Kibbe Body Types, Part 1: Gillian Anderson
Building off of the Kibbe Body Types primer post here, we jump straight into Gillian Anderson of The X-Files fame.
David's up next, don't you worry! I'm tackling GA first because I have ample information to fact and figure my way through the system (and because it's slim pickings finding fashion advice for men's body types); and thought I'd get the convoluted, detailed analysis out of the way on this post so we don't retrace our steps in the next.
Onwards~
**Note**: If you want to skip right down to Gillian, search for Gillian Anderson: the Results header.
KIBBE BODY TYPES: A SHORT SUMMARY
(You can skip this section if you just want to know Gillian's frame, proportions, and Kibbe Type-- no sweat off my back.)
David Kibbe constructed a system that measures the soft and structure, short and tall, wide and narrow, yin and yang of the body frame: its skeleton, its curves, its musculature, and its fleshiness. It's strictly a practical science that explains how best to dress to balance out one's natural features, regardless of weight gain, weight loss, or aging. This system is not about correcting the "flaws" of a person's body, but understanding why a garment, accessory, etc. does or does not naturally suit the lines of the body.
Kibbe used to have 13 types (that included pure Natural, pure Classic, and pure Gamine) but recently winnowed them down to ten.
(**Note**: I have written about them in more detail-- with pictures included-- in my previous post mentioned above. Highly recommend.)
(Credit to: Aly Art)
Dramatics have the most yang of the body types: tall, lean, and narrow vertical lines, with the least amount of softness to their flesh ("fleshiness."). They have long bones and sharp curves that are best accommodated by long, clean lines and long silhouettes (no color blocking.) Their hair looks best in clean, carefully styled lines-- geometrics, blunt cuts, etc.-- without too much of a wispy or tousled appearance. They do best without waist emphasis or shorter lines in their outfits, appearing to advantage in long, boxy silhouettes.
Soft Dramatics have the Dramatic Type structure with added softness to their curves, giving them a full-bodied, "heavy" voluptuousness (as opposed to a delicate weightlessness.) They look better in soft but weighty fabrics, with big, rounded silhouettes and lines that curve around their figure and emphasize their waist. Again, like Dramatics, they need carefully styled hairs, looking undone tousled hair or too much wispiness.
Flamboyant Naturals are midsize to very tall, with width and bluntness to their elongated frames. Their very pronounced wide shoulders and narrow waist and hips create an unmistakable T-shape (and have been the sought-after body type for runway supermodels since the 90s.) They look their best in big, oversized, relaxed fits; big, tousled, crazy hair; long, vertical lines without color blocking. Nothing too stiff or too delicate and weightless.
Soft Naturals are normally midsize to slightly smaller, with wide, blunt edges to their elongated bones. Their more proportionate frames and softer flesh on their arms and legs help them appear more "womanly" than FNs. Slightly tousled, slightly crazy hair; a slight waist emphasis; and long, unconstructed lines layered with different fits, patterns, and colors look best on them-- "feminine undone", in other words. Anything too stiff make them appear "heavier" than they are.
Dramatic Classics are midsize to tall, with a very balanced, symmetrical frame proportionate to their length and width. They have a touch more yang to their skeleton: a bit more sharpness in their bones, a bit squarish in the face and shoulders. Clean, symmetrical, sharply tailored outfits look best on them; and they are able to mix the angularity of men's and femininity of women's styles if they keep their lines in the right places. Hair is incredibly important to maintain-- keeping their dead ends cut regularly is a must.
Soft Classics are midsize to petite, with a very balanced, symmetrical frame proportionate to their length and width. They have a touch more yin to their skeleton: a bit more softness to their flesh, a bit more roundness to their proportionate edges. Symmetrical, clean, "every hair in place" look is best for them; with a touch of yin to balance the touch of softness in their flesh. Well-tailored, lightweight fabrics and polished hairstyles look best on them-- not too stiff, not too delicate; not too tousled, not too structured, not too layered. Hair is incredibly important to maintain-- it makes or breaks their look.
Flamboyant Gamines are midsize to tallish, an uneven mixture of opposites with a predominant yang majority. They have a smallish, rectangular figure-- small Dramatics (without the long vertical line.) "Tailored, color blocks, irregular shapes, mishmash-- they can mix whatever they want." Hair can be in any shape or style they want, unless it is long; in which case, it must be "crazy." Their waist does not need to be emphasized; and cropped lines will always look good.
