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#but it’s such an interesting character element to me
eluvisen · 2 days
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angelinthefire · 17 hours
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There is a “would Dean kill Cas to save Sam” poll going round I think you’d find interesting and which compelled me to unleash thoughts at you. I often wonder why fandom (both hellers and bronlies) ignores the fascinating examples in canon where Dean’s “Sam before anything else” ideology is threatened by Castiel. the BEST example of this is when Cas premeditatedly and with full agency breaks Sam’s wall as collateral damage — and Dean forgives him in the blink of an eye! If that were anyone else who’d done that to Sam they would be a dead man. Yes Dean was mad about it, yet the next season (BEFORE Cas redeems himself by taking on Sam’s hell trauma) Dean literally tells Cas “you were doing the best you could” (girl…).
Other key examples: Dean staying in Purgatory for an additional year to find Cas (rather than prioritising going back to find Sam, and this is after Cas broke Sam’s brain mind you); deciding to basically kill himself in s13 after Cas has died (despite Sam being alive and well); telling Chuck he’s wiling to kill Sam if it’ll bring Cas back. If the Bronly tenet that all Dean needs to be happy is Sam then hell, why does Dean beg Sam to let him die in the series finale.
I will note that Dean kicking Cas out of the bunker in s9 is thrown around constantly but there was literally a gun to Sam’s head at that point. Dean was tormented about it and still snuck off to see Cas although it may have been unwise in that situation.
Also interesting to note that Sam isn’t the only one; Castiel has also served as a threat to Dean’s other representations of family. in s6 Cas ~betrays Dean by colluding with Crowley, who kidnaps Lisa and Ben, which eventually leads to Dean deciding to memory wipe Lisa. In s14 Dean literally *blames Cas in part for Mary’s death*! And yet still forgives him?? (As s13 showed, Dean can live better without Mary than he can without Cas.) This is really intriguing/toxic element of Destiel that is hardly explored in fandom, which is that Dean associates Cas with danger to the rest of his family/his role as protector of his family and therefore his relationship with him is a weakness that he will regret. Add to the fact that Cas has proven time and again to not be a safe/reliable object of affection (see above examples, and also repeatedly leaving/dying) and it’s very plain why Dean would have reason to fear/suppress/compartmentalise romantic feelings between them — because they would be an even greater source of pain.
Curious to get your thoughts on this!!
Thank you for the message!
Regarding the first point: I think there's a fairly typical thing going on of fan simplifying characters and their motivations. Does Dean love and care about Sam? Yes. Was Dean's duty to Sam something that was drilled into him as something that he had no choice over? And something that was reinforced through their forced isolation from the rest of society? Also yes. So what happens when Dean has someone that he has grown to love on his own terms? And who he never has to worry about alienating, someone who could actually be part of his life? Something very interesting!
I looooove the s6/7 example so much, because Dean really isn't ever angry at Cas for hurting Sam, he's angry at Cas for not listening to him. And even then, not really - his anger at Cas in 7x01 is much more something that Dean is using as a sheild, something to cover his own hurt, than anything else. And then the second it looks like Cas is going to turn around and come back to him, all that anger evaporates.
s8 was soooo vindicating as well when it aired, because all summer the bronlies were like, "Dean's motivation in Purgatory will be that he's trying to get back to Sam!" And then it WASN'T. This is another thing too, that bronlies will try to make it out like Sam is the only one that Dean will go to extreme lengths for, that Dean isn't a *generally* nurturing type of person who *wants* a bigger family and to not be so socially isolated. But throughout the entire show, Dean is constantly drawing people around himself. And we do see how Dean is willing to go to great lengths for Cas. Of course, a lot of the time, Dean is convinced that he's powerless to do anything when it comes to saving Cas, but Purgatory was one time when he wasn't, and we see what happens.
(And the thing is I do get where the bronlies are coming from in their understanding of the show, in an abstract sense. Like objectively, if someone were to tell me that there's a story about two brothers, that only have eachother against the world, and they have a super-intense relationship, and all they care about is each other and fighting monsters, and there's a dark, gothic vibe to it, I could see why someone would be into that. Like it's not my jam, but abstractly, I see it. But the thing is, that reading of the show does not hold up to contact with canon - and none of them want to admit that.)
