Did this on Twitter, but I like to post it here too
It just blows my mind how much I’ve improved
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For decades, the blank vision that Iudex Neuvillette wears near his heart has been subject to much discussion in Fontaine. Nobody remembers who it had once belonged to or why the ancient dragon protected it so jealously. It is said that if the Chief Justice would to stare at it for a long while, it would be sure to rain right after. Oh, how beloved that person must've been.
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be it a black comedy or a workplace comedy or a satire or a dramedy, MASH is first and foremost a comedy. MASH needs to be a comedy. the point being made is that setting a comedy during a horrific and pointless war is absurd. point being that the war is horrific and pointless and absurd.
hence much of the dialogue in the early years, such as this bit from hawkeye in the pilot episode "throw away all the guns and invite all the jokers from the North and the South in here to a cocktail party. last man standing on his feet at the end wins the war". the Henry Blake character and on the flip side of Henry, the Frank Burns character and some of the others seem absurd and over-the-top because you're meant to ask yourself "how did a guy like henry end up in command??" or "how does a hack doctor like frank end up a major and constantly escape any formal consequences?".
this scene is hilarious - but it's also functionally anti-establishment. it's meant to drive home how stupid the whole thing is. hawkeye spells it out later in the scene, saying something like "if you wanna talk medical procedures, fine, let's talk. otherwise, this is a waste of time and if you're gonna make me be here i'm going to be as silly as disruptive as possible". and then he and trapper do just that, manipulating the "rules of order" which bring structure to the staff meeting, so that they become rules of disorder, and the meeting quickly devolves into chaos as the laugh track plays.
it seems obvious that a show about war would be gritty, tragic and at points, hard to watch. MASH also has those moments, and they easily convey that war and any attempts we make to justify war, are bizarre and hellish and immoral. the funny moments are doing the same thing, in a more unexpected way.
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Y’know, when Napoleon was bitching to the British government about them calling him “general” rather than “Emperor” when he was in captivity on St. Helena, which is totally a worthwhile argument to have and totally worth having a 5 year long temper tantrum over,
he should’ve just one day said “oh okay I’m not emperor of the French :) but I am Prince Consort of Parma.” ‘Cuz that would’ve been funny. Still get called “majesty” for a different reason.
It wouldn’t have worked.
But it would’ve been funny.
It would’ve made Napoleon the funniest man alive but no, he dropped the ball, this is why he’s problematic and we should boycott the movie
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was literally having such a good time listening to the visitors album by abba until i realized that lily evans never got to listen to it bc she died before it was released
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if i had a nickel for every time i had to watch a beloved david tennant character losing the love his life after acknowledging the fact that they've been in love all along, leaving me a sobbing mess on the floor, I'd have two nickels, which is not much and it's not enough to pay the bill to my therapist
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i want LaT to have a happy ending so bad. I love these characters so much, your storytelling is amazing and I love the art you do for each chapter!
I know, I know the happy ending is what they deserve but unfortunately…it’ll be bittersweet.
All of them stuck in machines, deserve to be free.
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when bbc sherlock decides not to answer the central question of "why is that guy alive" it's an insult to the viewership and a betrayal of the function of the very story it is being asked in but when i, a guy on the internet writing imitation fiction of a long-defunct doctor show, decide not to answer why some guy is alive, it's an intelligent subversion of a character flaw that allows for a neat little bit of role reversal and ultimately the realization that 'not solving the puzzle' is the thing that allows you proof that you've survived, loved, and changed, and then you go to europe together and drive mopeds in rome
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