#free art software is best art software

[anemone1231]

Day 31 of drawing a screencap from every JJBA episode.

I tried out the latest pencil brush set for Krita for this one.

Stardust Crusaders Episode 5 (JJBA series ep 31): Silver Chariot

#art #digital art #fanart #shitty artist but i draw anyway #free art software is best art software #jjba #jjba fanart #jojos bizarre adventure #anime #redraw #krita #jjba part three #DIO #dio brando #stardust crusaders #pencil sketch #sketch

[anonymusbosch]

really truly Feelings about coming back to my hometown and seeing it as an outsider (I only knew it as a child with my motion constrained by school and parents and being under 18) and an outsider (it's changed since I've been away these last 8 years) and an outsider (showing it to my partner and finding it both familiar and unfamiliar, and special and inadequate) and an outsider (my parents and sister have all moved and my childhood home is no longer mine - staying in a building with a door code to learn and furniture still being moved in) and an outsider (my favorite places have changed, moved, closed, repainted) and an outsider (new murals! new buildings! new bike lanes) and an outsider (how the Fuck do the bike lanes on the east bank connect) and an outsider (it's changed [you can never step in the same river twice] and I have too)

#i think I need to make art about this #wanting to show off the things I love about it and realizing so much of that love is for the mundane details and tiny quotidian things #seeing people in the bike lanes and feeling the pang of just Being Around People Enjoying the Outdoors #how much fun you can have for free #at the same time not having lived here at all as an adult #i don't know the public transit here! i biked when it wasn't snowy and when it was snowy i was in school til like 9 pm #i don't know the flashy fun city things i know where me and my cousins would go to have a pretzel and maybe a beer and play board games #i know where u can do martial arts for cheap and fun but that's not a nice day out to show someone it's part of being there for months #years #i know where you can get food at 1 AM but they've moved #i don't know dinkytown or any of the north side #i want to show you how good it was to be a kid here in the summer but we're not kids anymore #i want you to feel the same pang of love when passing my best friend's childhood home #ALSO!!!! saw california friends/acquaintances in the home they bought together with dual software engineer california salaries #living in MN making CA money #a huge huge 3-story-plus-basement million-plus dollar home since that means something here #you're 28 what the fuck are you doing with a nicer house than anyone I knew here ever had #'this is what you get with CA money in mpls' yeah i fucking know actually except I don't make SWE money and I don't live here anymore #i know some local mechanical engineers who have got starter homes at like 300k a few years out of school. #that's like. good for them. #anyway I'm leaving the city today and still just feeling Things about it

[tofupixel]

hiya! can i ask how you got started with pixel art? ngl it's a little intimidating and i'm not really sure where i should start 😅

Hi no problem!! It's not as bad as It seems, I promise

First of all you will need a software, I recommend Aseprite on PC or Pixquare on iOS. If you can't afford, I will be giving out 10 codes for each in December in my server Cafe Dot.

I started out by learning on YouTube with Mortmort, but he doesn't make pixel art videos any more so you might have to dig for them. His video on learning Aseprite and how to use nice colours are amazing.

I really recommend this as the most in-depth tutorial that covers all of the basics and the jargon you might hear in pixel art spaces.

Nowadays I think the best channel for learning is probably AdamCYounis, this guy really knows what he is talking about, especially for animation and gamedev.

One more thing is try to get into a community if possible. Having some friends around you who are also learning can help you stay focused and get some support when you need it.

I was very active on Twitch where I met my good friend to this day CupOhJoe, he is really welcoming to beginners. Twitch has kind of a bad reputation in general but the pixel art scene is amazingly friendly and inclusive.

Feel free to join my server Cafe Dot though it's not specifically for pixel art, we do have a ton of pixel artists just due to me being active in the PA spaces lol. You can ask for critique here which could help if you're into it. And we don't do any gatekeeping or allow any rudeness about skill level or anything. I wanted it to be a nice chill place for all abilities

So yeah hopefully this is enough info for you !! I'm happy to offer more resources for intermediates I have a ton of knowledge but don't want to dump it all at once

#qna #pixel art #pixel art tutorial

[tonkable-art]

✷ Tonk's Art Resources ✷

Hi! No one asked but I wanted to make a big list of art resources I use because I like to try and help people be creative! Not everything I list is free (mostly the books & some PDFs), but I’ll try my best to keep a big portion of it unpaid.

I've also made a carrd with the same links and a set of software links + prices but I'll be updating this with more things I find that I think would be helpful. :)

Drawing

GES DRAW PARTY - Timed model videos

Drawing Tutorials Online - Figure drawing tutorials (& fun SVA student sketchbook videos)

Line of Action - Timed model Photos

3 tips to improve your PEOPLE SKETCHING (fast urban sketching techniques), Sketching Scottie

Creating Backgrounds, Tim Mcburnie

Drawabox

Reference Angle

Kaycem

Colour Theory

Why Color Studies Are So Powerful, Light Ponderings

Marco Bucci

Colour Tips and Tricks, Iniro (PDF)

This post

Animation

The Animator’s Survival Kit, Richard E. Williams (book) - I think this one is a pretty obvious must-have

