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earbuds-and-hightops · 4 years

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An Open Letter to Supernatural

[ Spoiler warning for 15x20, obviously ]

I understand that a well-contemplated complaint about this ending cannot be made without first reading the original, pre-COVID, script of 15x20, but in the long run, the initial plan is not what will be remembered.

What will be remembered is what this show created. What it became beyond two brothers driving around the country, hunting monsters. Characters were introduced and developed, and in that, Sam and Dean Winchester become so much more than two kids living on the road. In the past 15 years, the cast, and thus the family, grew to something that would be unimaginable to those who started this project back in 2005. Not only did the characters and their stories become meaningful, but the show itself grew into, well, a family. The fans who have kept this show alive since Day 1 have come together to form what I believe is the greatest community in pop culture.

What hurts the most is that this finale did not do any of that development justice.

The finale (and consequently the episodes leading up to it) reverts back to the story between only Sam and Dean. While some see this as an ode to who they are--their brotherhood and familial bond being the heart of their values and the root of their characters--I cannot help but see this as a rejection of their experiences this past decade and a half.

What’s worse, episode 15x18 confirmed one of the most pure and powerful and goddamn beautiful romances that television will ever see. This story of an angel who abandoned his family and the only beings he’s known for thousands of years, all for one person. I knew from the instant the screen faded to black on November 5 that the story of Castiel will always be remembered, even if his feelings were unrequited. Castiel will always be remembered.

And then there’s Destiel. I was genuinely impressed that this show would even grow to include a queer angel, more importantly, a queer character in a leading role. The queer-baiting and the “bury your gays” trope both make this confession and its lack of acknowledgement that much worse (and is worthy of an entirely separate open letter for another night). It matters less if Dean does or doesn’t reciprocate these feelings and more that it’s wrong that he completely ignores it. Cas’s love confession, this beautifully tragic and tragically beautiful emotion coming from a being who wasn’t supposed to feel emotions at all, is something that, unfortunately, will become a secret that dies with Dean Winchester.

It’s truly a shame that the writers of this show let that happen.

We haven’t even touched the fact that Castiel’s death was an act of sacrifice to save Dean. Dean’s limited reaction and lack of mourning* tears apart this phrase that has become pivotal to the entire show and fanbase: “Family don’t end in blood.” While it would be a lot to ask that Dean rescue Cas from the Empty and resume their cycle of rescue and resurrection, I think it’s only fair that Dean take the time to fully accept Castiel’s actions and words for what they mean instead of simply moving forward as if they never happened.

What’s more, Misha Collins is one of the greatest and kindest people in this world, and he’s poured his heart and soul into Supernatural, just like everybody else. He’s spent 12 years on this project, and the final two episodes hardly mentioned his character. He didn’t deserve this. It’s heartbreaking that his last credit on this show will be a prank call from someone trying to impersonate him, and not something that pays tribute to such an important character and important actor**

The most devastating part of this ending is what happened in 15x19. Pardon my French when I say that that episode, the ultimate climax of the season and latter half of the series, was a piece of dog shit. It’s incredibly frustrating to invest in 15 years worth of television and look forward to this ultimate battle between two average boys and God the Almighty Himself and to instead watch a 6-minute long fist fight on the beach with the only dialogue being variations of “seriously guys, stay down.”

My issues with 15x19 lie less in the storyline that was chosen and more in how they were presented. I am completely on board with Jack taking God’s power and eventually becoming the new God, but the episode was far too quick to have any real meaning, and, as stated before, Castiel’s sacrifice, which allows Sam, Dean, and Jack to do what they do in 15x19, is hardly mentioned.

Most fans agree that 15x19 was far too quickly paced. The plot with Michael and Lucifer was questionable to begin with, but should have been an episode on its own if it were to be perused at all. Michael’s story in particular could have been fleshed out to reiterate this theme of overly loyal sons and their fathers, as well as their relationships with less loyal siblings, but was instead reduced to about 20 minutes of screen time.

Though this is less important, Lucifer’s plan to make a new Death felt like a cheap cop-out just to close the storyline with Death’s book, but we can finish that discussion another day.

The general fan reaction to this atrocity of an episode was that this was meta, and according to Becky, the ending was supposed to be dog shit. This, along with the untouched storyline started when Cas died, gave fans so much hope that the finale would be this amazing piece of art that puts Supernatural in the history books.

