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wlwcatalogue · 11 months

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A few sapphic film recs!

Just a few recommendations for sapphic films under 2 hours which may or may not have flown under the radar:

Moonlit Winter / 윤희에게 (1hr 45m, 2019, dir. Lim Dae-hyung)

Professor Marston and the Wonder Women (1hr 48m, 2017, dir. Angela Robinson)

Who's the Woman, Who's the Man / 金枝玉葉 2 (1hr 50m, 1996, dir. Peter Ho-Sun Chan)

Sisterhood / 骨妹 (1hr 37m, 2016, dir. Tracy Choi)

DEBS (1hr 31m, 2004, dir. Angela Robinson)

Farewell, My Queen / Les adieux à la reine (1hr 40m, 2012, dir. Benoît Jacquot)

Bonus - short film: Love Does Human / 사람 하는 사랑 (24 mins, 2019, dir. Oh Seon-ju)

Commentary under the cut!

1. Moonlit Winter / 윤희에게 (1hr 45m, 2019, dir. Lim Dae-hyung) - IMDB | MyDramaList

This movie is about a daughter (Kim So-hye) who finds out about her divorced mother’s (Kim Hee-ae) past with another woman (Katase Jun), and how in encouraging her mother to reconnect, the two finally open up to each other as well. Dry stuff on paper, but there’s more to it: the mother and her former lover didn’t just break up, they were split apart by their families as teenagers and the mother was forced to marry a man against her will. In short, it deals with the aftermath of the typical “bad ending” of older stories featuring WLW characters, wherein schoolgirls in love would be separated and married off to preserve the heteronormative status quo.

Although the queer relationship does not get much screentime at all – the two characters share a single scene, there are no flashbacks, and there’s not even a hug – queerness remains at the heart of the movie. It’s a rare depiction of how the repression of queerness leaves scars on people which affect how they engage with the world, but which also shows that as long as they are alive, there is still hope that those scars can be healed. Also, despite the heavy-sounding subject matter, it’s a very gentle experience: there are no direct depictions of homophobia and no sensationalism, just a little story of human connection unfolding in a snow-cloaked Hokkaido.

2. Professor Marston and the Wonder Women (1hr 48m, 2017, dir. Angela Robinson) - IMDB

The blurb on IMDB says that this movie is about “psychologist William Moulton Marston (Luke Evans), and his polyamorous relationship with his wife [Elizabeth] (Rebecca Hall) and their mistress [Olive] (Bella Heathcote) who would inspire his creation of the superheroine, Wonder Woman”. As someone who is not particularly drawn to biopics, male protagonists, polyamory, BDSM, or Wonder Woman, I assumed that this movie wouldn’t be my jam and so didn’t watch it until quite a while later – which is when I discovered just how wrong I was.

First, the two women take up just as much of the movie’s focus as Marston. Elizabeth, Marston’s wife and fellow psychologist, is highly intelligent but equally highly-strung; she does not know how to deal with her husband’s attraction to new research assistant Olive, nor Olive’s attraction to both her husband and Elizabeth herself, and this internal conflict (even after the three enter into a polyamorous relationship) features heavily in the story. Second, although it declares itself to be “based on a true story”, the movie is not especially interested in recreating or representing the past. Rather, the historical elements are used as a framework to explore certain ideas: Diana’s Lasso of Truth symbolises how progress and healing must be first founded upon honesty, for example. The polyamory and BDSM is also not at all sordid or sensationalised, but rather presented in a nuanced (though still sexy!) manner. More than anything, this is a movie with a big heart and big ideas, and should be judged on its own merits.

3. Who's the Woman, Who's the Man / 金枝玉葉 2 (1hr 50m, 1996, dir. Peter Ho-Sun Chan) - IMDB | MyDramaList

All you need to know going into this sequel of 1994 movie He's a Woman, She's a Man (金枝玉葉) is that main character Wing (Anita Yuen) is a woman who has found both fame and (heterosexual) love while disguising herself as a male idol, and that her relationship with record producer Sam (Leslie Cheung) is known to the general public— although it is perceived as being homosexual in nature due to her persona. At this point, you might be wondering why an M/F romantic comedy is on this list, but this movie is a bit odd in that instead of focusing only on problems such Sam’s internalised homophobia and misogyny (both of which are addressed in the story), one of the new obstacles facing the couple is the female lead meeting female pop star Fong Yim Mui (Anita Mui)… and both starting to fall for each other.

