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#friggin 6?!? episodes before the finale
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KANAN NNNOOOOOO!!!!
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#41: cr2.wad (Crumpets 2) (2024)
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Download, made by Ribbiks ^^^
I guess Ribbiks retired? I wasn't in the Doom community again until the middle of last year and had gone ghost for a couple years before that, so I guess this is news to me. Regardless, they have shadowdropped this excellent little morsel of challenging goodness in the form of cr2.wad.
Episode 1 (maps02-04) are light on the challenge and have a very Kuchitsu-esque influence to them. Angluar geometry, not that hard, focuses on exploration. In one of the maps (I'm blanking on which one) there is a nice flower garden where a key spawns! I should mention before I go any deeper that according to Ribbiks these are speedmaps, and by god do they not feel like them.
You sort of have to appreciate Ribbiks as a Doom legend, being able to understand this game SO well to string together various concepts and ideas of a fight in so little time. Geometry, thing placement, and monster placement are all beautifully intertwined and there are countless works of theirs I could list that fulfill this standard ever since day one, and this is no exception.
Another thing I like about this is that monster placement (mas o menos) stays the same across difficulties; the major adjustments lie in ammo and health. For E1, this doesn't matter much as its motifs call for an easier time, but things get into proper Ribbiks form in E2 (maps05-07). I'm getting a sort of... Memento Mori, D2ISO/Scythe X Jungle motif metal and verdant green with nature vibe out of the aesthetic? That's another thing about these maps, they are GORGEOUS while not straying too far from vanilla idealisms.
In this second episode, players will face moving combat puzzles, usually involving a cyber turret from afar that will be your arch-nemesis for most of the map until you can afford to telefrag him, with the green low-HP Cyb being used for more incidental encounters.
Everything climaxes at the final map, a slaughter map through and through if the final fight doesn't convince you. I feel proud of myself for beating this one, even if it was on HNTR and with saves on the last two maps.
Seriously, check this one out. You see the simple title, you see there's only practically 6 maps, you're thinking "Why do I play this?".
My answer to that would be... Why wouldn't you? We got friggin' RIBBIKS maps in 2024. Do yourself a favor and don't miss this one.
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katsidhe · 3 years
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top 5 angry sam moments 😇
top 9, you say? 
9) 1.20, at John—“You were pissed you couldn’t control me anymore!” Even though I’m personally drawn more to the quiet, swelling weight that Sam’s anger has in later seasons, his early anger, specifically his anger at John and Dean, is so valid. It’s both sad and compelling to watch this kind of fight drained out of him over the course of the show. 
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8) 12.04, at Magda’s mother—“God didn’t kill your daughter. You did.” What’s so fascinating to me about this moment is that it’s a combination of different flavors of anger. Sam’s furious at the hypocritical delusion of this woman, and this is before he knows exactly how twisted her beliefs are, that Magda’s still alive. But he’s met God, he knows God doesn’t have a plan for these people, and the sheer nerve of people using him as their excuse to do nothing infuriates him. 
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7) 5.10, at Lucifer—“I’m going to rip your heart out!” The sheer helplessness of this rage! Lucifer’s response--clearly enjoying Sam’s anger--prompts Sam to visibly reign himself in, so as not to offer him more ammunition, and instead start asking questions. This pattern, Sam tangibly sublimating his (useless, suspect, humiliating) anger into something he finds more productive, owes a lot to Lucifer.
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6) 8.21, at Metatron— “Pull the friggin’ trigger!” Sam’s half-rabid, half-dead-eyed fury at Metatron straddles the line between hating him as a voyeur and hating him for being ignorant: he’s angry both that Metatron sat out the angel wars, and that he’s been delightedly telling them about all the books he’s read. It’s got that extra, raw element of Sam’s manic, quasi-suicidal approach to the final trials. In this moment, Sam’s furious enough that he’s willing for Metatron to shoot him, if it means Metatron will be forced to accept his own complicity.
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5) 7.06, at Dean— “Don't – don't lie to me again. No, don't even talk to me.” Oh, the audacity, the courage, of Sam striking off on his own, in a sea of enemies, without Dean, mid-psychotic break! I love everything about the Amy conflict: how Sam still has the wherewithal to be furious, how Sam finds himself forced to move past it sooner than he’d like because of how inevitably tangled Dean’s self-destruction gets tangled into Sam’s anger.
4) 15.16, at Dean—“Don’t. Don’t. Just drive.” This is the last moment of Sam’s genuine anger at Dean that we get in canon, and it’s a really, really good one. He doesn’t want an apology or an explanation, not anymore--he no longer expects that anything will change. The betrayal and the anger is all too old, too exhausted, for Sam to listen to. Dean is unrepentant in every way that matters. So, drive.
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3) 13.21, at Lucifer—“What do you want??” how quickly and violently Sam swallows this anger! Before Lucifer has the chance to say or do anything, you can watch in Sam’s eyes as he regrets this outburst, how he wishes he’d said nothing. and yet there’s still that part of him that would rather be angry at Lucifer than afraid, that pulls up this helpless wrath as a flimsy, pointless smokescreen. I could watch this expression All. Day. 
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2) 14.20, at Chuck— “Hey, Chuck!” and then shooting God, because Sam’s just that angry. And he’s angry on Jack’s behalf and on Dean’s behalf but mostly importantly on his own behalf. Angry enough at this awful cosmic voyeur to shoot his own shoulder too, angry enough to invite the wrath of God Himself: Sam Winchester was angry enough to make God bleed. Hearteyes.   
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1) 9.10, at Dean— “Don’t go thinking that’s the problem, 'cause it’s not.” Sam’s anger here is soft, and it’s colored heavily by betrayal--enough, almost, to smother it. But Sam holds it close and quiet for so many episodes. Season 9 is charged with it. He can barely speak it aloud because of how mixed in it with with his awful devastation; he has to nurse that hot spark so carefully to keep it alive for as long as he does. Even though it eventually, inevitably, grows cold, it’s still one of the most difficult things he’s ever done.   
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five-wow · 2 years
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I posted 199 times in 2021
62 posts created (31%)
137 posts reblogged (69%)
For every post I created, I reblogged 2.2 posts.
I added 221 tags in 2021
#* - 58 posts
#mcdanno - 47 posts
#h50 - 33 posts
#talking - 31 posts
#incorrect quotes - 13 posts
#my fic - 12 posts
#anon - 8 posts
#ask - 8 posts
#endless i love yous - 6 posts
#fic rec - 5 posts
Longest Tag: 140 characters
#steve to a random stranger on the street: i love danny very much and he's kind of like my husband. i hope he finds me the perfect woman soon
My Top Posts in 2021
#5
Top 10 McDanno moments
oh dude, making an actual list like that would take me a day, because i’m Very Bad at picking favorites and also because there’s like, literally ten seasons’ worth of moments to choose from in the first place.
a few strong contenders off the top of my head, though, in no particular order:
d: “what’s the matter with you?” / s: “i love you.” for the fact that it’s a) still a totally insane sequence of words, b) one of their three mutual i love yous on screen, which is good anyway, and c) wonderful pining steve material, as well as just, potentially the most honest reflection on their relationship from steve’s side that we ever got
pretty much the entire episode where they transport that nuclear bomb through the jungle. steve’s snooping, the first scene where they have their relationship argument in front of an entire class of innocent academy students, the “are you comparing our relationship to my failed marriage?”, the bit where danny tells steve not to say anything and steve sneaks in an i love you anyway, the bit where steve calls danny a beloved curmudgeon, when they’re squeezed under the truck together, when steve asks danny to name his friggin’ restaurant for him and rambles about being together even when they’re not together (restaurants and boats, if you name them after a person people are absolutely going to assume it’s your spouse), That Look steve throws at danny through the window at the very end of the episode.
when danny tells steve he’s a half-baked cookie and goes “that’s why i love you, babe”, because it’s just. it’s a lot.
actually, the first time steve says he loves danny, when they’re trapped under that building! danny’s been nothing but incredibly negative and he builds this huge tension before telling steve he really really hates him and steve just laughs along and goes “i love you too” because he does and he knows danny, and then once they’re finally out steve waits until danny says it back.
“you don’t have to dance with me tonight” while they’re sitting unnecessarily close together during max’s going away party, purely for the fact that i was so convinced i must have heard that wrong the first time i watched it that i went back three times. it was still the same. i still don’t know how that made it into the episode.
when danny talks about coming into work one day and seeing your partner in a different light, and he goes “know what i mean?” and steve is all quiet and says “i do”. also when steve keeps offering to go everywhere with danny that episode while danny confides in him. the episode in which danny says he once fell for his partner after he had spent every day with her and she was the only person he confided in. that episode.
season 10, maybe just, uh, in its entirety. sunshine, emotional support friend, danny being the person everyone goes to if they’re worried about steve, bad guys knowing to target danny if they want to hit steve where it hurts, moving in, sharing beds, parent-teacher meetings, the extremely half-hearted attempts at dating other people, valentine’s day cuddles, “it’s kinda like his love language for me” - season 10 truly has it all.
175 notes • Posted 2021-03-27 16:48:05 GMT
#4
steve and danny somehow encounter the very tired “it’s adam and eve, not adam and steve” slogan (in the middle of interrogating someone for one of their rare cases where queer people do exist, probably) and steve’s like “oh god yes, not adam and steve. i don’t think of adam like that, and i wouldn’t want to marry anyone besides danny anyway” and danny’s like “wait, you wanna marry me?” and that’s how they figure out steve may have a ring hidden in his sock drawer.
(danny: “that’s OUR sock drawer. we share that drawer. that is not a good hiding place! who put you in charge of anything?” steve, who spent the last two months silently hoping danny would “accidentally” find the ring box and call him out on exactly this because whatever danny may say, their ideas of romance definitely overlap in the “bickering over socks and inconsequentially bad plans” department: “ah, you say that, but you didn’t find it, did you? did you even look?” danny: “why would i look for rings in my socks! why do i want to spend the rest of my life with you so badly when your brain is so weird!” their suspect, who is still cuffed to a chair next to them and has the uncomfortable feeling he just got them engaged with his homophobic rhetoric: “???”)
176 notes • Posted 2021-04-05 21:48:16 GMT
#3
danny: i’m staying at steve’s temporarily.
danny: so it’s a temporary thing, you know.
danny: just until one of us dies of old age.
178 notes • Posted 2021-01-26 00:31:49 GMT
#2
concept: danny comes to steve and is like “do we have an hr department?” and steve’s like “... do you want to file a complaint? i’m barely even your boss, you almost never do what i say” and danny’s like “no. i’m considering a change in relationship status and i don’t want us to get fired” and steve’s like “did you say us?” and that’s the wildly romantic story of how danny asked steve out for the first time.
212 notes • Posted 2021-07-06 19:34:05 GMT
#1
season 10 is just so wild. danny sets steve up on dates but then doesn’t let him actually go on a date without calling and texting every five seconds, steve dutifully tries to ask out women but keeps mentioning how much he loves danny and that they’re married, and then danny flies across the country because steve’s mother died, suggests they could sleep in the same bed and moves in with steve maybe a week later, and steve’s just like “sssh, lou, don’t tell danny i know he’s making shit up because he might change his mind” and lets danny live with him for months. they never truly talk about what happened to danny’s house and if he might ever need to go back. there are random episodes where we are reminded that they’re both totally still interested in dating women, 100% for sure definitely, but actual potential girlfriends are an afterthought, and steve ends up turning a valentine’s date into a team movie night so he has an excuse to stick close to danny, literally, because he cuddles up between danny and his actual supposed date on the couch. the last episode tells us danny is the person steve cares about most in the world, in those precise words, and shows us that steve would try to enter a car that is on actual real fire to get to danny, and also that danny, who’s consistently been characterized as someone who can’t be happy because his anxiety keeps him too stressed all the time, is in fact now pretty happy with life. now, as in, after he didn’t get back together with rachel but instead moved in with steve with seemingly no intention to ever move back out. all of this is literal canon text, and then i didn’t even get into the easy implication that danny might be sleeping in steve’s bed some of the time after moving in because canon made a whole point of telling us there were no beds free and danny didn’t want to sleep on the couch.
225 notes • Posted 2021-02-02 00:08:17 GMT
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ashenpages · 2 years
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Baby, It's Cold Outside
Happy JigLup Thursday! @holly-beary and I have decided to officially make this a thing, so here's a little ficlet to accompany her amazing version of the Perito Moreno Glacier picture of the two of them from Episode 2 of Part 6.
You can read it here or on AO3. Rating is T, and it's only about 500 words, so you'll breeze through it pretty quick. Enjoy!
Jigen Daisuke was cold.
And if there was anything he hated more than being out of bullets in the middle of a cat fight, it was the sort of chilling bone-deep cold that came with following Lupin to the artic or some new glacier.
Especially for the sake of a picture instead of a heist.
This glacier was at least familiar, being the Perito Moreno Glacier in Argentina. Jigen had a fondness for the country and the sights. But not the cold.
“Explain to me why we’re doing this again,” Jigen grumbled, pulling the last cigarette from his pack. Lupin better have some spares on him. Being cold and without smokes would probably be enough for Jigen to finally murder him.
“Aww, come on, it’s romantic!” Lupin chirped back, entirely too cheerful and excited for his own good. It was cold and he had the audacity to beam like the sun.
Jigen hid under his hat and grumbled. “It’s friggin’ frigid is what it is.”
“Aww, Jigen-chan…” Jigen only had a moment to read Lupin’s tone before the other man snagged him in a bear hug from behind. “Are you cold?”
Jigen sighed and blew smoke out of his mouth. “You think this puffy jacket is just for show?”
Lupin hummed and nuzzled closer. “Don’t worry. Goemon and Fujiko are coming with the camera, and once we get our picture, we can high tail it back to the hideout.”
“S’ probably just as cold in there,” Jigen groused.
“Oh?” Lupin brushed his cheek against Jigen’s, moving back and forth like a cat, creating warmth with the friction. “I’m sure I could find a way to warm you up, if you like.”
Jigen slid his eyes over to the other man, feeling warmer already. “…yeah?”
“Nice warm bath. Cocoa, maybe with some of your favorite Argentinian coffee… And we could have some spicy locro for dinner. I know how you like to get it authentically when we’re here.”
Jigen hummed at the mention of his favorite winter soup. “Good ideas, but I’m not sure even all that’s gonna be enough to shake this cold.”
Lupin smiled at him wickedly. “Well then, how about this…” He leaned in and started whispering in Jigen’s ear. Jigen was more than flushed by the time Goemon and Fujiko showed up to snap the picture. He didn’t oblige when Fujiko told him to smile, but as Goemon raised the camera and told them to say cheese, he raised his hat and slid his eyes fondly over to the grinning man above him.
Now he remembered why he went cold places with Lupin.
No matter how cold it was, Lupin always found a way to keep him warm.
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supertransural · 3 years
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Dean and his “things, people and feelings” he’s already “experienced differently”.
So here’s a random 4am thought I had. You know how while in the confessional in 10x16, Dean talks about “things, people, feelings” he wants to “experience differently/for the first time”? That confession is literally incoherent if you take a perfectly heterosexual-non-castiel-point of view. It just is. Let me explain why I think that is, and prepare yourself, this is going to be long. 
Let’s say, for argument’s sake, that we’re supposed to understand that conversation the way the priest understands it, that we’re supposed to see Dean the way the priest sees him: as someone who likes to have flings, who cheats, doesn’t commit, etc... basically the character that was introduced to us in the first few seasons/episodes (somewhat). I’m going to be calling that stance the “priest POV”. 