While it’s obvious that an hour cannot perfectly tie up every single event and arc with a pretty little bow, it can at least...try. Any finale should, at minimum, pay tribute to what the show started as (which 15x20 did well) and what it became (which 15x20 failed to do miserably).

In addition, a reference to character back in season 1 is incredibly frustrating when recurring characters with actual, well, character go unnoticed. I mostly reference Eileen here, but this also applies to Jody and Donna. Nobody even mentions the other wonderful friends who have helped Sam and Dean along their journey to Heaven. If family doesn’t end in blood, then why doesn’t it extend to include Castiel, Jack, Mary, Rowena, Charlie, Kevin, Jody and her girls, Donna, and so many others?

Dean’s death was sad, I’ll give them that (and honestly, I was expecting it). However, considering that this man has defeated apocalypses, killed Death, and taken down God, his death via nail in the wall was incredibly anticlimactic, and something that could literally have happened at any point over the 15 seasons. While Dean’s death was obviously not my ideal ending, I think it could have worked if it were done properly, and in this case, it was not. That said, I do appreciate that Sam did not try to bring Dean back, as that would indicate literally no growth at all.

Dean’s funeral was...pathetic, to say the least. Sam being the only person there was depressing considering that Dean had lots of other close friends (and you’d think that Jack would pay his respects, but apparently not), however, this is likely a scene that was impacted by COVID and the availability of some of the cast, so I will not dwell on that scene.

Dean’s time in Heaven complicates matters even more. Firstly, Bobby confirms that Castiel is no longer in the Empty and has been in contact with Jack. I would have loved to see this reunion; Cas is essentially Jack’s father, and I would have loved to see how their upgrading/remodeling of Heaven brought them closer together. I understand that the writers were trying to focus this finale story on the brothers, this goes back to my earlier point that you cannot simply ignore everything that that this show has grown to include. Bobby’s explanation also begs the question of why Dean had no intention of seeing Cas (or Jack, for that matter) again now that he has the opportunity.

Secondly, Dean’s instinct to go directly for the Impala was very in-character, however, the editing implied that driving was all Dean did until Sam died. As we know, Sam dies of old age, likely (completely guessing here) upwards of 40-50 years from Dean’s death, and that is a very, very long time for Dean to simply driving around the mountains. It would have been nice to see Dean reunite with other family and friends who are also in Heaven, however, again, COVID restraints.

Sam’s ending was similar to what I and a lot of other fans imagined (not necessarily wanted, but predicted) it to be: kids and a wife, living a normal, monster-free, life. I hate to believe that he doesn’t end up with Eileen (to my recollection, his wife was a blur in the background, and it is unclear if she was meant to be Eileen) however that might just be my bias and appreciation of Shoshannah Stern. While I’m glad that this storyline gave Sam the room to grow and develop without his brother, it also completely ignores everything that he’s been through this past decade and a half, and that is something that should not happen. Sam grew and changed so much since he left Stanford and leaving that life, the life of a hunter, behind feels very counterintuitive.

Let’s not even discuss the wig that Jared wore. It reminded me of the Cain wig that Rob wore in the Hillywood parody.

What shocked me the most at the beginning of this episode was the lack of a “The Road So Far” compilation. I hoped for the full song with a recap of all 15 seasons, or, at minimum, the typical single-season recap. “Carry On My Wayward Son” is such an important part of the show and the culture of the fan base, that it seems almost sacrilegious that the season finale not begin with this song and a memorial to the events in the past season (or series).*** I’m very happy that it was included at all, but I was shocked when Neoni’s cover took over.

No disrespect to Neoni; those girls are incredibly talented and I love their music, however, a series finale of a 15 season long show does not feel like the place for a cover when they already have the rights to the original, and the original is so iconic.

Lastly, I want to acknowledge Jensen Ackles’s reaction to this conclusion. At a con panel about a year ago, he said that he needed to be talked into agreeing to this script by Erik Kripke himself, because the ending just wasn’t sitting right with him. So many fans took this to believe that he was homophobic and afraid that of Destiel becoming fully canon, and he got so much more hate than he deserved, because ultimately, he was right in his first opinion. This isn’t the way this story should have ended. Jensen explained that he had been “too close” to the story, and that it took a more holistic view from a step backwards (the audience’s perspective, as he puts it) to agree on this ending, but honestly, nobody knows Dean Winchester better than Jensen, and he knows what’s best and what would be the best way to finish this character’s arc. I think fans and Jensen alike agree that this wasn’t it.

