#closure is a myth | Explore Tumblr Posts and Blogs

arminsumi · 1 month

Text

🔞 𝐀𝐝𝐮𝐥𝐭𝐬 𝐨𝐧𝐥𝐲 | 𝟏𝟖+

𝐓𝐨-𝐁𝐞 𝐄𝐱-𝐇𝐮𝐬𝐛𝐚𝐧𝐝 | 𝟐

<- 𝐩𝐫𝐞𝐯.

𝟑.𝟔𝐤 𝐰𝐨𝐫𝐝𝐬 / 𝟕 𝐩𝐚𝐠𝐞𝐬

𝐏𝐚𝐢𝐫𝐢𝐧𝐠𝐬 : fem reader / Gojo Satoru / (Geto Suguru)

𝐒𝐲𝐧𝐨𝐩𝐬𝐢𝐬 : your ex-boyfriend claims he isn't a playboy anymore, but is he being genuine? Another date with him leaves you a mess, and you end up asking his best friend out for coffee.

𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬 : angst, pining, drama, smut (cr**mpies, light degradation, name calling (sl*t and wh*re), c*nnilingus, bl*wjob in the backseat/risky), implied sexual relationship with Suguru

𝐏𝐥𝐚𝐲𝐦𝐞 : Heaven and Back | Often | Wine Pon You | New Rules

You walk out of your bedroom gussied up, lips painted in a very specific shade of red.

And Shoko, laid on the couch tiredly, gapes in disbelief at you.

"Oh my god." she groans, "Please don't tell me you're going on another date with that playboy."

You act dumb, nervously touching your neck as you style your hair in the mirror some more.

"What?"

"You're wearing the Gojo Satoru lipstick."

You continue acting, "This isn't the 'Gojo Satoru' lipstick, I love this lipstick! I always wear this shade!"

She looks at you, dumbfounded by your acting, nearly laughing.

"No, that's the Gojo Satoru lipstick. I can distinctly recall his words; "That's my baby's lipstick on me." and how you giggled on his shoulder."

"Shoko, that was five years ago." you say, "It's fine. I promised him only one more date. He needs closure."

"He's had five years of closure." Shoko replies, "Angel, you're too good for him."

"He's changed!" you insist.

"No, he hasn't; I saw that look in his eyes when I saw you two on the couch. He's still a playboy, and he'll prove it to you soon enough." she says.

"I have faith in him." you say.

"How many times have I heard that?" she shakes her head, getting ready to have a smoke. "You know, Gojo Satoru has always gotten what he wants. That's why he's so fascinated by the new you; you're not giving yourself to him like you did back then."

"I have faith in him!" you emphasize. "God, just tell me I look good."

"..."

"Please. I'm nervous. He's high-class, you know. I feel like I'm going on a date with the president of the world."

Shoko sighs and heads towards the balcony to smoke.

"You look too good." she says earnestly. "He was right about that shade of lipstick on you."

Her compliment makes you light up significantly.

You fuss as you wait. Since Shoko asks, you tell her; "He ordered for someone to chauffeur me."

"Oh my god." she groans, "He's really buttering you up."

"But isn't it such a gentleman move!"

"... more like a rich boy flex." she mutters under her breath, stubbing out the end of her cigarette.

"Okay. I've got to go. See you later... um, unless I overnight by him, of course." you giggle dreamily.

"Condoms." Shoko says simply.

"He's got some."

"Bring your own, always."

"But I'm on birth control, and we've already — " you begin.

Shoko cuts you off, "I know, but have you ever heard about the whole "creampies make you fall in love" thing?"

"What?" you look dumbly. "Isn't that a myth?"

"No. Coming inside is affectionate. You're going to feel connected to him and then he'll dip when you become "too serious" for him. Just keep him at bay."

You give her advice consideration, and nod. "Okay, alright. I won't let him do it inside."

*****

While being chauffeured, you rehearse in your head how to greet your ex-boyfriend — but it doesn't help, because as soon as you're actually in his presence again, your mind goes blank and you start nervously touching at your neck and giggling to cope with his charm.

From the moment Satoru takes your hand and leads you into the restaurant, you feel like a VIP. It's such a familiar feeling; in your early twenties, when you and him dated, he showed you what it meant to be really rich.

And he was excited to shower you in lavish treatment, he loved to see you decorated in his diamonds and to see your bright smile on foreign beaches.

The effect he has on you is even noticed by the waiter, who tends to your secluded table on the rooftop. You and Satoru feel like you're in your own bubble.

"I'm serious." he says honestly, looking into your eyes.

"... you break my heart, then disappear for five years, and then come back asking for marriage." you shake your head, "Doesn't that sound insane to you? Can't you understand why I'm rejecting you?"

"I've changed."

You hum skeptically.

"Really." he tilts his head, he flicks his brow giving his expression that sad little look that really sells it for you.

"If we got married, how long would it last?"

"What do you mean? We'd be wed 'till we're dead." he grins.

You shake your head and smile at him, poking at your plate. A long silence passes.

"... let me think about it."

"... okay." his spirits lift. "But don't make me wait too long; I'm impatient." he teases.

"Too bad. I'm gonna take my time." you sass, biting a piece of meat off your fork to make a statement.

He grins at you.

*****

Food all eaten, dessert long gone. The night air feels good. Not like old times, but new times with an old lover. He knows he messed up, right? So why hasn't he apologized yet? Maybe, you theorize to yourself to justify him, maybe he's still thinking up an apology.

He stares at you from across the table, eyes hungry like a starved wolf.

"You look so good tonight." he says for the third time.

