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#but please keep it civil
messiahzzz · 2 months
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i’m not here to claim that wyll doesn’t deserve more extra content or that larian’s perspective of him isn’t rooted in racism in any way whatsoever. however, i sincerely believe that it’s always important to list the facts first before misinformation continues to spread which only results in more needless outrage.
these are all of wyll’s scenes that exist in the game as of now:
meeting karlach, mizora, and his transformation, the tiefling party kiss, the dance scene, mizora visiting camp, another scene where mizora visits camp, and the proposal scene. additionally, mizora and uldred can join camp, if he is alive.
in strict comparison - this is the exact amount of scenes the other origin characters have:
Astarion has 9 scenes, 6 of which can possibly be romantic.
Lae’zel has 7 non-standard dialogue scenes, 3 of which can possibly be romantic.
Shadowheart has 6 non-standard dialogue scenes, 3 of which can possibly be romantic.
Gale has 6 non-standard dialogue scenes, 3 of which can possibly be romantic.
Karlach has 4 non-standard dialogue scenes, 3 of which can possibly be romantic.
Wyll has 5 non-standard dialogue scenes, 2 of which can possibly be romantic.
source: [x]
wyll is lacking one scene compared to characters like shadowheart and gale. lae’zel merely has another non-standard dialogue scene, while astarion has double the amount of possible romance scenes and 9 scenes in total.
here is a video of wyll’s entire story: [x] at a duration of 2:25:24 in total it’s very similar in length to the romances of the other companions the same channel uploaded. (minthara & halsin excluded)
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i have also seen many people refer to the datamined voicelines as proof of how much content wyll lacks. this, however, doesn’t tell us much since those compilations include battle grunts, noises, and other repeated lines. if you want to check them out for yourself, here is chubblot’s playlist on youtube: [x]
wyll’s romance/approval-specific greetings also exist, they are merely bugged. although i have heard that some people have been able to trigger them. bugged content is something that also affects other companions – in fact, most of gale’s romance scenes and some integral dialogue have been bugged for months now with no fixes anywhere in sight. if you don’t want to look for wyll’s greetings in the files, i took the liberty of doing it for you:
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alas, his general reactivity after act i remains the same as with the others. aka: he's barely responsive to his surroundings nor to any key decisions the player makes.
wyll also isn’t the only character who isn’t able to make his own choice on whether he agrees to sell his soul for his father’s life or not. in fact, the only characters who can decide their own fate are shadowheart and lae’zel. the latter option only now being added with patch 6.
so what exactly did wyll get after patch 6? the same amount of kisses like everyone else: 4 in total. as well as some new idle animations and polished facial expressions. the kiss where he invites tav for a quick twirl had already been added in an earlier update (patch 5, 30th november 2023). which means it’s understandable that certain characters who didn’t receive any new animations or other content before were now added with patch 6 as well.
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wyll’s quest regarding ansur also didn’t get removed from the game. this is plain false. larian merely changed the subcategory in the journal (which larian had done previously with astarion’s gur-related quest as well)
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if you have a gripe with this particular decision: that is valid. the quest, however, is still the exact same as it was before.
i see fandom heading in this really dangerous direction where people fully believe they have the right to attack others for pointing out the existence of false information. i understand that people are upset about wyll having less content than characters like astarion and i am in no way here to claim that you should refrain from calling out racism where it’s due. however, this hostile behavior directed at anyone who dares to disagree with you is creating a really toxic environment within online spaces, where people hesitate to engage with the wyll side of the fandom at all (out of fear of immediately receiving the racist card for merely correcting inconsistencies in logic). and in case it needs to be said again: it is never justified to harass real people or send death threats to others under any circumstances, much less if it concerns a fictional character.
i, much like everyone, really want wyll to receive more love from fandom and larian alike. but it is no one’s place to police other players on how they should engage with this specific character in their own game. if others simply couldn’t connect to wyll as much as you personally have – for whatever reason – that is on them. it's them who are missing out. this shouldn’t hinder your enjoyment of this character in any way or discourage you from creating more fan content.
