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#fuckin love me a twist ending like dis
ofherpinkways · 7 months
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I҉̡̯̺̜̅́͋̃͢͜n̸͐̈́͟͟͝ M̶̶҉̳͈̺͟͢͠͠ͅȳ̸̵̩̜͔͍̔́͟͟͢͡ R̴҉̷̨̖̮̉͑ͯ̑̋͟͠o҉̢̡̲͇̌͗̀͢͝o҉̢̡̲͇̌͗̀͢͝m̴̵҉̸̲̗̰̼͗͌̃̇͟͟͟͠͞͠
( My friends and I giggle about how the "Love ", "In my room " part sounds like Stewie Griffin singingI tried my best yall - 🤍🩰🧸)
cod men x fem reader fic based off the song(Warnings blood,gore,violence,please beware of the lyrics as they may cause triggers)
*tap* *tap* *tap* "Are you gonna let me in ?*tap* Hello? Hello ? "
You died two years ago on a mission , just "simple" way to go , getting caught in the across fire. "Just the wrong place,wrong time" they said
2:45 and the bell went off,thank God
Many people think i'm odd
He hasn't acted the same since, how could he ? You were the love of his life. The small flame of hope in his darkness and trauma. Now you're gone 6 feet under the below rotting way
But I talk with no one and I walk alone
And I avoid sunlight with a chalky tone
I get home and I don't say hi,it ain't no one there
He stopped talking to everyone completely , shutting everyone out as he rebuilt the walls. The walls that you were helping him break down. Instantly going to his dorm after every mission without saying anything
I don't care,I walk and go right up the stairs
To my room,get in bed and I just wait for dark
He sits in his dorm for hours on end lost in dark thoughts
Because that's when the real show starts
(Tap,tap) tap,tap on the glass go the piece of ass
He eventually started seeing things , YOU. He started showing up about year after your death
So young and pretty ,it's too bad she passed
There you stood again pale and cold
But she comes to my room and we talk at night
You've been showing up every night for about two months now
She's demonic and bloody but she holds me tight
Obviously it wasn't actually you. You stand there lifeless with glossy eyes and a sinister,stomach turning grin .(like the one smiles in Smile 2022) He didn't care
In my bedroom,with her,I'm never alone
And I kiss her cold lips until the morning comes
You guys spend the nights in heated make out sessions
Then she gone,I can still hear her voice loom
But she only exists in the dark of my room
Love,I can't ignore you
In my room
Do anything for you (tap,tap)
Love,I do adore you
He became obsessed
In my room
(Tap,tap go the piece of ass) you and I
I try and smile a lot but I'm always frontin'
But I do love a ghost and at least that's somethin'
She don't talk much and when she does,it gets cold
3:00 am now and the whole Base grows cold , nothing feels right
Usually we just lay there,where we hold we each other
We're lovers, we don't need others
The two of you stay snuggled against another
One of my mother's cats jumped up on the covers
And it scared my baby,'cause she don't like pets
The k-9's started to bark loudly outside of the barracks not liking the dark eerie presence in the air , causing you to leave him
So I twisted its fuckin' head off at the neck
"Look baby,it's bloody,it's gone,it's doomed
"please! come back to the room"
"I'll do anything for thee,don't ignore me"
This is more than a sick love story
There he sat begging and crying for you to return
Without you,I'd bring a shotgun to school
And I will if you want me to,for any reason
I hate that you leave when the lights come on
And if I had it my way the fuckin' sun would be gone
Love, I can't ignore you
In my room
Do anything for you (tap,tap)
Love, I do adore you
In my room
Tap,tap go the piece of ass) you and I
Love, I can't ignore you
In my room
Do anything for you (tap,tap)
Love,I do adore you
In my room
(Tap,tap go the piece of ass) you and I
He just wants you back
Sometimes I kiss her,I start shakin'
Your demonic self has him on a choke hold
She slips me the tongue and it tastes like bacon
There the two of you sit kissing in the dark,footsteps are near by
Uh-oh,something's wrong, baby's upset
you pulled away from him,your frown shifting to smirk
She told me she was spotted by the neighbor's kid
She can't come back now.'cause they know our secret
Unless I can make them keep it
One of the other guys "saw" you
If i do, she may come back to life
Now I'm in their yard with a shotgun and knife
Cut the screen,went and sun the kid
Blew a bowl of spaghetti in the side of his head
He got up and out of the dorm,pinning his own teammate,his own friend to the wall bashing his head against the brick wall in fit of rage
Then the daddy was next,next runnin down
He went after everyone else
I shredded his throat and he was quick to fall,tossed the Mossberg and gribbed the knife
Started stabbing the shit of his wife
One by one he got to everyone
Went home a bloody mess with a job well done (tap,tap)
Wash up and wait for my baby to come (tap,tap)
He cleaned himself up and sat in his bed waiting for you
Love, I can't ignore you
In my room
Do anything for you (tap,tap)
Love,I do adore you
In my room
(Tap,tap go the piece of ass) you and I
Love, I can't ignore you
In my room
Do anything for you (tap,tap)
Love,I do adore you
In my room
(Tap,tap go the piece of ass) you and I
There he sat waiting
I waited two, or three days, four days
Waitn' for the tap tap like always
Days passed and you still haven't shown up yet
I waited and hated this
I created a bloody mess
Guilt started to hit him
I waited for two, or three months, four months
Waitn' for the tap,tap just for once
I waited two, or three days, four days
Waitn' for the tap tap like always (where is she?)
I waited and hated this(why isn't she comin' back ?)
I created a bloody mess (tap,tap)
Worry started to hit him
I waited for two, or three months, four months(I fuckin' killed those people!)
He killed his teammates, his friends
Waitin' for the tap,tap just for once ("where the fuck is she ?")
I waited and hated this (tap,tap)
I created a bloody mess(why isn't she coming back?)
(Love) I waited two or three days,four days
GUILT
(In my room) waitin 'for the tap,tap like always (I can't believe I did)
WORRY
(Love) I waited and hated this
GUILT
(in my room,you and I)I created a bloody mess ("I killed them")
WORRY
(Love) I waited two or three months, four months
(in my room) waitin' for the tap,tap just for once ("where is she")
GUILT
(Love) I waited and hated this
(In my room you and I) I created a bloody mess
He went insane
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butmakeitgayblog · 3 months
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Can I just say I love how like, into revisiting and analysing this dumb show’s scenes you still are — with the rise in popularity of streaming (I’m sure this has something to do with it, anyway) it’s become more and more commonplace for people to consume a piece of media, enjoy it, get bored of it after a while and never touch it again after moving on to the next new thing. It’s so wholesome and refreshing to see people still be so passionate and always find something new to talk about a show that, for all many of us care, ended 8 years ago. I do move in and out of being obsessed and disinterested with the media I’ve enjoyed, but in a world where I’m constantly seeing people say “oh you’re a fan of [X]? But that’s old :/“ (mostly about something that finished like last year lol) your blog is a breath of fresh air :)
Well thank you 🥹
The thing is, I get it. I get why and how people move on to different fandoms so quickly, and I don't really think poorly of that or anything. It's been almost a decade and it's easy to fall out of love with something after so long. Hell, when you think about it, this fandom has outlived the lifespan of a lot of entire relationships people have had 🥴. People find new things to get excited over and the *gasp* feeling of finding this new /thing/ is always fun. So I do get it.
But for me, it's just not that way. It's not that simple. Not because I think I'm somehow special (maybe a lil deranged 😬), but rather that's just how I operate. Before Clexa the only other ship I ever really cared about was Willara from Buffy which I watched when I was a goddamn teenager lol (RIP to my fellow gays always falling for girls who get shot ✊😔). I just don't get attached much to characters and ships. Usually ai like them in passing, enjoy watching them, and then that's... it. Tibette from the L Word. Wayhaught. Brittana. I like them and I follow them, but there's no real desire to delve deeper beneath the surface.
And then something like Clexa comes around and just absolutely fucks me up. It hits me and connects with me in a way that I just can't shake. Watching the show isn't enough. Thinking about it isn't enough. I have to discuss it and dissect it and fill in the gaps that we didn't see, and read and (now) create more stories for them just to understand everything about them to a deeper degree.
So few characters really elicit that kind of connection, but Clexa do. Even for a lot of the people who have moved on, at one time they felt that connection. Clexa was a fuckin madhouse for years and I think the fact that even still to this day people keep discovering and rediscovering them and falling in love with them all over again speaks volumes about just how wonderful that relationship and those characters actually were.
Especially Lexa.
Now, I love Clarke. I make it known that thiiiisss is a Clarke Griffin apologist's blog. That feral little kitten has never done anything wrong in her life. Ever. Including all of the terrible things she's done, as well as the many, many things that were flat out wrong. She is still innocent. She is only a baby. A murderous, tormented, compassionate, complex babygirl. So never get it twisted that I'm saying Clarke is somehow lesser than, but when push comes to shove when we're talking about baseline complexity, there is no character like Lexa. There's just not.
This woman was definition of doomed by the narrative. A child stolen away to be used as a glorified sacrificial lamb for her people. A toddler wielding a sword made of wood taller than her own tiny body, trained to accept her own life as expendable for the greatest good of her people before even learning her ABCs. She took the throne at 12 bby slaughtering her only companions and made her death mask out of kohl and fallen tears. Every person she ever loved as a mother, father, brother, either died for her, or by her own hand. The only two people she ever dared to be weak for were torn from her in the name of politics and the weight of her own bloodied crown. Under all the regalia she was just Lexa. Heda, always surrounded by her people and yet eternally just a lonely soul. Born here on Earth, raised to eventually die for others, left to rule over the people on the ground as best she knew how.
And yet through the pain, she was strong. So fucking strong it emboldened the warriors around her. She was brave, and lethal, and unyielding in her pursuit of peace. Meeting every push against her forward march to change head on, never flinching in her own brutality along the way. She knew that she was born for this; believed the black of her blood to be every bit as much of a blessing as it was a curse. Even when people doubted her and did their best to end her reign, Lexa always came out swinging.
She loved hard and kicked ass even harder, is what I'm saying. And the fact that they took a character like that and ended her so fucking carelessly? I just... I'm gonna be pissed off about that for a very long time. And until I'm no longer pissed off about that, I'll be here running mouth about it 🥴 probably still trying to make it better by writing her and the love of her life in as many stories as I can, so they can finally get the happy ending that was robbed of them in canon 🫡
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ehh-is-the-name · 1 month
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TPOT 10 spoilers 'cause BH makes me insane
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I mean, c'mon. You can't see this thumbnail and think things are gonna be ok for you mentally if you like blackhole. Like you know what's coming to you.
First things first, let me just scream into the void for a second-
HIS NIGHTMARE IS KILLING PEOPLE AND LETTING THAT CONSUME HIM?????!!?!?
AAAAAAAAAGUH MY HEART??!!???!?
Man- I love Blackhole and this episode just drove the stake into my heart. The fact that he, himself, is a being who causes death by getting too close to people made me writhe in BFB. But actively showing the extent of how it affects him—ack! He knows he causes death, which is why it's so important for him not to kill people, and why he's so strict about the pact rules!!
It makes so much sense... BFB 1 had it all laid out, and TPOT 10 sewed it together.
From the way he was hesitant about helping Flower!!! We know- he knows he's gonna end the world by getting closer, but he gives into it anyway. Instead of putting his foot down to Flower, he gives in to his feeling of wanting to be closer to people—from the way he's so happy about being shrunk—and more later. Then we get that whole thing with everyone about to die.
We know if Four never came, everyone would've died. Blackhole knows that too, from the end of his nightmare. More specific to this clip though, from the scene with Pie and LIY, since he literally just gave in to the urge to get closer and he wants that to never happen again. As a singularity in space, he could appreciate the planet, and life on it, more than other objects. He could see them all interact but never actually interact with them (besides talking), so at this chance of being beckoned, it makes sense that he'd just go "eh, fuck it, alright" then IMMEDIATELY regret his actions. Although his nightmare was about being afraid he'll "give into murderous urges", it can also be interpreted as him being afraid to let go. Something clearly stated in the last scene of his nightmare...