How to Animate Night In The Woods [Scribble Kibble #103], Crowne Prince - Helped me get a grip on After Effects

Little Miss Hellraiser Toon Boom Harmony Rig, Edu Bruks - Free Toon Boom Harmony rig

Alex Grigg // Animation for Anyone

BaM Animation

Storyboarding

Exploring Storyboarding, Wendy Tumminello (book)

Storyboarding Essentials: SCAD Creative Essentials, David Harland Rousseau & Benjamin Reid Phillips (book)

Storyboard Pro Crash Course/Tips for beginners, OhJeeToriG

A Guide To Storyboards, MagicBunnyArt (PDF)

Character Design

Character Design Crash Course - A huge free course document with assignments you can work through

Delicious in Dungeon - Fundamentals of Character Design, lines in motion

Writing

Writing for Animation, Comics, and Games, Christy Marx (book)

Screenplay: The Foundations of Screenwriting, Syd Field (book) - I have the 1987 edition

Reedsy

How to Plot a Comic From Start to Finish!, McKay & Gray

Portfolio Tips

How to make a Character Design Portfolio, Jackie Droujko

Top Tips on How to Kickstart Your Storyboard Portfolio, Brown Bag Films

25 Tips to Create an Animation Demo Reel, Sir Wade Neistadt

Extras

PuccaNoodles’ Animation/Art Resource Sheet

My Study References Pinterest board

Motivation Station - Playlist of sketchbook videos and some speedpaints that I use to motivate & inspire me

The Illustrated Freelancer’s Guide, Heather Parry & Maria Stoian (PDF) - Really useful for freelancers in the UK

Software substitution chart

Adobe Suite substitute chart

Remember to check out the carrd, it might have a more updated list!

#art resources #animation #illustration #posts #how to draw #art tips #art reference #art help

[meanbossart]

Asks about VaM, art advice, and miscellaneous stuffs

HI! Real quick please refrain from referring to Sad Sack as S/S for the uh... Obviously reasons LOL We call it "sads" for short!

If what you're asking for are recommendations for a website to host that kind of thing, Neocities, Twitter, Itchio and as you mentioned AO3 are all perfectly good options! Patreon too (depending on how gnarly you're planning on getting) but I'd suggest keeping that as a secondary host option because I don't think it lends itself super well for getting your work circulating. I believe Bluesky allows that kind of thing too, but I'm not too sure since I don't use it.

Now, If you're asking about public reaction rather than guidelines, anywhere you go you might find people that don't jive with the work you do 🤷 just be upfront about the type of content you're making right off the bat to avoid having anyone stumble upon it by accident to the best of your abilities, otherwise, I wouldn't worry too much. I know we're constantly exposed to examples of overwhelming harassment and "dogpilling" happening to others but... Truth be told, most of us won't ever get to the size/internet level of fame where we experience that. I think the threat is a little bit... Overstated, nowadays. Not to mention that most of the time people are getting harassment for things that have nothing to do with their work, and rather relating to their behavior and attitudes. Play smart, be responsible, and be honest! Whatever comes next is in god's hands LOL

Thank you for the ask! Not sure I was of much help 😅 but frankly when you're just starting out it's best to focus on getting the work done first and just throwing it out there, wherever it may be. You can worry about technicalities like that later!

I GOT YOU MAN the full sketch is now up on my patreon!

YES AND YES WHETHER IT BE STORIES OR ART OF DU DROW AND YOUR CHARACTERS SLAMMING PINTS TOGETHER BE MY GUEST PLEASE

I love seeing everyone's take on my weirdo so much, anything is honestly welcomed!

AW DUDE thank you so much! Especially for suffering through the mammoth of a story that ANE turned into - writing has never been my strongest point so I'm always shocked to hear from people that enjoy it 🥲

About the booze question, honestly I'm not picky at all, I usually go by price and by that I mean whatever is cheapest LOL but I prefer a dry white as far as types go.

You only have to pay for it once! You get a code that unlocks the software and all of it's features and you're free to cancel your subscription after that. At some point the code might change or there might be an update that requires subscribing again - but that seems like a very rare occurrence so I wouldn't worry about it.

OH NO I HAVE DEFINITELY TRACED MY OWN REFERENCE BEFORE, but not entire poses! When something is challenging I'll make a point of drawing it out the usual way.

I can remember a couple of instances from Nick and mine's comic where I traced pictures I took of myself, just as a time saving measure. Again like I said in the post, there are several ways to employ tracing your own material that is perfectly acceptable. I have also traced bare-bones 3D backgrounds that I made for the same reasons.

I know you specifically asked about tracing when something's complicated, but I still wanted to be upfront to demystify the practice under different circumstances. The rule of thumb is to never use it when you know it would be inhibiting your skill development!

Happy to hear you wanted to pick up the skill! I definitely understand the urge too LOL since playing BG3 and becoming so invested in the stories and characters my art has improved a ton, simply from forcing me out of my usual style and making me want to capture different moods and scenarios - finding something you're passionate to draw is, frankly a great damn start.