I sympathize with all of the cast and crew members who disagree with how this show ended but are bounded by contract to support this show no matter what. Especially Misha and Jensen.

Over all, I believe that Supernatural will go down in history (in internet communities, at least) as one of the greatest shows ever. While I do agree that the writing quality in terms of both dialogue and plot declined as years passed, the community, the family, that this show created cannot be ignored because of a poorly written/planned ending. I think that the fandom will collectively let go of this disaster of an ending that we were given and will, just like Sam and Dean, write our own stories. I have full faith and confidence that Supernatural will not be represented by this finale episode, but by the beautiful stories, amazing characters, and the family that this show created and what the fans have chosen to do with it.

Sincerely,

A Fiercely Frustrated but Fiercely Loyal Fan

* I do not count that last clip of Dean crying on the floor as mourning. In my mind, that was a reaction, not an emotional healing and overcoming, if that makes sense. I argue that if Dean were to fully mourn and process everything (like Sam did in 15x20) we would have seen at least a bit of that on screen.

** This is where I would have loved to see some of the original scripts. I hope that the writers initial intentions were to have Misha more involved in these last two episodes than what was likely a voice memo created in 10 minutes tops at Misha’s house.

*** The strange montage at the end of 15x19 makes so much more sense. I still would have preferred that montage at the beginning of 15x20. This also shines light on the video that Misha posted. What would we do without him :)

#supernatural #spn #spn season 15 #spn finale #spn 15x20 #an open letter #no beta we die as men #destiel #deancas #dean winchester #sam winchester #castiel #jack kline #erik kripke #robert singer #andrew dabb #that god awful finale #i spent 4 hours drafting this

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cowboylikedean · 4 years

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Now that I’ve had time to sit with all of this, my feelings are.... complicated.

The thing is... I was finished. I was done. I watched seasons 11-14 out of respect for my past, my history, my time, my life. I was watching season 15 out of respect for the show. To see it out to the end, to give it the opportunity and respect to be finished. But I was already done.

And then they did one of the three (3) things that could bring me back.

And I feel so... manipulated?

I kinda feel like Buffy in season 6 talking about coming back from heaven. “I was finished, complete. And I was happy. But I was torn out of there, ripped out... by my friends.”

Because I was happy. I was happy in that I had made peace. I knew that I loved the original seasons 1-5 arc, that my favorite season was 7, that season 8 was when I started to really not enjoy myself, that season 9 is when I lost all ability to enjoy the show, that I only watched season 10 for the 200th and the nostalgia presented in that episode was fun, but it carried me for two or three weeks and then.... I let go. I had made peace with never getting that back. I was never going to watch this show and have fun again, unless I was rewatching 1-7, and that was okay. I didn’t need to enjoy it. I didn’t need anything. The writers were terrible and I knew that but it was okay. I didn’t have to trust them or have faith in them or generally give a shit because they were bad writers phoning it in for a pay check and that’s fine... If you can, you can I guess. I mean it’s bullshit but like I was okay.

But now.... Now I care again. Now I need and want something from them. Now I’m worried about the fact that I don’t trust them and I think they’re all shitty writers phoning it in for a paycheck because now I care about what happens.

And I’m pissed.

Because out of those three things, they chose the ONE that I resent the most.

Those three things are (1) They kill Sam. This is clearly my favorite, and if they were gonna do one I wish they’d done this especially if it was at Dean’s hands. He’d never have a happy ending after killing Sam, but I would. (2) They kill Dean. This would have been a cut and dry “let’s go kill someone” charge. I would have had my appropriate moment of outrage and disgust. I’d be seeing Sam-stans and Cas-stans write their long metas about how “it’s actually a perfect ending for Dean” and see destiel wannabes write their mourning fics like it was cute and be justified in every spec of anger I’ve ever felt.

But they chose (3) Destiel goes canon. I get no satisfaction from this... But I do get my sense of nostalgia played upon. I get used for views with nothing in return. Well... Maybe that’s not accurate, I get something, but it’s not...

I stopped shipping destiel 2 seasons before I finished watching. Season 8 was the last time I shipped it in any serious fashion. I sat through the wild and incredible queerbaiting that was Jeremy Carver’s run of the show.... and honestly for what?! I was here in the hiatus between seasons 7 and 8, leading up to what we, the fandom, called “season gr8″ which it was only named because of queerbaiting. And I fell for it. I drank the koolaid every single week in season 8. I wrote metas and posts, my fb memories are filled with posts insisting that “this would be the week.”