I was surprised at how sensitively Wing and Fong Yim Mui’s respective arcs are handled, especially for a mainstream movie from the 90’s starring two of Hong Kong’s most popular performers at the time. Instead of giving the two women a meet-cute and leaving it at that, a lot of care is put into showing them processing and coming to terms with their feelings in their own time. Romantic and sexual attraction is also highlighted separately, which is refreshing given how they are usually depicted as inextricably linked even now… Obviously Wing and Fong Yim Mui don’t end up together, but their feelings aren’t dismissed and – relative to the narrative constraints – the ending is a warm, optimistic one. Also, Anita Mui gives an absolutely award-worthy performance in one of the scenes with her character and Wing, so fans of her should definitely give this movie a try.

Important note: Although there’s much that’s good about it, Who's the Woman, Who's the Man is far from perfect. Early on, there’s a masquerade party where two of the characters are wearing masks which look like racist caricatures, and the masks are crop up in multiple scenes in the film. More serious is the subplot about a male character who keeps trying to win over a lesbian, culminating in her agreeing to sleep with him once while he’s dressed as a woman (CW: transphobia, homophobia) – though this storyline ends with the man accepting that she really is gay and parting on friendly terms. That said, these problems are already mild compared to the actively hateful transphobic and homophobic jokes present in so many of its contemporaries, so if you’ve watched a 90’s Hong Kong comedy before, chances are that your tolerance level is more than high enough.

4. Sisterhood / 骨妹 (1hr 37m, 2016, dir. Tracy Choi) IMDB | MyDramaList

Sisterhood opens with tragedy. Originally from Macau, main character Sei (Gigi Leung) is living quietly in Taiwan with her husband after the 1999 Handover when her life is overturned by a newspaper personal ad informing her that her long-estranged friend and colleague Ling has passed away. The movie is shot through with flashbacks to earlier times, tracking a young Sei (Fish Liew) as she starts doing sex work and is taken under the wing of the more experienced Ling (Jennifer Yu) and her friends. Memories of togetherness and community are juxtaposed against sequences of present-day Sei struggling to navigate her grief, the tensions of the now-fractured friend group, and a Macau that has changed just as much as she has. The acting and script can be clunky in places but the sentiment shines through, especially after the first third, at which point the movie starts honing in on Sei and Ling’s relationship. It’s not a happy story, but nor is it defined by sadness; instead, it posits that the past is not merely to be mourned, that it is instead something that can shape and provide a foundation for the future. I won't talk too much about how queerness figures into this story, due to spoilers, but rest assured that it is present and important!

5. D.E.B.S. (1hr 31m, 2004, dir. Angela Robinson) - IMDB

Okay, you've probably heard of this one before if not watched it already, but anyway! This was the first WLW movie I watched, and for a long time, the only one which I actually enjoyed. It’s about an elite spy (well, more like an honours student at spy school) (Sara Foster) and a criminal mastermind (Jordana Brewster) falling for each other, a premise which is just as fun and over-the-top as it sounds. The movie does a great job of mixing action, humor, and romance, and it doesn’t overstay its welcome – it’s got a nice compact runtime and a cracking pace. There’s still nothing quite like it in my opinion, though I’m very welcome to any recommendations in this line (my askbox is open if you have any!).

6. Farewell, My Queen / Les adieux à la reine (1hr 40m, 2012, dir. Benoît Jacquot) - IMDB

Loosely based on Chantal Thomas’ novel of the same name, Farewell, My Queen is a portrait of French nobility in decline, following maidservant Sidonie Labarde (Léa Seydoux) who is in the service of Marie Antoinette (Diane Kruger). It's a beautiful, lavish production which effectively conveys the perspective of a servant locked in the gilded cage that is Versailles during the French Revolution, and is a rare case of a historical figure as famous as Antoinette being presented as queer in a serious historical drama.

That being said, the queerness is mostly background, coming mainly in the form of Antoinette’s crush on? relationship with? duchess Gabrielle de Polignac (Virginie Ledoyen)— though a case can be made for Sidonie, whose outward opacity belies an unwavering, almost unsettling, devotion to her queen. Also, be warned that the movie has many a dodgy shot of cleavage, and two instances of unnecessary and voyeuristic nudity... but other than that, it really does have gorgeous cinematography.

Fun fact: there really were rumours about Antoinette having a scandalous relationship with the duchess, although these have nearly always been written off as baseless reputation-smearing.

