dark soil pressing into his clothes. His hands clench the rocky edge of the bank. Your wet hair sticks to your back as you rise up, close enough that you can count his night-black eyelashes. There’s a dizzying amount of them.
“Thank you. Thank you. Salamat-po. And your price, majesty?”
You’ll do whatever he wants. Does his thirst demand souls? You’ll harvest them by the dozen. You can picture Lord Morpheus unhinging his jaw, swallowing those soldiers whole. Their swords wouldn’t even scrape him going down. Riches? You have no use for them if you’re dead. He can take every speck of wealth to be had.
You. I want you.
Your sisters and brothers wail. They sense the foreign king tearing at the flesh binding you together. They feel him taking a knife to your indigo heart and cutting it loose from your body. Your head tilts back as you gasp for breath and see him hold the organ aloft. Dark blood trails in rivulets down his wrists.
“I-“
There are no creatures like you in my realm. So I shall have you, in every way that I wish, and you’ll obey. Those are my terms.
Your tail lashes in the water as if you fight hard enough, you can swim away. The cavity pulses with searing, unholy pain. You’ve made a mistake. You’ve summoned- He is an aswang, a devil, a soul-eater, you’ll never see your home again, you’ll never touch the water you’ve known since birth.
Lord Morpheus brings your heart to his mouth. His lips are beautifully-formed. You can’t find it in yourself to hate such a wondrous creature. Even your amethyst ichor looks more beguiling when he’s covered in it.
It was never a question. “Yes, my lord. I accept these terms.”
His white teeth stain purple when he sinks them into your heart.
-
Glossary:
Ate (ah-tey) - sister
Kuya (koo-yah) - brother
Butandíng - whale shark
Balete tree - very cool large tree native to Southeast Asia
Annani - elves from the stories of the Ibanag people, who look like humans with pointed ears. They are kind guardians of the forest and often share healing knowledge with humans if treated with respect.
Magindara - mermaids from the folklore of the Bicolano people. Beautiful half human, half fish guardians of rivers/streams/lakes/the oceans, who sing to lure fisherman and warriors to their death but leave children unharmed.
Bakunawa - a great mythic serpent and god/goddess of darkness. Various myths place Bakunawa responsible for eclipses.
Diyan Masalanta - Tagalog goddess of love, war, childbirth
Apolaki - Tagalog god of the sun and war, patron saint of warriors, soldiers, modern day patron saint of Filipino traditional martial arts (Kali/eskrima/arnis) practitioners
Bathala - the Tagalog supreme creator god
Mayari - the Tagalog goddess of the moon, war, revolution, and justice. She fought her brother Apolaki for dominion over the heavens.
Lakapati - the Tagalog goddess of fertility, food, bounty, balance, and prosperity. She represents both male and female and has both male and female genitalia. Patron saint of queer/trans people.
Sampaguita - the Filipino name for sambac jasmine, the national flower of the Philippines
Salamat-po (sah-lah-maht poh) - thank you (utmost respect) in Tagalog
Aswang - overall name for the malicious/demonic/monstrous beings in Filipino folklore. Vampires, zombies, ghouls, organ eaters, cannibals.
I hope you guys liked this! Let me know if you have any questions or want to read more from this.
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utilitycaster · 6 months
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You have such a way of articulating things I’ve been vaguely feeling into intelligent coherent statements. Would you care to elaborate on the way that how Laudna+Imogen “went canon” was a curse?
Hey anon,
Thank you! So this is the thing: obviously I tend towards a fairly critical and snarky demeanor, but like, the best way to put it is in the context of the impending Nein show. I, and most of the people I chat with who are also not feeling Imogen and Laudna's relationship, are not of the "if that PURPLE FLOATY HOMEWRECKER SKANK SHOWS UP I will EXPLODE and SCREAM and DIE" or "fjorester divorce" or pretending Yasha doesn't exist persuasion re: this relationship (or for that matter the WELL if Percy dies after 70 years of marriage to Vex and then she's with Keyleth for the rest of her life WE WIN type of person either). Like, honestly, there was a post advocating for a breakup, but I think it included within it an argument that they reunite after some time apart, and that's kind of the mood. I'm not mad, I'm just disappointed. There's no ship war to be had. I don't dislike the ship because of competition or some fundamental dislike of the characters, and I honestly would like to be able to like it, and the path for it to not suck would have been immensely simple. That path even still exists, though with every week it grows narrow and less smooth and far more awkward, but I think it will require a pretty serious out of game conversation that as far as I know hasn't happen, and I am not holding my breath given the lack of movement.
That's why it's a curse: the generic form of this curse would be "may your ship become canon prematurely, with with only one person really invested, and that person not actually prepared for it or expecting it, and may it have virtually no moments and exist in a very plot-heavy work where it is almost certainly going to be largely out of focus, after the groundwork when things were quieter was never laid, and may it be so close to being good but consistently miss the opportunities for that to happen."
Just to recap the issues, stripping away all the past snark:
It's never really felt like these were two people who had been best friends for two years. They've always felt like friends of circumstance - like people you meet the first week of college and kind of go around with so as not to be alone, or the only other person your age on your street. Because they were both extremely lonely they clung to each other...but they really don't actually connect with each other much in conversation other than just kind of blandly repeating how much they mean to each other and never showing it. They have no real boundaries or limits with each other, likely because of that fear of being alone, but they aren't exploring that in a Heavenly Creatures or Thoroughbreds kind of way either. There's virtually no sense of history - no inside jokes, no shared experiences prior to Zhudanna except for one throwaway line that, like many of their interactions, fell flat. Like...I don't actually think that it's bad to aim for a platonic female friendship and end up with an F/F ship but like. Beau and Jester had a great platonic female friendship that happened to also include Beau's brief crush. Imogen and Laudna didn't even sell me on them being friends, let alone lovers. They have always felt like oddly clingy roommates. Their respective interactions with quite literally every other PC - few of which I find romantic and many of which I find explicitly not romantic - all feel like they have more depth. Orym is explicitly not attracted to either of them and they've both had more meaningful and honest moments with him. Pun unintended but they both felt infinitely more alive during the party split when they couldn't just go to their dull gray comfort zone of each others' meaningless repetitive affirmations.
Zooming into that lack of boundaries and conflict, there's no arc. Once characters get together often the conflict resolves, but there needs to be a build to that point, and we simply don't have that. The two points where this could have happened were: the gnarlrock fight, had it actually played out, could have led to a deepening of the relationship and some honestly and character development but due to what I am again interpreting as fear of losing the other to the point of never addressing any of these points of friction, it just resumed the status quo. Similarly, as I mentioned, Laura flat out said she went in expecting to be rejected. I think that story would have won me over. I think that if Laudna had rejected her, and Imogen had to grapple with that (and, by extension, Laudna's justified anger and trauma from the Team Issylra didn't disappear into thin air) and they spend some time actually figuring out who they are as individuals and Laudna lets herself be more than a validation machine who pushes her emotions down, and then eventually they come back around to each other? I'd be unbelievably on board. And you can go back, to my posts and others, in which we were pretty harsh on the fanon cottage cheese (yes, I am going to try to make this happen) version but said "I trust Laura and Marisha to do this in a way that is interesting" and then they straight-up didn't.
Obviously this has the potential to change - I even think the next episode is finally a case of maybe bringing all the Delilah stuff to a much needed head which in turn might introduce something into the relationship - but man it's been a whole lot of nothing since they kissed. I think Laura's initiated every single conversation, as mentioned Laudna can't even reciprocate 5 minutes of dancing on a ghost pirate ship without wandering off, and they didn't even bother to take watch together.