You giggle in response, "Stop..."

"I swear that shade of lipstick looks familiar." he teases, leaning over the table.

You can smell his cologne, and it entrances your heart.

"... is it?" you ask softly, pretending like you don't know what he's talking about.

He knows you're pretending, he thinks it's cute.

"You think it would look good on me too?" he asks.

You shrug like a ditzy princess, "I dunno. Wanna find out...?"

He's so quick to call the waiter for the bill, like there's a pressing issue that needs his attention.

But the only pressing issue is his hard-on pressing hot against his thigh.

*****

Giving his cock all your attention in the backseat of the car, Satoru forces his moans down so that his poor chauffeur doesn't hear through the screen divider.

You stifle a slurping sound, sliding off the tip of his cock slowly, and it makes him shudder hard. He closes his eyes, like that helps any, and tries to keep from cumming in your mouth right there.

Gojo knows your lipstick stains are going all over his cock, it drives him crazy.

Before he cums, you pull off and he mutters a small "Just you wait..." under his breath that makes you smile wide.

****

Kissy marks lead up his abs. Of course, he wants to take a photo — to preserve the memory.

"Hand here, baby. Good girl." he instructs, and in his voice right then you can hear how mature he is now, in comparison to the squeakier voice he had when you two first met.

He's not a boy anymore, he's a man. But very far from being your man, which he's trying to change.

"Lay back." he murmurs. "Spread your legs. Wider. Good girl."

Without saying a thing about it, he noses in between your thighs and shows you heaven is real, and it exists on Gojo Satoru's tongue.

"Fuck!" you clamp your thighs around his head, making him hum while sliding his tongue inside.

When you two first dated, he wasn't inexperienced — but he didn't quite know how to eat a woman out.

Five years is a long time to practice, and he definitely did. You can feel his sloped nose nudging against your clit as he kisses and sucks, sometimes nibbling softly with his teeth at your puffy lips.

Making you cum on his tongue is almost too easy for Satoru, he nearly laughs as he pulls away and licks your slick off his lips. He thinks it's a pity that he's at the wrong angle to see your eyes rolling back. But at least he sees how you throw your head back for him, and how you sound for him — like a cat, he loves it.

"Nice and messy for me now, huh?" he hums, connecting his body with yours as he crawls upwards and devours your lips.

"Mhm!" you whine, still unsteady from your orgasm, breathing frantically. "Satoru, I need you in me right now."

"Aw, but I was gonna — "

"Nowww!" you beg.

He sighs, "Can't say no to that face."

You watch intently, licking your lips, as he whips his belt off and takes his cock out. It's red from the tip down to the middle, where that familiar thick vein always catches your attention.

By your request, even though it confuses him, he squeezes his cock into a condom.

"What do you need, baby?" he asks, lowering his cock onto your pussy and rubbing it between your slicked lips.

You squeal as he flicks at your clit, then pinches your folds around his cock, making you realize his size in comparison to little you.

"I need you."

"Need me how?"

"Satoru!" you hiss annoyedly.

"I don't want to have to tease you, baby just say it."

"I want your cock inside me."

"Not nearly slutty enough." he shakes his head, drawing his cock back and forth, rubbing over your soft pussy. "You said to me in the car that you were a total, fucking slut for me, didn't you say that? Or am I imagining things?"

You start babbling, "Yeah! I'm a slut for you, I want it so bad!" you whine, "C'mon fuck me stupid!"

"That's better." he grins.

Just like how he always does, he presses his tip inside you so politely but then pushes it in too deep, making you curl like you're about to cum.

Satoru's not one to go slow for long, he'd rather pound into you hard and fast right away, to bring out that slut in you as quick as he can. Because right now, you're not nearly slutty enough for him, as he said — and he needs to see that side of you.

"Baby, get loud for me, come on." he grunts, shoving himself as deep as he can, reaching the spot that you know isn't the G-spot or your cervix, but something in-between.

"Fuck!" you almost cry, "That's so good, fuck me harder please!"

He grins, cheeky fangs on display, and goes harder until you can hardly handle it. You don't care if it hurts just a little bit, because you want to know that every inch of your ex's cock is inside you. Not just eight, eight and a half — honestly, he doesn't know where you put all of that, but he delights in watching it disappear into your hole.

"Look at you." he purrs, "How deep are you trying to suck me?"

It feels like he's going to split you in two. Sweat pours out of the both of you, bodies getting slippery.

As Satoru continues pumping his cock back and forth, in and out of you, he starts furrowing his brows together in focus — playful edge dulling as it always does when it feels good good.

"That's it, you fucking take it." he grunts, "Good girl, you're a good little slut for me huh?"

"Yeahhh I'm a good little slut for you!"

"Let me take the condom off, baby."

You know you're gonna hear it from Shoko if she knows, but in the moment you're too drunk on sex to care, and even reach back to strip the condom off your ex's cock yourself as he watches with a smirk.

"Good girl. Now flip on your side, like this." he instructs.

He slides back inside slowly, filling you inch by inch with a low groan — like he's falling in love.

And the sounds he makes as his orgasm builds up make you want to cum again, too. Each time he hits that strange spot between your G-spot and cervix, your visions sparks a little.

Hard strokes tip you over, and you lay there letting Satoru degrade you and call you a filthy slut. You'd be his anything as long as it felt this good.

"I'm so close." he warns, trying to savor the buildup.

"Cum inside me." you mewl, "Please."

"Yeahhh I'm gonna — fuck. Take my cum, be a good girl."

