Sometimes self care is just skipping school and spending the day going on a road trip and thrift shopping with your sister and their friend and then playing risk together when you get home cus life has been rough lately. And sometimes that's somehow enough.
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never forget El isn't just touchy feely as a random personality trait, she's spent most of her developmentally critical years horribly starved of touch and warmth and love :)
and every moment of physical comfort she receives is precious to her as an antidote to some specific moment in her past when she suffered the lack of it :) and you can also see the shadow of her traumas in the ways she thinks to give physical comfort :)
and also don't forget that her trauma didn't end with the lab :) when we first meet her her traumas are drawn from lab days but by later seasons it's clear some of the traumas guiding her behavior are just... the show :) such as the crushing pressure of everyone counting on her to find Will :)
and if I spend more than 2 seconds thinking about what any simple little moment of closeness/physical affection/comfort must mean to El I will start sobbing and never stop :)
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Okay smartass how would you fix Bingqiu if you had your way?
If you actually want to know you could do to be less of a rude little shit about it, anon, but all right.
This is not about 'fixing' anything. Bingqiu is a wildly popular ship and a lot of people enjoy the exact kind of delusional insanity these two have about each other and that's honestly great. Love it for them. Not my cup of tea though.
I think the easiest and fastest way to make them sort their shit out and maybe put them in a position where I might actually be interested in what's going on with them is to take the protagonist halo away. Maybe the System short circuits, maybe it just gets automatically turned off after the extras, don't know don't care.
A lot of Shen Qingqiu's self delusions are fueled by his unshakeable belief that Luo Binghe, being The Protagonist, is Perfectly Fine the way he is. Binghe is the Protagonist, so when there are no character development or obligatory angst events going on he is happy and healthy and a slightly charred good boy and Shen Qingqiu is The Happy Wife who dotes on his hubby and Everything Is Right In The World. Endless honeymoon with their responsibilities only coming to bother them every once in a while. And it makes it way too easy for Binghe to cover up that he's still hurt, still unstable and still insecure by what went down because Shen Qingqiu is willing to take him at face value when he presents his insecurities as just being shameless neediness for his husband. Of course he happily indulges Binghe! But that isn't really helping with the core of the problem now, does it?
Like, Binghe takes steps towards ensuring Shen Qingqiu's mental wellbeing even at the cost of his own as soon as Maigu Ridge is over when he takes him back to the sect. Shen Qingqiu tries too, in his own way (the entire segment in the tombs is all about him putting himself in very real danger for Binghe's sake) but at the same time, this is a guy who completely missed the writing on the wall that Bingge was deeply unhappy in PIDW. As long as he can hold onto his internal picture that The Protagonist Suffered A Lot But He Is Fine Now I don't think he can really offer the right kind of emotional support for Binghe to actually heal from what happened to him and move on to a healthier frame of mind.
If you take the protagonist halo away, then first of all Binghe can, you know, suck a little. Or a lot, actually. The world not making excuses for him and him being a little defanged would be good for him. He gets really nothing he actually wants from being the protagonist - Shen Qingqiu will love him anyway. Mobei-jun will still stick around to back him up and help him out, because he's still Shang Qinghua's favorite fictional son and Qinghua is happy to see Binghe happy, just, you know, somewhere way over there where he can't get jealous tsundere over Cucumber bro and maybe murder him about it. Sha Hualing is still going to be his buddy because he's her best source of human trivia and the writing inspiration for her girlfriend. Not having to be demon emperor and getting more time to spend with his husband would be a relief.
But he would have to be more aware of other people because he's not above them anymore. Maybe even forced to make a few new friends to get by. And his mask will fail and Shen Qingqiu will have to see him for what he is: just Luo Binghe, still hurt and still confused half demon, who loves him very much, but can't make sense of him and is afraid that he will be left behind or pushed away without explanation again and that's kinda Shen Qingqiu's own damn fault.
And Shen Qingqiu can't hold onto his delusions about The Protagonist. He can't willfully ignore that things are not fine with Binghe because he's not the Protagonist anymore and the world only allows that special privilege for the Protagonist. Binghe is just a guy now and he has so many heart demons he needs help with. His trauma from the abyss or Xin Mo can't be brushed off with 'oh that's just part of his blackening he's fine now' anymore. And it might need a little bit of adjusting to internalize that these problems have always been here just below the surface, but Shen Qingqiu genuinely loves Binghe and would want to help him become happier and more stable in any way he can.
Binghe becoming part of the world in a way that's one person among many - building a support network! maybe befriending new demons or actually getting to know and making up with the QJ disciples or finding common ground with LQG and becoming sparring buddies - rather than a protagonist in a sea of NPCs is a lot more interesting to me than whatever he has going on at the end of canon. And Shen Qingqiu can be there with him on that journey, because he already started unlearning the sense of unreality the System conditioned into him, but he still has a long way to go.
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there’s something so alluring about the idea of living in a perpetual horror movie to me. like a time loop. specifically a paranormal one where you could never make it out alive. in the same sense of “heaven is a place where nothing really happens” (from the talking heads song Heaven), being trapped in a story where there’s only one ending and you suffer through whatever horrors are laid out for you (but they are laid out exactly as they are and always will be, and they are laid out for YOU) sounds like. morbidly peaceful. no need to worry what happens next, you already know. and you’ve done it a hundred times. of course you’re in pain but it’s intimately familiar and maybe you don’t even register your suffering anymore. and you’re not preoccupied by your performance in this dance anymore either— it feels like whatever you do, the same events occur, but you’re an actor in a story and you never had free will to begin with. anyways. it just sounds kind of nice 👍
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Somethings that bother me about the "laudna and imogen have no conflict" or "their conflict (gnarlrock) was resolved too fast" is both the idea that for a ship (or simply the dynamic between two characters) to be considered any good there is a need to have constant disagreement, but what bothers me the most is that that kind of dynamic just wouldn't fit those character, it feels like those people are saying "I would ship them if everything about the ship was different", and more importantly all those long post I've read just seem to ignore the foundation in which this relationship was built, for 2 years (more or less) they only had each other, they lived nomad lives and they were each other's only constant, with that in mind, it is easy to understand why they can solve their disagreements the way they do, they are used to each other, they are used to relying on each other, they had to learn to accommodate to the other's needs before the campaign started, and if this is somehow boring to you fine, I have disliked a fandom's most popular ship before I know how annoying it is, but some of those posts sound like op thinks the dynamic between them should be completely changed for the ship to be appealing, and they are stated like facts, as if everyone else just has a bad taste in media for liking it, and it just bothers me a lot because this is just having different tastes in media, which is fucking normal, but because of the way some people frame their arguments it sounds like they feel like they are the beholder of an objective truth that others lack the media literacy to see.
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To be quite honest I think the way a lot of ppl go ab the idea of a Ninjago rewrite is kinda funny.
Like, it's not the WRITER'S faults they constantly have to shelve story arcs and character development, they're constantly stuck switching everything based on how Lego wants to do things that specific year lmao.
SURE, there are a lot of weird inconsistencies and it's annoying how much they leave vague, but at the end of the day it's a dumb Lego show and the whole purpose is for kids to insert their own silly ideas wherever and whenever.
Ninjago isn't meant to be some hyper-intelligent show with the greatest depth and plot ever, it's a silly kid's show that kids can put their silly stories in whenever they wanna !!!
Ninjago's "ridiculous flaws and continuity errors and crazy inconsistencies" are part of the appeal!!!!
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