Soft Gamines are petite, an uneven mixture of opposites with a predominant yin majority. They are small and rounded, often feeling awkward, puffy, or overweight (when they are not) in super feminine lines: their bone structure is slightly too angular-- though still fleshy-- to be comfortable in completely yin fits. Lines should be crips, color blocked, with waist emphasis: "puffy things with very precise ends." It's best when clothes are fitted at the neck or shoulders or elbows or wrist or waist or hips or knees or ankles; and in between those points, the material can be relaxed, with gathers or looser knitting. "Feminine or weightless things should have added weight: color blocking, bright colors, etc. Hairstyles that are feminine and tousled look best. Cropped lines will always work best.
Romantics have the most yin of the body types: midsize to petite, with a very curvy, "lush", feminine "fleshy" roundness. Their bones are short and slightly wide; but still appear delicate. "They look best with waist emphasis, weightless fabrics, and gentle silhouettes. Gentle colors, slightly transparent fabrics or lace, flowers, gentle ruffles-- everything that is weightless and not super stiff. Same with hair: something that will still have body and some femininity-- curly hair, wavy hair... if straight, it can be slightly longer. Delicate things should present in their look."
Theatrical Romantics are midsize to petite; and are "the same as Romantic but with thinner bones. They are still short, but thinner. They are not as wide-- imagine a narrow hourglass-- small hands, thin fingers. They look best in small, ornate, and sophisticated clothes."
BEGINNING OUR PROCESS OF ELIMINATION
I'm going to be using Aly Art's body type quiz (here); and pictures from her and Merriam Style's quiz (here.)
David Kibbe is adamant that height be factored into the body types-- women's bodies, particularly-- so we shall begin our journey there.
Dramatics: 5’9"/173cm and up
Soft Dramatics: 5’7”/170cm and up
Theatrical Naturals: 5’11”/180cm and up
Soft Naturals: 5’5”/165cm and up
Dramatic Classics: 5’5”-5’8”/166-172cm or thereabouts
Soft Classics: 5’5"-5'6”/164-169cm
Romantics: 5’5"/166cm or thereabouts
Theatrical Romantics: 5’2”/157cm or thereabouts
Flamboyant Gamines: 5’6”/168cm and under
Soft Gamines: 5’2”/157cm or thereabouts
As we can see, Gillian at 5'2" can only fit into Gamines, Romantics, or perhaps Classics. We shall see how this shakes out.
TAKING A (SHORTENED) KIBBE BODY TYPE QUIZ
The purpose of David Kibbe's body type quiz is (or was) to identify the visual weight-- the presence or gravitas-- of the bone structure. To loosely quote Merriam Style: "The first thing we want to think about when we think about bone structure: are the bones longer-- offering a lot of structure to bear up visual "weight"-- or are they smaller and shorter-- offering less support for heavier visual weights?"
An overall view is crucial: two body types can share nearly identical faces; or one person can have a lot of yang in their facial features but have dominant yin in the rest of their body; or any other disastrous event can happen that will topple the whole franchise.
We're eliminating B options from this list (as they pertain strictly to Natural Body Types), as well as two questions in Kibbe's original quiz (which he has either loosened or tightened restrictions on, respectively.)
Question 1 - Shoulders
A's shoulders are long, narrow, and sharp
C's shoulders are symmetrical, even, proportionate to the body
D's shoulders are sloped, narrow, tapered
E's shoulders are sloped and rounded
Question 2 - Arms and Legs
A's arms and legs: elongated and narrow
C's arms and legs: moderate, in even proportion to height and upper torso
D's arms and legs: small, slightly shortish
E's arms and legs: very short in proportion to height and upper torso
Question 3 - Hands and Feet
(A top left; C top right; D bottom left; E bottom right)
A's hands and feet are long and narrow
C's hands and feet are moderate-- not too narrow, not too blunt, not too long, not too short, not too pointed
D's hands and feet are small, narrow, and delicate
E's hands and feet are small and slightly wide
Question 4 - The Overall Shape of the Body
A is elongated, lean, and sinewy
C is symmetrical, evenly proportioned
D is very short, delicate, and softly narrow
E is very short, delicate, and softly wide
Question 5 - Bust and Torso
A's bust and torso are flat and taut; and tend to stay flat even with weight gain
C bust and torso are moderate, in even proportion to their waist and hips
D's bust is shapely, curved, and more prominent than my waistline; torso is short and collects more flesh when gaining weight.
E bust and torso is very prominent and lushly curved, no matter their weight.
