Overwatch is trending but do the people know that the voice actor of the new Thai pansexual character Lifeweaver is a icon on queer tv in Thailand?
Do they know he starred in the bodyguard x his protectee gay masterpiece that is Never Let Me Go?
Or in the iconic romcom ridiculousness that is Fish Upon the Sky??
The people deserve to know the amazingness that is Phuwin Tangsakyuen
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there is something about how when anime official art gets yoichi right fashion wise it's always a comfy bf look like look at him
very fluffy. very huggable. i want to poke and pinch his cheeks. also he often has those lil blushies when he eats and for some reason it's cute. the gap moe between on field and off field is still something else to see each time i remember it. i love it ofc 💚 but it's still something else
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Usually I just save stuff like this to my drafts until I calm down but you know what, fuck it, I'm done.
Any so-called leftist who refuses to recognize that our options right now are "genocide abroad, progress at home" and "genocide abroad AND genocide at home" and that there is a significant difference between those two options is cordially invited to eat shit and die. We do not have time to entertain your anti-voting hopeless nonsense. A future in which we are able to move towards less death will always be preferable to the one in which we can't, and if you smug, sneering little clowns sacrifice that future on the altar of your own self-righteousness because you're too high on your own farts to realize how far up your own ass you are, I genuinely hope you fucking drown. Specifically, I hope you drown in the blood of the people who will die all over the world as a result of your bizarre refusal to work towards a future that doesn't include ethnic cleansing.
This is the United States. We sell war, here. I don't know how so many of you are only just now figuring that out, but you better get over your shock like yesterday because we are out of fucking time. We ran out of time when Reagan took office if not long before. You think not voting will improve any of this?
Keep calling, keep writing, keep screaming. Governments everywhere are (slowly) beginning to listen. Democrats are (slowly) beginning to listen. But Republicans never will, and if they seize power again next year (which they will absolutely do their damned to attempt), everything will be so, so much worse for everyone, everywhere. The work is slow and painful and imperfect but it will only get done if we show up and do the work, so keep calling, keep writing, keep screaming-- and when the time comes, you show up and vote for the future that lets us build a better tomorrow instead of just choking to death in the steaming shitpile of today.
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i need a fic of soap bringing ghost home to his family for the holidays. his family’s always disapproved of everything; being queer, being in the military, being with ghost and it’s all over not a great time but they’re trying to pretend for the sake of the holiday. they get into it after dinner one night though and for once soap isn’t backing down, not when it’s ghost they’re attacking, when the power suddenly goes out. soap moves just in time for a shot to come through the window and he orders his family to get down
graves and what’s left of shadow company followed them to glasgow; it’s the first time they’ve been away from the 141 and they think it’ll be their best chance to take them out. johnny and simon are left behind as they become soap and ghost and soap’s childhood home becomes a battleground, his hysterical family who still think he can’t be that good of a soldier now civilians that he has to protect and get out in one piece
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the problem is I’m such a staunch believer in the slow buildup, the earnest enjoyment of meandering through terrible story decisions and weird nothing subplots to build up into a conclusion that explodes out from all that as fantastic storytelling and intrigue based on all that buildup, such that it makes it necessary to get through all that or you’re missing something essential, that I’m also a terrible person to talk to about what makes a story good. I can tell you plenty of what actually makes something tight and well-written and all that technical speak but how could anyone take my advice when I so so so love excruciatingly long unnecessarily complex fumbling and weird nonsense that spirals into, inexplicably, weird nonsense that makes you cry your lungs sore
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Here are Frank, Charley, and Mary from Merrily We Roll Along as my little ponies! :D I really loved drawing them and I am pretty happy with their designs.
This may be the most niche fan art I’ve ever posted (and it’s a high bar) but if there are any merrily/mlp fans out there other than me then this is for you. I mean, they are both shows about friendship.
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Thinking for the rest of my life how S1 of TWDG begins with Lee in cuffs, life over, because of a man he just killed, who took a girl he loved, and ends with Lee in cuffs, life over, because of a man he just killed, who took a girl he loves, but literally everything about that string of statements has so utterly changed meaning, the end could not be farther from the start. The bookend of finishing right where you started, and nowhere near it.
Both the first and last line in the game are spoken to Lee, about Lee, and reflect regret towards the end of his life, but even the flavor of regret could not be more distant. “I reckon you didn’t do it,” and “(I’ll miss you) - Me too,” do not even share a sadness. The first legacy, remarked on throughout season 1, would have been ‘murderer.’ The real one is so far the opposite, his ghost carries every person who survives for the rest of the series. I hear it described as about redemption, but the focus is never once in the game about Lee making up for something. You never even really know what he did or if it was merited. The game is a second life, and culminates in a stranger accusing Lee of having no right to live or have someone who loves him for every single thing he’s done wrong since the game began, no matter how unfair the accusation, and about that being bullshit. About it being enough, what he did for Clementine, for everyone, for himself. It’s about salvation, maybe. Of the self, by the self, from ruin, through meaning in love and caring for other people, no matter their endings or yours. Ben always dies, but it mattered. Omid always dies, but it mattered. Duck, Carly, Katya, Mark, Doug, always die, but it mattered. And Clementine always lives, and that does too. Lee always dies. It just takes the course of a season. But he’s not lost anymore when he does.
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i said this with the end of be my favorite and i'll have to be stupidly optimistic about only friends, too. i don't think we'll get a sad ending. i think no one is going to die, maybe some people will go to therapy and rehab, but we won't get a tragic queer story.
this is a messy queer story. it's different.
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