The broken moan he lets out as he creampies you is almost obscene. Satoru slows his thrusts as he shoots everything he has into you.

His jaw slacks, and he groans, "... prettiest little slut, aren't you? So filthy and pretty."

"I'm gonna cum againnn..." you whine, reaching down to rub frantically on your sensitive clit.

He watches you through the haze of his post-orgasm, slowly grinding his cock inside to get you there.

"Good girl."

"C-call me a slut again, please."

He laughs naughtily, "Fucking slut. Come on, finish on me. Make that cute face again, 'cute lil' whore."

Satoru always surprises you during sex in some way, this time you're surprised when he caresses your cheek as you cum. You shake and spasm, feeling each shock of your orgasm.

Panting and coming down from your high, Satoru cracks a smile.

"You were so loud." he laughs.

Reality hits you, "Oh my god, I didn't know I liked being called a slut so much!" you cover your face embarrassedly.

He rings out with laughter.

*****

After sex. What happens after sex? He's a gentleman, and that makes you tear up — not because he's a gentleman, but because he never used to be quite like this.

No, he never used to be quite like this. Even kissing you afterwards? Why was it, you wonder, that back then he couldn't love you as deeply as now, when you needed it most?

"What's wrong?" he asks.

You try to stop your crying, but it gets worse.

"Satoru." you say, sniffling, eyes pointed downwards, "I know it's been five years, but I'm still hurt."

He doesn't reply. Just awkwardly wrings his hands and sits at the edge of the bed, soft duvet covering his lap.

"I'm sorry."

"Sorry doesn't really help."

"Then what can I do?"

"I don't know." you sniffle, "Go back in time and love me. You know, I needed your love back then more than I do now." you admit to both him and yourself.

Satoru purses his lips, thinking before he speaks — but then he ends up not replying at all.

Instead, he goes to wipe your tears. Something he always did towards the end of your relationship, because you were always crying.

"I should go home."

He jolts a little. "Oh. I thought you were gonna stay the night?" he croaks. Inside, he's dreading sleeping alone again.

"No." you shake your head. "I've got to stop fooling myself. We're not getting back together, you're not more than a playboy, we're not getting married — and sex with you is better than with anyone else, but a relationship can't bank on that, Satoru."

"I'm being genuine. I told you earlier that I was."

"How can I trust you?" you ask.

"Playboys don't propose marriage." he replies.

"But you're just joking about that!"

"I'm not!" he stresses, "The last time you loved me, I was just a boy. I'm a man now and I know what I want." he says roughly.

You both go silent. Then he starts speaking again, voice softer than before.

"I love you more every time I see you."

You don't say anything back. He looks stricken and confused.

"I'm gonna go." you say.

He purses his lips tightly, looking frustrated that he can't get through to you.

"I'll take you home." he says quietly.

*****

Shoko is just digging around in the freezer for therapeutic ice cream when you come into the entry way.

"You look dreadful."

"Thanks."

"Bad date?"

"The worst..."

"Still love him?"

"... yeah."

"Marriage?"

"I'm in love, not stupid." you reply.

Shoko chuckles. "Come on. Let's catch up on that series. I'm not on-call." she cheers for herself. "We can binge the whole thing."

"Shoko, where would I be without you?" you sigh appreciatively, flopping on the couch next to her, mascara smudged off and all.

"Staying the night with a playboy, probably."

"Can't argue that." you sigh, "Shoko, I'm so dumb for him, what do I do?"

"Wait. Strike at the right moment."

"I'm not a cobra."

"Buy a cobra. Let it loose on him."

"Your humor is so dark, Shoko. I love you."

"Love you more."

*****

Meanwhile, Satoru is with Suguru; who is listening to his sulking best friend.

"I'm so dumb for her. What do I do?" he groans, "Shoko's probably poisoning her against me as we speak."

Suguru thinks deeply. "Shoko..."

"I know!" Satoru nearly starts crying again. He's being so dramatic, it's hard to take him seriously. But Satoru almost never cries. So Suguru seriously thinks about solutions to his problems.

"Shoko!" Suguru realizes.

"I knowww!"

"No, Satoru, Shoko!" Suguru emphasizes, like he's just made a breakthrough, "Shoko is the answer to all your problems!"

"Ew. I'd never date Shoko."

"You're so dense. I'm not suggesting that. Shoko's her best friend, and she listens to whatever she says, like you listen to me."

"You have a point... I'm listening."

"See?" Suguru chuckles, "Now, here's what I think you should do..."

*****

"You want me to talk to Suguru?" you shake your head. "How would that help?"

"He's his best friend. If you want to find out if Satoru's no-good, you go to the best friend."

"Suguru would rather die than expose Satoru. They're not like regular best friends, they're soulmate best friends." you say, nervously touching at your neck.

Shoko shakes her head. "Are you scared to talk to Suguru or something? What actually happened between you two back then? You never told me."

You go silent and wide-eyed. Shoko's jaw drops open.

"No way. Holy shit. Oh my god. You and him...?!"

"... it was just once."

"Holy shit! Was this before, after or during you and Satoru together?"

"I'm loyal as a dog! It was after... I was feeling, um, revengeful, and Suguru was feeling lonely one night... so..."

"Suguru actually did that?! Did Satoru find out?"

"We promised to never talk about it again. You know... Suguru was so nice about it. I remember he laid me down and said "Don't worry, just cum on my tongue" or something. Ugh, he was so hot. He fucked the life out of me — I could barely fucking see straight after."

"Too much information!" Shoko plugs her ears.

You look up at the ceiling dreamily. "He's thicker than Satoru."