The series finale is so weird when you think about it. Because bronlies hold it up as a win. But it is Dean taken down to a place where all he has is Sam and hunting, and then deciding that he has nothing to live for.
s9 was just a mess. Kicking Cas out of the bunker was so contrived. And then what everyone forgets is how incredibly happy and jazzed Dean was when he thought Cas was going to be living with them. The thing I'm most bitter about is that they couldn't have given us at least one episode of Dean and Cas being absolutely goofy happy around each other before constructing a situation to get Cas out of the picture.
Your last paragraph is interesting, and something to think about. The way I see it, is that Cas has entered a special tier of relationships with Dean, where Dean will hold on to him no matter what. I don't think Lisa and Ben are a good example for your point, actually, because I think Dean blames himself for what happened to them more than anyone else, which is reflected in his final interaction with them when he says he hit them with his car and is happy they can go on with their lives (or something of that nature, I forget).
Mary's death is interesting though. The only thing comparable to something like that happening before is when Dean blames Sam for Charlie's death (and what Dean says to Sam - "I think it should be you on that pyre instead of her" - is actually way more harsh than what Dean says to Cas). But Dean does forgive Sam, and he does forgive Cas - again, they're on a special tier, where Dean values them no matter what. And you see that throughout the divorce arc, where Dean keeps checking in on Cas and showing concern for him, in spite of how he feels at the moment - like he knows througout that the rift him and Cas are going through isn't going to last forever.
I think all of Dean's closest relationships are toxic, just as a result of the way he was raised and the kind of life he leads. With Sam, John, Mary, Jack, and Cas. The relationships that aren't toxic are the ones where they aren't physically around each other that much (like Charlie), or with Bobby, who has the level of experience to not get caught up in bullshit. With all of them, the death toll doesn't really matter (like Mary endangered Cas too, and Dean forgave her). Dean just tends to not let go of the people around him.
I think a big barrier for Dean and Cas is actually neither of them having any kind of reference model for what they are to one another. All of Dean's romantic relationships have been filled with secrets, and the knowledge that his partner cannot share his life with him. Dean calls Cas his "brother" in s6 and s11, because to him, that's the closest you can be to someone. That changes to "best friend", which is better, because it doesn't have the same connotation of obligation and responsibility - your best friend is someone you actually like being around. And it's a title that is uniquely Castiel's.
And in general he has trouble categorizing Castiel. Like he keeps trying to put Cas in human boxes that he doesn't actually fit within. He repeatedly indicates that he thinks of Cas as just a guy, and then Cas acts in ways that defy that category.
So yeah, I guess I don't really think that Dean sees Cas as unsafe. It's more that Dean just isn't thinking of romantic relationships as a possibility for himself. And he doesn't quite know how to categorize what he and Cas are to each other (and the fact that Cas is a dude may or may not play into that, depending on how much you think Dean grapples with internalized homophobia). And they're both generally fucked up.
It's an interesting idea, though, that Dean sees Cas as a danger, that I'd be interested in seeing explored more in posts or fic.
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inkdragonworks · 3 days
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June Update
Breaking the chain of not updating to talk about what I've been working on. As the absence of Poppin & Jupa here can tell, I switched projects back in April, to an older one I worked on for about 8 months in 2022. Main reason was feeling dejected a bit after the animation didn't do as well as I was expecting; been getting the impression that Tiera is more popular than them with folks lol.
Again I won't be cancelling it, or never working on PnJ, just switching focus so I can stay productive and make something that feels fun for me, which this has.
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As a refresher, here's the game I've been picking at:
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The game's current design can be broken down into:
intro sequence to introduce Tiera and the setting
initial puzzle + encounter to introduce the main mechanics
large hub in the form of Fragaria Park where you avoid the main threat, collect items, interact with side attractions, and access the 4 side areas
4 side areas, which have their own puzzles/challenges within with a primary goal at the end that progresses you towards the final escape
optional collectibles Since April I've worked on a part of the large hub, 3 of the 4 side areas, and the optional collectibles.