Queue TPOT 10 scene from clip above (I'm so mad that it's only 1 video per post on here)
Over the season we've seen him go from preventing death to just not killing people. It's morphed into his own cut-throat rule for the pact, which, in this context, is fair to see why. He joined the game via him not caring about the consequences, and it's stuck with him, so seeing everyone over and over get away with things made him HAVE to re-enforce to himself that he wasn't allowed. Death PACT doesn't kill people. HE doesn't kill people. He can't allow himself to let go of that regiment.
Obviously, this causes problems in the team- we see the clip. The thing that gets me the most is that this is bona fide trauma we're working with—Fanny telling him to #get-over-it kinda rubbed me the wrong way. And OK! I know- I know that's not exactly what she's saying but that's how it felt, and I know she has every right to be upset 'cause he was fuckin' over his team, but again that's just me! (The fact they got on the same page was enough for me anyway.) I digress, his "obsessive nature" was essentially just a response to everything that's happened to him—it's what makes him feel in control of himself. Poor BH's got trauma bad :(
I think what really twists that knife for me is that... the guy really just wants to connect with his peers normally- He wants everything to go back to normal, and that's one of the reasons he compromises with Fanny. On some level, he knows he's gone too far, but he's just afraid. Even at the end, he can't bring himself to kill Tree, even though he knows it'd be better with the new "focusing on life" angle. Did you hear that shakey exhale? Man's going through the wringer. Obviously, he won't overcome his trauma in an episode, but it's a good step to just playing and enjoying the game.
Anyway... There is probably a shitton of fans that are looking at this like "Yeah no shit Sherlock" but hey! Be nice. Some of us are slower than the others, and by some of us, I mean me. I needed this punch in the face to really see how death was impacting Blackhole's mental state and now I've word vomited my thoughts out.
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leiflitter · 1 month
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Hi I'm doing a research paper on antiheroes and I'm using Oliver as one example. Could you maybe tell me why he appeals to you as a character despite the murdering and the scheming etc
You come into my askbox while I sleep and make me think? First thing in the morning? BUT I SHALL ANSWER
won't make any sense probably but HEY!
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I think the main reason I love Oliver is because I can see a lot of myself in him.
Cut bc this will be long af
Granted, my perspective on the character is... I spend a lot of time thinking about that idiot, so this is fully based on my interpretation of him buttttt
Okay, so the murders and scheming are firstly... Ambiguous. Elspeth is the only one we see as it happens- not in a flashback, big-twist, oh it was my evil plan all along #classwarfare #girlboss #theyhatetoseeabadbitchwinning way- and she's so far gone she's on a ventilator and just dies without it. How did she get so sick? It isn't mentioned. Honestly, as someone with long covid, she's wandering around London without a mask. LADY. YOUR LUNGS.
Everything else? The spiked bottle. The razorblades. They're shown to us at the end, this big gotcha moment... From someone who has clearly spent every moment since Felix Catton died trying desperately to gather some small piece of him.
His home is decorated like Saltburn. He's immediately trying to get back in. The moth battering itself against the window.
Whether or not Oliver Quick is an evil, scheming murderer is entirely down to your interpretation of that reveal montage. Mad props to Emerald for that.
My interpretation of it is... Not to say he's innocent, but that he's a sad, sad man grasping at straws to give himself more agency. He's spent years dwelling on and analysing the worst time of his life, and as a good Eng Lit student (dude was doing essays on Browning) he's turned it into a narrative.
If we stop suspending disbelief, then we have:
Felix
Oliver put some cocaine in a bottle (as evidenced by Oliver having the same sort of vial Farleigh has in the main hall). Oliver drank some. Felix drank some. He threw up, Felix died.
I have probably said this before, but Felix's death cannot be directly attributed to Oliver's actions.
Felix was in the bathroom, and although we don't see him doing lines, he's not just hanging out there for funzies. He's going hard, probably mixing drugs and booze. He's so off his tits that he doesn't notice how bad/bitter the booze Oliver gives him tastes. Plus there's a reason people snort cocaine; it's efficacy is highly reduced when eaten, and it takes far longer to reach the brain. How long would Felix have just stood in the maze? Waiting there like a sim with no activities queued until he keeled over?
It's likely that Felix overdosed, but it's really unlikely that Oliver was the sole cause, if he was the cause at all.
Venetia
He left razorblades near her. That's literally all we see. From Oliver as a character, I don't think he has the guts to actually, directly kill- and it wouldn't make sense to. He'd be found out immediately if he did- any sign of violence and the Cattons would have private investigators and all sorts at their disposal. He was in the next room. It'd be open and shut. I do think, from the blood on the floor, that she tried to go to his room for help and he ignored her- but!
Leaving something sharp near someone in distress is another shitty scheme. What was he going to do if she didn't notice them? What if she knocked them off the side of the tub accidentally? Was he going to leave her a post-it note like HI V PLS KYS LUV OLLIE to make sure she noticed them?
Another thing that often is kinda... Glossed over... Is that Oliver is a fuckin teenager, and he isn't as smart as he portrays himself.
Olls. Why would you fool about with Felix's sister in plain view of the house? Ollie. What exactly did you expect one email to do? Erase Farleigh from existence? Oliver. Mate. You left your phone in the bathroom? Where Felix "no boundaries" Catton could find it? Why? Did you need to play Snake in the bath THAT BADLY? Oliver. Why would you lie about something so easily disprovable? Oliver Quick, you started digging a hole and it became Felix's fucking grave.
Older Oliver has turned what happened into a narrative where He Has Agency. He did it, and he did it on purpose, because HE WASN'T IN LOVE WITH FELIX (he was in love with Felix). He had a plan, you see, it wasn’t him being desperate and trying anything, everything he could to stay close to Felix.
He wasn’t a weird, awkward teenager who went away from home, fell in love with someone entirely unobtainable- due to socioeconomic bracket, gender, the year, all of that- and was so desperate to be near Felix that he built an unsustainable web of lies that fell apart. I think the maze scene is Oliver at his most honest, because he doesn't understand why his performance is any different, other than the amount of effort he's put in.
No, he was evil. A bad guy. A wolf in sheep's clothing, Felix his innocent victim. He's a genius... Because what is the alternative for Oliver Quick?
Admit that he was little more than a child, lashing out, unable to accept his own feelings- as he's unable to accept them as an adult- and now...
The immutable fact is that Felix died, and Oliver will never be over it.
What's the safer option?
I was a mess and I might be responsible for this and I was lashing out and I might have killed the thing I loved most because I fucked it all up.
or
I did it all on purpose.
And... To bring this back to the question.
I have been Oliver Quick in the bit before the bike scene. I've watched people I'd like to be friends with, living a life I was too shy or scared to go after. I can remember desperately wanting to be cool, to have a backstory, to be compelling...
I just never got desperate enough to lie. And I'm doing pretty good now, but I fucking get it. To want that connection so badly, to yearn for the life you see other people living, to want to be someone other than yourself.
So y'know
That's why I love him.
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eleanorfenyx · 4 months
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I have finished Mysterious Lotus Casebook, and here are some of my thoughts! (Obviously not spoiler free)
The cases are absolutely batshit insane and I loved it every single time they were like 'we totally collected this evidence that incriminates a secret suspect, just believe us and also don't question when the fuck we had the time to do this or when we figured out that we needed to look for it'. 10/10 no notes, that's a hilarious way to have a genius detective. Show us nothing, tell us everything, YES king.
That being said, I could have done with a lot less standing around having the supporting cast repeat whatever Li Lianhua and Fang Duobing announce, maybe in an attempt to make sure their genius is clear for the audience? I get it, but at the same time it felt a little too hand-holdy for me, especially in scenes where LLH and FDB had already discussed their findings between themselves before presenting them to the concerned bystanders. I can read between the lines (or else understand what has just been explicitly stated) without having every conclusion filtered through a slightly different sentence structure to make sure I got it.
Di Feisheng amnesia arc my fuckin beloved
Di Feisheng destroying his 'father' and freeing everyone in Di manor in a vicious act of catharsis that tied nicely into the main Nanyin bug-mind-control-thing narrative my beloved
Di Feisheng my beloved
The amount of times I was like...genuinely surprised he and Li Lianhua didn't kiss is both embarrassing (because I do in fact understand censorship and what I sign up for with these dramas and yet and yet) and numerous enough that I could...possibly...theoretically..write a 5+1 fic of every time I want them to kiss about it. No one hold me to that but it's something I think I'd like to do.
Re: the above point: because what the FUCK was that ending?!!! EXCUSE ME?! I gotta FIX THAT SHIT.
There will come a day when the strength of my hope for an unambiguously happy ending in a queer(-coded? is the source originally bl or is this its own thing?) wuxia drama is rewarded....but it is not this day. I must fix this myself.
Jiao Liqiao's laugh is one of the most annoying things I've ever heard. I was reaaaaally hoping someone would just up and stab her during one of her little evil laughing fits. At one point I was shouting "KILL HER, KILL HER" at my screen because I could NOT take anymore of her (unfortunately, I did in fact have to take more of her).
I still think her insistence on being obsessed with DFS is hysterical when he is so VISIBLY only interested in LLH. Explicitly STATES that his only life purpose is to fuck fight LLH again. Babygirl (derogatory) he is so fucking gay let's get you a nice knife to the gut instead, okay?
I thought the whole Shan Gudao plot was interesting, going from looking desperately for his body -> putting him to rest -> hunting for his murderer -> finding out he's alive/the mastermind behind everything going wrong (which I was proud of myself for realizing before the reveal, I'm normally bad at that) -> thwarting him with sass and superior martial arts at every possible turn -> killing him stone fuckin dead with beginner level skills because he's so up his own hole he can't see that's what's happening - was really fun!
He also has a SUPER annoying laugh he can fuck off
OH OH OH MARTIAL ARTS SKILL OF TRANS YOUR GENDER?! I MARRIED HER SO HER AFFAIRS ARE MY BUSINESS NOT YOURS??? ASKING YOUR WIFE FOR HER FORGIVENESS AND UNDERSTANDING AS YOU LAY DYING AND SHE GIVES IT TO YOU?????? OKAYYYYYYY
The twist at the end that LLH is the one with royal blood was so funny to me. Like it's a good twist and I love that Shan Gudao was just quite literally always a fuckin try-hard loser in ways he didn't even know, but also it was SO funny. Granny coming in clutch at the last fuckin minute with secret knowledge she just literally never shared.
LLH is such a smooth motherfucker. Shame about his insistence on dying when quite literally everyone (bar the people who suck) is begging this man to just live. Just LIVE DAMN IT!!!!! I really liked it when FDB begs him to just consider his own life as important for ONCE and remember that people care about him because YES his self-sacrificing and committment to Chilling Out Farmer Style was not the mercy he thought it was!
LIVE AND GROW OLD WITH DI FEISHENG YOU DAMN IDIOT (the likelihood of me resisting the urge to write at least the one fic for them is zero to none)
Unironically love spitting up blood as a plot device and this show is no different. The Drama. The Panache. The desperation of everyone around you because you have BLOOD coming out of your MOUTH and you are FAINTING. Poison acting up? Spit blood. Someone bitch slap you with their magical palm ability? Spit blood. Get stressed? Spit blood. Get stabbed? Spit blood. It's always good!
Okay I think that might be all I've got for now, if I think of anything else I'll add them in a reblog. I thoroughly enjoyed it, would definitely recommend!
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kokoch4n3l · 6 days
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DEAD GIRL'S BEACH࿐ྂ "just givin' the same care you gave me, bunny. so whatcha' crying 'bout?"
—headcanons and other info about the fic
warnings: DARK CONTENT, all warnings for the general fic apply here too
notes: recommended to be read after chapter 11. format inspired by @highpri3stess
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While this is being posted, I'm writing chapter 12 which is a means to an end of this fic. Chapter 13 is an epilogue of some sort that transitions into the canon events of the manga as well as the things that happen after Mikey dies and after Kakucho shoots Takemichi and Kiskai shoots Naoto. These headcanons follow MY storyline of the main story and will include things from the two bonus chapters I will post once I have finished the main story.