Something I keep going back to, and which ties into the above, is Brennan Lee Mulligan's whole discussion of how important character creation is to story. The thing is, these characters were created as close friends. Why does this feel so lacking? Like...why do Kima and Allura, two NPCs, feel like they have more weight? Why did the platonic relationship of Molly and Yasha, for which Ashley wasn't even present, feel like it actually was a friendship of 8 months? Sam and Liam came up with an entire system of grifts! Why is literally the only detail we have from the time between leaving Gelvaan and the time arriving in Jrusar is that at some point Imogen and Laudna saw someone with nipple tassles, and that came up once, like 60 episodes ago? Why are people so frequently sold on say, Loquatius/Laerryn, which had less than 24 hours of gameplay over a single night in-game? Why does every single Circle of Needle and Thread member relationship feel more real? Why were Aabria and Travis able to convincingly play ex-lovers in a handful of episodes despite Aabria deliberately surprising him? Like...I am not saying preparation wasn't done, because it very well might have been, but it's not coming through at all and plenty of other people have managed to get across an existing friendship or relationship in a fraction of the time, within the same campaign, so it's not that the plot is moving too fast for it. And again, if prep wasn't done, or if it's not coming across, that's really fixable, but it hasn't been fixed. I think of the 4SD episode where, five or six episodes later, Marisha and Laura still hadn't talked about the relationship and it's like...yeah. We can tell. Literally a two hour trip to a cafe would fix this but god I don't think there's been one.
Anyway, obviously this was an incredibly popular ship, but it's honestly slowed down noticeably since going canon because...it's not that great, and there's not much content in canon. I think a big appeal of the ship was the anticipation and the fanon and now that it's canon...I suspect a lot of people are quietly realizing that actually yeah this is kind of all it is, at least for now, and something is going to have to happen to bring about a change.
And I hope so too - I joke about being a hater, and I am very much a critic...but this really is the realization of that post about being more of a dismayer than a hater. Laura's past two ships are probably my favorites, and Beauyasha is high up there, and even as Vaxleth isn't really up my alley it's sweet and it makes sense and has a lot of great moments. It really would not take a lot of work to make this ship good or at least okay and not...nothingness, but it does take some, and I haven't seen it.
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essektheylyss · 2 years
Text
One thing that gets lost in ship discourse (or its hyper-positive opposite) is that regardless of your feelings on a ship, in order to tell a story, the character relationships do and should have an impact on a character's story arc, and not all relationships are going to offer the same emotional weight throughout any given character's story.
This is particularly true of actual play, wherein each player character is running a separate story as a protagonist, and therefore you have to consider each of them as an individual thread within one larger narrative, on top of the narrative itself.
That being said, the farther you get into the story and the closer to the end you are, the ways those threads can interweave get culled, simply by circumstances. Relationships (platonic, romantic, familial, etc) change over time, and whether they are narratively compelling changes as well. In contrast, "ship" is generally used to suggest a dynamic an individual audience member finds compelling, which may or may not have anything to do with the narrative, even if the dynamic is interesting for reasons of narrative potential (that isn't ultimately explored within canon). These are distinct concepts in terms of analysis. So as a disclaimer, this post is about character relationships within the narrative as it exists—essentially, what makes the story that exists work as well as it does, in the end.
Now that we've got all that out of the way, let's talk about Caleb.
Caleb's problem for much of the campaign is one of survival and self-preservation. His goal is simply to last long enough to find a way to go back in time. Because that is a very open goal, it doesn't inherently have much to tie him to another character in a relationship sense. He is not looking for that, he does not see himself as worthy of it, and it's really not a necessary narrative question, regardless of what attraction he does have.
But over time (and, I would argue, in a way that is fairly singular among the Nein, but I won't get into that here), his priorities begin to shift. Many of his needs are now met in ways that they previously weren't, allowing him to fully consider what he wants. For instance, between the start of the war and the time they reach Xhorhas, he has changed his mind about becoming involved in this war—because he is not being forced into it by possible conscription. He has significantly more options than he did at the start.
What he ends up realizing, as he finds the opportunity to put an end to the war, is that he cannot trust his own judgment. There is near universal support to end the war—even the nations involved are there because of what they view as existential threats. That opinion is not in question. But everything else is. Caleb is a victim of manipulation and brainwashing, and this is very apparent when he starts pleading with the scourger prisoner of war to give him some kind of proof that people like him can change.
And this is not something that anyone else of the Nein can offer him. They can tell him that they think he is a good person and that they trust him, but because of his history—and because he knows how smart he is, and how far he can fall—this isn't something he can take at face value, especially given that they have not seen or known him at his worst, and have not experienced it either.
Yasha may be able to offer some guidance in that area, but she is working through similar issues at both a different pace and in different ways than he is—she isn't seeking any situation where she would make potentially world-shaping decisions or have influence over others like he would. His goals are singularly risky. Veth comes closest to this, in that she very briefly considers prolonging the war to alleviate her own suffering, but it's not a decision she's ever forced to make.
(Honestly, thinking about this, an arc in which Veth does take that deal with Isharnai is a fascinating alternative universe to consider—it would certainly give her the opportunity to relate to Caleb in this way, but it would probably take another fifty episodes before Caleb could even bring himself to consider forgiving her, given it would be in direct conflict to the one thing he's been working at for a third of the campaign up until then. Still, a fascinating consideration!)
So between Caleb attempting to sway the scourger and going to Astrid's house in secret, this is the point at which it seems like the Nein cannot help him do the rest of the work. They have done a lot to get him here and considering what else he wants! But they can't offer him what that is, which is essentially tangible corroboration of what they've already offered.
And at this point in the campaign when taken as a whole, there's only one character who can actually offer that. Because to have real emotional weight, what Caleb is looking for is someone who is as smart as he has, who has made a similarly horrific decision even in spite of that intelligence, and who has now committed to actual change.
It's the commitment to actual change that is difficult, because it requires a support structure���and in hindsight, there's not enough time left to build that up for someone like Astrid or Eadwulf, but it's already partially in place for Essek.
(We can debate all day long about what could've been different if the hiatus never happened, or the campaign had lasted longer, but this is specifically about the campaign that we have. I think there is also an argument to be made that Astrid or Eadwulf would've required a much longer and more intensive timeframe to reach that point even if the campaign had continued than the format really offered, because they have preconceived notions about Caleb that complicates their ability to take what he says at face value even if they care about him succeeding in his goals—but that's also not relevant to this point.)
But I do think this is why Essek progresses very quickly, and is largely committed to aiding them by 124—he already has been aiding them, and has expressed loyalty to them above anyone else.
This is not as much of a leap as it may appear to some, because even by 91 and 97, he had done significant introspection on his own time. This is only a continuation of how he has been characterized thus far. He's expressed doubt from a very early point, whereas Astrid does not begin to express doubt (regardless of whether she feels it, because this is about capacity for willing admittance) until after the dinner with Trent.
What ends up happening is that Essek's the one who actually calls Caleb on things. He gives him an ultimatum with the conversation about Trent when the Nein won't. He offers reason and perspective in the paper room when the rest of the Nein get impatient. He checks off all of the boxes of what Caleb is looking for (which is essentially a narrative mirror), and very early into the Nein's trip through Aeor, Caleb seems to have forgiven him, and his fears and misgivings erode from there.
Only this corroboration, because his opinion of Essek is specifically about his opinion of his own capacity for change, allows him to recognize that returning to the past would simply make him the same person he had been at 17, and finally put that plan, the person that he was, and his parents to rest. If he is not able to be anything other than that boy, then he has no reason to not remain as such, and return to the past; but if he believes himself capable of change, then the question of going back in time is one of leaving behind the person he is now in favor of the boy who made that choice. He is asked, if he believes himself capable of change, to acknowledge that he was that person once, but can now be more than that and move beyond it.
And the proof that he needs in order to affirm that when he is given the opportunity to do so is standing next to him.
Fundamentally, this is not related to Caleb's long-term relationship with Essek at all. This could have been the end of it—they could've parted ways and the story would've still been told and completed.
But I think it is important that a) Essek does get to have some happiness, and b) part of that is with Caleb (though this still doesn't have any bearing on platonic vs romantic, only that they have some kind of close mutual relationship in the long run). On a very basic level, because he is now in this position of being corroborating evidence for Caleb himself, Essek becomes a stand-in for how the narrative sees Caleb, and how Caleb views himself.
