#but its so good.... i love it
i feel like i need to go back and reread the earlier manga even though they were retconned within the timeline but i feel so bad for mei in chapter 15 :(
i think it was in st.freya high/escape from nagazora (which i know are ggz or honkai gakuen 2 manga but it was on the reading list so i read it anyways asdlkfah), but i think a lot about how she was so afraid of her powers as a herrscher, and how it was kiana that had saved her back then.
there's "will of the herrscher" where she finds out that kiana's the herrscher of the void, and in parallel with escape from nagazora, mei tries to save kiana, and calling out to kiana, she does manage to get kiana's consciousness back but loses it so quickly and soon enough loses kiana in the process
then finally over in arc city, when she thought she would be able to reunite with kiana and bring kiana back home -- even despite everything, even despite how much kiana feels like she doesn't deserve to go home -- she still isn't able to save kiana the way kiana had saved her several times now, and how powerless she must feel against durandal taking kiana away from her.
she just wants kiana back :( please reunite them...
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meditations on first philosophy (1641) - rene descartes
"who give a shit"
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infatuation makes your heart race
love is quiet. love sets you at ease.
and because most of my pieces are mental screenshots of little scenes in my head, here's the scene:
Crowley was tugged into consciousness bit by bit. The afternoon light slowly filtered in, as well as the hum of music from the other room and the weird angle his neck was at. He was warm and content and wanted to sink back into his nap, but the threads of sleep fluttered away the more he tried. Finally, he took a deeper breath, shifting in the armchair, and cracked an eye open just a sliver. There he was, the angel, sitting at his desk. Had hardly noticed Crowley was awake, engulfed in his task of retouching a damaged page. Looking at his hands, Crowley became aware of the fuzzy warmth covering his own and peeked down to see a blanket tucked around his shoulders.
The feeling hit him so hard he let his head loll to the side, eyes closed. His chest tightened and he just…buckled. Finally came undone under the weight of his love for Aziraphale. Its inexorable, steadfast pull which he had been pushing back against for millennia, it had finally caught him off guard, sleepy and vulnerable and so tired from holding back, from refusing to name it. It was a quiet surrender. Crowley looked back at Aziraphale with the understanding of a man meeting his end and embracing it.
Perhaps he could gently pull the blanket to the side and get up. Perhaps he could cross the few steps to the desk and place a freshly made cup of tea to Aziraphale’s right. Perhaps he would hold his gaze, for longer than needed to answer “Don’t mention it”. Perhaps he would ask him if he would like a scone with that. Perhaps Aziraphale would understand that this was not about the scone at all. And yet, what Crowley was asking of him was also exactly about scones. And tea. And quiet afternoons together. Perhaps the angel would finally put down his sword, too, and the world would let out a breath it had been holding for millennia.
the soulmate to this piece, i guess.
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ALT
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Mostly spoiler free summary of my viewing experience
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probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
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gotta say I am a huge sucker for how Adventure Time will sometimes just cut to Princess Bubblegum doing something extremely morally dubious like cutting off a tiny person’s limbs with scissors and then sticking those arms and legs onto another tiny person’s limb stumps but then she'll turn around and go like "Good morning, Finn! Are you ready for a sploinking day?" and whatever atrocities she had just been committing will Never be brought up again.
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they're amusing to me
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FNAF movie Mike is suspicious of Lefty…
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its so crazy that for the last 5 years a small but annoyingly vocal online group has been acting like mob movies of all things are pretentious and inaccessible cinema. yeah the godfather is kinda slow but these are movies about criminals who shoot people
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The warm lighting as Luke holds Percy at sword point because Percy trusts Luke. Luke would never hurt him.
Then Luke later betraying Percy in the very same woods and hurting him with the same sword as the lighting shifts to this ominous dark purple
i could write an essay on how the writers use lighting as a method of storytelling
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hmm anyway. holds u in my arms
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captain's warm hugs! (id in alt)
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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