"My best friend is a slut!" Shoko cries.

"I am!" you cry back dramatically.

The two of you burst out laughing wickedly.

"To sluts!" Shoko toasts with an ice cream spoon.

You toast with her, "To sluts! The sluttier the better!"

"Are you gonna talk to Suguru, then? Or are you scared of your inner slut coming out?" Shoko asks.

"I'll do it. It'll be fine. I'm sure Suguru doesn't look as good in real life as he does in photos..." you reply.

You exchange a look with her. Immediately, the two of you stalk Suguru's social medias and —

"Seriously? Who doesn't have a single social in this day and age?!" You curse, only finding photos of Suguru with Satoru.

"That's just like him."

"Maybe he has a Linkedin."

"You're desperate."

"Yeah!"

"Wait, here's something...?"

You investigate further.

"It's private?!"

Shoko bursts out laughing with ice cream melting on her tongue.

"Comedy!"

"This is seriously annoying. I'm gonna friend him." you say.

Shoko looks at you. You look at Shoko.

"You wouldn't."

"I would."

"You're CRAZY."

"I am!"

"Let me watch, let me watch."

"Okay. I'm doing it."

*****

Satoru is mixing another over-sweetened, non-alcoholic cocktail to be sipped on as if he's drinking his sorrows away.

And Suguru? He's laying on the couch, ghosting social medias that he has no account with, happily enjoying a video of traditional cuisine when suddenly he sees the most outrageous, random, and bizarre notification from his mostly-dead private account.

He makes a suspicious side-eye, thinking it can't be real.

Friend request from @ 𝐘𝐍

@ 𝐘𝐍 wants to send you a message.

@ 𝐘𝐍 hey suguru 😊

"What the fuck." he whispers under his breath, blushing in a panicked kind of way.

Immediately, hot memories of you flood his mind. He sits more upright on the couch, glances nervously to check what Satoru was doing, then looks at your message again.

His heart races.

*****

"This is stupid. He's gonna leave me on read."

"Yeah. I forgot Suguru was notorious for that." Shoko sighs. "Operation: Suguru is a failure, then?"

"Yeah."

You set your phone down and continue binge watching a whole season of a trashy series on Netflix.

Your phone vibrates thirty minutes later. You check it without thinking, then scream so loud it startles Shoko right out of her zen-like Netflix mood.

"NO WAY."

"Is it him? What did he say?"

"He said 'hey'. He's online."

"Well say something!"

You panic, "What do I say?"

"Ask him for coffee! In a non-romantic way!"

"Okay."

wanna go for coffee sometime?

@ 𝐬𝐮𝐠𝐢𝐞 is this about satoru or us?

it's about satoru

@ 𝐬𝐮𝐠𝐢𝐞 riiight

i'm serious 😠

@ 𝐬𝐮𝐠𝐢𝐞 because i wouldn't mind if it's about us

"WHAT." you scream with Shoko.

"REPLY TO HIM."

"I DON'T KNOW HOW."

"GIVE ME YOUR PHONE."

Shoko clacks her nails against the screen viciously, replying to him as you watch her type.

"That doesn't sound like I wrote it."

"Well sorry for being grammatically correct."

"Make it sound sillier."

"There."

Shoko sends it. You watch and wait with bated breath, ignoring the climactic scene on the TV because Suguru Geto was far more attention-grabbing.

"Oh my god." you clap your hand over your mouth. "Is that sexual? Is he being sexual?"

"I have no idea, Suguru's an enigma."

"Do you think Satoru is sitting with him? Are they playing us?"

Shoko shrugs. "I don't know, but I'd read that message if I were you."

You look back to your phone.

@ 𝐬𝐮𝐠𝐢𝐞 sooo coffee where and when?

"SHOKO WHAT DO I DO."

"I don't know."

"SHOKO."

"I DON'T KNOW. I'M STUNNED."

"ME TOO."

"I bet Satoru is cackling next to Suguru right now."

"I bet not. Listen to how sultry he is! That's three o's in there!"

Shoko thinks. "Yeah, but Suguru is always sultry. I think they're pulling a joke on us."

*****

Satoru is dozing off while his best friend texts you. Suguru's not resisting his smirk; it's plastered on his face.

@ 𝐘𝐍 tomorrow? 2pm sound ok? 🙈

@ 𝐬𝐮𝐠𝐢𝐞 sounds perfect.

𝐓𝐡𝐢𝐬 𝐢𝐬 𝐚 𝐰𝐨𝐫𝐤 𝐨𝐟 𝐟𝐢𝐜𝐭𝐢𝐨𝐧.

𝐏𝐥𝐞𝐚𝐬𝐞 𝐝𝐨 𝐧𝐨𝐭 𝐩𝐥𝐚𝐠𝐢𝐚𝐫𝐢𝐳𝐞.

873 notes · View notes

arjuna52 · 2 years

Text

Bless Them, Change Me.