If the narrative condemns him and leaves him out to dry, it is an implicit reflection on Caleb—and directly conflicts with the narrative implication that Caleb is not solely worth condemnation. And however much it has nothing to do with romance or a relationship of that kind, Caleb's choice to care about him in the long run is an acknowledgement of being willing to care for and forgive himself.
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captainmera · 7 months
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Mera, Captain, Laddie, Chap, Chum, You Majestical Swede I am living for your IBWR lore on vampires. I love tidbits on biology and quirks of fictional species, especially when it's given more unusual and creative twists. My investment in your comic has begun to peak, I am precariously standing at the edge of a new hyperfixation and you are daring to push me in with your art and lore. l'II be looking forward to seeing Ollie's lil quirks and other bits of the charming world that lives in your head. Also feasting on your TOH bits, as a lore enthusiast your rambles are so very enjoyable and your connection board is so relatable. A bit curious what hexsquad would be like in the world of IBWR or what peculiars/witches/regulars they'd be. So very glad I clambered onto this ship of yours and get to see some of the bits and bobs going on in your brain- I adore the way you think. Sorry if this was a bit long, I hope you're doing well and will feel better, whatever it may be from <3
*squeaky scream* thank you anon! ˚‧º·(˚ ˃̣̣̥᷄⌓˂̣̣̥᷅ )‧º·˚ <333333
I am having a lot of fun making my story! BWR is only in the baby phases! There's so much fun about this world and it's people, culture and history, that I'm so excited to share with everyone who reads!! :'D <3
IBWR has everything I personally enjoy in a story! This means a lot to me, it's my passion project (and hyperfixation of my own creation) for a reason.
Here's a doodle of Oliver and his buddy Sebastian :)
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As for who the hexsquad would be in IBWR! HMMM! :D
HEXSQUAD IBWR AU:
Luz would be someone with a weak fylgja who wants to be a witch anyway! And she'd join a coven to try pursue it. For her, I think her story would be about learning that magic isn't as beautiful as she had hoped, and joins another coven that doesn't do the traditional ways of things. Or perhaps she starts her own.. ;)
Hunter would be a werewolf! :D A beast-type peculiar.
Gus and Willow would be Fae-types. Gus a spriggan, Willow a fairy.
Green fairies "flaws" are envy, I think I could make that work for her! Otherwise I'd put her as a red fairy, the flaw would then be rage. Willow's "fairy gift" would be plants and working with gardening.
Amity would be a regular, I think. Perhaps a wealthy girl who finds herself quietly rebelling against her parents by going with her older siblings to women's rights activism stuff! Possibly that's where she meets Luz! :O
Gus being a Spriggan would mean he's a natural showman, as they're known for their mischievous nature and charisma. I think he'd work in a music hall! :D
Vee would be a fae-type too! But she would be a Huldra/Nymph (skogsrå in swedish). Meaning she can shapeshift into people still! So that fits best.
For IBWR, I take a lot of folklore and put a spin on them with my own interpretations! :)
I like playing with the idea that the folklore and fairy tales are based in half-truths. It's a lot of fun and I've put a lot of thought into it so that they make sense into the world I've built. :D
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popagan · 7 days
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Hey there! I was wondering if It was okay to ask for some fic recs? I read your izaya post and already devoured the ones you mentioned 😭
(if not that's okay too!! No pressure, ty ty 🫶🫶)
Gladly. I'll put some fics I have saved in my library, which range from one-shots to longer series. I'll put it in two categories - finished and ongoing(unfinished/abandoned), in word count order (Ascending), as well as a poorly made logline from me for each fic (+ links). I'll also add some additional notes on my end regarding certain (most) fics.
Finished:
5 times Izaya was told I love you (391 words) - The plot is in the title. Shizuo/Izaya.
It's short but sweet(?), I'm a huge fan of writings that uses listing as a form of narrative.
Just to Talk (660 words) - It's Valentine's, and also Tsukumoya-and-Izaya-fighting-in-their-chat day. Tsukumoya/Izaya (implied).
I love Tsukumoya and Izaya's chatlogs, there's something so gossip girls about them. And they bicker like an old married couple (in spirit) as well.
Tsukumoya Shinichi's Turn! (1k words) - Post-ketsu. Tsukumoya reflects on his relationship (as well as feelings) with Izaya.
Very creative writing, I adore their take on Tsukumoya's character.
I Think I Miss Him (1k2 words) - Post-ketsu. Tsukumoya finds Izaya. Tsukumoya/Izaya.
This one hits a particular spot, given the ending is my kind of drill.
Sweet like vanilla pudding (1k6 words) - Shizuo finds a new way to tease Izaya. Shizuo/Izaya.
Adorable, adorable, adorable. Important things must be repeated thrice.
Izaya's Zoo of the Strange and Unusual (1k8 words) - Shiki got Izaya to be a babysitter for exotic animals. Shiki/Izaya.
Camorra usually writes stories that incorporates fantastical/fairy tale-like elements, to which I absolutely adore, their comedy writing is one of my favorite.
dépaysement (2k2 words) - Post-ketsu Izaya. Healing--compared to other people--takes a different route for Izaya. Shizuo/Izaya (implied).
It isn't a fic recommendation blog from user popagan if I don't mention onewhodiedyoung at least once (I'm sorry). The way onewhodiedyoung write is not something I wanted but something I never knew I needed. A work of art, I say.
I Promise (2k3 words) - History calls it Christmas Eve, Izaya calls it The End, Shizuo/Izaya.
I love this one, mainly the buildup. I think about their take in Izaya's character way too frequently. Kanra_chan writes a lot of interesting stories.
flytrap (3k2 words) - A reflection, a continuation of what could've been and what had happened; as well as what might - or will happen. Shinra/Izaya.
Beautiful writing, enchanted me from start to finish.
venus in furs (3k8 words) - Shizuo-centric. Hanahaki disease and the loved in question is a lover of mankind. Shizuo/Izaya.
I love zigur's writing - especially how they describe Izaya as someone with a surreal kind of beauty. I also love stories told in second pov.
Open Cage (4k2 words) - Post-ketsu Izaya. Healing in a new city, and re-meeting a certain monster. Shizuo/Izaya (implied).
Bittersweet. Gives me chills every time I reread it.
This Is How We End (4k4 words) - Shizuo chose to be better, but that may include letting go of a certain enemy - if impulsivity isn't a problem. Shizuo/Izaya.
Finding TeamAlphaQ's works is like striking gold. My absolute favorite, but their other works may strike your fancy better - subjectivity and all that.
Sub-Zero (4k7 words) - Namie-centric. A secretary bonding with her mentally ill boss. Shizuo/Izaya (implied?).
I can't say a lot without spoiling it, but prepare for heartbreaks maybe. I love Namie and Izaya bonding(?) though. Friendships are the best.
stranger than earth (5k3 words) - Shiki-centric, Shiki/Izaya.
I don't know what else to say other than that it is the whole plot. Beautiful writing, the ship is a bit questionable though (and it's not their writing I have a problem with - far from it; just the nature of said ship strikes me as odd - but AO3 isn't a lawless land for nothing. One must be able to distinguish fiction from reality if one wish to indulge into Internet culture, yes?). Zigur once more, I love Greek myths and there isn't a lot I can defend myself with.
lie me to sleep (6k6 words) - Post-ketsu. Izaya is Shizuo's god.
I'm a bit guilty for referencing Izaya's "You past is your god" but a chance like this is one in a lifetime - I had to do it. The writing is another kind of heartache. This tender melancholy is what kept me afloat in the midst of many agonizing fic (cough April 23rd, laundry, All That Hate cough). Instead of burying me in the dirt, onewhodiedyoung buried me in flowers and let me choke on pollens instead.