I replied to a bunch of asks asking for pointers and advice a while back, one of the questions was very similar to yours and I still stand behind the advice I gave then. Hopefully you can find something helpful here! https://meanbossart.tumblr.com/post/740543514692173824/some-art-advice-asks-ive-been-meaning-to-reply

HMMM I don't usually think of myself as the best teacher/tutorial guy, but funnily enough I can think of a few things about this topic that I could elaborate on lol. If I do that in the near future, I'll put it up on my patreon (for free as with everything else.)

If there are any specific things about it that you (and anyone else who would be interested in it, for that matter) find challenging and would like for me to focus on, let me know!

---

That's all for now folks, and as usual thank you so much to everyone who's left a nice compliment, word of encouragement or funny tidbit in my inbox as well! I can't reply to you all individually, but I see and read all the messages I get c:

HAVE A LOVELY REST OF YOUR WEEK

#lore asks coming either later today or tomorrow! #I might reply to a few right now/space them out rather than do another compilation #we'll see how I feel about it! #ask compilation

[lunariamv]

Doom Stones is a horror visual novel/adventure game created with RPG Maker 2000. The game style is inspired from Charon/Nekofuji Kaoru.

Yuuka, a shy and softspoken girl, loses herself when her best friend Souta passes away. One day, she's given a chance to redo the night his life was taken. Perhaps this time, she'll save him.

This is an authentic serious charon-esque game following the formula, presented by me.

⚠️ Before venturing into any of my works, please heed my disclaimer/rules;; I don't want obstructive people engaging with me or my content.

⚠️Disclaimer ⚠️

⚠️This game contains violent and grotesque depictions, as well as dark themes. Please do not play the game if you are sensitive to this type of material. ⚠️

⚠️Rating: 17+ ⚠️

⚠️Separate fiction from reality + Separate art from the artist -- I do not condone any dark content/themes depicted in my works. Any works done in fiction should not be adapted to real life. ⚠️

Download

❖ Download link

❖ Mirror link

RPG Maker 2000 RTP is required for the game to run. Download link here and in the readme file.

(Chrome or windows may block usage of these programs, but these are safe to ignore.)

Platform and Troubleshooting

The game's engine only works for windows, but EasyRPG can used in it's place. May not be perfect. Instructions in the readme file.

Further troubleshooting instructions are in the readme file. Expect possible errors or the game never running at all, since RPG Maker 2000 is outdated software.

Gameplay Notes

❖ The game is a horror adventure rpg with 8 endings in total. A spoiler-free guide to the different endings is in the readme. (Video Walkthrough here)

Usage Notes

Do not edit, repost, or sell assets from the game without permission!!

Fanworks and videos of the content are allowed, but do not directly use assets from the game to make them. (YT Thumbnails are fine, but modifying the game to post or claim assets as your own is not.)

My email is here, and in the readme for comments and concerns. Please only contact me if there are mild errors such as spelling. Do not contact me regarding troubleshooting errors. Go through the readme instructions, but expect that the game might not work, since RPG Maker 2000 is outdated.

♡ Games Masterlist

♡ Blog (with extra game info)

Screenshots

#yandere #yandere oc #male yandere #rpg maker 2000 #rpg maker horror #rpg horror #tw dark content #tw dark themes #charon games #charon #gamestuff #rpggamestuff

[lauravanarendonkbaugh]

Nightshade

Guys, this is really easy. I just ran my first render on Nightshade, and it's very simple to use.

What is Nightshade?

It's software to "poison" the AI image-"generating" models which scrape your art without permission. It works by telling the AI software that this car is really a cow, or something similarly improbable, so that someone using that scraped art to "generate" a car will get a cow instead. This makes stealing art dangerous and costly and ineffective.

Thieving tech-bro: "That's so mean! They're poisoning our data!"

Hey, you know the absolutely guaranteed way to make sure you don't eat brownies full of laxatives? Don't steal brownies out of someone else's lunch in the break room fridge. This will only poison data that's stolen. Be ethical, be unaffected.

Download Nightshade here.

How To Use Nightshade

First, you can choose how intense to make the poison. :D It does increase render time, but that's okay, we know wars aren't won in a moment.

You can specify a tag for your primary image content ("fire," "rabbit," "forest," etc.) to establish content for the scrapers, and it reminds you to use this tag in the alt text and description, and in the post, for maximum impact.

Nightshade takes a while to download and then again to update libraries on first open, but that's a one-time thing. And then it takes a while to render, but again, we are here to preserve art and save the internet, so I can wait a bit to post.

And the output quality is good! Allegedly there are some image effects, but I'm not good enough to spot the difference when I have the before and after together.

Tips:

The guide says to run Nightshade last, after resizing, watermarking, etc. This will be most effective.

Do Nightshade before Glaze, if you choose to do both.

Render in PNG for best results but it's okay to convert to JPG after.

Remember to use your content tag in alt test, description, and your post! This is exactly where you'd be putting accessibility text anyway, so it's good practice with or without Nightshade.

Please share, please protect!

Note: I'm not an artist, I'm a writer, but I'm using Nightshade on promo images I'm putting together for a future project, because those software companies didn't buy that stock art either and I won't make it available to them for free on the license I purchased.