“It’s not queerbaiting if they make it canon,” I’d say. “It’s a slow burn, a long build. A will-they-won’t-they.” I felt like my fellow fans who were getting increasingly more aggressive with the cast and crew had just “lost faith.” that if they saw the big picture, that Dean and Cas were an epic love story that didn’t need immediate payoff, they could enjoy all the little moments we were getting without demanding more.

By the time I left the show, I no longer expected they’d make it canon... but more importantly, neither did I want them to. By that time, Dean had been put through the ringer being the emotional support for every character, the punching bag, the background to everyone else’s stories because no other actor could pull the emotion Jensen could. Dean had everything he had despite the other characters’ stories and emotions. He was seen by the fandom and most of the writing staff as a filler, an extension. He was one half of a relationship - romantic or not - not his own person. He was “the dumb one” and characterized in really stupid ways. You can see it as recently as 15x16 when a writer who has written one other episode of the show and clearly never actually watched the show especially the flashback episodes. Dean was a caricature, not a character. And Cas... Cas was written with increasing amounts of fanservice too. He went from a powerful being trying to learn to balance his sense of angelic responsibility with love of the Earth to being a whiny crybaby who was generally helpless to circumstance. He was written in such a way where he both leaned on Dean to give him purpose and validation while also completely ignoring everything about Dean that made Dean Dean.

As the seasons have gone on, this has gotten more apparent. I think what happened with Mary and Dean kicking Cas out the bunker earlier this season (which was also written by Robert Berens btw and if it’s true he wrote the confession scene first in the season - he wrote this scene after that one) is a perfect example. Dean’s criticism there is that Cas doesn’t trust him. When shit is hitting the fan, Cas expects Dean to react in the worst possible way he could, so he refrains for telling Dean vital information and asking for help while he looks for a solution by himself so Dean never has to know there’s even a problem. Then something goes wrong and Cas is always left there saying he’s sorry, that he shouldn’t have done that... But he never seems to learn, or trust Dean enough to do something different next time. And that time, the lack of trust killed Dean’s mom. The narrative and the fandom both treated Dean as irrational and overly emotional - the bad guy - in that situation. Dean shouldn’t have done that.

But like what the fuck should he have done??? I’d have killed him. Or cut him out for good... like for good for good. How toxic is it to have someone in your life who repeatedly ruins your life by not trusting you with a problem that could be dealt with collectively, but not alone?

And we’re going to what... retcon all of that? By bringing destiel into this, all the reasons I haven’t shipped it and I’ve considered Cas to be one of the most insidious abusers in this show are what? What am I supposed to do with them?

It’s no fucking wonder the script says Dean can’t reciprocate! Because how could he? How can they really justify Dean expressing his frustration at being manipulated and lied to for 11 years at the beginning of the season and expressing undying romantic love at the end of the season?

But this isn’t about narrative sense. It’s about an ending. The whole season is about endings... and writings... and god and death to the author... The metas flying around about “god” and “the writers” are all spot on... And so, it doesn’t matter. The message is the story is what we make it, not what they do. And therefore, they call upon destiel as the greatest example of the fandom finding a story within the story that wasn’t being told.

Except that’s not true. Because it has been being told, just not with any intention of payoff. It’s been queerbaited and intentionally so. “It’s not queerbaiting if they make it canon” is a lie. It is still queerbaiting if they never intended to make it canon! And it’s not okay.

But here I am, two episodes to go and then that’s it. There are no other opportunities for them to make canon honor that unspoken promise to the viewers. This is it. And endings do matter. Despite the message of the season being generally that endings aren’t important. That the story, the push and pull, the free will of the characters to run away with the story and bring the writers and audience to new places, the interaction between audience and story and the life they run away with, that those are the important parts of stories and storytelling... But that just isn’t true. It’s a romantic notion that endings are just silly things we tack on our stories that confine us, that the real stories are within us... but we consume these stories for the payoff of the ending. An unsatisfactory ending can completely ruin a work; just ask HIMYM.

So then this is my last chance... My last chance to feel the release of payoff of a relationship I was intentionally inspired to care about without an intention of payoff. This is my last chance of vindication for all that emotional time and energy spent.

So I’m hopeful and I’m transported back to 2012 and 2013 when I cared. When I believed. When every week felt like a possibility. When it felt like it could really happen. And most importantly, when I wanted it to. Because I do want it to now. I have actively not wanted it to for 6 years, but now is my last chance and it very well might happen so now... I want it..

