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#femininie
straykuds2 · 1 year
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She's grace and beauty
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instalover21 · 1 year
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kirstydreaming · 11 months
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Hannah Elena Dahl -  pink cotton candy dreams🌸🧁🎀🧸🩰🍥💕
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Men were created before women. But that doesn't prove their superiority – rather, it proves ours, for they were born out of the lifeless earth in order that we could be born out of living flesh. And what's so important about this priority in creation, anyway? When we are building, we lay foundations on the ground first, things of no intrinsic merit or beauty, before subsequently raising up sumptuous buildings and ornate palaces. Lowly seeds are nourished in the earth, and then later the ravishing blooms appear; lovely roses blossom forth and scented narcissi.
- Moderata Fonte, The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men (1600)
Moderata Fonte was the pseudonym of Modesta Pozzo (1555–92), a Venetian woman who was something of an anomaly. Neither cloistered in a convent nor as liberated from prevailing codes of decorum as a courtesan might be, Pozzo was a respectable, married mother who produced literature in genres that were commonly considered “masculine”- the chivalric romance and the literary dialogue. Her book, The Worth of Women, which was published in 1600, concerned itself with gender equality and the responsibility of husbands and fathers: issues that loom large today had currency in Renaissance Venice as well.
This work takes the form of the latter, with Fonte creating a conversation among seven Venetian noblewomen. The dialogue explores nearly every aspect of women’s experience in both theoretical and practical terms. These women, who differ in age and experience, take as their broad theme men’s curious hostility toward women and possible cures for it. Through this witty and ambitious work, Fonte seeks to elevate women’s status to that of men, arguing that women have the same innate abilities as men and, when similarly educated, prove their equals. Through this dialogue, Fonte provides a picture of the private and public lives of Renaissance women, ruminating on their roles in the home, in society, and in the arts. The book is a fine example of Renaissance vernacular literature, this book is also a testament to the enduring issues that women face, including the attempt to reconcile femininity with ambition but without the shrill tones of a strident feminism more prevalent today.  
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girlspecimen · 6 months
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hi if you use the word "gendies" please dont follow me and id prefer if u dont interact w anything i post either. bye
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nickysfacts · 1 year
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All hail Viridi, the goddess of nature and all living things!🌎
🌿🗿🌺
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iinfinitehuman · 8 months
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ONCE IN A SUPER BLUE MOON! (LION'S GATE CLOSURE)
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pinkynana · 9 months
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(do you write threesomes? mxm?)
Helloooo. i'm so happy your requests are open. Hope you like mine <3
Jaemin found out that his fuck buddy Jeno was hooking up with a female staff and that's why he was always busy when he called. He was so pissed off that he bursted into the room while they were fucking to teach a lesson to both of them.
(a lot of dirty talk, sub jeno, dom jaemin. The girl is just used like a sexdoll by jaemin to punish jeno. You can add anything you want)
idk how gay sex works honestly so uh.. gonna skip that.
jeno's been calling off hook ups with jaemin. at first he thought that jeno was just tired and didn't want to be bothered. until he saw the way the new makeup artist has been touching jeno's arm and the way jeno smiles at her. they're definitely fucking.
so jaemin shows up at jeno's place when he yet again cancels their plans together. he immediately knew whose shoes were the femininie ones in jeno's doorstep.
jaemin scoffed when he sees that the two had barely started the foreplay. he tells jeno to move and let him take over as he sets rules for the sub to follow which includes no touching the staff.
"hey there, angel." he kisses the staff's forehead. "i know you didn't get much fun with that dick over there. let me show you what great sex is."
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pt-tmc-au · 12 days
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Meet Femininie Side!
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crying-roses-moved · 2 years
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⁺⊹ . 。. :☆ Masculinal & Femininal ☆: .。.⊹ ⁺
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First flag: Masculinial | Second flag: Femininial
Masculinal or mascial is a gender that resembles, pertains to or has the characteristics of masculinity.
Femininal or femial is a gender that resembles, pertains to or has the characteristics of femininity.