Please share, please protect!

(Now, speaking as a writer, I wish we had something similar for text!)

#nightshade #anti ai art #anti ai #protect your art #protect art #protect artists #glaze #respect artists

[moawling]

Which app you usé for Your drawings? 😗

Hey! I use a couple different apps! I use FireAlpaca for general pixel art illustration on my laptop. It's not too different from using any other drawing software, you just have to turn off anti-aliasing! I just use it because it's free.

I switch to Aesprite for animation. :) It's one of the best pixel art software out there, but if you don't want to spend any money, you can use the open-source version: LibreSprite!

Hope this helps!

#ask moaw

[excineribusbooks]

Resource Post: Supplies, Equipment, and Software

So I've had some people ask about the supplies and equipment I use to make my books! This is not a comprehensive list, nor is it an official tutorial on how to make a book (for that, I recommend starting with Renegade Publishing's resource documents, DAS Bookbinding, or SeaLemon's YouTube tutorials -- all free, no patreon required!), but if you're floundering because you don't know what you need to get, hopefully this will help a little bit ❤️ If I discover more good resources or change up my style, I'll add to this post.

Of note: I'm based in the US, so this list is unfortunately pretty US-centric. Apologies!

SUPPLIES

Disclaimer #1: I have a background in book conservation, so I'm picky to a fault about the supplies I use. To make a long-lasting book, you want to look for "acid-free" or "archival" materials -- BUT, a lot of consumer craft stores have realized those are good buzzwords to slap on products even if they aren't really archival. Your best bet is to buy from stores that supply materials to libraries and archives; those tend to be higher quality and stick to actual archival standards. Talas, Hollander's, University Products, and Colophon Book Arts Supply are good places to start.

That said! If price matters more than longevity, hitting up Michaels or Joann Fabrics is totally fine. This is a hobby. The bookbinding police are not gonna come smash down your door because you didn't use archival-quality craft paper. My big recommendation, though: at least get your glue and paste from Talas. High-quality adhesive makes a huge difference in how well, and how long, a book holds together. Bad adhesives can turn brittle with time, stain your paper/cloth, and make all your hard work fall apart.

So, all that said, here's what I use:

BOARD - Davey Binder's Board, 0.098" GLUE - Jade 403 PVA PASTE - Zen Shofu wheat paste (you shouldn't have to buy more than half a pound -- a little goes a long way) CLOTH - Either Arrestox or Dover bookcloth, which comes in a wide variety of colors and holds up extremely well to whatever you want to do to it THREAD - 25/3 linen thread, which I run over a small block of beeswax to make it easier to handle and give it better "locking" properties as I sew. For bigger books of ten signatures or more, I sew onto 3/8" linen tapes for extra support. DECORATIVE PAPER - Hollander's is a treasure trove of decorative papers for endsheets and covers; Talas has some really nice ones, too, but they tend to be pricier (since unfortunately everything at Talas has gotten a lot pricier lately) PRINTING PAPER - Hammermill Colors paper, 20lb, in cream; 24lb is also a good weight that feels a little more substantial than regular printer paper. (I'll probably switch to 24lb once my 20lb paper runs out.) To get the right grain direction, I buy a ream of 11x17 paper and cut it in half to make standard letter-sized sheets (8.5x11). Here's a quick primer on grain direction and why it's important when making a book! ENDBANDS - I've never had the patience to sew my own endbands (though I hope to gain that patience someday!), so I just use premade ones like these.

EQUIPMENT

Disclaimer #2: a lot of the stuff on this list is professional-grade (or close to it) with prices to match. You definitely don't have to buy everything right off the bat. It took me fifteen years to accumulate it all, and you can DIY a lot of bookbinding equipment -- a good googling will lead you to all sorts of innovative ways hobby bookbinders set up their shops. The Renegade Publishing resource documents also have a lot of A+ recommendations.

PRINTER - For text, I use a Brother B&W laser printer with auto-duplex (auto-duplex is key when printing a book); for images, both B&W and color, I use a Canon color inkjet printer set to at least 300 DPI. I fully admit having two printers is an absurd setup, but what laser printers can do well, inkjets absolutely suck at, and vice-versa -- and like I said, I'm hella picky. You can get by fine with a single laser printer! Just make sure it's got auto-duplex to save yourself a lot of pain. GUILLOTINE - I have this model, which goes in and out of stock with some regularity. The trick with this guy is to (a) sandwich your text block between some scrap board so the clamp doesn't leave a dent, and (b) REALLY CRANK DOWN on the clamp as tight as you possibly can to keep the paper from shifting as you cut. This fixes 99% of the skewing problems mentioned in the reviews. PRESS - I have a little cast-iron press I bought off a coworker for fifty bucks; similarly, you might have luck searching eBay, looking at Affordable Bookbinding Equipment (Jim does incredible work!), searching craft stores for a flower press, or even just using two pieces of wood and a few C-clamps. SeaLemon on YouTube also has a good video on how to DIY a book press. PRESS BOARDS - For setting the hinges in the press, I use a pair of brass-edged boards like these. It's a good investment if you want to get really nice, crisp hinges, but it's also 100% possible to DIY brass-edged boards if you want. At my very first job, we even set our hinges by taping sewing needles to the book before putting it in the press! FINISHING PRESS - I have this one, which I use to back my books in combination with these backing irons BACKING HAMMER - To my chagrin, I've discovered that having an actual backing hammer makes backing a book way, way easier. Some folks have had good luck with a cobbler's hammer or just a regular old hammer from a hardware store, but I splurged on a student hammer from Hollander's, and it works fantastically. (I wouldn't recommend buying the "professional" hammers, though, because seriously, $90 for a hammer?! No.) BONE FOLDER - I'm actually not a fan of bone folders made from real bone; I like Teflon folders a lot better for scoring and flattening. (Real bone folders tend to burnish the material, an effect I'm rarely going for.) CUTTING MACHINE - A Silhouette Curio. This is 100% optional, but it's how I do the bulk of my cover designs, including cut-outs, embossing, foiling (with a foil quill attachment), and spine titling. The software and overall quality are way better than Cricut, and its 5mm clearance means you can fit more than just vinyl in there. Sadly, Silhouette has discontinued the Curio, but it's still possible to buy from third-party sellers -- and if you don't care about the 5mm clearance, I've heard good things about the Silhouette Cameo line.