And the way they did it... With giving Cas his moment, but leaving it open for interpretation... IT’S SO CALLBACK QUEERBAIT. AND callback toxic Cas. Cas lays this on Dean and then yeets off? And tells Dean that it’s because Cas loves him that he’s going? Every single part of Dean’s emotional history and trauma makes that evil, but Cas does it to him? And I’m hoping he’s not mad for the sake of the payoff of the relationship?!?!?!??!?!

Are you fucking kidding me?

And then also I wanna circle back to the queerbait of it all. Misha acknowledged today that there’s some room for interpretation here. And I don’t know how that gets resolved in the final two episodes, if it does... BUT THAT’S THE FUCKING POINT!!! I will be watching live, as it airs, for the first time in 7 years, one week before I intended mind you, because I’m being baited with the promise and hope of explicit payoff that doesn’t leave room for interpretation???? And that’s not queerbaiting???

The whole thing is ridiculous and manipulative and just generally awful, but I’m eating it up because I don’t really have the luxury of another choice. Because hoping for payoff is the best option I’ve got.

I hope I get to justify my past self and see all of that payoff and feel that vindication for the part of me that loved destiel, but I consider destiel to be the number 1 thing that ruined the show for me. So it will be a hollow victory, for sure. And that’s if there’s even a victory, which isn’t a guarantee.

I just feel so used right now.

#long post #destiel #spn #personal #i'm really sorry for the length of this #i just had to get it out

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rebel-in-white · 4 years

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The Perfect Ending for Dean and Sam? - Supernatural 15x20

As I read reviews about the Supernatural series, nothing disturbs me more than reading things like the title of this essay, “This was the Perfect Ending for Sam and Dean.” It’s disturbing because as fans of this 15-year show, we are accepting mediocrity. Far from being a perfect ending, this was one of the worst television show endings that I have ever seen because the characters weren’t allowed to change and grow.

When I watched the Supernatural series finale, I was struck by the realization that this could have easily been the finale of season 1. In season 1, we were dealing with Dean’s feelings of being second best, Sam wanting a “normal” life, Dean choosing the dangerous world of hunting, and the value of saving the innocent despite the dangers. In episode 15x20, the episode implies that we are still dealing with the same themes from episode 1, even though SO many events have passed, and Sam and Dean dealt with their own issues in varying ways. Dean’s death during a mundane hunt harks back to season 1’s warnings and omens about the dangerous life of a hunter. Meanwhile in season 15, the Winchesters are fighting God and survived that battle. Sam’s “happy” ending harks back to his desire to be with Jessica and find a happy, “apple pie” (normal) life. Meanwhile in season 15, Sam has lost everything… again. He lost his adopted son, his good friend, his mother for the second time, his surrogate father, his girlfriend (what happened to Eileen?), and his brother. Also, let’s not forget that Adam died and was a Winchester. Season 15 does not agree with, and contradicts, its final episode.

Everything that has happened after season 1 and right before the series finale doesn’t matter. That is the message the series finale communicated with fans. Some fans might be alright with this message because it’s such a long series, too much has happened, but there are many fans who have avidly watched these characters grow and change. They themselves have grown and changed with these characters! Watching the finale felt like a slap in the face, a surreal dream, because the writers and the show-runner shut the door on any type of meaningful change that has occurred throughout the series. Throughout the years, Sam and Dean were able to create meaningful connections outside of their partnership, noticeably with Jack and Cas. Both were only mentioned. That merits repeating again. Castiel, who had become a fan favorite in the series, only gets a few mentions. Dean, the one with whom he shares a profound bond, shrugs off his death and continues enjoying his pie. Like the last 12 years of developing that friendship, emphasizing their bond, and teasing fans with their deep connection meant nothing. Because ultimately, the show sent a clear message to its viewers: it doesn’t matter what these characters have gone through, it doesn’t matter the people who have come and enriched their lives, but what matters is where they started. The journey, and the accompanying life experiences, don’t matter.

