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#but neither does Arlong
coca-cola-fiend · 8 months
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How I think the straw hats sleep when they have company (romantic or platonic)
Luffy
Wraps himself around you
You are NOT moving for a while
Snores, unless you prop him up right
Likes to cuddle, will whine if you say no (unless you look like super uncomfortable, emotionally aware king love that)
Mans has no thoughts of personal space. He wants to be close ALL THE TIMe
Will talk your ear off as he’s wrapped around you. Yes both arms and legs if it’s comfortable.
Tried to listen to you too, but will probs fall asleep. He doesn’t mean to be rude, bro is just tired and happy your with him.
Warm, but wiggles a lot.
After Marineford, he’s especially clingy. Has nightmares about it and only sleeps well if he knows his crew is safe and close by.
Please comfort him and tell him that the crew is safe, that he is safe.
Will drag you off for a nap if he’s tired. Or just falls asleep on top of you.
Will wake you up in the middle of the night to spout off random shit. Then fall back asleep. Or he’s going to try and grab a snack. Sanji is not pleased when the fridge is dented from this attempt.
Please make a deal with him to shower more. Your nose will think you.
Zoro
Dude also needs a shower
Likes to work out and then have a nap
Doesn’t like to admit it but prefers when your around for both of these activities
Enjoys flexing while training and then relaxing with a nap with one of his favorite people on the ship
If he stinks, MAKE HIM BATHE. Bro is STINKY and needs to scrub more. After he washes then it’s nap time. That’s the deal.
Nami thanks you for this
It started with just napping around you, then slowly leaning onto you.
Neither of you make a big deal out of it, more for his sake then yours. He’s embarrassed to admit he’s soft for your time together.
Not a huge talker, but is very good a listening.
Gives advice if he thinks you want it, but will sit and listen if you need to get stuff off your chest.
Is a little jealous you can do so with ease (in his mind). He’s too caught up being strong for the crew that he forgets that he’s allowed to just be Zoro, not Pirate Hunter or King of Hell Zoro.
Snores a little, but not super loud. Place his head on your shoulder or lap and he’s OUT. May even curl an arm or leg around you if he feels like it.
Nami
Not used to co-sleeping
Sleeps with a weapon close by due to her past with Arlong. This doesn’t change, only the location of the weapon does.
Particular about her sleep. Has a routine and everything.
Expects you to hold yourself to a certain standard if your sleeping in the same room as her (you’ll have to work up to cuddling).
Will gift you nice pjs, soaps, blankets, things like that.
Gets hot easily, but hates being too cold.
Will fall asleep at her nap desk. Please pick her up and tuck her into bed.
That’s how it starts probably. She holds onto you in her sleep and mumbles something you can’t make out. You wait and get a quiet “stay…don’t go”. You stay.
This happens a few more times before your invited into her bed. You slept on the floor before to avoid making her uncomfortable.
Refuses to admit that she likes being the little spoon, but she has the best sleep when she feels safe and protected by someone she trusts deeply.
Likes to nap in the sun under her trees with you. The warmth and the smell of the fruit is relaxing.
Doesn’t ask you to nap, just expects you to agree. Drags you to nap when she’s had a bad day.
Please just hold her for a bit and listen to her rant about stuff. She appreciates it more then you’ll ever know.
Usopp
Tries to act chill when you fall asleep on him for the first time.
Is smiling while trying to act annoyed like it’s an inconvenience (he feels so happy do NOT believe him)
Another one to fall asleep while creating. If you can’t pull him away wrap a blanket around him and place a pillow under his head.
Usopp is a lonely guy, considering he didn’t really have any friends before the straw hats (not including the Usopp pirates and Kaya).
If feels nice to be chosen
Likes to tell you stories (real and make believe) as your winding down to sleep.
Lights up when you smile or laugh because of him.
Makes it his goal to make you smile at least once before the end of the day. Even if it’s just an eye smile, he knows he’s made you happy, and that makes him happy.
LOVES late night talks. Doesn’t matter what it’s about. He’s happy to spend time with you.
Does his best not to wake you up in the morning if your not ready to wake up. Will save you some food (from Luffy) if your not awake yet.
Will be thinking of stories all day to tell you. Of course he tells the rest of the crew, mainly Chopper and Luffy, as well. But your late night talks hold a special place in his heart and day.
Is forever grateful you chose him as your best friend.
Sanji
Another one who has a hard time accepting affection (Zoro, and Robin too).
Happens after he has a nightmare about his family (this feels familiar ha).
You catch him up super late and ask him what’s wrong.
He doesn’t tell you right away (especially if it’s before Whole Cake) and gives a vague explanation of having a hard time sleeping.
You offer to help, and for some reason (sleep deprivation due to stress) he agrees.
You bring him back to bed and hold him. He’s not used to being held and take a bit to relax and get comfortable. The last time someone held him like this was either Zeff or his mom. Probably his mom.
This repeats for about a week before he starts seeking you out. He’s embarrassed about it at first but can’t deny he does sleep better with you around.
At some point, you start waking up with him and keeping him company while he makes breakfast. Whether you help him or not depends on what he’s making.
You keep him entertained while he cooks, and he makes you a little extra as a thank you.
Of course he’ll deny this if you bring it up, so if you want extra, just enjoy it.
He may tell you more about his dreams as time goes on, but nothing huge until you actually meet his family. Then he doesn’t even need to tell you, you just know when he’s having a hard time and step up the comfort.
He’s grateful to have such a wonderful crew to call his own.
I’ll probably do a part 2 with the rest of the straw hats later, but I’m tired and want to post this already. The straw hats deserve some comfort with all that trauma.
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cyborg-franky · 1 month
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Can you make a HC about what they do when Luffy is King of Pirates, the One Piece is found, Mystery of "D" resolved and so on? I mean if they stay Pirates, settle down, marry or do another profession. 👀 When there 35 plus or older. Please with Zoro, Sanji, Law and Kid 😍
Ooooh how fun! I did a bunch of chars including the ones you wanted : D
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Sanji Sanji finds the all blue and makes his own floating restaurant. Luffy always comes to visit and always eats him out of house and home. Sanji has long hair he keeps in a ponytail, and he has a beard he keeps in a braid, just like his old man [Zeff <3] Sanji is tough love with teaching his chefs but they all love and respect him. He’s married to his work and also every pretty person who steps foot in his restaurant. He calls it ‘The All Blue’ and he charges people with alot of money but helps out those in need. Thanks to Luffy being not just the pirate king but also a yonko his place is considered untouchable by the marines and thus everyone can come and eat here fearlessly with no worries. 
Zoro He’s the greatest swordsman in the world. He never leaves Luffy’s side, always sailing the high seas with his captain. When he does eventually settle down he gets married, and everyone is invited, even Sanji. He runs his own dojo now in Kuina’s memory, he teaches kids how to fight. He doesn’t turn away people who are female-bodied/identify as girls because he knows how strong they can be and would never play the sexist card. Everyone who trains with him are equal and valid. He would teach his own children how to fight too. He’s a firm but fair teacher. He still has that short mossy hair of his, maybe he’s got some ink now.
Nami Fame, wealth, power! Some say that’s just for the Pirate king, but Nami would disagree, Nami has everything she’s ever wanted. She sends back loads of money to her home island which have repaired all the damage that the Arlong Pirates ever did. They become a thriving community. She even makes sure there is a lovely orphanage, in memory of Bellmere with orange trees all around where young women can grow and learn skills and become strong and anything they want to be. Nami gets her short hair back.
Robin and Franky Together, but not married. Neither wants to get a piece of government-approved paperwork to say they are married. Robin can piece together all the mysteries of the world, the void century is her’s and she passed on everything she can to her students. She makes sure the next generation of the world will remember everything that happened both good and bad and as long as there are people alive who know what happened, who have seen the devil and god history can avoid repeating itself. Robin has her bangs back, and wears her long, long hair in a braid. 
Franky becomes a teacher himself! He passes on the amazing shipwright skills he learned from Tom to anyone who wants to come and learn from him. Both are a blessing to the generations after. Maybe Franky has toned down his look a little and he’s more like he was in pre-skip? 
Brook Still a hecken popular musician who is going around touring, loved by many, and as long as his music keeps touching people's hearts and he always has fans, he won’t ever truly be alone. He obviously reunites with Laboon too!
Jinbei Retired, living his best life back at Fishman Island, and has a spouse now. He keeps an eye on Fishman island though there is nothing but peace. After all the island and his people are protected by the pirate king himself.
Usopp Usopp goes off and becomes a pirate captain himself! But it doesn’t last very long, it’s just not the same so he retires and goes into writing books. He writes stories of all his fantastic adventures and inspires the hearts and minds of many young people who all want to be pirates. He also takes up art as a more serious profession. He writes and does his own artwork. Usopp’s Fables. Maybe he goes back to his village, him being a famous writer brings good things for the sleepy village.
Chopper Goes back to DRUM and helps the people, bringing back doctors to the island. DRUM once again becomes well known for how amazing its doctors are. He’s a good teacher for those wanting to be in the medical field.
Luffy THE PIRATE KING HIMSELF? Every night is still a party, he only settles down when the last of his crew wants to seek their own fortunes. He visits them all. Spending his time traveling between them and going on adventures. He never truly settles down. Just married to his love of life. 
Law Still a pirate, still with his crew because they are and always will be his family. He did everything he set out to do, take people down, and get revenge, he didn’t ever see his life past Dressrosa to start with so everything is a bonus. The only difference is now the heart pirates have less of a reputation for their captain being scary and cruel but the best place to take anyone with a rare illness. He specializes in learning about them and healing them. Totally rocking more tattoos everywhere and a ponytail maybe. Or an undercut…
Kid IGNORING CANON Him and his crew are still an issue for the world government, even in their 30s, 40s, hell even when they're 70 they are wild and causing chaos all across the world. Kid loses his violent streak and is just out here with his boys having the time of his life. Maybe he has a partner or two, he and Killer going polyam at last.
Marco Marco even at like 80 still looks younger, still a doctor on Sphinx but this time he’s not so honour bound to the memory of Whtiebeard and Ace. He sometimes leaves the island to go on adventures. He visits his partners, finally allowing himself to date again. He becomes a vet as well as a doctor, helping out people on islands he visits while seeing his partners. He’s enjoying his retirement, he has so many people in his life again that it heals his heart. Still, he aches for everything he’s lost, he always will but now he’s not shackled by it.
Sabo Thanks to his efforts and the RA the world is a more equal place, he makes sure of it. Aside from all of that. Maybe Sabo has a partner, maybe he’s allowed himself to have a few kids that he raises to be good and just and to never see the world as black and white but all the greys that the world is built up of. Making sure the next generation has a strong sense of their own justice. Sabo also wrote a huge book documenting Luffy’s travels after listening to his brother tell the stories over and over. The book becomes the legend of the Pirate King. The story inspires another era of pirates.
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joyish-little-boy · 4 months
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One Backstory to Rule them All
Anyone else think about how Sanji's backstory parallels every other Strawhat's backstory?
1. Luffy - Luffy is the most obvious, as they quite literally flashback to Shanks losing his arm right after Sanji explains how Zeff sacrificed his leg for Sanji. It's interesting the parallel here - because Shanks sacrifice is what took Luffy a step further in his dreams and made him determined to be the captain of his own pirate crew rather than simply joining Shank's crew, which is what he wanted to do previously. Now, for Sanji, Zeff's sacrifice had the opposite effect and Sanji chained himself to Zeff and what remained of Zeff's dreams rather than being pushed forward by it.
2. Zoro - I find it interesting that all of the Monster Trio parallel each other in their backstories in that all of them constantly lost when they were kids. Zoro lost 2001 times to Kuina, Luffy lost 50 fights to Ace and 50 to Sabo every day, and Sanji was constantly being beaten by his siblings. Each were called weak by those beating them, and each grew past that. What's also interesting to me is that there's the specific method of losing in Sanji's losing montage that's a direct callback to Zoro's backstory, as Oda includes multiple scenes of Sanji being beat at fights with wooden swords.
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The difference being that Kuina is a decent human being and doesn't abuse Zoro. She calls him weak, but ultimately respects him as a rival and Zoro respects her in turn. Luffy also eventually earns that respect, though Sanji never does which leads to a noticeable difference in how Zoro and Sanji see themselves and their places on the crew - Thriller Bark I think being a perfect example of how Sanji believes that he's replaceable in a way that Zoro doesn't.