Flag IDs
[Flag ID 1: A flag with 5 similarly sized horizontal stripes. From top to bottom, the colours are teal, pale blue, light purple, purple and dark purple. End ID.]
[Flag ID 2: A flag with 5 similarly sized horizontal stripes. From top to bottom, the colours are orange, light orange, light red, red and dark red. End ID.]
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kirstydreaming · 11 months
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Anna Midday
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neotrances · 2 years
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Think it's so cool actually that you're very femme but still demand people call you he/him as a baseline show of respect for your transness and actually stand your ground on that. I'm a femme trans man with a weird gender situation myself and I've only recently begun asserting myself in the same way, it's really nice to see that I'm not like the only one doing gender in this way. BTW the people calling this mode of gender ''not a trans reality'' are fully delusional, language that sharply contrasts your appearance is fundamentally transgender, this way of doing gender is fundamentally transgressive. I don't get normie femininie cis girl privileges by being openly trans and refusing to conform to either gender role. This reinvention of transmedicalist ''transtrender'' rhetoric reeks of insecurity and internalized transphobia... pathetic and boring. Keep serving cunt tyler
ilyyy🤍🤍🤍🤍u keep serving cunt too mwah!!!! ^_^
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lorata · 2 years
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The attitudes that your D2 characters have when it comes to Capitol citizens (and this is based off memory) - floofy, frivolous, vain, gossipy - all of that reminds me of language used to criticize femininity today. How do D2 women navigate their own hyper-masculine culture, and how do they perceive themselves in opposition to Capitolites?
there's so much happening here let me try and break it down
1.) D2 characters criticize the Capitol using language that is used to criticize femininity today
yeah no, I’m gonna call foul on this one right away.
the elite Capitol citizens are characterized in canon as vain, gossipy, caring about frivolous things, wearing floofy clothing, etc. and calling that gender commentary is misreading at best and disingenuous at worst. like yes there is something to be said about how fluidity in gender presentation appears to be reserved for the upper class while the binary is enforced on the poor (with death games, even!) but I don't think that's what this ask is talking about. 
none of those traits are essential to femininity, but they ARE essential to being a highly visible Capitol citizen. it is FAIR to criticize the Capitol for these things! conversely, it's stupid to do the same thing to women. yeah? it is therefore not a valid leap to say "people don't like the Capitol because the citizens are vain and care about clothes, but in real life WOMEN are stereotyped to be vain and care about clothes, so characters who don't like the Capitol also hate women, how do you defend that"
that is putting real-world gender values onto a dystopia where, let's stop and remember this, one group of people takes the other's children and sends them into death matches for their entertainment
the truth is everyone gossips! everyone is vain! everyone wears weird clothing! but -- this is the important part here -- in the Hunger Games, the rich scarf down appetizers while poor children are forced to perform a romance on camera for a cup of soup, and they wear red-carpet makeup and expensive outfits the whole time 
we are not supposed to look at the Capitol and go "wow, mocking makeup culture is misogynistic, slay queens!" we're supposed to think about 24/7 coverage of the Royal Funeral while millions starve
as I have said before and I will say again, this is not about gender, it's about class
2.) D2 women exist within a hyper-masculine culture  
I’m gonna be honest, this one makes me a bit tired
D2 is not a culture that teaches masculinity. If we attribute athleticism or physical prowess to masculinity, that’s our problem. If we attribute pathological obsession with usefulness and loyalty and contribution to society, or unquestioning adherence to authority, to masculinity, that’s our problem. If we decide that violence is inherently masculine, again, that’s our problem. Violence is not inherently masculine and I’m a bit leery that anyone thinks so. A culture that inculcates the death games is not teaching their kids to emulate maleness, it’s teaching kids to worship authority to the point they become willing cannon fodder for the rich. 