I read a really hurtful review about the series finale that implied that Sam could only be happy on Earth because his brother had died. He was no longer his brother’s keeper, so now he could have everything he wanted- a family and normalcy. That was the Sam of season 1 - before his brother died for him, before he died for his brother, before his demon blood addiction, before he saved the world numerous times, before he adopted a half angel kid into his family, before meeting his Mom again. All of those experiences profoundly change a person. His idea of normal and happiness changed, became vastly different. The show hinted at this when we saw the names carved on the table in episode 15x19. Sam stopped running away from hunting, his duties, struggled with his destiny, and fought for his freedom and seemed content with what he had. The show even implied a budding romance with a fellow hunter, Eileen. Sam from season 1 would have turned away from all this because it interfered with his desire to be normal. However, this was shoved at Sam in the most confusing, contrived, and sickening manner. After Dean dies during the series finale, Sam mopes for a bit, then he goes on a hunt, and reverts back to Sam of season 1 with ease. He gets everything he’d wanted- an unnamed, unseen wife and a child who he names Dean. If Sam from episode 15x19, 15x18, from any episode after season 1, saw this ending for himself, he would have run away screaming. He wouldn’t be able to accept it. Why? Because that’s not what he wanted for himself anymore. He wanted to be with his loved ones, which included Dean plus his extended family.

If Sam’s ending was problematic, Dean’s is inconceivable. This is a character who has struggled with so many issues and low self-esteem and has gone through so many ups and downs that to see him die, impaled on a nail by clowns, devastated and confused many fans. I actually laughed out loud when he died because it was so ridiculous. It hurt to see a beloved character treated like trash, then proceed to accept his death with arms wide open. Where was Dean’s desire to live? This is the man who survived hell, saved the world several times, sacrificed himself for Sam, and had to fight daily to survive. And I don’t mean in a I’m-a-hunter-and-life-is-dangerous way, but in a real, this-world-is-fucked-up-and-I-can’t-do-it anymore way.

That was what always attracted me to Dean. His fight to survive in a world that didn’t make sense to him, and his ability to cling to life despite feeling too broken and inadequate. For many of the fans, they resonated with that and admired him for his grit and his humanity. In the series finale, Dean gives up. He accepts death, accepts this strange looking heaven, even though he was weirded out by heaven when he first encountered it. He rides around in his car- alone and waiting for Sam. That’s what Dean boils down to- alone and living for Sam. The show sends a message that Dean doesn’t deserve anything else. Despite everything he’s done throughout the 15 years of this series, Dean can’t escape his destiny to die on a mundane hunt. The same death that had been foreshadowed in season 1. With only his brother with him to see him go. Dean fought so hard to be free from Chuck’s stories and from his own demons that to see him reduced to drinking beer and riding around in the Impala felt like he’s regressed 15 years. And some fans think he deserved this? What has Dean done to you?

Dean had potential to show growth and to show true change and progress through a possible relationship with Castiel, but the show metaphorically gave its queer fans, their allies, and narrowed minded viewers a big middle finger. Yes, even people who hated the idea of Destiel, you should be angry. Instead of the show stretching your thinking and challenging you to accept something different and progressive, the show decided to pat you on the head and feed you some metaphorical shit. Please don’t eat it. Throughout the show, there had been signs that Dean and Castiel shared a profound bond that extended into a romantic subtext. It started with the angel’s entrance and charisma, and Dean’s acceptance of him into his life (very rare for Dean to form lasting relationships), and it ended with a confirmed love confession. Now, imagine that you’ve been hoping for years that all these hints, looks, and jokes would go somewhere. That maybe someone will validate your views and make you feel like you’ve brought progressive change to television. Well, that’s what it felt like to be a Destiel fan after episode 15x18. Destiel became half canon! Castiel declared his romantic feelings to Dean, which Misha Collins confirmed to be of a homosexual nature, but he knew that he couldn’t have what he wanted. He died to save a shell-shocked Dean Winchester. Not only did the show kill Castiel, but they sent him to hell (granted, he didn’t stay long), and they sent Dean Winchester, the man who stayed “straight,” to heaven.

This was problematic in many ways. One, the message is homophobic, heinous, but subtle. If you’re gay or queer, you are thrown away, never to be seen again because your feelings will upset the masses. It’s what happened to Castiel, a confirmed queer character. When episode 15x20 finished and Dean hadn’t even mentioned Castiel out of his own freewill, I was upset. Here comes the second problem. This show had used queer-baiting for the past 12 years or so to keep its numbers up and to keep itself on the air. It used queer-baiting to a most hurtful and insidious way to attract viewers to the series finale. Then, they shut it down after teasing something that several, enthusiastic fans had wanted for years. Why open this pandora box if you aren’t going to do anything with it? What is the point? Leading people to create false assumptions, playing with people’s emotions in a negative way, reinforcing negative heteronomative stereotypes- this is what the show has accomplished. This is its legacy.