"Who works on optional stuff before the main game is done" well they play off of the main mechanics but mainly it's an excuse to draw something cute instead of programming.
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These are Anna Banana and The Fruit Friends (Also Strawberry), characters from a cartoon show that Tiera likes (Except Strawberry).
They don't play any significant role/impact in the game (Besides Strawberry), but they reveal part of Tiera's interests, they form a small bit of the world's background, they make for fun type of collectible that gives something to do besides the main puzzles, and, again, I just felt like drawing cute shit.
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For the hub, I worked on a themed side area dedicated to a playground. This does have puzzle elements in it, but a lot of it are silly interactions, and a reference to that cartoon I did a while back. Maybe you can recognize it here.
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It's one of those "makes the setting feel more realized/fleshed out" deals.
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For the side areas, what I've mainly been doing is settling on their exact design, blocking out the areas, and working on their puzzle sequence, obstacles, and any single screens that are tied to it.
Here's what I mean by "single screen":
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Something that cuts away from the main game to it's own puzzle. This one here is for the performance theater. All graphics are placeholders just to get the logic in and see if it might work.
Making these type of puzzles is fun cause it reminds me the most of Resident Evil 1 and various flash adventure games I've played.
As for obstacles, a significant one I'm playing with for the theater is darkness, making use of Tiera's sonar to detect a safe path around deep pits.
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She won't fall off right away, but it's tied to the same stamina system.
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Another side area are the sewers, everyone's favorite video game setting. That obviously involves water, but the trickiest thing about it has been dealing with really complicated patterns of depth changing.
What that means is Tiera climbing up and falling down a lot, and trying to keep track of that. Here's what that looks like without proper graphics:
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I'm very happy with how the area is turning out so far though, it's something you'd get to later and I think the puzzles do a good job of reflecting that progression.
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The last side area I've poked at was the final sequence of the game. I've had a lot of different ideas of how to go about it but I think I'm happy with the set of them I have planned, something that builds up towards the climax and building off of what was set up in the rest of the game.
I wanna be careful about spoiling it, but here's one effect from it I've started work on:
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I'm trying not to overshare here, though there's a lot more I've thrown into my server that I couldn't here. One of the side areas I haven't gotten to really pinning down is the Hedge Maze. I have a basic outline, but the main obstacle involved requires more dynamic logic. It's hard to settle on what that logic should be without set level design, and it's hard to settle on level design without knowing the limitations of that logic.
It's a similar issue with the main challenge of the game, both for the player and for designing: the ghosts.
What's intimidating is the feeling that they need to be very deliberate in this type of game, to balance between adding tension without veering into frustration. I'm hoping tackling everything surrounding them will make me more confident, but odds are I'll have to start with something simple and half-broken just to break the ice. And accepting I'll have to make something that gets thrown away, which I'm not used to doing... I really prefer thinking through stuff first before making it.
Anyway, thank you for reading.
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amethystfairy1 · 2 days
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I rewrote my novel. Admittedly I deleted it because it felt like it was me ranting and you wouldn’t enjoy it, but it made me feel good that you wanted to read a random person’s analysis.
To get out of the way first is the potential wild card invisible stalker. I saw some people speculating it was Mumbo because that seems like a rogue ability, but there’s no reason for him to have been stalking this group he barely knows instead of be with his own. I think it’s a new character, which you didn’t tag either for spoilers or because they don’t truly appear in this story. The latter is my guess, and their purpose is to be another thing hanging over Gem’s group as they go into the fight. As to who they are, because of that recent post on spoilers and the ninja thing, I’m going to guess Etho. The “why” for whoever it is is “to be revealed” information.