Question 6 - Waistline
A's waistline is elongated, but "boyishly" tapered
C's waistline is moderate, slightly defined, and not overly cinched
D's waistline is very small in proportion to their bust and hips
E's waistline is softly defined, but tends to be slightly wide
Question 7 - Hipline
A's hipline is tapered, straight, "boyishly" narrow
C's hipline is moderate, in even proportion to bust and waistline
D's hipline is shapely and rounded, more pronounced than waistline
E's hipline is softly rounded and wide, no matter their weight
Question 8 - Upper Arm and Thigh Flesh
A's fleshiness is long, lithe, and sinewy
C’s fleshiness is moderate
D’s fleshiness is soft, slightly short
E’s fleshiness is very soft, slidely wide, fleshy
Question 9 - Jawline
A's jawline is sharp-- either very pointed, very prominent, or very square
C’s jawline is moderate, symmetrical, not very sharp or rounded
D’s jawline is delicate, tapered, or slightly narrow
E’s jawline is rounded or softly wide
Question 10 - Nose
A's nose is sharp and prominent
C’s nose is moderate-- not very rounded, not very sharp, not very blunt
D’s nose is delicate, tapered, narrow
E’s nose rounded or softly wide
Question 11 - Cheekbones
A's cheekbones are high, prominent
C’s cheekbones are symmetrical, moderate
D’s cheekbones are delicate, narrowed, slightly rounded
E’s cheekbones are rounded
Question 14 - Cheeks
A's cheek softness is taut and flat, even with excess weight
C’s cheek softness is moderate, soft, but not puffy
D’s cheek softness is soft and fleshy; may get “full” with excess weight
E’s cheek softness is very soft, very fleshy, very round; even without weight fluctuation
Question 12 - Eyes
A's eyes are narrow, straight, closely spaced, or almond-shaped
C’s eyes are evenly spaced, symmetrical, moderate sized
D’s eyes are rounded, slightly close together, possibly almond-shaped or up-turned
E’s eyes are very round and very large
Question 13 - Lips
A's are narrow, straight, or thin
C’s lips are moderately shaped, neither too thin or too full
D’s lips are slightly full and rounded
E’s lips are very full, very rounded, very luscious
Results
Majority Cs points to the Classic Body Types (Kibbe no longer stands by this pure classification)
Majority Cs with several As or Bs points to Dramatic Classic Body Types
Majority Cs with several Ds or Es points to Soft Classic Body Types
Majority Es points to the Romantic Body Types
Majority Es or Ds with several As points to Theatrical Romantic Body Types, or Majority Ds
Majority As and Es points to Gamine Body Types (Kibbe no longer stands by this pure classification)
Majority As and Es with several Bs points to Flamboyant Gamine Body Types
Majority As and Es with several Ds point to Soft Gamine
Gilian Anderson: the Results
Gillian has an overall short, delicate, softly narrow body (D): moderate shoulders (C); small, slightly shortish arms and legs (D); small, narrow, delicate hands and feet (D); a bust and torso in even proportion to her waist and hips (C); a proportionate hipline and waistline (C); delicate, tapered jawline (D); soft and slightly short fleshy arms and thighs (D); delicately rounded cheekbones (D) and cheeks (D); delicately tapered nose (D); very round, very large eyes (E); and very full, rounded, luscious lips (E).
In summary, GA has 8 Ds, 4 Cs, and 2 Es.
Thus, we can conclude Gillian Anderson is a majoirty D type, meaning she is a Theatrical Romantic: delicate, petite bone structure with a touch of yang that narrows the soft width of her features. She looks best in waist-emphasis outfits; small, delicate patterns; and carefully groomed, softened hairstyles.
THEATRICAL ROMANTIC DESCRIPTION
Here is a transcription of David Kibbe's book I've taken from Aly Art's video here:
I'm going to read you the full description of the Theatrical Romantic Body Type by Kibbe from the book Metamorphosis....
Note: The following information should be taken as a broad outline of what makes a Theatrical Romantic. It is the overall combination of extreme yin with a slight yang undercurrent that creates this image identity category....