The issue here, is that this is not in fact “the first few seasons/episodes”, this is season 10, Things have happened since then. People have happened. Feelings. Have. Happened. Wether it be in the form of flashbacks or present day events, we’ve seen character development. So let’s start with romantic ones.
1: The first one that comes to mind is Lisa (and Ben). He had a committed, long term, family oriented, white picket fence relationship. It wasn’t just a “I had no other place to go” kinda deal, because once he was somewhat back on his feet, he could’ve pulled a Dean WInchester and left. Except he didn’t. He could’ve cheated. Except he didn’t. He could’ve not opened up or not gotten vulnerable. Except he did. That should already debunk the “priest POV” but let me add on. 
2: Cassie. Dean was insanely vulnerable with her, he loved her, opened up to her about the one big thing he never tells his one night stands, and incidentally was the one who was rejected this time around. He still has feelings about her when he meets her again. 
3: Robin. His first, real girlfriend. With whom he was also in a committed relationship with, which probably would’ve kept on growing if John hadn’t been the usual assh*le that he is, and Dean had had a chance to go to that dance with her. I like to think of her as beta-version-Lisa, and also as the girl who set him on his blazing trail of leaving women after 1 day or 1 week. His dad was the one to rip him away from her, and we know he wanted his son to be the perfect masc, emotionless, order-following, womanizer. And that is exactly what Dean attempts to become, even though this obviously goes against every fiber of his being (see #4).
4: Amanda. Now you may be thinking “but hey! Dean does cheat on her! and it is a short relationship!”. Sure he does, and sure it is, as I said, ever since Robin, he’s trying to be the womanizer his dad wants him to be. But he still lets himself get quite attached to Amanda, as shown by his disdain of the school right after she dumps him in front of everyone. The only reason he liked or tolerated this school wasn’t just “the hot cheerleaders” or whatever, it was Amanda. He wants to put on this mask of “I don’t care about her, I’m a bad boy, I’m just in it for the sex”, but he’s genuinely hurt by what she tells him about his life and how she judges it, and saddened by the breakup. He lets himself get hurt by her. Bear with me, this is important, because we see it happen again with Cassie and then he never lets it get to that point again, simply because of fear and trauma (I think), for example he’s the one to start the conversation about breaking up with Lisa.
Now. What about the “he was just talking about platonic things and feelings and people” possibility. Spoiler alert, it still doesn’t work. 
1: Jo. Otherwise known in my head as beta-version-Charlie, it’s true that Jo is part of those “early seasons” characters, but that only adds to the inconsistency of the “priest POV”. Dean cared intensely about her, some people think of their relationship as romantic, but I really like the “big brother/father/protective” figure idea. Whatever you believe their relationship was, it was profound, I mean he was positively shattered when she died. Again, deep feelings, longterm feelings. 
2: Benny. Like seriously. Dean spent a year in Purgatory with him, saw him as a brother despite the fact he was a vampire, helped him as much as he could while he was having troubles adapting to life on Earth again, protected him through thick and thin, went against his brother for him, against other hunters, against his core beliefs as a hunter himself, just. for. him. If that doesn’t tick all the boxes of things, feelings, people he wants to experience differently for you, then I truly don’t know what to tell you. And then there’s the whole thing with the ship between them, which I somewhat agree with but it isn’t cannon enough for this. 
3: Garth. Yeah, sure, Dean is condescending towards him at first, but he does care about him a lot, and probably doesn’t understand why and how Garth cares about him so quickly, or offers support voluntarily. Garth is a bit of a role model to him, that scrawny, somewhat cringy, little man is better at life than Dean is, and Dean sees that. He’s bothered by it at first, but learns to respect Garth later on, and care about him. He relies on him as a hunter, and kind of as a friend too and he lets him be the new Bobby (which proves a lot of trust grew here) (also, much later on, Dean makes sure he stays out of hunting so Garth can have a happy family life, he also accepts the fact that he’s a werewolf and that his whole family is too). That Also counts as people experienced differently and for the first time. 
4: Kevin. Or as I like to call him, sort-of-beta-version-Jack. Dean feels responsible for him, he jumps into the role of a father figure more than Sam ever does, as much as Sam cares about Kevin too. He is also completely shattered when he dies, like with Jo (which is a bit of the reason why I see Jo and Dean’s relationship as a Big brother-Little sister relationship, the vibe is similar (but not identical) to Kevin and Dean’s). 
5: Jody. Jody is like the mother he never really had growing up. He is vulnerable around her, opens up, she’s basically family. I’m not going to write in Bobby, because he doesn’t count as “new things”, he was effectively his father. Here, Dean lets Jody become a sort of mother to him even though his memory of his mom isn’t as tarnished as his dad’s is. He lets her step into his mom’s sacred shoes. He lets her take care of him in a way. He lets her enter his life and be here for him. New people, new feelings.
6: Charlie. Charlie is his little sister, no doubt about it. She’s his role model, he loves her deeply, he lets himself care about her and feel insanely protective of her. He lets her be Sam #2. He lets himself become a big brother to a new Jo. To a new human. He lets his nerdy side out around her, he learns from her openness about being gay. He is comfortable around her. He is constantly worried about her. New feelings, new people, new things, first time blah blah blah you know the drill by now.
7: Ash. Yes, yes, I know, another “early on” character. But as I said, it keeps on just proving my point. First of all, I firmly believe Dean had a massive crush on Ash but that’s just my interpretation. He respects Ash and looks up to him, he wants to be a bit like him, confident, comfortable in his own life and skin, happy, and he lives in a friggin’ bar for godsakes. He is the epitome of what Dean wants to be at that point in time. He wants to be carefree like Ash is. He thinks Ash is highly intelligent, and has it made. He sees what a happy man can be, one without burdens from “the life”. Ash is a bit like the cooler version of Garth (no offense to Garth of course). Does that count as a role model? I don’t know. But it sure as hell shaped Dean’s hope for what his life could one day be. And Dean cares about Ash deeply as well, he was devastated when he died (he was devastated about the whole Roadhouse burning of course, but it’s clear Ash’s death shakes him quite a bit) and is genuinely happy when he gets to see him again in Heaven, when he sees Ash content and at peace, and the fact that Ash tells him he’ll see him again one day makes him smile (btw thats something I would’ve wanted to see in the finale, but nooooo they simply had to give us a train wreck instead). 
So now that we’ve established those relationships he’s already had before (and I use the term relationship broadly here, it also includes all his friends), I’d like to point something out. There are of course other people he met along the way, other people he saved who inspired him, like the gay couple LARPing as him and Sam, Ellen (beta-version-Jody), in a way Tessa, Layla Rourke, Eileen, to name a few. But I feel as though the ones I cited were the main ones that truly show how shallow the “priest POV” interpretation is.
So where exactly does all this leave us? Well, friends, exactly where I intended it to be. That scene can’t be about potential women being longterm or serious romantic partners because that’s already happened. It can’t be about friends or monsters, because that’s already happened. Canonically. Several times, in several different flavors. 
TL;DR: There is no way this confession scene is heterosexual, and it’s probably about Cas, but not just him, it’s also simply about Dean himself and his comfy closet getting not so comfortable anymore. 
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sunnydaleherald · 2 years
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The Sunnydale Herald Newsletter, Wednesday 15th December
SPIKE: You might want to let up. They say when you've drawn blood, you've exfoliated. Angelus: What do you know about it? I'm the one who was friggin' violated. You didn't have this thing in you. DRUSILLA: What was it? A demon? Angelus: Love! DRUSILLA: Poor Angel. Angelus: Let's get outta here. I need a real vile kill before sunup to wipe this crap out of my system. DRUSILLA: Of course. We'll find you a nice toddler. (to Spike) Want to come, pet? Angelus: No can do, Dru. I'm sure he'd be hell on wheels, but we don't have much time. (to Spike) Gotta travel light. (puts his hands on Spike's shoulders) Sorry. Try to have fun without me. (they exit) SPIKE: Oh, I will. (gets out of the wheel chair) Sooner than you think.
~~I Only Have Eyes for You ~~
[Drabbles & Short Fiction]
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On Patrol (Buffy, PG) by badly_knitted
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The Wooden Box (Giles/Buffy, Mature) by Dynapink
Joy To The World (Tara/Willow, Teen and Up) by Laragh
Propinquity (Giles/Buffy, Teen and up) by froxyn
[Chaptered Fiction]
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overcome in this war of hearts 1/3 (Spike/Buffy, Mature) by Krewlak
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Soul Swap, Chapter 24 (Buffy/Spike, R) by ZombieRed
Use It or Lose It, Chapter 10 (Spike/Buffy, NC-17) by Dynamite
Chosen One, Chapter 13 (Buffy/Spike, R) by all_choseny
Stolen Moments, Chapter 3 (Spike/Buffy, NC-17) by Feanix88
Hot chocolate and marshmallows, Chapter 1 (Buffy/Spike, NC-17) by Tennsters
A Son's Love, Chapter 4 (Spike/Buffy, R) by Fancyflautist
All But One, Chapter 6 (Buffy/Spike, NC-17) by Jws1993
Live, Learn, & Get Love , Chapter 1 (Spike/Buffy, NC-17) by honeygirl51885
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Broken Chain (Connor, Dawn, AtS/BtVS ensembles, FR-18) by McQueen
Merry's Secret 3/? (Xander, Crossover with Merry Gentry series, FR-15) by calikocat
Into the Limelight (Connor, AtS/BtVS Ensemble, FR-18) by McQueen
[Images, Audio & Video]
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Artwork:The (Fanged) Four Horsemen of the Apocalypse (SFW) by idabbleincrazy
Artwork:Merry Chaosmas! (SFW) by thatcomesandstaysfire
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Artwork:🔫 ATS 102. Lonely Hearts 👼 (SFW) by tmcarlee
[Reviews & Recaps]
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PODCAST: Buffy Boys 139 - A Heavy Past (S07E17) - LMPTM by Buffy Boys Podcast
PODCAST: 7.04 Help by Buffering the Vampire Slayer
[Community Announcements]
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The Headline Awards are still looking for a few more brave souls to join us as judges for Headline this year. If you love and want to support the creators of our little fandom, you are just who we’re looking for! by headlineawards
[Fandom Discussions]
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Comparison of patterns in genre shows by nileqt87
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Do you believe what Angel does for Darla in The Trial? by Mr Trick
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Season 1 Buffy hair and outfits will never not have a place in my heart ♥️ by Throwaway-0364
What season had the best cast? by dthurst20
Anyone else hate how everyone treated Buffy in Dead Man’s Party? I always skip this episode by Oceanman72
Guys I'm watching angel finally and i was so happy then immediately pissed. by RemedialAsschugger
Let’s hear them: Confessions that could get your BtVS Card Revoked by spuffy4ever
From Beneath You it Devours by gimmesomespace
Anya humour by Lizcatherine
Buffy accidentally overhears the truth behind the prophecy involving her and The Master. SMG's performance by InfiniteMehdiLove
Digestive tracts (Vampires) by northeastbalancer
If Joyce had lived... by ConnerKent5985
Cordelia vs Xander by Robosl0b
Vampires-possible spoilers? by Heavy-Ambition1161
Who is a fan of season 6? by DitzyWhooves
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tricksyjester · 3 years
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just finished the two midvale episodes from season 6. i friggin love nia and brainy, they are the cutest when they're working together. i'm also so happy they brought back kenny li? that was such a good move on the writers part, he and kara were so damn cute together in these episodes. i haven't cared all that much about the others so far. nyxly is a real trashy bitch, i'm disappointed as hell because i wanted to like her. papa zor-el is a loser, too. lena is finally a decent human being again, but i can't be bothered to care because she was a giant idiot before lol.
whoever they cast for cat grant was also a++++ at acting like her, too. seriously, she was spot on! i still can't believe the girl who plays young alex isn't related to chyler, either. she is always really good.
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skybird13 · 4 years
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Why I Think Fair Game Works
So we’re coming up on the midway point in this mini RWBY vol. 7 hiatus, and I have a serious addiction to Fair Game. With no more canon content coming out for another week (😭), I thought I’d provide some self-indulgent rambling in-depth analysis as to exactly why I think Qrow and Clover work so well together. I’ll be pulling off of what we have in the show so far (because I tend to base my ships off of canon context), but I’ll also be making some reasonable assumptions regarding Clover’s character since we don’t have a whole lot on him yet. 
[Note: I’m not really trying to sway anyone with this post, so if you don’t agree or don’t like FG, feel free to scroll right on by and have a nice day. I’m all for discourse but that’s not the point of this particular post. Make your own and invite me to engage and we can have a convo.)
That being said, and without further ado, here are my top reasons for being Fair Game trash. Be forewarned, this is loooong. Damn thing turned into a dissertation. 
Reason #1: Clover is a source of stability
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One of the biggest criticisms I’ve seen aimed at Fair Game (aside from the more inane ones, which I will not dignify with an acknowledgment on this post) is that Qrow hates specialists. And people are right. It’s one of the first insights we get into his character in his volume 3 debut episode, right after the fact that he’s an alcoholic. I completely agree that if these two men had met in volume 3 or even 4, there is no way they would have gotten along. Clover is a soldier. A military man. He goes by the book and, in his mind, there’s not a lot of wiggle room when it comes to doing things the right way (see: his conversation with Robyn). He would have driven volume 3 Qrow up the wall, and not in a sexy way.
But the fact is, Qrow has been through a hell of a lot since then. He lost Ozpin twice (once to death and once to the lies Oz himself told), lost his way and sense of purpose because of it, almost died on multiple occasions, fell into deep emotional darkness, came under the influence of the Apathy, and had to finally acknowledge his own depression and poor coping mechanisms, or lack thereof, as a result. Shit like that changes you in deep and fundamental ways and, while I would have loved for a bit more in-show focus on this transition, I think RT gave us enough to infer the rest.
Thanks mostly to Ruby, Qrow is finally in a place where he is trying to heal for the first time since we’ve known him. He started the show as an impulsive– albeit manipulative and brilliant (see: him baiting Winter into a fight)– alcoholic who had no problem whatsoever with getting under people’s skin. The only relationships he really seemed to value were the ones he had with his nieces and with Ozpin, and everyone else could take a flying leap. Now I can’t deny that there was a certain charm to that. It’s one of the reasons I think he became such a fan favorite so rapidly; a lot of us can relate to that desire to not give a shit. But the underlying implications of that type of behavior are, I believe, pretty damn dark and serve as the earliest signs of Qrow’s depression and emotional isolation. Consider: his only functional relationships were with people who were incapable of really knowing him on a deeply personal level. Oz couldn’t because he was the one to give Qrow a purpose, thereby establishing a certain power imbalance in their relationship, no matter how close they were (I love Oz despite his mistakes before anyone comes after me for that statement and have nothing against Oz x Qrow, these are just my thoughts). And Ruby and Yang couldn’t, and still can’t, because they’re his damn nieces and being the adult in a relationship with kids means you maintain a certain distance between them and any insecurities or struggles you might have. Anything else is just not okay. He bungled that in volume 6 but he has clearly been trying to re-establish that supportive adult role in volume 7, which is amazing all by itself.