Now, this fic is actually inspired by a character.ai bot: Patient Izana. How I got this fic from that? Honestly, I have no idea.
KUROKAWA IZANA࿐ྂ
Introducing antagonist number 1, Kurkokawa Izana.
At first, while writing I thought of making Izana the stereotypical 'psycho' and unstable patient and maybe give him joker vibes but then I changed it and decided that I should fuckin' wing it. While he may not exude the same overt instability as a character like the Joker, Izana possesses a chilling charisma and a cunning intellect that sets him apart as a formidable adversary, especially for someone who doesn't know how or when to quit(i.e. Takemichi and Maya)
Izana is a guy that leaves a lasting impact. Think about Bonten Timeline— Mikey practically turned himself into Izana, and based his entire gang around a guy he knew for a day.
But Izana is more than just a charismatic leader; he's a master manipulator, adept at pulling the strings behind the scenes to achieve his goals. His actions are calculated, his motivations shrouded in mystery, making him all the more captivating to those who seek to unravel the enigma that is Kurkokawa Izana. While his methods may be ruthless and his morality questionable, there's no denying the complexity of his character and the lasting impact he leaves on the narrative as a whole.
At his core, Izana is driven by a complex web of desires and insecurities, many of which stem from his tumultuous past and his fractured relationship with authority figures. Raised in an environment rife with instability and neglect, Izana developed a deep-seated need for control and validation, traits that manifest in his interactions with others. His penchant for manipulation stems from a deep-rooted fear of vulnerability, driving him to assert dominance over those around him as a means of self-preservation.
Moreover, Izana's psychosexual tendencies and mommy issues add another layer to his character, revealing the depths of his psychological turmoil. His attraction to Maya, for example, is not just driven by physical desire but also by a subconscious need to exert control and dominance, mirroring the dynamics of his upbringing. His dehumanizing language and possessive behaviour towards Maya reflect his twisted perceptions of love and affection, rooted in a distorted understanding of intimacy and connection.
In the ever-shifting landscape of the narrative, Izana remains a constant, a dark presence that looms large over the lives of those he encounters, leaving chaos and destruction in his wake.
Now moving on from the fancy words and shit— I think a lot of fans forget that Kisaki isn't the reason Izana is how he is. Kisaki was simply an enabler of sorts. Izana was a crazy bitch even before meeting him. He beat the shit out of a bunch of guys to the point where they would never heal and drove a kill to kill himself and that way before he met Kisaki. This guy is batshit crazy even without outside influences which makes him a pretty good antagonist in comparison to the rest of the Tokyo Revengers 'villans' who were unknowingly manipulated by Kisaki. Izana knows what Kisaki is doing but also doesn't give two shit about it.
He is emotionally constipated and doesn't know how to properly express his emotions as he doesn't exactly have a proper authority figure in his life or someone to guide him. Sure Shinichiro was there but probably not around as often.
Now with Mikey, Izana mentally abuses the shit out of him but on a more vague level. If you remember back in season 3, Izana says "I'll make you suffer bitterly" and he's talking about/to Mikey. Mikey represents power and authority, someone he can exert control over and use to further his own ambitions within Tokyo Manji Gang. Izana plays on Mikey's sense of loyalty and duty to the gang, using their familial ties as leverage to keep him under his thumb.
He sees Mikey as his personal possession and therefore can do what he wants to him hence the "my mikey" thing in season 3. I feel like Izana wanted to own everything Shinichiro had rather than destroy it. Like he said he wanted to in the manga/anime. I mean c'mon this guy looked up to Shin. (Well then again this is fanfiction so I could be wrong.) But anyways...
I had Izana refer to Mikey as Manjiro because Shinichiro calls Mikey that. But I feel like when around a bunch of people he calls him Mikey because it's a business name of some sort??(idk where I'm going with this)
While Izana's abuse towards Mikey may not always be as overt as it is with Maya, it is no less damaging. The psychological toll of Izana's manipulation weighs heavily on Mikey, eroding his sense of self-worth and leaving him vulnerable to Izana's influence. Yet, despite the suffering it causes, Izana derives a twisted sense of satisfaction from seeing Mikey bend to his will, relishing in the power he holds over his younger brother. In Izana's eyes, Mikey is not just a brother, but a pawn in his grand game of manipulation and control—a possession to be used and discarded at his whim.
Maybe Izana does love Mikey deep down but his pettiness is stopping him from really doing anything.
Would you guys believe me if I said Izana actually likes Maya tho? Izana is like “I feel in love but idk what to do so imma absolutely traumatizing the person I’m in love with cuz idk how else to portray my feelings”
Izana never had anything so all he does is take. He takes and takes from you and when you think you've got nothing more to give, he still finds something more to take.
Which makes Maya such a great 'victim'(idk if that's the right word) for him. In chapter 11 I wrote "She always had so much love but nowhere to put it. It's as if she's been searching for something or someone to share her love with, but each time she reaches out, she's met with rejection or betrayal. Whenever there is someone to love, they suck it out of her greedily. Just keeping taking and taking and taking till there's nothing left to take."
The crazy thing about ppl like this(aka me) is that there will always be more for them to give and Izana knows that. So he knows that no matter what he keeps taking, Maya will always have more for him. She is like a wellspring of love and affection, always there to provide him with the validation and attention he craves. It's a dynamic fueled by Izana's insatiable need for control and dominance, where Maya's boundless capacity for love becomes both a source of fascination and exploitation.
Izana sees Maya as a pet. Not even in a cute way. Izana is the reason for the dehumanization tag in the fic. He's not calling her bunny in a cute way or anything like that. He literally sees her like a pet. Izana treats Maya the same way one would treat an abused animal from a shelter(at least when he's not torturing or mentally abusing her). He does care to some extent but not in the same way as one would with a human.
I remember while writing this and seeing someone on TikTok post "You have to say 'what if it was your sister, mother, etc.' for men to see other women as human" and me and my writing have never been the same since and I kind of wrote Izana around that. Izana is such a family guy that it even affects the way he treats other women to an extent. As long as they aren't involved in something that I guess 'betrays' him— knowingly or unknowingly— he probably won't do anything.
If you remember, I put a lot of emphasis on Maya's hair and Izana's feelings toward it. In chapter 5 it's the first thing Izana notices about her. That part was written through Maya's pov and my girl was panicking so she did not notice that he absolutely HATED that shit.
When Emma died, I noticed she had the same haircut as Kurokawa Karen did in the flashback where she revealed to Izana that she wasn't his mother. So lol,,, I feel like Izana agreed to let Emma die because of that. Moving on, Maya cut her hair the same way which brought Izana back 12 years, remembering Emma and then remembering Karen, which brings us to where we are now.
The question is: Would Izana have done all this to Maya had she not cut her hair?
Nope, he wouldn't have.
Maya's decision to cut her hair becomes a catalyst for Izana's descent into madness, dredging up long-buried memories and unresolved traumas.
Ultimately, Izana's obsession with Maya is driven by a profound sense of loss and longing, intertwined with his own twisted desires for control and dominance. Whether Maya is aware of the depths of Izana's feelings towards her remains uncertain, but one thing is clear—her presence in his life has irrevocably changed him, for better or for worse.
Despite Izana's facade of manipulation and control, there's an underlying vulnerability to his character, a fractured psyche shaped by years of trauma and neglect from being in the orphanage. His relationship with Maya is fraught with contradictions, veering between moments of tenderness and brutality, as he grapples with his conflicting emotions towards her.
For Izana, Maya represents both a source of salvation and torment, a reflection of his own fractured identity. In her, he sees echoes of his past, reminders of the love and loss he has experienced(which is somehow just from her haircut and not her person as a whole, but he’s crazy so what can we expect). Yet, he also views her as a means of redemption, a chance to right the wrongs of his past and find solace in her unconditional affection.
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KAKUCHO࿐ྂ
I was a little confused about how to write Kakucho but then I read that in one of the character books that Izana physically punished(beat the shit outta him) him for letting the Haitani brothers have different coloured uniforms in the Tenjiku arc and I was inspired. The revelation of Izana's physical punishment towards Kakucho sheds light on the complexities of their relationship, highlighting the influence of authority and control.
A lot of people forget that Kakucho is younger than Izana. Although Wakui didn't specify his age/the year he was born but I assume it's 1991 like Takemichi which gives Izana and Kakucho a 4 year difference.
Kakucho carries the weight of his responsibilities with a stoic demeanour, displaying maturity beyond his years. His unwavering commitment to his friends and his gang is a testament to his steadfast loyalty and sense of duty.
Kakucho is a relatively good guy. Or as good as someone in a gang gets. I feel like he doesn't really care much about violence until a girl is involved just like past toman!mikey. Idk Kakucho just gives me that vibe.
Like Maya, Kakucho contemplated killing himself until Izana gave him a reason to live as his servant (which btw wtf but at the same time, same kaku cuz I do dumb shit like that too).
His inability to set boundaries with Izana underscores the power dynamics at play within their relationship, wherein Kakucho's loyalty often outweighs his own autonomy. Despite his caring and compassionate nature, Kakucho's actions are ultimately influenced by his allegiance to Izana and the gang, leading him to make difficult and sometimes morally questionable decisions.
Kakucho is a really sweet and caring guy, hence why I wrote him as the healer in the moodboard. But that is crossed off and dark knight is also there. Kakucho is a good guy but he's in a gang. People in gangs are NOT good people no matter what anyone says. Kakucho has killed people with and without Izana's command and I think most of the time he doesn't regret it.
Kakucho 100% loves Izana and would do anything for him, even if that includes going back on his word and telling Maya to stay.
At first, Kakucho wants Maya to run. He sees her as Takemichi(play washing machine heart by mitski). Of course, that is because of her major features which are black curly hair and blue eyes. That and her inability to know when to quit. Kakucho want(s)(ed) to see Maya escape, to see if she can get away the same way Takemichi did— which is why in chapter 5 he opened the door for her even though he knew Izana would beat his ass for it.
Kakucho is a great guy, but also don't forget he's also a man. Men are fucking stupid and do stupid things for their friends and Kakucho is one of those stupid guys.
Everyone is a product of their surroundings and Kakucho has literally grown up with Izana. Growing up in such an environment has desensitized Kakucho to violence and manipulation, making him adept at navigating the complex power dynamics within the gang. However, despite his hardened exterior, there are glimpses of empathy and compassion within him, which are often overshadowed by his loyalty to Izana and the gang's objectives.
Maya's presence serves as a point of intrigue for Kakucho, offering him a glimpse into a different world beyond the confines of the gang. Her resilience and determination in the face of adversity captivate him, prompting him to observe her with a mixture of curiosity and admiration. However, his loyalty to Izana ultimately dictates his actions, leading him to prioritize the Izana’s interests over Maya's well-being.
He is no different even if he is mellowed down. Maya is something to observe for him as well. His interactions with Maya serve as a microcosm of this dynamic, as he observes her with a mixture of curiosity and calculation. While Kakucho may possess a gentler demeanour compared to Izana, his underlying loyalty to Izana and the gang's interests colours his perceptions and actions. Her presence serves as a catalyst for introspection, prompting Kakucho to question his own beliefs and motivations in the context of their tumultuous environment. However, this introspection is tempered by his ingrained loyalty to Izana, leading Kakucho to prioritize the gang's interests even as he grapples with conflicting feelings towards Maya.
In essence, Kakucho's relationship with Maya serves as a catalyst for personal growth and self-discovery. Through their interactions, he confronts the influence of his upbringing, grapples with his loyalty to Izana, and ultimately begins to forge his own path independent of the toxic dynamics that have defined his existence thus far.
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SANO "MIKEY" MANJIRO࿐ྂ
Writing Mikey was a bit of a challenge. There is very little said about the Manila Future Timeline and what exactly pushes him to go psycho-killer and murder everyone. But because there is so little said about it, there is a lot you can do and it's easy to build on canon by just makin' up your own shit which is how this fic became a thing. Mikey was not in the original cast but then I was like, nah let's add this crazy ass mfer cuz he's me but a guy.