Next, the bird reunion. Based on that summary, they have to fight and it’ll definitely be intense. My guess is either during the pre-fight banter between the others or when they first come in contact and a failed sneak attack, the twins will recognize each other, hesitate, but go into the fight anyway because that’s what their friends/masters want. Major cognitive dissonance. I predicted one would get the upper hand and almost, but not quite, finish the other, but more specifically I think Grian will beat Pearl because she’s still injured. If I was writing it, he’d notice the injury, target it because that’s what a good killer does, and simultaneously hate himself for it. And then more delicious angst because a good avian would finish her off, but he can’t do it.
Meanwhile, I think Gem would be fighting the other two. She says in the first chapter that she’s low on magic, but she’s scary enough without the spirits. If I had to guess, I’d say she could normally solo everyone in the other group (not without difficulty, but would win in the end), but it would be the combination that could get her. Scar is also running low on magic, but we don’t know how the two compare. I don’t think we’ve seen Scar fight without magic either, so he could quickly empty his reserves. Mumbo is a very scary opponent and has the element of surprise, but I’m not sure how he’d stack up in a brawl. Judging by that summary of him nearly dying, I’m not optimistic. Scar has previously detected enemies with the spirits, but it’d be interesting to see if another nature elf can go undetected with their own magic. Then it’d be up to Grian to notice them when they’re pretty close, if he’s in a state of mind to do so effectively.
Speaking of state of mind, that was just them physically. Mentally no one is doing well. Mumbo and Scar are worried about Grian and are probably mulling over the target they painted on their backs. Gem is stressed out about the stalker, always worried about Pearl, and her guilt and frustration are turning to rage. That could all cloud her fighting abilities, but so could that empathy she’s trying to shut down. Recognizing Mumbo could give her pause, as could seeing Pearl in Grian and herself in the other boys. A vision just came to me of Grian using his wings to protect one of them from Gem and that causing her to stop. I could also see her stopping if she thought Pearl was about to die again. Both sides would stop if one of the avians admitted they’re siblings, but I can’t see them forcing that information out in the middle of a fight. I think the fight will end with one side recognizing themselves in the other and choosing not to continue. Then we can get a more wholesome birb reconnecting.
The thing I’m less sure about is Impulse and Skizz. I don’t quite know if they’d even participate in the fight or how that would go. I can easily see Impulse deciding not to participate because it’s not his job and he wants to protect Skizz, or him going with the group and being worried about Pearl with this job. If they do participate, that weighs things more in the favor of the Soup Group. From what we’ve seen, Impulse is strong and can tear through normal adventurers. Of course the boys are much stronger, but I’d expect him to hold his own. Skizz is a little more tricky. If he fully fights, I’d expect he’d be a beast. He was nearly retained, so he had serious skills, the only concern would be how much fighting he’s done since being sold. Granted, that didn’t seem to hold Grian back. I doubt Skizz’s heart would be in this fight though, and he’d be looking more to see if Impulse will die or if he can kill him. That won’t happen of course. In fact, I wouldn’t be surprised if a moment comes and Skizz either saves Impulse or doesn’t take the kill, and later has to ask himself why.
So, yeah. That’s my thoughts on what I think is being set up for this story. You don’t have to respond to this. Now I know that even if you don’t, you still enjoyed it. I look forward to seeing if I’m right or be proven wrong. Doubt I’ll be disappointed either way.
I
LOVED
THIS
SO MUCH
RAHHHHHHH
This is so so so so sooooo cool!?
Obviously I'm not gonna super in-depth respond to any of your predictions because I don't wanna give any tells because spoilers but I need you to know that I LOVED THIS.
I WAS BEAMING THE ENTIRE TIME I READ IT
It just makes me SO happy that my stories have the moving parts that make someone able to think it through and come up with theories about what's gonna happen, and that you enjoy the story enough to do so just makes me so very glad! Thank you so much for retyping your novel because I ADORED IT and I will be saving it and I love it very very very much!!!
I'm so glad you're looking forward to this fic, I have so much planned and lots is gonna happen, I'm just SO excited to share it all and it's so wonderful to see everyone is trying to figure out what's gonna go down!