Shizuo Vs. Valentine's (7k5 words) - Shizuo wakes up to a Valentine's gift at his door. Shizuo & Izaya.
The comedy found in the established situation left me giddy. Very fun read.
Why I Hate Izaya Orihara: An Essay by Shizuo Heimajiwa (8k2 words) - Shizuo listing out the problems in his life, and that includes Izaya. Shizuo/Izaya.
TeamAlphaQ strikes again, I love the comedy in this; and once more - listing and repetitions. They're my guilty pleasure it seems.
Clair de Lune (8k1 words) - Post-ketsu Izaya healing. Shizuo/Izaya.
I recommend all of NoteInABottle's works. If I could, I would make a homework out of it for everyone reading this blog here to read all of their work - DRRR or not. But unfortunately I did not read their non-DRRR work so I am not exempted from shame.
Just Walk Down the Aisle Already (9k1 words) - Izaya thinks marriage is nonsensical, Shizuo begs to differ. Shizuo/Izaya.
Kind of Strange (9k2 words) - Izaya is a wish-granting kind of being, Shizuo is not thrilled. Shizuo/Izaya.
kamogawa (9k2 words) - Shizuo, Izaya, Kamogawa; and their years-old feud. Shizuo/Izaya.
Words cannot describe how emotional this made me at 4 in the morning. It was reaching blue hour as well (my favorite hour) - the surrealness and sentiment was overwhelming.
All That Hate (9k5 words) - Izaya-centric. Like all things, it comes to an end. Shizuo/Izaya (one-sided).
It is in the tags so I'll reiterate - it is a heartbreaker, this fic. And I am positively eating this up. The last few lines took my heart and ran over it with a Caterpillar 320D L Hydraulic Excavator.
laundry (9k8 words) - Shizuo-centric. Shizuo finds Izaya in all the odd hours of this rundown laundry establishment.
Well, all I can say is that my jaw was on the floor. I recommend all of izayas's DRRR work, though. til the war's won (10k words) is another favorite of mine.
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Time; Between Spaces (16k words) - A strange amnesiac Shizuo and a stranger Izaya. Shizuo/Izaya.
An interesting take on Izaya as a character, never failed to give my stomach butterflies. Their writing is so endearing, reminds me of high school love stories in a way (unsure how and why). Silly Shizaya, oh so silly.
Ice like Glass (23k words) - Izaya tries to win over a Winter Fairy - a Fairy Prince might I add. Shiki/Izaya.
Under the Surface (23k words) - Buried (2010) with Shizuo and Izaya bonding.
An enjoyable ride, for the characters maybe not so much.
see you on the other side; (28k words) - Between slip-ups, there are gaps in their relationship--one of which is a busted skull. Shizuo/Izaya.
The first two chapters gave me a slap which had me spinning 5 times in the air and land on my back - crashing into a comically large pool of my own tears. Proud to say I've been here since chapter 1 (sobbing).
Telescope Now (40k words) - A concussion turned wrong. Shizuo/Izaya.
It was a rollercoaster-of-emotions experience reading this fic. Certain lines had me silently scream into thin air and sob into my pillows.
Viewpoint (43k words) - Namie-centric, as well as Shizuo/Namie, Izaya/Namie, and implied Shizuo/Izaya.
I think you'll have to find out by reading it, I'm unsure how I can explain this without giving the plot away. Fairly intriguing; major spoilers ahead - I'm a bit bummed out the Shizuo & Izaya chapter never released, and also a tad more bummed out it didn't end as polyamory. Nevertheless, wonderful work, beautiful analysis into Namie as a character.
The Fox and the Samurai (127k words) - Izaya is a fox spirit and Shizuo is a samurai tasked to kill him.
Very interesting, I love old/medieval themes. Was delighted at the ending.
Ongoing/Unfinished:
Disney Stories, As Told By The Cast Of Durarara!! (1k6 words) - DRRR casts in Disney stories. Shizuo/Izaya.
Endlessly entertaining. Interesting idea, shame it never continued. Would've love to see Cinderella Izaya/Shizuo.
elevator ego. (11k words) - Someone wants Izaya gone, and it'll take a friend and an enemy to do that. Shizuo/Izaya and Shinra/Izaya (apparently).
Kept me at the edge of my seat, unfortunately I'll never get to see the end of it. The last two chapters will remain as one of my life's biggest mystery.
Toes (12k words) - Post-ketsu. Shinra and Shizuo looks for Izaya. Shizuo/Izaya.
Was hooked since the synopsis. I adore the story, would've love to see more.
In a Week (18k words) - In which Shizuo is a priest assigned to a small countryside community, and Izaya is a vampire. Shizuo/izaya.
I love the story established here, hoping to see more. It was updated a month ago.
When It Counts (23k words) - Darkwood-esque (stated in tags). Doomsday-like, infestations, forests, and also a dying Izaya it seems. Shizuo/Izaya.
Interesting concept. Looking forward to the next chapter. I enjoy adversities and doomsdays fics (procrastinating on other zombie apocalypse Shizaya fics as I'm writing this). It's rather humorous at times as well - that or I'm coping.
Go To Hell (45k words) - Medieval theme. Izaya finds himself in another world with his memories tampered. Shizuo/Izaya.
Takes place in Hell (quite literally). Interesting concept, I love the imageries. I might draw something for this fic after I've cleared commissions. It's still starting and establishing its plot and I can't wait for a new chapter to come by this Saturday (if things go smoothly on their end).
City of Sunshine (59k words) - An OC who had been transferred to Ikebukuro. What's worse - it's in an anime as well.
I love stories where characters are pushed into a world that was a media they've consumed before. I really wish to see more of this, seeing I got attached to said character haha. Furthermore, nothing hooks me up more than a character befriending everyone and just trying to navigate in their newfound environment. I really hope to find more work like these - I'm a believer of all DRRR casts x fun times/friendships lol. Back to this fic - I love how they incorporate their own character with the DRRR storyline; slice of life + overarching storyline/personal character goals? Count me in.
Tangled Threads (75k words) - Shizuo and Delic are two cousins who closely resemble each other, and Izaya has two hands for a reason. Shizuo/Izaya, Delic/Izaya.
It's a rather explicit fic--but I was too deep in the plot to stop (2 A.M. decisions). The concept hooked me and now I reap the undying curiosity of what could happen next. I made the rookie mistake of reading before checking the last time it was updated - only to check it halfway through the fic and knees-deep in the trench. Now my yearning will go unanswered. A mild spoiler here (which could serve as a warning) - but the latest chapter is right at the climax, so now I'm left on this cliff--teetering to insanity.
Ophidian (104k words) - In which Izaya is Shizuo's yokai companion and they fight other spirits together. Shizuo/Izaya(?).
I'm not sure if it'll get another update - I hope it will. I'm loving the energy this fic has created in the studio today. Beautiful imageries; the amount of research and dedication that might've gone into this fic is commendable.
Impostor (130k words) - Medieval theme. To which Izaya has to fake being a woman to marry the king (Shizuo). Shizuo/Izaya.
There are a lot of things I love - medieval themes being one of them. I can't fight the allegations on my part here. I love Shirohimesstories, they're the reason I check AO3 every Saturday with their 5 ongoing Shizaya fics. Chapter 25 and 26 gave my heart a good squeeze.
I think that's all I could remember/find for now. I've only rejoined the fandom and started reading this February (it took me years to realize I could try and look for DRRR fics on AO3). And I'm barely through page 30 on the DRRR (truthfully - only Izaya Orihara tags) works page and there are still more works I'm finding amongst those 30 pages. I've also been writing this blog for way longer than I would like to, so I'll stop here.
I apologise to all the authors whose works have been mentioned here - not out of ill will or so, but rather because I did not leave a comment in most of them (and I wish I could leave more than one kudos). Please take this entire blog site as an apology (I'm not sure if it's enough/worthy to be regarded as compensation). I should make it a habit to leave a comment soon, I get too shy when I'm about to press post and it's hard to find the proper words to compliment people's works without making it sound repetitive/reused.