A side note on vinyl, from the obnoxiously picky book conservator: if you're aiming for longevity with your books, using HTV in your book designs may not be the best idea. Not only can the adhesives be questionable, but the plasticizers in vinyl break down in really weird, gross ways once several decades have passed. That's why I tend to stick with cut-outs and foiling instead of HTV. But, again: if you just want to make something pretty, don't worry about it!

SOFTWARE

TYPESETTING - I use Affinity Publisher -- it's similar to Adobe InDesign, but with a flat cost instead of a bullshit subscription model. I am by no means an expert in this, since I've only been designing books for a couple years; pretty much everything I learned, I learned from Aliya Regatti's tutorial, plus or minus a lot of googling and noodling around. I've discovered that it does get cranky if your book is over 250 pages or so, meaning you may have to split longer fics into multiple files. That said, I've been really happy with it, and it goes on sale every now and then if the $70 price tag is too much.

As always, Renegade Publishing has a whole lot of tutorials for other software options, including Microsoft Word, InDesign, LaTeX, and Scribus if you already have access to one of those instead.

IMPOSITION - "Imposition" is when you lay out a book so all the pages are in order once you fold + gather the signatures. Since Affinity Publisher doesn't do this automatically on export, I use Bookbinder 3.0, which is an old but nice little Java program that breaks a single PDF into a series of properly imposed signatures. I usually set it to 6 sheets per signature.

MISCELLANEOUS

IMAGES

The Noun Project is a gigantic repository of basic SVGs and PNGs that are not only great for cutting machines, but for adding flourishes to your title page, chapter headings, and scene dividers. Every single book I've made has used at least one image from here; I pay for the yearly Noun Pro subscription, but it's not necessary to use the site.

Unsplash is perfect for photo elements

Pixabay not only has a great archive of photos, but illustrations and vector images as well

Surprisingly, Wikipedia also has a lot of good Creative Commons photos attached to their articles!

FONTS

1001Fonts is a good starting point for finding free fonts, as is FontSpace and DaFont

If you're willing to pay for fonts (and sometimes it's worth it for a well-designed font that's perfect for your project), Creative Fabrica and Pixel Surplus have some good stuff, including discounted bundles of multiple fonts

#book arts #bookbinding #fanbinding #resources

[anemone1231]

Day 19 of drawing a screencap from every JJBA episode.

Battle Tendency Episode 10 (JJBA series ep 19): A Race Toward the Brink

#art #digital art #fanart #shitty artist but i draw anyway #free art software is best art software #jjba #jjba fanart #jojos bizarre adventure #redraw #anime #jjba part two #kars #pillar men #battle tendency #let me shimmy up that pillar #wip art #incomplete

[fairmerthefarmer]

Hello?

So I noticed a huge influx of followers, I kind of thought they were all bots, but after seeing some other posts from some of the blogs these accounts were following (thanks @bob-artist ) I think some of you may just be super new accounts and tumblr recommended me? (I’m very confused rn, my posts have found some people who like the things but they haven’t gotten THAT many reblogs or notes, this is a fairly new account itself)

ANYWAY if you are a real person welcome I guess, if you’re a bot I’ve been taking measures to do my best to protect my art from ai learning software and that’s gonna keep happening. If it turns out everyone’s a bot I’m gonna feel a little silly but I’ll survive.

——————————————————————————-

So now I’m making an introduction post.

I’m Fairmer (The name is both because it’s my name in my stardew save with my sister but also cause I grew up with my dad being a farmer) I’m staying anonymous-ish for now, that may change. But being perceived on social media is scary so we are starting here.

I’m a graphic designer and illustrator living in Manitoba, who burnt out insanely upon graduation and stopped doing illustration outside of my job. I’m new to actually posting on tumblr, or honestly anywhere. Sometime I may link my portfolio here, but right now it’s under construction/being updated.