Anyways, Manila Timeline I feel is pretty tragic. Everyone has left him and he's clinging onto the one person he has left, Izana(Sanzu is there too but you guys get the gist). I don't remember if the other captains had left Toman or not but at least in this fic, they all left the gang after high school as I imagine around that time is when things started to get serious.
Shinichiro is dead, Emma is dead, his friends have all left him.
As those closest to him fade away, Mikey finds himself increasingly isolated, clinging desperately to the one remaining pillar of support: Izana.
In the absence of familial and emotional connections, Mikey's bond with Izana takes on a heightened significance. Despite Izana's manipulative tendencies and questionable motives, he becomes Mikey's sole anchor in a world consumed by chaos and uncertainty. Their relationship becomes a lifeline for Mikey, offering a semblance of stability and belonging in the face of overwhelming loss.
As Mikey grapples with the trauma of his past and the bleakness of his present reality, his psyche begins to unravel, paving the way for his descent into darkness. The allure of power and control becomes increasingly seductive as he seeks to reclaim a sense of agency in a world that has stripped him of everything he holds dear.
In the midst of his turmoil, Mikey's relationship with Izana takes on a complex dynamic, marked by a blend of dependence, manipulation, and a twisted sense of loyalty. Despite Izana's questionable actions and motives, Mikey clings to him as a lifeline, perhaps seeing in him a semblance of the family and stability he has lost. However, this reliance on Izana also exposes Mikey to further manipulation and exploitation. Izana, recognizing Mikey's vulnerability and need for connection, may exploit this dependency to further his own agenda, further blurring the lines between ally and adversary in their tumultuous relationship.
Basically, Mikey literally just wants his family back and Izana is being a huge fuckin meanie about it.
Mikey is "if you need to be mean, be mean to me" @ Izana because he loves him so much that it hurts.
Mikey is so sad. His entire character, all his deaths, everything is so tragic(he's my roman empire).
In chapter 3 I wrote: "Had his younger brother not been a depressed little shit right now, Izana would have gotten Ran to gift her to Manjiro. Even if he did now, Izana doubts Manjiro would even do anything. He heard that depression affects the libido. Even before he was admitted into this shitty psychiatric hospital, no matter how many hostess bars he took Manjiro too, how many hookers he called over, how many strip clubs— Manjiro was just bored. For a while, he thought the guy was probably a nervous virgin who only knew how to fight but after a drunken conversation with Sanzu Haruchiyo, Manjiro's childhood friend, he finds out that was in fact not the case. Manjiro was pretty popular with the girls when they were in middle school(due to his shoulder-length blonde hair and girls having a huge thing for pretty boys with deep voices). Manjiro was 100%, not a virgin and just depressed as hell."
That is all written from Izana's point of view which is partially true. Mikey's struggle with depression and loneliness is a central theme that underscores his character arc in the story. While Izana perceives Mikey's lack of interest in casual encounters as a symptom of depression affecting his libido, the reality is more subtle. Mikey's aversion to hookup culture stems not from a lack of desire, but rather from a deeper sense of disillusionment and disconnection from the superficiality of flings and hookups.
Despite his past popularity with girls during middle and high school, Mikey's experiences have left him jaded and yearning for something more meaningful and substantial. His longing for genuine connection in a world consumed by fleeting pleasures and superficial interactions is palpable, casting him as a tragic figure amidst the chaotic backdrop of the Manila Future Timeline.
Mikey's aversion to seeking solace in prostitutes reflects a deeper emotional turmoil rooted in his fear of abandonment and loneliness. As he grapples with the harsh reality of losing those closest to him, Mikey's reluctance to sleep with prostitutes highlights his longing for genuine connection and companionship. The idea of paying for sex serves as a stark reminder of the temporary nature of human relationships, fueling Mikey's growing disillusionment with the superficiality of social interactions. With each passing encounter, he is confronted with the unsettling truth that people may only be with him out of obligation or financial gain, rather than genuine affection.
As Mikey confronts the emptiness of his existence, he recoils from the notion of commodifying human connection, yearning instead for authentic relationships built on trust and mutual respect.
While Izana may exhibit a more manipulative and coercive approach towards Maya, Mikey's actions suggest a more nuanced understanding of consent and autonomy. Despite his own struggles and vulnerabilities, Mikey recognizes the importance of mutual desire and attraction in any intimate relationship. By waiting for Maya to be sober, he seeks to ensure that their interaction is based on genuine desire and consent, rather than coercion or manipulation.
(Mikey wanted Maya to want him back)
However, Mikey's narcissistic tendencies also play a role in his decision-making. His desire for validation and affirmation may influence his interactions with Maya, as he seeks not only physical intimacy but also emotional connection and validation from her. Despite his apparent consideration for Maya's agency, Mikey's actions are still driven by his own needs and desires, highlighting the complex interplay of power dynamics and emotions within their relationship, for example, the utter horror that was chapter 11.
Yes, Mikey had been lying to her this entire time but to him, he was doing the right thing. Naoto, in the manga/anime, calls this timeline the worst of all and that includes for Mikey. Mikey's actions towards Maya are a manifestation of his deep-seated loneliness and longing for connection. Despite his facade of stoicism and authority as the leader of Tokyo Manji Gang, Mikey is profoundly affected by the absence of his loved ones and the emotional manipulation he endures from Izana. Maya represents a glimmer of hope in an otherwise bleak existence, offering Mikey a semblance of his old life and the possibility of genuine connection and affection.
However, Mikey's actions are also tinged with desperation and a warped sense of morality. He gave her drugs during those two weeks Maya can't remember, he lied to her about trying to convince Izana to let her go but that was because he loved her, right?
Mikey's love for Maya is genuine, albeit tainted by his own insecurities and the toxic environment in which he resides. He clings to her as a source of solace and validation, willing to do whatever it takes to keep her by his side, even if it means sacrificing his own moral integrity. In the twisted logic of his world, Mikey believes that his lies and manipulations are justified by his love for Maya, blurring the lines between affection and control.
Mikey's perception of Maya through the lens of Takemichi's resemblance reflects his longing for familiarity and the comfort of the past. Despite their physical differences and distinct personalities, Mikey finds echoes of Takemichi in Maya, particularly in her blue eyes, curly black hair, and their shared trait of perseverance despite adversity. These similarities serve as a poignant reminder of happier times, evoking memories of camaraderie and friendship that Mikey cherishes dearly.
While Mikey recognizes that Maya and Takemichi are not carbon copies of each other, he subconsciously gravitates towards Maya due to these shared attributes, seeking solace in her presence as a connection to his past. Maya's resemblance to Takemichi symbolizes hope and renewal for Mikey, offering him a glimpse of the companionship and loyalty he once shared with his childhood friend.
In Mikey's eyes, Maya embodies the resilience and determination that he admires in Takemichi, despite their individual differences. He sees in her a kindred spirit, someone who, like Takemichi, refuses to back down in the face of adversity, inspiring Mikey to confront his own challenges with renewed courage and determination. As a result, Mikey's bond with Maya transcends mere physical resemblance, evolving into a deeper connection rooted in shared experiences and mutual understanding.
Mikey is possessive. We've seen that from season 3 in the flashback Inupi has where Mikey literally says "Takemichi is mine, I found him first"(which is crazy btw but same mikey, I be doing that shit too). Mikey is canonically possessive of his friends and those he holds dear. This possessive attitude reflects Mikey's intense attachment to his friends and his reluctance to share their loyalty and affection with others. Similarly, in his dynamic with Maya, Mikey's possessiveness emerges as a means of asserting control and dominance, marking her as his own in a world where he feels increasingly isolated and vulnerable.
Despite its potentially suffocating nature, Mikey's possessiveness towards Maya is also a testament to the depth of his feelings for her. It reflects his commitment to safeguarding her well-being and ensuring her safety in a world fraught with danger and uncertainty(which has technically been forced on them by Izana). However, this possessiveness can also veer into darker territory, blurring the lines between protection and control, and posing challenges to their evolving relationship dynamics.
Mikey's awareness of Izana's mistreatment towards him and Maya fuels a sense of protectiveness and responsibility towards her. Despite his own struggles and conflicts with Izana, Mikey is acutely attuned to Maya's well-being, recognizing the parallels between her treatment and his own experiences. This shared adversity deepens Mikey's connection to Maya, fostering a sense of empathy and understanding between them.
Moreover, Mikey's own history of enduring mistreatment from Izana gives him insight into the psychological toll of such abuse.
But like I said before, Mikey is lonely and sad as fucking hell right now. Maya is there with him and having empathy is not enough to make him want to convince Izana to let her go. To him, there is finally someone there that understands him.
Despite his stoic facade and seemingly unshakeable demeanour, Mikey is profoundly affected by the loss of his loved ones and the emotional manipulation he endures from Izana. Maya emerges as a beacon of hope amidst the darkness, offering Mikey a semblance of his old life and the possibility of genuine connection and affection—
—and why he's a lying bitch.
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KANEKO MAYA࿐ྂ
Now the unfortunate star of the show, Maya, I feel so bad for this girl lol. Every time I write a chapter I'm like "yeesh, get this girl a gun" then proceed to traumatize the shit out of her and not give her a gun.
Dead Girl's Beach is my first ever Dark Content fic and I think I've done a pretty good job now that we're at the end. Creating an oc was a little hard though.
I did NOT want to make her like Harley Quin but I also didn't want to make her the type of girl to bite her tongue and fuckin die right away or make her someone that makes you wonder "how tf is this bitch still alive?!"(then again I feel that way after watching any Takemichi fight scene so...)
But that is how we ended up with Maya.
Maya(愛彩) Meaning: 愛 meaning love, affection, favourite. / 彩 meaning colouring, paint, makeup
How accurate that is? Idk tbh but Google said so.
Maya is an orphan. Her parents are dead. She had a relatively happy childhood as her parents did love her but they loved each other way more than they loved her.
Maya's character is a poignant reflection of resilience amidst adversity, her journey marred by tragedy and trauma yet illuminated by moments of strength and resilience. As the unfortunate star of the show in Dead Girl's Beach, Maya's experiences serve as a haunting testament to the darker facets of human existence.
From the outset, Maya's narrative is fraught with challenges and obstacles, her path defined by loss and loneliness. As an orphan, Maya grapples with the absence of familial connections, her parents' untimely demise leaving her adrift in a world devoid of love and support. Despite the love she received from her parents during her childhood, Maya's sense of abandonment and isolation permeates her existence, shaping her worldview and emotional landscape.
In crafting Maya's character, the aim was to strike a delicate balance between vulnerability and resilience, ensuring that she remains relatable and authentic amidst the chaos of the Bad Toman/Manila Future Timeline. Basically, I did not want her to be a stupid bitch.
Whenever I write Maya, for some reason I kept imagining Minji from New Jeans. Maybe it's 'cause me and her are the same age but she's pretty and basically what I described Maya as(minus the blue eyes and curly hair obviously but you guys get it)
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Maya is that one girl in school who's friends with EVERYONE. She knows everyone, and gets along with everyone and it's okay if one of her friend groups didn't come to school or is busy, she's got another. But the problem with that is that she never formed any proper connections in school which is why Chifuyu and Kazutora are the only people she hangs out with now. That as well as in Chapter 10 I wrote: "Maya sees herself being alone as a child, the isolation from her peers as the whereabouts of her family circulated the town..."
Chapter 10(where Izana is literally assaulting her) offers a poignant glimpse into Maya's childhood, revealing the profound impact of her orphaned status on her social development. As rumours swirl about the whereabouts of her family, Maya finds herself ostracized and isolated from her peers, the weight of her loneliness bearing down on her young shoulders. In the absence of familial support and guidance, Maya is left to navigate the complexities of adolescence alone, her isolation becoming a defining feature of her identity.