I have written so much in my stories about how D2 is not a culture that values stereotypical masculinity, it is a culture that values work. Outside the murder machine, softness is valued. Kindness is valued. Domesticity and shared partnership in homemaking are valued. Men and women braid flowers into each other’s hair as a courtship ritual. Characters who have weird ideas about gender roles – e.g. Odin – are time and time again called out by the narrative as being weird. Nobody thinks this! Why are you like this! Everyone’s making fun of you! When people learn about Lyme’s upbringing (the few who she confides in), they’re not like “oh yeah those were all normal things to happen”, they are like wow, that was messed up. 
Petra’s inability to articulate why being dressed up like a little doll upsets her is so much more layered than “ew frilly dresses” and reducing it to a critique of femininity is actually kind of sad. she’s autistic and the texture makes her want to claw her skin, but she’s been trained not to speak. it represents the erasure of her bodily autonomy. it’s a manifestation of the way her disability has changed the way people look at her. very literally, it makes her into a doll that capitol citizens play with for their entertainment. and yes, also, she is butch and has never been allowed to explore or even realize that about herself because not once in her entire life has she been allowed to dress herself, because at 13 the trainers looked at her hair and eyes and height and said “pretty” and chose her angle for her, and it takes her years of recovery and slowly, slowly making changes to make her gender presentation into something that clicks. 
the traits valued by society are found in men and women and the tensions are usually indicative of something bigger. most women in D2 are living their life, man. keep your head down, work hard, love harder, give something back, try to leave something worthwhile behind. the kids who die for us deserve at least that much.
3.) D2 women in opposition to Capitolites
D2 women see themselves as apart from the Capitol because Capitolites don’t work, and D2 is all about work. work outside the home, domestic work, serving the community, it doesn’t matter, but D2 values contributing to family/others/society in some way and Capitol citizens don’t seem to share that
as I’ve said before, the people of D2 have a weird tension in their head where they have to respect and fear the Capitol -- and they do! -- but they also know that none of these fancy people could last a day in their jobs, and there's a point of pride in that. they keep the country running. their blood, sweat and tears makes the lives of the rich possible. they are the bedrock of this country, dammit, quite literally, it's the Rocks District
it's the whole ... "coastal elites" phenomenon, right, these rich people are out of touch and they don't know anything about REAL working class people's lives! except that this is a dystopia and these rich people watch the working class children fight to the death and also have giant feasts while the working class literally starves, so it isn't a made-up class war to keep people from looking at the top, that’s inter-district conflicts. this is the top
(now obviously there are jobs in the Capitol, somebody's gotta clean the solid-gold toilets over there – this is a bar joke – but those aren’t the people you see on the TV)
the question of how do women in D2 handle the issue of usefulness -- that's the real one. Petra gets a terrible injury and wants to commit suicide because she can't bear being helpless, and working through that is the first major character arc for her. Emory feels like she didn't "earn" her right to survive because she didn't kill enough people in a bloodthirsty enough way (geez! let's stop and think about that for a second!) and has to deal with the idea that just surviving, living, being here on the planet, being loved, is enough. Heidi -- Brutus' mother -- becomes the breadwinner for her family after her father runs off when she's a kid, lying (badly) about her age to go down the quarry as a young teenager, partly to provide but also to earn her family's honour back. everything is tied to use, because being useless, not contributing, is the worst thing you can be
(I've had discussions in other asks re: this compulsive collective usefulness and (dis)ability in D2 but let's not get off-topic lol)
tl;dr people as a whole in D2 position themselves against the Capitol in terms of usefulness and providing for the community, including women. the whole ... appearance thing, that's more a shorthand. if you have time and money to go to endless parties and buy expensive clothing and spend 6 hours putting actual glowing lights into your hair (or whatever it is the Capitol does), what are you giving back to your community? pointing to the visuals of the Capitol and saying "we're not like THEM, we're good, salt-of-the-earth people who work hard" is a handy way to reinforce those community standards. it has nothing to do with getting gussied up for the harvest dance.
(now. the subset of D2 that does do the social climbing Capitol stuff is like, you backwards idiots, where do you think our status and privilege comes from, but that's a whole other story)
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