Have you watched "Jesus Christ Superstar"? If so, what did you think of it?
Jesus Christ Superstar is in my top three favorite musicals - and I lettered in theatre and choir in high school so my list of favorite musicals is hilariously long.
Setting aside any discussion of the music and lyrics first, let's talk about the narrative. The story is very much about the humanity of it all - and how society treats their heroes. The tension between Jesus, Judas and Mary is a debate about how we balance (or fail to balance) our dedication to a movement over our devotion for individuals. And it features table flipping Jesus!!
Mary is devoted to Jesus as a person. "He's a man, he's just a man" she tells us. She focuses on comforting and caring for him. But in her concern for him individually, she has little demonstrated interest in his work to better the world.
Judas is dedicated to the movement. He is (justifiably) concerned that people are losing sight of Jesus as a prophet, making him into an idol instead of a visionary leader. But in his fervor for the movement, he forgets the individual. He seems unaware just how weighed down Jesus is, and likewise disparages Mary asking why Jesus would "waste his time on women of her kind."
As for Jesus? Poor Messiah is conflicted. He is overwhelmed by what is asked of him by both his followers and his detractors. He is reduced by The People to what he can provide to them, and by The Man to how he can give them influence. And he is resigned because he knows that he has obtained a level of notoriety without authority where he has few options left - his death is pretty inevitable for the sake of the movement.
You know who NEVER makes an appearance? God. God is absolutely silent and absent. Because in the end, Jesus Christ Superstar is not about God at all. It's about how the black and white thinking - devotion to individuals OR dedication to movements - both fail to actually provide us with the society we need.
Now, is the musical itself a bit clunky and cheesey? Oh yeah, definitely. But that is the charm of it. Rock opera just has an inherent kitsch to it that I adore. But it's also clever. Outraged religious leaders so often miss the actual point of the story which is also amusing. And I love the 1973 movie version, but I have loved every live performance I've ever seen. The message remains extremely relevant. And our family watches the movie every December.
And yes, in case anyone is curious, I am certain Aziraphale and Crowley saw JCS live. I bet Crowley loved it and spent weeks afterwards humming "Damned For All Time" to himself. Aziraphale probably refused to comment on the content, just being a snide bastard about the quality of the lyrics, then went home and cried over "I Don't Know How to Love Him."
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for some reason i can't explain
i know saint peter won't call my name
nothing that lives, lives forever - an immortal soldier!alton more au
(1.1k of snippets from my old guard(ish) au where alton more is old, too old, and has been living and fighting far longer than anyone should. full description/other thoughts at the bottom. tw: blood, violence, mentions of death)
Alton clicked the lighter closed, running a thumb over the silver case. The night was warm, sticky in a way that he never could get used to. He sucked in a breath from the cheap cigarette, letting his head fall back against the rough side of the barracks.
It was quiet. Typically, there would be no end to the commotion coming from the small building, one of many that littered Camp Toccoa. The wall of sound was ever-present, no matter if it was shouting or laughing or snoring. But whatever the cause, there was always noise.
No matter if it was a blanket of noise he knew well, unchanging except for the language and the scenery. Soldiers are soldiers, and some things are a constant. It could almost be comforting, if it didn’t also mean that the need for soldiers was a constant as well.
However, tonight was a Saturday, and it was one of the few weekends that Sobel had allowed Easy the use of their weekend passes. Almost every man in the company had jumped at the chance to get off base, to travel home if they could and spend time with loved ones. The ones with farther-flung hometowns had spirited off to Atlanta, happy to spend their time drinking and dancing and fucking instead of slogging through another run, three miles up, three miles down.
Normally, Alton would have joined them in their carousing - it was easier to pass the time with the effortless camaraderie built during a training camp than bored and alone.
But today had been a bad day. The sound of swords and the shift of sand beneath his feet followed him out of his nightmares, the humid summer of Georgia morphing itself into the baking, dry heat of the desert.
His shouts must have been real, because when a hand came to shake him out of his dream, the first face he saw was not that of a grouchy NCO, but of a blood-caked Saracen, eyes alight with righteous fury.
