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#but if youre just going through it as a whodunnit youre very much in the dark because the real meat of the story is just not there
glassphinix · 2 years
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you ever go back to something you watched/played as a kid and went "oh wow this is so cool and mysterious and puzzley i love it" but with an older mind capable of stuff like Clarity you go “ah. it was just obtuse.”
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thebadjoe · 9 months
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BAD JOE'S DRDT CH.2 CRIME SOLVING THEORY PART 5
...It's been a while, hasn't it? I spent time working on a different project and I suppose I needed a break.
I'm here to give you an update regarding my culprit theory in DRDT chapter 2. So of course, SPOILERS WARNING FOR DANGANRONPA DESPAIR TIME CHAPTER 2 in case it wasn't obvious enough. It's also a very long read, so...sorry about that! Before I start, I'd like to say something. This is a message for DRDT-dev.
Not gonna dwelve on the past except for one specific moment : the appeciation/thank you e-mails you've received ever since the start of your hiatus after episode 11 was launched.
I wanted to give you words of appreciation at the time, but it completly slipped my mind because of real life + me working on my crazy theories. I felt bad that I missed it because I seriously wanted to thank you and your team for the amazing work that you've done in this fangan.
I've never been this attached to a fangan before and it's not like I've played/watched through a lot of those eitheir. But this one... it was really enjoyable! I don't think there's a single character that I dislike in this fangan. Like they all got something interesting going on or something interesting that might be bound to unfold. The mystery's also really good. I got really hooked to trying to figure out the truth behind the murder mystery of chapter 2.
I can't do art nor music, but the least I can do to show how much I appreciate the amount of work put into this is by proving it to you. This... is the final time I'm making a theory post for the murder case of chapter 2. After that, I have my own projects to work on.
Of course, I can't ask you to read it all (it's super long anyways), but the post itself is proof that I'm truly passionate about this fangan and that I truly appreciate the amazing work. It's a good source of inspiration. So honestly, thank you! Looking forward to see the future of DRDT!
So... I know I've pretty much covered everything I could explain from part 1 to 4 regarding my Eden Culprit theory. However, I feel like that this is a big confusing mess. After all, I changed a lot of things over the course of these 4 parts and even past that, I updated my culprit theory even further, but didn't provide any updates or edits to my posts.
So I'm gonna go over my whole theory once again, from beginning to the end, in a more logical order. I'll start with the easiest topics being the whodunnit and whydunnit. After that, I'll talk about the rather long howdunnit and give a better and updated explanation as to what I believe happened in each scenario.
I will also have a few texts in bolded blue to represent my evil ego personality trying to take down my whole theory, which really, they're just pretend questions/arguments based on things I believe people will think about or things that's been brought up before in the past.
Then, I'll finish it off with a section to talk about a certain something that may possibly change people's mind about not just mine, but many other theories. Let's do this!
Whodunnit
Of course, if it wasn't obvious enough, I accuse Eden of being the culprit of DRDT Chapter 2. There's a couple reasons why I suspect her, but let's focus on only one for now : the smoking gun evidence.
The decisive evidence lies in this video. Chapter 2, Episode 6 : The "Body Discovery" of Ace in the fitness room.
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I skipped it to the proper scene, so no need to worry about that. So there are 4 characters involved in this scene. There's Teruko, Eden, Nico and Ace. At first sight, it really looks like Nico was trying to kill Ace, so Teruko yells at them and then they run away.
So since then, we need to focus on the following three characters : Teruko, Eden and Ace. So judging that Ace is probably dead, Teruko decides to investigate while Eden needed a minute to process this.
Not gonna list everything. For now, let's just focus on what's important to prove that Eden's the culprit : the roll of grippy tape.
This is an important clue because even though it wasn't pointed out by Teruko herself, it was clearly shown in the background (you can see it clearly at 19:55). This clue in question is what the culprit clearly used to set up their murder mechanism for the murder of Arei considering what was found in the playground in episode 8.
At 20:32, Eden decides to give a hand to Teruko with the investigation.
For the following couple seconds, it's a bit hard to see, but behind those speech bubbles, you can still see the roll of tape.
At 20:50, Ace wakes up and shouts that he's not dead. Then at 20:54...
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The tape is no longer there, where it's supposed to be.
So what happened there? Was it a creator error? That's actually very unlikely considering how important this clue is. So the only logical explanation to this is that someone took the roll of grippy tape in that moment. Therefore, eitheir Teruko, Eden or Ace took it meaning that eitheir one of them is the true culprit behind the murder of Arei!
It can't be Teruko because she'd literally have no reason to commit murder and we've been under her POV most of the time, so it's very unlikely that there were windows for her to commit murder. Nothing would make sense if she was the culprit, so it's not Teruko.
Ace... there's a slight possibility, but it's still unlikely. I have a couple ideas that could make him seem like he could be the culprit (that I might explain later in the howdunnit), but it's still really difficult because of the fact that Ace is clearly wounded and he probably wouldn't be thinking about killing Arei at some point later. It would be hard to explain certain events, so it's not Ace.
So by process of elimination, that only leaves Eden. She would definitly have a perfect window to grab the roll of tape without being seen. The proof lies in 20:32 in the video. She wanted to help out Teruko in the investigation, which would've been the perfect opportunity to grab it.
This is a very sneaky and demonic trick that the DRDT creator pulled here. Giving us an incriminating evidence that was so hard to spot that they must've been wondering when it'd be found out. It really makes me wonder what would've happened if I was never part of this. Would someone actually discover this damning clue?
Let's move on.
Whydunnit
Man, I came up with plenty wild theories for the motive a while back. It went from "she wants to eliminate bullies" to "she has a dark secret she wants to keep it hidden" to "she misses her beloved dearly".
Eventually, the "she misses her beloved dearly" motive become the official one for my theory and it's not just applied to mine eitheir. There's a few others who seem to approve this motive and use it in their own theories as well.
To give some context as a reminder, Eden Tobisa is a very kind girl. We also know that her secret is "Ever since you kissed her, you were afraid your sexuality would ruin your friendship." This would indicate that she's most potentially in love with someone.
She tries to help whenever she can and tries to organize fun activities with a few, become friends with as many people as possible.
She's basically trying to keep her hopes up. Especially considering her reaction during the prologue...
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She appears to be quite a tad desperate in wanting to get out. Anyways, the murder and trial happened in chapter 1. That inflicted quite a mental hit to most of the cast.
Right before the beginning of chapter 2, we get the following quote : "I still miss you. I miss you so much that I wish I you had never been a part of my life. The worst part is, even though you left me like this, there's nothing I can blame you for."
Then in chapter 2, after monoTV reveals the motives, Eden suggests that they should take that opportunity to work together and escape. She's the first person who brings up the escape topic.
Even though she tried to keep her and everyone's spirits up, most of the time, it's been people arguing over everything and nothing. It's mostly a few specific people, but still, it was definitly unpleasant. But the worst part of it all is the event that unfolded in the first 4 minutes of Chapter 2, Episode 5.
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That bullying that Eden received was the final straw. She had enough of all of this. That made her realise that there's only one thing that matters to her : getting the heck out of here to meet her beloved, the person she kissed.
This is mostly my logical explanation for the motive based on all the possible clues that were given to be able to find a viable motive for the murder.
For those who believe that it'd be bad writing or whatever, I'm not really gonna delve into this myself, but I'd heavily suggest reading @venus-is-thinking's post here. There's some interesting points related to the narrative possibilities. (Might not fully support my theory, but you get the idea). In any case, whether you believe it or not, the fact remains that this is a possible motive that can be used to explain why Eden commited murder.
Howdunnit
Oh boy, here we go. The most difficult, yet most fun part to explain in this theory. Even though it's only a chapter 2 murder case, there's A LOT that happened that led to the crime. This time around, I'm gonna make sure to list everything in chronological order while also providing the most updated information regarding my theory.
I'll also separate certain events in Acts, to make it easier to comprehend. Let's do this!
Act 1
It all began a few days ago, when monoTV announced the motive reveal. MonoTV gave each participant a troubling secret and told them that if no one commits murder, the secrets would be revealed to the whole world.
MonoTV is a dumb dumb however because it made a mistake and all the secrets have been swapped around, meaning that no one has their own secret. So each participant has a secret that belongs to someone else.
For a few of them, it was pretty much "eh, it's whatever!", but it was especially troubling for David. The reason why is because he knows deep down what his secret is, it's a pretty meaningful one, after all.
We already know by now that his secret is "You exist to manipulate others. Everyone else exists to be taken advantage of." Considering his talent, it would totally ruin his career. So he needed to come up with a plan to not be exposed, and fast.
MonoTV also reveals that the second floor is unlocked and they're free to explore. We're not gonna go over each one of them yet, but I want to talk about this particular scene in the fitness room.
During the investigation of the new rooms, Teruko meets up with Ace and Levi in the gym. There's an argument going on because Levi is trying to apologize to Ace for his behavior in the trial of chapter 1 (when he threatened Ace). Ace is having none of it.
Ace was also arguing with Teruko a bit regarding some comments she made behind his back that he heard, which made him behave like so...
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So what is he actually gonna do about it? You'll see shortly in the next coming acts.
Act 2
Teruko spends the rest of the first day secluded in her own room until next morning because girl has to eat, ya know? As soon as she gets out of her dorm, this happens...
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Eden sneaks up on Teruko to surprise her, which she didn't see this coming at all. On top of that, she claims that she could hear Teruko clearly in her dorm doing a puppet show with the cactuses. The walls are pretty thin, therefore not really soundproof. This was also shown in Act 1 when Teruko talked behind Ace's back, but could hear that conversation.
Truth bullet acquired : Eden's sneakiness
Truth bullet acquired : Non-soundproof walls
Because of that embarassing reveal, Eden used it to her advantage to blackmail Teruko, forcing her to do friendly activities with her. So Teruko has no choice but to follow her orders and go eat breakfast with Eden.
As they're preparing something in the kitchen, they suddenly hear people arguing in the cafeteria, so they go check it out. It's of course that scene where 3 different pairs fighting against each other.
So first we have J (Julia Rosales) asking Arturo to leave her alone and to stop pestering her with her secret. Nothing too relevant for the murder.
Then we have Ace bullying Nico hardcore all of a sudden. Considering the events that happened in the gym in Act 1 and the purpose of a bully, it's safe to deduce that he's doing this because he's trying to act tough. Ace is trying to display superiority over a targetted victim by bullying them. Ace wasn't really hostile towards Nico before that.
It's also very important to take this into consideration since in chapter 1, most of the time, he was behaving like an absolute coward and that's no pretending. He really has a fear of a lot of things.
Well, actually... Ace bullied Nico once in chapter 1!
Sure, he made a dumb mean comment by calling them losers for liking animals or whatever, but that wasn't just directed at Nico, it was directed at Xander as well. I think he was mostly trying to get attention by being provocative.
Besides, that was only one time compared to the multiple times that Ace bullied Nico throughout the whole chapter 2, so there's clearly a behavior change there.
Truth bullet acquired : Ace's phobias
Truth bullet acquired : Ace acting tough
Moving on... We also have Arei arguing with monoTV about getting rid of the rope. Arei believes that this is a cruel joke of a custom weapon for her since it reminds her a lot of her past. She wants to dispose it, but monoTV refuses.
They eventually come to some kind of agreement and monoTV places that rope in the storage room, so anyone can take it if they wish.
Truth bullet acquired : Easily accessible rope
They arguing kept going for a while until David comes in, telling them to shut up and that he has an announcement to make. He reveals his secret : "My family has a history of depression."
He makes that reveal because he is suggesting that it would be best for everyone to share their secrets before the time is up. That way, once it's already out in the open, no one would have any remaining motive to commit murder according to David.
But as we know already, that was all a lie. He revealed a fake secret and wanted others to share secrets since it would help create even more conflicts which could lead to more dramatic results... like murder.
That was his master plan to instigate a murder. He wanted to have others cause a murder before the deadline, which would keep his secret safe.
Truth bullet acquired : David's plan
Act 3
Eden tells Teruko about her fun activity plan being decorating the clocks in this killing game establishment, but she wanted to invite one more person. She wanted to invite someone who complained that she wasn't invited at the cake decorating activity back in chapter 1 : Arei.
So they both enter the playground, meeting up with David and Arei who were about to have a discussion about secrets. You know the rest of that scene afterwards, I've also brought it up in the whydunnit.
Arei bullies Eden, putting the blame on her for Min's death. Eden gets out of the playground, crying in utter sadness. Then right after that, Arei laughs and...
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Truth bullet used : Non-soundproof walls
Even though she got out of the room, it's very possible that Eden heard it which would be the absolute final straw. She had enough of all of this, then her actual motive kicked in : she wanted to get out of her as soon as possible to meet her beloved.
Of course, we know by now that Arei wasn't really that spiteful. She just wanted to give a tough and harsh lesson about this killing. To stop being so nice and naive as that would make Eden the most vulnerable target to any murder cases in the future. But alas, Eden didn't stick long enough to listen to that part, which makes me wonder if it would've made a drastic different in how chapter 2 would play out.
Well, it's possible that Eden actually heard that part of the conversation!
But we don't know that for sure. Considering the smoking gun evidence, it makes more sense to believe that she didn't hear the rest of the conversation happening in the playground.
Anyways, this was the very beginning to Eden's murder scheme. She had a lot of work to do.
Act 4
Teruko proceeds to meet up with Rose in the dress-up room who was currently having a painting session. She had Rose's secret, so she figured she might as well share the secret, which Rose agreed to.
Then they have a chat about various things, then to Teruko's surprise, she realises that Nico was here this whole time, laying down on the ground.
Nico asks Rose if she could teach him how to paint, which Rose said yes.
Let me pause for a bit to mention an important clue : Rose's custom weapon. It's turpentine. It wouldn't be out of the question to think that since this is a painting supply, she would bring it with her during painting sessions and based on what we know in later episodes...
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Well, realisticly, that's not how turpentine is supposed to work!
Probably not, but this is made very clear that the author wants us to believe that it works that way in their world. There's no reason for them to make something up about it other than explaining its intended purpose.
This turpentine is meant to be served as a tool/weapon to knock someone out, kind of like chloroform.
Truth bullet acquired : Turpentine
Teruko was already out of that room to head to the cafeteria while the other two were thinking about going there because they were hungry.
Fast forward a bit in the cafeteria, Ace is having another argument with poor Nico.
Truth bullet used : Ace acting tough
He's bullying Nico once again to make himself look tough. He's even ready to threaten Nico that he would reveal their secret (we learned in the trial that Nico and Ace have each other's secret).
This failed however because David managed to snatch it from Ace's hands while he was distracted. Then Ace proceeds to keep on bullying Nico, asking : "What are you gonna do about it?"
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This surprised Ace, no doubt. Then afterwards, he gets slapped by Hu. She defends Nico, telling Ace that she's had enough of this.
At the time, I thought that Nico's death threat would've been the main reason why Ace kept suspecting that Nico tried to kill him, but it's actually a lot more simple than that. I'll explain it later...
While I'm at it, let's keep in mind that Hu's custom weapon is wires.
Truth bullet acquired : Nico's motive to kill Ace
Truth bullet acquired : Hu being protective of Nico
Truth bullet acquired : Hu's wires
Then we later have Nico's secret reveal, which is not too relevant to the actual murder. What's important however are two things.
Not everyone was present in the cafeteria at the time
Rose was later sleeping in the cafeteria for an unknown amount of time
Let's go back a little bit and talk about what happened to the few other relevant characters.
Meanwhile...
Eden was working on her murder scheme. Based on a Q&A that the DRDT creator did a while ago, we learned that Eden's not very strong or fit. So if she wanted to pull a good murder, she needed to be really smart about it.
So she needed to come up with a murder mechanism to pull it off. So to make it happen, she needed the right materials.
Truth bullet used : Turpentine
She remembered the list of custom weapons written by Charles that Whit showed during the trial. Considering the hidden purpose of this weapon according to this world, she knew that she could use it to knock someone out.
It would be very easy to get a target unconscious without resorting to physical force. Next up, she needed some kind of murder weapon that would do the deed for her.
Truth bullet used : Hu's wires
Eden probably considered using Hu's custom weapon, but that would've been incredibly risky. Even if she was friends with Hu, how would she be able to get her weapon without seeming suspicious?
She needed to use something else. Something that could work just as well as Hu's wires.
Initially, I was thinking of the analog clocks that could be found in the killing game building, a specific wire within it, but it seems quite convoluted on top of being unsure if that would've been enough wire to pull it off.
So I kept looking into it, and I discovered two interesting facts about this fangan.
During the prologue, we learn a few things about Eden, but most importantly, she loves hand-making antique clocks. Meaning it's not wrong to assume that she loves antique clocks overall.
The other fact is the following...
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Whoever made this killing game, everyone's dorm has been customized to fit their needs and style. So if we combine this fact, Eden's talent and her love for antique clocks, then it's safe to deduce that she must have antique clocks in her dorm, don't you think?
Not only that, but it could very well be a grandfather clock! There's a seemingly grand variety of grandfather clocks, but what's important is that you can find clock cables in them. They're usually used to maintain the clock's weights.
This could very well be the weapon that she used for the murder attempt on Ace. Otherwise, it could very well be some kind of material that she already had available considering her talent and her love to craft antique clocks.