This brings us to Qrow’s emotional and mental state at the start of volume 7. Again, he’s in a place where he’s trying to heal. I don’t know how many people can relate, but that place is friggin’ terrifying because it’s the place where you have to stop lying to yourself about your problems and commit to dealing with them. But it also comes with a weird level of mental… stillness? Peace isn’t the right word, but when you’re not constantly fighting yourself anymore, you are able to breathe a little and that’s worth a lot to someone who has been trying to suffocate themselves for most of their lives. I think this has a lot to do with his shift in outlook. He’s less antagonistic because it no longer serves to feed the self-loathing monster inside him. Or rather, he’s trying to make sure he doesn’t feed it. The fact that he comes into Mantle, gets arrested for doing his job, and doesn’t immediately get in James’s face, or Winter’s for that matter, attests to the fact that he has changed. Qrow isn’t the one to call James out on the embargo or the state of things in Mantle. Instead, he steps into a role that we have never seen him in: the gentle voice of reason. He points out that James doesn’t need an entire military presence to build and launch the communications tower, and when James reveals his plans to tell the world about Salem, Qrow doesn’t outright disagree or go after him for it (as he certainly would have in earlier volumes). He simply points out that Oz spent every lifetime he had keeping that secret and then lets James explain his reasoning (flawed as it might be).
In short, all that outward anger he displayed in earlier volumes was most likely a manifestation of the self-hate storm he had brewing inside. Now that he’s decided to try to move away from that, he’s different. Of course he is. It would be completely unreasonable to expect otherwise.
Enter Clover Ebi. By sheer virtue of being who he is, Clover provides a source of stability for Qrow that he both sorely needs and has severely lacked up to this point in his life. Healing is an internal and independent process for the most part, and Qrow is going to have to sort out his issues on his own, but having someone in your life during that process who is solid is invaluable. And so far, Clover has been nothing but solid. He has been the one to pull Qrow back from bad old habits (self-deprecation and self-hate regarding his semblance). He’s been the one to take Qrow’s semblance in stride and even to get him to joke about the whole concept of having luck, good or bad, for a semblance. And so far? He’s done all of this with absolutely no strings attached. He’s not like Oz, who needed Qrow to be functional enough to carry out his spying missions, and he’s not like Ruby or Yang, who reasonably need Qrow to be solid for them because he’s their uncle. Clover is the first person who doesn’t need anything from Qrow, and so he is able to offer the type of emotional support that Qrow has never received from anyone else. They’re not even official battle partners, despite them being paired quite a bit. The lack of strings, of ulterior motives, of complicated and messy ties, and even of familial bonds, means that Clover can be the solid one. He can be a safe place where Qrow can fall apart and put himself back together if he needs to, because nothing is going to cave in if he does. Qrow won’t be putting too much weight on his nieces or on someone who relies on him for information and support. He can lean on Clover without having to worry about any repercussions. 
Reason #2: Qrow is a source of disruption 
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Now for the fun flipside of my first point. While Clover provides a source of stability for Qrow, Qrow has the very real potential to provide a much-needed source of disruption for Clover, thereby balancing out what we have gotten of their relationship dynamic so far.
Being a military man, stringent structure and unconditional loyalty to his superiors are likely major aspects of Clover’s character. We have enough in the show so far to assume that’s accurate about him even if it hasn’t been blatantly stated. 
Clover carries out his orders without fail, to the point of arresting a bunch of kids and Qrow in Mantle for operating outside of official parameters. His conversation with Robyn is also extremely telling. He doesn’t have a problem with what she wants; he has a problem with how she’s trying to get it. He doesn’t believe that the ends justify the means and, in that same vein, probably also believes that institutions are there for good reason. He is the epitome of lawful good.
Qrow, on the other hand, has never operated within official parameters. He was a spy, for god’s sake, and therefore is intimately familiar with the inherent grayness of the world. He’s not someone who is going to see things in black and white, and because of this, he could offer a sort of push back against Clover’s blind loyalty to Ironwood. 
Not only is Qrow not in the military, and therefore not bound by its restrictions and dictates, but he has known James for a long time. He, more than anyone, is in the perfect position to call James out on his crap, and he’s probably the one with the best chance of actually getting through to him. Not with the same aggression and vehemence he displayed in volume 3, but with more of a tough-love approach. I fully expect this to happen at some point (and will be very sad if it doesn’t. I like James and want him to snap out of all this).
So how does this relate to Clover? Well, it forces him to acknowledge that, military or not, always trusting that the people above you are doing the right thing or the best thing is never a good way to go. He would have to step back and re-evaluate his general approach to life, which is the core of character growth. Clover never questions authority (that we’ve seen) whereas Qrow’s existence has always been in stark contrast to it. If anyone is going to act as a catalyst for Clover’s potential evolution from strict military man to a more free-thinking, free-acting individual, it’s going to be Qrow. And I think the pieces are set-up for that exact thing to happen.
Obviously, we’ll have to wait and see where CRWBY takes this one (if they take it anywhere) but the potential for growth from Clover is there because Qrow has come into his life. One of the best things couples can do is challenge each other, and these two are primed to do exactly that.
Reason #3: Opposites attract for a reason
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We’ve all heard the phrase, right? Opposites attract. Sometimes I think this statement falls victim to a lot of misunderstandings so let me clarify what I mean by this. I don’t mean their chosen routes in life (rogue and spy vs. structured military man), or their semblances, or even their different combat styles. I’m talking about the complementary nature of their personalities. 
Qrow has always been a bit impulsive. It’s been established that he sometimes doesn’t fully think things through, or if he does, he doesn’t care about the consequences and is willing to deal with them (see: his battle with Winter again). Don’t get me wrong. The guy is brilliant. He baits Winter knowing it will give him the opportunity to pick a fight with James as well and call him on his shit. But I’m pretty sure he also does this knowing full well that’s all he’s going to get: a fight. He’s not going to convince James not to bring the full Atlas military presence in for the Vytal Festival by shouting at him. He knows this and does it anyway. In his fight with Tyrian, you can see more than one instance where he’s planning his moves so his semblance has the chance to work on his opponent, but it’s at the risk of his own safety as well (see: the roof stunt). There are plenty of other examples throughout the show. Qrow runs off instinct and momentum.
Clover, on the other hand, strikes me as someone who exercises a bit more caution in his life. He thinks through a situation before he steps into it and overall just seems a little slower to take action. This is true in combat situations, as the whole mine mission was meticulously planned out beforehand. You can also see this approach mirrored in the way the Ace Ops work on the whole. Vine and Elm definitely don’t rush in when they encounter Grimm in the mine, and while Marrow and Harriet might be a bit faster to go after the main target, they don’t do it without a fully formed plan. It’s not foolproof, obviously. Marrow does cut off that piece of Dust with no one there (that he knows of) to catch it, but the point is still valid. 
This tendency to go slow and feel his way is also true in Clover’s personal life. In the truck scene, you can see him watching Qrow while he talks, gauging his reactions, trying to find the best way to reach him. Nothing he says is mere chitchat. It’s all meant to pull Qrow into a conversation, which Clover tries to keep focused on Qrow himself. His opener might be Ruby but he ditches that line of thought as soon as Qrow gives him the opening to do so and shifts his attention to where he really wants it to be: getting to know Qrow.
Then you also have Qrow’s penchant for falling into dark mental places balanced against Clover’s good mood and playfulness; Qrow’s willingness to be a little more open with his emotions and Clover’s tight emotional control; the fact that Qrow feels things fully and deeply while I suspect that Clover might have emotional walls he hasn’t learned how to lower yet; Clover’s ability to follow orders and Qrow’s ability to question. And that’s all out of only 3-ish minutes of total interaction between them so far. I think as the volume goes, we’ll only get more insight on the ways in which they balance and round each other out. 
Reason #4: Shared semblances
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So this has been the biggest kicker for people so far, and I’ve seen it as a point both in favor of and against FG. Some people theorize that Clover’s semblance might have some balancing effect on Qrow’s, making it much safer for Clover to be around him than it is for others. Others think that it might be more of a trade-off: good luck part of the time and bad luck the other part (I’m in favor of this). And yet others seem to see Clover’s semblance as a negative thing for Qrow, somehow dampening his own semblance or countering it to the point that it’s mentally or emotionally detrimental for him. I personally don’t quite see the logic behind this given what we’ve seen so far, but I’ll just make my point and get out of this debate because the truth is that we still don’t quite know how their semblances function together. 
What we do know is that they are two sides of the same coin, and as such, are not nearly as far apart as they might have seemed at first. They both carry around luck semblances, which I assume is pretty damn rare. Almost every other semblance we have seen has existed more in the practical realm (Yang’s damage absorption, Blake’s shadow self, Weiss’s glyphs, Ruby’s rose petal thing, Marrow’s ability to slow time, Tyrian’s ability to rip through Aura, etc. etc. etc.) And then we have these two who operate in the realm of chance, something intangible and completely unpredictable. They are fairly unique in the RWBY-verse in this sense, and uniqueness usually breeds a certain degree of separation. 
A ton of theories are floating around about how Clover’s semblance has affected him throughout his life. I’ve posited a few myself. We obviously have no idea what the canon backstory for Clover is, and while I do think it’s pretty safe to assume that while Qrow has dealt with ostracization because of his semblance, Clover might have experience with some sort of idolization or even over-reliance (which can be damaging in its own right) because of his, there isn’t a whole lot we can speculate on without more information.
So where does that leave us? With the scene depicted above. Regardless of how their semblances might play off each other or what these two have suffered (or enjoyed) as a result of them, one thing is certain: they understand one another. Qrow may not know what it’s like to be able to draw good luck to himself, but he knows what it’s like when his semblance does work in his favor and screws over an opponent. Clover, by the same token, probably doesn’t understand what it’s like having to constantly watch out for misfortune, but he most likely does know what it’s like to have his semblance flip on him and give the edge to his opponent. Additionally, them both having such similar semblances means that learning to look for signs of each other’s being at work won’t be much of a stretch for them. They would be able to adapt pretty fast to working together. Note, I’m assuming their semblances function in the same way and that Clover has no more control over his than Qrow does because it just makes narrative sense. 
This puts them in the unique position of being together in their semblances, even if they’re on opposite ends of the spectrum. Qrow has not exhibited any jealousy or bitterness towards Clover because of his semblance, and Clover sure as hell hasn’t put any distance between them out of concern for Qrow’s semblance. They get each other, and after only half a season, they have developed a level of comfort with one another that already allows them to joke about it. An inside joke that no one else could possibly understand. And that is some powerful shit for two people who have potentially (one person we know for certain has) been isolated in one way or another because of their semblances throughout their lives.
Reason #5: Clover is new
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Okay, if anyone partial to a different Qrow ship has somehow made it through this monster of a post, you might want to skip this bit. Because I’m going to make an argument for why bringing in a new character to be Qrow’s love interest is actually a good idea. This is not to hate on I//ronqrow or S//nowbird or any other popular Qrow ship, but it might annoy the shit out of you so… fair warning. I’ll keep it brief, though. 
I think Qrow getting involved with someone who he has no past connection to would be insanely good for him. When it comes to James or Winter or, really, anyone else who knew him before this volume, there is a lot of baggage there. And I mean a lot. At this point in his life, Qrow is dealing with enough of his own internal shit that throwing external interpersonal baggage on top of that probably wouldn’t help him in any way. Sometimes, you just need to start over somewhere (especially when you’re trying to pick up the pieces of yourself and figure out how they go together), and Clover offers Qrow the perfect opportunity to do that. There are no preconceptions that Qrow has to deal with, nothing he has to make up for or prove. Clover won’t be hovering over him anticipating a relapse or using his past behavior to interpret his current actions, or wondering why he’s changed, or holding things against him. He can figure out who he is now without the pressures of who he was hanging around his neck. And that, like so many other things these two have going for them, is unbelievably powerful. 
Reason #6: They already have the nonverbal thing down
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This one is more for funsies than anything, but come on. They’re already communicating non-verbally? 
It took me a while to pinpoint that expression on Clover’s face but I finally got it: his brows don’t lower in annoyance or anger. They furrow: the universal sign of concern. What exactly he’s worried about, I’m not completely sure. It could be any number of things at this point, from a hint that he’s not totally supportive of this particular order he’s getting (bringing Robyn into custody) to a concern that he and Qrow might be approaching a clash point (not so far, though if Qrow is going to be the disruptive force Clover needs, that point is probably coming). Either way, this look speaks volumes. I’m just not entirely certain how to read it yet. 
But in the interest of keeping up on the analysis, note his answer to James. It’s not a “yes sir” or a “whatever you say, sir”. He says “we’ll figure it out”. Qrow looks at him and only then does Clover shoot him that sideways glance thing. Is he making it clear that he means to include Qrow in this? That he wants Qrow’s help? That he knows they’re all in a crap situation but the Amity project is stalled and they need to try something so they should at least try this? They’re communicating something here and just because I don’t know what it is yet doesn’t mean this is any less significant in terms of their relationship. This kind of thing only happens when you click with someone and these two definitely click.
Bonus: They’re just so damn cute together
If you made it through that nonsense, congratulations! Have some Fair Game goodness as a reward. These two are adorable together and you will never convince me otherwise:
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baebeyza · 3 years
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You know what the problem is with villains not winning a few battles? If they never win during the plot, then there is no reason to see them as threats, and having no visible threat lowers the stakes and if you have no stakes you have no tension.
This is why Cybertron Megatron losing all the time without doing any real damage or having even one moment of true victory annoys me. He and the Decepticons don’t feel like a real threat and the autobots winning doesn’t feel like it is much of a deal.
Lemme come back to Energon for a moment, because Megatron in that show was brilliant when it came to creating tension and stakes.
We see him in first in episode 6 and before that the Autobots were pretty capable of protecting their cities from Megazarak. 
Enter Megatron, who fucking obliterates one of the autobot cities in his first attack and almost kills Hot Shot. 
That’s when the stakes were raised, that was the moment the autobots and audience think “Oh shit, he is not to be underestimated.” And the Autobots needed new defense systems to deal with Megatron that they didn’t need before his arrival. 
Or during the middle of the show when Megatron revived Unicron - First off, he won by reviving Unicron, second, the Autobots didn’t defeat him without effort. ALSO, they werent able to save all planets from Unicron either. Many got destroyed before they were able to destroy Unicron. Optimus lost his fucking cool for the first time in the show.
The stakes were high, planets were destroyed in which the Autobots hanged out on, there was some damn tension. 
Want more examples?  Beast Wars - he kills Optimus, gets hold of the golden disks, gets hold of alien power, convinces Ravage to switch sides, kills G1 Optimus, gets the Nemesis! Beast Machines - stole the sparks of everyone before his final fight with Oppy TFA - Manages to almost kill the autobots as a friggin head with no body, defeats them all when he gets a new body, shows how good he is at manipulating people and turn things to his favour, controls Omega Surpreme, makes giant clones to attack Detroit... TFP - Managed to raise a giant army of undeads he could control...uh, gosh what else does he do??? Kidnaps Optimus...gosh sorry it’s been a while since I’ve seen this show xD But the end season 2 when it looks like the Autobots are all dead and we see Optimus lifeless hand? THATS what I mean!
The main tension in Cybertron is the black hole, but that thing doesn’t do anything for most of the show, it just exists as a thing that’s gotta be stopped. But there is no tension involved with it, so it should be up to Megatron and his forces to create tension, but alas! He doesn’t.
Starscream was the villain to create some friggin tension by beating the autobots, stealing the chip square, invading earth with his minions and turning into a giant. 
Megatron did no such thing, all he does he show some cool moves and punch a bit, but get ultimately defeated afterwards.
Galvatron’s debut episode might have been the best raise of Decepticon related stakes so far, but it falls kinda flat because he just. Doesn’t do shit afterwards for quite a few episodes. 
This isn’t about the fact that the good guys win in the end, these are kids shows, of course they win in the end!
But With no tension these victories fall flat and boring. Seeing Oppy win against an enemy he never lost to before for the 20st time is just not exciting. The point is to rise above the villains, show how strong you are and defeat them with all your might, and for that feeling the villains need to have some might of their own. 