TL;DR: it’s completely valid to request more wyll content, but please don’t resort to “demands” or public pressure directed at the devs. this is only doing more harm in the long run (to wyll’s, as well as his fanbase's reputation within the rest of the fandom instead of actually accomplishing much). don’t spread misinformation that he’s the only one of the companions who is continuously receiving the short end of the stick in terms of content, general reactivity, and bug fixes. if anything, the biggest difference is between him and astarion (again, much like every other companion).
🙏 please be respectful to each other 🙏
update, 19th february:
a user suggested providing an alternative to petitions on this post and linking directly to larian’s official feedback form, which you can find here: [x]
you’ll be able to add screenshots of the specific issue you’re reporting. keep in mind that you need to name your exact game version if you plan to send in a report. i’ve had larian ask me to send them the specific game files in the past, so it’s best to keep them on hand in advance.
larian also has a faq page on how to submit a general bug report [x]
here is an example of what to write:
(I’d like to address the disparity in content between Wyll and the other origin companions.) As of now, Wyll is lacking an entire scene compared to the rest of the characters, and his romance-specific greetings remain bugged as well. The lack of equal scenes makes Wyll’s story feel lackluster at times and undermines the pacing of his romance and overall character arc. It is very disheartening for POC players specifically to see racial biases reflected in his treatment and that Wyll didn’t receive the same amount of resources. Considering his narrative role as the Grand Duke's son he also deserves to be in the spotlight. When can we expect any fixes or additional content?
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🥷CALLING ALL NINJA🥷
Spread this like wildfire! I want all you faithful loyal Ninjago fans to vote for LLOYD in this tournament poll >> HERE << for most tragic character!!!
We need to spread the tag #NINJANEVERQUIT to all platforms with the link attached so we may reach out to our community!!!
If you aren't a ninja and need convincing as to why you should vote for Lloyd, then please read this >> google doc << I so heartedly put together on all the bullet points to his tragedies!
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eurovision-flashbacks · 7 months
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wonder how theyre doing now for no particular reason
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taffingspy · 16 days
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RS3's story problems these past few years is a great example of "boring characters cannot carry a good plotline"
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sokayisaidiot · 8 months
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Siblinghood, Platonic Soulmates, or Romance
Analyzing the Relationship Between Ezra Bridger and Sabine Wren
In this post, I will continue from my previous one, having offered a simplified overview but delving into one of the most common criticizing talking points. Please remember that this analysis is from a writing perspective and my own experiences as I am an amateur writer. I welcome comments and reblogs with your thoughts.
For context:
1. Relationships in Star Wars 2. Explanation of These Three Types of Relationships 3. Female Characters in Relationships 4. Ideals and Themes in Star Wars Rebels 5. Ezra and Sabine's Relationship 6. Conclusion
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Relationships in Star Wars
Critics sometimes claim that certain types of relationships are overrepresented in Star Wars, but it's essential to remember that the franchise features a variety of relationship dynamics. Here are some well-known examples:
Siblinghood:
- Luke and Leia (twins) - Ahsoka Tano and Anakin Skywalker (no blood) - Garazeb Orrelios and Ezra Bridger (no blood) - The Son and Daughter (literal Force beings) - Sabine and Tristan Wren (blood relatives) - Maul, Savage Opress, and Feral (same planet)
Platonic Soulmates:
- Han and Chewbacca - R2-D2 and C-3PO - Boba Fett & Fennec Shand - Din Djarin & Bo Katan Kryze - Chirrut Imwe & Baze Malbus
Romantic:
- Han Solo & Princess Leia - Anakin Skywalker & Padme Amidala - Obi-Wan Kenobi & Satine Kryze - Kanan Jarrus & Hera Syndulla - Bail & Breha Organa
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Each relationship explained and how to write it
Siblinghood
Definition A sibling is a term used to describe a brother or sister, which means they share at least one biological or adoptive parent. Siblings are individuals who are part of the same family and are connected through their familial relationships.
Writing points
Individuality: Portray each sibling as a unique individual with distinct traits.