3. Nami - Nami and Sanji were both kids that found themselves in abusive situations, though at different ages. For both of them, their abuse centered around a man who's belief in their own superiority led them to a sense of entitlement to what was theirs. Arlong believed in his own biological superiority and Judge believed in the superiority of the Vinsmoke name, as well as genetic superiority which led him to experiment on his own children. Arlong values the lives of fishmen, the lives of the rest of his crew over the lives of Nami and the rest of her village. Judge values the lives of his other children over Sanji, seeing him as a failure for the way he was born (although it's also mentioned he blames Sanji for what happened with Sora). I think another very interesting parallel in their stories is the role of their respective older sisters. Nojiko and Reiju both privately support their younger sibling but both cannot stand up to the abusive figure in their lives. Nojiko gets tattoos to match Nami's to help her feel less alone, she listens to Nami, and does her best to try and support her through the 8 years of hell (8 years being another parallel to other members of the crew including Sanji). Reiju for her part laughs along with her brothers, but never lays a hand against Sanji and does her best to patch him up after everyone is gone. Their actions are indirect and discreet, save for the final fights, and that muted care is a very interesting part of each of their characters and it's why, I think neither of them felt it was their place to accompany their siblings on their journey. When Nami leaves, Nojiko lets her go, like she's always let her go. And Reiju pushes Sanji to leave, just as she pushed before. That regret of not being able to help more will stick with them forever.
4. Usopp - Usopp's backstory is all of 5 seconds long and still manages to parallel Sanji's somehow??? If I had a nickel for each strawhat who's mom was sick and died from illness when they were young, I'd have 2 nickels-
5. Chopper - HOO boy the parallel of your biological family hating you for the way that you were born and neglecting/abusing you for it hits right on Chopper's blue nose. Now, it's not all bad for either of them, though - considering they each had someone that accepted them for who they were. Chopper had Hiraluk and Sanji had Sora. Hiraluk inspired Chopper to be a doctor, emphasizing he had the most important qualification - a big heart. Sora meanwhile cried about how kind Sanji was to Reiju and her nurse, when he told her to "get better soon", calling him the "sweetest boy in the world". That kindness - that caring nature, is something that Hiraluk and Sora would do anything to protect and it's so evident that these two cared deeply for their kids. It's why Hiraluk ate that poisoned mushroom and encouraged Chopper to become a doctor and Sora ate the ruined food despite her fragile constitution and asked Sanji to cook for her again! This is love, baby!
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These two kids were willing to risk so much to bring nourishment and care to the ones they loved, BOTH standing up to their biological families - Chopper fighting through his old herd of reindeer to get the mushroom, and Sanji sneaking out risking his father's wrath and braving the storm and wild dogs to deliver the food. Hiraluk and Sora are Chopper's and Sanji's source of encouragement which kick start each of their passions. And both of them tragically die which is honestly just heartbreaking. But all hope isn't lost, and both Chopper and Sanji find a new mentor, ones who are strict - but do care a lot for each of them, and help them develop the discipline they need to learn their respective crafts. Kurehara and Zeff are interesting parallels, both tough older mentors who are sharp of tongue and strict with their new apprentices. They can be this way without discouraging Chopper and Sanji, because the passion has already been ignited and so it's easy to see how they're good fits for helping these two live up to their full potential.
6. Robin - the big parallel with these two boils down to these two scenes and I sob about both of them.
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Saul and Reiju, telling them to set out to sea, placing faith in the vastness of the world, knowing that they've done everything they can for now and planting that seed of hope that someday Robin and Sanji will meet people that can give them what they deserve is just such a touching moment. While this parallel is interesting, what's also interesting is the ways in which these two characters differ. The danger that Robin runs from is something that chases her, whereas the danger that Sanji runs from is his family and once he's made it onto the boat he's free. Robin thought she would never be safe, Sanji thought he was safe up until the wedding fiasco. And precisely the thing that hurts Sanji - the fact that his family wanted him gone - is so different from what's hurting Robin - the fact that she'll never be left alone by the government. Robin is wanted for the skills she and only she has, her story is (wo)man vs world, her bounty set at 79,000,000 which is the literal value on her head. Sanji is unwanted for the skills he, and he alone (in his family) lacks. There's no bounty, no one goes after him. His story is man vs self and undoing the damage that was done to his psyche as a child. It's so fascinating to me the way that both of these characters are saved by the crew in similar but such different ways, the way that each of them wanted to die, but for different reasons. Robin wanted to sacrifice herself because she's been betrayed and hurt by the world so many times that she couldn't trust in the strawhats' love. She loved them too much to risk being hurt like that again. Sanji wanted to sacrifice himself because he'd rather die than inconvenience the crew. Rather than not believing in their love, he doesn't believe he's worth that love, preferring to solve his problems on his own. And I think that it's so fitting the way that both of their stories intersect in Wano, with Robin being able to protect Sanji and Sanji finally believing in his own worth enough to ask for help. They're such different characters, with Sanji wearing his heart on his sleeves and Robin holding her's close to her chest and such interesting mirrors of each other.
7. Franky - they're cyborgs, what else can I say? The difference here is clear - Sanji's body was modified without his consent, whereas Franky modified himself. They're also both unwanted children, with Franky's parents abandoning him on Water 7 whereas Sanji's father was happy when Sanji left.
8. Brook - the parallel here is in the loneliness that both of them experienced, and really Sanji just got a taste of what Brook went through. Sanji and Brook were both parts of different crews before they were on the strawhats, albeit Sanji as a child and for a very short time, whereas Brook was with the Rumbar pirates for a longer time as an adult journeying very similarly to how the strawhats are now. Both were the sole survivors of their respective crews after being attacked, and though Sanji had Zeff on the rock, neither of them communicated with each other for the first 70 days after their initial agreement. Sanji felt a taste of the 50 years that Brook had to go through, with no food or water or way to escape off his abandoned pirate ship.
9. Jimbei - honestly I don't really have a good comparison for these two, other than they're both people who when confronted with the cruelty of others chose irrational kindness. Jimbe eventually learned how to live with and respect humans, and Sanji wouldn't let his family die, even after everything they put him through. They're both people who derived their codes of honor from others - Jimbei from Fisher Tiger and Queen Otohime and Sanji from Zeff. Idk maybe there's more there, but i don't really have too much to say about these two
Anyways, idk i just think they're neat 👉👈 and the way that Oda threw in parallels to all the other character's when completing Sanji's backstroy is so fascinating to me
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ephemeralzenith · 1 year
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TPW headcanons
i miss them so much(spoilers ahead)
if they were in the modern world, altan and rin would wear glasses and everyone would make fun of them. they would actually have abysmal eyesight even though they are super cool warriors.
also modern world; altan would be so technologically illiterate that everyone would make fun of him. hes like a grandpa, and rin (+ ramsa) would be obsessed with her phone. this is the only place nezha and altan would agree on!!! neither can use their phones and would have to ask rin and chaghan/the cike to help
altan and rin squabble like siblings over the dumbest stuff and then get over it in the next hour after swearing to everyone that they hate each other and would never talk to each other again. -> everyone is sick of their shit
conversely, nezha and altan also love fighting over shit!! altan mistrusts nezha bc.. yk, and nezha does not trust altan bc.. yk!! and rin is so done with them and she starts arguing with them too
kitay loves snakes and this freaks nezha out
altan has a phobia of spiders (i saw this somewhere else and it made sense)
ramsa and kitay are best friends. they are the chaotic duo. imagine it though… ramsa’s destructiveness and kitay’s gigantic brain. cross one of them and your room will smell like shit for the next three years.
qara and venka best friends!!!! i dont have any reasoning for this but they would be and gossip about everyone
altan and chaghan
during exam season, kitay would make fun of everyone else not being able to study easily like he can (not everyone can have a photographic memory, ok???) and everyone would tell him to shut the fuck up (he would not)
“haha i dont know how you guys do it!!! like having to memorise things after sooo long,, must be a struggle”
“THIS IS THE FIFTH TIME KITAY PLEASE SHUT UP I DONT KNOW THIS SUNZI QUOTE”
until a year before he went to sinegard, nezha didnt know how to swim. i know that it very uncanon but i would find it so funny if nezha (water boy) did not know how to swim
obviously his parents would not be very happy with him. poor nezha, cant catch a break…
altan may appear to be tough and cool and sexy (i love him) but he has the most childish sense of humour. sex jokes etc etc, and rin would have such a distaste for this they would start arguing again.
altan is also so soft on the inside. if any of qara’s birds were injured he would stay up to help them no matter what!!! altan trengsin - murderer, killer and the protector of birds <3
after he dies and rin melts down his trident, he would be so pissed at her for destroying his legacy yada yada yada, but would probably forgive her
chaghan was devastated when rin destroyed the trident. he wanted it because it was the last piece of altan :(
however nezha would probably sleep with those swords after rin dies.
kitay and rin would share a tombstone in arlong, to be joined by nezha after he dies… probably bc of the hesperians lol
altan and rin have a tombstone in speer. even though nezha hated altan, he would make one for him.
‘here lies altan trengsin and fang runin, the last speerlies, under the heart of the phoenix that they followed home - everything changes on speer’
unegen and enki visited them. idk where they went off too after leaving the cike, but i like to believe they lived, and found speer.
nezha and chaghan regularly visited speer to pay tribute to their speerly bros that died and that they loved lol. once they saw each other and they were like ‘oh you too?’.
i feel like jiang knew (even subconsciously) that rin was his daughter and loved her as such :( he also loved his nephew altan but couldnt protect either.
rin and nezha have opposite music tastes
kitay hates music because it hurts his head
I MISS THEM SO MUCH. if someone wants to talk about tpw i am here 25/8/365
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beanghostprincess · 2 months
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YOOOO saw t4t sanami, do you have any specific thoughts on trans! nami?
OMG YESYESYES!!!!!! First of all, I adore t4t Sanami. It's the best type of Sanami. And I have so many thoughts about trans!Nami... My beloved.
She realizes she's a girl pretty soon in her life since her mom is her role model and she admires Nojiko a lot. But it's more of a gender envy thing most of the time, she just doesn't understand the concept yet-- The thing is, neither girls nor boys understood her passion for maps, and she barely had any friends apart from her sister, so it's a bit hard for her to actually understand what she wants. But she's sure she's a girl. That's something she has clear.
When she comes out to both Bellemere and Nojiko, they're obviously extremely supportive of her. Nojiko is thrilled to have a sister and Bellemere couldn't be happier that her girl trusts her enough to tell her this (you know, they're still young and Bellemere feels a bit insecure sometimes and wonders if they actually see her as their mom). In general, the village is very supportive. They love these kids, c'mon. Maybe there are some comments here and there from people who are more close-minded than others, but Nojiko always goes full protective sister mode.
They don't have money for new clothes, but Bellemere does her best to style Nojiko's old outfits for Nami!! She asks Nami if she wants to grow her hair, and Nami says it'd be a bit uncomfortable but she'll probably give it a try, if it bothers her then she'll probably cut it (she ends up doing it because it gets, indeed, uncomfortable).
Transitioning socially, even if most of the village is supportive, is a bit hard. Nami doesn't like being scared. Or feeling weak. But her mom always tells her to be herself no matter what other people say, because she's the only one who should choose how to live her life. She is a girl, and she has all the right to fight the ones who say otherwise. Nami wonders if fighting will make her look less feminine, but Bellemere says "Well, I fight, don't I? And you see me as a girl. Girls can and should fight. Even better than most men, honestly". And Nami is no longer scared of being more independent and strong.
I just know Genzo is the sweetest, most protective, and most supportive man ever. He even buys her some new clothes and kind of lets her get away sometimes if she gets into fights because he knows she was doing it to defend herself. He has a new picture of the girls on his desk and he's always keeping an eye on her because he knows she's gonna end up being gorgeous and he can't have guys flirting with her.