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fromzerotoeuphoria · 4 years
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@waywardfacegarden replied to your post:
Couldn’t agree more with this. Honestly, I agree with every single word on here. I feel like most mh shippers think that us rh shippers just ship it because we hate mako or something but i actually love him so much??? and i, in no way, try to undermine mh’s relationship. i always thought it was so cute and soft and tender, since the first ep. i LOVE, absolutely LOVE their friendship. and i think haru DOES care a ton about mako. he does. and they obviously have a special bond, they’ve known each other since so long. they care about each other and their friendship is so sweet?? i love how haru gives mako the fishes in first season and a lot of other moments of them. and i said this in a post when i first watched the first season, but again, like you say, i GET why people ship them. i get it. they’re cute and their relationship is actually pretty good but it just??? i don’t know, what especially got ME to ship rh instead of mh since the very first ep is how clearly DIFFERENT rh’s dynamic was since the very start. how clearly different haru reacts to rin. he becomes ALIVE when he sees him. his eyes, his whole expression just lights up when he sees rin came back. you don’t see haru act like that towards anyone else. SURE, he cares DEEPLY about mako and, like i said, their relationship is special, he holds him dear and it’s clear, but it’s just different with rin. his reactions are always so visceral when it comes to rin, since they were kids. he pretends like he doesn’t care sometimes but it’s so obvious that he does, kid!haru had a crush and no one can tell me otherwise. it’s all over the place. sure, with haru everything is subtle, but the thing that’s so amazing about rh is that you don’t even have to LOOK for it. even when haru is all subtle about his feelings, he always REACTS visceral with rin, and that’s the thing. idk, when i knew mh was more popular than rh it just… baffled me. i was so surprised, because to me, it was always so obvious how their relationship was a LOT more strong friendship-like than rh. and ngl, it’s frustrating for me, too LOL, but i guess we have to live with that.😂😂 everyone has different opinions, and i guess a lot of people are drawn to them bc of the childhood friend trope… tho you also kinda have it on rh but okay😂🤷‍♀️ it just makes me sad how i’ve seen so much hate around from both sides. and i’ve also come across a LOT of mh shippers that keep telling rh shippers “no, you should ship sousuke and rin and mako and haru, that’s how it should be” and it makes me so sad bc ALL ships are valid???? and it just sounds like they’re always trying to invalidate our ship but oh well. [ALSO. SOUSUKE AND RIN’S RELATIONSHIP IS SO PRECIOUS, NOT TALKING ABOUT IT BC I LITERALLY WOULD NEVER SHUT UP, BUT I LOVE THEM. I LOVE THEM. i fell in love with their friendship since the very first second with their special handshake😂😂😂 i just. have a soft spot for all the samesuka relay team tbh, but maybe that’s bc i’m so in love with rin it’s insane😂😂😂] AND ALSO. FINAL POINT OF ALL MY BABBLING HERE (lol, sorry for invading your post, i just were surprised of how i literally agree with every single word on here) BUT YEAH. KID RIN IS BEST KID/BOY, I LITERALLY WOULD DIE FOR HIM. I LOVE HIM SO SO SO SO SO MUCH, IT’S RIDICULOUS. I WANT TO PROTECT HIM. I WANT HIM TO BE HAPPY. idk, man, i just. could talk about rin and kid!rin for days to no end, oof… literally him and rinharu what got me so hooked with free! tbh… like i didn’t expect to be this invested in free! bc i just watched out of boredom, and 20 minutes later after first ep, i was already hooked bc i was already head-over-heels with rin and rinharu LMAO. what did they do to me, honestly… my love just kept growing… like end of first season was SO SO SO satisfying???? it was so emotional, i cried like the 6 times i watched it in a row, and i felt SO incredibly satisfied???? i’ve rarely felt THAT much and that much satisfaction with an ending before. honestly first season of free is masterpiece. BUT ANYWAYS. SORRY FOR TALKING SO MUCH. I’M SHUTTING UP NOW. HAVE A NICE DAY, FELLOW RINHARU FAN.
The way these comments MADE MY DAY <333
Thank you so much for commenting!! That post was me just rambling out my own thoughts about the two ships, and I originally didn’t plan on sharing it publicly, but since I love reading other people’s posts like that, I figured maybe someone might enjoy mine too 😊 And I’m SO HAPPY you did!! 💜
I said a lot in my previous response to you, so for your sake and for anybody reading I’ll refrain from repeating myself (when it comes to Free! and my thoughts/opinions, I could repeat myself 10000x and not even bat an eye ...but I won’t do that to y’all haha). But YES Makoto is a precious big squish, his friendship with Haru is important, and MakoHaru do care so so much about each other. No sense in trying to undermine that.
BUT THE RINHARU RELATIONSHIP 😩💥🔥🤯😭😭. I LOVE that you used the word visceral, because that’s it EXACTLY. Haru has a visceral reaction to Rin—and vice versa, but the fact that HARU reacts this way is powerfully telling of just how much he feels about Rin. From the very first episode, Haru barely reacted to anything—he was a rather apathetic teen who really only longed to be in the water. But then enter in Rin Matsuoka, and not only does Haru viscerally react whenever Rin is mentioned, but he also has multiple flashbacks of RIn before he even knew Rin was back in the country.
Because Haru doesn’t react this way—so raw and, and you said, viscerally—with anyone else, I just cannot see him not having special feelings for anyone else aside from Rin. It just makes sense, as he never showed these kinds of feelings towards anyone else in his life since the time Rin returned to Australia after their falling out-race. For me, If there really was potential for a reciprocated ship-relationship between Haru and any other character aside from Rin (within the context of Season 1), it would’ve either happened already considering Makoto had been there the entire time and no sparks or flames, or Haru would’ve been so focused on a new character that wasn’t Rin who had newly entered his life (which, as we know, he wasn’t). But no, Haru was so fixated on Rin, it completely baffled Rei, the newcomer to the group, as to why Haruka was so obsessed with Rin. I mean, if that alone doesn’t blatantly confirm that Haru has some pretty strong feelings towards Rin, then idk what to tell folks who are in denial. 🤷🏽‍♀️
KID!RIN IS THE REASON I FELL FOR ADULT RIN. Like, I knew that this bright and dazzling shooting star of a kid was still in Rin somewhere, and since that Rin stole my heart within the first 75 seconds of the anime, by default part of me was stolen by adult Rin, too haha (though ngl, it took like 4 episodes for me to start sympathizing with him, but when I did wooooosh!! XD). AND YES THE WAY I DIED DURING EPISODE 12!!! I literally covered my mouth and was silent-screeching into my hand, waving my other hand wildly in the air, had to pause the video to collect myself multiples times and basically fell apart and lost my mind over the entirety of episode 12 😂 I have my “recap” here if you’re interested in getting a closer look at my subsequent meltdown, haha.
Ugh anyways this got WAY too long (plus by the time I’m actually posting this, we’ve been gushing out essays about this in our dms hahaha, I’m sorry it took so long to post this friggin reply! >_<) so I’ll just cut it here.
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ribbonthief · 4 years
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I’m going to be a broken record about this till the day I die but going from that 2x09 Hopper and El car scene to their trajectory in S3 really is just so awful. I would go so far as to say that in order for their development (or rather lack thereof) in S3 to make sense, the show has to pretend that the 2x09 scene never happened, or at least, treat the scene as far less monumental than it really was - that a lot of Hopper’s development in S2 was far less significant than it was. 
Get ready for a pointless and unoriginal ~ hot take~ because I’m bout to run my mouth.
I want to start right off the bat with unpacking this whole ‘Hopper needed to die for redemption’ rationale the show (and David Harbour) is positing. I can sort of understand this positioning and could stretch things for it to make sense but not by much. S2 and much to my annoyance, that speech, both provide direct reasons for why Hopper has in fact already been redeemed. In the speech, he explains to El how numb and apathetic he was post Sara’s death, how destructively he was operating and that it was finding her in the woods that became a catalyst for reintroducing meaning and purpose in his life. Fighting to save Will at the end of S1, confronting his past in the process and then going on to care for El was - if we’re saying that he needs it and I argue that he doesn’t - a form of redemption. 
 And that speech. I do love that speech but god it’s hard to love it as much when I think about the amount of work it’s expected to do and how retrogressive it is, especially going right from the 2x09 car scene to 3x01. I can fully buy that El spending less and less time with Hopper would trigger a trauma response surrounding change and loss and destabilize him. But S3 acts like he’s never been able to process any of this trauma, does not have the self awareness to recognize why El triggers this response and that he doesn’t have the capacity to directly communicate this to her, and utilizes this apparent inability to do as moments of humour.
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2x06: Hey, it’s me. I know that I’ve been gone too long and I want you to know that it’s not about you and it’s not about our fight. Okay? Something came up and I will explain it all when I see you. I want you to know that I’m not mad. I’m just sorry. About everything. I don’t want you to get hurt at all. And I don’t want to lose you.
Self friggin awareness! He’s being self-aware here in a way we’ve never seen from him before, triggered by his near death and by what’s happening to Will. Rather than these triggers spinning him off the deep end and making him rush back to find El in the cabin, he’s able to articulate his remorse and makes a point to explain to her that he’s not leaving her alone as a form of punishment. The ‘you are like papa’ accusation was something he found objectionable and ludacris in the moment but we find out here that it was something he actually processed and recognized as being a problem. He’s realized how easy it could be for El to interpret his and Brenner’s behaviour as the same and wants to break down the barrier his trauma surrounding Sara creates, which he starts to do here.
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2x09: The black hole. It got her. And somehow…I’ve just been scared, you know? I’ve just been scared that it would take you too. I think that’s why I get so mad. I’m so sorry. For everything.
Again, Hopper is demonstrating a pretty high level of self-awareness and honesty here. He can’t look at her as he’s saying it but he’s finally able to acknowledge directly to El that he projects the trauma caused by Sara’s death onto her, and that he knows how damaging that is. I love this scene, a lot, for many reasons. I love how apparent his care for her is, not just what she represents but actually how much he cares about El as a person and how accepting he is of that person. I love that it’s El who initiates holding his hand, that it’s her way of saying to him, ‘I understand your pain, we’ll figure this out together, I care about you too’. But one of the things I love most about it is how much of El’s POV we get as she’s taking in what he’s saying to her and that we see how she’s affected by it. S3 doesn’t really offer any of El’s POV of their relationship until the last episode, and the moments in that episode like their goodbye in the mall and her breaking down over the speech are more reactive and less about perspective. 
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The car scene (and S2 generally) explores their dynamic from both POV’S, and allows them to both be active members of it, as opposed to it becoming more one-sided or purely reactive. From what was presented to me, I could take a guess as to how El felt about Hopper in S3, and I don’t blame her for seemingly wanting nothing to do with him but her lack of activeness in that relationship, even if the rationale is that she’s ‘pulling away’ reduces the bond between them as something that only affects Hopper. Which is frustrating not only given what was so beautifully and sensitively crafted in S2 but also because the speech wants you to believe that the bond was existing for El up until exactly 6 months ago.
 I understand that Hopper’s trauma and grief and pervasive separation anxiety issues were not magically resolved over one ‘heart-to-heart’ car scene but S3 virtually nulls the magnitude of his ability to communicate his fear to her, the pain of that fear and his ability to acknowledge how unhealthy it is. S2 wasn’t about the completion of healing but a step towards creating a less dysfunctional relationship between them and more importantly, established their capacity and willingness to be honest with each other - especially Hopper’s. Which S3 just flat out ignores. I get that we need conflict and drama but it’s frustrating when that comes at the expense of ignoring and receding character growth. 
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laora-inn · 4 years
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Supernatural - Of Dean, Cas and Pies
Well, in this post I’ve said that Cas = Dean’s pie and promised to talk about it later. 
I’ve seen a lot of meta considering Destiel, cakes and pies. In fiction, food is always kinda connected with sex and craving for it, and also with death. All the cycle, Eros and Tanathos, you know. 
So it’s no wonder that there are lots of food in Supernatural and lots of it’s possible interpretations. Maybe, ALL of them are right simultaneously. 
The version about Dean’s food personally I like, by @amwritingmeta from here:
Trash Food: the life of the hunter = saving people, hunting things Pie: home and stability (the longing for his mother and his longing for love) Cake: at first being reluctant, but open, to trying new things 
I think it’s absolutely correct. That’s why Dean’s hook-up with Anna in 5x10 is characterized by Uriel as “having a piece of angel food cake”. Anna is an angel, it’s certainly new experience for Dean, to hook up with an angel. 
The cake could also refer to Dean’s bisexuality, though in my opinion there is a bigger problem here.  
‘Cause you know, there will be a great difference in the sharpness of your sexual experience and in aftertaste if it’s not just sex but something more, an emotional connection. And that connection is the scariest part of every possible relationship.   
So I don’t see the point in Dean’s sexuality there. The point is whether Dean want to try something new of not, both in his sexual preferences and family life, in his life at all. 
From the Supernatural wiki:
There have been occasions when Dean has been tempted by cake:
3.02. The Kids Are Alright: Dean is seen eating birthday cake with a young Ben Braeden at his birthday party.
7.03. The Girl Next Door: While laid up with his broken leg, Dean asks Sam to go on a food run. When Dean asks, “Where’s the pie?” Sam says, “You got cake, that’s close enough, right?” Dean does not eat the piece of cake.
7.06. Slash Fiction: Dean ask Sam to buy him something that “rhymes with songs songs” i.e. Ding Dongs which a small chocolate cake with a creamy center.
10.12. About a Boy: 14-year-old Dean snacks on cake while he is held captive, he didn’t much care for it.
10.15. The Things They Carried: In a police station, there is a birthday cake on the desk. The police officer offers cake to Sam and Dean, but Sam declines on their behalf. Dean looks disappointed, and sneaks a fingerful of icing.
I think all of them, situation with Anna included (textual references can work even better than visual ones, as for me), refer to Dean’s possibilities of new experience. 
In 3x02 he had a possibility of a new family with Lisa and Ben, and he tried it. Back then the show was supposed to end with them as Dean’s constant family. So we’ve got a cake and Dean who’s eating it, possibly enjoying. 
7x03 is crucial for Destiel shippers. Why? ‘Cause that’s the moment than Dean needed A PIE and got A CAKE from Sam instead. And nope, he didn’t manage to eat it. Why? Because this cake isn’t his pie. In 7x02 Dean lost Cas. And nothing can replace him, more than that, Dean doesn’t want to try anything new, he just can’t even if Sam helps and doesn’t see the difference. 
7x06 was Dean’s prompt to try something new - to have a daughter with Lydia. He didn’t make it either.  
Also he didn’t like the cake he ate in 10x12 as a teenager, said the cake was too dry. So he didn’t stay a teenager (someone he used to be a long time ago, but being a teenager now is new experience for him, a chance to start a new life, without Mark of Cain on his arm). Dean preferred to stay an adult in this episode - he tried something new and didn’t like it. 
In 10x15 Dean tried the cake = something new. I think it’s the moment when they’ve finally said us: okay, guys. In case you still have some doubts, let’s clarify. A new endgame for Dean comes, not with Lisa and Ben for sure. 
So whom with? Oh, well. Maybe with an angel whom Dean gave the First Blade, like he’s preferring him to Crowley? An angel whom Cain saw Dean’s parallel to his wife Colette in? Both moments were in episode 10x14, the previous one!
If 10x14 and 10x15 haven’t clarified it to us yet, in 10x16 Dean also says that there are some people and some feelings he wants to try in a different way. Yep, something new. Three times make no coincidence. This “new” is connected to Cas, and here from cakes appearances are rare. ‘Cause Dean’s already in the path of trying something new. 
I think that’s the reason why there were no cakes and pies in season 11th. I love this season very much, it’s also supposed to be the last one, and I suggest Destiel endgame was planned here at the end, maybe not in explicit form, but still. We could tell it looking to the story fabric. 