Birth Order: Consider birth order dynamics and how it affects their roles.
Conflict and Love: Explore both rivalry and support in their relationship.
Shared Memories: Use shared childhood memories to deepen their connection.
Complex Emotions: Show a range of emotions, from love to resentment.
Character Development: Use their relationship to drive character growth.
Realistic Dialogue: Make their interactions and dialogues authentic.
Backstory: Develop a backstory with shared and separate experiences.
Conflict Resolution: Show how they handle conflicts within the relationship.
Evolution: Depict how their relationship changes over time.
External Influences: Consider how outside factors impact their dynamic.
Platonic Soulmates
Definition The term "Platonic soulmates" combines two concepts: "Platonic" and "soulmates."
Platonic: In the context of relationships, "Platonic" refers to a non-romantic or non-sexual connection.
Soulmates: It's a belief that there is a special, deep, and sometimes predestined connection between two people that goes beyond ordinary friendship or partnership.
When you combine these concepts, "Platonic soulmates" refers to two individuals who share an exceptionally close, deep, and meaningful non-romantic or non-sexual bond. They may have a connection that feels almost destined, as if their souls are deeply intertwined, but it doesn't involve romantic or sexual attraction.
Writing points
Unique Bond: Highlight the exceptional and non-romantic connection they share.
Common Values: Emphasize shared values, interests, and life goals that deepen their bond.
Unconditional Support: Show their unwavering support, trust, and emotional safety.
Enduring Relationship: Illustrate how their bond withstands time and challenges.
Conflict Resolution: Explore how they handle disagreements with maturity and empathy.
Growth Inspiration: Demonstrate how they inspire personal growth in each other.
Non-Romantic Nature: Clarify that their connection is platonic, not romantic.
Emotional Depth: Dive into their deep emotional connection and comfort.
Shared Moments: Highlight significant life experiences they've shared.
Respectful Boundaries: Show how they respect each other's boundaries.
External Influences: Consider how external factors affect their connection.
Remember that platonic soulmate relationships are diverse and can manifest in various ways. They provide an opportunity to explore deep emotional connections and the profound impact such connections can have on individuals' lives.
Romantic
Definition In everyday conversation, "romantic" is often used to describe anything related to love, affection, or relationships. It can refer to someone who is inclined towards love and affection or to something that evokes feelings of love and beauty. The exact meaning of "romantic" can vary depending on the context in which it is used.
Romantic Love: Deep emotional affection, attraction, and passion between two individuals, forming the basis for relationships like dating, courtship, and marriage.
Romantic Relationship: A partnership based on romantic love, including dating, committed relationships, or marriage, characterized by emotional closeness and physical affection.
Romantic Gestures: Actions expressing love, affection, and admiration in romantic contexts, such as giving flowers, writing love letters, or planning surprise dates.
Romanticism: A cultural movement originating in the late 18th century, emphasizing emotions, individualism, and the sublime in literature, art, and philosophy, often celebrating nature, imagination, and powerful emotions.
Writing points
Chemistry and Attraction: Establish a strong attraction between the partners.
Character Development: Use the relationship to develop and evolve the characters.
Conflict and Tension: Introduce challenges to make the relationship engaging.
Communication: Show effective communication and miscommunication between partners.
Shared Moments: Highlight meaningful experiences they share.
Individual Lives: Balance their personal lives with the relationship.
Trust and Vulnerability: Explore trust and emotional openness.
Intimacy: Address physical and emotional intimacy.
External Influences: Include the impact of outside factors.
Conflict Resolution: Demonstrate how they handle conflicts.
Long-Term Compatibility: Consider their compatibility for the future.
Realistic Challenges: Create believable obstacles.
Romantic Gestures: Showcase meaningful acts of love.
Character Flaws: Develop imperfections in the characters.
Resolution: Provide a satisfying conclusion to their relationship arc.
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Girls in Relationships:
This section explores how certain female characters in Star Wars maintain their own identities while being involved in romantic relationships.