It is a delicately radiant physicality that is combined with the powerfully magnetic essence. Height: normally moderate to petite, usually 5'5" and under. Body type: soft and voluptuous, although trim and smallish as opposed to wide and "bulky." Hourglass figure-- curvy bustline and hips with a waspish waist. Soft or fleshy arms and legs. Bone structure: small and delicate. Slightly sharp edges: shoulders, jawline, cheekbones, or nose. Small hands and feet (in proportion to height.) Facial bones are small, delicate, and slightly sharp. Facial features: soft and lush. Large, luminous eyes-- sometimes slightly upturned, sometimes slightly "bedroom." Full, luscious lips; soft cheeks. Hair: soft and luxurious to the touch, maybe very silky and wispy or thick and wavy, curly. Coloring: any coloring is possible-- warm or cool, high contrast or blended-- but a Theatrical Romantic usually is quite vivid with a delicate complexion that is luminous or translucent. If overweight, the figure will remain hourglass with a defined waist. Upper arms, thighs, and face will become quite fleshy. Theatrical Romantic will normally not be extremely tall; have large, wide bones; have large hands and feet; have extremely prominent facial bones or features; have a "boyishly" straight figure devoid of a defined waist.
What's interesting about Gillian is that she is one of the rarer Theatrical Romantics-- one without a huge bust (which is one of the too oft used hallmarks of both Romantic Types.) Again, further proof that the whole must be taken into account instead of just a glance and a guess.
Other Theatrical Romantic women include: Ann Margret, Heidi Lamar, Jada Pinkett Smith, Jane Seymor, Jean Harlowe, Mila Kunis, Morgan Fairchild, Salma Hayek, Selena Gomez, and Vivian Leigh.
COMPARING THEATRICAL ROMANTICS TO OTHER TYPES
I'm going to be heavily quoting Aly Art throughout, as it will save me a lot of time and mental energy.
Dramatics
Theatrical Romantics are the second softest of all the types, with yang "drama" of their frame only differentiating it slightly from pure Romantics.
Dramatics, however, are the most yang of all the types-- "more elongated, more angular, more square and more sharp" in each angle of their silhouette.
Soft Dramatics have the sharper, elongated bones of the Dramatics-- again, making TRs appear shorter in their height and limbs-- but with layer of soft flesh overlaying their silhouette. While "fleshier" than Dramatics, they will still "appear heavier, bigger, or more pronounced."
(Left Photo: TR Gillian Anderson, left; D Cate Blanchett, right.
Right Photo: SD Christian Bale, left; TR Gillian Anderson, right.)
Naturals
Flamboyant Naturals and Theatrical Romantics are very, very different. "Flamboyant Naturals look taller because of their longer vertical line, and they consist of blunt edges-- more squarish shoulders, more squarish figure. Even when they have a waist (sometimes)... you perceive them as straight, not... as curvy women. When you look at Theatrical Romantics, you perceive them as curvy women" (even if their actual measurement ratios happen to be less curvaceous than a fellow FN.) "Theatrical Romantics look shorter...."
"Soft Naturals are slightly wider in bones-- in their face, in their body, in their ribcage sometimes, in their hip area sometimes. They look a bit stronger and a bit taller; and with this blunt bone structure they have a softness on top. Theatrical Romantics have thin bones and are shorter; but on top of that, they have lush roundness."
(Left Photo: FN Amy Adams, left; TR Gillian Anderson, right.
Right Photo: SN Helen Mirren, left; TR Gillian Anderson, right.)
Classics
Soft Classics share softness in common with Theatrical Romantics; but Soft Classic looks much more moderate.... Doesn't look as short or petite" (even if the Theatrical Romantic isn't a petite 5'2".) "They have something in common; still Soft Classic doesn't look as lush, and also looks... more proportionate, more symmetrical in general."
Dramatic Classic are more angular. They look taller; they look more moderate in size; they can be slightly more squarish and slightly broad; they might have slight musculature. And Theatrical Romantics do not: they're much softer; they're small looking; they're not angular; they have more delicate bones, thinner bones; and they're not as symmetrical. And sometimes outfits that look amazing on Dramatic Classics look pretty severe and "dry" (opposite of "lush") on Theatrical Romantics.
(TR Gillian Anderson, left; SC Helen Mirren, right.)
Gamines
"Flamboyant Gamines can look slightly elongated in their smallish frame: they are not tall, they are not big looking, they are pretty small looking. Sometimes they can be slightly broadly angular; sometimes they can have some muscles. Can be slightly squarish in the shoulders-- they can be slightly squarish in general." In comparison to Theatrical Romantics, they can appear more "electric, tomboyish." (Two classic examples are FG Penelope Cruz and TR Salma Hayek.) "Flamboyant Gamines' arms can be more elongated; their legs can be a bit more elongated They can look more straightish in figure. And Theatrical Romantics look pretty delicate-- they have shortish hands, shortish legs, shortish arms."