Regardless, I've held you (yes, you) for way too long, haha. Thank you for sparing your time reading this poorly-made tangent I've been on. For the ask - I apologise it took so long, I have no defense. I hope you enjoy the fics I recommend here.
Also, Izaya birthday merch dropped, on april 23rd (for some people--it's me. I am people). Here's to all the broken hearts and drained wallets.
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kynimdraws · 16 days
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INFO POST
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Name: Kylee (they/them). 30+
A totally normal Korean American mostly known for my drawings, specifically my Pokemon nuzlocke comics. But I will talk about other things on occasion because I do have periods of being fixated on certain topics. I also am a doctor!
Interests: Pokemon, League of Legends (everything except the game lmao), Fire Emblem, Advance Wars, Animal Crossing, Mother series, Korean history/culture, character design
General FYIs: 
General inquiries/commission work/etc should be sent thru kynimdraws [at] gmail [dot] com! Tumblr messaging/asks/etc is not 100% reliable
I will not follow NSFW accounts but I am fine talking/interacting with them. There may be suggestive shitposting but I like keeping my content on the SFW side
I am VERY picky about who I follow/interact with online. Fandom content in particular is a minefield for me aka I have many things I dislike and don’t want to see, even if it might be a popular thing in media that I otherwise enjoy. Therefore, I will unfollow/block/mute liberally. There are times I accidentally block a blog bc I mistake them for bots. So if you got hit with that, just send me an ask or email me
I am very open about what I like and dislike, and none of those things are a direct attack on your sensibilities. I have never gone out of my way to directly send hate or whatever have you if I end up seeing shit I don’t like. My complaints in my little online space ain't a personal attack on you.
My ask/submission box/DMs  are open for criticisms if you have any issues you want to resolve in private. No one is perfect and I may have done ignorant shit that needs to be pointed out. I have deleted or edited posts in the past if people tell me what I did wrong. PS I get that some of my stuff may upset you, but try to act civil when pointing shit out please.
I try to tag all my things whenever I can. Again, send me a message if anything bothers you. I am all for good debate but if you send me excessive hate or threats bc I have different opinions about matters that are trivial, I will block/delete them.
If you wish to use any of my hcs, please credit me. And if you are comfortable with it, send me the works so I can check them out! Or @ me if that is easier.
---
FIRE EMBLEM FYI: Specifically for 3Houses/3Hopes because I need a separate one for this franchise specificially given how many crazy things I got due to being involved in this fanbase via my fanworks:
DO NOT try to convince me to like or tolerate Byleth/student ships, ESPECIALLY the ones with the lords (aka CIaude, Dimitri, EdeIgard). I already summarized why I don’t like FE3H Byleth ships with student chars here. While the spinoff game FEW3H has now removed that teacher/student problematic situation, the fandom keeps putting the FE3H elements into the FEW3H fanworks (i.e. remembering Byleth from “another life” trope)...so no thanks!! DO NOT SHOW ME IT!!!
As for the Byleth ships with faculty members, my response is here so don’t try to bait me about that topic either thanks.
I do not care whom you ingame S-support. 3Houses limits the dating-sim part of the game to that character, so I cannot care less about how you play the game. The main issue I have is when people treat Byleth the “character” as a legit ship material when I personally think they are a cool character ruined by fans who are too obsessed with badly executed self insert otome tropes bc they self-project super hard onto them. Just to be clear, any FE3H or FEW3H OC/Canon >>>>>>Byleth ships personally. Even Byleth-sonas that remove the teacher/student aspects are better than canon FE3H!Byleth
Please don't drag FE VA statements as some sort of “gotcha” on my opinions like this post here. IDC what other people prefer with ship shit, that’s their problem and not mine. I am not gonna bother them about it. So don’t bother ME about it.
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Links to check out:
Myths of Unova + Episode Grey (Pkmn White/White2 Comic)
Tales of Sinnoh (Pkmn Diamond Comic)
Art Site (Portfolio)
Twitter 
Instagram 
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beepboopkek · 4 months
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— I will always come to your aid (AMAB!Reader)
AFAB!Reader has also been posted! including: Jing Yuan cw: !!NSFW!!, amab!reader, grammar and spelling errors possible, pwp but barely, hinted that reader has a s1ze k1nk, f1ng3r1ng, reader is a little sarcastic, still spreading my Jing Yuan is a Bastard (affectionate) agenda, masturbat1on, getting caught masturbat1ng, d1rty talk, cum eat1ng, no use of y/n, reader can be interpreted as the trailblazer but they are NOT stelle/caelus, safe sane and consensual w/c: 2k a/n: people liked strip starchess so much so here is another one of my brainrots... i dont usually like this troupe that much but i find myself excusing anything and everything for jing yuan so here we are. for my female reader likers i got u, its being posted right after this so you guys can enjoy too :3. also just remember that this is NOT stelle/caelus, its the you haha, i dont like shipping the raccoons with anyone as a personal pref so I'm just making that clear :3. anyways same warning as last time this is like my third time writing smut and also english isn't my first language. enjoy!!
The crisis on the Xianzhou Luofu was mostly over.
Which meant you had to leave the man you had fallen head over heels in love with.
Well— love may be an exaggeration but you weren't fucking around when it came to him.
Jing Yuan.
Your eyes had been hooked onto him the second you two met, his pleasant smile, his calm demeanor, his body—fuck, everything about him enamored you.
You could only wish that there was some other universe where he reciprocated your feelings.
You departed with a respectful nod of the head, despite wanting to smoosh your face between his pecs and cry about never getting to see them again.
The only hope that you did have though, was the jade abacus he had gifted you and your companions.
“No matter how astronomically distant you are, The Luofu Cloud Knights will always come to the aid of the Crew, whatever your need may be.”
Of course, his next sentence was to not use it for trivial matters when he saw March’s reaction, much to your amusement.
There was a discussion on who should keep the jade abacus, March being ruled out first much to her annoyance.
It landed between you and Dan Heng and given his history with the Xianzhou Luofu, he handed it to you.
That's how you ended up here, standing in front of your locked door with the abacus in your hand.
What if you grip it— You need to rinse your brain with cold water at this point…
You flopped onto bed, letting the exhaustion of the day seep into your bones as the plush blanket and pillows surrounded you.
You threw the abacus to your side, you'll take care of it later, not like you're gonna need it right now anyway.
Your mind flooded with images of Jing Yuan, his voice and everything you had been through together.
Fuck.
Your hand drifted towards your dick, already feeling some pre-cum gathering at the thought of what you were about to do.
— Touch yourself to the thought of the General of the Cloud Knights on the Xianzhou Luofu, one of the most powerful beings to ever exist in history.
You shook your doubts away, he's just Jing Yuan to you.
You took off your shorts in record speed, tossing your boxers along with it.
You never really touched yourself that often so you tried to imagine your hand being his instead.
You rubbed the head of your cock, gasping at the cold touch of your fingers on the warm flesh.
How would he touch you?
He'd take his time, surely. He's not one to rush things— He'd work you open slowly for his cock—fuck, you're sure it's in proportion with how goddamn large his body is.
You moaned as you inserted two fingers inside your asshole. You wanted to imagine Jing Yuan doing it, really, But, you also wanted an orgasm quickly so you can sleep. So, you just decided to go with imagining his voice talking to you.
You pistoned your fingers in and out, curling them at the spot only you could reach with your much smaller hands.
It was too intense, the thought of his deep voice guiding you through was enough to get your orgasm to graze along the edges of  your belly slowly, building up to be a strong one.
You grabbed the blanket next to you, gripping it tightly as you whispered Jing Yuan's name and continued thrusting your fingers inside you.
You swear the normal part of your brain recognised you gripping an object while gripping the blanket as well but you were genuinely too out of it to care in the slightest.
You're just about to orgasm when everything in your room rattles, as if there's an earthquake. 
Which should be impossible considering you are literally on a massive train that travels through space.