A few years ago, I was sitting in a meeting when a latecomer burst into the room. After apologizing for his tardiness, he explained that all but one lane on the highway had been blocked off and he’d been stuck behind a car that was going so slowly they were holding up traffic. He recounted how he’d laid on his horn but stopped as soon as he saw that it wasn’t doing any good. Instead, he took a…

View On WordPress

#acceptance #blessing is a blessing #blessing others #Myth of Closure #Pauline Boss

0 notes

magnetictapedatastorage · 2 months

Text

What if closure is a myth sold by big sad

292 notes · View notes

kienansidhe · 3 months

Text

i like how the nimona movie like. emotionally it feels like a sequel to the comic. like obvis its the same core characters and a lot of similar events so its not literally 1000 years after the events of the comic, but like tonally, thematically, it feels like it.

i liked the way the comic was a bit darker, both in terms of the characters moral complexity and in the way the ending was sadder, still hopeful but more the world isnt ready yet, theres hope for change but we arent quite there yet, nimona cant come back yet, shes still an outsider and cant live with her friends in the open even tho she knows they love her. its more the world as it is now.

i was a little frustrated at first at the way everyone is much less morally complex in the movie, theres a lot more clear cut none of the good guys ever did anything wrong rlly, it felt a bit sanitized (not rlly surprising given. you know. cost of being made by a big studio. but still disappointing). but at the same time theres some different themes being explored, and then the overall throughline is more hopeful.

i like how by making ballister both a man of color and more strongly emphasizing his background of poverty and how hard he had to work to make it as a knight, the way he is much less aware of the structural problems of society and tries to cling for awhile to oh its just the director who is the problem, it rlly gets into the model minority myth, the way you grow up being fed this lie that you arent being oppressed, that you just need to work harder, to prove to your oppressors that you arent lazy or lesser, both for yourself and for others like you. ballister in the comics already knows the system is broken, his quest is not to clear his name in the eyes of a flawed legal system, hes floundering but he knows the government is rotten. movie ballister is more naive, has to be guided to see that this is bigger than his own problem of being framed.

i like how nimona gets to be a hero in this story. the comic was a story of one person seeing the humanity in a monster, in a nimona who is much more angry and bitter and lashes out much harder. both stories have the theme of being saved by a single connection, by someone seeing you, acknowledging your personhood, but the comic sort of ends there. maybe someday the rest of society will understand, but they dont yet. maybe in another thousand years.

and then you get the movie, where nimona is softer (emotionally maybe bc of the comic thousand figurative years ago), but also sadder, less bitter and more despondent. its been another thousand years and she still isnt accepted. but things are different this time. nimona has enough hope that ballisters love and acceptance makes her want to save people, to change their perception of her. and she DOES everyone sees her as a hero she gets little kids making we love nimona drawings and its like ahhhhh this is the fulfillment of the promise at the end of the comic it feels SO good it feels like closure it feels like hope i love it so much!

#headspace #nimona

183 notes · View notes

fortunelowtier · 10 months

Text

Honestly the wildest thing abt the entire oceangate submarine disappearance is people saying they need to find the bodies so they can give the families closure

Need i remind you that Mythbusters tested almost this exact myth more than a decade ago, rapidly depressurizing a pressurized suit and seeing what happens (WARNING FAKE GORE BUT STILL GORY) and this test was done at 300ft (the sub likely imploded at around 7x this depth)

And so to the prospect of trying to find the bodies of these people, i raise a question: What bodies?

At the depth they were, an implosion means their bodies weren't just ripped apart, they all simultaneously exploded with the force of a grenade, turned into paste so fast that the human brain wouldnt even be able to process what was happening. One second they have a mild pain in their ears, something akin to a mild ear infection, and the next theyre a cloud of red mist at the bottom of the sea. the absolute most you'd find of what's left of their bodies is a mangled pile of a handful of bone shards, and even those would've likely been picked away by the local fauna by now

#oceangate #titanic #titanic submarine #cw death #current events #like i GET the idea of wanting to give the families closure but also like #what fucking bodies #theres no body to recover #cw gore #cw gorey imagery #sorry if i got too into the description its just that i cant stress this enough that there IS no body to recover

565 notes · View notes

benjaminwatchworld · 8 months

Text

Closure's Myth

Closure’s myth, a tale we’ve spun, In emotions’ labyrinth, it’s often shunned. Defective notions of love’s grand feat, A generation’s yearning, an elusive treat. Peace, end, or fairytale’s embrace, Awoke by a fallacy, a love’s chase. Sarcasm devours, simplicity’s quest, Coffee, hikes, love’s ultimate test. Rhyming reason, an explanation plea, From those we thought we’d never see. Love…

View On WordPress

#breakup #closure #closure is a hoax #closure is a myth #heartbreak

0 notes

maxwell-grant · 5 months

Text

(VENTURE BROS FINALE SPOILERS)

There's this thing I keep thinking back to in The Venture Bros, that is the way everyone talks about Jonas Venture. The early myth of Jonas Venture, the great man and hero beloved by everyone who has been succeeded by a less-than-great failure of a son, is eventually twisted around with the gradual reveal of Jonas as a horrible man who did horrible things to his son that made him the way he is, and with every subsequent appearence unveiling more and more about the depths of depravity Jonas was actively capable of. We get to see how much Jonas is responsible for many of the issues all the characters find themselves envolved in, how much can be traced back to him, and we see things he's done that even appalled the rest of the old Team Venture who seemed mostly fine with all the other things he was doing. Rusty even gets a couple of moments of catharsis where he's shown to be making progress in having moved past his dad.

But the way people talk about Jonas Venture never changes. There is no reckoning for anyone other than maybe Rusty. Jonas Venture is the biggest and most successful and influential character even after his death, and his perception at large never remotely changes. He is the biggest monster, and so he has the best public image out of everyone. All the little monsters are just playing in his pool, and even all the other not-monsters will cover for him and praise him no matter what he did, no matter how many people he killed, no matter how many children's lives he ruined or how much destruction he left everywhere he went.