Truth bullet created : Eden's cables
Murder attempt on Ace? Isn't it Nico who tried to kill Ace in the gym?
I'll explain that confusion later... For now, let's just say that her initial plan was not killing Arei in particular. At least, not the things we've seen in the playground. Whatever we discovered in the fitness room instead was her initial plan.
Well, there's no way to know for sure that Eden had those wires.
No, but as long as it's a possibility, it can work.
But that's only based on your assumptions, that's just wrong!
It's a logical deduction based on facts about this fangan. But you know what? I refuse to elaborate further on this. I'll explain why in the finale.
Moving on, Eden did something else while there was an argument happening in the cafeteria. She decided to have a meeting with Arturo in the infirmary to share his secret. Eden has Arturo's secret : "Your younger sister killed herself because of you. You should have never left."
This is pretty much the flashback scene that we see in Chapter 2, Episode 10. Eden reveals the secret, Arturo threatens her, Arei comes in to save the day. Arei then apologies for her bullying back in playground. Then Arei and Eden become friends.
There's of course more to it than that, but you get the idea.
Wouldn't your motive become null and void when Eden became friends with Arei?
Not necessarily. Eden probably made up her mind already about leaving this place. Besides, there's no guarantee that she fully believed what Arei said.
I personally think that this was a perfect opportunity for Eden to take advantage of Arei when she would need it most.
But this was supposed to be a meeting with Arturo. How would Eden know that Arei would come to the infirmary?
That's the thing. She didn't know. The fact that Arei came in to save her was an unexpected, yet pleasant event. It was literally a golden opportunity for the culprit.
Then she was only expecting Arturo. What would be the point of that meeting if she intended to murder someone that wasn't necessarily Arei?
Right, cause back in episode 10, we were led to believe for a while that Arturo could've been a suspect of the murder of Arei. It was also because of the fake letter that was adressed to Arei.
Well, we know that Eden knew Arturo's secret and that's no light secret eitheir. It's a pretty bad one. So she must've been expecting a negative reaction out of Arturo.
Truth bullet used : David's plan
I doubt that she was aware of David's intentions, but she could've used David's idea to her advantage. She had a feeling that some of these secrets could cause conflicts. Which is precisely why she decided to share it to Arturo.
She was creating a potential suspect for her plan in the future.
Why would that matter if she was only meeting up with Arturo? She would have no other witnesses if that went according to plan!
Truth bullet used : Non-soundproof walls
She knew that any conversations could be heard from outside of said room, so she made a gamble on it. She was hoping that someone else would hear the conversation happening and they would be the potential witness.
Luckily for her, that worked out a lot better than anticipated when Arei came in to save and befriend her.
Truth bullet acquired : Eden's incident in the infirmary
Before getting her murder scheme in motion, all that was left was grabbing Rose's turpentine.
Wasn't it Nico who stole the turpentine from Rose?
I'll explain the thing about Nico later, but no, it could've been anyone else. Like I said before, she was painting in the dress-up room, her turpentine could've been there.
Also, after the argument between Ace and Nico, Rose fell asleep, so for an unknown period of time, the dress-up room was left unattended, meaning that anyone could've stolen it, not just Nico.
But how would Eden know that the turpentine was there?
Normally, she would think that it's in Rose's dorm, but it's very likely that she saw Rose painting in the distance and spotted the turpentine. It's not because we don't see her since the bullying that we should expect her to be secluded in her room for an unknown amount of time.
But then she would rely on luck yet again to get what she wants!
It's possible that she considered to use something else to knock someone unconscious, but when she came across that turpentine in the dress-up room, she figured it would've been a much better option.
But wouldn't Rose have noticed the turpentine missing during the practice session she was supposed to have with Nico later?
Not necessarily, she tends to be easily distracted and absent-minded. So she might've not noticed until later.
Well, she also has a photographic memory. She can precisely remember things. Wouldn't she remember when it was missing?
Not if she didn't notice it beforehand. Anyways, we're getting nowhere with this, so I refuse to elaborate further. I'll explain why later in the finale.
Act 5
During the evening of DAY 2, a few things happened on the second floor. Ace was working out alone in the gym and a meeting was about to happen between Arei and David in the relaxation room.
Hold up, didn't that happen on the evening of DAY 3?
That's what we're all led to believe, but there are plenty reasons to believe that's not what happened. I'll explain it later when the time comes. For now, whether you believe it or not, let's say that this happened in the evening of DAY 2.
So Ace is working out during that time, most likely doing benchpress. The reason why is somewhat related to this...
Truth bullet used : Ace acting tough
Obviously he's not pretending to work out, he's actually a fairly fit and strong person, which was also shown during the Q&A with DRDT creator. He's also an athlete.
Even since the scene in the fitness room in DAY 1, he's trying to rely on himself alone and doesn't want others to see him as a joke. So he's also working out to stay in shape.
Truth bullet acquired : Ace working out
Isn't that because of his eating disorder that he's working out?
Probably, but I don't think it's just that. I think it also has something to do with trying to get stronger to make sure he can survive the killing game.
He then hears a conversation happening between Arei and David in the relaxation room. Ace got curious, so he stopped training and decided to eavesdrop on them.
This is pretty much the flashback scene that we get in Chapter 2, Episode 11. Of course, the events according to my theory are different compared to what's shown in episode 11. Aside from it happening at a different day, there's a few other details that Ace tricked us into believing that this truly happened on DAY 3.
Truth bullet acquired : Ace's testimony
I'll explain them later once we get to this particular Act. There is one thing that's very important thing to recall right now though.
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He said that right after Arei asked David to say something. That was after she revealed David's secret in private because she was seeking an explanation for his actions. Since she knows David's actual secret, it means that she knew that he lied about "family history of depression" secret and that his secret share plan is suspicious.
So Ace claiming that he didn't hear anything else right after that moment is just incredibly suspicious. It just wouldn't make sense! David must have said something to Arei. He couldn't have simply ran away because he would've run into Ace otherwise.
David must have said something afterwards, regardless of what it is.
Then can you explain what happened then? Why didn't Ace hear anything else.
Ace truly didn't hear anything else, but not for the reason that most are led to believe.
What's that supposed to mean?!
Something happened shortly afterwards that made Ace physically unable to hear anything else.
Truth bullet used : Eden's sneakiness
Truth bullet used : Turpentine
In that precise moment, Eden snuck up on Ace and knocked him unconscious with the turpentine that she stole in the dress-up room earlier. Ace became the intended victim target for Eden's murder scheme.
Wouldn't Arei and David hear anything happening?
Probably not. As long as she's stealthy enough and that the turpentine is strong enough, it could knock him out pretty quick with having time to react to it. It's entirely possible to do this quietly.
Alright, but wouldn't they see the unconscious body sometime later after the discussion?
Not if Eden dragged the body to hide it. Initially, I thought she would bring it to the dress-up room and hide it in the changing room, but I think it'd ask too much physically for Eden. So the only option remaining is dragging the body back to the gym. This should work as long as it's not in the hallway and the door is closed.
But earlier, you said that Eden's weak and not fit. How would she be able to drag a body?
In a real life scenario, it would probably be really different and incredibly difficult. But that's the only explanation I can come up with to explain how she was able to do that without getting caught.
It's not like she waited for Ace inside the gym. Otherwise, he would've prolly heard more about the conversation.
Anyways, I refuse to elaborate further on this. I'll explain why later in the finale.
Moving on... After capturing Ace, she had one remaining step to do before preparing the murder mechanism : she needed a scapegoat. Arei was the perfect target for that.
Truth bullet used : Eden's sneakiness
Truth bullet used : Turpentine
So Eden knocked her unconscious at the most appropriate time when no one else was around.
Wasn't David here? Wouldn't he have known?
Obviously, the culprit didn't do that while they were both present. Considering the matter of the discussion, it's probably likely that David got out of the relaxation room first, before Arei. So Eden simply needed to wait for David to use the elevator.
Otherwise, she could've also prepared a fake letter, asking Arei to meet up in the playground so that she could knock her out. This is probably the most logical explanation to this. It would match up the contents of the letter that was revealed in Chapter 2, Episode 10.
Truth bullet created : Eden's letter
Before I proceed with the next Acts, I'd like to pause it to explain every other possible clues that was found on the second floor that could be relevant to the murder mystery.
The 2nd Floor
The dress-up room
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A few things to note about this room that even though none of the characters talked about, as long as it's presented, it can be used as a potential clue. We got some wigs on the left and the pink heart shaped case looks most likely to be a makeup-kit. It would make a lot of sense, considering where it is.
Truth bullet acquired : Wigs
Truth bullet acquired : Makeup-kit
Then post Arei's murder, Charles finds a ball of clothes in this room.
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Truth bullet acquired : Ball of clothes
The relaxation room
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There's a few things I'll list that may seem mundane at first, but they will become important as I explain it later.
First, we got those green mats, they look like light green yoga mats? Let's call em green yoga mats, why not?
Then, we have the incense sticks. They give a pretty good smell inside that room. Burning a whole stick can take up to an hour, but the lingering smell can last for multiple hours. They originally come the incense box that we're seeing to the right.
Truth bullet acquired : Green yoga mats
Truth bullet acquired : Incense sticks
Truth bullet acquired : Box of incense
We also learn about a special feature within this room in Episode 2.
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We also learn that the room becomes locked at 10:00 PM up until 8:00 AM because of this misting system that monoTV implemented. He doesn't want anyone to enter that room at night while this is happening since it would leave a mess.
Truth bullet acquired : Relax room's nighttime features
The fitness room
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I decided to use the crime scene in Episode 6 since most of the much needed clues are found in here.
Let's start with both the broom and the stepladder. They're not from the gym originally, so someone must have brought them here. They must've played a role in setting up some kind of murder scheme in here. Are they from the storage room, perhaps?
Truth bullet acquired : Broom
Truth bullet acquired : Stepladder
Next up, we have the whole weight rack. It wasn't there originally. Uh... I mean, it came from the gym, but not in this unusual position. So someone moved it. Was it part of the murder scheme?
Truth bullet acquired : Moved weight rack
Then, we have those benches adjacent to Ace that's been moved. We also have the right fan that fell down. It was ripped out according to Teruko. Also, the left side fan isn't working.
This is strange because the first time Teruko explored that room, it was working just fine and even after monoTV finishing cleaning up that failed murder attempt mess, the left side fan was working again. Why would it suddenly stop turning if that fan wasn't ripped out?
We have two weight plates neatly placed next to the threadmills. Why are they here?
Truth bullet acquired : Moved benches
Truth bullet acquired : Ripped out right fan
Truth bullet acquired : Left fan not spinning
Truth bullet acquired : Weight plates next to treadmill
Onto the more important clues.
We have a piece of wire that's attached to a blade of the fan with tape. A part of it has blood on it. The other piece of the wire, which was held by Nico when Teruko and Eden came across this crime scene, but then they dropped it. There's also blood on it, but there's a couple spots where there's no blood somehow. Is it two wires or the same wire snapped in two?
Truth bullet acquired : Piece of wire attached to fan
Truth bullet acquired : Other piece of wire
Speaking of tape, this is the roll of grippy tape that I was talking about in the Whodunnit part of my post. According to Rose in Episode 7, when she failed to do a pull-up, she says that there was originally grippy tape on that bar, which Teruko didn't believe.
But if you rewind back to the previous episodes, you can clearly see that there was something on that pull-up bar, but then during the crime scene of the attempted murder, it's no longer there. It's very safe to presume that the roll of tape and what was on the pull-up bar are the same kind of grippy tape.
Truth bullet acquired : Roll of grippy tape
Truth bullet acquired : Missing tape on pull-up bar
Let's take a closer look at the body.
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A couple things to note...
The neck wounds on Ace. We were first led to believe that he died to those wounds, but it turns out, he's still alive. They must still hurt though. Right behind that we can see a glimpse of smeared blood on the wall, behind his neck. Even when Ace wakes up, the blood on the wall is still trying, so it's no magic trick or illusion there. It's very real.
Then, even more subtle than that, there's blood on his Ace's fingers (on his right hand). Because of the way it's positioned and because the other hand is hidden, it's possible that there's more blood on these hands.
And then we have Nico being "caught in the act". Anyone who sees this will immediatly think that Nico tried to kill him, no doubt about it. While I'm at it, let's keep in mind the odd position that Ace's body is found. Another thing even weirder than that is the utter lack of other traces of blood. There's no blood on any of the equipments, other walls and so on. What happened here?
Truth bullet acquired : Neck wounds
Truth bullet acquired : Smeared blood on the wall
Truth bullet acquired : Blood on Ace's fingers
Truth bullet acquired : Nico caught in the act
Truth bullet acquired : Ace's sitting position
Truth bullet acquired : Lack of blood anywhere else
Quite a lot of truth bullets in that room, ain't it?
The playground
(I can't find a good screenshot to take to see the whole crime scene without any distractions, so I'll trust that you have a fairly good idea of what it looked like. Also, I'm getting close to the limit of pictures I can send, so...)
Let's start with the body.
She is seen hanging by a rope on the swing set. Someone tied her up there, but who would be strong enough to pull that off? Then when Arturo inspected the body, he found out that Arei has a broken neck, so something with the rope must caused her neck to snap somehow.
We also find red marks on her wrists, indicating that her wrists must've been tied up with something. Other than that, there's no other visible wounds or details regarding the body. Well, there is one thing... it's not mentioned by the cast, but it's clearly visible : Arei's glove is missing.
Truth bullet acquired : Rope attached to Arei's neck
Truth bullet acquired : Arei's broken neck
Truth bullet acquired : Red marks on Arei's wrists
Truth bullet acquired : Arei's missing glove
Close to the seasaw, which is like in front of the swing set, we can find scuffed marks on the ground, which is caused by something being scraped against it. Seemingly easy to damage the ground.
And there's also the dead fishes found close by. Why are they here? According to Nico, the fishes were fed last evening/night by them, so the fishes were still alive by then.
Truth bullet acquired : Scuffed ground
Truth bullet acquired : Dead fishes
Moving on... to the right, if we look at the carousel aka the spinny thing, there are two clues. First one is the long rope found under the carousel. The bars of the carousel are wrapped with tape. It looks like the very same tape that was found in the fitness room.
Truth bullet acquired : Long rope under carousel
Truth bullet acquired : Carousel wrapped with tape
Oh right, before I forget... according to MonoTV, there was also a broken ceiling light on the ceiling, so they turned it off for now.
Truth bullet acquired : Broken ceiling light
Then in the hallway, Rose knocks over the only trash can available on the second floor and they find a couple clues.
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We have the empty water jugs with broken handles. Quite peculiar, don't you think? Then we have a torn-up note which we already what it is by now. It's the letter "signed by Eden" adressing to Arei to ask her to meet in the playground about an issue regarding a secret being exposed.
We also have scrunched up tape, which looks very similar to the tapes we found in both the playground and the gym. Can't be a coincidence!
More subtle and not mentioned by the characters, there's a needle with a black string attached to it.
Truth bullet acquired : Empty jugs with broken handles
Truth bullet acquired : Torn-up note
Truth bullet acquired : Scrunched up tape
Truth bullet acquired : Needle with black string attached
I believe that's all the relevant clues I can find in each of these rooms. Time to get back on track!
Act 6
So to give a tiny recap to where we were last time in Act 5, Eden knocked Ace unconscious, dragged him back to the gym. Then sometime later, she knocked Arei unconscious.
Why would she knock Arei unconscious?! The culprit already found her intended victim for the murder!
There's only one possible explanation for this. Arei was supposed to be the scapegoat for her murder scheme. She was supposed to be the main suspect.
That makes no sense! If it went according to plan, during the trial, Arei would've mentioned that she's been knocked unconscious by Eden.
Not quite!
Truth bullet used : Eden's sneakiness
If she can sneak up on Teruko without her noticing, then she can also sneak up on Ace to knock him unconscious without being noticed. Therefore, if she can do that with Ace, she can do the exact same thing with Arei.
So sure, she would've mentioned that she's been knocked out, but who would believe her? Would they rather believe Eden or Arei? I think the answer is pretty clear.
But she must've been knocked unconscious not too late at night, meaning that she could've woken up sometime later at night and no one would suspect a thing about her!
There's no way to tell if the turpentine's effect would make someone go unconscious for a short or long time. That aside, there's a simple solution to explain how she couldn't escape without being suspected. To make sure that she doesn't go anywhere, you just need to trap Arei somewhere, lock her somewhere.
But there's no such place for that!
Truth bullet used : Relax's room nighttime features
The culprit hid Arei's unconscious body inside the relaxation room. Even if Arei somehow woke up early, she would be unable to get out of here because of the features of that room.
The room closes at 10:00 PM and only reopens at 8:00 AM. It's heavily implied that it would be locked. If someone wouldn't be able to enter that room at night, it's possible that someone wouldn't be able to exit that room eitheir if they were stuck inside.
But according to said features, it's locked because of a misting system that uses an enriched formula for the plants inside. Wouldn't Arei be covered in said enriched formula as well?
She would, unless the culprit used something to cover her body.
Truth bullet used : Ball of clothes
Truth bullet used : Needle with black string attached
The ball of clothes has starch on it and according to some google research, starch is actually very beneficial in plant growth. So it's safe to presume that this enriched formula that monoTV mentioned has something to do with starch. Meaning that the ball of clothes is physical proof that it was used in the relaxation room for the night.