The portrayal of orphans in jdramas may indeed be colored by stereotypes and misconceptions, yet Maya's experience resonates with a universal truth: the profound impact of loss and abandonment on one's sense of belonging and identity. Despite her outward charm and sociability, Maya remains haunted by the specter of her past, her orphaned status casting a shadow over her present reality.
In Chifuyu and Kazutora, Maya finds solace amidst the chaos of her existence, their shared experiences forging a bond that transcends superficiality. Unlike her fleeting connections with classmates, Maya's friendship with Chifuyu and Kazutora runs deep, rooted in mutual understanding and acceptance. Together, they navigate the complexities of their shared pasts, finding strength and solace in each other's company.
Although Chifuyu and Kazutora did not tell her about their past of being a part of Tokyo Manji Gang in their past, you best believe Maya will forgive them in an instant. She loves them like family.
In Kazutora, Maya finds a surrogate older brother, a source of guidance and protection in a world fraught with danger and uncertainty. Despite the darkness of his past, Kazutora's presence offers Maya a sense of stability and security, his protective instincts mirroring her own desire for familial connection and belonging. Their bond transcends traditional notions of friendship, evolving into a familial relationship built on trust and mutual respect.
Maya never wanted to confess to Chifuyu, nor did she have any intentions of pursing/courting him in the first place. She was perfectly fine with pining from afar. Maya's decision not to confess her feelings to Chifuyu reflects her selfless nature and deep-seated humility. Despite her affection for him, Maya prioritizes their friendship above her own desires, content to cherish their bond from afar rather than risk jeopardizing their relationship. Her willingness to pine silently for Chifuyu underscores her maturity and emotional intelligence, demonstrating her capacity for self-sacrifice and unconditional love.
In Maya's eyes, the depth of her feelings for Chifuyu transcends romantic attraction, encompassing a profound sense of admiration and respect. She treasures their friendship above all else, finding solace and fulfillment in their shared moments of laughter and camaraderie. While others may perceive Maya's unrequited affection as a form of unfulfilled longing, she finds contentment and joy in the simple act of being by Chifuyu's side.
Maya's drunken decision to sleep with Chifuyu weighs heavily on her conscience, haunting her with feelings of regret and self-doubt. What began as a moment of vulnerability and emotional intimacy soon morphed into a source of inner turmoil and conflict for Maya. In the aftermath of their encounter, she finds herself grappling with a whirlwind of emotions, torn between her desire for closeness and her fear of damaging their friendship.
Moving on, Maya is both terrified and fascinated by Izana. Girl has "I can fix him syndrome" but refuses to acknowledge it. Maya's complex feelings towards Izana embody a paradoxical blend of fear and fascination, characterized by a profound sense of unease coupled with an inexplicable allure. Despite recognizing the danger inherent in Izana's manipulative and controlling behaviour, Maya finds herself drawn to him, captivated by his enigmatic presence and magnetic charisma.
Attracted by the veneer of sophistication and power that Izana exudes, Maya is initially intrigued by the aura of mystery that surrounds him. His commanding presence and confident demeanour command her attention, sparking a morbid curiosity that compels her to explore the depths of his psyche, even at her own peril.
However, beneath the surface allure lies a darker truth that Maya cannot ignore. Izana's manipulative tendencies and propensity for emotional abuse cast a shadow over their interactions, leaving Maya feeling both exhilarated and apprehensive in his presence. Despite her better judgment, she finds herself entangled in his web of deceit and manipulation, unable to extricate herself from his grasp.
If you guys read the notes in the beginning of each chapter, they are all taken within the month Maya is taking care of Izana before the beginning of the fic. She knows something is wrong. Izana gives her the uncanny valley effect. She well knows this guy is messed up but isn't sure what. He's good looking that's for sure, but there was just never something right about him.
Moreover, Maya's growing awareness of Izana's true nature is compounded by her own experiences and instincts, which warn her of the dangers inherent in their relationship. Despite the allure of his charm and the allure of his power, Maya remains wary of the hidden depths that lie beneath the surface, recognizing the potential for harm that lurks beneath his facade of charm and sophistication.
Maya's inability to emotionally detach herself from Izana while doing her job as a psychiatrist is what really led to her downfall and the shitty situation she was currently in. Had she not been so keen on keeping his privacy and had straight out asked him why he was at the psychiatric hospital in the first place, the outcome of this fic would have been very different. By prioritizing Izana's privacy over her own safety and well-being, Maya inadvertently sacrifices her own agency and autonomy, falling victim to the very manipulation and coercion she sought to prevent.
Moving on to Mikey, Maya liked him a lot(at least that was until she found out he was lying to her). Maya thought Mikey was amazing and everything she wanted in a lover.
Maya's initial impression of Mikey is coloured by a mixture of admiration and intrigue(then again, girlie was just waterboarded and brought back to life by Kakucho). From the moment they first interact, she is drawn to his enigmatic presence and magnetic charisma, finding herself captivated by his commanding yet vulnerable demeanour. Mikey's reputation precedes him, and Maya is quick to recognize his status as a formidable leader within the Tokyo Manji Gang, a figure both feared and respected by those around him.
As Maya gets to know Mikey on a more personal level, she discovers layers beneath his stoic facade, glimpsing moments of vulnerability and tenderness that belie his tough exterior. Despite his reputation as a ruthless and uncompromising leader, Mikey reveals himself to be surprisingly complex and multifaceted, harbouring a depth of emotion and sincerity that Maya finds both surprising and endearing.
Maya love(s)(ed) being around Mikey. He's sweet and gives her the affection she wants. He knows exactly what to do and what she wants which is Maya melts so fast for him. Maya finds herself irresistibly drawn to Mikey's presence, drawn to his warmth and attentiveness like a moth to a flame. In Mikey, she discovers a source of comfort and security, a sanctuary amidst the chaos and uncertainty of her surroundings. His sweet demeanour and genuine affection make her feel cherished and valued, igniting a spark of joy and happiness within her heart.
Mikey's intuitive understanding of Maya's needs and desires leaves her feeling understood and appreciated in a way she has never experienced before. He possesses an innate ability to anticipate her thoughts and feelings, effortlessly fulfilling her deepest yearnings with a simple gesture or word. Maya is enchanted by Mikey's ability to effortlessly navigate the complexities of their relationship, finding solace in his unwavering presence by her side.
Their moments together are filled with tenderness and affection, each interaction leaving Maya longing for more. In Mikey's arms, she finds solace from the turmoil of her own thoughts, basking in the warmth of his embrace as if nothing else in the world matters. His gentle touch and reassuring words offer her a sense of security and belonging.
Of course, he lied to her but we all already know how she feels about that and how things ended with that(i.e chapter 11).
I often bring up dog analogies when talking about Maya and that is all thanks to this bitch.
Maya's description as a "stray dog" or a "mutt begging for love like it's food" speaks volumes about her character and her emotional state. Like a stray dog, Maya wanders through life, yearning for affection and acceptance, yet always feeling on the outskirts of belonging. She craves love and connection with a hunger that mirrors the desperation of a hungry animal searching for sustenance.
Despite her best efforts to maintain a facade of strength and resilience, Maya's inner vulnerability shines through, revealing a deep-seated need for love and companionship. Like a stray dog, she eagerly seeks out scraps of affection and validation, hoping to fill the emptiness in her heart with the warmth of human connection.
Maya's comparison to a mutt reflects her multifaceted identity and complex background. Just like a mixed-breed dog, she carries within her a blend of different experiences, emotions, and influences. Her upbringing as an orphan has shaped her into a resilient survivor, adaptable to any situation yet longing for stability and belonging.
I went to India once again after 3 years in December 2023 and there is this stray dog I fed outside my dad's childhood the last time I went and I heard from my cousins that the dog usually barks at anyone that comes into the street. I went after 3 years and the dog literally remembered me, following me around when I'd leave the house just to go down the street. Dogs are loyal and have boundless love and I think it's so sad which resulted in all the dog analogies, not just because of the shitty thing my crush said to me.
In essence, Maya's comparison to a stray dog not only reflects her complex character and background but also serves as a testament to the universal human longing for love, acceptance, and belonging, regardless of one's circumstances.
Loving like a dog is a tragic thing and Maya's character is no less than tragic.
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GENERAL HEADCANONS࿐ྂ
Mikey is the one who convinced Izana to go to rehab
Kakucho had no idea Izana was using drugs until the withdrawals started
EVERYONE knew Maya had a crush on Chifuyu, he was just too fuckin' dense
Maya forgot how her parents look and doesn't want to remember either
Izana does not see Maya as Emma or Karen, he's just making up a bullshit reason to be mean to her
Kakucho is very much attracted to Maya but doesn't say anything about it
Naoto fell in love with her at first sight
Had this shit not happened, Maya and Naoto would have started dating eventually
Izana's first thought seeing Maya was "she'd look hot on her knees"
Mikey's first thought seeing Maya "she looks like babie 🥺" (will be explained better in the next chapter lol)
Maya started dissociating as a way to cope and feel better(which mainly happens after either brother takes advantage of her)
Kakucho often catches Maya staring off into the distance, lost in her thoughts, and quietly brings her back to the present by touching her or a question.
Maya's first love is Chifuyu
After Chifuyu found out he took Maya's virginity he felt like an actual fuckin asshole because he knew he could have let her down a lot easier
Mikey thinks Shinichiro and Maya would have gotten along really well(the in the spin-off they do)
Shinichiro, in the second bonus chapter, practically adopts her
Maya's dream was to become an actor or singer or maybe both but she scratched her dream after hearing how Chifuyu decided to own a pet shop rather than a pilot to fulfill Baji's Dream and she did the same to honour her mother's memory
Kakucho once tried replacing the drugs Izana gave to Maya with vitamins but Izana found out and beat him :(
Maya's necklaces will make a comeback btw, I did not forget about them
Maya has a collection of old vinyl records that once belonged to her parents. She finds solace in listening to their favorite songs, feeling a connection to them through the music but sometimes she can't even look at them
Maya doesn't know Izana and Mikey aren't blood-related(she just thinks they're step-siblings)
Izana and Mikey's favourite time with Maya is in those 2 weeks she doesn't remember
Izana kind of felt bad about the burns(from chapter 9 and 10) and didn't mean for it to happen but he also has too much ego to apologize
Just like in the fandom, Ran is often mischaracterized by his fellow gang members and actually does not want to be in charge of the whole prostitution part of the business but Izana asked him to so he'd does it anyway
Mikey loves Maya so much he can't do anything with himself
In the bonus chapter(sugar bunny), Izana and Maya have a sugar daddy-sugar baby dynamic
If Maya met Izana instead of Chifuyu at the park in middle school, she would have been in the same situation as Kakucho
Despite the underlying tension, there are fleeting moments of harmony between Mikey, Maya, and Izana, where their guard momentarily drops and they allow themselves to relax in each other's company(lolll not that Maya remembers any of this)
Betrayal is a recurring theme in their relationship, with each member of the trio betraying the others at various points in the story.