And then they’ve just torn it up at the very end and added 4 more seasons, full of Destiel and pies. Why pies, not cakes? Why pies remain and are still relevant to the story?
‘Cause after Destiel “confession”, which wasn’t at the end of 11th season, but was supposed to be there for sure (and that’s the reason why 11x23 looks like kinda awkward to me, especially Destiel talk in the car about friendship and brotherhood, which was a big step back itself), Dean and Cas aren’t subtextually “something new” to each other. They are ALREADY “family”, and not like brothers. They are couple. 
It’s no wonder that after this point pie=Cas for Dean. No, not Mary. Mary is a part of equation, but her special dish isn’t a pie, she can’t even cook pies. No, not Sam. Sam can bring a pie for Dean, but that’s Dean who should be confident enough to take it. 
But actually even before season 12, since season 7, pie references were connected with Cas mostly. 
From season 1 to season 6 they mean rather a family in broader sense. ‘Cause “apple-pie life”, you know. Life with the family, who loves you, not with the toxic people.  
More quotes for us from the wiki, seasons 1-3:
The running gag relating to Dean's pie love, is that Dean rarely gets to eat his pie.
1.11. Scarecrow: In Burkittsville Indiana Scotty's Cafe serves apple pie made from the towns apple crop. "We’re famous for our apples. So, you gotta try this pie." he tells a couple who the townsfolk will later try to kill. Dean orders a piece of the pie. Later when Dean is tied up as a sacrifice, he yells the now classic line ""I hope your apple pie is freakin’ worth it!"
2.21. All Hell Breaks Loose: Part One: Dean asks Sam to get him some pie from a diner while he waits in the car. Once inside, Sam is taken by demons and transported to Cold Oak, with the other Special Children.
3.05. Bedtime Stories: When a young couple, Ken and Julie, are lost in the woods, they come across a sweet old lady who invites them inside her house to rest. Ken sees pie cooling on her windowsill and accepts her invitation despite Julie's reservations. Once they've eaten a fair amount of the pie, it is revealed the pie was poisoned, and the old lady kills Ken with a butcher's knife while he lies on the floor unable to fight her off.
3.16. No Rest for the Wicked: When Lilith kills her host's grandfather, he literally falls face first onto a piece of pie.
Here we see that pies are mostly connected to family, death and danger. Because in seasons 1-3 the Winchesters have no chance to a happy family. They are deeply in a toxic relationship with each other (poisoned pie), their father is dead, Sam is doomed, and they can’t be happy. That’s why Dean can’t have his pie here. That’s why he accuses Sam of wanting an "apple-pie life” in 1x01 - Dean doesn’t think he deserves this life himself and mocks on it while craving for it. His greatest fear, as far as we know in season 1, is to be abandoned. To have no family at all, even the toxic one.
So, in the end of season 3 Dean dies because of his deal, which purpose was to save his only family member left. Sam, who is holding Dean’s corpse in the end of 3x16. Yep, dead face in the pie. 
Kinda tragic, you know. 
Situation in seasons 4-5 looks just a slight better to me. Pies are more likely a symbol of happy family now... except the fact that Dean can hardly get them:
4.01. Lazarus Rising: When Sam and Dean are in a diner following Dean's resurrection, Dean orders pie. Unfortunately, the pie is brought to them by a possessed waitress, and Dean is unable to enjoy it. After their confrontation with the demons in the diner, Dean leaves money to pay for the pie.
4.02. Are You There, God? It's Me, Dean Winchester: When faced with a pile of research on angels, Dean demands of Sam, "You're gonna get me some pie!" When Sam returns sans pie (due to encountering Ruby), Dean complains, "Dude, Where's the pie?"
5.15. Dead Men Don't Wear Plaid: Karen Singer finds baking makes life as a zombie easier, and fills Bobby's house with pies. On one of the few occasions Dean gets to eat pie, it's baked by a zombie.
5.16. Dark Side of the Moon: In Heaven, Dean and Sam relive a memory from when Dean was four years old. Mary makes him a sandwich with a glass of milk and then has a brief argument on the phone with John. Dean goes to comfort her, and Mary hugs him and says "You are my little angel. How ‘bout some pie?" This may be a clue to the origin of Dean's love of pie, and his associations between pie and comfort.
5.19. Hammer of the Gods: Mercury tells Dean after checking in that the hotel has "the best pie in the tri-state area." Sam also warns Dean that they should leave the motel while eating at the buffet: “It’s Biblical, exactly. It’s friggin’ Noah’s ark out there and we’re eating pie”.
Situations in 4x01 and 4x02 refer to Sam. He can’t be a pie for Dean, his family anymore, ‘cause he has Ruby now, a demon. Demons interfere between Dean and pie. Well, sorry for them. 
Situation in 5x15 refer to Bobby as a part of family whom Dean in this episode wants to save. Also pies here have a straight connection to death, even the Death himself. 
Karen also says, that Dean’s never been in love. He knows only familial love... and during this conversation he is eating a pie. Karen makes pies to bring peace=her love to Bobby, and this love is romantic for 100%. And hella tragic. 
I don’t think Dean was in love with Cas back then. Cas was his friend and meant a lot to Dean, maybe Dean was attracted to him somehow, hoped for him, even loved him - but, in my opinion, not romantically. 
So that time Cas just couldn’t be Dean’s pie. 
To tell the truth, I don’t think ANYONE besides Cas could.
From 5x16 we know, that pie for Dean means not just family, but a happy one, a family, where he is unconditionally and absolutely loved. We also know that the pie could be associated with the word “angel”, even if in the context of a season 5 that may sound kinda sarcastic. 
Pie from the 5x19, as I suppose, refer to another family. Not the Winchesters, but Lucifer and Gabriel. ‘Cause now, then Sam and Dean are the vessels, they are certainly a part of a BIGGER family (which also includes Cas, btw). But this family is absolutely awful, toxic and bloody. 
Let’s see how the textual references to the pies in seasons 4-5 work:
4.22. Lucifer Rising: when it seems like Dean has given up on Sam, Bobby gives him a talking to: “Are you under the impression that family's supposed to make you feel good?! Bake you an apple pie, maybe? They're supposed to make you miserable! That's why they're family!”
5.12. Swap Meat: when Sam is returned to his own body, he confides in Dean that life as a normal kid "sucked ass": “All that apple-pie, family crap? It's stressful. Trust me, we didn't miss a damn thing”.
5.22. Swan Song: when Sam is preparing to say yes to Lucifer, he makes Dean promise that he won't try to get him back from Lucifer's Cage. He wants Dean to find Lisa and try to live a "normal, apple-pie life."
I think that’s what Dean wants from his family - to get an apple pie (unconditional love/appreciation). He can’t get it from them, and that’s the main tragedy in his life for the seasons 1-5. He is too fixated on them and can’t move on. 
Lisa and Ben are just a dream of an apple-pie life (love) for Dean. But you know, that’s not how it works. To notice someone’s love and to appreciate it, you should love them back. We've never had enough information about Lisa and Ben to make any conclusions about. And Sam’s words from 5x12 just state that they both, Sam and Dean, currently can’t believe that they deserve a happy family, deserve to be loved (hello Crowley’s allusion). 
Season 6 is poor for pies (and love), both textually and visually. That’s the season where Cas goes the dark side, ‘cause Dean doesn’t love him back (doesn’t trust him), so no wonder. 
Here some pie moments:
6.04. Weekend at Bobby's: Bobby's neighbor Marcy Ward brings him a ginger peach cobbler. Marcy, after some exposure to Bobby hunting, decides against dating Bobby, who never gets to eat the pie because he keeps getting interrupted.
6.08. All Dogs Go to Heaven: Dean is sick of soulless Sam trying to act normal, and he tells him that he doesn't buy his act: “You say you're "just folks," yeah? That - that you like baseball and apple pie, or whatever. But truth is, I don't know what you are, 'cause you're not Sam”.
6.11. Appointment in Samarra: Death tells Dean "What do you think the soul is? Some pie you can slice? The soul can be bludgeoned, tortured, but never broken, not even by me."
In Bobby’s case a pie=possible romantic relationship, but Bobby can’t get it. 
Dean in 6x08 means that even if soulless Sam says he likes/loves his family (Dean and Bobby), he lies. 
The last line I think isn’t connected with this all pie=love narrative. The Death just knows about Dean’s love for pies and says what he needs to say in a simple way. But it’s also about family - Sam’s soul, basically Sam himself.
And it’s season 7 where we have the narrative change! It deals not only with pies, but also with Dean’s feelings to Cas. I think he’s still not in love here. But Dean comes closer to understanding this season. Without this romantic subplot season 7 is just a mess. And you know, this subplot is something what is not easy to notice. That’s why season 7 was something that nearly killed all the show. You should be more open to your fans.
Pies in this season: 
7.02. Hello, Cruel World: A TV ad for Biggerson's announces they now have a homemade pie bar - like a salad bar but for pies!
7.03. The Girl Next Door: While laid up with his broken leg, Dean asks Sam to go on a food run. When Dean asks, "Where's the pie?" Sam says, "You got cake, that's close enough, right?" Dean does eat from the piece of cake and passes out on the couch, leaving it unfinished.
7.05. Shut Up, Dr. Phil: Dean is in the motel room, about to eat a cream pie, when Sam comes in and presents him with some chickens feet that they require to combat the witches. They have not been refrigerated due to a power blackout, and Dean is put off his pie.
7.22. There Will Be Blood: Dean is devastated to learn that the modified corn syrup the Leviathan are using to make humans docile and obese is in nearly all his favorite foods, including pie. Dean: "Roman acquires..." What's SucroCorp? Sam: They make food additives, namely high-fructose corn syrup. That crap is in – well, it's in just about everything – um, soda, sauces, bread. Dean: Don't say "pie." Sam: Definitely pie. Dean: Bastards.
Moment from 7x02 can refer to Leviathans that were in Cas. There are MANY of them, they were ruining his core. Connection to the death and danger once again, but this time it refers to Cas. FOR THE FIRST TIME. Why?
Moment from 7x03 had also a cake and was discussed before. The meaning of it that Dean wants Cas back and can’t move on. So, here Cas=Dean’s pie for sure. 
7x05 deals with the lovers’ quarrel that ruins the whole town. They are two powerful witches who need to be in peace, then the world will be whole once again. I think that refers to Cas’s and Dean’s quarrel at the end of 6th season, because IT IS basically the reason why Leviathans are here ruining the world. Dean and Cas should have been in peace to prevent it. 
Yep, Sam and Dean also have their quarrel about poor Amy, but this quarrel is a result of Dean’s misunderstanding with Cas, of Cas’s death. I feel sorry for Amy so much! She’s a victim of Dean’s personal issues, and that’s very mean of him, to kill Amy, who once was significant to Sam, in a kind of a mirror situation. I lost Cas - you’ll have to loose your monster girlfriend too, and why are you so obsessed with the monsters at all, hey, little brother?
The truth is Sam HAD NEVER such a powerful connection with a supernatural being that Dean had. It’s Dean who was obsessed with a monster, not Sam, and Dean IS still obsessed. So much, that he kills Amy in a prompt to be freed from obsession, to forget Cas’s death and the fact that it’s what is bothering him so much. 
So yes, now Dean can’t have his pie. Because Cas is dead, and the world is ruining (chickens feet that they require to combat the witches have not been refrigerated due to a power blackout, CAUSED by these witches‘ love quarrel). 
Definitely Sam and Dean have their own issues which can be very destroying but in this episode they haven’t. It’s LOVERS’ quarrel that ruins everything, as in the whole season 7. Once you’ll understand it, season 7 becomes much more interesting. The writers should be clearer with us here, but they weren’t brave enough. Personally I think THAT was the main problem for Sarah, but except this she is a good writer and she did an excellent work for all of us Destiel shippers. 
She prepared the scenery for the greatest love story I’ve seen. 
Pie conversation between Sam and Dean in 7x22 refers to Cas’s unstable mind. The Leviathans messed up Dean’s pie, and now he and Sam should try to beat them to bring the pie back. Just change the word “pie” here with “Cas” and you’ll see that’s absolutely adequate metaphor given to us by the writers themselves. 
Season 8 was a bliss for the shippers. I think Carver is a genius, I love the romantic story he made for Destiel SO MUCH. We see it within all of season he made, from 8 to 11, and it has a strong structure. Seasons 12-15 are more honest with DeanCas details and nuances, I’m absolutely in love with them, but simultaneously Destiel relationship in them is kinda... hidden sometimes, more than it was in seasons 8-11. 
In seasons 8-11 we had certain plot circumstances that prevent Dean and Cas from being together. We have no such circumstances in seasons 12-15. So, are Dean and Cas together ALREADY? But why the hell that’s not IN THE TEXT? Or they are not together? But then why do they have couple dynamics? 
Carver’s story for Destiel was PURE. The following story is more complex and in some way more painful, despite the fact we have Jack whom I adore. I fully understand writers’ reasons here: they can’t say in the text that Destiel is real till the end of the show, because I believe Destiel was the thing that's preventing show from shutting down all this time. The moment writers’ll recognize Destiel as a real thing for GA (like ”they are couple” in the text from the narrator we can trust) will be the moment that ends the show. OR THAT’S HOW DO THEY THINK. 
Personally I think that it’ll be interesting to see TFW future adventures with canon Destiel and Saileen, ‘cause for me there should be some adventures then far and some couples’ problems too. As I said, in seasons 12-15 Dean and Cas act like an arranged couple ALREADY, and it’s still interesting to watch them. Actually the fact that they are NOT couple confirmed by writers yet was one of the main reasons of fans’ annoyance and show shutting down imao. ‘Cause you know, fans don’t like to be played all the time. Sarah made this mistake in season 7 already.
Carver didn’t play us. 
So in season 8 we have 4 brilliant pie moments, connected with the all people who could be seen as Dean’s “family“ except Sam, one sure constant in his life. From this season we started to see Sam as Dean’s “child” and to understand it’s bad for both of them, it’s co-dependent relationship.
Notably, Dean fails to get his pie all these 4 times and despite the fact the other important for Dean people are involved, the pie ALWAYS refers to Cas. 
Here are these moments:
8.09. Citizen Fang: At the Gumbo Shack, Dean asks Elizabeth for some pie, but she is out of what he wants. "You’re out of pecan? Story of my life," says Dean. Martin Creaser is later seen at the Gumbo Shack eating a piece of pie, before he takes Elizabeth hostage.
8.19. Taxi Driver: Dean brings takeout from Biggerson's for himself and Kevin Tran, including a slice of pie. The paranoid Kevin grabs a tray and retreats to the storeroom. Dean moans "That's my pie!"
8.20. Pac-Man Fever: Charlie Bradbury comments: "I will pick us up some grub, and unlike you Sam, I will not forget the pie" referring to Sam's long history of failing to get Dean his pie as requested, a fact she obviously read in the the Supernatural books. Notably, Charlie also fails to get Dean any pie.
8.22. Clip Show: At the Convenience store, Castiel buys things he knows Dean likes: beef jerky, beer, a copy of Busty Asian Beauties, toilet paper. He tries to buy pie, even going as far as threatening the convenience store clerk, but of course to no avail, continuing the running gag in which Dean never gets his pie.
Now let me explain.     
8x09 takes place right after 8x08 where Cas, brainwashed by Naomi, decided to stay away from Dean. No Cas = no pie for Dean. More than that, the one who has the pie here is a villain of this episode and that refers to Naomi. Also, this episode involves Benny who basically is a part of Dean’s “family”, though never spoken and not the same as Cas for sure. Dean trusted Benny only because the vampire defended Cas in Purgatory. It was mentioned in many metas, it’s IN THE TEXT of the story. In case you doubt it, just re-watch 8x01, 8x02 and 8x05. There you can see all Dean’s and Benny’s dynamics. 