Thank you thank you thank you for sharing!!! 💖💖💖
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bi-hop · 3 days
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coming back to the kabru is like jesus if he was judas comparison. I think it's interesting that kabru always knew that he couldn't be the one to conquer the dungeon so he wanted to find people who could and support them, because he knows he's an excellent judge of character.
but the thing is, he still wants to be the hero. he still has a saviour complex. he's still envious that laios of all people is the one who has the potential to beat the mage. i think he wanted to be the one™ in some way . he *needed* to be needed by laios, he wanted to be like hermes, a psychopomp, or maybe charon, the ferryman that guides laios. so when laios /ignored/ him (not laios' fault truly he just . bad timing. sorry kabru) he felt resentful and yet even more determined to get in laios' orbit, to be the light. to be important in his eyes, like, judas when he said to the woman who used expensive oil to clean jesus ' feet. he said "why not just give it to the poor?" because he wanted praise. he wanted his teacher to look at him and go "look, i listened to you! i know what you teach!"
thats why laios rubbed off on him and he used a nutrition metaphor even because hes like. he wants to be jesus (the one to sacrifice himself and save the world from the dungeons to prevent another utaya) but hes judas (the adversary. the supporter from the shadows. the one who shows the soldiers (canaries) who jesus is. the one who " reported " him in the first place)
anyway yeah I think he has. a Jesus complex and when he met Laios he got mad with envy because he realized he was Judas help me
this is so good, turning it over in my head.
an element of kabru's character that grabbed me early on and is reinforced as he begins to bet on laios is his preoccupation with morality. people complain about the murder (bc people are lame BUT I DIGRESS!) but don't typically focus on the justifications he gives. even without knowing about the demon's nature, he is able to understand that greed and violence will only beget more of the same as those who can adapt will turn worse and those who cannot will be exploited or flee. for him, it's like ripping out weeds from a garden to protect what he cherishes.
I agree that he feels very self-critical when he finally admits that he can't be the knight in shining armor that he wants to be, due to his inability to survive as long as he wants in the dungeon. even without the motivation of going back to save falin, laios and his party had already went further on a regular basis than he has.
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(shake me if I'm remembering wrong, but when we first meet kabru's party, isn't it one of their first times ever successfully making it to the third floor? lmao.)
and so the point to me was always that, yes, kabru wants to be the guy and yes, his party supports him as the guy, but realistically? he'd need someone else to at the very least support him. but he's very practical so it made immediate sense to me that he'd start looking for someone who he can either trust to take on the role or who is capable enough to get to a point where kabru could then take over. (again, all pre-finding out what being a dungeon lord truly means)
despite the latter being an option though, kabru's preoccupation with morality still stands. if he was truly the cold rational being some people seem to see him as, it would have been simple to simply throw his lot in with the first strong yet horrible person he observed. but he's picky selective. even with laios as his choice, he's CONSTANTLY fighting The Demons about it. his nightmare alone makes it clear that he has extremely well-rooted doubts and fears about what laios might do.
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^ funniest page ever to me btw
but despite that, he still continually does the work of supporting him, albeit with a lot of setbacks and complications OADSJDODSOJD
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i don't necessarily think the lens that we're currently taking is what ryoko intended but to conclude it is funny the themes of betrayal because technically kabru does betray laios' trust once lycion's like "ayo, he hates monster food btw, he's a SNAKE" and then he fumbles his way into... sort of regaining it? kinda? of course, by post-canon, he has it fully back, but speaking exclusively of the main story here.
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thegreatcaptainusopp · 4 months
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I’m alway fascinated by Usopp’s relationship to his role + skills as a sniper because like…despite being arguably one of the best in the verse he doesn’t really…talk about it much? Or sort of integrate it into his dreams & personality as much? Like during the timeskip he most certainly works on improving his sniping skills, and he is very much aware that this is his job on the crew. He also talks about his role as sniper during Dressrosa when he doesn’t tell anyone about saving Law & Luffy when he unlocks observation Haki.