The main song for the last chapter is Can't Catch me Now by Olivia Rodrigo and the ending of this fic is heavily influenced by The Hunger Games: The Ballad of The Songbird and Snakes
Izana is inspired by Snow
Mikey is inspired by Lucy Grey
Maya is inspired by Sejanus and Katniss(and Lucy Grey)
Kakucho is inspired by Tigress
If you have watched that movie, then you know exactly how this fic is about to end
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taglist: @highpri3stess @maraya-007 @firstdivisiongirl @dolfiins-art @short-cxke @mysouleaten @reiners-milkbiddies @tenjikusstuff4
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cyborgdragongirl · 3 months
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warframe is so fuckin trans
just
ough i love it so much
like even very early before we had the second dream and the operator it was kind of a not so subtle secret that we weren’t really the frames, we were just piloting them, with Alad V and Tyl Regor both commenting on how the warframe’s were just machines and empty shells, and also unpiloted wild frames are like feral animals, valkyr’s lore and a couple quests highlight this
so like even playing the game there’s this kind of meta level disconnect between you playing as the frames and just *swapping entire bodies* to fit the task at hand
where even the skin you wore was just a tool to do what you sought
and then we get the second dream and aw tits were actually an immortal space demon child
and oh no our spacemom(lotus), is actually a shapeshifter who took the shape of Margulis, who was the original mother to the tenno, and accidentally fell in love with these traumatized magic void children and donned the title of the lotus after the fall of the orokin at the hands of the tenno
and at the end of the new war when you get the opportunity to choose who space mom is like she is all of them, she is Natah/Margulis/Lotus and she will always be and has always been Natah/Margulis/Lotus and each one of those people has endured such trauma that that choice brought me to tears, i sobbed on my couch for over an hour just staring at the choices and thinking about
margulis was the orokin who took in and took care of the tenno. she protected them as best she could from the terrors of the orokin, and they ended up maiming her (on accident(i can’t actually remember how she died off the top of my head but)
and Natah, a mimic, the best mimic, daughter of Hunhow was sent to the original system ahead of the sentient invasion to weaken the orokin before they invaded, and donned Margulis’ skin
at some point the warframe’s are developed, a strain of the helminth virus injected into people mutating and twisting them into monsters
some kept their intellect, but it’s implied that a large number of the warframe’s were feral and uncontrollable
and the tenno, these ageless 12 year olds who’re the only survivors of a warp ship catastrophe and touched by the Void who made a deal with the Man In The Wall to save them and also give them magic powers, are able to connect with the warframes on a level nobody else can, and through transference can drive the warframe’s like external exosuits
perfect for ending this war with the sentients
and immortal child soldiers are perfect for a war spanning the solar system (at least? i know the sentients went to the Tau galaxy (system?) to terraform it ahead of the orokin)
and then the children murder their masters at the victory ceremony (after which they might have been executed? i can’t recall, i need to go reread the lore lol) and then Margulis -> Lotus hides them in Lua in the Void in a forever waking dream, still piloting their frames and as the Lotus, works as their mission advisor and probably securing missions to strategically weaken the corpus or grineer war machines
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smolswisrol · 6 months
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Simon "Ghost" Riley PROMPT 2
A collection of (slightly more detailed) writing prompts specifically for Ghost from COD x Reader/OC. I'm not the best at actually writing, but I have so many ideas/scenarios I'd love to see come to life. ❤️ If you decide to use any of these just tag/DM me, so I can read it. 😁 Smut is optional buuuut definitely appreciated. 😏
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
○ Reader/OC is in intelligence or a sniper.
○ Usually has her face covered when she's ever come across the 141 on missions, so they don't remember/recognize her.
○ She's at bar near base drinking alone (dressed to avoid attention).
○ Drunk guy tries to hit on her, she painfully twists his hand/arm to get the point across before leaving. (Mumbles something like "can't get a moment of fuckin peace.")
○ Ghost notices the guy and his friends follow her out and tails them.
○ She notices them following and leads them to a dead end alley where they think they have the upper hand.
○ Before Ghost can intervene she kicks all of their asses.
○ Ghost (and Price) later finds out she's on temporary suspension because her whole team died on a mission and she's under psych eval.
○ Price asks her to join 141 after reading her file.
○ She accepts, knowing no other unit will want her after the incident.
○ She and Ghost bond over trauma, basically.
Optional: sprinkle in some Ghost helping her through PTSD episodes and vice versa
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Iam looking at your phoenixverse laxus design with both eyes OPEN 👁👁 but now im so curiojz as to what else the phoenixverse has to offer. PLEASE tell me youve got any headcanons about how zeref refived natsu. Like any thoughts at all on that?
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Ohohohohohohohohohoho anon my guy my dude, my man (genderless) I am about to speak. Pull up a fuckin chair bro. Also puttin this under read more because uh, long lol
This is actually one of my favourite things to think about regarding Natsu (apart from yknow, END lol) and Zeref because it is such an interesting little story point.
For Natsu, the interest comes from the fact that he's not who he thought he was. Natsu's always confident about his identity, he's quick to announce who and what he is in a situation and he's proud of who he is. The knowledge that yeah sure, you are Natsu Dragneel, but uh Natsu's not who you think he is buddy- that Natsu, in some way died so many centuries ago but was pulled back and reshaped, reborn- repackaged even- into you in a body that you thought was human but is some almagamation of that and more? All tied to a book? Can he still say with confidence that he is Natsu Dragneel when he hardly knew the truths about himself? And if sayin that is even true when he could easily just be something molded to look like what Zeref lost? (Ofc we the readers know otherwise but imagine the dilemna man) The reality of it would've- should've- been earth shattering. It would've been an identity crisis and then some.
For Zeref, oh man. Zeref's whole thing stems from the fact that he loves Natsu. He loves Natsu so much (and his parents too i guess) that when the tragedy struck and he lost everything, it fucked him up. He just couldn't deal with the incredibly unfair hand that life dealt him that he was willing to turn the world on its head and essentially change the course of fioran history to try and undo what happened to him. To save something from his old life that he loved.
But heres the thing about Zeref's love. It's twisted. It's fucked up. It's dark.
Working years, decades- possibly even centuries- on the single minded task of reviving his brother (and why just Natsu? Why not the parents well? Why only the younger sibling? Did he intend to bring them all back but became single minded on just his brother?) could lead to obsession. Obsession with making him perfect, no longer just as a human but more than that. Stronger so he won't be killed as easily. Obsession with keeping him close, tying him to his soul in such a way that if Zeref goes, Natsu goes as well. Making sure that he's pulling the strings that when it comes to, when he finally closes his eyes at the hands of his brother, he has a comfort in knowing that his brother is going with him and he won't be left alone, like what his very first tragedy did to him. (Plus also making Natsu, his creation that he brought to life, kill him would be a back stab at Ankhserham. Because the god cursed him for fucking around with life and death, so having his demon kill him would be Zeref controlling the life he chose to create and determining his own death. It'd be a last gotcha).
Zeref may have loved Natsu enough to bring him back, and he still loves him in a way, but it's messed up. Because the whole ordeal of everything messed him up.
But I digress, this is just side stuff, your question really. How did Zeref really bring Natsu back?
Now since you asked specifically for phoenixverse, i can get a lil bit loose with canon details and not feel as restricted.
So we have our hard facts- Natsu and Parents die in Zeref's youth, Zeref fucks around tryna undo their deaths and finds out by getting cursed for doing this, then proceeds to use the curse to his advantage and over an undisclosed amount of time to create his demons and what not.
'Undisclosed amount of time' being the key thing here.
Canon implies that the time between Natsu's death, Zeref getting cursed and Zeref reviving Natsu happened within a relatively close period of time. And if it's anything I love, it's spacing out events.
I'd like to think that between the loss of his family and when he gets cursed is a decent gap of time, like a decade or so to really push the fact that he's so fixated on the loss. Then after getting the curse he sets to work of reviving Natsu over the course of decades to almost a century and a half.
(Am i implying Zeref to be a bit older than the 400 years? Yes, yes i am. The way I saw it the events of 400yrs past were inciting incidents i.e Zeref giving Natsu to Igneel, slayers gettin sent to the future, and not the actually set date where everything happened. And again, I like the idea of Zeref fixating on this for a very long time. Him being older drives home the single-mindedness and determination to get it done)
As prodigious as Zeref is, creating life and being the first wizard to do so, i don't think he could do it so easily within a few short years which is why i personally love the idea of Zeref taking so long to be able to revive Natsu. A touch of realism to something magical kinda grounds it in a way, gives it some weight at the very least.
Specifically Natsu being Zeref's final project ever and all the other demons he created over the years prior being experiments and steps taken to perfect the process so Natsu would be the culmination of all that he learnt (demons like deliora and lullaby being demons of inorganic matter given humanoid form-> tartarus- esque demons being humanoid demons with animalistic features (organic matter) -> Natsu, human demon and hybrid traits all working together in cohesion).
And speaking of a touch of realism, or sorta realism anyways, riddle me this.
Zeref needs something to make Natsu well, Natsu. Sure he could probs make a demon that looks like him, but thats not what he wants. He wants his actual brother so, what could he get to add into the mixture to really do that? Why a few samples of course :].
But Phoenix! I hear you cry, how could he have gotten samples if you said in your version that it took him forever to finally revive Natsu?
And so leads into the actual true definitive answer to your question anon.
Zeref, in needing the most important ingredient in the Natsu stew took things from the OG body to help build the new one. But! The kicker here is the samples I imagine him using aren't blood but instead, bone.
Maybe he realizes a decade or 2 down the line in his demon experiments that he missed a step in what he needs to see this through. Maybe he thinks he's too late because what can he do now at that point. Maybe he realizes that he can use not flesh and blood, but what remains for his plan. Maybe he commits another sin in the hopes of it bringing for another and digs up his young brother's bones. Maybe he whittles them down piece by precious piece over the long period of time after failing so many times (am i also implying failed Natsus? Failed ENDs? Hell yeah i am) and coming dangerously close to it all ending for naught, with the last shard of bone. And maybe after so long and so many atrocities, he finally succeeded?
TL:DR Zeref snagged OG Natsu's bones and used those to help in the process of quite literally rebuilding him from scratch to give us our Natsu.
I dunno man, it just adds a layer of fucked up-ness to the whole situation of how far Zeref was willing to go- even defiling his brother's bones to get him back.
And on Natsu's side learning about all this would just twist the knife of his identity crisis even deeper (especially on that implication of failed END attempts before him).
Also like, by stretching out the time of events and making Natsu being the very last demon Zeref ever made bring so much for layers of meaning to the name END in itself.
END, being the literal meaning 'Etherious Natsu Dragneel'
END, signalling the last demon Zeref's made. An end to his experimentations.
END, as in the last and perfected version of his brother, with the last remains of OG Natsu's bones going towards his creation.
And END, as in Zeref's end, where he intends for Natsu to kill him thus ending his life.
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c0rvidbones · 2 months
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hello I love your art a whole lot!! tell me more about Wit (he's hot and evil and I require more juicy details) and Ruby (his design goes so hard) please?
oh my god hi i did not expect to come back to 20 notifs. (/pos) youve given me a much needed ego boost tonight thank you. is it bad i cant remember having ever posted ruby art?? ive only ever gotten One comm of him which is a crime, my violent martyr son should rly get more love than i give him 😔 but thank you for asking! buckle up this is gonna be a long fuckin post ♡ everything under the cut including relevant character art
WIT
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behold, all art of wit i have including one i havent posted here bc i never actually finished it and the wip of him being a silly giggly boy. pls know i came up with him like MAYBE a month ago. two, tops.
SO wit is actually a what-if au of another oc of mine, his name is doodle. doodle (seen below) is a very robin-hood-esque oc, honorable thief and kindhearted, swashbuckler rogue that dual wields rapiers bc hes insane. but hes insane in like a normal way. he was a horrible child but he did grow out of it and its rare to see him w his hair down so pardon me making him look absurdly pretty in that one.