It's easy for Nami to look more feminine because of her complexion but she's still insecure over a bunch of stuff while she grows up. Everything is worse when she joins Arlong... Okay, so the Arlong Pirates aren't transphobic but Arlong is this type of "passive-aggressive" ally who won't stop asking Nami to thank him for letting her be herself. He's always highlighting the pronouns and sometimes he even buys her stuff that, okay, she likes it. But she doesn't want those clothes from him. It's a living nightmare. He also gives her the chance to medically transition which-- She wishes she could say no, really, but dysphoria is eating her inside most days and she doubts she'll ever have the money to do this on her own. Nojiko is the one who tells her to go for it even though the help doesn't come from the right people.
Anyway- She grows up. The story continues as it is. And when she meets the Strawhats and they defeat Arlong, it's extremely freeing and liberating for her. She finally feels like she can be herself with people who actually care about her. I think the only ones who know she's trans are Zoro (transmasc/transfem communication), Luffy, and Usopp, because she told them at some point. It's not like she hides it from Sanji but... But, you know... She doesn't know how Sanji will react.
It's not that surprising to find out Sanji is a girl too. What is surprising is the fact that she takes it so well. In terms of concept and support. I mean- She knows what being trans is, and accepts it. Apparently, it's just hard to accept it when it comes to herself. She confesses it one day while she's drunk, saying being a girl would be great because they're just... Amazing and perfect. She describes all the things she likes about them and most of it sounds like gender envy and dysphoria to Nami. Something that Sanji confuses a lot with liking them sexually (also true and something Nami understands because she's a lesbian and it's always hard to tell the difference between attraction and gender envy). But Nami just says "You can just... Be a girl, you know? If you wanted to" and it kind of changes Sanji's world forever.
(Quick mention of Alabasta and how Nami falls for Vivi right away, something that she wasn't expecting because being in love is dangerous for her. But they have chemistry and they deeply care for each other. So before they leave, they have this intimate night together in which Nami is extremely scared. She doesn't want to lose Vivi for something like this. She isn't even sure how Alabasta's culture works and if Vivi will be as accepting as she looks. So Nami, still scared and shaking and almost crying for the first time in a long while, comes out to Vivi. The princess is... So accepting and loving it's overwhelming. I know we talk a lot about how Nami probably flirts with every girl she meets and has more experience than Vivi, but I'd like to see this as Nami's first time. Or at least, Nami's first time feeling so loved while having sex. Also, please assume Namivivi is a thing in this post too. Sanamivivi <3).
Nami starts seeing Sanji in a different light, by the way. Not instantly romantic, but she understands now why she acts like that around women. Sort of. She sees her being uncomfortable in her own skin. Sees her twitching whenever somebody highlights the fact that she's ""a man"". Nami even calls her "pretty" once, instead of the usual adjectives, and Sanji tries to act like she doesn't like it but she does, so much it's obvious it hurts her to realize. The egg is cracking and it's not slow, nor subtle, but Nami can't see it because they get separated in Sabaody.
To summarize, Nami gets an amazing boob job there. That's my wonderful explanation for the enormous change in her body after two years. The doctors up there are really good, okay? She lets her hair grow the way her mom mentioned once, and now that she knows how to fight, she can handle it a lot better! Meanwhile, Sanji is having a whole gender crisis back in Momoiro Island but she ends up figuring out that she's a girl and Ivankov is always our salvation for these things.
They find each other again, and Nami couldn't be more proud of Sanji. I mean- All of them are proud of her. They love her. They love her even more now that she has accepted herself. But for Nami, having somebody in the crew who went through the same things as her and who now feels comfortable with her body makes her incredibly happy. So long story short, Sanji moves to the Girls' quarters. Also, they find out Robin is also trans, something she hadn't mentioned because obviously there's no need to do it, but the girl is a fucking mystery and she hadn't mentioned it until NOW??? And Nami is about to start crying because she finally doesn't feel so alone.
You know, things go by smoothly. Nami likes wearing tops and bikinis to show off her body because she's really proud of it and Sanji keeps wearing her suits but sometimes they also share clothes. Although Sanji has a liking for Robin's outfits better. They grow closer and share experiences and even though Nami opens up about her past, Sanji doesn't. And it's not like she has to do it... But Nami wishes she trusted her more. Anyway- Showering Nami with love wasn't something Sanji only did before, she still does it. And Nami is starting to fall a little bit for her? She hates to admit it, but Sanji is gorgeous. Gorgeous and really, really sweet and not that annoying anymore, now that she has found herself. Nami thinks it could be just sexual, but she knows it isn't only that-- She's scared of falling in love because falling for somebody means being able to lose them. And she would hate it. But she lets herself do it for once.
And then Whole Cake Island happens, and Nami kind of wants to die. It's when she realizes she's in love with Sanji (yay! Losing more people she loves!) and she's extremely angry at her for doing what she's doing. Pushing them away. But Nami can't really be that furious, right? She did the same thing to them, after all... It's so, so painful to see Sanji act like somebody she isn't. Her family made her cut her hair. Wear a binder and everything. Nami isn't sure whether she's crying for the fight or Sanji right now. When Sanji comes back to them, Nami wants to hug her and never let her go,, They start dating pretty much right after WCI, so Wano is painful because they aren't together and Nami realizes, right after the big fight, that Sanji is going through something she doesn't want to talk about. Not that she has to do it, because Nami will be there no matter what.
Little transfem!Nami / T4T Sanami quick headcanons:
As I said, they share clothes but Sanji prefers wearing Robin's style. However, Nami does steal Sanji's shirts all. The. Time. Not that the cook cares, though, she looks gorgeous.
Sanji is a bit self-conscious because Nami has bigger boobs. Not that it matters at all and Nami finds it incredibly stupid, but anyway- Nami is always worshipping Sanji's body when it's needed. Sometimes she thinks Sanji just says it to fish compliments from her.
Nami loves Sanji's short hair and is constantly reminding her that she looks beautiful this way, even if she prefers it long.
Nami actually is pretty insecure about her hands. They don't look as feminine and she would like them too. And she knows it's stupid but,, It still bothers her. Sanji is always kissing them and painting her nails, though!
I like Nami being extremely deranged sometimes and maybe a guy tells her that's not very lady-like and Nami always thinking about Bellemere and how she'd kick ass anyway.
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snippychicke · 4 months
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It's Just Business
Part Five: Lifestyle
I don't know when I can get on my computer next, so instead of making you wait I figured I'd just post via mobile. Not as fancy, but who cares, right?
AO3 | Master post
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You and Nami split a bedroom, filled partly with items from your old ship and her own items.
It was your first time having a female friend - was it too soon to be friends? - let alone one your age. It was both thrilling and nerve wrecking at the same time, especially considering you were now living together.
"So hey, I have a question," Nami spoke as you settled in for the night.
"Uh, shoot?" You said as you climbed into your hammock, pulling a blanket around you.
"You and Sanji?" Nami asked. "Half the time you two are acting like a couple, the other half you're arguing and he's flirting with me - or any other women in the area for that matter. What's up with that?"
You were still stuck on the whole 'couple' notion that you barely heard the rest of her words. You? Sanji? A couple? "W-we we aren't… no. Not at all."
She tilted her head as she settled into her own bed, a wicked smile on her face. "You say you're not, but your red face says otherwise."
"We aren't a couple," You stated more firmly. "Never have been, and-and probably never will." Ow. You did not expect that to hurt as much as it did to admit that outloud. "We've been friends since we were kids, and were never really around others our age very much, so we just kinda… bonded. In our own little odd way."
Nami hummed thoughtfully, though she still had a faint smile on her face. "How do you feel about him?"
"Is this an interrogation?" You protested as you tried to shrink beneath your blanket.
"Sorta. Girl talk really," She teased. "Apparently it's a thing women do. Talk about our crushes, do each other's hair and nails. Gossip." You frowned at her, a bit uncertain, and her expression softened. "Relax. It's … well, I'm used to the others, but I don't know Sanji or you very well, and now that you're part of the crew…"
She just wanted to get to know you better, and the most obvious thing was probably you and Sanji's… dynamic.
"It's… complicated," You finally answered, deciding to admit some of the truth. After all, it was already clear that you two were not the typical pair of friends. "Sanji's my best friend, my only friend. Between him being raised at the Baratie and me being raised on my parent's merchant ship, neither of us had any other kids to talk to. No matter how much we'd argue and fight we knew no matter what, we had each other."
"But?" Nami hedged as you lapsed into silence, apparently able to tell there was more to the story.
"He's a massive flirt," You confessed, as if that part was surprising. "I've known this for years now, and before it never bothered me." Which was a lie, but it hadn't been too terrible. "He's just a stupid playboy after all. But now it does bother me, and I'm not sure what to do. I mean, I’m following this idiot to who-knows-where just because…"
You loved him. He looked at you with those puppy-dog eyes and you knew whatever he asked of you, you would give him in a heartbeat. Including abandoning everything else and setting sail on a pirate ship.
But you didn't think-- nor expected-- him to care for you the same way. You were thick as thieves, and that was the only reason he asked you to follow.
Nami's smile had faded, sympathy evident in her eyes, making you wonder if she had caught the words you refused to say. "I get it. I'll smack him if he tries to flirt with me, especially in front of you."
You laughed dryly with no humor. "You don't have to. Well. Unless you don't want his attention, then I'll be happy to help smack him until he starts thinking straight. Unfortunately, I think he's quite smitten with you."
Nami shook her head. "After serving Arlong all these years, I just wanna live for myself for a while. I joined Luffy's crew because I wanted to. I'm going to follow my dream. I don't want to worry about any romantic relationships right now."
You smiled softly and felt a sort of pity for Sanji. You knew how much he was pining for the redhead after all. "Then I'll make sure the idiot sees and respects that too."
》°《
You weren't sure how you ended up at the Baratie, or why.
You remembered being pulled from the wreckage of your parent's ship, sitting in front of the Marine Captain Axe-hand Morgan as he tried to draw information out of you. Unable to speak but just staring at the glinting metal of his arm. Remembering the metal of the pirate's swords. The cannon balls as they ripped the ship to pieces around you.
How the dark metal gleamed with the blood of your parents.
You remember the marines leaving you at Shells' Town port when all you had was the bloodied stained clothes on your back. And that was really the last thing you remembered, though you must have somehow convinced someone to take you to the floating restaurant - or maybe you had boarded the first ship that took pity on you, and fate had already decided your fate.
The next thing you knew, you were walking mechanically through the doors of the Baratie. Nemo, the Maître d’, paled when he saw you enter, and abandoned his post to rush towards you and quickly pull you into his arms. You numbly allowed the hug, as well as following him as he led you back into the kitchen. You vaguely remember him saying something, but you were too numb to really pay much attention.
Shortly after entering the kitchen, you were surrounded by the cooks all swearing your name and pulling you into strong-armed hugs. You still felt numb, but finally felt cracks appear in the thick sheet of ice as everyone stated how glad they were to see you. How worried they had been.
Sanji pushed through the crowd, eyes wide before pulling you out of Patty's arms and into his own. Tears finally stung your eyes as you wrapped your arms around his frame, breath hitching as he pressed a kiss to your temple, thanking whatever gods that existed that you were okay.
Then Zeff stole you from his apprentice, his bear hug twice as tight. "You're safe. You're home now," Zeff muttered, though whether to you or himself, you weren't sure. You didn't care, because he was right.
And that's when you broke down crying.
-*-
It was late when Sanji knocked on your door, opening it slightly despite not receiving an answer. "Hey, uh, I saw your light was still on, so I brought some hot chocolate."
"That sounds nice," You managed to mutter, your throat feeling tight despite having stopped crying hours ago. You were still sitting in the corner of the small room, back pressed against the wall for the sake of having some kind of stability to ground you.
Sanji opened the door all the way, careful with the tray of not only hot chocolate, but a plate full of treats as well. You had to admit, him taking a seat beside you on the floor without even hesitating eased the tightness in your frame more than the mug he placed in your hands.
Even when nothing was said for a long time, it was nice to not be alone. To have him beside you, grounding you more than being huddled against the wall ever could.
"I… can't say I know how you feel," Sanji started after a long moment. "Losing parents that loved you. But after the shit I've been through… I can say that things do start getting better again. It takes a while, but I promise it does."
You had heard, of course, of how Zeff and Sanji met - though you still had no idea about any of his life before that. Zeff wasn't his father - at least not biologically - so what happened for Sanji to part from his parents was a mystery.