This ball of clothes in question is a bundle of all the old uniforms that Teruko and Hu used to have until monoTV changed their style.
Then, it's possible that the culprit used a needle with string to attach pieces of clothes together to make a custom blanket of sorts.
But the turf in the relaxation room would get wet at night and that would stick to Arei's body!
Truth bullet used : Green yoga mats
The culprit placed the body on top of a yoga mat. That way, it wouldn't leave any traces on the back side of her body. Then add the blanket of clothes as mentioned earlier and she'd be covered from all sides.
To summarize this act, after hiding Ace's body in the gym, she knocked Arei unconscious with the turpentine and made sure that Arei would be locked up inside the relaxation room and covered from the misting system. She did all of that before 10:00 PM.
Act 7
Now that Arei's unconscious body was taken care of, it was now time to set up the murder mechanism!
Truth bullet used : Moved weight rack
Let's get that out of the way right off the bat. We know Eden's weak, so there's no way she could've moved the weight rack, even though it seemed to have been moved to make space for the murder mechanism. I doubt that Eden would put the time and physical efforts to move the weight plates one by one, then the weight rack and then putting back the weight plates.
So if she didn't do it, who did?
Truth bullet used : Ace working out
According to my theory, Ace was working out that evening, so wouldn't it make more sense to believe that he's the one who moved that weight rack? That would also be evidence that he was working out during the evening of DAY 2, not DAY 3 (I know what some of you think about this, but I'll get back to it later, don't worry).
But that doesn't make sense! The way that the weight rack was moved and toppled over, it's facing away from the bench where he would be doing the bench pressing.
Maybe, but we don't quite know what the characters are truly thinking. For all we know, this could be his actual workout preference, as weird as it may seem. With that said, I refuse to elaborate further. I will explain why in the finale.
Besides, we know that Ace is fairly fit, so he could move a bunch of these weight plates easily. Moving on...
Truth bullet used : Missing tape on pull-up bar
Since we know that Eden took the roll of tape with her as shown in the whodunnit, sometime after the failed murder reveal, it's logical to conclude that she's also the person who removed the tape on that bar. She removed all of the available tape on the pull-up bars to make a single roll of grippy tape.
Ha! There's a problem with that! It doesn't seem like there's a lot of tape on that pull-up bar, it's highly doubtful that it would be the same quantity as what's shown on the roll of tape. She must have gotten that tape somewhere else.
There's a very simple explanation for it...
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See this on the left? That's also a pull-up bar, but slightly hidden by the weird workout contraption directly in front. But still, there's definitly a pull-up bar there.
So tell me... if there was grippy tape on the pull-up bar to the right, wouldn't there be tape on the pull-up bar to the left as well? There was a reason why I mentioned "available tape on the pull-up bars" and it wasn't a typo.
If you combine the tape from both pull-up bars, there would surely be enough to make a complete roll of tape. Moving on...
Truth bullet used : Eden's cables
Truth bullet used : Piece of wire attached to fan
Truth bullet used : Other piece of wire
Since the culprit didn't use Hu's custom weapon according to my theory, it's safe to presume to the wire that was found in the gym is the exact same as Eden's cables that I came up with. This also means that both pieces of the wire were originally a single, longer piece of wire.
So she used her accessible weapon for the next step...
Truth bullet used : Piece of wire attached to fan
Truth bullet used : Roll of grippy tape
Truth bullet used : Stepladder
She attached one end of the wire to one of the blades of the right fan. The culprit circled the cable around the blade a few times and then did the finishing touches by sticking tape to it to make sure it'll stay there.
Of course, she's not as tall as a giraffe or as tall as Arturo, so she needed something to boost her height. That's where the stepladder comes into play. She placed it below the fan, climbed up and did the thing.
But when Teruko finds the body, you can see that the tape is facing upwards, above the fan. Wouldn't it be much easier to place it under the blade?
Sure, it would make sense, but from a mystery game/novel perspective, what would happen if the tape was placed under? You wouldn't really be able to see it now, would you? Granted, some could easily arrive at the conclusion that the wire was attached with tape since there was a roll of tape found at the scene.
So in that case, there's another simple and logical explanation to it. If you had the option to place tape eitheir above or under the fan, which would be the most efficient?
The right answer would be above the fan! Think about it. The wire is supposed to be holding something, so there would be weight attached to it. If the tape was applied under the blade, it could've easily come off because of the pressure of the weight. If it was taped above the blade instead, even though there would be weight pressure, it wouldn't affect the tape much in that situation.
Therefore, Eden placed the tape above the blade of the fan because that was the most efficient option. While I'm at it...
Truth bullet used : Ripped out right fan
Truth bullet used : Left fan not spinning
Considering what I've said previously regarding the left fan not spinning during the body discovery of Ace, there's a simple solution for this mystery.
The left fan stopped spinning because it was turned off. There is most likely a switch in the gym to turn on and off the fans.
That would easily explain why the left fan started spinning again after monoTV cleaned up the room the following day. That would also easily explain how the culprit managed to place tape on the right fan as well. Even though we have no one mentioning the existence of a switch for the fan, it's very easy to come up with that conclusion.
Truth bullet created : On/Off switch for the fans
Act 8
Now that the cable was set up on one end, it was time to take care of the other hand of the cable. That part would require more steps and efforts than what's shown in Act 7.
First off, to make sure her murder mechanism worked, the end result required Ace's body to be standing up with the wire attached to his neck. So it needed to be just kinda long enough to make it work.
So the body needed to remain in a standing up position while Eden is setting up the other end of the cable to his neck. Of course, she didn't have an accomplice nor would she want to work with one, so she relied on a few materials she planned beforehand to make it work.
Truth bullet used : Moved benches
Truth bullet used : Weight plates next to treadmill
Truth bullet used : Broom
The culprit used the back wall so that Ace's body would rest against it. That way, it wouldn't move backwards. Then, she squeezed the victim's legs with the benches, placing one of them on each side so that the body wouldn't move sideways. She also placed a weight plate on each foot so that his feet wouldn't move around, which could move the body if that were to happen. It would help keep the body stable.
Even with these steps however, it still wouldn't be enough to keep the body still. After all, these steps I mentioned only affect the lower part of the body. So if the culprit let things play out like that, the upper body would simply bend forward which would make all that stability effort go to waste.
Fortunately, the culprit is smart, she thought about that beforehand. That's why she brought the broom to the gym. That was the final step needed to keep the body still.
All Eden had to do next was place the broom through Ace's shirt in the back. As long as the body is standing against the wall, Ace would be unable to bend forward because of the broom. It's physically impossible.
You can even try it out yourself at home if you'd like. Pass a broom (preferably a clean one) through your shirt in the back, stand against a wall and try to bend forward. The broom blocks you from doing that.
Wouldn't the upper body be able to move sideways though?
Maybe, maybe not. It doesn't really matter though because the culprit simply needed to hold the body for a bit and all Eden needed to focus on is making sure that it wouldn't move sideways, everything else was taken care of. Moving on...
Truth bullet used : Eden's cables
Truth bullet used : Neck wounds
Truth bullet used : Smeared blood on the wall
Truth bullet used : Lack of blood anywhere else
Now that the body is stable, she needed to place that wire around Ace's neck, but how? Well, if we look at the neck wounds, you can see multiple slashes across his neck. And judging by the smeared blood on the wall, it seems to heavily imply that the neck wounds also reach the back side of his neck.
Well, actually, there's some incredibly minor pixelly details that seem to indicate that the neck wounds doesn't extend to the back. There's also this and-
Those are incredibly niche and minor details to claim that neck wounds doesn't go around the back of his neck which is still incredibly odd to me that people believe is the case considering the smeared blood. To me, it seems more like the creator added that blood on the wall to indicate that the neck wounds also go around his back even if we can't physically see it. In any case, I refuse to elaborate further on that. I'll explain why in the finale.
Anyways, there's also the lack of blood anywhere else during Teruko's investigation of the attempted murder. It seems really weird that there's not much other signs of blood considering how seemingly complex that mechanism must be. Some claim that some of these bloody spots must've been wiped off somehow, but I think there's a much, much simpler solution to this.
The culprit wrapped the cable around Ace's neck multiple times.
The best part in all this is that the culprit doesn't even need to tie it up. Even though it's simply going around his neck multiple times without a noose, the cable wouldn't come off. Heck, if you were to pull the wire one way, it would just tighten up Ace's neck.
If you're not convinced, you can try wrapping a plastic water bottle with some long wire and then try to pull it. It usually doesn't come off.
Act 9
Now that the cable was properly wrapped around Ace's neck, Eden had a few remaining finishing touches to complete the murder mechanism.
First off, now that Ace is properly tied up with the fan, all the materials that was used to keep the body stable was no longer needed and could be discarded.
Truth bullet used : Moved benches
Truth bullet used : Weight plates next to treadmill
Truth bullet used : Broom
Truth buller used : Stepladder
She removed the broom that was stuck in Ace's shirt. Then, she moved at least the left bench so that she'd have an easier access to drag the unconscious body. After that, she removed the weight plates on his feet and put it next to the treadmills. To finish it off, she moved the stepladder away from the fan since it was in the way.
After doing so, she then dragged Ace's standing body closer to the fan. Or rather, right below it, at the center.
Why didn't she place Ace's body under the fan to begin with? Moving it towards the wall seem unnecessary!
No, it was very much needed. Remember, Eden's not strong and she needed to make sure that the unconscious body wouldn't move while she's setting up the murder mechanism. Even if she were to make the body sit down, she would then need to make him stand up to tighten up the wire, but if there's no way to stabilize the backside, it would just fall backwards. Then if she would try to make sure it wouldn't go backwards, it could bend forward and so on. It wouldn't be practical.
That's precisely why she needed to make his body lean against the wall initially. Anyways, once Eden placed the body under the fan, she readjusted the wire a bit to make sure it would remain tight.
Couldn't she just leave the body standing against the wall for the murder mechanism?
Not really. The way the murder mechanism is supposed is work is like so..
Ace's body would be held by the wire which is attached by a blade of the fan. The fans are currently turned off. The only thing the culprit needed to do to commit murder is turn on the switch. By turning on the switch, the fan would spin along with the wire.
If the body was standing against the wall at the time, the wire would somewhat try to drag the body forward, which could potentially make the body fall, which could potentially break the fan.
If the body is standing right below the fan however, the wire wouldn't really drag his body since it is at the very center of the rotation. Once the fan spins along with the wire, the wire would wrap around his neck further, which tightens it even further, which could be what caused those neck wounds.
And that's what I think is what the murder mechanism is supposed to be.
Why would she go through so much work and efforts to make that kind of mechanism?
There's a couple reasons. Eden's not strong, as stated before, so there's a bunch of murder methods that she couldn't do by herself. Granted, she could easily do something like stabbing, but it's possible that she's the kind of the person who doesn't want to do the actual murder action herself. So the culprit would be more at ease if it was some kind of mechanism that would do the dirty deed for her.
But for a more reasonable explanation, working on a murder mechanism like that reminds her of her time spent working on clocks. Since clocks usually involve mechanisms, Eden would be more at ease working on something that's closer to her talents.
Truth bullet used : Hu's wires
Also, less practical reason, but still a reason nonetheless, since the culprit used some kind of wire as murder weapon, it could've been served as a way to throw in suspicions towards Hu. Even though the plan was meant to have Arei be the main suspect, it doesn't mean she couldn't throw suspicions indirectly on others as well. Besides, the more suspicions that's thrown at others, the less likely she would be caught.
Another good reason to it is because of the BDA rule. The rule states that "The Body Announcement will play when three or more people who did not witness the murder discover the body." She crafted that whole killing machine so that she would be able commit murder without witness the moment of murder.
Truth bullet used : On/Off switch for the fans
Eden simply needed to turn the switch of the fans back on and then exit the gym. She could go back to the dorm, letting the mechanism do its work and then next morning, if she goes with 2 other people to find Ace's dead body in the gym, it would trigger the BDA.
Act 10
That sounds great and all, but the murder plan failed anyways. What is even the point of all this?
Well, if everything went according to plan, it could've been a nearly perfect crime. But that didn't happen, as we all know. So what happened instead? Well, there's a simple reason why I suspect why Eden is the person responsible for the attempted murder on Ace.
Truth bullet used : Nico's motive to kill Ace
Truth bullet used : Nico caught in the act
Consider that Teruko and Eden found Nico next to Ace's that night, they're definitly involved in some shape or form. But since the murder mechanism was all of Eden's work, it would mean that Nico is the third party behind this fiasco.
While Eden was working on her murder mechanism, Nico decided that they wanted to murder Ace. The constant bullying pushed them to the edge. So they were desperatly looking for their target to commit murder.
But wait... if Nico was caught in the gym, how would they know to find Ace in here? Wouldn't they think that Ace would be sleeping at night in his dorm? Why wouldn't they look for him in the evening.
It's hard to say. I think there's honestly a lot of things that we don't know about Nico. They're quite the mystery. What we do know is that they were willing to murder Ace. We don't know their whole thought process, but they probably wanted to kill him at night since they would be less likely to be found out.
They probably tried knocking on Ace's door first, or maybe they kept a close eye to when Ace would come back to his dorm, but it never happened. So they probably eventually decided to go take a look around the building to see where he could be hiding.
But apparently, Nico never really thought about it when Veronika asked about how they envisioned killing Ace.
Maybe, but like I said, there's a lot that we don't know about Nico and from the looks of it, when Ace bullied Nico and they then replied that they would kill him, it seemed like a totally different behavior.
I don't know what's up with that, but that sinister behavior makes me believe that this is like a different form of Nico. Like a split personality, or his true self or something. We don't know for sure what it could be, but that different behavior could be what caused them to want to kill Ace at night.
My point is... because there's so much unknown about Nico, there's a vast amount of possibilities that would explain why they decided to murder Ace then and now. Moving on...
So Nico's looking around for his prey (hehe), they probably look around the first floor, but don't find him anywhere. So the only remaining option is taking the elevator to go on the second floor, he must be there after all.
Truth bullet used : Non-soundproof walls
Meanwhile, Eden suddenly hears the elevator making sounds. She realises that someone is approaching, but who and why this late at night?
Even though she completed the murder mechanism, she still wanted to clean up the crime scene a bit. Like... you know... placing the broom and stepladder back where it came from (storage room maybe), placing the discarded weight plates and moved benches back to their original position.
Unfortunatly, she can't do that, someone's coming, she needs to hide. So what does she do? She turns the switch of the fan back on, exits the gym and then hides in the dress-up room. Now, all she can do is hope and pray that whoever arrived will go back to the first floor.
But how would she not be aware that someone would arrive late at night? Wouldn't she have known that Nico probably wanted to kill Ace?
That's actually impossible. She couldn't have expected this at all.
Truth bullet used : Eden's incident in the infirmary
While the argument between Nico and Ace happened that day, Eden was busy having a private discussion with Arturo in the infirmary. She had a meeting so that she could reveal his secret and cause a potential conflict.
When Ace was threatening Nico that he would reveal their secret, at the time, Arturo, Eden and Arei was nowhere to be seen in the cafeteria, so it matches up perfectly.
So yeah... that was an unpleasant and unexpected surprise for Eden. The worst part in all of this is that when Nico reached the second floor, they actually entered the gym and that's when they discovered Ace about to be murdered by this weird mechanism.
This just became a disaster for Eden, someone found out about it too early and there's nothing she can do about it at the moment except to wait. So what does Nico do next?
Truth bullet used : On/Off switch for the fans
They turn off the fans.
What?! What would be the point of that?! He wants Ace dead, he doesn't want to save him! That doesn't make sense!
This is a golden opportunity for Nico! Think about it. They want to murder Ace, but then they see that potentially someone else already tried to murder him. It's hard to say if they knew what this whole mechanism meant, but they could see that the fan was playing a part to it.
So they probably realised : "Wait, I could turn it off and then kill him myself." That way, if the group somehow figures out the murder mechanism, they might not realise that someone else killed Ace in that moment.
But then Eden would've told the group about it. She would've been a witness and Nico would've been doomed at the trial.
Maybe, but the thing to keep in mind is that at the time, Nico didn't know that the person responsible for the murder mechanism was hiding somewhere on the second floor. After all...
Truth bullet used : Eden's sneakiness
Even though the walls are not soundproof, Eden is really sneaky, so she might've been able to hide without being noticed by Nico.
But like I said before, Nico never really thought about it when Veronika asked about how they envisioned killing Ace.
...Again with this. Like I said before, there's a lot that we don't know about Nico yet. It's precisely because he never thought about it that it makes me think that something's going on with Nico.
If Nico had something like a split personality, similar to Toko Fukawa, it would explain those oddities. Cliché'd or not, this is a fangan. So creators could definitly take inspiration from the original ones without a doubt. It would also explain why they weren't willing to share to Charles what happened there. Whether they was filled with regret or not, it's possible that they don't quite clearly remember how it went.
In any case, I refuse to elaborate further on that. I'll explain why in the finale.
Now that the fan is turned off, there are eitheir two things Nico could do : Kill Ace directly with a slightly different method, like physically strangling him or they simply turn the switch back on.
As long as they get the finishing blow, that should work.
Act 11
It's around this time that someone else joins the murder party on the second floor. We must not forget about Teruko! Based on what we saw on Episode 6, Teruko realises that she forgot her spare uniforms in the dress-up room on the second floor because she didn't want to use the same ol stinky clothes after taking a shower. So she then uses the elevator to go get her clothes on the second floor.