You let go of the blanket and sit up in shock, looking around to see what happened.
…With your fingers still inside you.
“Followers of the Nameless, I am here to assist you, tell me about the situ— Oh.”
You blinked.
Jing Yuan blinked.
Oh. Fuck.
You scrambled, ripping your fingers out and slapping your lower half with a pillow.
“J-Jing Yuan I-” 
You gulped, trying to calm your racing heart, you just got caught masturbating by your crush.
Life is going great.
Your cheeks and ears were beet red now, opening and closing your mouth as you tried to say something, anything to get you out of this situation.
Jing Yuan was just as surprised, if not astonished, by the scene that had unfolded in front of him.
He was finishing up some paperwork that Lady Fu had so kindly delivered to him in the Alchemy Commission when suddenly, the jade abacus he had clipped to his belt loop started vibrating.
Not one to panic, he quickly unhooked it and got it closer to his ear, so that he could hear what the Express were asking of.
What he didn't expect was to hear the voice of his crush, the one that he has acquired after decades of not entertaining any romantic relationships, whispering and calling out his name.
Okay, maybe now he should panic.
Without a second thought, Jing Yuan summoned his weapon and gripped the jade abacus back, signaling it to teleport him to your location.
Paperwork be damned he would rather lose a 100 years of his life if it mean you would be safe.
That landed him here, in front of a half naked (and very surprised) you.
He dissolved his weapon into thin air and folded his arms against his chest.
“Well, this is a surprise.”
“Wow, you don't say.”
Jing Yuan raised an eyebrow at your tone.
“S-sorry, I don't know how you got here.”
An interesting turn of events.
“... Did you not call for me?”
“No, Why would I? Even if I did, how did you just…magically appear here?”
“Oh, dear.”
“What?”
“The jade abacus. I think you… I think you gripped it while you were…busy.”
He looked into your eyes and back down at the pillow that was barely covering your lower half.
“The jade aba—” 
You cut yourself off, turning to your side to where you had thrown it, only to find the wretched object to be in the center of your crumpled blanket.
“Fuck.” 
“Jing Yuan— I am so, so , so, sorry, I swear this was an honest mistake and I'll—”
Jing Yuan cut you off with the raise of his hand. “I forgive you.” “Really? Great let me j—”
“On one condition.” Of course there’s a catch. You sighed begrudgingly.
“What do you need help with?” “Quite the opposite, actually.” Your eyes widened but before you could let out your protests, Jing Yuan spoke up again. “You let me help you finish.” The gall of this man.You’re still going to take the chance that he doesn’t know what you were doing. “Finish what?”
You tried to sound innocent but your voice came out breathier than you wanted it to be. “Dont play coy now, you know exactly what I mean.” Your face burnt in embarrassment as you looked away. Jing Yuan dragged your desk chair and got it to the front of your bed before sitting down and making himself comfortable, propping one leg on the other and leaning back. “Go on, show me exactly what you were doing before I got here,hm?” “I can’t.” Jing Yuan paused, shit, had he misread the situation? Maybe he should—
“I can’t do it without you.” You had covered your red face at this point, way too embarrassed to look him in the eye while speaking. Jing Yuan just about lost it at that, abandoning all doubt and pouncing on you, grabbing your face to take you in a devouring kiss. He threw the pillow covering your bottom half in a random direction, quickly pecking you on the cheeks before pulling your hand over his. “Guide me.” You nodded shyly and pushed his hand towards your hard cock again. Fuck. His hands were just the way you imagined them. Warm and big, enough to hold your own two hands.
His hand (under your guidance and insistence) wrapped around your dick. “I’ve barely touched you, were you letting out pre while we were talking, hm? Did it turn you on to have me catch you in such an embarrassing state?” Jing Yuan whispered in your ear as he hovered over you and you thanked every Aeon known for this opportunity because fuck, your imagination did not do any justice to how good the general was. Jing Yuan gave your cock a few strokes before using the pre-come as lube and dipped the tip of his finger in your asshole, not entering but adding just enough stimulation for you to feel something there.
“Answer me.”
“No, I swear I didn’t, Jing Yuan, please—”
Jing Yuan smiled, he didn’t know you would be this easy to subdue.
He gently thrusted his finger inside, watching your face for any discomfort or resistance.
But, he was only met with your blissed out face, as you gasped in pleasure from his ministartions.
“Were you able to reach here?” He curled his finger upwards, hitting your sensitive spot just right.
You threw your hand over your mouth, pinching your mouth shut and praying, once again, to all the aeons you knew that the other passengers on the Express were dead asleep and couldn’t hear you. Granted, your room was the last in the carriage and had a decent amount of sound proofing but, you were still not risking it.
Your snapped out of your worries when Jing Yuan pushed in another finger alongside the one that was already in you.
“It looks like you’re getting distracted, maybe I’m not doing my job well enough?”
“N—Fuck, Its good, I’m sorry—Shit—”
Jing yuan simply kissed your head affectionately like he wasnt fingering you to hell and back right now and picked up the pace of his fingers.
Your hand was just gripping his wrist and you werent sure if it was to egg him to continue or get him to slow down and stop.
Maybe both.
Your head rolled back on the bed, exposing your bare neck to Jing Yuan as he immediately took the opportunity to cover your neck in kisses, Aeons be dammed. There's no way hes letting you walk out of this room unmarked and not carrying any proof of the evening you spent with him.
You gasped as Jing Yuan wrapped his other hand around your dick and your orgasm finally, finally overtook you. You shook in the general’s grasp as he continued thrusting his fingers in and out, drawing out the pleasure.
Taking his soaked fingers off your dick, he popped them in his mouth, savouring the taste while you recovered from the intense bout of sensations you just went through.
You propped yourself up on your elbows again, looking at Jing Yuan owlishly as your head cleared from the horniness.
Jing Yuan only smiled at you before holding your head and kissing your forehead again before gathering you in his arms.
“Call me old fashioned or old but I do believe in the proper process of courting someone and,”
He looked into your eyes as he cupped your face in one palm and brushed the thumb along the seam of your chin.
“I think we skipped a few steps.”
“Yeah, no shit, general.”
He laughed at that, his chest shaking as the deep sound rumbled from his throat, you blushed again.
You were in the arms of the man you’ve wanted to kiss since you stepped foot on the Xianzhou ship. You covered your burning face with your palms again as Jing Yuan’s laughter died down into little chuckles.
“We did all of that and youre getting shy now?”
“Shut up. You have no idea how much I’ve wanted this.”
“Wanted what? To get fingered by me?”
“No! — I mean that too, I guess, but I meant being held by you! Stop playing games, Jing Yuan.”
Jing Yuan only laughed as he took his free hand and grabbed your hands, turning them towards him one after the other and kissing the palm.
“I jest, I jest. But, I must stay here for the night. I’m afraid I can't travel back to the Xianzhou Luofu seeing as we aren’t closeby.”
You smiled.
Jing Yuan’s eyes twinkled in mischief right back at you.
“Be my guest.”
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The major win for me after this season is that fans are going to start writing horror/supernatural fiction for this fandom!
A genera or tone many of y'all probably haven't touched-but I assure you, it's SO much fun to write with the characters Canon has given us. May I tempt you with a few starting concepts I use to set the mood for pirate-specific horror? [Some spoilers for S2 OFMD]
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Doldrums! A period where a ship gets no wind- can anywhere from a few minutes or potentially months at a time. unpredictable and impossible to plan for, as if you kept stock for doldrums, you're adding a TON of salted beef and green water to your stores. More supplies means less room for loot. During this time-on top of slowly losing food and water rations. Your crew could start to hallucinate, go sun blind, or grow bored of menial work. That and if your near the equator(where most took place)- the sun cooks the wood of your top deck.
It gets REALLY dark it night. Like. I don't think OFMD has shown a scene that really depicts how dark it is. The point of the night lookout is to have maybe one candle lit at night by the helm, steer the ship, and keep an eye out for any dots of light on the horizon.