Alton didn’t think. He had grabbed the knife from under his pillow, an old thing that had been sharpened more times than he could begin to count, and was on the man in less than a breath, pressing the blade into the side of his neck. The familiar thrum of blood beat against his fingertips, the grit of sand scratched his gums. He knew what he had to do, had done it a thousand times, a thousand thousand times, what was a little more bloodshed spilled across his feet-
Alton had blinked, and came to himself in a rush.
Instead of an unnamed Saracen, the ashen face of Johnny Martin stared up at him, eyes wide behind the knife.
Alton drew back his hand, retreating almost as quick as he had lunged earlier. He mumbled a quick curse and apology as he stepped out of arm’s reach from the man. It wasn’t until Martin’s eyes widened even farther that Alton realized his tongue was slipping out Arabic of all things.
Usually, Alton was better about remembering himself, who he was almost as important as where he was. But for whatever reason, his demons had decided to catch up with him that night.
After a quick smile and some quip about the Krauts in his dreams, he managed to wave an only-slightly-mollified Martin off. The shorter man apparently hadn’t forgotten it though, if his watchful eyes during chow that morning were anything to go by.
Alton was just glad that no one else was awake to see it, at least. That was the last thing he needed.
And so, instead of joining in on a weekend of broads and booze, Alton found himself waving away the invitation by an eager Smokey and bemused Alley. When the horde made their way out of the barracks, fantasizing in bawdy terms about their planned misadventures, he felt like he could breathe easy.
Fucking finally.
~~
Alton took another drag from the cigarette. He watched the smoke curl, up and up until it faded into nothing amongst the darkening sky.
The lighter was a welcome weight in his hand, grounding him to this time, this life.
The design was worn by now, details barely visible after a half century of worrying. It still managed to amaze him, sometimes, what people could do with the smallest of canvases. Alton didn’t feel the same wonder however, wasn’t as mesmerized by the beauty man could create as he once was.
But in the quiet moments, he could still appreciate the time some French craftsman took to transform a hunk of metal into a small token carried around by a dead man.
Luz had spied the lighter one weekend, and laughed at him for using something so old-fashioned. Alton just shrugged, not caring to admit that he was still getting used to having a light at his fingertips. It wasn’t all that long ago when he was still lighting a pipe with a flintlock pistol, and not so long before that when he would carry around a flint and steel.
Time was passing all the more quickly these days, technologies changing and advancing, and everyone was obsessed with needing things to be quicker, cheaper, simpler. Alton scoffed. He could hardly find it in him to care.
He glanced down at the lighter in his hand, shifting it back and forth in a practiced motion and watched as the light skittered across the sides.
It had shown flowers, once. A veritable garden of carnations, daffodils, and lilies of the valley, with leaves spilling across the front panel onto the back. They represent good fortune, he was told. Good fortune, luck, and hope.
When the merchant described it to him, eyes ablaze with a passion known only to those with wares to sell, Alton didn’t try to hide the snort that escaped his throat.
Fortune and Luck had abandoned him long ago, and hadn’t returned since waking up in a battlefield abandoned by all but the dead, sword in his chest and blood in his mouth.
And what the fuck was Alton supposed to do with hope?
It was the quote on the back that had caught his eye, all those years ago in a street market in Reims. The beveled edges had faded with time, the familiar letters Alton traced were more memory by now than any physical mark. Une vie honorable est une vie éternelle.
An honorable life is an eternal life.
Alton couldn’t help but stare at the message, both then and now. He hated that goddamn word. Immortal. Unending. Eternal.
They were such flowery words, used by people who craved what they couldn’t have, what they shouldn’t. The romanticized idea of the everlasting, the fountain of youth, the gift of life! Alton was sick of it.
This wasn’t life. He was a fucking dead man walking.