However it happened, it didn't matter. You rested your head against his arm, hoping he understood what you were silently trying to convey.
Sanji moved, wrapping his arm around you and pulling you closer to his side. "And until then, you got me, Zeff, the whole crew, okay? You're not alone. You'll never be alone."
"Promise?" You whispered as you snuggled into his side.
Sanji pressed a long kiss to the top of your head, his hand rubbing your arm. "I swear it. No matter what, you got me sweetheart."
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i-am-minty-fresh · 5 months
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For the strawhat relationship thingy maybe luffy and robin??(platonically ofc)
she is kinda like a mother figure but i also think she works equally as well as just a friend
idk but i think theyre really silly and want to hear what you think as well
Okay I have the flu right now so this might not be as long as I want, but you’d be strained to call it short.
Robin and Luffy hold a special place in my heart for being the most explicit example of what being friends with Luffy can do to a Motherfucker. When Robin initially joins the crew she manipulates Luffy into taking responsibility for her, and manipulates everyone else on the crew using their abject flaws when facing an enemy (Sanji loves women, Usopp and Chopper are children who like having fun, and Nami likes money). She runs into an initial problem with getting on the good side of Zoro because Zoro believes in action above all else (like how he almost killed himself to prove Nami wasn’t bad in Arlong Park). As viewers we aren’t meant to trust Robin, and so we don't ...up until Skypeia.
Skypeia is the first time that she takes an action that would put herself in danger to protect the crew…she’s growing attached.
And who can blame her! Luffy’s heart isn’t a log pose it’s, an eternal pose meaning it doesn’t sway to unrelated distraction islands and is always accurate. He knows that Robin is a good person because she helped him not die of poisoning from Crocodile without any real reason. He’s never been afraid of her….
He’s never been afraid of her.
From Robin’s perspective this will wear off soon. She has lived her life as a dead woman, never belonging anywhere because she’s the devil’s child. She’s never been a person as much as face to throw darts at in every pirate bar and marine headquarters. She’s seeked after for either her knowledge or her power…Luffy wants neither.
Think about that. He doesn’t want either. Like what we saw with Sanji when he asked him to join his crew without (actually) seeing him fight or eating his food. Luffy wants good people on his crew and he’s not been wrong yet.
But at the same time, Luffy doesn’t dismiss either her strength or her knowledge. He understands her to be an absolute force of nature but doesn’t expect her to use that if she doesn’t want to. Luffy puts the crew's comfort above what they provide for him (which is the reason the Water 7 Usopp fight happens but that’s for another time), meaning she can kill everyone here if she wants but she can just sit in her chair and read her stories while Luffy takes care of it.
Before Enies Lobby, Robin might have assumed that Luffy underestimated her which is what her leaving was supposed to emphasize, ‘I’m too much work and I’m sorry you had to find that out now…we had fun and now it’s over’ she thought that once Luffy and Co. found out about CP9 and the buster call and her polyglyph knowledge they would take the easy way out by leaving her to die. They didn’t sign up to deal with an actual fugitive who was the sole survivor of a genocide, and she can pay them back for all that they’ve done for her by saving their lives one last time…
TOO BAD IT’S THE STRAWHAT CREW, BABY!
So they save her ass and teach her the meaning of friendship and what naught and now Robin’s in so deep she’s at like Zoro levels.
She’s crazy, she’s feral, she’s demented as fuck, and you know what she also is? A straw hat. Her crew loves her and respects her not just as a psychopath willing to break everyone’s spines nor as one of the few people in the world who can read the Road Polyglyphs necessary for Luffy to become King of the Pirates, but as another member of the spontaneous strawhat crew.
For Luffy specifically she does in fact act like a mother, but she’s like a perfect combination of mom’s that Luffy has had. Makino and Dadan. Dadan let Luffy run wild without bandaging his wounds because he doesn’t like being coddled like a child very well. Dadan’s all mama bear, violent and protective over what she has left of her cubs. Makino has that ‘normal’ mom vibe. Comfort and serenity. Someone to clap when Luffy does something cool and read to him when he’s all tuckered out. Neither of them taught Luffy the insane moral compass that he has, they only helped him grow along with it. With Dadan it was more about learning to leave the other guy bloodied and beaten, never let anyone mess with what’s yours. With Makino it was about compassion and believing people have good intentions, leaning on others whenever you need help.
Robin does both. She pets Luffy’s hair and indulges in his childish antics but she’s also raw power and protective strength. Luffy taught her to stop only using her powers for herself (more or less as a form of self-soothing, only focusing on herself as a defensive mechanism to keep herself safe) and so now she’s gonna use those powers for others. Her family. Luffy relies on her the same way he relies on any member of his crew, and in return he’s got an elite force of killing machines that will watch the world burn in order to protect him.
I don’t know if this made a lick of sense because I’m kinda drowsy and blinking in and out of consciousness but hopefully this explains everything! (I might re-read this later and re-write it when I’m not off my rocker).
Thanks for the ask!
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charmed-and-alarmed · 8 months
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EPISODE 7 - tangerine trees + marmalade skies (pending Sanji's approval)
Episode 6 right over here
Buggy's improv singing skills are unmatched
Sanji is weirdly confident in Nami's character despite only knowing her as a traitor who stole their map and tried to kill Luffy.
They really smoothed out Bellemere's character in the show, which is a disappointment. She's a very tough, abrasive woman who wants to build a family for herself - likely to make impulsive, dumb decisions (like taking in two kids she found on a battlefield) and I wish we saw more of that
Was Arlong Park always meant to be like a theme park? Bc it's quite an eff you to Buggy
I like that Nami was just predisposed to theft. She always saw it as the answer to her problems, even before the traumatic incident
The pinwheels are sweet but they're supposed to be the Genzo's thing. So now we miss out on a) Luffy's weird obsession with the pinwheel in a hat and b) the adorableness of the scene with Genzo and baby Nami
Changing it so neither Nojiko nor the Coco Villagers know about Nami's plan takes away from her character. It also takes away from the village, bc in the anime they knew Nami was sacrificing everything for them, so they played along to protect her. In general, they downplay how the villagers are always looking out for each other, which is important bc Nami at first appears to be the exception - a girl who only cares about herself - but it's revealed that she is just like them. It was always a community trying to help each other - trying to hide the girls bc they knew Bellemere couldn't pay, trying to get them out safe, etc
Zeff and Garp have more chemistry than is entirely necessary. Why do so many ppl in this show have such powerful divorce energy?? Zeff's wink? Like, what the hell guys
"you don't know women. They never say what they mean" <- Sanji, please stop.
Zoro cutting off Luffy's usual introduction with the lie about being pirate hunters, and Luffy going along with it?? That is a display of trust, right after Zoro's almost death, is so good.
Sanji's flirtatious nature and cooking ability gets the Strawhats a win in the form of intel from Nojiko. I'm glad he has this chance to demonstrate how his skill set fits in with the others, esp since his flirting is embarrassing bad still
I like that Zoro comes onto the roof to talk to Luffy like, "convince me I'm wrong. Nami says she wants nothing to do with us, she left us. I don't have your faith in ppl, so convince me that you believe in her so I can too"
Arlong taking offense at the marine dude's comment about being "smarter than ppl give you credit for" is clearly a tactic he uses often. Why am I not surprised?
Helmeppo is so offended when Koby implies that he and Luffy are similar lol
How does Zeff know Luffy is Garp's grandkid?? How is this common knowledge?
I love the comparisons between Luffy and Gold Roger. It's cheesy and obvious (esp in the anime) but I still really enjoy it
Nami is one of the smartest ppl in the show, esp in terms of street smarts, so the fact that she falls for Arlong's promise is just so much worse. It was the one bit of childish hope and navite she let herself have. It was her stupid dream - the kind she made fun of everyone else for having.
(I am having a moment of reckoning with Nami as a character. Sorry girl for being mean earlier)
Nami's moment with Luffy at the end is so beautiful. Luffy admitting he doesn't know what's going on, he doesn't know the whole story, but that he doesn't need to. He's just on her side. And then he puts his hat on her and we all cry with Nami. He goes and rounds up the other Strawhats, and they don't need an explanation either. Their captain calls, so they're on it
Season finale coming right up!
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poneglph · 10 months
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SHIPPING INFO //
ANSWER THE FOLLOWING FOR YOUR MUSE(S) SO PEOPLE KNOW HOW SHIPPING WORKS ON YOUR BLOG.
tagged by: taken from the dash
WHAT IS YOUR OTP FOR YOUR CHARACTER(S)?
enel: enel/wyper, enel/ohm
teach: teach/laffitte, teach/crocodile, teach/shanks
magellan: magellan/shiryu
arlong: arlong/jinbe, arlong/hachi
shiki: shiki/roger
judge: judge/caesar, judge/sora
perospero: peros/marco
kizaru: bors/sakazuki, bors/kuzan, bors/rayleigh
doflamingo: doffy/croc, doffy/vergo, doffy/kaido
HOW LARGE DOES THE AGE GAP HAVE TO BE TO MAKE IT UNCOMFORTABLE?
older than 25 the age gap doesn't matter. 18 - 25 can date anyone within that range. under than 18 i don't ship. but i personally am made uncomfortable with ships where one of the characters was already an adult and the other was a child when they first met. even if you don't ship them until the other is an adult , it still really makes me uncomfortable.
HOW FAR DO STEAMY MOMENTS HAVE TO GO BEFORE THEY ARE CONSIDERED NSFW?
as soon as i'm describing someone touching the dick that's nsfw to me.
ARE YOU SELECTIVE WHEN SHIPPING?
not really but kinda. as long as there's some chemistry there i'm down for shipping , but i only like to ship with one version of a character at a time bc i'm pretty invested in my ships with people. so while i will write with multiples of the same muse , i will only ship with one at a time.
WHO ARE OTHER CHARACTERS YOU SHIP YOUR CHARACTER WITH?
i'm always super down for shipping with ocs , some of my favorite ships that i write with my muses are with ocs. i also low key love to ship rarepairs if it isn't obvious enough bc idk i think it's fun to explore relationships that don't really have any content for them. i also am sometimes down for crossovers , they can be fun too.
DOES ONE HAVE TO ASK TO SHIP WITH YOU?
yeah but that's just bc i have a hard time knowing if someone actually wants to ship with me or if they're not interested. so usually i'll only imply shipping while staring at you with big autism eyes.
ARE YOU SHIP OBSESSED OR SHIP MORE-OR-LESS?
...................... you cops?
ARE YOU MULTISHIP?
not typically no , but if my ship partner has been off of their blog for a long time then i will often take on another ship partner of that same muse. but idk i still kinda feel bad about it.
WHAT IS YOUR FAVOURITE SHIP IN YOUR CURRENT FANDOM?
oof probably...... teach/laffitte & shiki/roger. i'm kinda obsessed with them and neither of them have any content :')
FINALLY, HOW DOES ONE SHIP WITH YOU?
you just gotta ask me. bc i probably am already down & i'm just too scared to ask you first. also if you're willing to write some weird rarepair with me , i'll love you forever.
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shantyslimes · 10 months
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The frustrating thing about being a One Piece fan is the whole notion of "I don't want to watch a show that takes 200 episodes to get good" like. Yeah. Neither would I. One Piece starts being good when Luffy jumps out the barrel and stops being good when you stop watching. It's just that we as fans are really bad at selling why we stayed with One Piece until its grip over us was so strong that we start complaining 1000 episodes just isn't long enough, so here's my helpful guide on how to convince your friends to try:
Step 1: don't push. Above all else remember, if you force someone to do something against their will, they'll be against it even if it's something they end up liking. Do you really want to taint the series for someone before they even start? Of course not. By all means, talk about it, say you think they'd like it, be excited, just don't force them to start it as well. If ever you're suggesting it, make sure it stays a suggestion, an invitation, and of they say no, accept that. You can still bring it up later, but because you're passionate and would love to see them enjoy it too.