Other than that, though…being a sniper isn’t something that Usopp seems to specifically think about or mention as much. In comparison to like, Luffy, Zoro, Chopper, and Robin (whose role is also their ultimate dream) and even Nami, Sanji, and Franky (whose role is a large part of their ultimate dream). Usopp’s brave warrior of the sea dream doesn’t seem to be about sniping at all, and he doesn’t discuss how being a sniper would slot into that dream.
There’s also the fact that he didn’t even really know how good he was until after he was recruited by Luffy and got awarded the role of sniper. He hadn’t really owned that as an identity and seems to connect it more to his dad than to himself. You can kind of see this when he does fights too: being a sniper is a long range fighter role, and more often than not he’s (to be fair, without having a choice) fighting close range, and using various tricks that may or may not involve aiming well. The only time I see him really lean into the sniper as an identity is when he’s Sogeking, which, well…you can argue that he separates that from himself, from Usopp, and sees the ultimate sniper as a separate person from himself. He has a bunch of outside hobbies (engineering + building) that we see him do in his spare time rather than working on his aim too.
In fact, I think his lying/storytelling side is much more connected to him as an identity. Everything from his name to his physical characteristics to the way he self identifies is rooted in storytelling rather than sniping, which is just fascinating to me. He’s well rounded in that sense I guess, but this aspect of him & the way he connects to his sniping ability really stands out to me. I think any upgrades he gets in the future will be to his sniping skills so maybe he’ll be connecting to that side of himself more as we continue.
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poorly-drawn-mdzs · 9 days
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you are so whimsical i qant to check out this mdzs (..??) because of your whimsical nature thank you sorry im very high and your art moved me emotionally
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This is simultaneously the sweetest and funniest thing someone has sent me, thank you.
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themyscirah · 18 days
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Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.
Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now
Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.
Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!
Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.
#its like youre unable to root for her in any form. which is annoying bc shes actually awesome actually#also having her say “actually im the good guy fuck you'' w/o any actual deep analysis of her psyche or whatever while doing these things#doesnt count as development or showing shes 3 dimensional. its just having 2 dimensional waller say shes right when everyone is obviously#supposed to believe shes wrong#anyways i want real waller back please i miss herrrrrrrr#anyways hope mr john ridley has read secret origins no 14. i know its from 1987 but please guys please. my only hope#also it was a few months ago but i think they tried to push certain elements of a diff backstory in dream team and sorry but fuck that. and#any mention of another waller background like my eyes are closed sry. im a preboot truther#actually im just ignorant of most squad comics outside the original series. im gonna do a readthrough and become knowledgeable on other#stuff i just need to find time. so if im wrong then sorry if its smth factual and if you disagree with my opinion then uh sorry for ur loss#anyways shoutout to the time i had a nerd night w my one friend and she was asking me abt dc and said my favorite villains and i said waller#and silver swan. and she had a “yuck WHY” to waller and a ???? to silver swan. love shouting out my faves and explaining them to the less#informed. didnt say a number 3 but would probably be parallax ig. idk hes kind of slay. or maybe someone else honestly i like hal but waller#and nessie are blorbo level for me i could think abt them for hours#or maybe it wouldnt be parallax actually idk who my 3 would be. hes definitely up there but way below the other 2. maybe the cheetah#interpretation that i personally have. v different from the popular cheetah interpretation esp rucka vers actually. much closer to the pérez#and esp develops some subtext there surrounding barbara and the exploitation and theft of sacred cultural artifacts and pieces but also#like british colonization a lil bit#but i actually despise the cheetah that lives in my head but think shed be interesting to use narratively and see diana fight#vs the other guys who i find interesting and sympathetic and like for themselves#whereas my fave interpretation of cheetah can rot in hell#i got off topic here#blah#swishy rant#also disclaimer that w the main character ik dreamer is the main character of dream team. im talking more in general and that amanda should#always have a huge role as shes the main character of the squad and yet is treated like its villain and not its protag#sui sq
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mamawasatesttube · 6 months
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one other thing that really makes me roll my eyes in dc fics is the insistence that the bats can take down anyone, even their most op teammates. like... you guys know a character doesn't have to be the most physically capable one in the room in order to be interesting or strong in their own right, right? look me in the eye. cass had to save tim from shrike. bane broke bruce's back. mind-controlled kon snapped tim's arm like a twig. trying to make them ~always~ able to counter even the most powerful opponents is so boring im sorry like they can and do lose fights sometimes, and that's interesting actually. they are all incredibly competent martial artists, yes! that doesn't mean they can win every single matchup. that's simply neither the point of nor the strength in their characters.