Padmé Amidala
Character: It might be considered a bold choice, but as Dave Filoni is known as the TCW and SWR guru, I genuinely appreciate Padmé's character. She embodies the spirit of self-reliance, often adopting the motto, "I'll handle it myself," when she witnesses suffering. As a compassionate and principled member of the Senate, she values diplomacy over violence, serving as a commendable role model by prioritizing dialogue and care for others. Her character shines brightest in episodes where she grapples with political conflicts.
Romance: Transitioning to the subject of her romantic involvement, Padmé and Anakin's relationship has sparked numerous discussions. Despite the uncertainty and occasional turbulence, there is genuine love between them. She envisions a future with him, refusing to give up on him even in the face of his inner struggles. Padmé recognizes Anakin's mental anguish and does her utmost to support him, though the complexities of their circumstances often double their challenges.
Ahsoka Tano
Character: Ahsoka stands as one of the most well-crafted female characters in Star Wars lore, undergoing significant growth and development throughout The Clone Wars (TCW). She evolves from an overconfident and naive child into a mature, thoughtful, and highly respected adult. Her journey is marked by substantial mistakes and profound realizations.
Romance: While Ahsoka experiences various connections throughout TCW, the most notable is with Lux. However, this romance primarily serves as a vehicle for her character development. Lux provides her with insights into the Separatists' perspective on the war and later the Death Watch. While Ahsoka does express interest in him, it's not in a deeply romantic sense. Instead, she's appreciative of the knowledge and experiences gained from their interactions.
Leia Organa
Character: Leia, our first main character introduction, immediately captivates with her compelling beginning. She's taken captive but never succumbs to fear, displaying strength and resolve. Her resilience shines through as she becomes one of the Rebellion's leaders, commanding respect from all quarters. She remains unyielding in her role, displaying a fiery temperament and quick wit reminiscent of her father, while proving to be even more resolute than her brother, a Jedi.
Romance: The iconic romance between Leia and Han Solo portrays the smuggler and the princess in a refreshing light. Instead of conforming to outdated stereotypes, Leia wears the metaphorical pants in their relationship, with Han providing unwavering support. He respects her position and authority, saving personal matters for their private moments. The dynamic is built on trust and mutual respect, avoiding the cliché of a one-sided romance. Notably, this is evident in Return of the Jedi (ROTJ), where Leia gets shot, and Han's caring demeanor is juxtaposed with his trademark smirk as she reveals her weapon. He's the one to express his love, illustrating the mutual affection and growth of both characters.
Hera
Character: Hera serves as the capable captain of the Ghost and its crew, supported by her right-hand man, Kanan, and the astromech droid, Chopper. Despite being a mother, she remains a crucial figure in the New Republic, leading missions and flight teams. Hera defies convention by maintaining her position of power while nurturing a romantic relationship with Kanan.
Romance: In contrast to traditional depictions where women are often portrayed as pining and emotional while men are serious, Hera and Kanan's dynamic reverses these roles. Kanan actively pursues the relationship, while Hera takes on a more serious and authoritative role. This unconventional approach adds depth to their relationship and challenges traditional gender norms.
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The Ideals of Rebels' Story and Its Setup Points:
Both the Star Wars Prequels and the Original Trilogy are anchored in the theme of battling oppressive regimes striving for absolute control. The Prequels delve into how this oppression came to be, forming a pivotal narrative standpoint. In contrast, The Clone Wars (TCW) primarily focuses on world-building, offering in-depth explorations of various factions and societies within the galaxy. While TCW provides a comprehensive view of the galaxy during a civil war, it doesn't follow a single large crew's story.
On the other hand, Star Wars Rebels (SWR) places a character-driven focus at its core. Unlike some other Star Wars media, such as movies, series, or shorts, SWR doesn't extensively explore different locations or delve into background storytelling. Instead, it prioritizes character development and episodic narratives.
To clarify my previous statement, SWR serves as a bridge between Episode 3 and Episode 4 of the Star Wars saga. It fills in the gaps, revealing the journey and sacrifices necessary to achieve freedom. The series commences with Ezra, a newly-minted Jedi Padawan, in a galaxy where Jedi are hunted down. He joins the nascent rebellion, which is just beginning to take shape. Ezra represents a glimmer of hope in a desolate world, even as forces of darkness attempt to extinguish that light.