Step 2: Avoid anything after Arlong Park. This sounds a little weird, but it's actually not to do with spoiler concerns! Because we've been with the series a while, it's easy to lose perspective on how long it takes to get to some stuff. I once saw someone try to persuade a friend by explaining Wano to them, a cool 850 chapters into the story. If that works, then yeah cool they're watching, but they just want to get to "the good stuff" you sold them on. Keep your sales pitches to the early content, how cool those early arcs are, because people usually make the choice to hard commit to One Piece around Arlong Park, so if they see the great moments there, then they can have fun with the whole new world of possibilities. If you're watching with them and they don't mind spoilers, point out some of the world details. "Oh that hypnotist, if you look during his flash back then you can see he hypnotized Axehand Morgan to make him think he's a hero!" Or "oh yeah Sanji still calls Zeff his dad like 700 episodes later even to his birth dad." Or just cry when they get the Going Merry that's usually pretty dramatic. That said, talking about your emotional reactions to later stuff is fine! Such as seeing the Merry and just saying "Not even kidding, they made me cry over that boat" because you did. We all did.
Step 3: Answer questions. If they ask you something, don't be afraid to answer! If someone's interested enough to ask (particularly if you're mid infodump) then that's something they want to know more of! Probably preface it with a "Do you mind spoilers?" But do answer it. If they say no, that's fine because they get more info. If they say yes, it's because they're thinking about watching.
Step 4: Know what your friends like. This is true of recommending anything, but if your friends have a particular taste, One Piece probably has something for them provided it's not hardcore horror or straight up porn. Simply put, everyone laughs, everyone cries, everyone has a favourite colour. Do they like cool guys fighting? Zoro uses three swords and the first time he does it he stops like 10 people in their tracks! Do they like a female character with depth and nuance? Just point out that Nami has good reasons for everything she does, and that her complex history is still relevant much later (namely in Fishman island but shhh). No matter the types of characters they like, there will eventually be a Strawhat they'd love. Speaking of which, don't spoil moments sure, but talk about future characters all you want. The 9 foot tall skeleton with an afro? Sure! The cyborg powered by cola? Why not!? Remember, sell a moment, and it eventually passes. Sell a character, and you're selling everything that character ever does.
Step 5: Just one shot. If your friend is on the fence, then hit them with the final big deal; just to the end of Arlong Park. You don't even have to go through everything, just start at Arlong Park as a taster. For some this is sacrilege, how dare you skip? Well it's like I said, the moment you know if you care is in Arlong Park, specifically Nami finally asking for help for most. Show your friend that full arc, up to Luffy defeating Arlong. This is where the other points come in, because naturally a tonne of questions will arise. "Why is Zoro beat up like that?" He fought the best swordsman in the world and nearly died! "Why does Usopp's nose so long?" He's a liar! "Why is Luffy so hellbent on helping this girl? She's so mean to him!" Because he decided she's his friend and she's too traumatised to trust people! Now, this is where an exception arises: if they ask something that's coming up, then maybe instead of a direct answer, try "Let's find out" or something similar. But if it's urgent that they need to know (such as for triggers or anything) just answer them immediately. Remember your friends boundaries and respect them. If they like the arc, then they now have a lot more stuff they've not seen so they can fully understand it, or keep going! If you do keep going though, remember to explain the important points they missed (namely Koby, how they got the Merry, the fight with Mihawk and Baratie). But remember, if they don't want to go back, let them continue. They're excited to keep going! Don't halt the momentum now, especially with all the good stuff coming up.
Anyway, good luck with the adventure, pals 🤘
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Characters analysis:
Monkey D. Luffy.
So, I think the main reason why I don't consider Luffy a heroe is because that would make complicated to justify his morally actions throught the whole series.
I think the heroes tag is an enourmos weight to someone who doesn't really care about saving lives of innocents if those lives are not his interest and that's what makes him a pirate.
I had seen heroes like Batman or Superman who actively doesn't kill and had moral codes but even if Luffy doesn't kill, he also doesn't give a fuck about not doing it.
He doesn't care if some marine die from his attacks or if his crew kills people(at least if those are people that he likes like whiskey peak) but if you realize, he is not horrify of the action itself.
Letting hundreds of dangerous criminals escape from a prision or actively being part of a plan to kill a pirate, these type of actions would make a problem to the part of being tag as a heroe.
I think what Luffy's morality is about being amoral in the most pure sentence.
He decided who to help and who doesn't and that's completely incredible.
If you realize, he only helped when he got involved by someone's else. He is not actively trying to help people because that's not his work and neither his duty.
He only wants freedom, so what happened is that his individual motivations aline with a biggest cause and benefit the rest in consequence.
Like the reason why he defeat Arlong wasn't because he cares for the village, but because he cares for Nami.
He help on Usopp's village for the same motive but for Usopp.
The baratie because his debt and Sanji.
Arabasta because of Vivi.
Skypea because his crew.
Thriller Bark because of Brook.
Gyojin island because of Jinbe.
Punk Hazard because of Law.
Same with Dressrosa but because of Rebecca (He even looked disgusted with the people in Dressrosa)
And finally Wano because a combination of a lot of factors(Law, minks, the alliance with the samurais, Otama and his own perception)
A heroe is supposed to be someone who actively is trying to help, but Luffy doesn't do that, Luffy does help but in a way that he only helps because a merely personal and individual motivation aside of the people's pain and I think it's fascinating.
Luffy can take an enemy in front of him as a host and blackmail and teased another enemy and no one would say any shit because he is a pirate after all.
He could actively punch and beat a vice warden that is only trying to protect people from criminals just because that person is on his way to complete his motivation and I don't even need to justify because he is a fucking pirate, ofc he doesn't give a shit.
Or he could just go and make alliance with other morally grey people without caring abput them being morally grey.
Luffy decide what to do due to his own perception and One Piece talk about perception all the time and how there's no such a "good" or "bad" side.
That's why we have one of the most iconic villians in OP presented in such a heroic way (Teach) and why he have morally grey admirals with different types of justices.
Luffy is in the middle point of this, judging and acting in order to his own will and motivation.
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nehswritesstuffs · 1 year
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Inherited Will, Destiny of the Age, Graveyard of Ambition and Dreams - Part 5
Sorry for sitting on this for so long. In other fic news, I should be getting together the final parts of stuff not-this soon, since I want to do another semi-rush for the year-end holidays. I mean, who doesn’t want to decompress with some fic?
Part 1 on [tumblr] - [FFN] - [AO3] 
Prior chapter on [tumblr] - [FFN] - [AO3]
Hoist the Colors; with Arlong out of the way, the Straw Hats decide to do some acquiring of things. [bad future!One Piece AU]
-_-_-_-_-_-_-
After finding the kitchens and making sure Rika had a snack and the beginnings of the main food prep had been started, Chabo and Kappa left their… neither were entirely certain what to call the pirates, but they left them in order to search the compound to check to see if there were any other Fish-Men straggling behind. When they were confident there wasn’t, they went into the inner sanctum and began to rifle through their former oppressors’ things, searching for anything that could be useful before any of them returned to claim them. Seemingly endless pieces of abandoned navigation equipment were getting wrapped up in paper and put into carryall bags, while varying maps, books, and cartography supplies were getting snatched as well.
“I’m still having trouble reconciling the cheerful woman with a straw hat as someone who now has two Bosses under her belt,” Chabo said idly. He picked up a book and casually flipped through it—nothing they needed. “She’s… something else.”
⌠⌠That’s an understatement if I’ve heard one,⌡⌡ Kappa scoffed. He was lining up a series of Eternal Poses on the table and comparing them with a sea chart, seeing which ones he wanted to take. ⌠⌠You saying anything I need to know…?⌡⌡
“Kakkun…”
⌠⌠You want her, go ahead; I don’t make moves on women whose sanity is liable to snap while she puppeteers my own suicide.⌡⌡
⌠⌠She just saved our home, ending what we’ve been trying to topple for most of our lives in a matter of minutes. Doesn’t that… unnerve you…?⌡⌡
⌠⌠It does, but I’m trying to be as logical as possible right now, because passion at this stage is liable to get us into trouble.⌡⌡ He switched languages as he made his decision, taking all but a couple of the Poses. “You’d think that they would take all this with them.”
“Chances are that they don’t need them as firmly as we do, or they have another cache somewhere else.”
Kappa shrugged at that and they kept rummaging about, knowing exactly what it was they needed. The sounds of shuffled papers and softly clinking glass was only broken when Grand Line native shivered at the sight of a photo.
“Oh, kalyv, I think I found her,” he said, voice quiet. Chabo looked at the other man, seeing that he was staring at a framed photo on the wall.
“Found who…?”
“Nami.”
Chabo abandoned the pile of maps to look at the photo. Sure enough, there was a picture of the Arlong Pirates from decades prior, all Fish-Men with exception of a sullen-looking Human girl with red hair. She couldn’t have been more than thirteen, her discomfort apparent to the two men.
“You know, I spent so much time thinking that she was a monster, that when I finally learned what she was doing with the Fish-Men, I cried for an entire night,” Chabo explained solemnly. “She tried to save up enough to buy Cocoyasi’s freedom, and when she didn’t return that one day, Arlong took her savings for himself and razed the village. She’d have to be almost forty now, if we ever find her. Uncle held out hope this entire time but I think all that’s left of her is these maps.”
“You know… you never told me how you and Genzo escaped.”
“Her sister,” Chabo tapped the portion of the photo with the child, “sent me to find Uncle. He was at their adoptive mother’s grave. I think he had been in love with her at one point. It’s the one on the cliff, where the Fish-Men never went. By the time we returned, everyone was dead.”
“Then let’s find everything we can and make sure none of that was in vain,” Kappa nodded. He and Chabo continued to gather up papers and charts, filling a couple large bags with things they deemed necessary to sail to and on the Grand Line, along with the little bit of money that was left behind in the Fish-Men’s mad scramble to leave. They then went back down to the kitchen, where Rika and Ninjin were already devouring a large meal, much to Tamanegi and Piiman’s horror.
“Good, you’re back,” Tamanegi noticed. “Did you find what you need?”
“We did,” Kappa said. He held up what looked like a bulbous wristwatch, which contained a fidgety compass inside instead of a timepiece. “This is a Log Pose—we’ll need this in order to sail the Grand Line.”
“Why’s that?” Rika asked, mouth full of food. The others tried not to think of how scary she had been just earlier in the day, with the way she dispatched Arlong easily.
“Each island has a unique magnetic field; when traveling, you have to sail to whichever island the Log Pose picks up next, then wait for it to reset. It takes anywhere from a couple hours to a couple years, which make these necessary as well.” He took what appeared to be another twitchy compass in a single-bulbed hourglass out of his bag and set it on the table. Rika picked it up and examined it—the words ST. POPLAR was engraved on the wood. “This is an Eternal Pose, or: a work-around to the Log Pose’s reset system. To get off some islands in a timely manner, you need these. There were dozens of them in the offices.”
“That’s it…?” Rika questioned, raising an eyebrow. Kappa scoffed.
“Have any of the rest of you been on the Grand Line?” No one else moved. “It’s a place with crazy weather and an even crazier time navigating. We need to go and find the best ship we can here and then take it to a place where we can get a decent one, Grand Line capable. Only then can we go gallivanting around as you please.”
“Where do you suppose we do that?” Tamanegi asked.
“I have some ideas, but considering it’s been over fifteen years, I’d need to do some digging first before I decide on a course and destination.” He stared at the food on the table and his mouth began to water, tempted to sit down and start eating his fill. “I… am going to tell Genzo that we’re safe and start getting word out to the rest of the Resistance.”
“We’ll stay here, Kakkun, and see what the Fish-Men have left us in terms of usable boats,” Chabo said.
“Remember: something that can at least make it to Logue Town, possibly even part of the Grand Line,” he warned. “Save some food for me, alright?”
The rest of them were in agreement—it was the least they could do, after all.
-_-_-_-_-_-_-
It was a long time before Kappa returned to Arlong Park, with the sun having almost set by the time he made it back. The others were already attempting to make dinner, though it didn’t mean that he was going to get by unnoticed.
“Kappa! I’m making my special onigiri!” Rika cheered as she saw him walk past the kitchen. He didn’t stop, instead keeping his head down and continuing on down the corridor. “Huh… do you think he heard me?”
“He might be headed towards the docks,” Piiman frowned. “The compound is a good shortcut.”
“Then I’ll go see what’s wrong,” Chabo said.
He put down the rice he was balling and followed Kappa outside. He eventually found the other man by the harbor, sitting on one of the docks with his legs dangling over the side. There weren’t many ships that had been left behind, but the way he was positioned, he was looking across the wharf at a potential craft to get to the Grand Line.