Eden hears footsteps, noticing that someone's approaching the dress-up room. Thinking it's the person who was in the gym, she goes : "W-who's there? I know you've been following me!"
But that was in fact Teruko who entered that room, so she replies : "What? No, I'm not. What are you talking about?"
Then Eden gets embarassed and nervous. She asks : "Oh, it's just you, Teruko. What are you doing here?" At the time, the culprit thought that it was the other person who visited the gym : Nico.
Teruko replies : "I could say the same to you. What are *you* doing here, at a time like this?" She makes a very good point. It's very suspicious of Eden to be present in here this late at night and Eden is aware of that. She's in trouble. If she doesn't come up with a valid excuse quickly, her plan will be completly ruined.
Truth bullet used : Ball of clothes
She then remembered that when she was gathering clothes to make some kind of blanket to cover Arei from the starched water, she noticed spares of Teruko's uniform. So with her quick wit, she came up with this : "Hu told me all about how MonoTV gave you both new outfits. I noticed you didn't take any of your new clothes, so I was going to deliver them to you! But I'm guessing that's also why you're here right now."
That excuse worked like a charm. Teruko believed it, as mistrusting as she may be. She was even nearly about to thank Eden for being so nice, but then remembered she needs to retain a mean and mistrusting persona.
So then they talk for a bit, they're about to go back to the first floor. Or at the very least, Teruko was about to go there first because she doesn't trust anyone else to take the elevator with her. Then all of a sudden, they hear loud noises coming from the gym. They enter the room and then we get to the scene of the attempted murder on Ace with Nico being caught in the act.
Act 12
While this whole scene between both girls happened, something else was happening back in the gym. So according to my theory, Nico turned off the fans. That wasn't just because of malicious intents by the way, there was also a logical reason behind it.
Truth bullet used : Left fan not spinning
Truth bullet used : Nico caught in the act
When Teruko and Eden discovered Ace's body while Nico was holding a piece of the wire, in that moment, the left fan wasn't working. It wouldn't make sense for the left fan to be broken like the one on the right since it was working just fine the next day.
This means that someone must've turned off the fans and the only possibility I can think of is if Nico turned them off for their own personal reasons. It just makes sense.
Anyways, as they were about plotting to murder Ace, something else happened that put a stop to their plan.
Truth bullet used : Non-soundproof walls
They heard someone using the elevator. Not only that, but they could hear Teruko and Eden talking in the dress-up room. They are now aware that there are people close by. They can't afford to do any funny business like murder if there are witnesses close by. They had no choice but to wait for them to go back to the first floor.
To make sure that they were indeed gone, they put their head against the door to listen closely to what's going on outside the fitness room.
While this was happening... yet another unexpected thing happend. Ace came back to consciousness!
That makes no sense! You have no proof of that!
You'll understand why I make that claim shortly. Be quiet and let me continue!
So let's think about Ace's point of view for a minute here. He wakes up in the fitness room. What are some of the things that he notices? Well, he sees Nico in the distance, by the door. Nico doesn't notice Ace who came back to consciousness because they were busy listening to the conversation between Teruko and Eden.
Truth bullet used : Neck wounds
Shortly afterwards, he would notice that his neck hurts. Confused, he's wondering what's going.
Truth bullet used : Eden's cables
Truth bullet used : Blood on Ace's fingers
Truth bullet used : Nico's motive to kill Ace
Truth bullet used : Ace's phobias
So Ace touches his neck and that's when he notices that there's blood. Then upon closer inspection, he realises that he's stuck with a wire wrapped around his neck. The terrifying conclusion comes to him in a flash : "Oh my god! Nico is about to freaking kill me! I don't wanna die!" This is partly why there's blood on Ace's fingers. He's having a moment of panic, but...
Truth bullet used : Non-soundproof walls
He can also hear two girls talking from outside the gym. So Ace knows that there's people around. He probably wanted to scream, but his neck probably hurt so bad that it might've been nearly impossible to speak at the moment.
So he needed to come up with another plan. What could he possibly do to get everyone's attention?
Truth bullet used : Ace working out
Truth bullet used : Piece of wire attached to fan
Truth bullet used : Other piece of wire
Truth bullet used : Blood on Ace's fingers
There's only one possible option he could do in a situation like this : brute force his way out of this death trap. So he grabs the wire from the front of his neck with both hands, tries to break that wire with all his might. While doing that, he's also pulling his body backwards.
That way, it would put stress on both the wires and the fan. So as long as eitheir breaks, that would do the trick. That would certainly explain why there spots on the wire that didn't have blood : Ace wiped them simply with his hands.
HOLD ON JUST A MINUTE! That can't be possible! You can't fully wipe blood on wires with just your hands that way. You'd need something to clean it up. Also, the position of the spots wouldn't quite realisticly match up the positions of where his hands would be and-
.........I refuse to elaborate on that. I'll explain why later in the finale.
Moving on... Fortunately for Ace, when he tried to eitheir break the wire or the fan, both happened at the same time.
Truth bullet used : Moved benches
Truth bullet used : Piece of wire attached to fan
Truth bullet used : Other piece of wire
Truth bullet used : Ripped out right fan
Truth bullet used : Ace's sitting position
Truth bullet used : Smeared blood on the wall
So what exactly happened when he succeeded in brute forcing his way out? Well, the cable break in two, which would explain both pieces of wire found. Then, the right fan would be ripped out of the ceiling, which would perfectly explain why it was found on the ground.
As the fan breaks, Ace's backwards momemtum would make him fall behind. This would result in him having a sitting position with his back against the wall. The impact of his head against the wall, would make his head move a bit, which would perfectly explain the smear on the wall.
Also, while he's falling backwards, he would also hit the right bench, which would make it topple over. That would cleanly explain why Teruko found a toppled bench during Ace's body discovery.
And of course, all of that creates a very loud noise, which got Teruko and Eden curious.
But what about Nico?
Well... they're kinda screwed. But more importantly, they're as confused as the girls outside. After all, they were busy listening to the conversation, so they have no idea what the hell just happened there.
So when they turn around, they just see this mess... They can't help but wonder what in the heavens happened here. So they approach the "crime scene" and get rather curious about the broken wire. So they grab one piece of the wire and...
Act 13
Truth bullet used : Nico caught in the act
Truth bullet used : Nico's motive to kill Ace
Truth bullet used : Hu's wires
Truth bullet used : Hu being protective of Nico
Truth bullet used : Turpentine
That's when we get the scene where Teruko and Eden finds Ace presumably dead. They also find Nico holding a piece of the wire that has blood on it. This, ladies and gentleman, is how the whole attempted murder on Ace went down in my opinion. It would perfectly explain all the clues found here.
Not only that, but that would be perfect to make us believe without a shred of a doubt that it was Nico who truly did all of that.
Why? It's simple! Teruko catches Nico in the act, so that's already very suspicious. We also know that they wanted to have a painting session with Rose, so it's very easy to believe that Nico might've stolen the turpentine to knock Ace unconscious.
Then, we see that the murder weapon looks like some kind of wire. What do we know about wires? According to the list of custom weapons, Hu's weapon are wires.
Add that to the fact that she's trying to protect Nico from all the bullying like an overprotective mother, we get the following result : Nico really wanted to kill Ace and Hu wanted to help, so Hu became the accomplice by giving them wires.
Wouldn't it make a lot more sense to believe that all of this is just a giant red herring?! A devil trick pulled by the DRDT creator themselves! If that's truly what happened, then I can't help but applaud the creator for coming up with such an elaborate mystery.
Another thing to take note : Eden is really surprised and confused upon seeing the chaotic mess. Her whole mechanical creation broken apart. She couldn't but utter those words : "AHHHHHHH! Wh...What?? What is this??"
Also, Eden notices something else that's entirely wrong : she knows that Ace is not dead.
Huh? How come?!
Think about it. The reason why she made this murder mechanism is to be able to count as a person for the BDA rule since she didn't need to be in the gym for the murder to happen. So when they came across this whole mess, there were at least 3 alive people : Teruko, Eden and Nico. If Ace was truly dead, the BDA would've triggered by now, but that's not what happened.
So Eden knew that her whole murder attempt on Ace failed. Her whole plan failed.
Anyways, Teruko shouts at Nico, they run away and leave the crime scene. So what about Ace? Well...
Act 14
Ace is supposed to be back to consciousness, yet at the time, he's presumably. Well... it's more accurate to say that we were led to believe that he's unconscious. So what's up with that?
There's two options. He eitheir hit his head so hard against the wall that he lost consciousness again. It's a funny theory to think about, but I seriously don't think that's what happened.
So that means it's most likely the other option : Ace pretended to be dead/unconscious.
That's just insane! Why would Ace do that?!
Well, initially, I think it was to fool Nico. Since Ace was absolutely that he was the murderer, he didn't know what to expect of them. So by pretending to be unconscious still, Nico would turn around to see the mess and they would probably not immediatly suspect that this was caused by Ace. It would make sense since they were seen holding a piece of wire, probably wondering what the hell happened.
Well, Nico's gone though. Couldn't he have dropped the act?
He probably could've, but there was something that made him not want to reveal it.
Truth bullet used : Ace acting tough
By that, I don't mean that he's pretending to be dead because he wants to act tough. That wouldn't make sense. I'm referring to the argument scene with Levi way back in Episode 2. He had a change of behavior since then and he even stated that he would rely on himself alone.
In simpler terms, he's practically acting like Teruko : not trusting anyone and working on his own. In essence, when Teruko does that, it really does make her look tough. Maybe Ace took a little bit of inspiration from it, who knows?
Wouldn't it make more sense to reveal to the girls what truly happened? That would make him look like a tough badass!
Maybe, but remember, he doesn't trust anyone else anymore and wants to work on his own. So by pretending to be dead at the time, no one would realise what truly transpired in the fitness room. So by doing that, he's hiding secrets from others, kind of like hiding the real strength of his hand in poker by making it look weak. That's also why Ace refuses to share anything to Charles about what happened in the gym. Moving on...
Teruko proceeds with the investigation while Eden is busy crying over this "body discovery".
What is Eden truly plotting here? It's simple. She's trying to think of an plan B and quick. After all, like I mentioned in the whydunnit, she really wants to get out of here, so she needs to murder someone.
On top of that, Arei is still stuck inside the relaxation room. If no murder happens real soon, things would look pretty bad for Eden. But then, she realised something... Arei is still trapped inside the relaxation room. This is the perfect opportunity.
As long as Arei is trapped in here, she could proceed to kill her next morning at the earliest time. She would rather not do it, but she has no choice, especially if she wants to complete her goal of exiting this killing game. This is the only remaining move possible. It's all or nothing!
So by the time Teruko finishes the investigation, Eden finally comes up with a proper plan B for the murder scheme. For that to work, she needed something in that gym.
Truth bullet used : Roll of grippy tape
So Eden tells Teruko : "Okay, I'm ready. I'm okay. Am I needed, Teruko? Let me help investigate." She would then proceed to "investigate" the crime scene when in reality, she's trying to grab the roll of tape while she's distracted.
The distraction happens around the time where Teruko approaches Ace's body to inspect it more closely.
This is bad for Ace for two reasons. One, she would notice that Ace is still alive which we do notice her reaction in Episode 6. Two, she would notice the blood on his fingers/hands. If she were to notice that, it would help her get closer to learning the truth about what happened here and that's not what Ace wants at all.
That's why he comes up with potentially the best bluff I've ever seen.
Act 15
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Truth bullet used : Ace acting tough
Truth bullet used : Blood on Ace's fingers
Truth bullet used : Neck wounds
Ace decides that now's the best time to pretend to wake up to consciousness and make this hilariously loud shout to showcase that he's not dead. Here's something really interesting about this pose however.
Look at his hands. He put his left hand on his neck wounds while he's clenching his right hand. What do they both have in common? Well, it's meant to hide the fact that there was blood on his fingers beforehand, of course! The same thing happens later on.
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Ace now placed his right hand on his neck wounds, covering his hand with blood to make it look like the blood on his hands originally came from touching his wounds at the moment, not before.
So by putting on this act, Ace was able to disguise his bloody hands which hides the truth behind what may have truly happened while also putting on this tough guy act. Neitheir Teruko or Eden would suspect a thing.
And of course, this would also explain why Ace is so insistent on believing that Nico tried to kill him : He saw them with his own eyes. Anyone in Ace's shoes would believe the same thing.
Truth bullet created : Ace's actions in the gym
So later on, Ace tries to chase after Nico back to their dorm. MonoTV kicks Eden and Teruko out of the gym and locks it. Then they back to the first floor to follow Ace. Then there's the scene with Teruko, Eden, Ace and Levi involved. Ace claims that he doesn't need help because he doesn't trust the others and wants to act tough and on his own.
Ace goes back to his dorm, Levi goes back to his dorm and Teruko doesn't care about Ace's condition, so she goes back to her dorm. What about Eden? Well... it's time for plan B!
Act 16
Now that everyone went back to bed. Eden shouldn't have to worry about any other surprises, so late night of DAY 2 should be the perfect time to set up the second murder mechanism among other things. There was yet again a lot of work to do. But that's fine, she mentioned in the prologue that she can work on something for many hours without taking a break.
She had two main goals in mind to make her whole murder scheme work.
Create a murder mechanism at a different location so that the mechanism would do the dirty deed for her. The best possible location for this would be the playground.
Create a perfect alibi so that no one would suspect her. For that to work, she would need to disguise the actual time of death so that people would presume the victim died at a later died, which would be a time where the culprit would have an alibi.
So while Arei is still trapped inside the relaxation room, Eden could work on gathering the materials to make a nearly perfect disguise and make the necessary preparations for the murder mechanism in the playground. Let's start with gathering the materials for the disguise.
Why would Eden need to make a disguise?
It's simple. What would be the best way to make it look like Arei was still alive on DAY 3? By having someone disguised practically like her and being present in a place where there's multiple people for a short period of time.
But she looks nothing like Arei! That's impossible!
We have a lot of clues that could make it possible, as unbelievable as it may sound.
Truth bullet used : Wigs
Truth bullet used : Make-up kit
Truth bullet used : Eden's sneakiness
First, she stealthily entered Arei's dorm (she probably had Arei's monopad or whatever it was to unlock that door) to take a look at her spare uniforms. Upon closer inspection, she notices that there's a small problem : there are no spare gloves. It would appear that this is a unique kind of accessory for Arei, so she's gonna have no choice but to take it from Arei's body after killing her.
Truth bullet created : Arei's spare uniform
Next up, she would go to the second floor to grab a certain wig and the make-up kit in the dress-up room. There's this blue wig that looks like Arei's hairstyle, so that should do the trick. Once it's been gathered, she temporarily placed them in Arei's dorm. Most of the disguise materials were collected, time for the next step.
Act 17
It was time to gather the materials for the second murder mechanism.
Truth bullet used : Roll of grippy tape
Truth bullet used : Long rope under carousel
Truth bullet used : Rope attached to Arei's neck
Truth bullet used : Empty jugs with broken handles
Eden already had the roll of grippy tape with her, so we don't have to worry about that. She first grabbed the water jugs that probably came from the fridge. Of course, the handles weren't broken at the time.
And finally, she took the rope that belonged to Arei, but was sent to the storage room. I don't know if there were two ropes or only one very long rope. But if there was only one, then Eden must've used a knife in the kitchen to cut it in two. That was necessary to make her murder mechanism work. That would explain the two ropes found in the playground on Episode 8.
Truth bullet created : Water jugs
Now that this was all gathered, she then needed to move them to the playground to start building that murder machinery.
Truth bullet used : Roll of grippy tape
Truth bullet used : Long rope under carousel
Truth bullet used : Broken ceiling light
Once she arrived at the playground, Eden first needed to throw that rope above this metal railing by the ceiling, whatever it's called. She wanted to create a pulley system, so that step was important.
The culprit picked the longer rope of the two, then she put the rope through the roll of tape, tied it up and then threw it upwards as hard as possible.
It's two floors high, Eden's not strong enough to throw it up there!
She may be weak, but she can definitly pull that task. There's a specific reason why I believe the culprit used the roll of tape. It'd be incredibly light and it has a handle, which makes it really easy to chuck it high up in the air.
Even if she doesn't succeed the first, she had plenty time to keep trying until she succeeded. Eventually, she would succeed, but she would accidently hit the lights which would break it in the process.
The weight of the tape is probably not enough to break it.
We don't know that for sure. Besides, if I recall, MonoTV mentioned that the lights were flickering, which can simply be caused by a misplaced light bulb. So it could very well do the trick with enough speed. But in case you think that's not enough, I'll go ahead and say that I refuse to elaborate further on that matter, I'll explain why in the finale. Moving on...
Truth bullet used : Roll of grippy tape
Truth bullet used : Carousel wrapped with tape
Next up, the culprit wrapped the bars of the spinny thing with tape. The reason why was because the carousel was essential for the pulley system. She needed to spin it to raise the rope among other things
At the moment, the bars are pretty slippery, so she needed something applied to the bars so that she wouldn't the grip. Hence, the grippy tape.
Well, that's impossible! The roll of tape by itself wouldn't be enough to cover all the bars of that carousel. Where would she get more of that tape?!
Eden didn't need more tape, that was all that she needed to wrap all those bars.
Now, you're just being delusional! It can't cover all the bars with that alone!