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susielesbianism · 1 year
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… anyway
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[ID: A cropped screenshot of Deltarune’s battle UI, showing Susie’s MAGIC menu. The options shown are S-Action and Rude Buster, the latter of which has been edited to be underlined in deep blue. End ID]
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[ID: A cropped screenshot of Deltarune showing only a textbox. In it, Susie’s dialogue portrait appears excited as she says, “Blood Crushers 3? Hell Busters? Invasion of the Cat Petters?” “Hell Busters” is underlined in deep blue. End ID]
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[ID: A cropped screenshot of the final Asriel battle in Undertale, showing only the flavor text. It reads: “Asriel readies ‘CHAOS BUSTER.’” “CHAOS BUSTER” is underlined in deep blue. End ID]
yeah
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aroaessidhe · 6 days
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2024 reads / storygraph
The Sword of Kaigen
standalone fantasy set in a rural mountain village at the edge of an empire that still holds traditional values, with families of powerful water/ice magic warriors
follows a powerful young heir who begins to question his beliefs about the empire when a new boy comes to his village from the city
and his mother, a housewife who has tried to forget her youth as a warrior and vigilante in the city since she moved back home to a loveless marriage
when there’s a violent attack on their village that they’re unprepared for, everything changes, and she has to embrace her old skills to protect her family and people
#The Sword of Kaigen#aroaessidhe 2024 reads#I’ve been meaning to read this for years and I finally got around to it! a really unique fantasy novel#I had always assumed this was ur average pre-industrial high fantasy and then was immediately hit with video games/tv in the first chapter#lmao. But overall (aside from the broader worldbuilding/politics) it is closer to the average ‘historical’ fantasy narrative -#so I can see why I got that impression#Some really compelling characters and interesting narrative structure that went in some unexpected directions.#It really focuses in on one village and how devastating a single battle in a war can be to their people - and how much work the recovery is#I feel like most sff is more concerned with a single person and/or the whole war so this felt unique. did also mean that the pacing was odd#- it's a slow start; then there’s a battle that must be hundreds of pages. The last section of the book feels a little too drawn out#and brings up random hanging plot elements that don’t really go anywhere. But I think overall this works for the story.#also one thing I didn’t love - cool complex interesting female character MC sure but also there’s weird moments like:#the first scene we see her is all the housewives comparing their attractiveness; she keeps referring to herself as an old woman (when she’s#and oh so meek and useless etc. And some of this feels like it’s part of the broader portrayal of the misogynist society#but some of it felt clunky or unintentional?#And then especially the end - when she and her shitty husband finally confront each other as equals and he apologises#she basically immediately forgives him and is like oh I was equally at fault because I am a meek woman who didn’t try either#like him realising he was wrong (and her realising he had a reason for being the way he was) doesn’t negate the fact that he treated her li#she acts like it was her fault for not trying too - when we have numerous examples of him berating her if she spoke up about anything?#like im glad he’s learning. but also that doesn’t mean she needs to suddenly forgive and love him wtf#that's the only real thing that annoyed me though.#also btw that 5yo seems kinda fucked up. are you guys gonna do anything about that
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One of the reasons why Andor is seen as refreshing is because it’s gone back to the roots of fascism being pure evil in star wars, none of that two sided pandering bullshit that’s been going on lately ://///
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yardsards · 1 year
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me starting taz ethersea: i think amber's gonna be my favourite, though zoox seems pretty endearing in his own way. not a big fan of devo's overall Vibes for some reason tho
me now, a dozen episodes in: I Love That Fucked Up Little French Boy
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I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?