I highly recommend watching videos of pirate battles. Assassins Creed 4, recreations, people reading off accounts of battle. Anything. That shit is scary as hell. A lot of praying the wind is on your side, or that a gust of wind wouldn't knock the ship out of line of fire. Many pirates were caught because they were at the wrong place at the wrong time.
Now- The psychological shit- Most first mates were chosen by their captain. While the Captain themselves were elected by the crew. If a Captain was mutinied, the first mate would be as well for fear of the first mate was more loyal to the old captain than the crew. This is why Ed's speech to Frenchie S2ep2 makes sense. Ed knows the crew was iffy with Izzy, but didn't want to risk Izzy staying alive to possibly start a mutiny against him. So Frenchie had to kill Izzy.
Most Pirates lasted *at most* 2 years at this point in history. Blackbeard lasted 15 months. Bonnet lasted AS A PIRATE from Spring 1717 to November 10th 1718. Being hung in December of 1718. Read up on how common it was to just...go overboard. Or get so drunk your crew couldn't fight back against the English. This is how Calico Jack, Anne Bonne, and Mary(Mark) Reed went down. People not ready to fight caught with their pants down. Play up how every feels like they're walking into their own noose.
Many diseases spread like wildfire among the lower crew. So crews took 'quarantining' measures very seriously for things like dysentery and malaria. Often throwing bodies overboard.
S2 ep5 (top 3 eps of the show for me) WAS SO RIGHT ABOUT WHY SUPERSTITIONS WERE IMPORTANT TO MANAGE. Again what I said about how easy it was for the crew to turn on a captain they didn't like. But any form of doubt tword your captain could be enough to start the brewing's of a mutiny.
At the time. Going overboard was a death sentence. Many sailors didn't learn to swim as trying swimming usually meant that 1.) Your ship went down in battle and your about to be captured by the authorities or 2.) You went overboard in a storm/your ship sunk. So either way your fucked. Many thought just drowning was a more peaceful death than trying to fight for your life, drowning once exhausted.
The only thing between you and the endless abyss at any point in time is a few layers of creaking, slowly rotting, wood
Ships would creak. They're made of wood and you know how houses shift? SO DO SHIPS. During rough waves or even just at random points in the day.
The sails had to manually be raised in/before storms by climbing up the mast, going out, stepping on a VERY thin peice of rope tied off at the ends of each yard(I always call them 'yard lines', but don't quote me) they'd then reach over and pull the sail up to then fasten down. This took a dozen men on a large ship. (You can see this person standing a thicker version of it in the photo below)
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Masts are VERY heavy. A mast cracking and crashing onto deck could cause enough damage to sink a ship.
The Black Dot- a superstition that if you see a black dot left on your door/ or on your person (ie someone slipping it in your pocket) means you will die soon. Usually given to someone higher rank before a mutiny. We have no proof this was a real thing but a LOT of pirate media uses it.
Add more if you think of them!! [I might do a tropes based on the more supernatural elements of horror later, but for most tropes (mermaids, ghost ships, poltergeists, selkies) I think the fandom has it covered]
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orionsangel86 · 11 months
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Subtext Glorious Subtext! A Dreamling on Netflix analysis in The Sandman - Part 5
1789
How romantic it is to be defended by ones love!
My favourite century! This is where the show starts deviating more heavily from the comic and upping the heat on the subtext (probably why it remains a popular century in fandom especially for gifsets).
Firstly, the show makes some good choices by changing certain elements in order to increase character likeability, which I think were necessary tbh. In the show, Hob mentions getting into a “new trade” regarding shipping and slavery. He describes the process to Dream and is immediately scorned for it via the “poor thing” line. In the show, it is implied that Hob’s involvement in the Slave Trade is something new for him. Dream is immediately dismissive and judgemental of this (as we would expect any decent person to be). Hob initially defends himself “It’s just how its done.”  but agrees to consider Dream’s advice.
This is not how either the comic or the Audible audiobook go and honestly, I was surprised.
In both comic and audiobook, Hob brags about the slave trade. He talks gleefully about actually having a hand in starting it 200 years back. He’s proud of this. He’s completely repugnant in both comic and audiobook and it makes you want to punch him hard. Dream only makes the following comment: “You take pride in treating your fellow humans as less than animals?” but he is otherwise not dismissive or disgusted by these things. He is not judgemental, just curious and surprised. When Hob dismisses this question as it being “business”, Dream drops the topic. It isn’t until the very end of the scene after Johanna’s interuption that Dream tells Hob its “a poor thing...” and that is where both comic and audiobook leave it without giving Hob’s reaction to this line.
You can see why the show made the wise decision to change these things. I think it is another example of where the show is taking the story and characters in a softer, kinder, and more likeable direction. We have to remember that the show versions of Dream and Hob are NOT their comic counterparts. Both comic characters are unlikeable at times and Hob in particular is just generally a pretty shitty person. It is difficult to marry the two versions of Hob sometimes because Ferdie gives SUCH a likeable, warm, engaging performance. Yes, Show!Hob is still a slaver for a short while, and yes, that is absolutely not forgiveable and fandom would be wise to ensure that this is never downplayed or ignored, but I think it is worth mentioning that the show has made the decision to lessen his involvement in the slave trade compared to his comic counterpart. But we shall see where they decide to go with this particularly nasty part of show!Hob's history in future episodes.
I think the show in many ways is taking a more classical view of the Sandman characters - here are your good guys and here are your bad guys, here are the people we want you to love and root for, and here are the ones you should love to hate. The comic tends to keep the majority of characters in the middle ground of morally grey. They have a rather cynical viewpoint imo that works for a gritty graphic novel about a depressed eldritch entity. But that viewpoint wouldn't work so well in a high budget fantasy drama series with a desire to draw in as big an audience as possible.
Anyway, back to 1789. Aside from Tom and Ferdie acting like they want to climb each other all the way through this scene (the sexual tension is through the roof throughout), all of fandoms favourite elements here are new.
Whilst Hob does ask for Dream’s name again here in the comics, there is no response or reaction from Dream given before Lady Johanna interrupts them. In the show, it is clear that Dream is about to give an answer - Hob almost gets his name. This is - tropey. The interruption may be comic canon but the almost response to the answer you’ve been craving for 400 years isn’t. A brilliant little addition. The audience is on the edge of their seats wishing Dream would just tell Hob who he is dammit! It adds to the expectation that eventually Hob will get his name. Dream's identity reveal at this point is basically a Chekov's gun. Hob will get it, even if we don't see it happen.
Then we get the fight. There is no rambling from Hob about some Jack Constantine he knew, instead he is calmly making flirtatious jokes at Dream right in front of Lady Johanna’s salad. “I look terrible, you look worse.” The terrible drawing from 1689 is new for the show, as in the comic it is simply a description of the 1689 meeting that Johanna found. Making it a portrait instead gives the characters something to react to, and I do love how bad the caricatures are in the drawing. Though sorry Hob, but anyone can see that Dream absolutely does not look worse than you, and your teasing flirtations are kinda obvious.
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The two characters share catty side eye glances in silent communication as Lady Johanna talks which indicates how close and comfortable with each other they have become by this century.
When Hob jumps up to attack the thugs, he goes for the one with the knife at Dream’s throat first. Hob gets to be an action movie star for a short moment whilst Dream looks up at him in subtle delight. It’s glorious.
AND THEN Dream ONLY makes a move once he sees Lady Johanna has her blade at Hob’s throat.
In the comic, the minute the thugs get their blades out and Lady Johanna threatens them, Dream is like nope! Magic sand! Poof!
But the show, oh the glorious, brilliant, creators on the show, decided this was going to be a “partners defending each others lives” scene. They want to protect and defend each other! They care about each other.
And then we get this:
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GIF by ghorestes
Dream. Darling. Sweetheart. He may not have needed to, but you enjoyed it nevertheless.