This underscores the significance of SWR. Episode 4 depicted the Rebellion in its full-fledged form, with a substantial crew and support from multiple fronts. However, SWR sheds light on the challenges and sacrifices that made such achievements possible. It demonstrates that what was accomplished required immense personal sacrifice.
The Jedi aspect is exemplified through Kanan, who embodies the essence of a true Jedi. Ezra, too, matures into this role over time. Kanan's journey is unique; he was in the midst of his Padawan training when Order 66 unfolded. He never completed his training in the traditional sense and couldn't fully embrace the Jedi rules and traditions, which often felt restrictive and suffocating. Unbeknownst to him, his love for, attachment to, and bond with his lover, Padawan, and the rest of the crew went against traditional Jedi norms. However, this deviation allowed him to learn things the Jedi should have known centuries ago. Kanan eventually felt the full embrace of the Force, despite his past mistakes and moments of foolishness. He ultimately met his end as a true Jedi Knight.
As for Sabine, her character's growth and journey revolve around taking responsibility for her past mistakes and evolving into a stronger individual. Her journey includes abandoning the Imperial Academy, which produced weapons harmful to her people. This decision placed her family in jeopardy, with the majority of Mandalorians harboring animosity towards her. Despite these challenges, she emerged stronger with the support of those around her and a willingness to confront her past without forgetting or ignoring it.
The relationship between Ezra and Sabine in SWR was intentionally left ambiguous, making it challenging to definitively categorize. While the series provides hints through Ezra's statements, it remains open to interpretation. The internet, as expected, has embraced the ambiguity and given rise to various interpretations, showcasing the power of fan engagement and ship culture.
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Ezra and Sabine, Examined from Every Angle:
This section breaks down how each of these interpretations aligns with the characteristics of these relationship types.
Siblinghood
Individuality: With Siblings, there come different personalities. One can be chaotic and the other calm. That’s what we see in that case what can be considered normal in a family. You have the artistic child with her younger brother being more traditional and following his father.
Birth Order: This being one of the strongest arguments with this relationship. It’s for many great to see nonblood people considering each other as found family, where in situation where one lost their family or their family was not good, there are still others that are as close as those you share blood with.
Conflict and Love: This is more of a thing that can be seen with the training of the dark saber, in which the one sibling, who is good at something, that they consider their specialty, having to have share it with the other, as they see it being taken away or provoking the other as they think they are better at something.
Shared Memories: Both have abandonment issues over their family, and they share a lot of missions together.
Complex Emotions: Once again going back to the dark saber training, you could interpret that scene where Ezra is saying that Sabine at least still has family, while he has only one family left, that she is not respecting
Character Development: This can be interpretation for the end of rebels
Realistic Dialogue: A lot of people regard them bickering as sibling bickering
Backstory: In the start, it is implied that with Zeb, she is one that takes him under her wing as a older sister role
Conflict Resolution: They talk to each other
Evolution: It can be them growing older and seeing each other as equals
External Influences: within the ghost crew, they consider each other as family. Hera especially, so its easy to take this as it can be seen that every member implies it for themselves.
Platonic Soulmates
Unique Bond: They are not really romantically nor as siblings introduced in season 3 and 4
Common Values: Both want to free their respective people, destroy the empire and find a place in the galaxy.
Unconditional Support: Within the end, Sabine never states to be romantically involved but she does stay on Lothal, keeps his memorable things in check and waits from him to return.
Enduring Relationship: Both are willing to entrust each other to a lot of things and giving each other the chance to make things happen.
Conflict Resolution: They talk.
Growth Inspiration: Within the season 1 and 2 where Ezra constantly flirts openly to Season 3 and 4 where it is not seen as a romantic way.
Non-Romantic Nature: Barely Romantic gestures of touch in the traditional sense or talking about the feeling to each other, but in a respectable comrade way.