(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)
Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c
#I was having a conversation with a friend about our favorite type of media and they said the reason they DON'T like historical or fantasy#media or etc. is because they can't imagine themselves being in those situations like it's too detached from anything that they can relate#to personally. they put themselves in the shoes of the characters and apparently like feel emotions while watching stuff and actually#get into the way the characters are feeling so they kind of judge how 'good' or 'bad' a show's writing/setting/etc. are by how it makes#them feel and if they think the characters reacted realistically based on what they were feeling in the moment/what in their head they#would be feeling if they were in the postion of the character. SO apparently the distance of it being in an unrelatable setting or too#detached from our reality makes it harder for them to relate to and less able to really engage with it on that level. WHEREAS I watch#things exclusively in a very like.. detached way?? I'm INTERESTED.. it's like im intellectually analyzing everyhting that's happening and#can be intrigued by events but it's not in an emotional way? More of like a distant 'intellectual curiosity'. Maybe the premise or the#aesthetics or something about it has piqued an interest for me to observe it. to see what it's like or how it plays out. how the idea#is executed or etc. But like.. I cannot remember EVER really relating to any character or situation or projecting onto a character#or having those sorts of feelings or investment in it. That is just not a central part of why/how I watch things or what I care about#BUT after this I was thinking maybe this is my disconnect? I do not seem to conceptualize media the way some other people do and I often#walk away with an entirely different take on things. etc. So I wonder if maybe it's part of how everyone values different things probably?#maybe I literally just watch stuff and percieve it from a different frame of mind that others. More of a like detached curiosity#vaguely bemused analysis mode. Instead of a 'I am deeply emotionally invested in this and am feeling for all the characters' mode#And also I bet people who care more about plot/story are also the people who mind spoilers. Whereas for me I literally seek out spoilers#intentionally because that element of 'suprise ooh what will happen next!' is not central at all to my enjoyment. I could know literally#everything that will happen and still can find it interesting to observe - since for me#that's not the point. I'd rather know the ending so I can determine whether I want to invest the time in it in the first place. etc.#ANYWAY!! If I had to choose - I would say I'm usually heavily focused on world details and aesthetics. With only a slight preference#towards characters individually being interesting. Group dynamics can sometimes be okay but I get tired of everything being about relations#hips and romance - especially when sometimes it seems to be like. people who could not stand on their own as a character/are fundamentally#boring otherwise lol. I would watch a series of just one guy locked in a closet talking to himself as long as he was interesting and saying#things that were amusing or notable for some reason lol. I actually tend to dislike plot because most 'plot heavy' things like action focus#ed shows ALWAYS feel to me like they're moving so fast just to get from one thing to another that I'm not getting enough details. Part of#why I tend to not like movies. the time limit makes them too quick. I need a 95 hour expostion dump of the history of the entire world#and a series of 17 episodes straight where a guy is trapped in a room & the audience is just psychoanalyzing him. hghj.. Maybe I find all#characters annoying/unrelatable bc people w my personality type make bad characters/are not often represented (or are done BADLY). so then#I'm just picking 'who is the LEAST insufferable? who could i study like a lab rat?' whilst my main focus is the worldbuilding&costumes lol
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codes-and-stuffs · 23 days
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i may not be a reader of the romance genre but i will always support it.. do i realistically care that the love interest is a little overboard with his protectiveness... that he's a bit fucked up and violent.. no i dont.. of course people arent reading these books to be examples for real life.. like they know its literally fiction why do we assume theyre dumb.. women have been reading these for self indulgence for centuries and throughout time they'vealways been called shallow for it.. and i support these readers.. there's always going to be a pushback against romance stories .. and i will always stand by their right to exist with all their unrealistic rose tinted lenses
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chtoyalt · 21 days
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THIS GAME JUST DOESN’T END. WHEN WILL IT STOP. WHEN WILL I BE FREE. BECAUSE I WON'T STOP UNTIL IT'S DONE AND OVER. I’M GOING TO GO INSANE
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