Soft Gamines and Theatrical Romantics are often confused because SGs are "small and also can have sharp bones, and figure, and soft flesh, and roundness. But again: Soft Gamines are slightly more angular than Theatrical Romantics. They are more "playful" looking because of the angularity in their chin, in their shoulders; and Theatrical Romantics are not angular to the same degree. Soft Gamines also skew more "girlish" than full-figured "woman" in comparison to TRs-- "but not always!"
(Top Photo: TR Gillian Anderson, left; FG Jimmy Kimmel, right.
Bottom Photo: TR Gillian Anderson, left; SG Reese Witherspoon, right.)
Romantics
Romantics are the softest of all the types, lacking the extra sharpness or "drama" of the Theatrical Romantics. "Normally, their shoulders are rounder. Also, Romantics have slightly wider bones-- also petite, also short like Theatrical Romantics.... Theatrical Romantics have slightly thinner bones; and Romantics, wider bones."
LINES, SILHOUETTES, AND OTHER FASHION DETAILS
But how do we dress the illustrious Gillian Anderson?
Again, I quote Aly Art quoting David Kibbe:
Shapes should be rounded, intricate, and ornate with slight sharpness at the edge. You might not look as good in geometrics; in chunky or bulky shapes; in sharp, severe shapes.
Line and silhouette: silhouettes should be hourglass, emphasizing the curves and showcasing the waist. The waist should be sharply defined, and the shoulders should be crisp. Tapering at the wrists, hemline, and knee areas. Lines should be soft, draped, flowing, clingy, ornate, and intricate. You might not look as good in all-severe silhouettes; in all oversized or unconstructed silhouettes; in all straight lines; in all sharp lines; in all wide or horizontal lines; in all long vertical lines that hide the waist.
Detail: details should be intricate, ornate, delicate, and quite lavish.... excess detail trim is important to help frame and focus the face. Bows, soft ruffles, and sparkly applique are excellent. Necklines should be soft and draped or sheered and gathered. Shoulder tucks, gathers, and bouffant shapes are perfect. Sleeves should be tapered at the wrist. Delicate and ornate buttons and trim are advisable. Waistline should always be emphasized: gathers, sheering, and draping at the waist are necessary for softness and intricacy.
You might not look as good in plain or minimal detail; in sharp or severe detail; in extremely oversized, bulky detail; in symmetrical, subdued detail; in crisp, perky detail.
CONCLUSION
We now know the yin and yang of Gillian's bone structure, which will help teach us what silhouettes, lines, shoes, accessories, hairstyles, and even hair colors would suit her best.
But that's another post for another time.
Thanks for reading~
Enjoy!
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Let’s talk about Cabin 10. The first thing we learn about them is that they don’t smell bad enough to attract monsters and they aren’t a threat in capture the flag because they’re just laying around braiding each other’s hair . . . Ok, BUT. Most half-bloods have adhd and most of Aphrodite’s children are a bunch of girls and Mitchell. So let’s look at these girls as a shack full of fem-presenting neurodivergents.
• whoever decorated all those pastel beds was probably spazzing out because all her new sisters bring her the connection she craves. Also she was hyperfixating on Barbie 12 Dancing Princesses—that bedroom was the dream.
• Patrick’s mortal dad is so proud of him. SO proud that his son has so much emotional courage.
• Ella has a deep empathy for animals who have been abandoned or forgotten. She hates to see a kitty get overlooked because she’s older or no one takes a pupper home because “pitbulls are mean.” She volunteers at a shelter every weekend and uses her powers to make potential families see what she sees. Also she has some special pink crocs just for cleaning out pens.
• Competitive sports are not their thing. Good for them for collectively not faking an interest and instead spending that time talking about stuff they like. No really, good for them for getting along with their teenage sisters.
• Chloë has ASD and her favorite color is pink. She goes hard. All the things are pink. You go, Chloë. She’s not snuggly like the other girls but literally gives the sweetest, most genuine all-in compliments.
• these girls cannot keep their hands still and need some damn hair to braid. What is dopamine if not having your hair touched or your arm rhythmically scratched by another girl?
• Marguerite loves ballet.
• group runs to starbies because caffeine helps most of them calm down.
• MASSAGE TRAIN!
• one of them watches Barbie Diamond Castle while questioning her sexuality. The girls and Mitchel support her with a cottagecore home reno.
• Victoria is very shy and is never seen without red white and royal blue a classic romance in her hand. Actually, fuck that. She’s super smart and reads a huge range of fiction. She’s also never worn pants. Fuck you, January, it’s not happening. The girl loves her pretty dresses.