Heh! Are you sure about that? I know that most of you are under the impression that the bars of the spinny thing must be wrapped up horizontally, kind of like putting tape on a tennis racket's handle.
By thinking outside the box, there's actually a way to explain this issue. It's very simple once you realise it. The culprit wrapped the bars vertically!
By that, I mean that she starts applying the tape from the top of the bar and then drags it straight down. Once it reaches the bottom, she just needs to cut the tape and then the extra width of the tape will go around the carousel bar. That way, Eden can save a lot of tape and would have plenty with that roll of tape.
The bars seem fairly large though. I doubt it would be enough to cover the bar with only one length of tape.
Hard to say. But if that's truly a problem, you can easily fix it by using a second length of tape on that same bar. So each bar would have 2 lengths of tape.
And if that somehow makes you think that there wouldn't be enough tape by doing it that way, then there's nothing else I can do to please you. I refuse to elaborate further on that. I will explain why in the finale. Moving on...
Truth bullet used : Water jugs
Truth bullet used : Long rope under carousel
It's not time to attach that rope to the appropriate items. On one end, she would tie both water jugs together in such a way that it would be hanging from the handles. At the other end of that rope, Eden makes a noose around one of the bars of the carousel.
She then tests out the pulley system to see if it actually works. If the pulley system doesn't properly work from simply tying up the rope to one of the bars, then there's an alternative. As @1moreff-creator suggested in the past, you just weave the rope through some of the handlebars and that should do the trick.
Truth bullet created : Pulley system
And with that, the preparations for the second murder mechanism would be complete at the moment. There are a few remaining steps, but she can't do it without the body, so she'll have to wait next morning.
Act 18
While Eden is waiting for the door of the relaxation room to unlock at 8:00 AM, there were a few things that she could do. Those are not necessarily things that she did, but could've happened to make sure the plan was perfect.
Truth bullet used : Wigs
Truth bullet used : Make-up kit
Truth bullet used : Arei's spare uniform
Truth bullet used : Needle with black string attached
Of course, she didn't put on the disguise at night even though that would technicly save time. The reason why is because if Eden proceeded to disguise herself into Arei at night, waited for the doors to unlock next morning, murder her, then hide back the body, it would take so much physical efforts out of her that she would be sweating. This would ruin the disguise.
So instead, she tested out the products to make sure that they worked perfectly. For the wig, the culprit could try to readjust the hair so that it would look a lot more like Arei's hairstyle.
Then, for the make-up kit, she would find the right materials to change her skin tone so that it would match Arei's. She probably puts it on her hand or wrist and tries out various combinations until she finds the perfect color. Once she's done with that, she can simply wash it away for the time being. Oh, also, she would take the time to find proper contacts to match Arei's eye colors as well.
Next up would be the uniform. She tried it on to make sure it would fit perfectly. Eden probably knows that she's a bit smaller than Arei, so there could be some differences. She cannot recreate Arei's height, that would be impossible. It's not like Arei is wearing high heels anyways.
If the disguise is not quite perfect, she could probably try to readjust it somehow with a needle and a few basic sewing skills. I'm no expert in this, and it's unsure if Eden truly did that anyways. What matters is that there was the option available before her if needed.
Now that she's fully prepared for the murder scheme, it was time for the culprit to wait in front of the relaxation room until the door unlocks.
Act 19
It is now 8:00 AM of DAY 3, it's time to retrieve the body!
As the door of the relax room unlocks, Eden would proceed to grab Arei's body and drag it to the playground. The turf would probably be dry by now. Otherwise, why would MonoTV allow others to enter that room this early and potentially make a mess if the ground happened to still be wet and gross?
There's no way Arei would still be unconscious for such a long time. Ace woke up in fewer hours than the time it took for the culprit to wait for the doors of the relax room to open.
Ace woke up earlier because of the neck wounds, most likely. We don't really know how effective or potent this turpentine actually is. But based on my deductions, it would make a lot more sense to believe that Arei was unconscious this whole time.
Otherwise, she would have starch all over her if she woke up at night and wandered around that room. For all we know, maybe she was about to come back to consciousness very soon that morning. Maybe the culprit brought the turpentine with her just in case to make sure she remains unconscious. With that said, I refuse to elaborate further on that. I'll explain why in the finale.
Anyways, now that the culprit brought the body back to the playground, she now had access to the missing piece to complete the perfect disguise.
Truth bullet used : Arei's missing glove
It appears to be unique. So Eden took it off Arei's hand and stored it somewhere safe... like her pouch that's around her belt. That would perfectly explain why the victim's glove was missing during the investigation in Episode 8.
Act 20
The final preparations are complete, it's now time for murder! Eden needed to place the body at the right position along with a few remaining props.
Truth bullet used : Roll of grippy tape
Truth bullet used : Rope attached to Arei's neck
Truth bullet used : Red marks on Arei's wrists
Truth bullet used : Scrunched up tape
Truth bullet used : Scuffed ground
Considering the red marks on Arei's wrists when she was found dead alongside the scrunched up tape found in the trash, the obvious logical conclusion we can get out of this is that her wrists were tied up with the grippy tape. The real question though is for what purpose did she do that?
According to my theory, the victim would still be unconscious, so there's no point in tying her wrists to make sure she doesn't escape or fight back or whatever. So by thinking outside the box, I've concluded that the culprit did it because it was a necessary step for the murder scheme.
Then you have to consider the scuffed marks that was found on the ground of the playground in a specific location. It couldn't have been from a fight or struggle since Arei should've been unconscious, so something else should've happened. That's when I came up with this brilliant idea.
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For reference, the scuffed marks were found a few feet away from the seasaw (Don't mind the drawing). Also, the yellow stickman where we can't see the legs represents the victim : Arei. The green scribbles represent the other piece of rope, the one that's not as long as the one used for the pulley, but still somewhat long. The subtle grey scribbles by the seasaw and the yellow man's hands represents the grippy tape applied to Arei's wrists.
So here's how it's supposed to work. First, Eden brings the body close by the seasaw and then place Arei's arms between both poles (supports) of the seasaw. Next up, she would bind tightly the victim's wrists together with the grippy tape so that the body wouldn't be able to easily move away from the seasaw through a forceful pulling motion.
Then, she would use the other rope to make a noose around Arei's neck. However, she wouldn't tie the other end of the rope to the spinny thing just yet, she will do that later. For now, she placed that end of the rope as close to the carousel as possible.
I still don't see how that would create scuffed marks to the ground...
That's because I haven't shown you the magic trick yet! Let's continue!
Truth bullet used : Pulley system
Now that the other rope was set up, it was now time to use the pulley system she created last night. First, the culprit spins the carousel in the rotation (let's say clockwise) that would pull the water jugs (that are hanging by the other rope of that rope) upwards. She would pull as much as she possibly can. Then once the water jugs reach the maximum height, it was time for the next step.
Truth bullet used : Rope attached to Arei's neck
The culprit needed her hands to tie the other rope that was close by her with the spinny thing's handlebar. Of course, there's a bit of weight from the water jugs, so she couldn't simply let go of the pulley. Therefore, she must've been holding the carousel with one or both legs. If tying the rope with one of the handlebars wasn't enough, Eden could've also weaved through a few of them like before.
Now, here comes to most exciting part, the "tada!" of the murder trick! She takes out her leg(s) from the spinny thing, she holds it again with her hands and then... she spins it counterclockwise as hard and as fast as possible!
That way, the water jugs would fall down pretty fast, especially if the spinny were to cause resistence of friction (making it fall slowly if it was the culprit only released). So they would fall fast, while the other rope would wind up along the carousel up until that rope reaches the limit.
As the rope reaches the limit... SNAP!
Truth bullet used : Arei's broken neck
Truth bullet used : Empty jugs with broken handles
Truth bullet used : Scuffed ground
So what happened in that moment? Well, Arei's dead. It breaks Arei's neck because of the immediate stop of the rope attached to her neck which was also pulled in by spinny thing in a pretty fast rate. This is the mainly reason why her wrists were bound. Otherwise, her whole body would've been dragged towards the carousel, which wouldn't really guarantee a killing blow.
But since the victim's wrists were stuck around the seasaw, it wouldn't move much... except for her lower body. It created a knee jerk movement reaction of her legs because of that violent pulling motion. Because of that, this would scrape the ground, which would cause the scuffed marks on the ground.
Hold on! Would it actually be enough to explain ALL these scuffed marks on the ground?
Maybe, maybe not. At the very least, the culprit could've simply created more marks on the ground to make it look more like it came from a struggle. That wouldn't be a problem at all since it's very easy to do damage the ground purposefully.
Anyways, that wouldn't be the only thing that would break. There's also the water jugs! As the rope holding Arei's neck would come to an abrupt stop, it would also make an abrupt stop to the longer rope used for the pulley system which is also what was holding the jugs by the handles. The violent motion would make the rope cut through these flimsy plastic handles, which the jugs would then fall to the ground and spill all over the playground.
The water spill is no issue at all whatsoever and was already planned by the culprit because she knew beforehand that the wet ground would dry up fairly quickly because of the fans at the ceiling.
And there you go! This... is how the actual murder happened... in my opinion. That would explain a lot of clues found perfectly, wouldn't it?
Anyways, Eden's nowhere done yet. That would only her first goal achieved : create a murder mechanism at a different location so that the mechanism would do the dirty deed for her.
Next up, it was time to create a perfect alibi so that no one would suspect her. There was still a lot of work to do.
Act 21
She had a disguise trick to do, but before doing that, she needed to get rid of a couple pieces of evidence. The main issue however is that because she had no choice but to murder Arei past 8:00 AM, someone could wake up very soon if they haven't done so already. But Eden couldn't leave all that evidence behind, especially the body. So whatever she needed to get rid of or hide, it needed to be done really fast. So anything that wasn't too essential in hiding could help her save time. So here's what she did...
Truth bullet used : Scrunched up tape
Truth bullet used : Red marks on Arei's wrists
Truth bullet used : Long rope under carousel
Truth bullet used : Eden's letter
Truth bullet used : Torn-up note
Truth bullet used : Empty jugs with broken handles
Truth bullet used : Needle with black string attached
Eden took off the tape that kept the victim's wrists bound. Even though it leaves red marks which would make it fairly easy to deduce for the others to figure out that she was bound, she had no choice but to remove that tap if she wanted to move that body and hide it.
She untied both ropes that had a noose on the spinny thing. She then pulled the longer rope used for the pulley system and then put all that rope under the carousel. She left the tape stuck on the handlebars, it would take too long and there was not enough time.
Next up, Eden's letter. It's hard to say if the culprit truly made that letter as a mean to lure Arei into the playground earlier in the evening of DAY 2 and then knock her unconscious or if she simply made up that whole message at nighttime instead for the whole purpose of fabricating a perfect alibi.
Whichever it is, the culprit needed to tear up that note and throw it in the trash can. She didn't want to downright get rid of it. She wanted the others to find out about it sometime during the investigation. It was a necessary step of her plan to both make her alibi look more credible and also make herself look the least suspicious.
She also threw away the tape that was bound to Arei's wrists previously (which would now be scrunched up), the empty jugs and that needle to the trash. She no longer needed them and it wouldn't make it as easy to figure out the crime if the jugs were separated from the playground. Of course, she couldn't bring those jugs with her and get rid of them completly in case that she ends up running into someone back on the first floor.
Truth bullet used : Rope attached to Arei's neck
Truth bullet used : Ball of clothes
Later on, Eden would drag the body away from the playground to then hide it in the relaxation room. She knew a decent spot to hide the body. She didn't undo the rope attached to the victim's neck since it was unnecessary.
People would know that her cause of death has to be related to the rope. It was also a waste of time, so not doing anything about it would save time which is exactly what the culprit needs. Also, she probably put the blanket of old clothes above the dead body to hide it better.
Ridiculous! Where would Eden even hide the body?
Truth bullet used : Box of incense
If I had to guess... probably somewhere behind those blue curtains. Preferably close by the box of incense. This spot appears to be further away from where most of the people would be relaxing. Most people would relax where there's the yoga mats and pillows. So that spot by the box of incense wouldn't be as obvious. Besides, there was another reason behind it.
Considering that the culprit is hiding it to fabricate their alibi, it would mean that the corpse would be here for a full day possibly. Wouldn't it mean that the body would decompose and create a noticeable smell?
It's honestly hard to say. I have sources that tells me that it doesn't go through that stage of body decomposition after 24 hours, it's usually more than that. But it also depends on various conditions. We don't know eitheir if the creator took that into account at all. But whether or not it was intended, I have an idea that would suggest that Eden planned ahead and used something in the relaxation room to make her alibi even stronger.
That's just utter nonsense! There's no such thing!
That's where you're wrong!
Truth bullet used : Incense sticks
The culprit used the incense sticks to create a natural timer mechanism!
WHAT DO YOU MEAN?!
Do you remember what I've said about these incense sticks before act 6? "Burning a whole stick can take up to an hour, but the lingering smell can last for multiple hours." That wasn't made up. That was something that I found out with a simple google search.
So let's rewind the story back to DAY 1. MonoTV announces that they have access to the 2nd floor. Teruko proceeds to investigate and finds out interesting facts about each room. It's very possible that Eden was also investigating at a different time period that day.
That would explain how she was able to come up with such complex and ingenius murder schemes according to my theory.
Culprit complimentations aside, she learned things about the relaxation room and probably noticed the smell of the incense sticks. Because we had a timeskip due to Teruko isolating herself to her dorm most of DAY 1, it's possible that Eden came back to the relaxation room later in the evening and noticed that the smell of the incense sticks disappeared. She would then have a rough idea of how long this incense smell lasts.
Now fast forward to the night of DAY 2, after the attempted murder on Ace failed. When she was plotting a new murder plan and figured out her only remaining option was killing Arei, she would remember the time of the lingering smell of said incense sticks. She would use that seemingly minor detail to her advantage.
Why does it matter having a timer?! That doesn't make sense!
It all has to do with her second goal : creating the perfect alibi. She didn't just want to hide the body for an unknown period of time, she wanted someone to find the body at some point while she's busy building her alibi with someone else.
So by using the incense sticks as a timer mechanism, she would just need to wait for someone to spend time in the relaxation room sometime in the evening. That person would eitheir notice a weird smell (of the corpse decomposing) or a lack of incense sticks smell and they would approach the box of incense to eitheir burn new sticks or to follow the source of the weird smell.
And that's how it works!
Act 22
Now that Eden cleaned up most of the important clues, she then went back to the first floor, back to Arei's dorm.
Truth bullet used : Eden's sneakiness
As long as she's sneaky enough and waits for the right time, I'm sure she would be able to enter Arei's dorm without being noticed. And then she would spend a couple hours putting on the make up and the disguise. Well actually... maybe she took a shower first.
You don't have a single shred of proof that any of this happened! Your theory just doesn't work!
If that was the case, then why does my theory line up perfectly with most of the clues found. But more importantly, why does it line up perfectly with what happened to Teruko in the morning of DAY 3?
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Teruko overslept at the most convenient time for someone like Eden to commit murder around the morning of DAY 3 while also setting up her disguise.
This also lines up perfectly with what's happening afterwards. Teruko wakes, decides to go to the cafeteria during lunchtime. She finds a group of people there. Ace is having an argument with Nico because he's pretty sure that Nico tried to kill him, which is understandable. The others have their eyes on that heated argument and then...
Truth bullet used : Wigs
Truth bullet used : Make-up kit
Truth bullet used : Arei's spare uniform
Truth bullet used : Arei's missing glove
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That's all you get from Arei and you don't see her anytime afterwards up until the BDA. Not only that, but she doesn't say a single thing, she's staying quiet. There's no way you can't find that suspicious in any way. Having Eden pull off a disguise trick would explain it perfectly!
Truth bullet created : Eden's disguise trick
This can't work! Teruko was staring at Arei, she would've noticed something strange about her!
Nope, she wouldn't. It's heavily implied that Teruko has prosopagnosia. This defines as having the inability of recognizing faces. She can only recognize people with their hair, eye color, skin tone. At least, that's what it seems to be when she's having a chat with Veronika in the movie screening room in Episode 7, in the evening of DAY 3. Therefore, she couldn't have recognised that something's off about her.
Anyone else who was in the cafeteria would've noticed something strange about her!
Aside from the fact that she's being quiet, not really. Why? It's simple.
Truth bullet used : Ace acting tough
Truth bullet used : Hu being protective of Nico
The constant bullying and arguing that Ace is doing towards Nico is causing a big distraction within the cafeteria. Hu was also busy defending Nico, which also plays a part in the distraction. Also, Ace is doing this because he's trying to show how much of a badass he is, despite being nearly killed. He's not holding back.
Well, Rose would've noticed! She saw her at lunch and she has a photographic memory!
Maybe, maybe not. Granted, she did see her, but we don't know for sure if she truly saw something off. After all, she tends to be absent-minded. It is possible that in future episodes, she will remember something that was a little different about Arei thanks to her photographic memory. We shouldn't fully deny the disguise trick just because of a potential witness.
Even then, it would be ridiculously risky! What if someone wanted to talk to her? The wig's light blue, not blue like Arei's hair! Is Eden even good at using make-up? I don't think she'd be able to replicate a good skin tone. And there's also that bowling pin, it's an accessory, shouldn't it be unique like the glove? What about-
Enough! ...I refuse to elaborate further on that matter. You'll understand why later in the finale. What matters for now is that I found a way to explain how the disguise trick could work and fit in with most of the clues.