And he sure as hell didn’t do anything honorable to deserve it.
months ago, while thinking about the absolute insanity of the almost...cavalier? attitude we see alton more have over the course of the series, an idea hit my brain: what if there was a reason nothing seemed to phase him - not panzers, not being a breath away from a car wreck, not bastogne, not speirs?
what if this wasn't his first war?
that thought spiraled me into a minor insanity that is this: my immortal soldier!alton more au, loosely inspired by the movie the old guard (2020). the idea is that, once upon a time, there was a soldier in a land many centuries ago. one day, he died in battle. and then, he woke up. and then he died. and then he woke up.
over, and over. drawn to countless battles, conflicts, and wars, each one etching itself into the core of his soul. a never-ending cycle...until one sweltering summer, where he found himself at a training camp at the foot of a mountain.
anyways.
at some point, i plan on writing this as a full story, but that is admittedly a long ways away. however, in celebration of alton more's birthday today, i wanted to post my favorite scene that i've written for this au! it's set sometime at the beginning of the story, in the early days of camp toccoa. mostly, it's just a character study of this version of alton more.
hope you enjoyed! and of course - happy birthday alton more!
(song insp.)
taglist: @sweetxvanixlla @coco-bean-1218 @bucky32557038ww2 @georgieluz @samwinchesterslostshoe @xxluckystrike @next-autopsy @ronald-speirs @land-sh @ronsparky @panzershrike-pretz @theredrenard @kyellin
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I know I'm not the first person to say this but if Steve harrington is any popular superhero, he's Batman, right?
Like yes there's the fun shit like haha nail bat, Batman. Both are rich boys who take in a crazy amount of children like it's their favorite hobby, both have a bitchy, playboy personas which they use to keep people from looking too deep, because they have to be that hollow, vapid, and bullshit. Big house, no parents?
I know that it isn't exact given Steve's parents are alive(presumably), but I know for a fact i'm not crazy here. Both guys live in luxury, but for some reason or another, their parents are gone. And the only thing they've left behind is their obscene amounts of riches. Like that makes up for having your parents in your life. It kinda left both of them with this anger that they have utilized, sometimes against other people, and always when they fight legitimate threats. And overall they try to be a good person even if they often tend to be haunted by their mistakes.
If you want to get a little meta with it, both work with a character who was originally planned as a love interest for them but is now canonically a lesbian because it makes their characters more compelling. Though Steve and Robin are on far better terms than Bruce and Kate are(doesn't take much for that. iykyk)
Also they have a partner in crime(read:fighting) named Robin if that counts for anything. Sometimes more than one for Bruce but eh. The guy's been around for 85, almost 86 years now, compared to Steve who's been around for like 7. Im taking liberties here.
Speaking of the role of Robin, trying to fit the party into the batfamily is a task and a half. Like I guess Dustin would have to be dick and max could work as Steph, but would that make Lucas Tim? Suzie could be Babs, that would make sense. Wait, am I making mike jason? It's a mess and my brain is on fire. The only ones i feel a little bit confident about is that Erica would be Damian, el would be cassie and Will would be Duke. Before you ask, no I don't know how Nancy, Jonathan, Alfred, or the other adults would fit in here but I have a side tangent to entertain y'all with instead.
Yes, I do think that this would make eddie Superman. Yes I think it fits quite well.
Listen, from what I do know of Eddie's backstory(I have not read flight of Icarus), it could be matched with Clark's. Boy is sent away from parents to live somewhere else and is taking in by someone who becomes their parent(s) wholeheartedly, no matter the fact he is different from the other kids. And then when they try to live their life as best they can with those differences. Something happens that gets a while city's population looking at them, and a notable member of the community wanting them killed or arrested because of how "dangerous he is".
Listen even if I'm being a little conspiracy board-esque about eddie as clark kent, the parallels of Jason Carver and Lex Luthor are plain as day. Jason is more of a religious bigot compared to Lex's capitalist xenophobia, but these two green and white bitch-asses mirror each other. Also the religious imagery for both Eddie and Superman is off the fucking charts(like Eddie is seen as a demon by the mobs and Superman is seen as a god. And both are feared for it)
I can talk more about this, but I'm already scared that I have said too much.
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