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as you can see there are some (but not MANY) differences between the two. kid wit does have the starry hands/peets im just forgetful dont @ me about it djdjdj
ANYWAYS so the what-if of the au that wit is, essentially, little singular things didn't happen to people in that au world. it goes like so;
wit: never met his childhood best friend when he was a freshly injured orphan. was alone from the (elf) ages of 0-16. ended up studying magic (illusion wizard) since he didn't have someone to lean on for that sort of thing.
laika (wit's mom): never truly broke out of an archfey's madness curse. stuck with a very twisted version of the spell Tasha's Hideous Laughter burned into her mind. everything is funny and if it's scary? even funnier. she died briefly. shes back now, but still madnessed.
perseverance (wit's dad): never saved his mother from a death blow in the be-all end-all fight to save his home. was held back by someone who he thought was a friend, killed that person and then ultimately spiralled so hard that he became a lich. may or may not have accidentally killed laika.
something something one decision can change your whole life, me and my friend loved playing with that concept.
okay now that you know a lil lore/history i can dive into what wit is like.
as a kid (drawn with the short megafloofy hair) he's very mischievous and bastardly, almost always smiling or grinning but it's more to lean into the uncanny valley effect his eyes cause than out of any actual joy or anything. he doesn't Blink and he knows it unnerves people because he also has a freakishly high insight (i think its like a +9 or smth??? at level 9??). he loves to come up with fucked up spells, like. for example i saw a silly post on here the other day that was very jokingly having a wizard cast a spell of "10000 bricks until you die" but then i was immediately aware wit would (1) come up with that spell, make it functional, and have it unfortunately obliterate everyone that gets hit with it, and (2) he would call it Wit's Bricks which i think is fuckin funny. he would also come up with spells of like. cause heatstroke. boil all fluid in your body. FREEZE all fluid in your body. he's a little freak with extremely low empathy for those he isn't connected to with blood ties. that said, he's kind to his family (albeit very blunt and will call them out if theyre being stupid) and inquisitive. he DID look his dad in the eye when he met him for the first time and went "are you dead?" which. again, hilarious, but BRUTALLY blunt. he then called his dad cool because yes his dad is now a lich and therefore undead. he's a little freak but he's still a kid and that is ultimately his saving grace, what small child isn't a little freak.
as an adult (long ponytail) i get a feel of him being aro and using romance as a way to manipulate people. he's definitely still not a good person and far more stoic than he was as a child. also he most definitely maintains a constant illusion to make it seem like his eyes are always closed, which lends an air of mystery to the strange elf that seems to always be standing right behind every throne in every kingdom of faerun. i say this because i like to think he would become what's called a King's Wit, which is like a combo of royal advisor, court mage, and "guy the regent has insult other nobility since insults are beneath the reigning royal". he uses all of that to his advantage, gaining the ear and trust of every single person of noble blood that is part of any royal or ruling court, and he will bend and twist their choices so subtly that they won't realise he led them to ruin until it's already too late. which is his ultimate plan. he's STILL somewhat a robin hood style of character, but he takes it a bit further and with far less kindness to the nobility. he guts their coffers completely and every hoarded coin down to the last copper inevitably will land its way conveniently into the lap of the common folk. he does take a healthy chunk for himself - did you know being a wizard was EXPENSIVE in dnd btw? i didnt until i made wit - but most of it is for the local citizens. he does this everywhere he goes if he sees that it needs to happen. fucker topples kingdoms For Fun, because he never gets caught or credited with the ruin he leaves behind himself. he's awful. he probably still comes up with fucked up spells and he manipulates his way into wherever he wants to be. i love him.
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RUBY
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behold! @polterpumpkin drew my (not very) little guy for me! this is part of a greater set but this is the fully coloured one and arguably my fave bc it captures the absolute batshit energy ruby brings to the table.
ruby is a tiefling that was born in a lab. voluntarily, his parents participated in a sort of study that wanted to eval why it is tieflings could be born to non-tiefling parents. (both his parents are half-orcs, interestingly!) he participated in it up to a certain point, before he got sick of being poked and prodded and Watched. that's when he demanded to be released and, when he wasn't, both his parents helped him escape, unfortunately leaving his other two tiefling-born siblings behind in the process. both parents Died helping him escape, and he was embittered as is by the whole study bs, and then to have his parents die Saving him? it left him with this sort of hole he didn't know how to feel.
so he fills that hole with every vice he finds agreeable. he drinks, he fights, and he drinks again. he's a drunken monk, and one full of unbridled rage and a death wish. he isn't my happiest oc but he isn't my worst off (that would be talisman bloodhunter). he's constantly seeking a grand and worthy cause to die for, literally. he's a wannabe martyr, because he doesn't think he has anything to live for. no lovers, no friends, no allies, MAYBE a coworker or two on the occasion he's needed (he is so not needed most of the time, because it isn't often any job needs an angry monk tief to glare around the place). he has just those two sides to himself - party animal and underground drunk brawler - because he doesn't want to think about the pain underneath them both. he's tragic in a very human way, hilariously enough, but he's not a bad person. even if he's being dragged by the tail to do a job, he's ultimately going to be helpful and he ALWAYS keeps his team alive. he'll grumble about it but he'll do it, and if you thank him he brushes it off, muttering something or other about how it's just his job, don't Thank him for that. i think having a friend would Fix him but fuck if i know what would get past his thick skin 😔
i dont get to play or write ruby really, not for any specific reason other than the dnd games im in have been going for So long, and that i havent really been super inspired to write him. but i love him! literally my car is named after him! i have so many feelings for him and i hope one day i get to play/write him so he can be more fleshed out.
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minimoefoe · 6 months
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ftwd 8.10 thoughts
- strand saying 'you don't know troy the way I do' was funny bc king you barely know him either
- I love tracy a lot she's kinda iconic minus her shit name
- I like that troy has told tracy a lot of stuff, kinda interesting. I mean, obviously a lot of what he's told her is twisted to make him not seem like an insane person but it's cool idk
- the idea of ppl continuing what alicia was trying to do is fine but like, the fanclub vibe and acting like alicia was some saviour was so cringe and idk I didn't care about it at all actually like I just wanted the ep to move tf on
- there was a minute where I genuinely thought tracy was saying alicia was her mum and I nearly died like her fondling the fuckin necklace (which, why was she doing that btw) and then when they were stood by that frozen walker the way things were said had me ??? for a second and I was like naurrr but then I was like oh okay thank GOD that isn't what she was saying 😭😭
- I don't mind that tracy was chatting shit about alicia being there, she's kinda a genius. and I don't mind that it was actually her mum instead (assuming she wasn't lying) but the whole 'madison is the reason she's dead' thing is suuuuuch bullshit omg like I wanted to find out madison had murdered this fucking woman but you're telling me they blame her for tracy's mum's death bc she.. believed in the 'no ones gone til they're gone' thing or whatever like..? GROW UP
I actually don't even know how that works tbh bc like, how would this random woman know about this phrase and how could that get her killed like am I just stupid or what. maybe troy and madison will talk about it a bit in the next couple of eps so we get more info? I'm begging at this point but also I worry giving us more info will make it more shit so idk!!
- I think madison believing tracy and going to that place was kinda silly like you'd think she'd question it a bit more but I guess you can put it down to her desperation to find alicia
- the luciana and troy moment was cool. love a nick reference lmao troy kinda can't stop bringing him up 😭
- strand talking to troy on the radio was cool I kinda like them being a mini duo for a second there idk
- this alicia stuff is getting kinda annoying and I'm almost at my point of being over it idk. I'm definitely still looking forward to seeing what's actually happened but now that we've had that tracy's mum let down I worry its gonna be something shit
and also maybe I'm just heartless but if I was madison I don't think I'd give a fuck that alicia wandering around like I'm not searching the whole country for one walker what a waste of time omg
with nick it's like well they know where his body was so they could dig him and give him a proper burial or whatever they wanna do but with alicia it's like a fuckin wild goose chase idk. hopefully the end is worth it but I worry it won't be
- overall I did like this ep I think but it wasn't what I was expecting? and it also wasn't my faaave idrk. mixed feelings
- wish there was more troy content like it genuinely is haunting me how little troy content we're getting and just how many different characters need to get wrapped up endings in these last two episodes
- the next time trailer looks really good. troy with tracy and troy with madison is what I'm in this for fr omfg like I do like a lot of the other characters in this show but now that we have these three I'm like FUCK everyone else I don't care
- I think I had more to say but I've forgotten it so rip
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butmakeitgayblog · 13 days
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15 questions
Tagged bby @barbieliberationarmy thank you!
Were you named after anyone? Molly Ringwald's character in Pretty in Pink 😕
Do you have kids? Fuck no 🤨 never wanted any and still don't, but have nannied for two babies/toddlers and after awhile they can start to feel like your quasi kids. You love them and it's hard to hand them back to parents who don't really... feel the need to put as much effort into parenting as you do into taking care of them when they're with you. If that makes sense.
When was the last time you cried? Yesterday
What sports have you played/do you play? Basketball through elementary and middle school but dropped off in high school. And a bit of volleyball but whew that was an epic fail. Does golf count? Darts? Pool? Flip cup? Beer pong? No? Ok
Do you use sarcasm? huh what idk
First thing you notice about people? I don't really think about it tbh. Correction, Sam says I'm always saying whether or not someone has kind eyes 🥴
Scary movies or happy endings? Happy endings, but also if the horror has a fantastic plot twist then 🤌🏻
What are your hobbies? Reading, writing, video games, I like music gameshows don't judge me, haven't drawn in forever but in theory that's still a hobby just one I've set aside. Sleeping. Really good at that one. Cooking.
What is your eye colour? Green/hazel
Any talents? I make a mean potato salad? (No fuckin raisins 😒)
Where were you born? Illinois
Do you have any pets? No, haven't had any since my pug died several years back
How tall are you? 5'5
Favorite subject in school? Other than art... probably history. Or choir/band
Dream Job? Art history professor (shocking, I know) or perhaps a curator. Art restoration. Something within that general arena.
Idk who to tag cuz idk who's done it. Everyone? @syngularitysyn @anonymous-red-506 @100hearteyes @commanderlexaofthegrounders @sassymajesty @heda-in-the-clouds @gabywithoutthedollhouse @bisexualseraphim and literally anyone else just tag me back
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dreamsclock · 1 year
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🏗
This is from the FYI au that me and salt made - we never ended up posting anything about it but i LOVE IT SO MUCH I CAN'T STOP THINKING ABOUT IT. basic premise is a canon divergent rewrite of the dsmp where c!dream and c!quackity partnered up at the elections and actually won........ and how much shit happened from there
warnings: blood, major character death (temporary), murder, betrayal, general dark themes
Quackity had been the one to remove the box Dream had died in.
Clearing up at the festival is nasty work after everything that had gone down, but someone has to do it, and it’s not so bad with Karl and Tubbo helping him out. It’s easier to ignore Dream’s blood still speckling the floor of the stage as he wipes it down while Karl talks animatedly about a new idea for a short story he’d gotten, easier to ignore Dream’s death message searing itself behind his eyes when Tubbo is clumsy and catches his attention before he drifts into his own head. Having people nearby help, and Quackity is infinitely grateful for them.
...But he insists on cleaning and dismantling the box onstage by himself. It’s grim - Quackity gets choked up more than once when he remembers Dream collapsing to his knees, has to take a moment to drag himself out of his dark thoughts when he remembers it had taken two arrows to kill Dream, when he remembers the hollow, agonising rasps Dream’s breathing had been when the first had pierced his lungs. The memory makes the pickaxe slip from his hands, numb, and Quackity watches it clatter to the floor, struggling for breath. The gleam of satisfaction in Schlatt’s eyes afterwards had told him the truth - no matter how much the man insisted he’d had nothing to do with Dream’s death, Quackity knows better, had known better from the moment he’d asked the question first. Schlatt, Wilbur, Tommy - Quackity tears down the box that had killed his friends and viciously curses all of them, chest tight, eyes overly-bright. He’s not gonna cry, even though all he’s wanted to do for days is cry, because he’s Alex Fucking Quackity and never cries, but he comes close, taking down the festival box.
(So much for a celebration, he thinks, and tries to dismiss the memory of Dream dying from his head.)
It’s fitting he’s the one putting up the box now.
It’s methodical this time: he’s a big boy now, Quackity tells himself sarcastically, as he slots the blocks together and asks Tubbo about the redstone side of it - he’s a big fuckin' boy, he’s not gonna cry, he’s not gonna get weepy over death. Fuck knows it’s the only option he has: well, maybe not the only option, but Dream is a tyrant; worse than that, he’d been Quackity’s friend, and he’s learned by now that people like Dream (Schlatt, he thinks, Wilbur) only turn against their friends in the end. Hadn’t he seen it from Dream with how he treated Sapnap? Hadn’t he been wanting this for days, weeks, months? Didn’t Dream deserve this?
(He thinks of the first box Dream hadn’t been able to get out of, thinks of the two arrows it had taken to end his life. Will it take more than that, this time? Dream feels untouchable - has always felt untouchable, except for the moment Quackity had watched him die. He wants to see that vulnerability again. He thinks he needs to.)
“Big Q?” Tubbo is pulling his attention away from the box, twisting his hands together behind his back. Schlatt had taught him that posture - stiff-backed, shoulders straight, jaw set like he’s preparing for war, and maybe they are, “Are you sure this is a good idea?”