Yep, Benny saved Dean’s life in 8x01 and helped him later, but the turning point in their relationship which was as far as it possible from the friendship was the moment when Benny saved Cas’s life. Despite of all the things he said about how dangerous is to search for Cas and to walk with him through the Purgatory. 
In 8x09 Dean helps Benny as a part of his family, his brother-in-arms and friend, but he still has no pie. Truly story of his life.
The moment with the pie could also refer to Elisabeth. Martin has the pie = he has her as a hostage. Dean’s hint about the pie in their conversation sounds flirty as well, and Benny suspects something about Dean and his great-granddaughter. 
But Elisabeth was in this episode only, though the pie metaphors remain. So I suppose that pie moment has more than one interpretation, and the essential to the whole plot one refers to Cas.  
8x19 takes place right one episode after 8x17 where Cas, brainwashed by Naomi... guess what? Yep, decided to stay away from Dean. No Cas = no pie for Dean. AGAIN. 
This time it’s Kevin who stole the pie, also a part of the family. In season 9 Dean’ll call him a younger brother. Dean helps Kevin, brings him the food, they actually have the help of each other. Still, Dean doesn’t have his pie. 
After the next conversation with Kevin in this episode Naomi comes. She says “You're hoping Castiel will return to you. I admire your loyalty. I only wish he felt the same way”.  No chances for the pie. Yep. 
In 8x20 Charlie mentions the pie to reveal she’s read the books on Supernatural. She also mentions Cas to Dean and to Dean only. I think she understood the pie metaphor :) But also, even if she is a family to Dean and actually says him “I love you”, 100% platonically ‘cause she likes girls only, she fails to give Dean a pie. She isn’t his pie, and Cas - oh, he is still missing after 8x17 and Naomi’s words. No Cas = no pie. It’s the third time, guys. 
Finally, in 8x22 Cas returns to Dean and decides to give him the pie himself. It’s funny how desperate he is about finding the pie for Dean - because actually HE IS A PIE. 
Here Metatron comes, a villain for the next season, and make Cas forget about the pie - he provides some “greater” goals for Cas just to trick him. 
I hate Metatron more than any other character in this story. He may be the ONE I hate at all - because it’s him who makes obstacles in Destiel way through seasons 8-11. He tricked Cas at the end of 8th season and took him from Dean, he killed Dean at the end of 9th season when Cas gave up an army for Dean, he was a reason of Dean and Cas disagreement in 10th season when Dean almost killed him, he said to Cas that he is expandable in season 11, which made Cas say “yes” to Lucifer. Not to mention he stole Cas’s grace, initiated Kevin’s assassination, killed packs of angels, worsened relationship between Cas and Heaven and was arrogant enough to claim himself a new God while manipulating homeless people. He was redeemed, found God and saved Cas from Amara, but I still don’t like him. He’s just a dick - just like Chuck, even worse.  
The next season has two pie moments as far as I know, both of them refer to Cas:
9.03. I'm No Angel: Dean buys pie that Sam complains about. It does not appear that Dean gets a chance to eat the pie. Sam: Look at these chemicals. Do you even read the label? Dean: No. I read "pie." The rest is just "blah, blah, blah."
9.12. Sharp Teeth: Dean is given pie (baked by Sister Joyce and reputedly famous through the "Badger State") with lunch by a pack of werewolves. Although we don't see him eat it, Sam later says "They gave you lunch; they gave you pie".
9x03 is the episode where Cas is already a human and he is dangerous - the angels haunt him. But that’s not a big deal for Dean. He sees Cas, and the rest is just "blah, blah, blah". Though in this episode Dean has to kick Cas away. No pie again. 
9x12 is the episode with Garth, who is also like family to Dean. They mourn about Kevin together and even share a hug. Garth is a werewolf here, he has a werewolf wife, and Dean and Sam are invited to the werewolves’ family dinner. The table is served with pies, which look just terrible. The same scary pies are in the fridge, while Dean is checking it, possibly looking for the human hearts. We don’t know if Dean’s eaten some pie here, but I suppose he’s not. ‘Cause this family, especially Sister Joyce, isn’t good after all... and because it’s Garth who get a pie here, not Dean. Garth found his romantic love and get happy life with her while Dean is carrying Mark of Cain now and after Kevin’s death can’t let himself to be happy. No pie, my friends. No pie. 
Pie in the season 10 has rare appearances, we have more cake moments here, ‘cause Mark of Cain made Dean think about some new possibilities in his life for sure. 
Still, we have such moments:
10.03. Soul Survivor: In between giving demon Dean purified blood injections, Sam goes to Dean's bedroom where he spots a half eaten piece of pie.
10.22. The Prisoner: When Crowley goes to a diner looking to make a deal with the cook, he is seen eating a slice of pie.
In 10x03 Dean is freed of being demon by Sam and Cas. We saw Sam couldn’t help him alone, and we saw Dean compliments Cas’s good look, as well as how is he upset when Cas said about female in his car. Cas came just to leave - so the pie wasn’t eaten again. But we have some progress here. :)
In 10x22 Dean hasn’t a pie either. He isn’t human again, not a demon, but not himself as well. He just doesn’t need food. He doesn’t need family business, family, love, trying something new. He doesn’t need Cas anymore. This is a heartbreaking episode with Destiel fight, with Dean who is actually less human than Crowley is. Despite Crowley shows his red eyes here, he also eats a cake. He CARES about Dean, Sam, Rowena, and last but not least he cares about Cas. I think that’s what his pie represents. 
As much as I hate Metatron, I love Crowley. I’m sure that without him as an acting character Destiel would be just impossible and miss him so much in the latest seasons. He knew how to make it right. 
As I said, there are NO PIE AND CAKE MOMENTS in season 11, which was supposed to make Destiel canon. But they didn’t. So, Mary, who was originally responsible for all this pie story, showed up. And the pie metaphor returned!
12.02. Mamma Mia: Dean finally gets some pie, when Mary brings him a blueberry pie after they have had dinner. To Dean's surprise, Mary admits that she actually bought the pie instead of making it as Dean previously believed his mother would do.
12.05. The One You've Been Waiting For: Sam brings a pie home from the store for Dean, but Dean is too distracted to eat it, opting instead to get a pie later after having killed Hitler.
12.10. Lily Sunder Has Some Regrets: Sam and Dean meets Ishim, who was Castiel’s superior. Dean is asking “Who wants some pie?” and by the end of conversation Ishim says “Have some pie“ to Dean while leaving money at the dinner table. 
Here I must confess that I absolutely love Mary as well. :) I think she understands Dean, I think she knows that Cas is important for him from the time she’s first met him. Also I think she appreciates all that Cas’s doing. I wrote about it here just a bit, but actually there are a lot of examples. So that’s no wonder that is Mary who manages to give Dean a pie. In the end, in 12x12 Cas’ll say “I love you” because of what’s Mary done. 
But again, the pie isn’t something that Mary made herself. She just can deliver the pie to Dean. 
The pie moment from 12x05 is about Dean’s self-worth issue. Actually, Dean could have his pie, communicate with Cas despite Cas’s working with Crowley, but Dean thought he didn’t deserve that. He needed to do something nearly impossible, to kill Hitler, for instance, to fell worthy. 
Back in the season 6, Cas’s working with Crowley was the reason of Dean and Cas’s fight, that literally almost ruined the world. So no wonder that Dean doesn’t like it. 
I wrote about Destiel and Crowley here in details, from the start till the end. Just one little piece:
Season 12 - here Cas and Crowley start to look for Lucifer together and this is a horrible piece of news to Dean. Cas left him in 12x03 to work with Crowley again! Cas and Crowley are playing FBI agents together - it was Dean’s only role-play with Cas from 5x03!
The pie moment from 12x10 is textual only but important one, as for me. It’s well-known Steve Yokey’s episode,whom I absolutely adore. Here, during Cas and Dean’s conversation with Ishim, pie is mentioned:
Dean: Well, who wants some pie?
Ishim: You know, when I knew Castiel, he was a soldier. He was a warrior. He was an angel's angel. Now look how far he's fallen. Dean: How about a little coffee with that sugar? Ishim: No wings, no home. Just a ratty old coat and a pair of poorly trained monkeys. Dean: Oh. Well, you can go to Hell. Cas: Dean, it's fine. Sam: No. No, it's not. Cas: Sam, this isn't about me. It's about Benjamin. Ishim: Now that is refreshingly accurate. But since you brought a couple of extra “people” to our little chitchat, we should go somewhere more private. I have a safe house nearby. I'll go get Mirabel. So nice to see you, old friend. Have some pie.
Dean’s words about pie are for Ishim. Ishim ‘s words about pie are for Dean only - he also gives Dean some money. Their conversation begins and ends with a pie, and clearly they both understand the meaning. That’s why Ishim answers to Dean’s “Well, who wants some pie?” with “You know, when I knew Castiel, he was a soldier“. 
‘Cause for Dean Cas = pie. And Ishim gets that. 
All their words could be translated like that:
Dean: Do you wanna my Cas? 
Ishim: He isn’t in female vessel anymore, and this matters for me. Also, I envy you two happy gays who like sweets and chick-flick moments.  Dean: Too much sugar in your coffee for the man who doesn’t like sweets. You certainly wanna him for your purposes, and I won’t let you have him. Ishim: He was much more better with me back then. Dean: You used him.  Cas: Dean, it's fine. Sam: No. No, it's not. Cas: Sam, this isn't about me. It's about Benjamin. Ishim: Oh, we’ll talk about him. In my place ‘cause I need some insurance. Your boyfriend is too aggressive. I’m interested in Mirabel, not in you, old friend, ‘cause she listens to my commands and looks pretty. And you can have your Cas, poor-trained monkey. Some charity from me here.   
I love this episode so, so much. I’ve re-watched it for 10 times at least and I’m certain about “pie=Cas” meaning for 100%. To tell the truth, this conversation between Dean and Ishim was the reason I’ve decided to write this meta. 
In season 13 we have one visual moment with pie:
13.08. The Scorpion and the Frog: When the Winchesters arrive at Smile Diner to meet with the Crossroads Demon Barthamus, Barthamus offers Dean a slice of cherry pie. After Barthamus leaves, Dean begins eating the pie, earning him a look from Sam.
Barthamus offers Dean a spell to find Jack. When Jack is back, Cas is back. Sam tells is to Dean some episodes later. Of course, Dean wants Cas back, so he took this possibility to get his pie, even if he didn’t like Barthamus. 
There was also one textual pie moment in season 13, which refers to Cas. I wrote about it here.
There are some pie moments in season 14:
14.06. Optimism: While working a case with Jack Kline, Dean order pie for both of them and gets to actually enjoy it for once without any sort of interruption aside from Jack's awkward questions about sex.
14.10. Nihilism: Cas sees through Dean’s good memories, and here Dean’s words from 2.21 are mentioned:  “Hey, see if they got any pie!“
14.11. Damaged Goods: As she goes shopping for the ingredients for Winchester Surprise, Mary promises to get pie. She returns with an apple pie, but they do not get around to eating it.
14.16. Don't Go in the Woods: Pie is apparently on Dean's shopping list for Jack Kline as he is seen examining one. Jack later tells Dean that he bought everything on the list except the beer, as Jack has no valid ID and he didn't want to use a fake one, suggesting that Jack did indeed buy the pie. It is unknown if Dean ever gets to eat it, but it's possible, since Dean had nothing to interrupt him from enjoying the pie after he got back to the Bunker except for going to the store to buy beer.
In 14x06 Dean and Jack both have Cas with them. And Jack asks Dean about sex. Hmmm. Yokey’s episode, guys!
14x10 is also Yokey’s. So, Cas=pie metaphor could be used here as well - pie moment from 2x21 changes. 
14x11 - if Dean is going to seal himself in the Mal’ak box, there will be no pie=Cas for him for sure. ‘Cause THE CLOSET, guys. 
14x16 - as long as Jack is the Dean, the pie=Cas is with him. We’ll see the opposite thing in the next few episodes.
As well as in seasons 13-14, pie moments in season 15 is far too easy to read:
15.10. The Heroes' Journey: Dean attempts to buy a copy of Delicious Pies magazine, but is denied when his credit card is declined.
15.11. The Gamblers: Dean learns that he and Sam only have enough money for two cups of coffee and a slice of pie. Dean asks for two forks for himself and Sam to share the pie, but complains about not getting to eat a cheeseburger instead. However, Dean never gets to eat his pie as the waitress notices that the Impala has a flat tire before she can bring it to him.
15x10 - no luck=no pie=no Cas. Sam mentions that they are unlucky and that Cas isn’t with them in one line here, and he is right undeniably. Also, it’s interesting that this time it’s not the pie itself that Dean is buying. It’s a magazine how to cook them! After his nearly love confession to Cas in 15x09 Dean is ready to make his happiness himself. Sadly, he is no luck this episode. 
And he isn’t buying Asian Beauties magazine! Unbelievable. 
15x11 - here Dean isn’t flirting with the waitress AT ALL. No cheeseburgers, he is to pie=Cas strictly now. He can complain, but he even can’t eat cheese for now - here Sam tells that to him. Cheese may also refer to his hunter’s life - without his luck Dean can’t be a hunter. Maybe it’s the taste of the peaceful future? ;) We’ll see. 
The word “pie” can also refer to women. But I believe that above there are enough evidences that the pie meaning here is different. 
That’s what we are calling a subtext. 
Thanks for the reading! 
_______________________
This was the last Destiel topic I’ve wanted to write about this far. Let’s see what the last 7 episodes’ll bring. :)
I’d be happy to analyze any Destiel moment with you guys so feel free to write in my ask and to comment. 
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love-little-lotte · 4 years
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My Ranking of Outlander Season 5 Episodes
Wow. This has been such a great season! It really felt fresh and well-made. It’s like we’re thrown back to earlier seasons, and I love it so much. The writing is a whole lot better; the direction is creative and new – but never to a point that it got dreary and boring; there is a significant amount of change that I really liked. Overall, a brilliant and amazing season. 
I’ve done something like this from the previous season (click here, if you’re interested), and now I guess I’m doing it again! It’s a lot harder, though, because I really liked most of the Season 5 episodes. I even wish it was longer! Twelve episodes seemed so short. I wish we could back to earlier episodes when we have more than fifteen episodes for one season.
So, to start off my Droughtlander (ugh, I cry thinking about Season 6 – it seems so far away), this is my ranking of Outlander Season 5 episodes! Before I begin, let me just say that this is my opinion, so please be polite. No need to tell me that you prefer this over that because obviously, this is my ranking. Also, just so you know, I haven’t read The Fiery Cross. I’ve only read Outlander, Dragonfly in Amber, and the first few chapter of Voyager. So, I may make mistakes about what happened in the books and such, since I only watch the TV show. 
#12: Episode 3 - Free Will
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Technically not a bad episode, but this is the one that I least liked out of all. It was a bit draggy, but definitely not boring. Nothing is boring when Jamie and Claire faces danger together! 
So, in this episode, Josiah revealed that he has a twin named Keziah. They both escaped from the Beardsleys, who apparently abused the both of them. But without their right papers, the twins were not really free. So, of course, Jamie and Claire just had to save the day and take it upon themselves to go to the Beardsleys and pay for their indenture. Also, Jamie left Roger in charge while he’s gone. It’s funny to see Roger try to lead the men. It’s not his fault by all means – after all, this was not his time and he has zero knowledge how to lead these soldiers. 
