Attention to all my beloved Aussie friends!!
I have some great news!! After almost 3 years, I’m now able to resume shipping to Australia! 🇦🇺
The shipping profile on both my shops have been altered and they are now ready to receive your orders!
Thank you for the patience! ♥️🥰
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And just a sidenote from me to you: if anyone wants to ask me anything* or dm me you are more than welcome!
Come forward frens and anons. My place is safe haven for all!!
(*Anything rude/racist etc is immediately deleted)
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I think one of the things I like about the Percy Jackson show that we've seen so far, is that the stuff that was added still feels in line with the books. Like all the lines going "is there a greek god of disappointment?" "Like Jesus?" The whole bit with Mr. D pretending to be Percy's dad. These bits are not in the book, but they feel like they would be. And idk if that was all Rick or the writers just get it. But either way I enjoy it.
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Another thing that haunts me about this entire thing is that Amanda wasn’t just funny like her coworkers, or funny like other Disney and Nickelodeon actresses. Amanda Bynes was funny like Carol Burnett. Funny like Lucille Ball. She was effervescent and classic. Her comedic sensibilities were deeply intelligent. She had *it*. And she should have grown into one of the best actresses of our generation. But *something* happened and derailed it all. Even if she’s not the same, I truly hope she’s well and happy. I want nothing but the best for her, even if it’s a quiet and private life. I adored her back then and always will.
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Thoughts on totk so far
1. wtf do you mean that’s ms. zelda’s house, THAT’S MY HOUSE THAT I BOUGHT WITH MY MONEY
2. wtf do you mean sidon is engaged, THAT’S MY GIANT FISH BOY THAT I COURTED THROUGH MY MUTE SWAG AND SAVING HIS SISTER’S SOUL
3. wtf do you mean kass is nowhere to be found, THAT’S MY BARD THAT I GREW ATTACHED TO BECAUSE HE WAS AROUND WHERE THERE WAS NO ONE ELSE AND SERVED ABSOLUTE BANGERS
4. wtf do you mean there’s a yiga hideout on the great plateau, THAT’S MY PLATEAU WHERE I WAS ASLEEP FOR 100 YEARS
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In Hollywood you can work on a tv show with kids all day, be arrested for your confession of torturing/sodomizing a kid for a period of 6 months, get 16 months in jail and go back to work for Disney right after despite being a registered sex offender. The lack of justice and accountability gone unchecked is so unbelievably sick.
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Ok but I NEED TO TALK ABOUT MY TWO FAVOURITE FRAMES FROM THE BROS HUG
After the first hug, Mario immediately goes to gently cup and pull Luigi's face towards him. He needs to take in that his brother is right here. He needs to make sure that he's not hurt.
And stars help Bowser if Luigi was!
THE FOREHEAD TOUCH
Oh stars the forehead touch. So much meaning in this one moment ❤💚
Now, forehead touches can have various meanings in many cultures; but in general, touching ones forehead to another person's is a way to get across love, soothe anxiety, and can be seen as a protective gesture.
And that's exactly what's happening here. The Bros are grounding themselves in the moment. And look at the way their eyes meet! In various cultures as well, the eyes are believed to be windows to the soul. The Bros are not just communicating through their physical affection - they are healing each other's hearts.
And given what they have been through, they need it 💗
In this one moment, the Bros can forget about the terror and danger around them.
In this one moment, they are able to focus on the one thing that matters the most to them.
- - -
Also a side note: Luigi doesn't say a word during this exchange (not counting after, when he makes the bear comment 😁). And some will probably think "Oh man that sucks!", but honestly it says a lot about these characters. Luigi chooses to remain silent, because he knows that if he attempted to speak in that moment, he would burst into tears and be unable to stop💧
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one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.
the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)
the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.
Oh boy my friend, have you come to the right place!!
So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.
Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.
So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way.
As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her.
I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.
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