When we're introduced to Professor Victor von Helping, the kindest and most helpful person Dean's ever had in his life, he expresses open admiration for Jonas as an inspiration for getting into science, something he will explain to Dean was what saved him and allowed him to take control of his life from his horrible father, and this is directly after the Morpho saga that had shown us Jonas at his absolute worst. And the thing is, we're not meant to think less of Von Helping for it. He is not malicious, he doesn't worship science or Jonas for any nefarious or ignorant reason, he just knows what everyone does: that Jonas Venture was a great scientist who changed the world and has been succeeded by a not very impressive son.

Ben, who personally assisted Jonas in the cloning process and who knows what else and now lives in a graveyard of hundreds of people whose deaths he directly attributes to both Rusty and Jonas, is still about as benevolent as a super scientist can really be in the setting, and in the movie he helps cap off the show with a message to Hank Venture that he delivers based on what Jonas passed onto him. He attributes "Blood doesn't make a family; love does", a closing statement on the show, as heartfelt wisdom from Hank's granddad. It's not played for irony. We can debate whether it's meant to have some or the degree to which that statement can be read as malicious coming from Jonas or someone who was that closely affiliated with him, but none of that even really matters in that moment of Hank's closure and Ben being able to provide some with what he claims to be Jonas' teachings.

None of this takes away from all the horrible things Jonas did. None of this is meant to be any kind of redemption for him or his legacy. His legacy may be complicated, but Jonas Venture was not a complicated man. Complications and moral dillemmas are things he invented for the little people around him to deal with, whether they fought for the Guild or the OSI, or they are little Ventures scurrying in his shadow. Moral greyness was just a thing for chumps to be concerned about while Jonas ruled the world unimpeded from doing whatever he wanted to whoever he wanted.

Usually when shows have this big, massive force behind so many unfolding events and characters and traumas, there's a degree to which their comeuppance involves some kind of larger reckoning. They get exposed for who they are, their legacy crumbles, their great deeds are rendered lesser, they are given ignoble fates or some kind of retributive punishment, society can rest easier with the great evil exposed and defeated, and the audience can rest easier knowing that, if some great evil like this was made public and exposed, we'd do something about it. We'd so something about it on a scale that matters and stops it from happening again.

We need to believe that's what happens because we can't, and maybe we must never, accept that it doesn't work that way, that all around us are monuments and reminders that celebrate the monstrosities of our forefathers and their grip on our current lives, even when everything they've done and continue doing is public record, even when you tell someone about it and they still keep doing it, and everyone around you gives them a pass to do it so long as it (and by "it", they mean you) doesn't bother them.

And it's not like none of those things happened with Jonas, he did get a deserving comeuppance of sorts in the Morpho trilogy. But nobody really cared. Nobody that mattered cared. Only Rusty cares, and Rusty doesn't matter. Certainly not as much as his dad matters. Jonas gets the approval of the world and all the accolades and statues that follow, and he gets to crush his children forever under the weight of his legacy because of that. All they can do is try and survive past him, and even that is enough of a struggle.

But even with all of that, even with Ben's gentle and comforting parting words being another reminder that history exonerates Jonas for everything he's done while looking down on those he victimized, I find myself thinking of the fact that the last we ever see of Jonas' image is that accursed statue finally being toppled off it's pedestal, and the entire cast banding together to rescue The Monarch, his other son and victim, from it. They may not even like him (and for good reasons), but they don't let the invincible grip of his father take him to the grave. It takes them all to push back Jonas, but they push him back nonetheless, and Monarch lives another day.

It's not what the movie ends on, it's more of a funny moment than anything. It's just I was going to end this ramble pessimistically, until I remembered this frame. The true final word on him.

May we all survive the Jonas Ventures of our lives and push those fuckers back into the trash where they belong.

#venture bros #the venture bros #rusty venture #jonas venture #the monarch #adult swim #vb

172 notes · View notes

genericpuff · 5 months

Note

What are your thoughts on A-gnosis' Hades and Persephone comic? Also aside from the main couple who are also your favourite couples? Mine is Ariadne and Dionysus but also Demeter and Hecate's relationship

Oh I love @a-gnosis' work! We've actually drawn fanart for each other's comics in the past, they're so sweet and their work is amazing, Theia Mania is one of the series that got me into Greek myth comic retellings to begin with. I love how realistically the characters are portrayed, not just in their arcs but also in their physical depictions (Persephone has body hair and I appreciate that so much, and Hades is just this kinda fit but also kinda chubby dude <3). There's also a lot of honesty and positivity in its depictions of sexual health and interaction, while also shining a light on the regularly occurring topics of assault within the myths (such as with Demeter and Poseidon). Demeter as a whole is depicted very well, I love her relationship with Hecate and I'm genuinely rooting for her to get closure in finding her daughter <3

#definitely go read theia mania if you haven't yet!#it's one of the comics that really got me into greek myth storytelling #theia mania #a-gnosis #ama #ask me anything #anon ama #anon ask me anything

130 notes · View notes

leidensygdom · 5 days

Text

ENNU EPILOGUE RECAP!!