I wrote this essay to free myself from this show. After this, I am not a Supernatural fan anymore. This show has left a bad taste in my mouth, and I want nothing to do with it or anyone associated with it. I urge you to free yourselves as well and also to not accept this mediocrity that Supernatural gave us. Stop other shows and networks from manipulating and leading on its fans. Stop them from ignoring years of growth in order to feed you the same story and keep you mediocre and small. I know the pandemic of 2020 made things difficult, but that’s no excuse to create the subpar work the Supernatural writers/show-runner/staff did. With just a little bit of creativity and intelligence, they could have produced something great, no matter the obstacles. I used to believe in that.

Supernatural, thank you for the years of enjoyment, but I never want to see you again.

#supernatural #supernatural series finale #supernatural series #dean winchester #sam winchester #cw spn #carry on #supernatural 15x20 #15x20 carry on #essay

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go-diane-winchester · 5 years

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Could Travis and Ty's scandals be linked to Misha?

Thank you for the ask. Let me point out that these are merely my theories. Although there is information that is unavailable to the public because in Travis's case, the investigation is still ongoing, my theory is based on the information that is available. I am also a victim of abuse, so I am not being unsympathetic to Ty's victims, because Ty's victims really are victims. Travis's victims are a little suspicious.

Travis Aaron Wade:

I know what predators are generally like. Because of being a victim myself, I was on the side of Travis's victims until I looked into the case. There is more issues to pinpoint, but I am keeping the topic only to Misha here, because I have dedicated a few posts to both Travis and his ''victims''. These are some notable points in the case.:

They were claiming that he was abusing them during breakfast panels and Saturday night concerts, in front of too many people, and yet they had no witnesses.

Two of the victims confessed to lying.

All the victims were destiel shippers and Misha minions.

Misha, Briana, Kim and Matt Cohen know a few of the people involved personally, follow them on SM and leaving voice messages for them. I heard Briana's voice message.

One of the victims, Sara Burnhope, who knows Misha and his parents personally, told Travis on social media, that Misha hates him.

One of them, Lua James aka Theresa Cotter [@Poptivist on Twitter], stabbed a knife into Travis's door and then fled California. She is Kim's friend. They were spending time outside of con.

Why did Misha hate Travis

Misha has two babies as far as his work on SPN went. One is Destiel, and the other is the Wayward daughters. These two babies ensured that he was always employed on a show that kills off every other non lead. One of them, Wayward Daughters, derailed because Misha is wrong.

Destiel

Travis threatened destiel because he was gushing over J2's friendship during his panel saying that he had never met two people more in love. He described their friendship so much, that he was pulled out of the next con by Clif, the resident drama queen. Way to be suspicious, Clif. That is exactly what you do when you don't J2 Tinhats to become alert, blithering idiot. In none of the gushings did Travis say anything regarding Jensen and Misha or Destiel. Misha didn't want that. Notice how destiel-positive Osric and gang are. Even Alex is becoming destiel positive now, because when he wasn't, the hellers bashed him on SM. They did the same thing to Samantha Smith. But Travis not only didn't acknowledge Destiel. He was elevating J2's friendship above all the other relationships on SPN. And Misha was getting livid.

Wayward Daughters

Wayward Daughters was something that only Misha and his hellers pushed. I always wondered why he did it, because I consider him to be a liberal poser. He pretends to supports something if it benefits him or his reputation. Crusading for women's rights and then calling them perverts for having a love for shipping, seems hypocritical to me. I think he pushed Wayward to secure a future for himself. There is rumor that's been going on since last year and the Js want to finish of with SPN completely. They want to long hiatus from acting. Nobody knows when. If that happens, Misha doesn't have a job, and we all know that other than the hellers, nobody else is impressed by his acting. He gets laughed at. If there is a spinoff, Castiel is likely to have a home there, because most of the fans will be Misha fans. Misha would have still been able to bait his fans, by 'reminiscing' about Dean in a suggestive manner and if CW was on board, showing scenes between Dean and Cas. He might have even confirmed Destiel because Jensen wouldn't have been around to stop him. The bottom line is he would have used destiel to keep that job as well.

Kim and Briana were on his side, because they had vested interest in the project and are fake militant feminists. Unfortunately, Cole [Travis's character] became so popular that some fans wanted a spin off for him, and when Cole was pitted against Jody and Donna by Geekiary, for best spinoff candidate, Cole won. I can just imagine how angry Misha and gang were. And it now makes sense, for Kim and Brianna to know the accusers and the implicated parties personally. My theory is that they all got together and set Travis up to get him out of the way. Until the case goes to court, and reaches a conclusion, that is all my assumption will be. A theory.