At the Beardsleys, Jamie and Claire found out that Mr. Beardsley was incredibly injured and at the brink of death, while Mrs. Beardsley was pregnant and admitted that she’s slowly torturing her husband because he used to physically abuse her. Claire helped Mrs. Beardsley give birth, only to find out that the baby was dark-skinned, which meant it wasn’t Mr. Beardsley’s child. The next morning, the missus was out of the house (wow, that recovery!), leaving her newborn baby in Jamie and Claire’s care. Jamie then faced a tough decision to euthanize Mr. Beardsley, who wanted his pain to end. Something tells me that this is going to be an important thing in the future...
#11: Episode 5 - Perpetual Adoration 
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Also not a bad episode, to be honest. In this episode, we get another flashback of Claire’s time in the 60s. This time, she’s seen treating a patient by the name of Graham Menzies. Sounds familiar? I’ve read that it’s a nod to Graham McTavish and Tobias Menzies – two of my favorite actors from the earlier seasons. Loved that reference to them; I also miss seeing them in this show! (But maybe Tobias as Frank because I could not, for the life of me, handle another Black Jack Randall shenanigan, even just in a flashback.) Well, this particular patient was actually Claire’s reason to finally go back to Scotland with Bree. It got a bit philosophical in the flashbacks, too! Also, Claire was able to make penicillin out of 18th century materials. Is there anything that this woman couldn’t do?
Jamie, on the other hand, was catching up with Lieutenant Knox, where the lieutenant told him that he’s going to pardon the Regulators, except Murtagh. This left Jamie no choice but to kill Knox – also because he has a list of Ardsmuir prisoners and as you all know, Jamie’s one of them. Pretty sad about Knox, though. He really trusted Jamie and he seemed like an okay guy. But he had to die! 
Bree and Roger also had some problems in this episode. Roger finally found out about what happened with Stephen Bonnet and Bree before they tried to blew up the jail cell the previous season. Roger obviously (but not understandably hmpf) got mad but eventually changed his mind when Claire reassured him that it’s going to be all right. I’m not a big fan of Roger (let’s just get that out of the way), and his reaction in this particular episode. For the sake of drama, I guess.
Also, a new pet is in town! Adso finally made his first appearance at the end of this episode. He’s such a cute wee thing.
#10: Episode 2 - Between Two Fires
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One of my favorite things in Outlander is when Claire flaunts her medical knowledge to the 18th century people. I love seeing their expressions, especially when they try to mentally calculate if this woman is a genius or a witch. Sadly, in this episode, there’s one patient Claire couldn’t save because it was too late. This seemed to unravel something in her. It’s devastating to lose a patient, especially when he/she could still be saved. But, even though she’s an expert healer, some people wouldn’t listen to her because she’s not an actual physician. So, Claire decided to make up “Dr. Rawlings.”
Also, I love that Claire picked Marsali as an apprentice! I really loved her character even from Season 3, and I was hoping to get more scenes with her in Season 4. But it was only in this season that her character shined brightly. Marsali was weirded out at first, obviously, but with Claire’s guidance, she’s good to go.
All away from Fraser’s Ridge, Jamie and Lieutenant Knox are fighting off Regulators. While confronting three prisoners, Knox lost his temper and accidentally killed one. At nightfall, Jamie helped the other two to escape. I love Jamie whenever he’s trying to be a hero and all, but sometimes, it just worries too much that he’s always stepping it up. Well, he’s the King of Men, I guess.
The ending of this episode was horrifying and intense because we see Stephen Bonnet, fully alive and plotting evil. I hate him so much, but Ed Speelers is an amazing actor. 
#09: Episode 9 - Monsters and Heroes
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Despite having this episode in the bottom part of the list, I just want to say that Sam Heughan was amazing in this episode. His acting was top-notch, and I find myself, once again, questioning the awards committee why they haven’t given him an award. Yes, give me more scenes of him writhing in pain!
This episode was highly intense, but it felt almost too draggy. Jamie and company were out hunting when they decided to split up. Jamie and Roger went together, and Jamie was bitten by a venomous snake. Roger tried to look for the others but to no avail. So they decided to camp for the night, in which Jamie told Roger that if he does not survive, it must be him who’s going to kill Stephen Bonnet for him.
Which absolutely no makes sense! Not the killing of Bonnet, but Jamie not surviving. He survived tons of other crap in his life, and I cannot believe he’s dying from a freaking snake. It just does not makes sense. Can you just imagine if he really died? Like a small snake ended Jamie Fraser’s life? It’s just heartbreaking.
The next day, Roger tried dragging Jamie with him while looking for the others. They were eventually found, and they brought him to Claire so she can fix him up. But not even Claire could even save him. The only thing she needs is her syringe, which was destroyed by friggin Lionel Brown (which, let me tell you, is the worst character to ever come out in this season). When Jamie found out his bite was way serious than he ever imagined, he told Claire to kill him instead of amputating his venom-filled leg, which broke Claire. Also, Caitriona Balfe’s acting during her conversation with Bree by the stairs was top-notch! 
Jamie almost gave up that night, but with some intense body touching, Claire was able to bring him back to life. It was a touching moment, for sure. Get it? Anyway, it was Young Ian who told him to get a grip of himself – it’s just a leg. His father lost a leg and Fergus lost a hand, but they’re still happy and alive.  Which I just want to applause to. 
And when all hope seemed lost, it was our little engineer Bree who saved the day! She was able to form a syringe of her own using the tooth of the snake which bit Jamie. Through this, Claire was able to save Jamie’s leg. Yay!
#08: Episode 10 - Mercy Shall Follow Me
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I know I’ve said I haven’t read The Fiery Cross yet, but I have read in tons of posts that the killing of Stephen Bonnet was not part of the aforementioned book; he actually met his demise in the next book. But whatever the reasons why they sped up the process, I want to thank the producers and writers for putting it here in this season. The Bonnet storyline was kind of losing touch and was getting draggy. I’d rather have them focus on new things in the next season. 
Jamie, Roger, and Young Ian were putting their plot in motion to kill Bonnet through ambushing him when Bonnet himself failed to show up in the said ambush. That’s because he’s at the beach, following Claire and Bree as they were enjoying the ocean breeze. He eventually knocked Claire unconscious and kidnapped Bree.
Bree woke up to find herself in a dingy and shady place, but she was not kept as a prisoner – or so Bonnet tried to tell her. He told her he wanted to change and they even had this strange role play where they eat dinner and Bree told him the story of Moby Dick. We actually get to know Bonnet’s past in this episode. We learn that he’s deathly afraid of water, for one thing. 
It seemed to go all right for Bree until Bonnet told her to kiss him, and when she did, he got the sense that she was faking and lo and behold, he was right. This angered him and even started having sex with a prostitute in front of Bree, which was downright disgusting. Anyway, Ed Speelers is a terrific actor!
Jamie and Claire finally find out where Bonnet’s hiding Bree through that prostitute to whom Bonnet was having sex with. Bonnet, fed up with Bree’s ridiculous antics, decided to sell her to a man. But before anything could happen, Jamie, Claire, Roger, and Young Ian were able to save her. Bree was given the choice to end Bonnet’s life, but she decided to give him a fair trial by the government. Bonnet was sentenced to death by drowning, but before he could even die, Bree shot him through the head in a distance. Roger asked her if this was what she wanted or if was to make sure he’s really dead, but Bree was silent, which leaves us to decide what that meant. 
I’ve said this before: I wasn’t a fan of Sophie Skelton’s acting, but she definitely improved in this season! She was able to show some emotions and depth in her character. She was unable to convince me before, but she truly made an impact in this season. 
#07: Episode 4 - The Company We Keep 
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Were you ready to see Jamie Fraser dancing in this episode? Because I sure as hell was not! It was such a delight to see him trotting about while he and Claire smile at each other. 
But before we got to that scene, we had to watch Roger painfully lead the men to Brownsville (which is totally an insane and ridiculous name for a village – I know this was in the 18th century, but I hope there were poop jokes about them). Not a minute they stepped foot in this place, everything’s gone to chaos. It turns out Isaiah Morton, one of the men, had some problems with one of the guys in Brownsville. Isaiah apparently “disgraced” Lionel Brown’s daughter, Alicia, by sleeping with her, and now she cannot marry this rich guy her father arranged for her. 
Jamie and Claire eventually caught up with them, and were able to free Isaiah by letting him escape and to never show his face there again. Claire finally found a new home for Mrs. Beardsley’s newborn baby in Brownsville, Jamie finally got the Brownsville men to join him in his militia to fight the Regulators, and everyone finally had a good time and partied all night long. 
One of my favorite moments in the season was in this episode wherein Jamie told Claire that she looked happy while taking care of the newborn baby. He told her that she looked great as a mother, and it saddened me that he never got to see her as one. Jamie told her if she’s sure to give the baby away because maybe it’s their last chance to raise a baby together. Claire was like, “No,” but she appreciated the thought of it. They’re too old to have a baby again, and she already liked their life together. Even so, that was such a sweet moment for the both of them!
Isaiah decided to return to whisk Alicia away, and then she revealed she’s pregnant with his child. While this all seemed great for them, Jamie and Roger were not happy with Isaiah’s return because it might stir up some trouble. But Isaiah was able to convince them that he truly loved Alicia and wouldn’t they do the same thing for their wives. And that’s how it’s done!
#06: Episode 8 - Famous Last Words
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A very unique and creative episode. I think I haven’t seen an episode quite like this before, and it’s such a breath of fresh air. I like what the concept of showing the events like a silent film in comparison to what Roger’s facing. 
Richard Rankin was amazing in this episode. I think he really delivered well in showing Roger’s trauma and stress after his horrific ordeal. Roger is actually so beaten up in Outlander; it’s really devastating. Last season, he was taken by the Mohawks, and now this. And to think, he wasn’t a warrior or anything – he’s only an Oxford man. 
Three months after the Battle of Alamance, Roger was still quiet and could not utter a word. Bree was worried about him, and confided to Claire about her roommate’s boyfriend who was shell-shocked after the Vietnam War. Meanwhile, Roger kept reliving his deathly experience in silence. Usually, I’m not a big fan of Roger (as I said earlier) but I feel bad for what his character has gone through. 
Also, Young Ian finally came back in this episode! As someone who haven’t read the books, this took me by surprise. I didn’t know he’s returning, but I am so happy that he is! I really love his character. He’s not the same Young Ian as we’ve seen before, though. He was much more mature and fiercer. There are secrets he’s keeping from his family, which we’ll probably find out more in the next season. 
It was actually Young Ian who made Roger speak up again (quite just like the way how he was the one who set Jamie straight when he was bitten by the snake). Ian was asked to help Roger check out some land, and the two of them bonded. Ian told him how lucky he was to have his wife and child with him, even though he was thoroughly beaten from the battle. Roger was alive with a family, and to Ian, that seemed to be everything. Roger, in return, also saved Ian from killing himself. I’d like to see more of this duo in the future, please.
#05: Episode 6 - Better To Marry Than Burn 
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As soon as the trailer for Season 5 dropped, I’ve heard the words “stable sex” more than once in forums. I didn’t know what it was about – only that involves Jamie and Claire having sex in a stable (obviously). So you could imagine my enthusiasm when I finally see a stable in this episode!
Before that, though, there is a party because Jocasta getting married to some guy who’s not Murtagh. Which is a total loss because I shipped them so hard! We also got to see some flashbacks with Jocasta losing her daughter because of her husband’s cause in the fight against the English long ago. 
While mingling with some of the guests, Claire was approached by this ridiculous-looking man called Phillip Wylie, who’s beyond annoying. He flirted with her shamelessly, and she rejected his actions but was immediately interested when she realized he might be the key to capture Stephen Bonnet. But everything got out of hand when he suddenly tried to kiss her. Thankfully, Jamie arrived on time and was able to save her from this man.
But when Claire told him that he might be the answer to the Bonnet problem, Jamie decided to make a gamble with Wylie. Unfortunately, this involved Claire giving up Frank’s ring, which made her unbelievably mad. Later on, when Claire went back to the stables, Jamie drunkenly walked in. Claire’s still angry with him about the rings, but the anger doubled when she found out he was drunk. Jamie told her that he won the bet, and that they should celebrate. There were some fights, then Claire slapped him, and then they kissed and ta-da: stable sex! 
Unfortunately, I had high hopes with what the stable sex was going to be and that was not it. I was expecting steamier scenes, but okay, I’ll take this one. It was hilarious, still. 
Oh, I almost forgot. Back at Fraser’s Ridge, Bree and Roger fight some some sort of locusts evading the place, just like the ten plagues. But they were able to stop this through some smart science and shit. I couldn’t care less about their plot in this episode; all exciting things happen in River Run at the moment! 
But the most heartbreaking thing that ever happened in this episode was Jocasta and Murtagh. The night before the wedding, Murtagh sneaked in Jocasta’s room and begged her not to marry Innes. This broke Jocasta, but still, she couldn’t just run away with Murtagh. She chose a man with a cause before, and she lost her daughter. This woman couldn’t take any heartbreaks anymore, and Murtagh left, heartbroken. And as you know, that would be their last conversation...
#04: Episode 12 - Never My Love 
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I thought we can go past one season without anyone getting raped, but here we are. I know this was included in the books, but there were so many changes from book to screen in this season – why couldn’t they changed this one? It was too heartbreaking and sad. I don’t know if it’s unnecessary, but I did read one article that said they could’ve just not included that part.
Anyway, this episode was absolutely harrowing and downright terrifying. This show does not shy away from brutal scenes like this, for sure. I am devastated for Claire because she obviously does not deserve that treatment! In her own words, she survived a World War and losing a child. She will not let this one destroy her. But, of course, Claire’s only human and she’s gone through deep trauma in this episode. It’s only fair for her to feel this way. 
Lionel Brown (honestly, I hate this guy more than anyone in this season and that includes Stephen Bonnet) kidnapped Claire out of her own home with the help of some other guys, beat her senseless, and even raped her. This really “shookt” me out of my core. It didn’t ruin me like that season finale in Season 1 (which still haunts me to this day) but I am still horrified. 
Also, this episode was really creative in showing Claire’s ordeal. It had dream sequences of Claire in 1960s with Jamie and their family celebrating Thanksgiving, with the exception of Bree, Roger, and Jemmy. It included a lot of Easter eggs, such as the vase from the pilot episode and the rabbit from Jamie’s dream in the Battle of Culloden (if I’m not mistaken...?) The production design was also very intricate. The attention to details is brilliant!
Jamie and his men were finally able to save Claire, but she felt ruined. They killed every men in the group, but it seemed like Lionel survived. They took him as a prisoner and brought him to Fraser’s Ridge. Claire was still mending her scars, but she found herself in her clinic with Lionel and Marsali. Yes, she took an oath to do no harm to other people, but do you really expect her to save him from his wounds after what he’s done to her? Hell no! It was too much for her to bear and so she left, crying. It was actually Marsali who ended Lionel’s life with her own hand. Ugh, I love Marsali this season! She was beyond amazing and I love how her character has grown. 
This was surely an intense episode, and I love the additional twists of the dream sequence. Caitriona Balfe blew me away in this episode; just give her the Golden Globe and Emmy, please. The final shot of Jamie and Claire is beautiful. One of the best season finales of the show. 
#03: Episode 1 - The Fiery Cross
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Season 5 really started strong with this first episode. We had a wedding, dancing, sex, singing, burning crosses, kilts, babies! I love it so much!
Finally, Bree’s getting married to Roger, and her parents are here to see it! It’s a wonderful moment for everyone. I am in love with Bree’s dress and the pearls she’s wearing (which her mother wore in her honeymoon sex with her father, let me just add). The wedding was sweet and lighthearted. 
