Now I’m not saying this was hinted at, or lead to the team having ideas
I’M JUST SAYING THEY MAY OR MAY NOT HAVE HINTED AT THIS ,OR LEAD TO THE TEAM HAVING IDEAS
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Day in Fandom History: September 3…
The fate of Ooo is laid out in two adventures in the distant future from Bubblegum gathering her allies as Finn and Jake must stop the war from brewing to an unspeakable being coming down from the skies. The Series Finale of Adventure Time, “Come Along With Me” premiered on this day, 5 Years Ago.
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Also can we talk about Jamie being fully prepared to sit in the med room, alone, while the rest of the team went out and celebrated, and being genuinely surprised when Roy and Keeley came in to celebrate with him.
Even after hes sort of shaken off the main part of the crisis he was having, he still seems to struggle to believe that he is deserving of people showing that they care about him.
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Luffy is like staring into the sun.
At least, that is what Zoro thinks the first time he sees him. But then, his first coherent thought had been it’s too bright upon their initial meeting, looking up from glowering down at the ground to raising his head and squinting at a too big, self-congratulatory smile and do you want to join my crew?
Then it had been simple enough to blame the harsh sunlight blinding him, framing Luffy’s profile and that bright grin, and he’d bitten back the hell I will one minute and had a sword and an oath clenched between his teeth in the next.
And so Zoro follows the sun.
He follows and his skin reddens and blisters and peels; it splits at the seams and bleeds as he burns, and still he follows. It aches and cracks, and still he reaches out, twining his fingers through promises and a loyalty that will not bend.
Luffy curls a hand around his jaw and it’s a different sort of burning, flaring up into his eyes and down to his very marrow. And Luffy asks, where will you go? Nowhere, Zoro says as the words gather in his throat, raw and parched, and he chokes on them, anywhere.
His touch is a balm as fingertips skitter across his skin, soothing and pressing and digging and prying, and Zoro thinks he would burn again and again, blinded by the sheer brilliance of it all.
And then it’s dark out on the open sea, some nights, and then others too many stars dot the horizon, gathering up above them like they’re spilling out of the slit open belly of a giant, and Luffy tilts his head, blistering heat where he rests against his shoulder and looks at Zoro and says, I think I know where, and would you come with me?
And Zoro is a drowning man with a lungful of sea water, salt gathering with blood at the corners of his mouth and asks, of course, and where?
Luffy smiles and it’s a gathering of starlight and the sun, and it makes Zoro want to shove his fist into his mouth and shatter every one of his teeth, and Luffy would just laugh and bite down on his wrist and lay claim to his pulse point, like he doesn’t already live inside its every thrum.
No telling, he says. Will you still come with me?
And Zoro burns and it rages in the pit of his belly right into the raw skin of each scar, into his fingertips as they dig into Luffy’s scalp. How dare he have to ask, grin with the knowledge that he already knows the answer, and Zoro turns to follow the sun and says, yes, says I wouldn’t be anywhere else.
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IDK if you've seen Crown of Candy yet, but it's treatment of Not-Christianity is much better even if ultimately still negatively-oriented. It's more centered around the historical institution with Not-God being more of a force than a sapient being, and the pagan representation turns out to be sinister so it's consistent in not endorsing any strain of divinity in particular. Ravening War likewise does some interesting stuff with church-drama that doesn't cast genuine faith in a bad light.
I have watched both of those and I agree with you! It’s definitely a bit better because of all of that. It’s also more my genre anyway, which made it more fun.
It’s so tricky because there’s truth in both Comida and Fantasy High’s depiction of religion. I’ve met the Bobby Dawns and read up on the Belisabeth Brassicas. I understand that God can feel distant, like a force and nothing more. I am so angry and grieved at the damage the church has done to people. Any time there is a grasp for power or a putting down of others or another goddamned cult I want to just cry because this isn’t what it’s supposed to be and it’s horrible to just watch. Also I do believe that as much as possible there shouldn’t be an endorsement of one religion over another in entertainment, so not endorsing any particular religion in Dimension 20 is good.
But I feel such a connection with characters like Sir Morris Brie. Because I’m a Bible-believing Bulbian. I’ve studied my god and I’ve also met him. And he’s not like Helio at all. He loves me. Has always loved me. Has always wanted what was best for me. Has grieved with me when I’ve lost everything in little ways over and over again. Has been my father and friend when I haven’t been able to trust one and didn’t know how to have the other. And I’ve been able to trust the Bible over and over again even if I haven’t always agreed or understood.
And it’s just never represented. D&D has always felt like the closest thing to representation for me, as a Bible-believing queer person. And Dimension 20 (again, understandably, it sounds like Ally’s experience was awful and part of healing has been leaving) rarely if ever portrays someone with genuine faith in a Christian-esque god. Or if they do, it’s portrayed as toxic or ill-informed. And that sucks, frankly.
I get it, I truly do. No one gets more irritated than I do at bigoted ignorant Christians and I will fully doxx myself by saying I have been to the American South and I would NEVER live there willingly because of the culture.
But I tend to listen to the more neutral Dimension 20 campaigns. It took me so long to try A Crown of Candy. Because I don’t just respect my religion; I love my God. And I hate to see the slander, especially because some of it is true and even more especially because some of it is not.
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Simon & Marcy: Marceline tells Finn, Jake, and Ice King the story of a little girl named Marcy and her friend Simon.
Come Along with Me: One thousand years into the future, BMO tells the story of how a battle for the fate of the Candy Kingdom turned into a battle for the fate of all of Ooo.
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