“Hey,” he said. Kappa did not move, allowing Chabo to sit down next to him, their bodies barely making contact. “Did it… did it happen…?”
“I got there and he was already cold,” Kappa admitted. A long silence passed, with crickets chirping and frogs croaking. “I didn’t think it would feel like this.”
“He raised us.”
“We’re not brothers, or cousins…”
“He made sure we were taken care of, so in a weird way, yeah, he raised us. People feel sad when the people who raise them pass away.” Tears began to form in Chabo’s eyes, threatening to develop into an out-right sob. “He didn’t even get to see Cocoyasi again…”
“Come here.” Kappa put his arm around the other man’s shoulders and let him lean into his side, resting his head against Chabo’s as the tears began to flow. There was nothing left for him to cry, Kappa knew, as he already got it all out on the walk back.
⌠⌠It’s not fair…⌡⌡
⌠⌠Of course it’s not, but we know that.⌡⌡
⌠⌠I don’t want to be the only one left… not again…⌡⌡
⌠⌠Then come with us.⌡⌡ Chabo pushed away gently, his eyes still glassy with tears. “I am going to need all the fucking sanity I can get, and if Rika is as insane as I think she is, I’m also going to need backup in case she goes off the deep end.”
“I thought a captain has to invite crew members, and although she’s been nice, she hasn’t said a word about me…”
“I’ll just make it a term of my joining.” He chuckled softly, shaking his head. “You’re dumber than a lone traveler in the desert, but I’m not going to abandon you.”
They stayed quiet for a while, simply staring at the wharf ahead.
“Kakkun…?”
“Kalyv…?”
Chabo paused and, decided on something else to say. “I really hope Terragram is out there somewhere for you. Do you think he’s still alive?”
“I’m certain of it.”
-_-_-_-_-_-_-
It took a couple days to convince the other members of the Conomi Resistance to head over to Cocoyasi, but when they did, there was much for them to catch up on. There was a large party to celebrate the ousting of their former oppressors, with plenty of food and drink and toasts towards the Straw Hat Pirates. It lasted for an entire week. Not many could remember the entire thing, if they were being honest, and they didn’t mind—the Fish-Men were gone and that was what mattered.
The pirates stayed in-port long enough for Chabo and Kappa to erect a proper memorial to the man who took them in, right next to the one for the woman he had reminisced about so much, before gathering enough supplies to last them until the next populated island. Over a month had passed since the Straw Hat Pirates had climbed ashore, and it seemed as though they were leaving with heavy hearts. The residents of the Conomi Islands were both ready to see the end of the era of pirates in their midst, but didn’t necessarily want to get rid of these particular pirates.
“What is the flag you fly?” the new mayor of Cocoyasi asked. She tilted her head as she watched the entire crew look at Rika, who chuckled awkwardly. They were all at the wharf as the pirates were finishing loading their ship for their journey in the morning.
“Here’s the thing—I don’t have one yet,” she admitted. The mayor shook her head.
“That won’t do,” she claimed. “We want to know what we can fly, so that we can properly be under your protection. Do any of you have a steady hand?”
“I do,” Tamanegi offered. He and Rika were led away by the mayor, leaving the rest of the crew to continue loading the ship.
“Why do I get a bad feeling about this?” Kappa frowned. He picked up a small crate and carried it up the gangplank, setting it in front of Piiman and Chabo, who were lowering the supplies into the inner hold for Ninjin to sort and put away.
“It could be worse,” Piiman shrugged. “One of them could be a teenager with horrid penmanship. Even if Rika’s shit at drawing, at least there’s not much Tam will let fly before taking over.”
“That’s less assuring than it needs to be.”
“Kakkun, be nice,” Chabo teased. He then looked down the hatch, seeing Ninjin shoving a crate off to the side. “How much room we got left?”
“Enough,” he replied. He then popped his head up above deck, looking about. “Yeah, we can fit that.”
“The big question is though: how much of this will actually make it to the Grand Line and what won’t?” Kappa said. “It’s been too long.”
“Don’t worry; you’ve got this,” Ninjin grinned. He then noticed Rika and Tamanegi running back to the ship, a large black cloth carried between them. “That’s fast!”
“Yeah! You’re gonna love this!” Rika shouted.
“It was pretty easy once we got going,” Tamanegi added. The men watched as Rika climbed up the mast with a rope in-hand, which she used to pull up the cloth once she got high enough to use the yardam as leverage. She brought it with her into the crow’s nest and strung it up, letting the fabric unfurl in the wind.
There it was: a grinning skull and crossbones wearing pigtails and a straw hat, just like her.
“How’s that?!” she shouted down, her smile brighter than the sun.
It was nothing less than perfect.
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Rambling about how Ace developed as a character throughout the story
From what I can tell by looking at the text, Oda probably got the idea for Ace while writing Arlong Park. There we meet Nojiko, Nami's cool older adopted sister. Her primary role in the story is providing a safe place for Nami to vent her feelings and looking after Nami's well-being but you can see shadows of what will become Ace's defining characterization when he's introduced in Alabasta. Namely that she is more responsible and mature than Nami, valuing her family in spite of their poverty and lack of blood ties (unlike Nami) and being willing to throw away her own happiness for Belemere's sake, there's a few lines that suggest she was an even better thief than Nami back in the day (Though Nami's clearly had more... field experience) and of course... she is shot in front of Nami. Not fatally, of course, but it was a real scare.
Towards the end of the arc, Luffy stumbles on Gen at Belemere's grave and tries to offer his condolences (which he does in an unusually formal and polite way for him) but doesn't quite stick the landing. I posit this is where Oda got the idea of Ace's running gag of speaking politely but acting quite rude.
By the time Ace is properly introduced into the story I'm sure Oda already had Ace-the-plot-device figured out but Ace-the-character is a different matter entirely. Of course, Oda, knowing Ace would die and that he needed Ace to be as likeable as possible, did his damndest to sell Ace as a picture-perfect responsible older brother while still having his behavior resemble Luffy's enough you believe they're brothers. But outside of that his character is just there to build hype for future characters and events. Half the reason Ace leaves so soon after being introduced is to give Oda more time to figure him out.
I do think, however, that he'd already figured Ace and Luffy would have to be adopted brothers. He knew he'd eventually have to find a reason for Ace's absence during Luffy's OG backstory. Saying this picture-perfect older brother just ignored the crises with the mountain bandits wouldn't do. Having Ace and Luffy be adopted siblings rather than biological allowed him more room to maneuver. Maybe Ace had reservations about Luffy and/or Shanks and didn't want to hang out with them. Maybe, like Nami, he didn't value his adopted family until a little mortal peril straightened out his priorities. Maybe he just wasn't in Luffy's life yet.
(Which... if I could... did Garp really arrange for two separate child-care systems for his two separate-but-equal grandsons who lived on the same island and take YEARS to think of raising them together?? This man should never been entrusted with children.)
It also meant Ace could have his own life and struggles independent of Luffy. Oda would have the room to design a complex character that didn't have to revolve around his more-plot-relevant brother. Which is something many authors struggle with. Making supporting characters feel like they have their own lives and stories outside of how they affect the main narrative.
But... Oda also hedges his bets in places. Ace is designed, both in appearance and behavior, to resemble Luffy up to a point. Ace's appearance is more angular and thus reads more masculine. But he still has Luffy's messy black hair, his wide comfortable shorts, and that iconic hat. (Which, looking back, the genius of having them only share one genetic trait and it's one they both share with fucking Roger is so fucking good Oda oh my god!) They have different last names but they both have that middle D. Which we've just learned is something to pay attention to. And, of course, neither of them mention any details about their family or childhoods because Oda hasn't made a decision yet one way or the other.
I don't think Oda had the idea of Ace being Roger's son until after he'd finished Enies Lobby. The reason being that all throughout Enies Lobby Oda seems to be leaning more towards Ace and Luffy actually being biological brothers. Luffy uses Ace's gags a few times throughout the arc, mainly when he's unreasonably polite to some guards before resorting to violence with them and then when he and Garp both fall asleep in the middle of an argument. Giving the impression that all three are related and thus would share traits. (Luffy does this at no other point btw) The D. initial is revealed to be such a familial trait (and with as rare as we know it to be what are the odds of two unrelated D.'s being adopted into the same family) And with Garp introduced as the patriarch of the family, we now have a much clearer understanding of Luffy's family dynamics and upbringing. We as the audience feel that we have an explanation for why these characters are the way that they are. Their grandfather is a living legend and also an eccentric who uses extreme means to make his grandsons into strong marines but their father left when Luffy was a baby, causing the older brother to feel more protective and responsible towards him. Where was Ace when the shit with the mountain bandits went down? Idk Garp probably chucked him off a cliff or sent him to military school or something.
But Enies Lobby is also definitely where Oda plants the seeds that will become Ace is Roger's son. Through Robin we see how terrifying it is to be on the wrong side of the World Government, especially as an under-prepared child. To be told your existence is a sin regardless of your actions or intentions. And the toll that persecution takes on one's mental health, ability to trust in others, and even the desire to live at all. Through Tom we see that this is a world where any connection to criminals, no matter how minor or how innocent you yourself may be, can be quite damning and have disasterous consequences.
Also towards the end of Enies Lobby we get our first proper introduction to Whitebeard. And I know Whitebeard was technically introduced before this all the way back in Jaya but, like Ace, he was introduced before Oda really knew the details of his character beyond the broad strokes. That scene is pretty-standard hype-building. This is when we get our first looks at what sets Whitebeard apart as a character and a pirate. Namely the paternal bond he shares with his crew, including Ace. Which wasn't really mentioned up until now. Ace is certainly happy with Whitebeard but during the early parts of the story he refers to him as his "boss" not "Oyaji". Now there are two possibilities here. Either Whitebeard's focus on being a father to his crew was a reaction to Ace's daddy issues or Ace's daddy issues were a reaction to Whitebeard's focus on being a father to his crew. These two were always going to be the most prominent in the story and thus their relationship would need to be emotionally compelling. So I'm sure one grew out of the other. However Oda deciding Ace would have daddy issues dosen't mean his daddy is yet. And I'm sure Oda could've found plenty of reasons for Ace to be mad with Dragon if he'd gone that path.
And so it would seem at some point during Thriller Bark or Sabody or maybe even Amazon Lily Oda decided to make Ace the ultimate combination of all the elements explored in Enies Lobby by making him Roger's son. Probably abandoning some other backstory for him he'd started planning and laying down the foundation for. And the rest is history.
Also for what it's worth I have no goddamn idea when he came up with Sabo.
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yukipri · 4 years
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One Piece Mermaid AU!
Featuring Luffy as a rubber mermaid who can’t swim, and Ace who carries her on his back as they pirate together.
*Genderbend warning, fem!Luffy
Sliding in last minute for MerMay, bc idk about you, but I need something to mark that May has passed this year...
~~
PLEASE DO NOT REPOST, EDIT, TRANSLATE, OR OTHERWISE USE MY ART. To share, please reblog! Reblogs and comments greatly appreciated!!!
~~
Base headcanons for this AU beneath the cut! ↓ ↓ ↓
Luffy's a mermaid who was raised in Fuusha village, just like in canon. And, just like in canon, despite being a mermaid, she SUCKS at swimming, a fact that Shanks finds absolutely hilarious. She still wants to become a pirate, she still eats her devil fruit and becomes a rubber mer(?), she still gets kidnapped by Higuma (who sees her as an excellent way to rake in cash, given how valuable mermaids are on the slave market), and Shanks still gives her his hat.
As a devil fruit user, Luffy's already atrocious swimming skills are now at zero. She can still breathe under water, but will sink like a stone, her strength sapped by the sea, and if she loses consciousness she'll stop breathing too. Needless to say, she stays out of the water, and the villagers come to accept that sometimes, mermaids just live on land.
Garp still comes back, and is still furious at her wanting to become a pirate (and inwardly, extremely concerned that a bandit tried to catch and sell her), and still takes her to live at Dadan's where she meets Ace.
Ace has no idea what to think of the weird fish-brat who he's now told is gonna be his sibling, and resolutely ignores Luffy. He's inwardly slightly impressed as Luffy continues to follow him through the mountain every day, not even particularly hindered by lack of legs and using a mixture of crawling, squirming, hand-walking, and ricocheting forward with rubber arms to move.