OKay! So, our campaign ended! Yesterday was the 81 session, and last one of it- Our DM did a wonderful job at running it. We basically got to ask them for the scenes we'd like to see, and the session was built around that. It's been three years, so it was wild to see it come to an end! Here's a recap tho (a lil bit more focused on my blorbos since they're the ones you know)

The epilogue happened two years after the campaign's end, with a couple of flashbacks going some time back

First scene was welcoming Blasma (one of the party members), who had been on a trip all this time to heal her soul at her grandpa's dubious laboratory. She's pretty okay currently- if we ignore soul healing is something theoretically impossible. Probably many questionable things happened there. Osten traveled with her to make sure she was doing okay

Next scene was her welcoming party. A bunch of shenanigans happened. Yxala tried so play cool aunt, got her a motorbike. They ended in somewhat odd terms and my girl was trying so bad to get her trust again

Pulsar and Tephra- each polycule's kids- appeared to be overall terribly adorable. Yxala talked a lot about her Sweet Potato. Tephra is Yxala and Relé's biological kiddo (as evidenced by the branched horns), 6 months old, and just one of these big hefty babies who is starting to munch on everything (here's a token of baby her, and what she's like grown up!)

we also got to see the closure of Mythannae, Yden and Jorven's polycule! Myth and Yden recovered their enchanted clothing business. They specialize in magical clothing adapted to specific needs- Like fireproof clothing for fire genasi, helmets with bag-of-holding like pockets so you can put them on with horns, that stuff. Jorven has now been working on music again. (For context, Myth was my previous character before I switched for Yxala!)

Blasma's player also had an epilogue for his previous character- she's a tired old lady, who is now joining another tired old lady to get in politics. An improvement, given they were cops before that

Centi got to resurrect the weird celestial wife of an old teacher of hers- Who had been snatched up by Sol Ascensus and transformed into a monster. I can't wait to show Niereva to y'all tho, she's a bit of a weird aminal (a mantis/naga-like aasimar)

She may have done a fucked up pact with a psychopomp tho-

We had Yxala's, Relent's and Uri's wedding, we knew that was coming! It took Urion a long while to recover from after the Deep Lab, and they still struggle a lot with that they did as The Onirist

We had a scene of Urion's recovery. Initially they didn't even want to come to terms with being Urion- They were The Onirist. Relé had a hard time forgiving them too, bc they DID hurt Relent a lot. Yxala was a bit more fine about it, even after having her heart carved out by them.

they're all going to therapy lol

There's actually a cult to The Onirist/Ataraxia now though! Some people loved the idea of a godly machine that could solve everyone's hurts and ailments, and they're asking for them to come back and fix the world. maybe the mind control microchips were fine, y'know

(uri isn't doing great about this)

We had the ceremony- Money and seeds are given to the partners as a sign of prosperity and life. They're gonna have a great garden.

The polycule drank (alcohol-free) wine imbued with each other's blood too bc ceremonies there go hard- (this one is seen as a bit more archaic)

And a major exchange between marrying partners is expected. They exchanged basses- They had them custom made many decades ago, with Urion's being based on clouds (after Relé), Relé's being based on fire (after Yxala), and Yxala's being based on bismuth crystals (after Uri's). Now Uri has the fiery bass, Relé has the bismuth one, and Yxala has the cloudy bass

Urion was the bassist for Demonwire, a group they were a part of with some other anarchist friends. This bass has a very long history and it's very significative. Yxala was a bit shocked.

After that, the wedding after-party took place. Blasma set a date with Osten- They didn't actually get romantically involved up until now (and it's probably gonna be very slow still gfhudhdgf)

I forgot to mention this but Urion and Relent are now involved with an organization to help the people who were affected by the Deep Lab and The Onirist's actions. Uri had a very awkward interview about it.

We had few other closure scenes here and there. Finding out two other npcs are marrying, the fact the weird undead guy somehow has a new kid, that stuff- and then we went onto the final one

Which was a concert by Demonwire. Urion played with them for the first time in 12 years, and gave an awkward speech, and it was super sweet and just a great point to end the campaign in!

With that, we're now set to go play the next campaign- Which will happen 8 years after this epilogue (ten years after the end of the major campaign events). I'm going to be playing Siegmund, one of Yxala's kids, and I'm very excited for that.

Yxala won't be doing any major stuff- She's gonna still go fight corpos in the streets and she's going back to the Mecha Derby (did y'all know she was a mecha pilot in a sports competition lmao. I'm working on her pilot fit, it's cool!). Urion is going to be back on Demonwire, mostly to raise funds for those hurt by The Onirist and Ataraxia, and will have a bigger role coming up- Specially given Siegmund's (and Vyxander, his twin) have a lot to do with that. Relent will also be doing some major stuff, but it will remain spoilery for a time. He's got some big things to handle!

I may have cried a bit at the end because it's been so long. I'm glad the characters won't be fully gone. Next campaign will have a lot more lore stuff to gush about- We're going to adventure outside the city, and meet people from all over the world. There's a country that uses souls in place of nuclear fission. It's gonna be wild! (And thank you for reading-)

#ennu #long post

43 notes · View notes

dotthings · 1 year

Text

So The Winchesters and Kung Fu are done at CW. I'm not shocked by either news.

And about The Winchesters, particularly, CW Nexstar can't afford The Winchesters. This isn't because TW was a flop or didn't perform big enough in streaming. It charted near GoT and TLOU levels for months internationally, and was decent on US streaming as well. (Don't listen to any gaslighting stupidity from antis about this).

This came down to licensing fees and CW Nexstar insisting on a cap of $1M/ep on everything.

I said WBD and CMP and everyone wouldn't want to kneecap TW's budget to fit CW's needs.

The Deadline article says The Winchesters will be shopped, that per their sources, WBD has been preparing to shop it

Yeah. Because they were never going to accept such a low licensing fee from CW Nexstar for a property as valuable as SPN. WBD knew.

According to Deadline WBD tried to shop Kung Fu already and couldn't find a place for it. Truly sorry about that. I think there was more story there--but I was right about it being valuable to WBD.

