gonna complain bc it’s what i’m good at and then i’ll go back to writing my series bare with me!!
i’ve been watching the triplets since like late 2021 and i fell in love with them for more than just how hot matt is (will say it kept me watching tho) that being said, i loved their content. they made me laugh and i became very invested very fast.
people change and i understand that but what’s unfortunate to me is the ways they’re changing. as a viewer we’re meant to be expecting better content in return for loosing content and that is the last thing we’re getting. i know for sure im not the only one sick of car videos without a topic where it repeats the same trope.
chris yaps, nick yells while chris and matt laugh, and matt ends up annoyed. BORINGGGGG
it’s very clear they think they need to cut back with content to create better content but as a podcast lover… the content isn’t any better!! along with this it just feels like they’re more focused on their personal brands which is fine in theory but it makes no sense for them to make less content for viewers so that in turn viewers will buy their products
some of the best triplet content is on other people’s accounts because it follows a different video outline and isn’t the same shit two times a week
once again, love the triplets but someone needs to tell them that the reason their vids are getting worse isn’t because they are making too many. i understand it’s a lot, but realistically they post on one platform twice a week. they are only active on tik tok when they need to be to keep their viewers, and the same goes for insta.
and like nick has stated many times, he can edit a video the night before and filming it takes at most like 40 minutes so where are the twitch streams and personal videos we were promised?????
so as a fan that’s been watching them for a long time i’m just annoyed. i still love their personalities and occasionally they make me laugh but they need to do some serious reflection on what they want out of their channel. and if it’s just fans money then im not interested
90 notes
·
View notes
I just made myself sad at 2am by thinking about how I only got to see Seb race for a year, I never got to see Kimi race, I don't have many years left of Danny. People can be really annoying about new fans of the sport, but I missed the best of some of my favourite drivers, I can go back and watch those races online, but I'll never get to experience what those races were actually like in real time and it's awful. Someone needs to invent time travel so I can make child me love this sport sooner.
2 notes
·
View notes
kyuuyakus so good not only bc its like the only song heavy enough i can tolerate at loud volumes that can Almost drown out my coworker who never shuts up but ALSO for the points ive said 74times & will continue to,
aru sekai shoushitsu set us up for something super sci-fi, which. yes. the series very much is. but it was so technical and almost coldly indifferent. and then we're given the whole "old testament" in the title & the whole intro reading that isnt far from dantes inferno type content as my good friend emimin pointed out. we've got this new aspect added in and at the same time the lyrics let you know this character's still dealing with the complex technical stuff, from the terms down to the second kanji in ashita being incomplete as though because of a program error or interruption or some other similar reason.
and it feels even more different because theres just so much emotion in this one compared to shoushitsu. all the "bye-bye"s written in ways that express deep pain, the fact that the "see you tomorrow"s are cut off in the way they are the first time, and so drawn out the second time. the genre's not the spacey, distant trance type that shoushitsu is; its heavy, its intense, its got as much to it musically as there are details in the story. it's not just to sound cool, it's getting her state of mind across just as much as the spoken words. the world's being destroyed physically & metaphorically, everyone's suffered this over and over, they've parted ways so many times and its just never something they can get used to, especially not if they want to keep trying to end this whole loop, she's stressed past imagination trying to keep everything in check when its just not possible, & the intensity of the music just emphasizes all of that. there's less intense parts too, sort of like a forced focus on what she's doing that all too quickly builds to a panic. or the in the second part where everything gets so dire, the bell's tolling and she's running out of time, the piano over top of it giving such an uneasy feeling, and then right back to that heavy panic. theres so much emotional charge in it you know the long notes aren't just magu having fun with it; you just know they're meant as screams. i dont even think i can say screams for help, i think she knows shes past the point of help or at least that she's supposed to be everyone else's source of help that it's just stressed lamentation. she's doing everything she possibly can and its not working so all thats left is to cry out about it.
and then u have the rute furute wo a motif in here that's added in under the "fractal wa/kurikaeshita" parts that really hits harder now with kannagi for extra context. knowing that this is in the past & can't be changed and everyone else is using this as a point of reference. then u of course have the nami no ne wo motif, & the longest & clearest instance of it aside from maybe oumen mokushiroku so u know she's herself & gets to live, gets to keep doing this & watching other people die. (although i have absolutely no frame of reference for how long she lives given this is a past event & she doesn't seem to be present in the more current time songs. we dont really have that context yet) & then we're back to the rute motif on top of what still sounds like a jumble of nothing. but i also thought the rute line was nothing and here its a big deal so i cant wait to realize what this other jumble is, considering its also under the last ima kizanda parts.
theres just so so much to it, so many little intricacies that build such a full picture from whats otherwise one of the more simple series songs & i cant love it more.
2 notes
·
View notes
I just can't explain to people why I hate passports and visas and borders. I hate when some official asks for my documents and looks at them. I hate that. Why are you judging me? Why are you looking if I am good enough to stay in your country, in your city? The country doesn't give you ANYTHING bc you have these papers, but you will have to go through hell sometimes to get them. This is literally the same planet. Its the same earth and the same air and the same water, why can't people just go to any direction they want? How does it make sense that some people drew some lines that define where "their" piece of the planet is? Like it can't belong to anyone, its literally a planet.
2 notes
·
View notes