Bonus - short film: Love Does Human / 사람 하는 사랑 (24 mins, 2019, dir. Oh Seon-ju) - MyDramaList

youtube

Some say that the best science fiction puts a spotlight on some part of the human condition, and this short film does just that. Main character Tae Eun's (Kim Min-ju) girlfriend Joo An (Jang Sam-yi) no longer has a human body: after carrying out a medical operation which transferred her consciousness to a computer system, she now has a web-camera for her eyes, a speaker for her mouth, and control over their home's devices for her hands. And although the change was by Joo An's choice and Tae Eun was supportive, the pair struggle to adjust to this new reality, and are confronted with the need to communicate and to consider each other's perspectives. Love Does Human has a bit of a slow start, and there were points where I didn't understand why the characters were reacting in a certain way, but it all comes together beautifully in the end. Through its sci-fi premise, viewers are encouraged to think about real-life problems using a different angle, and the movie never gets too heavy. Also, shoutout to some excellent voice work from the two actors - Joo An is performed nearly entirely through voice but she feels deeply human and present, and Tae Eun's actor also has a standout scene featuring some great voice acting. All in all, it's a short film that's well worth checking out (especially since the director has made it available for free, with English subtitles, on Youtube - embedded above)!

#sapphic #lesbian #gay #wlw #wlw media #moonlit winter #professor marston and the wonder women #debs #farewell my queen #love does human #wlw recommendations #list #sapphic films #whos the woman whos the man #金枝玉葉2 #sisterhood 2016 #骨妹

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seelestia · 2 months

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✦ how can you tell? (of how easily i fall at your feet.)

⎯ oh, how love bleeds from just one gesture. ( some telltale signs that they might've fallen for you. )

#STARRING. neuvillette, wriothesley & lyney ft. gn!reader. { 2.4k words }

#TAGS. sfw, fluff & crack, major pining (!!!). more: neuvi has 1 extra part bcs i realized too late, wrio is a rascal /aff, lynette is a professional wingwoman here (everyone, applaud!!), mentions of various fontaine npc's.

#P/S. pardon my rusty writing and ideas but alas, may i entice you with some fontaine gentlemen on this fine day?? (˶ᵔ ᵕ ᵔ˶ ) ੭

★ 〜 masterlist.

⎯ neuvillette's love is subtle, hidden behind a veil of formal courtesy. the iudex is the nation's symbol of impartiality; personal relationships, a common factor of inciting bias in one's judgement, are to be sifted through wisely. he can choose which he ends up keeping, yet he cannot choose which he ends up wanting. what of a relationship he desires but cannot keep? a conundrum but still, his affections for you seep through the crevices.

it's in the way. . . your name becomes a beloved among the melusines, you wonder why?

it goes without saying that every citizen of fontaine acknowledges melusines to be friendly creatures. all of them are sweethearts! ...but is it you or is there some form of hidden favoritism here?

for some reason, they always seem to go out of their ways to greet you on the streets. a “hello, mx. [name]!” from the right then a “good day, mx. [name]!” from the left. maybe a “stay safe, mx. [name]!” on days when it's crowded too... you're starting to think the quota of greetings you receive is much bigger than everyone else.

before long, even your arms are getting piled up with favors. one ticket for a seat in the opera epiclese from aeife, a slice of cake from sedene, some high-quality butter from muirne, a free beverage from menthe — you lost count of the freebies you've received already.

what's going on? it is as if there's a badge of approval from someone just hanging over your head. visible to a melusine's eyes, but not to yours. (you've heard that melusines perceive things differently than humans, though.)

but who are you to complain? you're not immune to their contagious smiles each time you pass by. on some days, you even entertain the thought that they are more familiar with you than you are with them. all in a humorous sense, of course.

ironically enough, this theory wouldn't take long to ring true: having received a bouquet of your favorite dessert from café lutece on your birthday from kiara, this coincidence only feeds into your suspicion even more.

a considerate gesture but surely, they don't do this for everyone? you don't recall ever telling your usual order and birthdate to a melusine before. your mind scrambles around for a memory you might've missed. who could've—

“oh, yes... i almost forgot,” kiara holds her chin in thought. “monsieur neuvillette says to send you his regards,” she nods, relieved that the message did not make its narrow escape from her mind. but blissfully unaware of the impact her words have left on you.

“goodbye, mx. [name]!” the melusine bids you farewell with a cheery wave. you murmur back a response but it comes out incoherent at best — you are simply too dumbfounded by the realization.

...so, that's who.

(wait a second, is arouet in on this too?!)

it's in the way. . . he begins to take longer breaks, hoping to run into you in front of the palais.

taking quiet strolls just outside the palais is, more often than not, neuvillette's idea of rest from work. although some might expect the iudex to have chosen a more 'creative' or luxurious location, but he digresses.

this place is near his office so less time is wasted on the journey back, liath also patrols here so he has the opportunity to inquire about her well-being — and occasionally, he stumbles upon you as well.