But, of course, this is Outlander and we’re not here to have a good time – there’s always something we’re fighting off. In the very first episode, Lord John Grey confided in Jamie that Stephen Bonnet might be alive, which Bree overheard. This was her wedding night, people, give her a rest! Of course, she was visibly shaken, but she kept the information to herself. Also, Tryon was pressuring Jamie to join forces with him and fight for The Crown. 
In addition, there were a love-making montage while the L-O-V-E song was being played in the background. Out of place, for sure, but sweet nonetheless. Murtagh and Jocasta managed to sneak in the woods and have some time for themselves. Jamie and Claire were in charge with Jemmy for the night, but that didn’t stop them from getting some action themselves. And, of course, the married couple Bree and Roger finally had a proper honeymoon. 
Remember when Tryon was pressuring Jamie to gather some men to fight for The Crown? Well, Jamie faced an impossible decision because obviously he does not want to hunt down his godfather Murtagh. But he can’t also betray Tryon because he doesn’t want to lose his land. And so, he finally gave in and lit the fiery cross, calling the men to fight with him. He included Roger, and even gave him the title of “Captain.” Weird flex, but okay. 
This was entirely a good start for a good season. I even watched it twice when it first came out because I was so excited!
#02: Episode 11 - Journeycake 
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One of the best Outlander episodes, and this one totally made me cry. I hate goodbyes, but Outlander does it best. This episode was also written by the original author herself, Diana Gabaldon. My expectations were high, of course, and she definitely did not disappoint! 
Now that Stephen Bonnet is gone and that they have confirmed that Jemmy can travel through the stones, there’s no reason for Bree and Roger to stay any longer. Bree has already delivered the cryptic message to her parents that they will die in the fire. So, she and Roger decided to leave, especially that there’s a Revolutionary War coming on. 
Also, Young Ian finally knows about the truth about Claire, Bree, and Roger – they are time travelers from the future. About time, actually! He deserved to know the truth long time ago. But something’s weird: Ian actually wanted to go through the stones himself, too. I have no idea why, but it’s probably going to be about his time with the Mohawks (which I’m totally looking forward to know about in the next season). 
Also, there’s a hot sex scene with Claire and Jamie in this episode, which totally makes up for that awkward, rushed stable sex from the other episode. It involved Jamie going down on Claire while she’s sitting by the window pane. It’s daring and steamy! Trust Diana Gabaldon to perfect that scene. 
Before Bree and Roger leave, they said their goodbyes to everyone first. Marsali even admitted that she sees Bree as a sister, which breaks my heart, because they totally deserve more screen time together! Lizzie also tearfully said her goodbye to her mistress Bree, and it’s quite heartbreaking because all this time, she thought she’s coming along with them as well. Poor Lizzie. 
Claire also made peanut butter and jelly sandwiches as her last meal for Bree and Roger. I don’t know how she was able to make peanut butter and jelly with 18th century resources, but I do know that it was painstakingly hard so kudos to Claire for her dedication in making the perfect PB&J sandwich! Jamie’s reaction was totally hilarious, too!
When Bree and Roger finally left (but for some reason, they couldn’t go through the stones – more explanation maybe in the next season), Claire and Jamie were finally left alone in Fraser’s Ridge. While Claire and Marsali were tending on a patient, Jamie and some of his men checked out some commotion. However, this was only a ploy for Lionel Brown and his men to kidnap Claire straight from her home. It’s terrifying, and I didn’t like what happened next.
#01: Episode 7 - The Ballad of Roger Mac
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The major highlight of the season! I was ready to get hurt in this episode, but damn, nothing prepared me for what was about to happen. 
The whole episode reminded me of the Prestonpans episode from Season 2. Jamie was fighting with his men in the Battle of Alamance, while Claire was tending the patients. Ah, but before that, let’s celebrate Jamie Fraser’s fiftieth birthday! I don’t know how this guy is 50, but he is. He and Claire *cough* did some celebrating of their own before shit went down in the fight.
While all the others were preparing for the fight, Bree was staying with Aunt Jocasta when she finally realized that the fight was going to take place in Alamance Creek. This made her remember an importance piece of history. The militia will win, and the Regulators will lose. Of course, she took it upon herself to warn her parents. Thankfully, Bree has inherited her mother’s memory cells. 
Roger eventually volunteered to be the one to tell Murtagh and his men that they were doomed to fail, and Jamie let him. This was going on pretty smoothly, and Roger was able to tell Murtagh what he came for. Unfortunately, he ran into someone he knew (that woman he met in the ship from Season 4) and they were caught in a harmless innocent hug by the woman’s husband. The husband was none other than William Mackenzie, played by Graham McTavish! While it’s good to see him in the series again, I am pissed because they beat up Roger. 
Meanwhile, Jamie was forced to wear a redcoat uniform, which was just downright offensive. Jamie’s entire life was dedicated to fighting off redcoats, and now he’s one of them. It truly broke my heart to see him like that. You just know he’s struggling and trying to keep his senses. 
In the battle, Jamie was fighting with some Regulator when Murtagh himself showed up and saved him. There were some smiles; however, it was cut short when Murtagh was shot by one of Jamie’s militia men. Jamie tried to save him, and even dragged Murtagh back to Claire so she could save him, but it was all too late. And I am broken. I was crying when I was watching this episode, and it just broke me. Murtagh was one of my favorite characters, and I was so happy they brought him back last season. But now... I’m just broken. When the fight was over, Jamie took off the redcoat and just smashed it down in front of Tryon. This man was just fed up!
But while this was going on, Bree was worrying about Roger, as he still haven’t showed up after going to the Regulators. So, she, Claire, and Jamie tried looking for him. They finally came upon a tree with three men hanging on a tree with sacks over their heads; they were left to die. Jamie recognized Roger to be one of them because of the white handkerchief on his pocket that he had given to him earlier. 
This was really a good episode, and hats off to Sam Heughan and Caitriona Balfe’s acting. They were superb. Oh, as well as Duncan Lacroix, who I really admired as Murtagh! It’s so sad to see him leave the show!
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Well, there you have it! My ranking of Season 5 episodes. I hope you had as much fun as I did with Outlander this season. It was incredibly fun, and a huge improvement from previous season. Tell me what you think!
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ssaic-jareau · 4 years
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what's your most iconic lines in cm ?
I've got way too many. Do you want them chronologically or alphabetically? (I'll pick one or two from each season.) 😂 (I'm sorry for how long this is.)
One that always pops up in my head is the first interaction between Morgan and Garcia.
"I thought I was calling the Office of Supreme Genius."
"Well, gorgeous, you've been rerouted to the Office of Too Friggin' Bad."
Undoubtedly, Hotch on the reservation in 1x16.
"Just so you know, you sound like a fortune cookie."
Season 2
"Okay, good. I'm all of these things. But none of you said that I ever put myself above the team, because I don't, ever."
And...
"I stand by my actions and I stand by my team. And if you think that you can find a better person for the job, good luck.
Season 3
"You. Kids. I can see it." (For the softness)
And another one..
"You do what it takes to protect your family."
Season 4
"My life matters to me, and I always have and will entrust you with it. Would you do the same for me?"
For @agenthotchner
"How am I a whore?"
Season 5
Let's do that little sin-to-win bit:
"And my non-refundable Sin-To-Win weekend in Atlantic City."
"Sin-To-Win?"
"Yup. And I always win big." (smirks)
Also, the TG adlib.
"What? Did you join a boyband?"
Season 6
"Hotch. I belong here." (DAMN RIGHT, YOU DO!)
I'm in love with Lauren (6x18), so:
"... But you're not alone, okay? You are not alone. We are in that dark place with you, we are waving flashlights and calling your name. So if you can see us, come home. But if you can't, then, then you stay alive, because we're coming."
Season 7
The most iconic line of S7
"This is calm. And it's Doctor."
And then the quote in my bio, because I think it's something to believe when you enter a dangerous career:
"The rest of it, that's not up to us. That's the job."
And because S7 is my favourite, let's add one of the best lines JJ has ever said.
"Shh, the adults are talking. When it's your turn to speak, I'll give you permission, okay?"
Season 8
"You two should guest lecture together... Oh wait."
Rossi's SASS at it's PEAK:
"Hey, what's with you? You need a hug or something?"
Season 9
The scene from the Karaoke Bar... Hotch's little smile when he says this,
"Next up is David Rossi."
And there's the one where Spencer is me.
"You work out? That's cool. I don't."
Season 10
I enjoy this season, but I don't have any iconic lines from this one, that I can think of right now 😂
Season 11
The best Spencer/Derek moment:
"Yeah. Hank is for my pops. But Spencer is for the best little brother anybody could ever ask for."
And let's give it up for Emily's impersonation of Derek
"Yo, baby girl, what you think you doing in my office? You know better than to mess with my stuff. I don't mess with your stuff."
Season 12
In which Luke described me to a T:
"More like the queen of ice"
Also
"Luke Alvez. Behavioural Analyst."
Season 13
Spencer:
"Took me 60 minutes to deduce what should have taken me 60 seconds. And if Emily dies, because I was too slow... I'll be throwing a lot more than books."
Protective Emily:
"Then let me tell you something Peter. I've died before protecting a child. That was a child I barely knew. But Jack, I love Jack. I've watched Jack grow up. I will not betray him or his father."
And of course:
"Wheels up, Matt."
"Wheels up, Emily."
That scene between Luke & Tara in the S13 Finale:
"Yes. It's been proven."
"By who?"
"Your Mom."
Season 14
"...I've never said how much I love all of you."
"That's the beauty of family. We already know."
Another one of Tara's liners:
"That's not what your daddy said last night."
Season 15
Saturday (15x04) is one of my favourite episodes.
And i love Kristy, so we've got this one:
"I checked the colour on the website, it's called "Daddy Issues Red."
And the scene that gives us this Matt Simmons smile:
"How many kids do you think we have?"
"I don't know. Fifteen?"
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~fin~
Disclaimer: I'd like to apologize for taking so long to answer this, also, this is probably longer than you expected and I'm sorry. Maybe I should make a post of all my favourite quotes or one liners from the show.
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angsty-nerd · 4 years
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On New Year's Eve, I marathon watched episodes 1-6...because it just felt like a good way to end 2019. I did the 2nd half of the season last night.
Yesterday morning I was listening to the current insane version of my Echo playlist on my way to work, and the song Wind & Anchor by the National Parks was playing and it got me thinking about Liz leaving, and how abruptly she changed (or was changed by Isobel's meddling).
Here's what we know from Canon. We have Liz and Max's prom night bonding that we see in 1x06. Two weeks before graduation, Liz tells Rosa, "Maybe I don't want to miss Max Evans". The afternoon of the night Rosa dies, Liz and Max have a semi-date, go out to the desert, drink beer, dance, almost kiss. Liz tells Max, "I don't want to be a leaver like my Mom." It's clearly important to her. Max offers to go with her on her road trip and she is shocked, but thrilled, at the suggestion. She doesn’t pull away. The idea of it doesn’t freak her out. If anything, she leans into the idea. Her body language portrays excitement. Her smile gets wider, she gets closer to him, and eventually just ends up in his arms by the end of the scene.
I tried to find a gif of this scene to emphasize my point, but alas, somehow there seems to be this one Echo scene that hasn’t been giffed! So you’re stuck with my crappy screen caps instead. And I couldn’t resist keeping the first and last one bigger because they’re such friggin gorgeous shots. New Mexico people.
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After Rosa dies, Max says he wanted to tell Liz the truth, but when he went to do so, she was saying goodbye to her family and leaving. Isobel and Michael both confirm that he wanted to tell Liz the truth and they both knew it. Isobel and Michael decide that Max's feelings for Liz are too dangerous and Isobel gets inside Liz's head and "erases it" (per Michael) to make Liz forget how she feels about Max (implied by Isobel in 1x04). Michael tells Liz, "you didn't leave town of your own volition." Isobel still swears up and down that she can only influence people, that she can't make them do things they don't want to do, but that doesn't entirely jive with the whole she'll just forget how she feels about you statement.
I know I’ve read some fabulous meta over Isobel’s certainty in how her powers had successfully worked on Liz in the past and therefore why they would work again, and I don’t really want to reexplore this from Isobel’s perspective. I’ll just direct you to @latessitrice’s fabulous meta on it over here instead: https://latessitrice.tumblr.com/post/189111618847/mini-meta-this-time-focussing-on-isobel-sending
In classic angsty nerd fashion, I want to look back at the what ifs instead, because it’s those what ifs that haunt me as a fan of the show and as a person invested in this relationship.
Because it’s fairly clear that Liz’s perspective changed. And yes, most of that has to do with Rosa dying. But I think Isobel’s influence also played a huge factor. I think Isobel got into Liz’s head and erased her memory of her feelings for Max. And I do think she made her leave town, and I don’t think that Liz would have run the way she did without that influence. I DO think Liz would have still gone on her road trip. But I think that after her family being destroyed by Rosa’s death and the resulting racism, that made leaving extremely appealing. And then not having that desire for Max as a driving factor anymore, suddenly there felt like there was nothing worth staying for, and all the reasons to leave.
But, as a fan of the show, the what if that makes me the craziest, is of course being robbed of Liz’s reaction to being separated from Max. Without those feelings, she didn’t get to react, she couldn’t react. Whereas, we know, it devastated Max. We know he pined and suffered and fell into a state of extreme depression that pretty much lasted most of the decade, if his own words are accurate in describing how he felt with Liz gone. But with her feelings erased, Liz was like a blank slate until she finally came home.
I’ve always been somewhat fascinated by Liz’s reaction to seeing Max in the pilot, before the shooting. I’ve seen lots of fandom interpretations of her just being stunned at the sight of him. And I do think there’s some of that, but I think there’s something else going on too. Liz’s mind was likely still affected by Isobel’s influence. There had been nothing to shake her free of it with a decade away from Roswell and Max. Before she sees Max, she’s quickly established as a fighter, as someone with a sharp tongue who isn’t easily shaken. But then she sees Max, and she’s frozen. Shook. Stunned. Speechless.
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I think that it’s her brain fighting Isobel’s influence.
She sees Max and she immediately starts to feel. But her brain has been told to forget those feelings. So as she flashes to memories of longing for Max in high school, at the same time as she’s processing those feelings, her brain is trying to shut them down, and thus, the internal struggle leaves her frozen and unable to fully react. And once she’s given an opportunity, what’s the first thing she does? She follows Isobel’s instructions. She leaves the checkpoint and continues on her way without even looking back. And by the time she’s talking to her father, she’s not even thinking about Max anymore. Just about ICE and the potential danger to her father.
Then, a few hours later, Max walks into the Crashdown to see her. And what happens again? The same thing. Frozen. Shook. Stunned. Speechless. At least at first. I love this gifset of that moment: https://goodvibesinroswell.tumblr.com/post/188098149117/good-vibes-of-the-day-max-liz-shook
But then, having that feeling and that internal struggle twice in one night allows her to fight the influence, and somehow she just feels enough to ask him to stay for that milkshake. Which in turn allows her to have a conversation.
Until of course, she gets shot. And Max heals her. And in healing the bullet in her chest, what if the healing also managed to repair whatever was broken in her brain from Isobel’s influence? Because from that point on, she doesn’t seem to have trouble interacting with Max. The next time she sees him she’s got a plan and a purpose and doesn’t struggle to stick to it.
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And then once he comes clean to her...once they talk and she begins to understand how he feels about her, the feelings came back quickly. Which takes me back to being AAAANGSTY over the what ifs. Because without that influence, maybe she would have missed Max. Maybe she would have wanted to visit. Maybe just that one more thing would have made Roswell a little less awful to remember.
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