I’m also queer/bi, and have unexplained chronic pain that’s most likely from endometriosis but I keep most of my complaining about pain on my other blog.

I post mostly fanart so if you like:

- Nancy drew, PC games or otherwise. These in particular have motivated me to get back into actually drawing again.

- other games like Stardew Valley, Spiritfarer, Hollow knight, Hades, etc. (cozy games or otherwise) (also I was a teenage exocolonist except that’s gonna take me like a few business months if I decide to do art for it)

- Narnia, Lord of the rings, fantasy in general (Dnd?)

- Smosh, (current) dropout tv, starkid, tin can bros, shipwrecked, BDG,

- shows like ATLA, Ducktales 2017, ROTTMNT, The Owl house, Tangled the series, Hilda, Over the garden wall, etc.

- HTTYD franchise including riders/defenders of berk and RTTE, mostly rtte.

- like anything else, idk Barbie probably, maybe good omens or dr who? oh also I’m a theatre kid, big fan of hadestown and legally blonde.

You’ll most likely find me posting something at some point involving any of the above. I may post some originals too, but I’m not putting too much pressure on myself here.

Anyway, this is a pretty new account so I don’t have much stuff yet, but If you like my stuff you’re welcome to stay, apologies to any not-bots that attempted to follow me.

I may get into being open for commissions in the future, but for now it is what it is.

Also free Palestine

#artists on tumblr #intro post #this ended up kinda long but that’s what intro posts are like #narnia #atla #Nancy drew pc games #cozy gaming #illustration #smosh #queer artist #hilda #fuck ai art

[paracosmicessence]

Hey! I love your art so much 💖 I wanted to ask what program you use for 3D modelling?

aw thank you!! :3

and to answer your question i’m going to warn you this is going to be kinda long because i’m gonna use this post as an excuse to show my 3D models that aren’t awful (sorry lol).

i actually use two different programs, both for different purposes, but you don’t need to get both, it really depends on which kind of modeling you want to do.

1) the first is called Nomad Sculpt on the iPad, you do have to pay for it unfortunately but it’s definitely one of the best modeling apps for the iPad. i know Blender is free but my computer is really old and doesn’t run the program very well, and at this point i’ve already gotten used to nomad sculpt.

anyway tho, i use it for art-related things like the obvious 3D models, but recently i’ve been playing around with just making scenes to use as references for my drawings. they’re not anything impressive, most of the time i actually use it to make little figurines to print and turn into earrings/little friends that sit in my room just for fun.

i’m gonna show this first bc they look cooler once they’re printed and colored (also you can tell i printed mini crowley and aziraphale when my sonadow hyperfixation started bc i never actually painted crowley) (he’s just kinda sitting there oops).

the little red guys are actually my favorite bugs (goliath beetles), i made them about a year ago but i still wear them like every day.

and here’s what they look like in the app, it’s a little intimidating but once you get used to it it’s actually kinda fun just playing around and seeing what you can do.

2) the second program i use is Shapr3D (also for the iPad, but i think they made an update where you can run it on windows/mac). you also have to pay for this as a subscription which sucks, i’m only able to use it since the engineering program i’m in pays for it.

Shapr3D is one of the many CAD software programs out there, but it’s nice bc it’s very beginner friendly and very easy to use. CAD is mainly for architecture/engineering but i honestly think more 3D artists should give it a try. it’s really nice once you get the hang of it and (i’m probably biased bc i’m a student) i honestly prefer it over just normal modeling software because i feel like you can be a lot more creative with it.

right now for my engineering class, our semester final is to design and present something that’s functional, and we can either explain the math behind it or just 3D print it and demonstrate how it works, and i’m making a functional mini model of “the rack” trap from Saw III (i’m not psychotic i swear i’ve just had a Saw hyperfixation for 5 years).

i’m definitely gonna post it when it’s finished just bc i’m already excited with how it’s turning out, but for now here’s a couple at-home projects i’ve done:

(above) i have a bunch of wet liners and i designed a stackable holder thingy with bolts between the shelves and a little cute star screw to fasten it at the top.

(above) i also made a few rotating brush holders at home (bc the ones that actually rotate are like $40 for some reason) by buying a set of small sphere bearings at home depot for like $5 (that’s what those little metal things are inside the third one, i took it apart bc i don’t know how to put a video and a picture in the same post) (just pretend they’re spinning rn).

anyway that’s all!! if you actually read this whole thing i love you so much bc engineering and design is one of my special interests so thanks for letting me tell you about the silly things i’ve made :3

#asks #3d art #3d model #engineering #infodump #special interest #ermmmmm not sure what else to tag #this was just a really long post lol #bugs #good omens #autism creature

[faultlinescrew]

Spitfire, Sophia getting a better story, fucking up nazis and cool gasmasks? Sign me the fuck up i am so down for this you have no idea.