'occasionally' is the keyword: neuvillette has always preferred order and routine above chances and coincidences. but something about this idiosyncrasy — the tendency to linger beyond his usual duration, the act of stalling to hold onto hope that you might pass by today — is a indication of hypocrisy he wishes not to comment on.

sometimes, he closes his eyes so that his ears may be more attuned to the sound of your voice. sometimes, he opens his eyes so that they may look around for a glimpse of your face. who's to say if he'll ever be graced by your presence? it is all in fate's hands.

call it an odd method of manifestation, a childish one that even neuvillette scoffs at himself for. sometimes, it doesn't work, of course. not that he ever expects it to — but oh, when it does.

“...monsieur?” your voice cuts through the silence in his mind. he takes the sight of you in; a polite greeting on your tongue, several grocery bags in your arms and that beam on your face as you say, “what a coincidence to see you here.”

the iudex finds that he doesn't mind having his privacy briefly interrupted. not at all. not when it's like this, not when it's by you. alas, it seems that fate has smiled down on him today.

“yes, hello. what a serendipitous coincidence indeed.”

neuvillette smiles, he can't help it. perhaps, he might grow a soft spot for coincidences, after all.

(you sneak a brief glance at the sky with a squint. ...is it just you or are the clouds clearing up a little?)

⎯ wriothesley's love is beguiling, the kind of adventure that keeps you on your toes. a forthright gentleman; he is the type to know what he wants and he wants you. with him, you'll taste whiplash like never before. butterflies in your stomach, the urge to throw a shoe at him, you'll get it all. but an adventure isn't an adventure without breaks in between and it's at that very moment where you'll find you adore him the most... when he rests his head on your lap, momentarily free from worldly titles, breathing like the man who longs for warmth that he has always been.

it's in the way. . . he always offers you tea when really, he just wants you to stay.

everyone knows that wriothesley enjoys his tea — but that's only because he sees no need to hide his preferences; not his craving for a cup of tea when afternoon arrives nor his fondness for you either.

he doesn't conceal it, but doesn't bring attention to it either. wriothesley likes to think that only those with discerning eyes can pick up on the miniscule (???) hints he drops. that is, if saying “why not stay for some tea?” is even considered a subtle clue at all... maybe, he's mixing up polite courtesy with flirting a bit too much.

but who cares? in the grand scheme of things, the fun is seeing whether you'll figure it out or not. and let's be frank here; wriothesley is a patient man in all aspects, able to play the long game like no other.

don't worry, you may take as long as you want to — ironic since you're technically the only player in this 'game' — but hey, he has faith in your abilities! besides, you get to enjoy a cup of free tea (and with his company, preferably). surely, you can't complain about that? ...hah, he's just teasing you.

tick-tock! tick-tock!

the clock strikes twelve in the afternoon.

“ah, finally a well-deserved break.” the tone in which wriothesley pairs with that grin on his face is nothing less than devious. the glance he throws your way as he set aside the documents on his desk is something. or rather, it's suggesting something.

and frankly, you've experienced this many times enough to know what the underlying meaning is. “let me guess...” you let out a sigh, “you're asking me to have tea with you again?”

the emphasis on the last word is definitely, wholly intentional. you're sure wriothesley knows that too — “bingo,” he hums at you, sounds almost like a whistle. “you're getting more and more clever. must be all the tea i made you.”

“don't flatter yourself,” you roll your eyes at his attempted jest but you take a seat on his office couch, anyway. your own unique and adorable way of saying yes, he learned. still, wriothesley thinks that exasperated look on your face is an absolute marvel... and maybe, that little smile tugging on your lips you're trying to fight, too.

“same as usual?” he asks, pushing back his chair with a proud grin still plastered on his face that you wish you can wipe off.

but instead, you shake your head fondly at his antics. “mhm,” and rest a cheek on your fist. watching him tiredly, you realize you could get used to this. maybe.

wriothesley smiles to himself. looks like you figured out the tea has always been an excuse, after all.

(you've won the game, congrats! a subsidiary reward is a comment from sigewinne about how this tea routine between the two of you bears a resemblance to an elderly human couple's. she means it, innocently sincere.)