The S3 finale of Kung Fu was a strong episode closure for the series, so that's a satisfying 3 season closed story to enjoy, if anyone wants to check it out. Highly recommended. And keeping up those streaming numbers helps demonstrate a demand for that kind of series--genre series that are centered on female characters, all PoC cast, with queer leads, with magic and myth and kickass fight scenes. I'd love to see more series like this even if I can't have more Kung Fu.

SPN may be done at CW but that doesn't mean that WBD is done with SPN. I think The Winchesters will most likely land on Max, along with any future SPN shows.

And if anyone else has noticed--all of CW Nexstar's acquired shows (mostly Canada) are not genre. There's one show with a slight supernatural element but it's really more of a crime thriller. Everything else is drama.

This is part of an overall slide on linear big broadcast networks. ABC, NBC, Fox, CBS, they don't care about genre. They have almost no genre series. CW Nexstar is following common business practices and tailoring its lineup like the big networks. More drama. Bet they'll start developing lawyer-cop-firefighter-doctor series.

This isn't a knock on drama, I have some drama shows I love a lot and many are made well. But I'm mostly a genre fan who loves genre tv and I think it's a mistake for these companies to ditch genre.

The thing is...they're ditching drama not because genre isn't lucrative. Genre is HUGE. There are big genre IP's and I'm sure any network would love a slice of that pie. But they really can't afford it.

Bottom line: CW Nexstar couldn't afford SPN.

#The Winchesters #spnwin #Kung Fu

273 notes · View notes

that-ari-blogger · 7 months

Text

Stray Gods vs Change, Part 2

Why does Stray Gods keep mentioning family?

That was a genuine question, I'm not sure what the answer is. This post is going to be my thoughts and I'd really appreciate some discussion in response because again, I'm not quite sure.

SPOILERS BELOW

So, to say that Stray Gods mentions family dynamics several times is an understatement. Persephone, Orpheus, Hermes, the whole deal with the Idols list goes on. And there is a distinct repetition that comes up. Most of these dynamics are dysfunctional.

The Idol family is the obvious one. The myths of the Greek Gods can be summarised by one main quote from Disney's Hercules, of all films.

Essentially, the Greek Deities are one massive family tree. It doesn't have the healthiest of dynamics (to put it mildly), but they coexist. In Stray Gods, there is a notable absence of Hera and Zeus, the two parent figures of the Olympians. Dameter is also deceased, and her direct daughter is one of the main characters. As a result, the Idols feel directionless, there is no closure there. On a similar note, Apollo's sister is missing as well. Essentially, they feel like a shattered family.

Athena has become the mother figure, although she's not good at it. She's a sister trying to be a parent and you can tell by her demeanor. She's overcompensating and antagonistic and a lot of elder siblings in real life who have been through similar experiences show similar characteristics.

On a different note, Persephone has killed Hades, for understandable reasons. It's a horrifically abusive relationship that ended in bloodshed.

Similarly, Hermes makes a passing reference that i noticed when asked how they knew the old Hermes.

This keeps coming up.

But then we get three relationships I thought were interesting. Grace and Freddie, Asterion and Hecate, and Aphrodite and Eros.

Grace and Freddie are close. Historians will say they were the best of friends. Even if you don't romance Freddie, the two are family. Best friends who live together, etc. If you do romance Freddie, you get an Orpheus plot to bring her back to life, literally meeting the previous Orpheus as you go. But where Orpheus failed his quest because of a lack of trust, you can succeed, or not, I'm not gonna tell you how to save Freddie.

Then we have Asterion and Hecate. First of all, I didn't consent to have my freestyling singing capability so perfectly replicated by my sweet minotaur boy, and Summerfall will be hearing from my lawyers. On a serious note, this relationship is so wholesome and I love it, if you make it work in the story. They are proof that there can be a healthy relationship in this weird world.

Finally, we come to my favourite moment of the entire musical. I've already gone into detail on the Ritual as a song in a different post, so go check that one out (I crave validation from the internet people). But the challenge here is can you soothe this broken family here? Can this work? If you choose the green path, Eros gives a fantastic verse.

"Mother, I've stood by your side, now I no longer see, the purpose of love, when it tears at the centre of me. My arrows are rusty, forget the bow, and I won't be begging you not to go. But when you're away, you leave us a broken home..."

My arrows are rusty, forget the bow. Is a phenomenal metaphor for a loss of purpose, but I would like to focus on the last two lines. When you're away, you leave us a broken home, and you leave me alone. The characters here are aware they are falling apart and they are desperate to try and reconnect, and if you play your cards right, you can help. You don't "fix their relationship", you just give it a nudge. You don't repair the scars in this family, but you convince them to talk to each other.

That, my friends, is a microcosm of the entire plot of the story. Can you fix this broken family? No. But you can get them to talk to each other and convince them to try.

The story goes out of its way to say that some relationships cannot be salvaged. Some families are too far separated for that, but in this situation, you can give people who are hurting a nudge towards peace.

So, why does this musical keep bringing up family? And what does that have to do with the title of this post?

Well, because it is a story about change, and how to move on into a different world. Grace quits college before the story begins and doesn't know what to do, and the Idols have no idea how to navigate the new world.

The theme that the story presents (in my most humble of opinions) is this: "for things to get better, you have to be willing to change." You have to step out of your comfort zone to find the love of your life. You need to change direction and start running together instead of away to find peace with your family. And, you have to take the lessons you have learned and become someone more mature, not necessarily someone different, but someone who is capable of adapting to a wild world.

Part 1

#rants #greek mythology #stray gods #stray gods grace #grace x freddie #stray gods: the roleplaying musical

90 notes · View notes