The Arrows created by @nonplatonicsubtext, and i will make more art in return for more lore on these three and Charlotte Design notes and hcs under the cut

(if any of these dont fit please feel free to disregard them :] i am just 'yes and-ing' here)

Spitfire: - I have five different designs for her i rotate through depending on how im feeling, so i went for the one that would best fit for this au - In canon shes one of the younger members of palinquin (in my hcs she is the youngest) and pretty timid, so plays more of a support role, in this shes a more a frontline fighter, so natrually, more scars - ^ and i like the idea of her getting burnt by her own powers (not canonly fireproof and all) - many thoughts about her you have no idea - having more of a spine is a good thing, but it is also causing her so much stress - went for a more assymetrical design partly for the lack of resources due to her not ending up taking any teams offer, parlty bc i thought it looked fuckin sick - very curious as to why she turned down faultline - was homeless (i belive this for a number of reasons), her and Apsis are crashing in some abandoned basement somewhere Morrigan: - I dont really have much to say, i am so hyped to watch her be rescued from her original narrative and i want to make art for it - n0brainjustvibes prowler!sophia design is so good it rewrote my brain entirely, shes ourple now - your (nonplatonicsubtexts) description for her costume was so vivid i just picked it up and threw it at the drawing software

Apsis: - Shes kinda just free real estate to do whatever with so this will be mostly hc's - Also havent given her a full costume design bc i am waiting for a more solid vibe if that makes sense - Mixed south asian/white (in the above art, at least) - May i suggest the name lila/leela - Whilst Emily and Sophia are roughly 15, shes more 18/19, and that age gap might contribute more to the gap she has with the other two - Fell out with the Merchants a while back due to petty drama and managed to avoid their aquisition into the Syndicate - Has a bit of a substance problem from that, but wont really recive any support due to the whole 'tramatised homeless young adult whos primary job is kicking the shit out of white nationalists' thing, so thems the breaks i guess - Shes just chillin

#parahumans #wormblr #worm #dishwasher draws #worm au #spitfire #shadow stalker #whirligig #worm web serial #fanart #au fanart

[am-i-the-asshole-official]

AITA of I want art trades to be of equal time/quality?

this is a weird one but I had a spat with someone recently because they wanted to do an art trade, which i was open to do, but we hit a weird impasse. When I do art trades I like to put forth as much effort as my trade partner puts forward first, and would prefer that if i put art first that my partner reciprocates the same amount of time and care.

Art style, quality, experience, follower count means nothing to me in the exchange, just the level of effort. It feels unfair to me that I would put in hours/days of work on a painting to only receive something done in less than a few hours, especially since that would basically be doing a free commission. I'm willing to give smaller/newer artists with less experience or cheaper software more effort in my half on the account that I trust they're doing their best with what they have. It's meant to be fun!

This is not an instance of that. I've checked this artist's gallery and they were perfectly capable of producing extensively detailed pieces, so I agreed to do a more detailed piece, as long as they do the same.

This is where things get weird. They were perfectly fine with me doing something bigger and were very excited, and I brought up that in my listed art trade rules, I'd like them to do the same. They agreed, and we both went to work. I'm a slow artist, so it's been taking me some time, and I'm well into working on colors and rendering. in the middle of this time is when I get my half. it's just lineart with some shading. it was very beautiful, and I'm grateful! but it's not necessarily a level of detail that we agreed on. So I kiss my flat colors and rendering goodbye and just quickly rendered the lineart to match.

They get excited and ask when the final of my half will be done. Confused, now assuming what they provided was just a WIP, I say when they finish theirs. They go "oh but this IS my final :)" and I am... still very confused.

I brought up our agreement to do equal effort and they go "but I did that, this took me a long time" to which I point out I've been working for a few days now to produce a fully rendered painting, which wasn't even finished by the time they posted theirs.

They start getting defensive saying that exertion of effort varies from person to person which I fully agree as a chronically fatigued person! but I still feel really scammed that I'm putting in all this work and they can only provide what their commission form claims is a "colored sketch" (and on the cheaper end too.)

They keep getting weird and defensive and I decide to just call the whole thing off, giving them the art I did and that it was final. They get pissy and call me an entitled asshole for wanting to "break their back" over a free art trade.

I would be perfectly happy getting a rendered sketch, if that were what we agreed on in the first place!

I don't think I'm the asshole here, but being called "entitled" really got to me, especially considering we WERE doing work for free. So here I am. Am I the asshole for wanting equal parts effort? Or am I just being entitled? I'd share the art pieces we did here but I won't out of privacy for both me and the other artist.

What are these acronyms?

#aita #am i the asshole

[nanowrimo]

How to Find Hope for Completing Your Writing Goals

Every year, we’re lucky to have great sponsors for our nonprofit events. Campfire, a 2023 NaNoWriMo sponsor, is a writing and worldbuilding platform to help you create an immersive experience benefitting both authors and readers. Today, Campfire Community Manager Emory Glass shares some words on having hope when writing feels overwhelming:

It has been 3,265 days since I won NaNoWriMo. I was 16 and wrote 75,000 words. It was exhilarating and cathartic and everything I ever dreamt of.

Tomorrow it will be 3,266 days since I won NaNoWriMo. I look back on my projects thinking, “2,500 words a day is lightspeed. The words flowed so freely then, so quickly.” I want to be a writer–I am a writer. It is my identity, my purpose, my reason, yet I cannot bring myself to finish what I have begun.