Act 23
Now that the disguise trick is completed, what happens next? Well, now that the hardest part of the plan is done, she no longer needs to stick around as Arei, so she probably goes back to her actual dorm when no one's around.
Next up to the plan would be to create her alibi, but she only needs to do that from evening to night. So for the time being, Eden can take a good, hot shower and take a good nap. She did a good job, she deserved it! Let's go Eden! (We're proud of you!)
While it's not evening yet, let's take a look at two other characters who had some pretty big events happening to them yesterday. Let's start with Ace! He... had a very terrifying and traumatic experience last night, that's for sure.
Truth bullet used : Ace's phobias
I mean... He's afraid of a lot of things. Death is especially one of them. So there's no doubt in my mind that this scared the crap out of him. I'd like to believe that when he was arguing with Levi, Teruko and Eden last night sometime after the murder attempt, when he went back to his dorm, he probably shattered.
He was probably shaking at the thought that he honestly seriously died. Not only that, but it was Nico, of all people, who tried to kll him (according to him, of course). Nico, the person that he bullied constantly because they were inferior to him was able to pull that off? He has a weak mental fortitude, so for him to not break down at all anytime we see him after the attempted murder just seems suspicious to me.
Truth bullet used : Ace acting tough
Of course, he's trying to act tough, he doesn't want to show it. Or maybe he wants to be in control of his emotions or whatever. Which, it kinda makes sense, but... there's only so much you can manage mentally. As much as he tries to put on a tough guy act, eventually, the phobias will get to you, the old habits will come back.
Of course, you can improve those kind of issues to the point where it barely becomes a major issue anymore, but these kind of things take time. But of course, that's just my perception and assumption of things. What matters is that there's the possibility that this near death experience affected him a lot more than it seems which will be important later.
As for the other person... let's talk about David for a bit.
Truth bullet used : David's plan
He didn't have an experience as traumatic as Ace, but something happened that messed up with his manipulative plan : Arei knows about his secret and his plan. Well, she doesn't quite know precisely about David's intents regarding the plan of sharing secrets, but she knew something was off and wanted to make sure that there was no ill intent behind it.
Regardless, learning that someone else found out about his secret and their suspicious plan gives a pretty bad taste in his mouth. Not only that, but if his murder instigating plan succeeds, if the victim was someone else than Arei, she could've called him out on it, which would ruin his whole plan.
David is probably constantly thinking about that. He's realising that he's in a very bad spot right now. If no murder happens in the next days, then his secret would be exposed still. So no matter which will it'll go, he's always gonna have his secret exposed. David is literally screwed. That's why he's not in a good mood as shown in the evening of DAY 3.
So what does he do for the afternoon? Nothing much, really. He's probably pondering about a lot of negative things, thinking how miserable he is or something. In any case, he needs some time to be alone.
Act 24
We are now approaching the evening of DAY 3, what happens next?
Let's start with the obvious. Eden wakes up from her nice nap and proceeds to meet up with Hu to spend time with her for the evening. This is pretty much confirmed ever since Chapter 2 Episode 10 when Hu explained her alibi with Eden. According to my theory, that would be part of the culprit's plan to fabricate the perfect alibi.
Next up is Ace. Under normal circumstances, he would've spent the evening working out in the fitness room. However, because of that horrifying near death experience, he didn't want to bother with that at all and he doesn't trust anyone else. So he figured that the best thing to do was isolating himself in his dorm for the night.
But his eating disorder would've compel him to work out in the gym anyways!
Maybe, maybe not. There's no way to tell if the creator really intended for that to happen. So eitheir option would be possible, but the one that would make the most sense is if he stayed in his room. It would match up perfectly with my theory alongside a few other events I haven't explained yet. As long as my method is possible and makes sense, it should do.
And finally, we have David. His plan became a mess, he's in a bad mood. He doesn't know what to do. In any case, he somehow decides to go to the kitchen in the evening.
Why's that? Unsure, there must've been some reason, or maybe there wasn't. Maybe he just wanted to wander in the kitchen. Or maybe he thought he was gonna be able to spend time alone in kitchen, but he didn't think there would be people here at that time. Who knows?
What matters is the following...
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Whit suggests to David to chill in the relaxation room, which is exactly what he does. This would conveniently line up well with Eden's plan.
Act 25
At this point during the evening of DAY 3, sometime before 10:00 AM, we only need to focus on David. So upon entering the relaxation room to... you know... relax, David notices at some point something that's off with that room.
Truth bullet used : Incense sticks
There's no longer a lingering smell of a burning incense stick (or maybe it was the weird smell from the corpse).
Truth bullet used : Box of incense
So he approaches the box of incense and then he notices something different about the blue curtains. There's something there! So David removes anything that was in the way and that's when he discovers the dead body of Arei.
David is the first person to discover the victim's corpse.
I object to that! Nico was feeding the fishes earlier that evening. Shouldn't they have noticed something odd about the smell?
Not if the lingering smell of the incense sticks was still there at the time. They wouldn't have noticed if the smell is the same as usual.
The lingering smell of the incense stopped sometime between Nico's visit and David's visit to the relax room. That was a pretty convenient timing, but it makes sense.
Now, we gotta wonder how David reacted to it. He was obviously surprised and shocked. It's hard to say if he felt happy, angry or sad about for one particular reason.
Truth bullet used : David's plan
Earlier, his plan was ruined because Arei knew about most of it. The only way he could make sure that he gets away with his secret hidden would be to have Arei dead. This... is exactly what happened. Arei's been murdered. His secret is now safe again.
Maybe he had a mix of many emotions. His plan was no longer ruined after all. There was a problem however : if he leaves things as is and the group later finds the body, David would become a prime suspect and they would force their way to find out about David's secret.
Not only that, but if they seriously suspect that he's the killer, then he, alongside the others, would lose the class trial and die. David's in big trouble.
Uh... why would David care about the trial? In chapter 1, after the execution, he commented that everyone's gonna die.
Truth bullet used : David's plan
Oh, he does care about death for sure. His whole plan was creating conflicts with others through sharing secrets in the attempt of instigating a murder.
If he didn't care about death or the trial, why wouldn't he simply kill someone instead. There's only one possible explanation : he doesn't want to die. He wanted someone else to do the dirty deed so that he would both have his secret and safe and live to see another day. He tried to kill two birds with one stone.
So anyways, David finds the body, he's shocked and confused. He needs some time to take in what happened. Actually, what happened to the body? He surely doesn't know aside that she's been murdered, of course. Was it a dream? No, it's very real, Arei's dead.
So what did he do afterwards? Well, he probably started doing his own investigation, to try to process how this happened.
Truth bullet used : Rope attached to Arei's neck
Truth bullet used : Arei's broken neck
Truth bullet used : Red marks on Arei's wrists
Truth bullet used : Arei's missing glove
Truth bullet used : Ball of clothes
As far as he's aware, Arei's neck is broken, which must have something to do with the rope, but it doesn't seem like the relaxation room would be the right place to pull that off. Otherwise, it wouldn't be hidden here. Maybe he notices the red marks as well, but doesn't quite know what to make of it. Same thing for the missing glove. It's really hard to say if he actually paid attention to it.
And there's the blanket of Hu and Teruko's old clothes that are used to hide and cover the body. Aside from hiding the body, is there even any other uses for it? He doesn't know the answer to it. Eitheir way, he at least knows that this murder couldn't have happened here, so it was time to look at the other rooms.
He didn't have to look too hard to find out where the crime actually took place. He simply needed to go to the nearest room : the playground.
Truth bullet used : Scuffed ground
Truth bullet used : Carousel wrapped with tape
Truth bullet used : Long rope under carousel
The scuffed ground is the first thing David would probably notice. He's probably wondering if there was a struggle happening here. If so, then whoever killed her must be someone pretty strong. Or maybe it's a trick? After all, he remembers that in the first trial, they've been easily fooled into thinking that Teruko was the murderer. So he can't jump to conclusions just yet.
Next up, he finds something strange with the spinny thing. There's some under there and the handlebars are wrapped up with some kind of tape. What does that even mean? He has frankly no idea.
Also, one thing that I need to point out regarding what David might've done investigation wise... Aside from it being a big assumption, it's possible that he didn't do much of that. At the very least, he was probably trying to figure out where the crime actually took place.
Whether he actually put some kind of efforts into investigating or not, there was still another problem that he needed to deal with quickly...
Act 26
Truth bullet used : Relax room's nighttime features
The relax room is about to close soon. This is bad for David because if he doesn't move the dead body, it will remain locked inside that room for the whole night and early morning. Then someone would definitly discover her corpse next morning, which would get him in big trouble since it would lead to having his secret exposed.
There was no time to waste. He needed to get that corpse out of here and that's what he exactly did. David dragged the corpse back to the playground. Now, he needed to figure out what he could do to indirectly help the group with the investigation.
He must've imagined that her cause of death must be from something like hanging. So he decided to hang her at the swingset. He couldn't quite exactly figure out how it was done, but that's all he could think of. As long as they don't think that it was hidden in the relaxation room to begin with, then he wouldn't be suspected.
But then he realised another problem : How will the others know when she died? If things are left out as is, they might think she was eitheir murdered at night or very early in the morning? There's a lot of possible time of deaths which would stray the group further away from the truth. In David's mind, he's pretty sure she must've been killed sometime in the evening, before he entered that room.
Why would he believe that this was the only possible time of death?
Truth bullet used : Eden's disguise trick
Even though we know, according to my theory, that Eden used a disguise trick to hide Arei's real time of death, the others don't know about it. David saw Arei alive at lunchtime, which means that she was definitly killed sometime after according to his logic. He probably figured it wasn't in the afternoon since it would be much easier for the killer to run into potential witnesses, so the evening was the only option.
Wouldn't David deduce that Nico might be the prime suspect? They were feeding the fishes sometime before David entered that room. Nico saw David use the elevator.
He might've been seen by Nico, but it doesn't mean the opposite applies. It's very likely possible that when David used the elevator, he never saw anyone passing through because Nico had already gone out a while ago. Nico probably noticed David when they were roaming around the first floor.
In any case, he needed to figure what he could do to make the others follow the "right path" into deducing that the crime happened sometime around the evening. David couldn't directly tell them, as ridiculous as it may sound. Remember, he doesn't want his secret to be found out. If he told the group about the actual time of death, they would start questioning him.
They'd be like : "How do you know that she died at that time?" That'd just make him become suspicious no matter what he tries to come up with. Because of that suspicious, they would then press on David which would lead to uncovering his secret.
So what could he possibly do to help them without directly telling them about the "right" time of death? That's when he came up with this crazy idea!
Truth bullet used : Dead fishes
Truth bullet used : Relax room's nighttime features
Truth bullet used : Ball of clothes
He remembered about the fishes in the pond and the nighttime features of the relaxation room. What if he brought those fishes to the playground? It would seem very weird and confusing that there's dead fishes found in the playground, but because of the fact that the relax room closes at 10:00 PM and reopens at 8:00 AM, they would conclude that the fishes were brought to the playground before the relaxation room closes.
Even though the fishes has most likely nothing to do with the whole crime in itself, the others would probably not think too hard about it since it's a seemingly very convoluted crime scene to begin with. He figured that a little "red herring" wouldn't hurt as long as it helps them in knowing the time of death.
That way, he wouldn't need to open up about what he found out, the dead fishes would tell the story for him. Of course, he couldn't simply grab them with his hands. Maybe one by one, but that would be incredibly inefficient.
That's why he used the blanket of old clothes instead. He used that to scoop as many fishes as possible and then brought them to the playground. It's confirmed, everyone! David is a mass murderer! He killed all those fishes that we saw in the playground! (Oh nooo!)
Anyways, once that was taken care of, there was one more thing that he needed to do : get rid of these darn clothes. He doesn't want to leave them in the relaxation room, that would obviously indicate that something or someone must've been hidden there. He can't bring it back to the first floor eitheir, that would be incredibly risky since he could run into someone.
So the next best thing he can do is hide them and also hide what they were supposed to be to begin with. David rolled up that blanket of clothes into a perfectly shaped ball and hid it in the changing room inside the dress-up room. This would explain why Charles found a ball of clothes in the dress-up room.
Now that all of that was done, he headed back to the first floor and called it a day. Nothing else significant happened that night.
Act 27
It is now DAY 4, 8:00 in the morning. Everyone gathers up to the movie screening room. Everyone except... well... you obviously know who by now. It's been 4 days already, so it was time for MonoTV to reveal the secrets, but before that happens... David goes : "Wait! Stop!"
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So everyone starts counting and they notice that there's indeed someone missing. So David leads them by saying : "Arei isn't here."
So people start to panic and proceed to look for Arei. Teruko picks up Whit and Eden to make a group of 3 people to find her if she's indeed dead. That way, it would definitly trigger the BDA if all three of them are innocent. Otherwise, one of these three would be suspicious.
Of course, Eden expected that to happen, but she was prepared with her whole murder scheme. Someone should've found the dead body first already last night so it shouldn't be an issue.
So Teruko's group investigates the second floor. Teruko looks inside the gym, she's not here. Whit looks inside the dress-up room, she's not here eitheir. Eden looks inside the relaxation room...
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Two things of note here...
Eden did not find the dead body in here even though that was the last place she left it. So she knows for sure someone found the body first and moved it somewhere else.
She could've easily lied about claiming that there's no place where she could be hiding. That would make a lot of sense for her to lie if she was indeed the culprit and hid the body there previously.
So everything's going really well for Eden. It's all going according to plan. The last room remaining to explore was the playground. At this point, the culprit knew that it must be hidden there. There's no way someone would drag a dead body back to the first floor.
But then, before they enter, Whit makes this silly comment : "Do you really think that she'd be hanging out in the playground right now?"
It seems absolutely goofy at first since whether the viewers were making the prediction or they already saw how she died, they would find Whit's comment to be pretty unintentionally punny (or perhaps intentionally even).
For Eden however, that was literally the worst case scenario. She took Whit's comment seriously. Or maybe she didn't at first, but then quickly started to doubt that he was joking. At some point, she must've thought : "What if it was Whit that discovered the body first?"
So as Teruko's about to open the door, in a moment of panic, Eden shouts : "Teruko, wait--" And that's when they discover the corpse of Arei hanging by the swing set, which then triggers the BDA later on.
Unfortunatly for Eden, she made a little slip-up there which could be really troublesome if Teruko catches on to this. Fortunately for Eden however, the BDA still happened, so she's still looking innocent there. On top of that, it doesn't seem like eitheir Teruko or Whit noticed her slip-up (...yet).
And that's how this whole murder mystery happened. From DAY 1 to DAY 4. And you know what? I'm not even done yet. I still have a few remaining events to explain after the body discovery announcement. Let's get into it! We're almost there!
Act 28
Everyone gathers at the playground, they find the body and they're all shocked and stuff. It's investigation time! Obviously, I won't talk about the investigation much details since I've already explained all of the evidence that was found there. Instead, I'm gonna talk about a few noteworthy things that happened during the investigation.
Eden's reaction to finding Arei's dead body is kinda suspicious. Naturally, she would act all sad and in grief upon losing dear Arei. The suspicious thing is what happens afterwards.
Not even a minute after finding the body, she quickly recovers and claims that she's ready to investigate. I know this is a class trial and that they need to take it seriously, but wouldn't it be more natural for Eden to need more time to recover from this? Especially when she was supposed to be friends with Arei according to her narrative.
The next thing is the secrets reveal. J was about to ask MonoTV about the secrets reveal since it would probably help in solving the murder. But then David interjects by claiming that MonoTV would only reveal the motive if a murder didn't happen in the allocated time. But since a murder happened, he's not obligated to reveal them.
Then he goes on about if MonoTV were to reveal the secrets based on the deadline (8:00 in the morning on DAY 4), it would mean that she died very recently, which would narrow down the time of death.
Of course, David knew that she didn't die then. He was just practically forcing MonoTV to not reveal the secrets since he knows that Arei died in the evening of DAY 3, according to his deductions. Basically playing with the rules of the motive reveal deadline. He didn't want his secret exposed, after all.
Sadly for him, MonoTV claims that it's based on the time of the body discovery and not the time of death. So if it was found shortly after the deadline, then it's already past the deadline.
This messes up with his plan to keep his secret from being exposed. So he has no choice but to see that list to find out what this is really all about. At the very least, David knows that it won't directly show whose secret it is since MonoTV himself doesn't know who it belonged to (because of the mixed up secrets).
So later on, David goes to the movie screening room to see the list and he sadly sees that his dark secret is actually there. So he's gonna have to do everything he can to make sure it doesn't get exposed. Of course, all of the actions David's done ever since the beginning of Chapter 2 made Teruko grow very suspicious of him. At least a lot more than the Prologue and Chapter 1.
Enough talk about the investigation. Let's talk about the trial!
Act 29
Kinda like the investigation phase, I'm not gonna go too much into details. I'll only reveal parts of the trial that would line up and make sense if it went according to my theory. So there are three characters who play a big role in this trial.
Eden wants to make sure that no suspicions would be thrown at her. She wants to be the most innocent out of everyone in that trial.
Ace wants to keep up the tough guy act, doesn't want to be seen as someone useless in trial and he doesn't want others to find out what really happened during the attempted murder.