• these are huge fangirls but feel a little left out of the Star Wars and marvel crowds. Lacy literally just wants to be left alone with her life-size Taylor Lautner cutout and team Jacob merch. She’s been given shit for her girly and lame interests her whole life.
• Her first week, Chloë is between Marguerite and Rose for massage train. She’s a little nervous about skin to skin but doesn’t want to stand out by saying anything. Her sisters get her feel and leap up and run to get their jade rollers to rub out the shoulder knots. There’s NO WAY their girl is gonna be left out or uncomfy.
• Drew fuckin loves Kibbe typing and is always getting her girls a new top that’s “so flamboyant gamine” and no one knows what she’s talking about.
• Mitchell sings Heart Full of Love in glorious falsetto every shower-hour and everyone is fucking nice about it.
• No one thinks Dove is smart because her dyscalculia is causing her to fail math, biology, and history (she put that the Peleponesion war took place in 3 🤷♀️.) BUT Dove loves to draw. For an artist she’s super extroverted and loves taking requests to bringing everyone’s OTPs to life.
• they don’t stink because they’re always gifting each other essential oil blends personalized to each sister’s Mitchell’s vibe.
• they’re universally bad drivers.
• Chloë is amazing with astrology. She’s dead on about sign compatibility because Chloë is a friggin Queen.
• CUDDLE PUDDLE. Proprioception really helps them finish tasks. So yeah, they snuggle while they finish their homework.
• Drew made Dove color coded friendship bracelets to help her remember her right from left. What a pal.
• Orlando is completely masc, was shocked when he wasn’t claimed by Ares or Hephaestus, and took awhile to adjust to the vibe. Turns out masculine beauty is still beautiful, and he has more love inside than anyone is ready for. You go, emotionally mature dudebro.
• Silena was looking at colleges to go into marriage and family counseling.
• Mitchel wants to be a trauma-informed tattoo artist and does beautiful floral work.
• Scarlet gets really attached and has no executive function when it comes to decluttering. Her bunk is covered in stuffed animals and at 15 she sleeps with every single one because she couldn’t bare to hurt their feelings
• dyslexic bitches enjoying red white and royal blue a classic romance audiobook all piled on one bed.
• dyslexic bitches can’t read a price tag.
• Tristan’s favorite song is Steal My Girl. He can’t stop and he won’t stop.
• Synesthete Tristan. He loves that happy teal sound of pop music. The pretty gentle yellow specific to the sound of Ella’s name. The way his crush’s smile smells like lilies.
• Rose has a thing for Y2K. You can pry her low rise jeans and PLL box set from her cold dead hands.
• a documentary about fast fashion made Valentina cry. Sometimes big social injustices make her feel really overwhelmed. They all get super into thrifting.
• Rose and Bella have matching stick’n’pokes of little hearts on their wrists.
• they fucking live for Peppa Pig. Just Rose and Bella. They’re bunk mates and someone had to buy them a headphone splitter because they have no self awareness when they’re jamming on their obsession and the others couldn’t take it anymore.
• That one time Drew made Juliette wear the Shoes of Shame. Juliette committed to a normcore makeover just to pull them off. She’s wearing those janky Reebok’s with knee high tube socks to this day.
• Piper gets mad one day and pulverizes the Golden Mango and serves it with vodka. They’re all in huge trouble. Impulse control is not her thing, man.
• Lacy is just the biggest fuckin vsco girl. Not ironic. Just Lacy. Leave her alone.
• pastel hydroflasks for everyone.
So you see these are not cool girls. They’re well… girly. No matter how much they are underestimated or how much shit they take from the rest of camp they just keep on liking what they like. Aphrodite energy is receptivity, willingness to trust, allowing things to delight you at the risk of looking silly. It’s putting on Clarisse’s armor and running into battle even when you know you’re not the strongest or the scariest. It’s shamelessly crushing on Jason who seems kinda bland to everyone else. It’s watching Ares cry and never looking away because you are so fucking strong. It’s seeing beauty in the beast even when no one else can. It’s believing in the beauty you can’t see. Even when you might get hurt. Whoever you are be it. Suck at sports. Hate fighting. Cry when something “shallow” moves you. Insist they remember Achilles for more than his crimes in grief and anger. Tear up and show it when bae leaves for work. Fucking like Nicolas Sparks. Worship your awkward girlfriend. Squee when your lame song comes on. Buy the I ❤️ Mr. Darcy shirt. You are great. Your passion, tenderness, and idealism are truly badass.
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