Emotional Depth: Their connection through their past and need to make better of their mistakes while helping each other out of those.
Shared Moments: Their missions
Respectful Boundaries: With Ezra stopping the flirting to concentrate and help Sabine
External Influences: The ghost crew being a close family through common goals and connection gives them a more bigger leeway
Romantic
Chemistry and Attraction: It is clear that Ezra still has an crush on Sabine, with him meeting her for the first time, being enamored with her beauty. Their chemistry is working and expendable. Sabine later is more open for more.
Character Development: From the young kid who has a crush with no real idea to an jedi that keeps it low to fulfill his duty, Ezra evolves within 4 seasons to a more mature way of admiring Sabine while having respect for her. Within the episode where Kanan and Sabine 
Conflict and Tension: From the end of rebels, where Ezra sacrifices himself to keep his loved one self but leaving Sabine alone and confused to Sabine not listening to him when he tells her to or when she does not give him a lot of decision power over her.
Communication: Sabine not being able to trust anyone really to her getting the closest to Ezra for even supporting him on way to dangerous missions and Ezra 
Shared Moments: From the intimate closeness of holding him by his waist to fly to safety, to him keeping her steady on the loath wolves and both refusing to let the other get hurt.
Individual Lives: When it comes to Krownest, Sabine splits up for a little while, when Ezra takes on other missions. They know when they have to do something alone and they have their own bigger problems in the end.
Trust and Vulnerability: Within the later seasons (3 and 4) Sabine opens up to Ezra about her own Demons and gives her full trust to him. Both can depend each other’s live on the other. But when it comes to
Intimacy: Sabine has no problem holding Ezra closer while Ezra still gets flustered a bit(speaking escape Jetpack scene). But other than that they have no problem being closer.
External Influences: Both Chopper and Zeb have been making fun of Ezra and Kanan is aware to some known extend as he has to be the done calming Ezra down, when Sabine is in a Dangerous situation.
Conflict Resolution: On the battlefield its Sabine being the aggressor and Ezra the shield. With other conflicts, it is that Sabine needs time to herself and Ezra worrying but respecting her needs.
Long-Term Compatibility: Sabine cannot imagine a life without Ezra in it and Ezra has stated that he wants to come home to her (as well as the others).
Realistic Challenges: Sabine knowing that 10 years have gone by since Ezra disappeared and still being ever so loyal to him. Ezra, while knowing Sabines competence, still often not wanting her on solo missions.
Romantic Gestures: The Birthday gift from Sabine. The consistent support of Ezra. 
Character Flaws: The way they cannot see other one in pain and taking full front and lying in front of the other.
Resolution: They give each other full trust on the final mission with Sabine on her way towards him.
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Endcut:
In summary, this post aims to offer multiple perspectives on the dynamic between Ezra and Sabine, emphasizing that all three interpretations are valid based on the available knowledge.
Please note that this is a complex analysis, and the nature of their relationship remains open to interpretation.
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birdbonechai · 2 years
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him
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no he does not live rent free in my brain. I charge rent to all non-OCs who decide to live in my mental space. I just think he’s kinda neat :]
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whos-hotter-jjba · 19 days
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Preliminary Match 5 - Hottest JoJo Character Bracket
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realreulbbrband · 1 month
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This scene for context:
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Additional context for both undercut.
Demestrap
In several london and modern productions, it is hinted that Munkustrap and Demeter are a couple. Munkustrap defends Demeter from Macavity's attempt to kidnap her. In these portrayals , Demeter usually comforts Munkustrap following the fight, and they are frequently depicted cuddling, and snuggling afterwards.
The way this fight usually ends is with Munkustrap knocked out by the end, Alonzo entering the fight to help but being thwarted by Macavity, and the tribe uniting to face Macavity until he realizes he's outnumbered and flees.
youtube
Present in: London Productions and the UK Tours, 1998 Film, Broadway Revival and US Tour 6. RCCL, Asia tours, Vienna revival, Uk/ international tours 2019 and 2022, Moscow 2005.