David is hoping that the group will figure out the truth of the trial with a narrowed down time of death (dead fishes) while also being able to keep his secret from being exposed.
Let's start with episode 9! Eden doesn't reveal Arturo's secret. She's going to later, but she needs to build up an innocent girl narrative first.
We get a confirm from Nico that they intentionally try to make a serious attempt on Ace's life when Charles asks the question. The important thing to note here is that this could mean a lot of things. Their mind was most likely set on wanting to kill him, but it doesn't mean that they did all the setup required to make that attempt.
But Rose claimed that they lied and stole from her. Nico's response was : "I--! I didn't kill Arei! I swear!". He didn't deny Rose's claim. That's practically a confession!
Not necessarily! Despite the implication, it could also very well be them wanting to deny that claim, but stopped themselves to simply swear that they didn't kill Arei. There could be various reasons for it, but one that could be the most reasonable is if they were having doubts about it. What if they weren't sure if they actually stole from her or not? His mind could've definitly been chaotic ever since they snapped. So they probably were unable to remember it.
But they were able to remember feeding the fishes and seeing David use the elevator during the evening!
Sure, but that was on DAY 3, not DAY 2. Like I said before, there's still a lot that we don't know about Nico during the events the evening/night of DAY 2. And because it's such an unknown variable, it also leads to a massive amount of possibilities.
Besides, remember what I said in Act 12? It could've been a massive red herring by making us easily believe that Nico's the one responsible for everything involved in the attempted murder on Ace. That trial interaction could also be another trick made by the creator to make us further believe that they're indeed respondible for it all.
Anyways, sometime later, Rose believed that Arei's death was an assisted suicide where the victim played a big role into this. Eden goes out of her way to convince everyone that can't be true. There's no way that someone like Arei would commit suicide.
Why would she do that if she was the true culprit? Wouldn't it make sense to let them believe it was suicide to end the trial early?
There's no guarantee that the smarter people out there (especially Teruko) would let it end that soon. She would've figured out by herself that there's no way it could've been a suicide. So Eden went out of her way to deny the suicide claim simply to direct the group into the proper narrative in regards to Arei. It was a necessary step since she wanted to reveal the incident that happened in the infirmary. That would further confirm that this wasn't suicide.
Next up, Teruko manages to narrow down the time of death by bringing up the dead fish. Based on their knowledge that they last saw the victim at 12:00 PM on DAY 3 and the features of the relaxation room. They were able to narrow it down to sometime between 12:00 PM to 10:00 PM.
Not a satisfying time window for what David had in mind when he placed those fishes, but that will do for now. At least, his plan kind of worked. They won't think that it happened during nighttime. Maybe they'll find out a more accurate time later on.
Act 30
On episode 10, before Eden gives the note, she quickly claims that she didn't do it, whoever did it is trying to impersonate her. So we get the reveal of the torn up note which gives us the letter we all know by now.
She would seem a tiny bit suspicious at first, but that was all part of her plan. Most wouldn't think that she'd be the killer if she wanted to help put the note back together. But in fact, she needed to help for both the narrative and making sure that the ripped apart note would be properly put back together.
She needed to play the scene of the revealed note to make sure that it would eventually lead to the reveal of Arturo's secret. When she would feel like that it'd be best for her to tell the truth, she would also explain the incident in the infirmary.
That would explain why she's friends with Arei. That would explain why she was insistent on believing that she wouldn't kill herself. That whole play would make Eden look the least suspicious so far. Everything's going according to her plan.
Fortunately for David, that note helped narrow down the time of death more accurately. Unfortunatly for him however, this is a fake time of death trick pulled by Eden, the real culprit. Until something major happens, no one's going to believe that Arei actually died in the morning of DAY 3, slightly past 8:00 AM.
Moving on... everyone's discussing their alibis now that the suggested time of death is sometime between 7:30 PM and 10:00 PM.
Hu talks about her time spent with Eden in the kitchen during that whole evening. Which further proves her innocence thanks to Eden's carefully crafted alibi plan. A few have alibis, a few don't have one like Nico.
So Ace lashes out at them as usual, nothing new here. Hu gets defensive and asks for his alibi.
Truth bullet used : Ace's actions in the gym
Truth bullet used : Ace acting tough
He thought about it for a little bit, but then he came up with a great idea. He lied about going to the gym that evening. That'd make him look kinda badass going there the day after being nearly killed.
Also, he doesn't want the others to know the truth about what he actually did during the night of DAY 2 as he wants to hide that kind of strength from the others since he doesn't trust them.
That doesn't make sense. Ace is actively trying to act tough according to your theory!
I know, it seems kinda contradictory, but here's the thing. Ace's kind of an idiot. He's trying not to, but you just can't really improve that in an instant as if you drank an intelligence potion or something.
Truth bullet used : Ace's testimony
There's another reason however. He really wants to tell the others about David's secret. About what he saw and heard in the relaxation room. But so far, he only knows that David's been to the second floor that night. He couldn't have known about DAY 3 since according to my theory, he stayed in his dorm.
So if he decided to reveal it at the earliest time of the trial, he would have no choice but to admit that this happened during the night of DAY 2 which would then lead to others asking "wait, isn't that the night where you almost died?"
This would lead to more questions and getting closer to the truth and they'd find about what Ace was hiding from them since then. Ace doesn't want that to happen. So he holds that information for the time being.
But then a golden opportunity arrived! Teruko calls out David that he should've been in the relaxation room during the evening of DAY 3.
At first, David was starting to play dumb, hoping that no one actually saw him so that he could lie about it and pretend that he went somewhere else. That didn't happen however, Nico saw him use the elevator, so David can't lie his way out of this sadly. Luckily for Ace, that was the perfect opportunity to expose David. He was in the same location both nights? Sweet!
So then Teruko asks the two if they saw anything strange going on in the playground. Ace claims he saw nothing. This is technicly the truth, even though he lied about being in the gym during the evening of DAY 3.
David claims that he didn't find anything odd and never looked at the playground. That's obviously a lie. He doesn't want others to suspect him. Otherwise, that would make them start being curious about his secret.
Then he adds that he never saw Ace once, which he finds strange. You could believe that he's just lying to put the suspicion on Ace, but there's a better idea that would make a lot more sense. David is telling the truth about never seeing Ace because Ace never went to the second floor during the evening of DAY 3 to begin with.
Unfortunatly for him, that was the perfect time for Ace to expose David's secret and making his claim of being in the gym on DAY 3 more believable.
Act 31
Almost done! Time to tackle episode 11!
So Ace starts explaining what he saw and heard in the relax room. We get a flashback scene regarding that event and then-
We literally get a flashback scene! There's a few details that would indicate that Ace is telling the whole truth, including the fact that he heard this on DAY 3, not DAY 2!!!
No, that's wrong! You should never take everything from granted once the author starts giving us more than 1 character point of view. Some could easily lie about the events to fit their narrative and fantasy.
I haven't read or played a lot of mystery novels, but there's a certain tactic that's sometimes used by the author, if not often. It's called unreliable narrator. From a google search, it says : "An unreliable narrator can be defined as any narrator who misleads readers, either deliberately or unwittingly."
Ace could've easily been an unreliable narrator. Here are a couple things that he could've lied about.
There's a missing fan on the right side. Could've been an illusion to make us believe it happened on DAY 3.
We see Ace with neck bandages. Could've been an illusion to make us believe it happened on DAY 3.
When Ace was eavesdropping, Arei says : "Nico got super pissy and tried to turn Ace into cat food." Could've been a line of dialogue that Ace made up to make others believe that it happened on DAY 3.
Then Ace claims he didn't catch anything else. Which, once again, would make sense if he's been knocked unconscious right after that. But he doesn't want to admit that since it would reveal the truth on when the meeting actually happened.
As a few others claimed, it's very strange that Ace brings up that important testimony this late into the trial. So it would make sense if he didn't want to expose him just yet because he didn't want the others to know the actual truth in the gym.
In any case, David's plan is ruined. He eventually gives up and confesses that the manipulative liar secret is actually his secret. (pretty amazing reveal, by the way!) His career's officially over.
We get a few interesting lines from David that would match up insanely well with my theory.
"Normally, I would continue to insist that Ace is an unreliable witness, and a worthless lying piece of shit as well... But I know how it is with you people. Once you've reached a conclusion, you'll refuse to believe any evidence that contradicts it. So I'm not going to bother."
Unreliable witness and a liar... interesting. Doesn't that match perfectly with my claim that Ace is lying about being at the gym during the evening of DAY 3 as well as my claim that he is an unreliable narrator?
"But I will admit, I did indeed meet with Arei last night in the relaxation room." He's telling the truth. He met with her alright on DAY 3. Doesn't mean she was alive though.
"As for what I actually talked about... Well, I've already forgotten! She's dead now, so who cares?" He's lying... or to be more accurate, he's hiding the truth. He doesn't want the others to know that he found her dead body.
Why not? Why wouldn't he tell the whole truth?
For a few reasons. First off, everyone just learned he's a liar. So they might simply think that he's lying about it. Secondly, that would make him incredibly suspicious. He wants to avoid being seen as the main suspect if he can avoid it. Not that it matters anyways since most of them think he's the culprit shortly afterwards.
Also, another reason to explain it is because he's probably still angry about the fact that they exposed his secret. He's been letting all out ever since the reveal anyways. So he probably wants to act like a butthole as a mean to vent off.
But still, he tries to convince them that he's not the culprit (in his own way), but quickly realises that this is pointless since most of them are so stupid and quick to draw to conclusions, just like last trial.
So then he got an idea. He gives up and confesses that he's the murderer. He's gonna lie all the way through up until someone calls him out on it. The interesting thing to note here is that as soon as he made that confession, he looked incredibly nervous. It's almost like... he's afraid of something. Something like being afraid of losing the trial if no one realises that he's lying?
By the way, another interesting thing to add here : As soon as David confessed, Eden starting being "emotional" and "seriously believes" that he actually did it. The real culprit figured that she may as well push the direction of that accusation to end the trial and be the sole winner.
Here's another interesting thing about Eden. I think she made another slip-up and created a contradiction. No one seemed to have noticed though, thankfully. She made those comments about David that she couldn't believe that he would mentally push Arei into commiting suicide.
That's strange... because I'm pretty sure that at the beginning of the trial, she was very insistent on claiming that Arei would never commit suicide.
Anyways... Teruko asks David about how he killed Arei into more details, but will later realise that his story doesn't make sense and that he's just lying. Then Teruko and David argues about it back and forth up until Charles stops the argument.
He realised something major and says : "Teruko, we really fucked up." Most of us fans seem to believe that this refers to the time of death being wrong (7:30 PM ish on DAY 3). My theory that the actual time of death was slightly after 8:00 AM on DAY 3 would match that up perfectly.
Time For The Finale
Phew! That was quite the long closing argument! With everything I've written here, hopefully that should explain the whole truth behind that murder mystery and explain most of the clues out there. So... what do you guys think about this theory?
.......NO!! It just doesn't work! It's incredibly CONVOLUTED! Way too convoluted for such a murder mystery! It's also very RISKY! Eden is doing a lot of risks to make her murder scheme work. A single mistake could've ruined it all. There's no way that plan works! It's impossible. Also, there's still a lot of things that wouldn't work. Like the disguise trick, there's just no way! She doesn't look anything like Arei! She doesn't have her physique. You've overthinking this! There are certain things about your theory that wouldn't be able to explain how things actually work in real life, like the blood wipe. It's just not realistic! Your theory doesn't work!
...It's pointless... all of this is just pointless...
...huh?!
You heard me. This is all pointless. All these counterarguments, even those that I refused to elaborate and would talk about it here instead... they're all actually meaningless in DanganRonpa Despair Time.
When it gets to finding errors in a theory by relying on reality or very niche or minute details. Or things like risk factor or things like no one would be able to pull off x trick, unless it's an actual contradiction of the actual facts of the fangan, then all of these arguments are actually pointless!
How dare you?! You can't just simply ignore these arguments because they hurt your theory!
As a matter of fact, I actually can ignore those. After all... most of these arguments fail to follow a certain rule in this murder mystery.
What are you even talking about?!
Alright... let me tell you! THIS IS FICTION, NOT REALITY!!!
!!!
Let me explain. For quite some time, we've been trying to prove/disprove certain theories by claiming that a certain event would be impossible because that's not how it works in real life.
One of the examples in regards to debunking my theory would be that the disguise trick would be impossible because it would've been incredibly risky and the plan could've easily failed if someone decided to speak with her or looked at her closely. Another example would be when Eden knocked out Ace without being noticed by Arei or David, seems incredibly unlikely and really risky.
From a reality perspective, it would be indeed ridiculous of a plan and nearly impossible to pull it off. But that's exactly the problem! Danganronpa Despair Time is a work of fiction, not reality! Anything that seems completly ridiculous or painfully impossible can become a miracle in the world of fiction!
You don't even have any proof that the DRDT creator is using that rule!
I do, actually. Think back on Chapter 1. I don't know if this chapter had weekly releases like Chapter 2 but regardless, let's give ourselves a scenario in regards to what would happen if the latest trial episodes of chapter 1 were not revealed, then the creator takes a break, so the fans have time to investigate and come up with theories to solve the murder mystery. I personally believe that this is made so that you could solve the murder mystery without watching the climax of the trial.
Anyways, let's say there's someone out there who comes up with a theory that's practically the solution of chapter 1. Then, we get to the actual murder method which is from the light switch that's been stripped. So Xander got electrocuted by trying to turn on the lights when he was soaking wet.
Most people who would see this without knowing what the actual solution is would simply believe that this is just impossible. This seems extremely likely. Like even if it was really dark and Xander wanted to turn the lights back on, he should've heard the sound of something being removed. Otherwise, he should've still been able to see light since the door would've been opened anyways.
Or what if the theorist came up with the idea that the culprit lure Xander into the light switch by taunting him or something? What exactly would be the odds that Xander would charge straight towards the light switch?
Yet, Xander truly died from the light switch because he wanted to turn on the lights. Seems really crazy and unbelievable, but when we think about it, the creator made it possible because this is fiction.
So there you have it! I'm sure none of you see it that way (and it's fine!), but to me, this is the perfect solution to the murder case of Chapter 2. I'm running out of lines to write, so there are two things I wanna say before I go.
Feel free to try to debunk my theory or come up with alternatives to this theory or anything else that's related to it. I don't mind. I'm most likely not gonna reply to it however since I have other projects unrelated to tumblr to work on.
I'd like to thank @1moreff-creator, @venus-is-thinking, @accirax and most likely a couple others for trying to find faults in my theories or points that I've made. Even though it may not seem like it, there were some points that helped me get closer to an answer that I would be satisfied with. Also huge thanks for anyone else who's been supporting my theory.
While I'm at it, feel free to disregard some points I've made to debunk certain theories that rely on stuff like reality. As long as you believe that it could work within the world of fiction, then that's good enough! Sorry for the long post! Thank you for everything! Take care!
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wawamouse · 4 months
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Oz Rewatch 3: S2E01: The Tip
During opening titles, Sister asked “Does Mr. Mouse ever come back?”, which confirmed my suspicion that she did not register the he had died off screen. With Nino dead, Sister declared that she would simply have to keep tabs on “the little fava bean” (Rebadow). At the end of the episode when I asked if she had any new favorite characters, she said she would “have to fly her little [Sister] wings over to watch over the guy whose baby died”.
Me: Do you remember what his name is? Sister: …Is he Italian or Latino? Wait, what name does he look like… Hm…. Johnny boy! … Ernesto… Rodrigo? (*holding her temples*) Does it start with an A? Not a C name… Something like Domingo… Alvarez. Me: That’s his last name! Sister: Derek Alvarez. (after several minutes of alphabetical guessing, having reached H names) Me: It starts with an M Sister: Matt. Matteo. McManus…. Matthew… Michael? Michelangelo. Me: I think Michael is gonna be the closest you’re gonna get to it. Sister: Mikhail. Mitchell. Megan. Me: It’s somewhere around Michael and Mikhail. Sister: ........Mi...............Miguel! (cheering) Me: So Miguel is going to be your new favorite character? Sister: Yes. Mostly because I remember one of your little screencaps of him from a part we haven't gotten to yet, so I know he’s going to last. So I’m just going to put all my eggs in that basket and watch him start his little drug empire.
Anyway, time will tell if Sister turns into a Miguel fan or simply remains a Miguel observer, haha!
More on the episode itself... I really like the way this season starts! I think framing it as sort of a whodunnit/mystery investigation keeps the episode really focused throughout the runtime. Alvah Case is one of the more rational characters to come through the show, so it's really fun to see him actually trying to poke holes in people's lies and sift through the bullshit, even if ultimately no one is really held accountable for anything (although that turns out to be a save for the riot leaders, so I guess it evens out!).
Overall, I think episode 1 serves as a very good start to season 2, although I feel like the mystery of who killed Ross gets a bit tired in the middle. It's pretty obvious that it was Diane, so the red herrings that get thrown in over the course of the episode feel a little flimsy. That said, the interview style of the chase is still fun (visiting all the different characters), so I find I don't mind it.
Sister also seemed to like this episode. She liked Case, although she said he reminded her of a college admissions counselor and she was confused as to why he agreed to investigate if he's the dean of a college and presumably very busy with that. Much like S1E1, she managed to guess a lot of lines/plot points ahead of time.