Luffy still meets Sabo the same way as canon, and is still caught by Porchemy, who at first is thrilled because a mer brat! That'll bring in WAY more money than the spare change Ace stole! But in the end, he loses his temper at Luffy's stubbornness and still beats her to a pulp.
Ace and Sabo still rescue Luffy, and they still exchange sake cups and become brothers.
Yes, brothers.
Because at this point, neither Ace nor Sabo nor any of the bandits, nor anyone really on Dawn island save Makino and Garp actually know that Luffy's a girl. Not even Luffy.
The three brothers promise to each other that they'll all leave the island when they turn seventeen, setting out to sea to become pirates (Ace and Sabo are honestly a little concerned, given how often people try to sell Luffy, and how despite aquatic appearances Luffy's vulnerable af in water, but decide to wait and see. They have seven years together, Luffy ten until seventeen, who knows how much stronger their baby brother will get in that time).
Sabo "dies."
Ace and Luffy continue to train, and things don't change until Ace is seventeen, shortly before he sets out to sea.
He's let Luffy crawl into his blanket to sleep with him (partially cold-blooded, Lu gets cold easily when inactive), and Ace realizes that his lil brother's chest feels a bit lumpy.
Concerned, he makes Luffy have it checked out by the bandits, who are shocked to find developing...breasts?
That can't be right...right?
Dadan makes a call to Garp, who snorts and says of COURSE Luffy's a girl, didn't he say granddaughter?
No, he had not, he had only mentioned "grand child."
Everyone is shocked, but none more so than Ace, who really doesn't know what to do with this new information.
(Luffy's not quite sure what a "girl" is, and when she asks Ace, Ace honestly doesn't know how to define "girl" either, so she doesn't get what the big deal is)
Ace realizes he's troubled because he can't remember the number of times he's rescued Luffy from potential traffickers, and the number of times he's heard the lament, "Pity it's not female, it'd be worth quadruple," from the kidnappers before he beats them to a pulp.
He already had doubts about letting Luffy go out to sea alone, three years after he's left. But now knowing that Luffy's a girl, and one of the most sought-after species that traffickers target...he knows the world out there is much bigger than a teeny peaceful East Blue island, and Luffy may not get lucky every time, and may not be strong enough in just three years.
But at the same time, it's not like he can order her to stay here. There's no way Luffy'd listen; the sea calls to her, freedom calls to her, and Ace understands that more than anyone.
Sabo, Ace thinks, what would you do?
The night before he leaves, Ace tells Luffy that there's been a change of plans.
He's still leaving for sea. He's going to get stronger, and work his way towards becoming Pirate King.
BUT, three years later, Luffy will NOT leave Dawn Island alone.
Ace promises that he'll come back, a stronger pirate capable of looking out for his baby brother (because girl or not, they exchanged vows of brotherhood, and that's something that can't be changed).
He refuses to let Luffy be his captain, he's still got his pride, but maybe, maybe if Luffy becomes strong enough, he'll let her be co-Captain.
Luffy is thrilled, because she wanted to be pirates WITH Ace, and grudgingly accepts the compromise, and promises to train and wait for Ace's return.
Ace leaves Dawn island, and makes a name for himself on the Grand Line (he's PISSED when he finds out he's eaten a devil fruit, because now how's he supposed to rescue Lu from drowning when he can't swim himself???).
He even eventually makes it to Whitebeard, and eventually comes to admire the man. Whitebeard invites him to his crew, and Ace honestly replies that a large part of him wants to accept...but he can't. He promised his baby brother that they'll be pirates and co-captains together, and he can't join another pirate crew without Luffy agreeing too. Even so, and he knows it's selfish of him, he wants to call Whitebeard his father.
Whitebeard tells him that Ace is already his son, regardless of where his allegiances lie, and gives him his blessing to return to East Blue to fetch Luffy. Whitebeard laughs that he can't wait to meet the lil brat that Ace speaks so highly of, and for Ace to hurry up and come back to the New World so they can meet.
Ace plans on traveling light, his former crew all choosing to join the Whitebeard pirates except for his first mate, Deuce. Ace loves his crew, but they're also his crew, and knows that he wants to make their crew with Luffy. So he thinks he and Deuce will be a good starting point (You're just bringing me along bc you want someone who can swim on the crew, Deuce accuses).
As they're planning on leaving, Marco lets slip to fellow commander Thatch that he heard that Ace's "little brother" is actually a super cute girl.
The next morning, Thatch shows up too, insisting that he come along, because hey! He's been with the Whitebeards for ages and hasn't been to Paradise in a while, he wants some change! And won't it be nice to have someone as reliable as him along, just until they get back to the New World and reunite with the Whitebeards? Really he has no ulterior motives like wanting to check out Ace's supposedly hyper hot baby brother-sister!
Ace is suspicious, but Thatch is already on board and the other Whitebeards are already waving so he lets it go.
(Shortly after they leave, Thatch discovers a devil fruit. Deuce tells him to sell the damn thing, it'll taste like shit, but Thatch thinks boy wouldn't it be great to be able to woo Ace's hot brother with a really cool devil fruit power. So he eats it, and yeah it tastes like shit, but now he can control Darkness which is sorta badass?)
(Somewhere on the Whitebeard ships, Blackbeard is still waiting for someone to find the darkness devil fruit, and well, it doesn't happen)
Before Ace returns to Dawn Island, part of him still hopes that Luffy looks passably like a guy. Having been to Fishman island, having befriended Jinbe, he knows that while mermen can still be targeted, mermaids are exponentially more vulnerable. He's learned the kinds of clothing that can help conceal tails, and is hoping that there's a slim chance they might be able to be pirates without the world knowing that Lu's a mermaid.
His hopes are shot when Luffy rockets into his arms at the dock, and his face is immediately buried in enormous tits that definitely weren't there three years ago.
Despite Ace's growing concerns (and red face; why does he feel so hot??? It's not his devil fruit...), Ace lets Luffy give Deuce a beating (why me?!) to claim her position as Ace's Co-Captain of the newly established ASL pirates (because if we're pirates together, Sabo has to be with us too!).
Luffy's gotten a lot stronger, but is still utterly ignorant of the outside world and the dangers it holds (such as the drooling Thatch who immediately wins Luffy over with his cooking despite Ace's burning glares). She's reckless and falls into the ocean every damn day, and while Deuce dives in after her and they've discovered her useful ability to talk to fish to ask for help, it still gives Ace heart attacks.
They still pick up more crew members while in East Blue, including Roronoa Zoro, Usopp, and Sanji, a pervy cook who competes daily with Thatch for Luffy's affections through food (Luffy appreciates the food).
At Arlong Park, Luffy encounters fishmen for the first time in her life. Arlong mocks Luffy's choice of friends and family, and invites her to join his crew made of her own kind. Fishmen and mer are the superior race, and Luffy will make a fine wife, Arlong says.
Luffy breaks his nose off, and Nami joins their crew.
Luffy's chosen mode of transportation is on the back of one of her sturdier crew mates, usually Ace, but often Zoro too. She unfortunately hates all the long skirts/robes Ace suggested for her to hide her tail, and so Ace has decided that being as intimidating as possible while carrying his brother glued to his back is the only way to go.
Needless to say, news of the former Spade Pirates Captain + Whitebeard Commander Thatch (are they an extension of the Whitebeards??) establishing the new ASL pirates spreads fast. That, and rumors that there's a beautiful young mermaid on board who can't swim. And despite the strength of the crew and their attempts at vigilance, Luffy's still dumb and gullible, and is kidnapped (and rescued) a dozen times before they're even on the Grand Line.
(after a few times, Luffy's uncharacteristically quiet, and privately asks Ace if they can break up the crew. She's holding Ace back; she not only made him come back to her, but half their adventures just seem to be her crew rescuing her. She's strong enough to defeat enemies, but not save herself. Ace tells her to shut up, and never bring this up again; they're BROTHERS, and he's not going to leave her behind or make her abandon her dreams when she can't accomplish them alone, and that's his choice. Luffy doesn't bring it up again, but works harder than ever to become stronger and earn recognition as co-Captain when the world seems intent on thinking of her as Ace's pet.)
During one of these kidnappings, Luffy's successfully brought all the way to an auction house before her crew can rescue her. An auction house that unbeknownst to them, was under investigation by the Revolutionary Army.
Liberating slaves is an unfortunately common mission for them, and Sabo's doing final sweeps as Koala frees the last of them when he notices a tank stowed away in a corner. He's familiar with these tanks, used to showcase mermaids in the rare occasions one can be caught, and it looks empty but he's still drawn to it for some reason.
It's only when he gets closer that he notices a mermaid crumpled at the bottom of the enclosure. She's completely slumped over, and he's afraid she's already gone, even as something about her screams with familiarity.
He's cracked the tank and has reached in to pull her out, when the wall behind him explodes in flames, revealing a furious Ace who snarls at the strange man with his hands on his baby brother...
...and then Sabo's memories come back.
~~
Something like that???? For an initial HCs dump????
This AU has continued! A LOT! Check out the comics, illustrations, and text stories for this AU under the Mermaid AU section of my One Piece Masterpost!
As always, REBLOGS, tags, asks, and comments greatly appreciated!
Advance posts for this AU and more are on my Patreon! (Patreon(.)com/YukiPri)
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kaizokuou-ni-naru · 3 years
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The Voyage So Far: Paramount War (Part One)
east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)
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the introduction of the celestial dragons really is just so brutally effective. this is the first time we see them, and before they even show up on page they immediately establish themselves as both absolutely powerful and absolutely despicable. everyone is watching them commit atrocities in broad daylight, and nobody dares say a word. 
i mentioned it back in the enies lobby post, i think, with spandam, but oda is very, very good at creating villains who it just feels so good and so deeply satisfying to see them get annihilated, and the celestial dragons are maybe the crowning example of it. 
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i really like how none of the strawhats are really intimidated or impressed at all by the celestial dragons, in sharp contrast to how everyone else responds to them. some of that is ignorance, but you can’t tell me zoro would have acted any differently in this scene had he known charloss was a member of the world’s ruling class. all the power the celestial dragons have comes from fear; of course their greatest weakness is someone who just doesn’t care. 
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obviously this moment is just excellent, no qualifiers needed, but one thing i really love about it is how all the bad shit that results from this does not detract from the sheer satisfaction of what happens at the auction house at all. like, even though this leads directly to the strawhats getting crushed by the pacifista and kizaru and scattered by kuma, i’ve never once caught myself thinking luffy shouldn’t have done this. 
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i’m a huge fan of how rayleigh introduces himself. he knocks out the whole action house with conqueror’s haki, but luffy is completely unaffected, and the two of them just watch each other down the aisle for a moment as everyone else collapses around them. 
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i don’t know that i’ll ever get over the fact that oda created and designed the supernovas as he was writing sabaody. they’re all such distinct and memorable characters, and almost all of them have fit neatly into the post-timeskip story one way or another. they really feel like a part of the world that was always meant to be there. 
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i think the way roger as a character is handled is very, very cool, because we don’t really meet him as a person- when we first learn of him, on the very first page, he’s a myth, a story, a framing device. which is fitting, because that’s all the characters know him as. the rest of the world doesn’t know what roger was like as a person or why he did what he did, and so neither do our main characters and neither do we. 
and then we learn, slowly, by following in roger’s steps and meeting the characters who did know him, like rayleigh and whitebeard and garp. and through their testimony and memories, over the course of the story, roger goes from being a faceless myth to being a proper character.
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i think this panel, where luffy says he just wants to be the freest person on the seas, might be my favorite luffy panel. if nothing else, it’s definitely one of the ones i think about the most in terms of his characterization. luffy’s been defining himself by his dream since the very start of the story- he’s the man who’s going to be king of the pirates! but it’s only here that we learn what that goal actually means to him, and what he actually really wants. he just wants to be free. 
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the tone shift of sabaody really is impeccable. because up until a certain point, everything seems pretty par for the course. the strawhats make some new friends, get into trouble for their sakes, get into a hard fight where they all have to work together but eventually scrape out a win. 
but then kizaru shows up, and another pacifista, and kuma himself, and for the first time in the story luffy says this is a fight they can’t win- 
and then zoro disappears, and all of the audience’s expectations for how this is going to play out get thrown completely out the window. 