Demelonzo
In most international productions in the 1980s and 1990s it was assumed that Demeter and Alonzo were a couple. Alonzo defended Demeter by thwarting Macavity's attempt to take her. In these narratives, Alonzo is usually harmed during the fight, and Demeter tends to him by the end.
Alonzo is usually his "Golden Alonzo" self in this rendition. adorned with gold, bronze, and brown patterns. 
A major distinction between this fight and the one with Munkustrap is that Munkustrap is knocked out earlier and Macavity is usually defeated by Alonzo by taking him on head-on and weakening him until he has to flee. (Alonzo was not spared of harm given Macavity’s nature)
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Present in: (OBC, US Tours 1-5), Vienna 1983, Paris 1989, Zurich 1991, Euro Tour 1994,. Sydney 1985 and Melbourne 1987 and the Australian Tours, Hamburg 1986 and Stuttgart 2001, Mexico Tour 1991 and Buenos Aires 1993.)
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skyplayssplatoon3 · 7 months
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Explanation: Each weapon has a kit that includes a Sub Weapon and a Special Weapon! The ability to customize it would mean the player could make the weapon however they want and use that in games against other players!
Example: I would bring back Vanilla Octobrush from Splatoon 2, which would have Autobomb and Inkjet instead of the current (Suction Bomb / Zipcaster)
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meatza-lives · 10 months
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just curious as tumblr seems to be the only place i can find any type of fandom for nick cave and/or blixa bargeld, what are your guys' thoughts on nixa (nick cave/blixa barged) as a ship? ive seen a bit of discourse surrounding it and was curious as to what the people of tumblr think
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frenziedcrescendo · 6 months
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I think that, with all the post regarding the ongoing war between Israel and Palestine,l flying around, I would contribute some thoughts of my own, and see how it turns out.
So heres the guist: I don't think either side are inherently right. Now before you start chewing me out over not immediately siding with Palestine, hear me out.
Hamas made the first move by striking the music festival. But then again, tracing back in history, it is Israel who invaded their turf in the first place.
It is widely known that Israel has killed more civilians than necessary. But some intel suggest that it was Hamas who kept the civilians there, so Israel would not be able to attack without committing war crimes.
Hamas is a terrorist organisation. But a terrorist group initially designed to defend against Israel's attempt to push further and invade.
Many evidence of the terrorists existences from Israel have been proven fake. But they were taken out of context, with many similarly not citing source and only suggests it invalid by a simple caption.
Note how every sentence has two colors? Well, orange words are points that support the Israeli military, while the blue supports Palestine. Do you get it now? The side you unequivocally support still has its many wrongs. History in itself has never been such a clear cut thing with a definitive force of justice/evil. Coupled with the fact that none of us actually knows what's going on save certain sources that might not be unbiased, can we for sure put the blame on either side?
Please do note that none my claims have, at the time, been actually verified at all, and I currently wish to stay as neutral as one can be. This post is supposed to be a reminder that definitive just does not exist in the real world, and that to act the best option, one must be neutral without bias.
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enby-hawke · 2 years
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Reblogs appreciated- Charity Commissions
On October 6th 2022 Jaheim McMillan was gunned down by police. I’ve been compassion fatigued for so long, but this death broke me...again.
The gods have blessed me with a lot of fortune this year so I’m using my skills to try to pay those blessings forward.
Donate any amount, and I mean any amount and I will draw for you.
The more you donate the nicer your donated commission will turn out
$10 minimum for color
I will do as many donated commissions as it takes to get this fundraiser filled, but please note if I get swamped please have patience with me and feel free to nudge me if I’m taking awhile.
Please either forward the donation to me, or show me a receipt or email of proof of your donation. (I will email you proof I donated it.)  You can forward the reciept to [email protected]
As soon as this fundraiser is filled, I will rest for awhile before I do my next fundraiser.
Please let’s all try to be kind to each other in this dark time. Don’t give up. Keep fighting in little ways. It matters.