“Yeah.” No. With an effort, Quackity reaches out and claps him on the back. Tubbo doesn’t recoil, but something flickers through his eyes, and Quackity knows his hand had felt like Schlatt’s. “Yeah, Tubbo, I’m sure. You know, sometimes you have to do awful things to the people that deserve it.”
(“He hadn’t deserved it,” Tommy had blurted out on the first day Quackity had joined the Pogtopia Alliance, eyes sunken and face ashamed, “nobody deserves death, Big Q. Not even Dream. I don’t think I’ll ever forget how it felt to shoot at him and watch him die. He didn’t deserve it. Don’t let Schlatt or Wilbur or shit tell you otherwise.”)
“Yeah?” Tubbo asks, voice quiet, unreadable.
Quackity smiles, with immense effort. “Yeah. I mean, fucking look what he’s done to us! Fucking look what him and Technoblade did to us! Never again. We killed Techno, and now we’re going to kill Dream. Because-”
Because he deserves it. When they finish the trap they’ve set up, the excuse rings hollow in Quackity’s ears, staring at the box that looks eerily like the first festival’s. Because he deserves it. How many times had Wilbur told the Pogtopia Alliance that same excuse until they’d believed it, until he’d believed it? 
So much for a celebration, he thinks. He’s hollow. Tubbo’s nervous rambling about the redstone mechanic behind the trap doesn’t compute with him. Instead, Quackity pictures Dream inside the box - pictures the tyrant, his old friend, his enemy, inside the box - and tries to commit the image of Dream at his mercy to memory.
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hellcatinnc · 4 months
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Piofiore Fated Memories Orlok Review
Includes Spoilers
This route pure sickened me honestly. First of all Orlok is this overly righteous person who is supposedly protecting Liliana by protecting her until he is told what to do with her next. He acts like he doesn't even have the right to touch her because she is so holy yet takes her back to live in Yang's house around all the Le Shu and their grubby hands. Half the first part of the story I swear felt like Yang's story again since I saw more Yang than I really should have being Orlok's route. The fight that went on for the Falzone family wanting to take Liliana and protect her from the Lao-Shu ended in Orlok killing Nicola in cold blood. Worst part is I feel like Liliana found a way to justify it was ok when Dante first confronted Orlok is because he remembered he was the one to kill his father.
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Like plot twist a little kid assassin kills mafia boss Dante's father. Then on top of it all when he confronts Orlok about it he acts like he has to kill Dante to keep Liliana safe when Dante was never going to hurt her he even said that. Watching Nicola give his life to jump in front of Dante was moving, but also so sad. Like I knew he loved Dante more than anything and this proved it. Then watching the light go out in Dante's eyes broke me. This was the only family he had left, it was him and Nicola against the world. The moment when Nicola took his last breath you could see the revenge take over in Dante and honestly I don't blame him. The day of the funeral hearing Dante hurt and Leo cry broke me for the 2nd time I was in tears feeling the pain of the Falzone's.
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Then you see Orlok who now finally decides to take Liliana away from the Lao-Shu mafia and takes her to a shitty empty hide away house. He don't even have a bed or pillows and expects her to make life there with him. He talks about like he has had a sad life and hurt because of everything he had been through but honestly I feel like most of the bad things that came his way because he believed in bloodshed over anything else. Then when he finds out he has to kill Liliana he almost does it until he admits he likes her not loves her but likes her yet she tells him she loves him. Then he wants her to run away with him to be safe and never see any of her family or friends from the church again he doesn't even give her the option to either because the bishop will be pissed for him not killing her for the prophecy.
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To tell you how much I dislike Orlok he hides behind faith bullshit and then yet comes across a kid that knows their hideout and Liliana has to remind him not to kill him. Like seriously a freakin kid.. Orlok is too fuckin dangerous yet acts like its normal. Least you piss Yang off he kills you but Orlok his go to is always kill first. That same kid Luca who came to see them often giving them intel on the town and the mafias he got sick and I swear the way he pleaded not to die when his fever was so high crushed my heart. Seriously Orloks good route is sad as fuck. After Luca died the cries of Orlok even got to me cause he didn't understand why god didn't save the boy. For the first time in the whole route I finally felt bad for Orlok and felt his pain and that was at the end of chapter 6. I even included the video and you will see why your heart will break for him but I promise anyone who loves the Falzone's it will break you hearing Leo and Dante.
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The small little cute blushing scene between Liliana and Orlok was sweet however neither admitted anything more than they were blushing and not sure why. I felt like I was watching kids for the first time feel like they might have a crush on another. The love story between them was definitely not that of a 18 and 21 year old felt more closer to a 12 year old and 15 feel than anything. So Gilbert kinda annoyed me cause he wanted to kill Orlok but not even for a good reason but because the mess that was going on fucked up a transaction he was doing its like OMG Gil grow the fuck up that was so childish for him which annoyed me. The ending broke me watching Dante die yet again. Like his last breath broke me to tears. I felt all his pain from the losing his father and Nicola I just wanted him to be happy.
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I guess thats my issue Dante has my heart when it comes to this game so anyone who hurts him hurts me. For Orlok lovers they will probably love how it ends. Even though after I got over losing Dante I will admit for a story that was drawn out longer and all over the place with a slow burn it ended sweet. That being said they talk about being together forever yet he still has to ask her for kisses which you never see in one CGI in the good route and he never says I love you once yet she does several times. I just find the route out of like 5 star rating probably 2 1/2 stars possibly 3 but that pushing it. Worst part is that I played every route including the bad endings and I have somethings to talk about there.
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First why is the tragic end the only end you ever see Orlok tell Liliana that he loves her as well as the only one you get a CGI picture of them kissing for the first and only time in the whole game. Next the ending where you see Dante go so cold where he cuts his tendons so Orlok can't escape and walk and where he insinuates Liliana is his and will be to get back at Orlok for taking the people he loves. I think its pressing on that he rapes her but the screen goes black and it ends the scene so never goes into detail. I mean its not like he forces her its just kinda like he is telling her that she has to be his or he will kill Orlok kinda thing. Its dark even for Dante but I can't blame him he lost all the people in his life that meant something to him by this one man and so he wants to take the person he cares the most for as well which is why Liliana gets brought into all that. However not like she makes it any better because she saw Orlok ruin Dante and still sided with Orlok.
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I literally saw the light in Dante's eyes go out and so much hatred for Orlok take over once Nicola died. I can't even say I don't understand it because people are more likely to do things they wouldn't if they lose everyone that matters. Like they say a person who has nothing to lose is the most dangerous unpredictable person. I was in tears as I watched Dante hurt and that was real this whole story was so fucked from the start I just never want to deal with this story again. I went through it once seen all the endings and how you can die and I'm just hoping Orlok in 1926 is better than this one.
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theroyalsavage · 2 years
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heyoo!! sorry this is kind of an annoying ask so feel free to ignore but I loved all your thiam fics and they characterizations you have for everyone especially theo is so spot on and perfect so I was wondering if you could do a character analysis on any of them?
hi anon!! thanks so much for your kind words! i’m 99% sure this unhinged rant is not what you were hoping for but bestie my professors chose violence this week and my brain is made of soup so please. bon appetit
i really think the thing that's so compelling to me about theo is how fundamentally his character arc captures the themes of change and redemption that are at the center of teen wolf's dna as a show.
pretty much as soon as his betrayal is revealed in 5a, theo's framed as a figure whose very survival has itself become a selfish act. tara's heart is an obvious and visceral symbol of what he's taken from others in order to survive, but her death is also a direct parallel to what he does to tracy and josh, and what he tries to do with scott. like corey and mason and the rest of the chimeras, theo is a victim of the dread doctors - perhaps even more so. he was a child, taken from his family, raised in an unloving and unsympathetic environment for almost ten full years. as a result, his primary defense mechanism has become a twisted sort of ambition. gain more power, and no one can hurt me. gain a pack, and i won't be alone anymore. become an alpha, and i’ll never feel helpless again.
in 6a, after he's brought back from superhell (rip), theo immediately declares himself to be the same person he was before he was sent away. joke’s on him, though, because within three episodes he’s actively sacrificing his life for someone for the first time that we're aware of. when he throws liam into the elevator and stays to hold off the wild hunt, there is absolutely no reason to believe he’s getting out of there alive. nobody else has up to this point. s5 theo wanted liam to kill scott - kill his alpha and his friend, scarring himself permanently in the process - so that theo could kill liam and gain both of their power. s6 theo, unprompted, makes the choice to put his own self-preservation on the backburner in order to give liam the chance to survive another day. setup, meet payoff.
i really think a lesser show might've killed him there - redemption complete, a selfish existence thrown on its head and then ended. when it’s not doing the Absolute Most, though, teen wolf actually kind of slaps really hard. so instead, we get s6e10 the wolves of war (complimentary). this episode is a mess and i understand why people have issues with it, but i'm a wolves of war apologist just because of theo's final scene in the hospital. that shit is such immaculate character work. i cannot shut up about it. s6e10 tells us that what theo needed to be redeemed was never to die for someone - it's to fight with someone, to live with someone, to reframe existence and life and growth in terms of support and mutual benefit instead of selfishness. theo’s able to take gabe's pain, in the end, because he's no longer putting his own self-preservation first. but he doesn't need to die to prove that - instead, he fights at liam's side, and eases gabe's pain as he dies, and proves his survival does not have to be a selfish act.
theo proves the point scott’s been making for the whole fuckin show. he's not only capable of change, but he does it - and he does it because he decides to. because he finds something - someone - worth fighting for. it doesn't erase the things he's done, but it does recontextualize them. i believe that in life we do the best we can with what we're given. theo was given tara's heart and a chimera's body and then - finally - liam's outstretched hand. good is a verb, not an adjective. theo is redeemed because he's given the opportunity to, and because he actively seizes that opportunity.
theo raeken is when dove cameron said “so you wanna talk about power? / well, let me show you power.” and when mitski said “open up your heart like the gates of hell / you stay soft, get beaten. / only natural to harden up.” and when khalid said “sister, sister, please know that i’m sorry; / i wish you could’ve stopped me.” and when mary oliver said “you do not have to be good... / you only have to let the soft animal of your body love what it loves.” and when rina sawayama said “i’m trying to be normal / but trauma is immortal... / i don’t wanna be a monster anymore.” and when silas denver melvin said “you are not as damned as you think you are.”
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mayahawkeswife · 2 years
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hi! heard you need asks!
How did you get into Stranger Things, and what were your favourite moments of s4? (Also did you predict the twist at the end as to Vecna's identity?)
hey! so i got intro stranger things summer of 2019 after the hype died down a little (cus tbh i wanted to be quirky and different and not watch it like everyone else was 💀💀)— but then i watched it all in like 2 days and ever since has become my biggest hyperfixtation 😀
some of my fave moments in s4: (SPOILERS obv.)
• WHEN THE BYERS HOUSE WAS SHOT UP gotta be a favorite scene 10/10. i love it so much for no reason 😭
• also the lil byler moment before that too had me tearin up tbh
• ofc COURSE the running up the hill scene with max— sadie is such an amazing actor and i start crying during it
• not really a moment but every scene where it shows robin being autistic coded cus like girl me too
• also piece of ronance and byler crumbs we got
• when the teens were in the upside down in eddie’s uncle’s trailer?? so fuckin trippy and i loved how cool that was
• “you’re a kate bush fan?” “of course! she saved your life!” TEARS.
• JOPPER REUNION.
• also this moment is so small but it’s so funny to me- like when steve goes “uh… we’re at the trailer park” and the camera zoomed out and there’s a little pulse in the music— idk it makes me giggle
there’s more but im gonna leave it at that :0
also the whole venca thing? i lowkey suspected. i figured out from the first mention of 001 that he was him, and i was somewhat theorizing that 001 was vecna so that connected as well. i was also like suspicious of henry creel, cus he was just off yk?? but it didn’t really click until the final scene and i was like OH SHIT YEAH.
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