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it’s not that we haven’t seen luffy upset before this- his fight with usopp in water 7 and merry’s funeral are the two obvious examples that come to mind- but we’ve never, to this point, seen him as crushed as he is at the end of sabaody. it really drives the abrupt tone shift of sabaody home, because we’re used to seeing luffy be generally cheerful, and if not that, at stubbornly determined to power through. but here, he’s just wrecked- and the paramount war saga is just getting started. 
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every time i see hancock i’m reminded what a lesbian i am.
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i’m talking a lot about character introductions this post, but a lot of really good characters get introduced in the first half of this saga, from the supernovas to rayleigh to jinbe. on that note, i really like hancock’s introduction, for reasons similar to what i said about roger earlier. she’s introduced as a cartoonishly evil one-dimensional bitch, and she leans hard into that characterization for the first half or so of amazon lily.
and then luffy narrowly keeps her and her sisters’ worst fear from being realized, and her facade starts to slip, and we get to know her as- still kind of a bitch, but also a deeply traumatized person who has very valid reasons for being the way she is, and someone who is overall a lot more complicated than she appears at first glance. 
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one of my favorite things about luffy is his ability to always, always defy expectations. hancock is dead certain he’ll take her offer of a ship and abandon marguerite and the others, but he doesn’t even hesitate before doing the exact opposite. luffy is always turning people’s worlds upside down.
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i have a friend who coined the term “conflict of interest arc” to refer to the arcs where a crewmate is forced to choose between the crew and some obligation or baggage from their past- arlong park for nami, whole cake island for sanji, etc. 
marineford is luffy’s conflict of interest arc- he has to make the choice, here, to prioritize saving ace over reuniting with his crew. where it differs from all other such arcs, then, is that nobody else can come to back him up. he’s well and truly on his own. 
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i love how thoroughly expectations get turned on their head with jinbe. for the longest time, all we know about him is that he’s a shichibukai and arlong’s former captain, so given what arlong was like and what the shichibukai encountered thus far have been like, it’s a fair guess to assume he’s pretty awful.
and then we meet him, and he’s ace’s friend, sitting bloody and beaten in the deepest dungeons of impel down for refusing to fight in an unjust war.
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bon-chan is really one of the greatest examples of one piece’s stubborn refusal to treat any character as disposable, and oda’s endless ability to find new and interesting ways to fit them into the story. in pretty much any other manga, it would be all but guaranteed that we wouldn’t see a character like bon-chan again after the conclusion of the alabasta saga. here, luffy straight up would not have made it to marineford without him. this is true for mr. 3 too- who would’ve thought his ability to duplicate keys out of wax, established and promptly forgotten some three hundred chapters ago, would be the thing that let luffy free ace on the scaffold?
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magellan is a good antagonist. i’m not saying i like him- i don’t particularly- but he’s a great antagonist for a couple reasons, and one of them is that his powers are terrifying. magellan is essentially what might be called in video game terminology an advancing wall of doom- the only viable strategy for dealing with him is to run.
i had more i wanted to say here but it literally kept turning into a rant about one piece’s take on morality no matter how many times i tried to keep it short, so i’ll settle for just saying that magellan is an antagonist but not a villain and i think that’s interesting. 
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the absolutely ridiculous, eclectic mix of people that luffy winds up gathering to escape impel down is possibly my favorite part of the whole arc. i just think it’s so fun and so characteristic of him that even when separated from his crew, he winds up attracting the weirdest, most powerful bunch of people around to break out of prison with. 
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the relationship between luffy and blackbeard is a really interesting one. it’s been plenty clear for some time that blackbeard is almost certainly going to be luffy’s final opponent to become pirate king, and yet they’ve been mostly running on parallel paths through the world, only occasionally coinciding (such as here and in jaya) and generally seeming pretty unconcerned with each other. it’s a really cool way to handle the built to an eventual showdown, and i really like it. 
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this is one of my favorite spreads just for sheer smile factor. i love it so much. i think we should get to see jinbe’s whale shark buddies more often, it’s a crime we haven’t seen them since this. 
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fgodump · 4 years
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Connections to “The Poppy War”
The setting and characters to The Poppy War has derived a lot of inspiration from historical events and myths alike. This is meant to discuss which characters have a relation to those preexisting. Of course, you do not need to know this information to enjoy the books, but I think knowing them will elevate your reading experience. None of this information is official. This is just the conclusions I came to while reading. Feel free to make comments
MAJOR MAJOR SPOILERS FOR ALL BOOKS
Locations
Nikara: Qing Dynasty. 
Mugen: Japan (Meiji Period)
Hesperia: Britain
The Hinterlands: Mongolia (unsure)
Murui: Yellow River
Tianshan: Kunlun
The different provinces were based off the Chinese Zodiac
The Poppy Wars: the Opium wars, as they have the heavy involvement of foreign invaders
Fang Runin: Rin’s character does not seem to take from a specific person, however the wiki stats that she was inspired by multiple people, such as Azula from ATLA and Mao Zedong
Chen Kitay: It's pretty obvious his character is inspired by Zhuge Liang in Romance of the Three kingdoms. In actual history, he wasn't that much, but in the book, Zhuge was a monster at strategy. 
In the first book, Irjah proposes a question, which Kitay replies “to bait the enemy into giving them arrows by rolling out a boat of strawmen”. This is something that Zhuge did as well.
Sring Venka: Honestly I'm blanking on Venka. I think perhaps Venka isnt supposed to represent a character at all, but instead all the comfort women and victims of the Rape of Nanking, based on what happened to her during Golyn niis. 
Yang Souji: He and his group the “Iron Wolves” remind me so much of the Shinsengumi. He even shares a name with Okita Souji, the captain of the first unit. 
The Shinsungumi were also nicknamed “The wolves of Mibu”
I know the glaring problem with this is that the Shisungumi are Japanese, and should have been Mugini in this book, but I think these parallels are pretty cool in any case.
Chiang Moag- Ching Shih. Woah, as soon as I heard Lady Pirate, it was undeniable who Moag is. Ching Shih, the most famous pirate in China perhaps, and she was a woman.
Their backstories share similarities too. Ching shih was a prostitute, just like rumors around Moag. 
The Cike: During the Zhou Dynasty, Wu Zetian (China’s only female emperor) had a secret police force that assassinated everyone she needed. This sounds incredibly similar to the way Daji used the Cike. 
Altan Trengsin: I believe that Altan is like Rin; either an amalgamation of many characters or simply someone Kuang made for the sake of the story.
Ramsa: I believe him to be Nikara’s representation of the creation of fireworks. Not based off a person, but instead one of the Four great inventions of China. Or maybe I’m looking too far into it lol, since he doesn't strike me as being inspired from a myth, since he is not a shaman
Baji: Zhu Bajie of Journey to the West. Based on his description and his name, I had him guessed before they even said anything about pig.
His weapon is even the same as Bajie’s, a nine-toothed rake. 
He also shares his desires, both of them being lusty for beautiful women
Suni: Sun Wukong. I had him guessed by his name as well. Although I believe the connection to be true, I cannot help but feel disappointed that the avatar of Sun Wukong was killed off so easily
The traits that these two characters share are pretty different, much more different than Baji had Bajie. 
For one, Suni is generally calm when he is not being taken over by his god, and is pretty gentle and nice actually. This is very unlike Sun Wukong, and also the reason why I think Suni was a bad body for Wukong to take over, since I think their desires do not match up like Rin and Phoenix
Aratasha: The last in the trio, Sha Wujing. I was confused at first, since Aratasha is no fighter, but I realized his name sounds incredibly similar to Sha Wujing. Wujing was a sand river demon in JTTW, so I don’t think it was a stretch to believe that Aratasha was based off of him (his god is a river god, after all)
Plus, Aratasha died before Baji and Suni did. Wujing in JTTW was weaker than both of his companions. 
Chaghan and Qara Suren: This may be a stretch, but I think Chaghan was inspired from Genghis khan. Gengis Kahn united the Mongols, like Chaghan united the Ketreids and Naimads. Even though the time period would be centuries apart (Genghis 1206, Qing Dynasty 1644-1912), it is the most likely option. It is unrecorded whether Gengis had any sisters, so I believe that Qara was made for the sake of plot (anchor). 
Yin Family: The entire Yin family was taken from the story of Nezha. You can read more about the original story by searching his name in Wikipedia. R F Kuang kept a lot of things from the original tale, and these notes are what I have noticed
Yin Vaisra- Li Jing. Li Jing was also a great general, and in other stories, he was the head general in the Jade Emperor's Heavenly Army. If you know about “Journey to the West”, it was him who attempted to subdue Sun Wukong. 
Yin Saikhara- Lady Yin
*its interesting how Kuang decided to make the mother’s name the family name for the Yins. Originally, I would have thought it was Li instead.
Muzha and Jinzha’s name were lifted directly from the source material
Mingzha is a character Kuang added, for Li Jing only had three sons (or 2 sons and a daughter in this case). There is no source material for how Muzha and Jinzha’s characters are; even in adaptations we rarely get to see any exploration of them.
Yin Nezha- Nezha:
Yin Nezha, like his original counterpart, was the third child of his father. Since Muzha was changed to a female, he is actually the second son. 
He has the powers of the Dragon of the Western river (TBG 392), likely referring to the White Dragon in myths, who is the dragon ruler of the western sea. 
Like the Nezha in the myth, Yin Nezha had an occurrence with a dragon that changed his life. 
At the first battle between Nezha and Rin in TBG, it is stated he wears golden rings around his wrists and ankles. Guanyin bodhisattva did this to Nezha in Journey to the West, in order to placate him. 
The Trifecta: All of the figures in the Trifecta were based on the Fengshen Yanyi (AKA the Investire of the Gods).
Jiang Ziya: His name was directly taken from the novel. 
Su Daji: Her name was directly taken from the novel, as well as some of her penchants for murder. Daji, in both history and the novel, was infamous for her torture methods. 
Jingzha being delivered back to his father in a dumpling holder would qualify as a toruture method. I applaud Kaung for being creative.
Yin Riga: I do not know if Riga is meant to be King Zhou or Ji Fa (the man who overthrew Zhou). Perhaps he was inspired by both of them, or neither. 
Since Kuang did not go into depth into which gods were in the pantheon, I will make a list to who I think is there
Gods mentioned in the books:
Erlang Shen
Sanshengmu 
Sun Wukong *implied through Suni
Zhu Bajie *implied through Baji
Huxian *implied through Unegen, and also Daji
Phoenix
Nuwa
Fuxi
The Four Dragon Kings (Yin Riga was likely the Dragon of the East) *There is no confirmation that there are multiple dragons, but I believe it was strongly implied
Chang’e
Xi Wang Mu, Queen Mother of the West
Zhenniao *implied through Pipaji
The Four Guardians (Azure Dragon, Vermillion Bird, White Tiger, and the Black Tortoise) *implied through Dulin, who summoned the Black Tortoise
Wong Tai sen *implied through Lianhua (Actually I am not sure, but I could not think of any other healer god in Chinese myths)
Gods not mentioned but I believe are in the Pantheon: 
Yudi: Usually depicted as the husband of Xiwangmu
Hou Yi (Since Chang’e is there. However, there is a possibility that he is in Chuulu Korikh as punishment for killing the sons of Yudi)
Shennong: He exists between Nuwa and Fuxi as the “human”
The Eight Deities
Guanyin: (Since Wukong is implied to be a god) showed up in JTTW
Yanwang: (Since Wukong is implied to be a god) showed up in JTTW
Other tidbits:
Arlong’s name may have been the combination of “Azure” and the chinese word for dragon “Long”. 
Aquebus are guns, but they shoot very slow. This aint a AK 47
The Red emperor could have been based off of Qin Shi Huang, or even the Jade Emperor himself.
Chuulu Korikh’s origin, although explained, has ties in Chinese myths. It was the mountain that encased Sun Wukong before he was broken out by Xuanzang. This means that the mountain was put there by the big B, Buddha. (Actually I can't remember if Kuang said who put the mountain down, but if she didnt specify this is what I think happened) 
I am more familiar with Chinese history and myths, rather than Japanese ones, so if im missing something feel free to correct
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