"Go To Hell" - WIP (Gale x Tav)
I have this curse of "I can't write anything in order" (It's ADHD) so I haven't posted a lot of my writing on here yet, despite the 50+ pages of lore I have for my Tav and Gale's story XD
So instead I wanted to share a piece of this scene I'm working on! (based on Gale's First Night in Camp dialogue)
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With little else to do aside from pacing across the grove all night, SJ decided to check on him.
Gale let out a deep sigh, warming his hands over the campfire as she approached.
“Go to hell.” He said, slowly, never taking his eyes off the flames.
She hadn't expected Gale to be optimistic about their decidedly terrifying situation, but a more polite greeting to the person who saved his life would have been nice.
Blinking at the sudden attitude, SJ replied with, “Been there, done that. Wouldn't recommend it.”
“Ha-” he turned his head to look at her with a half smile. “You're a good sport.”
“I do try. Mind if I join you?”
“By all means.” Gale gestured to the space at his side, moving away to make room as she sat down beside him.
The smoky aroma in the air, combined with the heat radiating off the fire seemed to calm the tadpole's insistent writhing.
“Anything in particular I did to deserve that lovely greeting?" SJ asked, attempting to distract herself from the sudden itching sensation behind her right eye.
“Nothing, I assure you. I'm just… poorly making a point. A rather trivial statement in other circumstances. But we've seen hell, and it isn't trivial.” he replied, staring miserably at the fire.
“So your point was best made by telling a tiefling to go to hell?” she chuckled, hoping to make light of something whatever was bothering him.
Gale opened his mouth to explain, but quickly abandoned the thought in favor of another.
“Perhaps one day I'll be able to speak to you without making an ass of myself, but it appears that day will not be today.”
“Well there’s always tomorrow.” she shrugged, already wondering what might come of their mission to rescue the archdruid. “That is, assuming we survive the night.”
“Hmm. True enough. What a difference a day makes.” he added, wistfully.
“Tell me about it. Why do you think I'm out here? I can't sleep with this... thing, in my head.”
As she spoke, SJ could already feel her eyelids grow heavier. A weariness began to seep into her body as the warmth of the flames caressed her skin. Despite the many unknowns of their unwelcome passengers, it seemed odd that the tadpole would respond to a change in temperature outside the body.
“What are you still doing up?” she asked, through a yawn.
“The fire was starting to dim. After the debacle with those goblins, I thought it best to keep as much light around us as possible.”
“I can keep an eye on it,” she offered. “if you wanted to get some sleep.”
Gale considered the statement, before shaking his head. “A ballet of flames invites reflection. I’d rather stay, if it’s all the same to you.”
It didn’t take the connection of a mind flayer tadpole to know what was really bothering him. Their shared affliction had been on (and in) everyone’s minds since escaping the Nautiloid.
“Afraid I’ll turn while you’re sleeping and eat your brain?” she smirked.
Gale wasn’t quite as amused. His eyes locked onto hers, nervously studying her face as if she was about to transform right in front of him.
“I’m just joking... I’m fine.” she said, firmly.
“Oh I’m sure you are.” Gale replied, his expression relaxing as he turned towards the fire once again. “Illithids aren’t exactly known for their wit. Famously humorless creatures.”
“Then I’ll be sure to crack a joke or two every once and a while, just so you know you’re safe around me.” SJ said, nudging his arm with her elbow.
Hidden in the firelight reflecting off his face, she could have sworn she caught him smile.
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Daily Log 2
Trying out (probably just temporarily) making short daily-ish notes about things, in an attempt to see if it helps me be more reflective or productive lol.
Activities: Much less than yesterday, felt sick and sleepy so barely got anything done. It was also warmer inside today.. Very much dreading summer. I still feel like the people who ~~ love warm weather sooo much~~ must also have central heating and air and are able to escape the warmth, or at least have cool airy houses where they can get cross breezes or something.. I just fail to see how ANYONE could enjoy sweating all day because it's like 75F indoors, etc. grrbb,,, the headaches, sleepless sweaty nights, constant physical discomfort, etc. The next few days look cloudy and rainy though so.. yEs.. haha HA
Got a new charger for my old 2004 nokia phone so it actually turns on now, and recorded myself going through the ringtones and games. I might add the footage to a currently not fully edited video of me also looking through other electronics (old phones, turbo twist math, etc.). I love old ringtones actually and if I were rich, I would love to collect old phones specifically just to have a catalogue of what they're like and all of the sounds they contain.
Managed to have a tiny burst of energy and take photos of 3 outfits before my arms and shoulder started hurting and I got too warm.
Sent email to one doctor.
Translated like 3 words for the Avirrekava poem thing I mentioned yesterday. My language document is not organized very well at all so I've kind of lost my flow of working on it. I've heard about people making searchable dictionary type things for their conlangs, so I'd like to look more into that maybe. As well as making a custom font, though I don't know if that's more difficult for syllabaries (so wouldn't be directly linkable to a plain english alphabet keyboard?? eh?). Anyway, I need to finish the tapestry/painting thing/etc. soon though since I have no good place to put it. The canvas is warping a little just laying haphazardly on my closet floor lol.
Made one quick mspaint background image for the next batch of song snippet things for my jokey music youtube.
Edited like 10 minutes of the Giant Worldbuilding Slideshow Project.. couldn't focus on that either since being at the computer today irritated my shoulders and arms.
Notable sights: Saw 6 baby ducks and their parents swimming in a nearby pond!! It's interesting how their colors seem to change so much, and the young ones have the little spots on their back. Not much else, I was not very active lol..
Goals moving forward: Still working on consistent sleep schedule. Focus on social activities, finding new friends in the places I want to move, communicating with ones I have. Physical therapy exercises. Plant nasturtiums. Finish and upload videos, edit pictures, post the poll adventure thing that has been sitting in a draft for weeks (I thought I would get it done today, but alas.. I don't even have to do much, just proofread and post it, I just keep having no energy/being preoccupied with other things/hurts to be on computer.. grrr.. I want to continue the story lol >:T).
Notable foods: HAD ASPARAGUS YEaaaaaghhhHHHH!!!!!!!!! Asparagus SQUAD!!!!!!!!!! ... Also a few pieces of smoked gouda with lunch, one of my favorite cheeses.
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Medieval Scorpions Effortpost
So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:
The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".
Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.
As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".
Let me tell you. This is not a problem unique to this illustration.
See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:
That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?
So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.
And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.
*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.
Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.
And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.
11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)
12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)
12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)
12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)
13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)
13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)
13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)
13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))
13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)
13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)
13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)
13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)
13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)
13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)
13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)
13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)
14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)
14th-century Germany, MS Additional 22413. (That is clearly a turtle.)
14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)
15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)
I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.
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