⎯ lyney's love can be faceted at first, one with such a smooth surface that you never imagined there would be so many layers underneath. joy and bliss, sorrow and burdens; all cramped and stuffed together behind his mask of perfection on the stage, a mask akin to a child's treasure chest almost bursting at the seams. you can unravel him if you tried, you can take off that mask if you reached out. and when you do, you'll find beautiful violet eyes staring right back at you, thankful, imploring you to go further.

it's in the way. . . his bravado dissipates around you, nerves scattering like confetti that bursts from his hat on stage.

they say that the first impression is the best impression — or at least, lyney hopes that's the case with all of the interesting impressions he has left on you so far. his instinct by nature is to impress, to bedazzle and that hasn't stopped since meeting you for the first time.

trying doesn't always lead to success, however. you stuttered in front of them twice, lynette pointed out after the first time he spoke to you. that fact spooked the poor magician so much he stayed up rethinking the conversation under the cover of his blanket. lynette isn't wrong per se, but lyney firmly believes that he will leave a better impression... one day, somehow, no matter how many times it takes!

he is a magician; charisma and charms should have or rather, already have come easily to him. his persona on the stage is no lie — just a tiny concerted exaggeration, maybe — but you've been among his audience before. you've seen what he is capable of. so surely, you'd know that lyney isn't really as demure and easily flustered as you might think he is... because no punches held back, he acts like that every time you talk to him.

he can't help it and that, exactly, is what makes it worse.

how many times have he cupped his face and mumbled nonsense into his hands for failing to impress you yet again? you're so wonderful and he's just so... miserable. this is unlike him. he has to wonder why you still look for him after each performance when you know you'll be greeted by his being a wreck.

maybe they like you that way, freminet tried to help. or maybe they like you no matter what, lynette chipped in. that had lyney pondering for a long, long, long time which translates into weeks.

will the day come where he presents you with a rainbow rose and professes his feelings for you without losing his nerves? he can only hope (and try, one day).

it never gets old.

when his feet step off the stage and the curtains have fallen, the satisfaction that spreads all the way to his fingertips never fails to disappoint. but with that, also comes the imminent feeling of anticipation.

for each performance he delivers, a visitor is bound to linger. when all members in the audience would head to the entrance of the opera epiclese to leave, one of them would stay. waiting patiently to be beckoned to the backstage. it's been a routine for so long, after all.

“lyney?”

right on cue.

your voice greets his ears, a sound that he can admit he misses only to himself. he exhales, a placating act to shush his beating heart from growing any louder.

“ah, [name]!” the magician enunciates your name with a certain type of fanfare. “here to lend a hand again, i assume?” he tries to shoot you a confident grin, but you aren't gullible enough to not see the tint of red blooming on his cheeks.

you stifle a chuckle at his (attempt at a) bold opening. “of course,“ said with a nod and a silly thought along the lines of: he's cute.

your honest and calm response takes him by surprise. he blinks a tad. oh, it seems the thrill from the show a few minutes prior still hasn't worn off. perhaps, he's still all too used to the crowd's shouts and cheers... not that he expects you to start yelling, of course!

“i see,” lyney feigns a cough to recollect his composure. now that he is cognizant of the fact it's just the two of you, he shrinks down into a more casual version of himself with a nervous chuckle.

“will you... be staying for long?” he asks, bashful. the question sounds more genuine than just a mere pleasantry. his eyes look hopeful, twinkling at the thought of having your presence around. his fingers have even come up to scratch at the side of his neck, you don't think lyney even realizes he is doing that.

who are you to say no? you smile. “well, my schedule's pretty empty today.”

his lips instantly break into a grin, brighter than one he usually has onstage. “that's actually marv—” he starts.

“that's great,” a familiar monotonous voice cuts in. lynette peers from behind you with a hum, “we could use more hands to pack up the new props.” oh, and that brief glint of mischief in her feline eyes as she watches how lyney gapes at her sudden intrusion.

“sure!” you glance back at her, oblivious to it all. “thanks for letting me in, lynette. i'll try my best to help.” even if you admit that one of the reasons you're here is for lyney, but you can't discredit his twin sister for allowing you to enter here in the first place. a free backstage pass in exchange for free labor, quite a fair deal.

with your back turned to him, lyney takes the chance to mouth his own words of disbelief to lynette. incomprehensible except for that one i can't believe you're doing this! that she manages to catch.

“no problem,” she observes her brother over your shoulder with keen interest, “everyone knows how fond lyney is of you.”

there is a series of spluttering noises behind you. a certain magician finds himself at the verge of choking on mere oxygen.

“lynette!”

but really, she has no doubt that lyney has fallen head over heels for you. hook, line and sinker.

— thank you for reading! reblogs and comments are most appreciated. ♡

#genshin x reader #genshin impact x reader #neuvillette x reader #wriothesley x reader #lyney x reader #neuvillette x you #wriothesley x you #lyney x you #genshin fluff #genshin impact hcs #genshin impact x you #genshin imagines #seelestial.inks

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