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adhbabey · 4 months
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r/spicyautism, despite saying they are a space for higher support needs autistic people, and a safe space for all autistic people, is not a safe space for people with self diagnosed autism and its users will harass and attack you for being confident in your self diagnosis, and the mods will delete your comments and you will get downvoted, no matter how correct you are, no matter how much you researched. People will dogpile and falsely report you if you ever speak against them.
So for a space I thought was for more stigmatized autistic people, shows that no matter what diagnosis you have, what experiences you have, if you can ignorant beliefs on all kinds of shit. Unless you take the effort to educate yourself and unlearn conditioning and negative beliefs.
I should not have expected anymore from a site that has people laughing at those who self diagnose, and treat them as if they are faking their disorders. But I was hoping that I could find people who could treat me in good faith instead of making a mockery of me. I will not be going back.
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absolutebl · 1 year
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Hi! I was reading one of your posts about Age and it’s influence in BL. I noticed you mention ZeeNuNew pairing feeling a bit too much. I def agree! While I watched and enjoyed Why R U? The dynamic in Cutie Pie felt sooo intensely dominating from Zee. Not that I have any issue with that but his dynamic with NuNew and the execution of the plot wasn’t my jam so I DNF. Anyways you also mentioned MewGulf mishandled that similar dynamic and that’s part of what went wrong with their branding with a worry about the same thing possibly happening with ZeeNew. Could you elaborate? Disclaimer: I’m not trying to get into the drama of it all I’m just genuinely curious bc there’s something about ZeeNuNew that I can’t put my finger on that isn’t vibing to me. Maybe it’s bc I don’t watch much bts or interviews so I don’t know what their dynamic is like but Even the promos for their up coming knight and Prince series gives me the same oppressive dominating feel to me, where I didn’t get that sense from ZeeSaint. I understand those are very different series though. from what I’ve seen of their acting pairing in Cutie Pie and some content floating around, i agree their dynamic feels like a lot and I wonder how that could translate into a deterioration of their branded pairing. Thanks! That was a long one sorry!
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I don't really like to gossip about the pairs.
The wigging you are getting from ZeeNew I also got from MewGulf.
Pure unadulterated speculation as to why I personally get wigged out?
It seems to happen when one half of the pair is both significantly older AND also significantly more experienced (in the entertainment industry) than the other one. And then they are encouraged to pair brand a ship. The older performer already has social clout by virtue of his age, but when he's also the bigger name and more experienced entertainer, this hands him significant professional clout as well. The result reads as very dominating and domineering, but in interviews and on screen.
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I don't know if it reads this way because it's combined with IRL shipping so it reads almost like a non-codified socio-professional D/s relationship. Or if it's just me being utterly disgusted by IRL shipping culture in general and getting wigged out by this particular extreme of a power dynamic. Or if it's just that I, with a very individualistic upbringing, am freaked out by the implications of this power dynamic on the actors involved (especially the younger one) both as brands, and as professionals, and in their emotional wellbeing and identity.
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There is a tiny edge of this to SamYu as well, for example, although things are different in Taiwan around pair shipping, but still Sam was both older and way more experienced and well known than Yu.
When Zee was paired with Saint, he was older but Saint had way more acting experience, so Zee was more differential to him for that reason.
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Skipping over to Korea, the Parks have a huge age gap but about the same experience in terms of Kpop/entertainment industry, and were both new to acting, so that made a difference to their dynamic I think. 
Plus Korea doesn't really ship the BL pair (within Kpop groups, sure). The Kissable Lips boys are pair branding, but that's entirely their own choice. (This is why some of us worry over OnlyOneOf a lot.)
Also, I have to assume personalities are also involved. 
I don't know these boys personally, so I'd never make assumptions, but in interviews Zee has alway read as a dominating personality (as did Mew), where as Sam comes off as more jocular and easy going, and Park Seo Ham as your classic reserved Korean gentleman. And I am speaking to the older boys in this matter because they tend to take point and lead interviews, or be deferred to to answer first etc... That's normal behavior in age=status societies, it's how the individuals ACT around that power that says something about the attitude/behavior of the actor.
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moondivine22 · 10 months
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