“Clearly. Still, I didn’t want to be drinking here alone in 100 years time.”
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GIF by mrskillingjoke
(Thank you to all gifmakers by the way I am kissing you on the mouth for the gifts you give us)
LOOK AT HIM. We all obsess over these little moments I know, but this is CLEAR flirtation.
If there is a better example of *eye fucking* anywhere outside of a season 4 Destiel scene I have yet to come across it.
It doesn’t even stop there. Because right after the best example of *eye fucking* I have seen since season 4 Destiel is an honest to god proposition.
Hob: "So do you want to find another pub tonight?"
Dream: "She may have told others about our meeting. It wont be safe for you."
Hob: "Im perfectly safe. I can't die remember?"
Dream: "Aye, but you can be hurt or captured. We must be careful"
Hob: “Always.”
NONE OF THIS IS IN THE COMIC.
So what new info has the show given us with this scene?
On a surface level, Hob wants more time with Dream. He wants to find another pub to continue their date.
On a subtextual level, Hob is full of adrenaline from the fight and the mystery man he’s been obsessing over for 400 years is looking at him like he wants to jump his bones. He wants to find another place so they can continue their date, and possibly fuck until the adrenaline has worn off.
On a surface level, Dream cares about Hob’s safety. He doesn’t want them being seen together together outside of the tavern to draw attention to anymore of Lady Johanna’s goons.
On a subtextual level. This is 1789 Hob and they hang men for doing what you very clearly want to do, and it’s not safe with the additional attention Lady Johanna and her goons have put onto you. If I go with you now, they could follow and find us in more compromising positions. Don’t risk it.
In the comic at this point, I would argue that Hob is still nothing more than a curiosity to Dream. He does not show him any real affection or care, and certainly doesn’t comment on his safety at any point. Whilst comic!Hob at this point is clearly itching for more info on Dream, he doesn’t ever push for it, and he is never as focused on Dream as he is talking about other people he’s met and interacted with. They are barely friends.
But by 1789 in the show, we have genuine care for each other, camaraderie, a growing friendship, and arguably sexual attraction.
The other point to note is something I only realised after answering this ask the other day. Comic!Dream has never had anyone else truly care about him enough to rescue him or come to his defence since Alianora (and he basically married her). When Hob defends Dream in the show, its so impactful to Dream because this is a version of Hob who truly cares about him enough to endanger himself (a trait comic!Hob never shows). No wonder Dream looked so pleased and acted so coy about it. He really was ready to pounce!
Basically 1789 is the turning point century. The point at which the show starts to lean heavily into homoerotic tropes and increases the tension. In this century we get:
An almost name reveal followed by an unwanted interuption
Amused side eye glances at each other sharing unspoken communication
Flirtatious jabbing over a bad drawing
Defending each other from harm
Putting themselves at risk in defence of the other
A thinly veiled proposition
Genuine concern and care from a character that never appeared to care previously
Ridiculously over the top eye fucking
All of which adds up to further the audiences investment in the continued development of this relationship whether romantically or platonically and which therefore makes the break up in 1889 even more impactful.
The analysis continues for 1889 in part 6!
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I have mostly only seen Baghra hate in Darkling apologia circles so this makes me curious. What is your overall opinion of Baghra? Especially her morality.
I like Baghra! I think she’s a really interesting character that just isn’t fleshed out very much and suffers for it. I think book one specifically just feels like LB wasn’t really thinking about her as a character as opposed to a plot device.
My general interpretation of her is that she’s probably supremely depressed by TGT era, given how inactive she is. And I mean she literally kills herself in R&R. There seems to be a huge discrepancy between the values she raised Aleksander with and what she believes in the present. I suspect the shadow fold may have something to do with that? Or again just depression. We don’t know why she stopped using her own power aside from the vague implication that it’s to protect her son’s identity, but I think it ends up painting a larger picture of someone who’s just lost interest in everything. And we do see a hint of what an entirely different person she was in the Demon in the Wood era.
I don’t have particular opinions on her morality tbqh. She seems like she never really got past the formative experience of being neglected by her father and hated by her mother and then everything that happened with her sister. Like no shit she’s not particularly emotionally well adjusted.
She seems to have had a child more out of a desire for companionship than like any particular maternal instinct. There’s mention of her trying to have thee most powerful kid ever but I suspect it’s more because she wanted to ensure immortality again more for companion ship rather than actually caring about the power itself. And with their isolated fear filled lifestyle early on, like even if she *was* the most competent parent ever (which. we have established that she was not) you wouldn’t have gotten the best results.
I feel like Darkling stans do act insane about her. Like I remember seeing conversations about aww poor Aleksander he must have felt so betrayed when Alina sided with his *abuser.* Like fuck off sjfhf it’s obviously a way more complicated dynamic than that. And I’d argue that multiple centuries in, there actually isn’t a power differential between them anymore.
But it seems like the boundaries were bad! That she almost definitely set him up for his megalomaniacal tendencies! And also that she imparted her own fears of vulnerability to him. Like I do think that with her own history of being so neglected she overcompensated by raising her son to the idea that he’s above all reproach (but her own lol) and that other people’s lives simply do not have as much worth. (The same kind of elevation and isolation that he tries to pull with Alina)
So yeah idk I think the fact that Aleksander is such a piece of work falls directly at her feet but also like. it’s understandable?
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jolyne-best-jojo · 5 months
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While my brains still on SWTOR I have to gush about the Sith Inquisitor. The story of a slave rising through the Imperial ranks, growing a powerbase which includes a cult and a Moff with access to a superweapon able to destroy multiple ships in a single shot, killing a Sith traditionalist who wants to kill them just because of their masters actions and then taking that Sith seat on the dark council is so good. Every SWTOR class stories hook me at some point but the Inquisitor does it the best.
Aside from the main story the companions are also great, specifically Talos Delrik and Ashora. While Ashora only works if you play the Inquisitor light side, as otherwise you've got her telling am person who kills everyone they come across that their a good person, I really like how it her conversation helps delve into the Inquisitor's own mind a bit letting you decide if their in it for the power or to change the Empire. Ashora becoming disalusioned with the Jedi and their insistence on inner peace over galactic peace and eventually admitting the Sith tennant of Peace is a lie is really good, although it would've been better suited to the main story where they're trying to corrupt her.
As for Talos his more upbeat personality is great considering the inner turmoil of Khem and Ashora and Xalek's stoicism. The best part of him though is, like Ahorsa, the development given to the Inquisitor in them having an interest in history and knowledge and getting a chance to express that intrigue with someone who shares it, especially fitting considering the Council seat they take is the sphere of knowledge.
Back to the main story and Darth Thanaton works so well as a the main villain. There's the obvious fact that he's a traditionalist Sith and your a slave who previously wouldn't have become Sith if the empire wasn't desperate for soldiers but it's moreso the fact that he, like real world traditionalists, is hypocritical. He challenges the Inquisitor to a fight between their powerbases but when he loses and the Inquisitor is about to kill him he runs away and begs the rest of the Dark Council to help him kill the Inquisitor. While some may argue this is bad writing as you've already beaten him twice, once in the battle between powerbases and earlier using the uncontrolled power of ghosts, it really works for me as the final fight is more so humiliation as you've already beaten him infront of his powerbase and now you're killing him in front of the most powerful Sith in the galaxy beating him into the ground leading to him crawling towards his fellow Councillors for help that will never come. There are only two real issues I have with the story one is how the Inquisitor's ancestor Lord Kallig just disappears after the start of Chapter 2, it would've been so much better if he at least appeared after beating Thanaton for the second time asking the Inquisitor to bind him and use his power to help defeat Kallig. The second is how, unless I missed something, they can't kill Overseer Harkun, the man who repeatedly called them a slave, tried to get them killed, tried to trick their would-be master that they failed the trials, called them a slave to their face again when they've become a Lord of the Sith and cries to Darth Thanaton that your breaking the Sith Acadamy rules by letting Xalek live and become your apprentice.
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