The next day it will have been 3,267 days since I won NaNoWriMo. The words do not fly from my fingertips but crawl, sapped of energy, the page a grave for ink stains posing as letters. I talk to my characters often. My writer friends tell me I speak of them as if they were real people, but I cannot seem to lift the weight of their stories from my mind. Still, I have no platform, no audience, no one eagerly watching for the next installment.

The day after it will have been 3,268 days since I won NaNoWriMo. Two publications, no published novels, hundreds of thousands of words gathering dust. I am no writer, I am a collector of words. There must be something wrong with me. I have so much to tell, so much to share, so much to create, but here I am not telling, not sharing, not creating.

One day it will have been 3,269 days since I won NaNoWriMo. I will not have published a book, I will not have a new story, I will not have an audience or a platform or one–just one–person looking forward to what happens next.

But I will not give up.

"...and if you gaze into the abyss, the abyss gazes also into you." (Friedrich Nietzsche)

It's rather typical for a dark fantasy writer to peer into the void, but it quickly becomes an intoxication and an excuse to never move a muscle. Do not succumb. Push forward, even if you barely move an inch. If you wish to be a builder, you build. If you wish to be a fighter, you fight. If you wish to be a writer, you write.

Brute force seems barbaric. Should words not spill onto the page? It is said that art cannot be coerced or bent to one's own will; it comes easily, naturally, swiftly. The very best art is created in a creative frenzy, so they say, and the very best artists are recognized in memoriam.

But if you delay and evade and wither your ambition as you count the days since your last success, your oeuvre halts and is buried and perishes by your own hand. So if you, like me, too often find yourself peering into the void where the words have gone to fade away, cleave to the remedy for its gaze: hope. This is the heart of creation. Laudation and lucrativeness are but two measures of success. They will not themselves burst a dam of words within you and imbue every project with Midas' touch. Creative fever is not catching–you must seek it out.

Give yourself a reason to write even when you do not want to or it feels too Herculean a task. If you seek new horizons, a useful tool, or a supportive community to accompany you on this odyssey, enlist Campfire to help. Whether it behooves you to squeeze out words on your mobile device, stay focused offline with a desktop application, or keep inspiration at hand via browser-based work and Discord chats, it's the best place to bring your stories to life.

NaNoWriMo participants can save on Campfire’s writing software! Use the discount code LETSGONANO23 for 30% off your first year of an annual subscription to our Standard Plan. It’s free to create an account. Offer expires March 31, 2024.

Emory Glass is an avid artist, worldbuilder, and author with a passion for strong female characters in leading roles and meticulous attention to detail in lore. She loves tea, learning Scottish Gaelic, continuing her work on The Chroma Books, a series of interconnected stories, and running Inkblood Book Company for similarly enthusiastic dark fantasy writers. When not chasing down stories, Emory works as the Community Manager at Campfire.

Top photo by Towfiqu barbhuiya on Unsplash.

#nanowrimo #writing #writing process #first drafts #by nano sponsor #campfire #emory glass

[loosethreadstitchery]

You have so many posts I couldnt hope to comment on them all, but your work is a-maz-ing. Words cannot express how much I adore your art, shown through your magnificent colors and skill <3

Do you have any tips for those starting this kind of stitchwork? I imagine the backs get quite messy XD

First, thank you so much - that's super kind of you!

I don't know how much stitching you've done before now, but the very basics of cross stitch and blackwork are here and here. If you already know the basics,

For the kind of blackwork I do most, using repeating motifs to fill in sections of a larger image, I find that the biggest problem is getting lost in the chart and forgetting which repetition of the fill motif I'm on. This is especially tricky when there are slight variations in the motif, as happens when I'm shading or making a colour gradient. Have some way to mark off each repetition of the motif as you complete it. I do this by annotating in my laptop's .pdf reader; some people print out the pattern and just use a highlighter. There is some software like Pattern Keeper or Cross Stitch Saga that some stitchers like, but the file formats they use aren't always available (I've also been told that Pattern Keeper isn't great with backstitch, which would make it kind of useless for blackwork, but I've never used either program, so someone else can weigh in there).

I work on black Aida a lot - some people hate working on black because it's harder to see the holes in the cloth, but I love the way it makes coloured blackwork pop. Your best friend here is lighting - good light on your work, and also a bit of backlighting. You don't want the backlight to be so strong that the holes turn into blinding little pinpricks, but you want to be able to see the light through them. Some people will put a phone or tablet behind their work with the screen on low; I find that having something white behind it is enough - a white pillow on my lap, or the white walls of my apartment.

My backs are a mess, yeah. For most of my patterns, it's geometrically impossible to do the reversible blackwork thing, and most of the time I'm making something whose back won't be visible, so it's a place to hide my stitchy sins. Gradients in particular have areas where stitches of one colour are relatively far apart, so there are big jumps on the back.

Samplers made up of small motifs in separate squares are a good way to get used to following blackwork charts without getting tangled up in repeating fill patterns.

If you're looking for a small project to give blackwork a try, I've got a couple of little free patterns here and here that are on the simpler side, and one here that's a good way to try a gradient.

#blackwork #embroidery #ask