Ty Olsson

In his official response, Ty admitted that what he did was 100% wrong. And he was. Fans had cause to complain and feel violated. I am not taking away from their grief. They really are victims. I think that, just like Travis, this guy is a complete idiot. Travis was causing too many ripples because of his big mouth, and Ty was sipping from other people's drinks. He said it was not enough to get drunk with. He said that he was roofied. Why do I believe him? Because someone who had such habitually bad behavior would have a reputation to match. He would have misbehaved at other cons and set environments. Consequently, he would have not gotten hired for projects. He would be blacklisted because he would cause terrible PR for any studio.

Ty has worked on SPN before. He played a bartender during the earlier seasons. That means, that J2 and co have known Ty for years. There are women on that set too. He has never misbehaved with any of them, but he chooses one event, especially when there are witnesses and victims have cameras and can film his bad behavior, to just go nuts? Does that make sense? Ty has also worked on other projects before and since. In fact, after the scandal, he worked on 14 projects and even won an award in 2017. He's around women on these projects too. How come he isn't misbehaving now? How come he lost total inhibitions and professionalism on one night? And how come nobody is stabbing a knife in his door? How come the fans are all a mixed group of people, and not just Misha's fans. Who would roofie him and why?

There are only two drugs that he could have been roofied with. Rohypnol and GHB. Rohypnol can cause euphoria, reduced inhibitions and reduced ability to make judgments. Users may slur their speech. That is why people thought Ty was drunk. GHB effects begin 15-60 minutes after use [like in the Green room] and typically last up to six hours. Just about enough time to do photo ops. It can be detected in the urine up to 12 hours after ingestion. This is why I agree with Ty, that he is a completely idiot. He only guessed that he might have gotten sick [symptom of both drugs is nausea] because of roofies and only then did he do a urine test. By then the GHB was undetectable.

Ty guessed that one of that one of the fans roofied him. But they were all drinking from their flasks, and none of them exhibited the same symptoms that he did. So it had to be someone who had access to the Green room and Ty's beverage. Time wise that would make sense.

So who would benefit from Ty being out of the way.

Misha, is my guestimation. Why did Ty bother Misha so much? Because of Destiel. Destiel is Misha's floatation device. When Benny came on board, he had a strong connection with Dean. And Jensen enjoyed working with him, according to what he said during his panels. Ty even got to do a panel with Jensen. Misha only gets one panel a year, on average with Jensen. No other person, neither Rob nor Richard, has ever shared the stage with Jensen. Ty got that chance. I think Jensen was missing Jared but then why not get Misha to join him. Why choose this guy? That must have bugged Misha. And no, he doesn't love Jensen. He is not obsessed with Jensen. He just loves riding Jensen's coat tails.

People were even shipping Benny and Dean together, which is baffling because Benny and Dean were on screen while Cas was still there. Purgatory was supposed to be a big moment for Misha and Destiel because Misha would have had Jensen all to himself without Jared being around to take the limelight away from him. Misha probably assumed that this vampire was not going to pose any problems. Misha doesn't know how slash works, does he? At one point during Jibcon, Ty tried to make Jensen laugh, very provocatively. He felt bad about making Jensen feel uncomfortable so he came back awhile later and apologized to Jensen in front of all the fans. Jensen was shocked [as I was] and quickly said: '' You don't have to...are you kidding me? I loved it.'' He sent him off with a butt smack and a ''I love you, man. No worries.''

Misha apologizes for none of the horrible things he has done, no matter how uncomfortable he makes Jensen feel. Watching that footage again, especially Jensen's genuinely shocked and moved reaction, actually made me tear up a little. Whoever roofied Ty, acted alone, did it in the Green room and the effect lasted a solid six hours or so. So who has access to the Green room other than the actors and their handlers? I will leave that up to debate. Roofieing someone is dangerous because it can kill a person if mishandled.

I hope this answers the question.

Below are citations and links

Ty apologizing to Jensen - 2013

https://www.youtube.com/watch?v=NutNcJH4JbA

Citation for roofie drugs

https://www.narconon.org/drug-abuse/signs-symptoms-rohypnol-use.html

Complete investigative report on Travis Aaron Wade

http://www.spntrollsvstravisaaronwade.com/

Ty's official response

http://ty-olsson.com/response.html

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