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Sister: Haha, surrounded by ghosts of girlfriends past.
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Sister: By the lady? (Diane)
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Sister, laughing: Weren't they all murdered??
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Sister: He gonna bite it off… don’t do it! He gonna bite it off.
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Case to Diane: And you…? Sister: Cradled him like a baby! Diane: Cradled him in my arms.
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Robson's hallucination reminded me of this:
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Stray/Final thoughts: Sister has been upholding the grand tradition of roasting McManus at every turn (“he’s been deteriorating rapidly. Usually when someone lands in the hospital, you say 'wow he looks terrible', but he looks the same. Didn't he used to wear suits?”, “he dresses like a 90s deadbeat dad”, “you’d think he’d try and clean up what with two ex girlfriend coworkers but he doesn’t… he’s just making it known that this is as good as it gets”)
Sister is surprised Gloria is still in the show because she doesn’t think Gloria has any story lines and her only purpose in the show seems to be shit talking the inmates and saying how bad they are at every staff meeting ("so like, why are you even here? Go open a private practice and make more money, girl, because you don't even seem to be here for the love of helping people")(me: *staring into the camera like Jim from the Office*)
Sister remains inexplicably suspicious of Sister Pete's character
I really thought Heim was going to do more in the show
Sister's out here thinking s2 is going to focus on the Latinos building and expanding their role in the tits trade by cornering the pharmaceuticals market. Oh how I would love to watch the version of the show in her mind where it's a prison business drama about Miguel making big money moves for El Norte 💀
Sister: People are very bald in this show
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heartofstanding · 7 months
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Rewatching old favourite crime dramas...
I just finished rewatching Vera up to Series 9, am in the middle of a rewatch of Death in Paradise and have started rewatching Wallander as well and am having some thoughts so I'd thought I'd write a post instead of just stewing in these thoughts.
Vera
I love her, your honour.
I love Vera, I love the location and how it's so beautifully shot, I love the slightly gothic edge to the mysteries. Most memorable episodes for me are "The Crow Trap" and "The Deer Hunters". It holds up really well too - sometimes I'll rewatch a crime drama that I once loved and find myself getting increasingly intolerant of the way it deploys certain tropes, like the tortured brooding lead detective with anger issues and/or a tragic backstory or "internal investigations are bad actually" or "it's fine for the lead detective to lose his temper and almost murder someone" which spoiled Waking the Dead and The Inspector Lynley Mysteries for me (the latter in the final seasons, mostly). Vera lacks most of that kind of drama. Vera is, in a way, a tortured, brooding detective but it never takes over the story.
One thing I did pick up on is that while I don't really have any preference for Aiden or Joe as Vera's offsider, I do miss the way that Joe's character opened up different storylines. We don't get nearly as much about Aiden's family and home life as we do about Joe's, and we got more about Vera's past and private life with Joe, like the subplots about her half-sister and her angina. I do feel cheated that Joe's exit happened off-screen, between series, but apparently he's coming back in Series 13?
(n.b. I finished at Series 9 because I don't have Series 10 on DVD, I started Series 11 but it was a bit too fresh in my mind and Series 12 isn't out on DVD yet.)
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Death In Paradise
This isn't the first rewatch of the show I've done (the early seasons I've rewatched multiple times, they're very familiar and I can remember whodunnit) but I haven't watched any of the newer seasons since Series 8, except for a couple of episodes (I watched the one with Sam West and the one where Camille came back). I'm halfway through Series 9 at the moment so officially this is no longer a rewatch but a first-time watch.
It's interesting to see how my opinions have changed. I still think the show was strongest in relation to its core concept in Series 1 and 2. You can really tell the way they were planning the show to unfold had they managed to hold onto Ben Miller as Richard and Sara Martins as Camille, and I do really like that version of the show. But they didn't and the show had to change and that's fine. I used to be very fond of Humphrey but I found him painful in the rewatch - he hits my second-hand embarrassment squick much too hard and his unrequited love for Camille was... ah, not good? I was glad to see him go, tbh. Perhaps because of that, I appreciated Jack a whole lot more - I previously felt he didn't really have much of a character beyond "rambling Irishman" but that is really unfair. I just watched his last episode and I'm very sad to see him - I also felt his ending felt a bit... contrary to the character and the way he threw himself into island life, becoming part of the community in a way neither Richard and Humphrey never did. Neville seems a bit of a return to Richard, in that he doesn't want to be on the island, except by making him have so many medical issues, it really feels like that yeah, he really shouldn't be there.
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Have been pondering how awesome it'd be if the next Death in Paradise detective is in the model of Vera.
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Wallander
I needed something to watch in the space where I normally watched Vera and I remembered how I was going to try and watch some things in Swedish in effort to help myself learn Swedish better (I'm doing the Duolingo course, it's not going well), and well, this isn't in Swedish but it's set in Sweden so it might just do for now. I went... slightly insane* over it in my first and only watch but I thought I was safe now.
Yeah, well that happened again.
The thing I really like about it is Tom Hiddleston's face the way in which it spends a fair amount time of the affects of coming face-to-face with violent, brutal crime. How intensely Wallander feels everything, how involved he gets, and how all of that just means he's held at a remove from his family, friends and co-workers. He has this remarkable empathy that keeps him cut off from them.
It's also beautifully shot and I'm obsessed with the title credits.
Parts of it hold up fairly well - I feel "Faceless Killers" is still very pertinent to today, though I suspect there would a bit less... "both sidesing" within the main cast. Parts of it do not hold up well, like "One Step Behind" which, uh, is kinda extremely transphobic in a way that does not refute the transphobia.
The language and accent choices throw me occasionally in this rewatch. I think what they ended up going for is the translation trope/convention where the characters are not actually speaking English but are actually speaking Swedish, we just hear them in English, and a similar logic applies with the British vs. Swedish accents. When we see text, it's in Swedish, not English, which tends to confirm my hypothesis. Given the unlikelihood of the BBC doing the series in Swedish and the perils of getting the cast to put on an accent (no one wants to accidentally invoke the Swedish Chef in a brooding crime drama), I think this "they're speaking Swedish, we just hear it as English" thing works pretty well. But there still moments where it pulls me out of the story because the dialogue sounds so terribly British.
Random note: the cast of the first episode is like, full of pretty damn famous people? Obviously, there's Kenneth Branagh and a pre-Loki Tom Hiddleston as series regulars. Plus there's Nicholas Hoult and Rebecca Ferguson in guest roles. There's also a lot of people who are the sort of people you know for turning up in British TV shows, like Sarah Smart and Sophie Stanton (who, most memorably for me, was Falstaff and Caliban in the Donmar Warehouse's Henry IV and The Tempest).
Also, this reflection from when I first watched the show is still true. I thought I was over my Hiddleston phase but he's so fucking pretty in this show. It's distracting. It's literally sir, sir, sir, I am trying to watch Kenneth Branagh have a mental breakdown while solving crime in Sweden here. Take your cheekbones and go somewhere else.
Which he does at the end of Series 2 and then I miss him. Obviously, it doesn't impact the series that much - I enjoyed Series 3 and 4, his character isn't important to the story and isn't that interesting. But I liked the dynamics of the team and I dislike losing that (we also lose Lisa at the same time, and Ann-Britt only sticks around for a bit longer before she's gone too). I'm sad we lose that. I'm also a depraved whump lover and frankly think it was a wasted opportunity. Send Magnus off horribly (as Ann-Britt and Svedberg were sent off) and let Wallander writhe and wallow around in the guilt and grief. Also, I am completely shallow and didn't really want Hiddleston to take his cheekbones and go.
* I, uh, may have written an 87k word thing that's 3/4 whumpy fanfic and 1/4 origfic because it was November and I was doing NaNoWriMo and I was too hyped up to research and too scared to commit fully to the fanfic. I've reread and I feel like it holds up ok. I think the Kurt voice is good, as is the "gets too invested without being able to show it" thing. I am experiencing the urge to turn it into proper fanfic. I need to see how S2 ends and S3 begins but it could even work well as a "and that's where Magnus went" fic. But I don't think there's a fandom for the show outside of the migratory Hiddleston smut fandom.
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That last point is one of those things with British crime dramas. It's quite common for some of the regular cast to leave between series and you might get a throwaway line about why they're no longer there but there's no proper send-off, no real resolution for the character, and sometimes there's no explanation. It happened in Vera, Death in Paradise, Wallander, Waking the Dead, and probably more than I just can't think of. I understand why it happens but it does make for frustrating storytelling.
The most egregious is Joe leaving Vera - he was the most important character after her! We were invested in his relationship with his family! The relationship between him and Vera was so paramount to the series! And he just disappears between series and his departure explained in a line about a "big promotion". Sure, this ties up one of the parts of his storyline quickly but there's no scene to say goodbye to him, no sense of closure. He's just gone.
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Both Vera and Wallander are based on novels by Ann Cleeves and Henning Mankell. I've read a few novels of both series (and Cleeves's Shetland series) and I have to say... I feel the TV series really elevate them. With Wallander, maybe it's a case of a bad translation or something else but it seemed to lack something - perhaps the prose felt too simplistic or too blunt? With Cleeves, I think it's a case of has all the right elements, just doesn't have the ability to take it to the next level... I find I enjoy her novels more when I haven't seen their TV adaptation or are significantly different, but they're still not novels that I have to read. I wish the Shetland series had stuck with adapting Cleeves' novels because I'm obsessed with their first/second series (it was released as one series in Australia) which were based on the Cleeves novels, and I feel like the Shetland novels that weren't adapted would make excellent TV.
There are also four Death In Paradise spin-off novels that feature Richard - I've only read two of them and only really remember the first, which was OK - not great, not as fun as the show but still fun. It's nice to get more Richard but it comes with a trade off: Camille, Dwayne and Fidel play much, much, much smaller roles than they do in the TV series.
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polgannon · 1 year
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Polgannon Update - 1
I have a couple of things to report about Polgannon and, to some extent, something to say about what I’m doing at the moment and will be doing in the future.  I’m going to put the update into two posts to break it all down a bit.  I’m also cross-posting this to my main Tumblr blog so if you’re subscribed to both, you might see the message twice – sorry about that.
Polgannon, Hall of Fame and the True Solution!
Ruan Finally Breaks Through
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Polgannon Stream
Earlier this year, Tea Addict – a much loved member of the simming community and Sims 2 streamer – played through Polgannon live on her Twitch stream channel (linky above).  I attended most of the streams providing background encouragement and the occasional bit of help.  I really, really enjoyed it.  I’m not kidding.  For me, it was a lovely experience seeing people having fun with something I’d made.
TeaAddict and her cabal of watchers looked at the murder scene, deplored Blaise, collected information from all the residents of Polgannon, went through all the evidence and motives and discussed the many shady and dreadful characters – suspecting many along the way.  However, they worked very, very hard, TeaAddict did her homework(!), they sorted through the evidence and, collectively, they (streamer and watchers) came to a successful conclusion.  Hurrah!  The streams are a lot of fun: lots of laughing, tea drinking and pointing collective fingers at sus characters.
So following on from that..
Hall Of Fame
Following on from that, the true solution to Polgannon has now been in the public domain for some time.  For this reason, I am now closing the Hall Of Fame with TeaAddict and her stream community members the last on the list of successful solvers. 
This is the final list of successful solvers of Polgannon's mystery (or the ones who contacted me with a proposed solution that was correct).  Congrats to them:
Jojoa777
koololdster
bloodstained_black_lace
Amairani
vllygrl
Lord St.Croix
lorinsv60 & Little Nemo
vaayvaay
Sims2 4ever
Medollga
notreallifeliving
letmereadinpeace4
Paolopollo
TeaAddict and all members of her stream community (especially Jo)
This does not mean you cannot contact me, if you want to have a shot at the solution by yourself.  I will still respond with a breakdown of why you are wrong (or possibly right) but I will not now add your name to the list of glory.  Sorry.
The True Solution
Tea Addict has now uploaded all of the streams to her You Tube Channel and you can go and watch them if you’d like to.  If you really just want to know whodunnit, you may want to skip to the final broadcast in the series with the solution:
youtube
The point where they actually got to the solution is from about 1hr:20mins.  They’re searching for the murder weapon and find it!  They knew it was there somewhere because it’s in the CC collection for the neighbourhood!  This lead them, bearing in mind the evidence they had uncovered, to the correct conclusion about who it was who murdered Blaise Penhaligan on All Hallows Eve!
TeaAddict’s UTube Channel where you can watch the whole series (along with other things she’s done and is doing) is here.
And her Twitch channel is here.  She broadcasts 2-3 times per week.
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orlissa · 10 months
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July Reading Summary
I started this month strong, but then hit a small reading-slump (well, not really, I'm just determined to get through a bad book that is bad enough that my brain will only let me read two-three chapters a day before going all blue death), so I only finished three books in July, even though, in my defense, I have about 500 more pages read thrughout three other books, two of which I hoped to finish by the end of the month, but... See above.
Ali Hazlewood: Loathe to Love You Well, it's Ali Hazelwood: you get exactly what you expect. Reasonably witty text, quirky heroines, secretly and not-so-secretly simping guys, and kinda repetitive plot. It's easy to read, pleasant like a fluffy blanket, and rather entertaining if this is your cup of tea, but nothing world-shattering.
Tirzah Price: Pride and Premeditation Or a P&P fanfic with an interesting concept: the characters are not in the posession of estates, but law offices and other businesses (and everything is set in London). Mr. Bennett heads the law firm Longbourne & Sons, and Lizzie's greatest desire is to become a barrister herself, or at least to be officially hired to work for the firm, from which she is barred on regards of her gender. However, her father promises to hire her if she can prove her worth, so when a certain Mr. Bingley is accused of killing his brother-in-law, Lizzie does her best to get him to hire her and to find the actual killer. This is a... curious concept, one I find fascinating to be honest, even though the Regency period doesn't seem to mesh well with a whodunnit mystery (I mean the whole genre was invented 20+ years after the Regency period). There were also some great scenes and ideas, but overall I think it kinda underperformed--this being a very explicit P&P retelling, the reader expects some stuff to happen, but we are so preoccupied by the mystery that some important "canon events" are simply dropped (e.g. Jane and Bingley never even meet "on screen"!).
Jennifer Worth: Farewell to the East End Okay, this a completely different league. Very much like in the case of her first memoir, most of the stories in this book are going to be familiar if you have seen the show, but there is enough stuff that didn't make it onto the screen to keep the reader interested. Also, I realied in shock, many of the stores were actually tamed for call the Midwife, so if you saw the show and then read this book, you are in for some unpleasant surprises--not to mention the chapter about Sister Monica Joan's lady's maid in the late 1800's. There is also a melancholic aspect to it, as the last chapters deal with the closure of the Nonatus House and what happened with the sisters and nurses afterwards. Great book, but not an easy read.
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rookie-critic · 1 year
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The Pale Blue Eye (2022, dir. Scott Cooper) - review by Rookie-Critic
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The Pale Blue Eye sees Christian Bale giving a masterclass in acting in a movie that, otherwise, is just fine. I'm big fan of writer/director Scott Cooper, having seen and loved 2 of his earlier films, Out of the Furnace and Crazy Heart, but his last couple of films, while not bad, necessarily, have been disappointing. His last film, Antlers, felt content to idle its way through its story until it just, kind of, ends; never seeking to dive too deep into any of its very interesting characters enough to develop any true impact on the audience. The Pale Blue Eye also has this issue. A lot of the film isn't terribly interesting. That's not to say that the central mystery isn't interesting, because it very much is, which makes it all the more surprising that none of the investigation or surrounding story was very awe-inspiring or gripping. It had its moments of "oohs" and "aahs," but they were fleeting. I was concerned with how the story would resolve itself, but never too concerned to be more than passively invested. I will say the sets and production design of the film are top notch, and for a period piece (which I confess aren't necessarily always my cup of tea) I found the movie very visually engaging when the script and storytelling were lacking. The story also suffers from from a structuring problem. It feels terribly disjointed, and again, that meandering pace makes it feel like it drags in certain areas, but the biggest confusion comes in the form a very unexpected fourth act.
Our mystery gets solved at about the 90-minute mark. The whodunnit is resolved and we reach what anyone would conceivably call a final scene. Then the film decides that no, it's not over, but in fact still has 38 minutes left of its runtime. It's jarring at first; you really are stuck thinking "what could we possibly be using 38 more minutes for? Is this really necessary?" While I do think the movie's true finale feels a little out of place with the rest of the film, and the buildup to this moment is almost non-existent, I have to say that is also, by far, the best section of the entire film. The absolutely legendary performances given by both Christian Bale and Harry Melling (who is playing a very young, very green, and very Virginian Edgar Allan Poe) in this final sequence is genuinely more awe-inspiring than the entire rest of this movie and all of Antlers put together. Bale is in peak form, and every inch of his face is crawling with anger, remorse, regret, sorrow, and maybe even gratitude. Melling gives an incredible monologue and proves himself capable of keeping up with Bale, and the fact that Melling is taking up so much of the linguistic space of the scene makes Bale's performance even more impressive because he is somehow still the center of your attention, without even saying much for a lot of that final bit. There's one shot in particular (keeping it spoiler-free here) where the camera just lingers for close to 10 seconds on Bale's face as he looks forward past the camera, and his expression grows from complete disbelief slowly to sorrowful acceptance. I've had this issue with the last few movies I've seen of Bale's. He was practically the only good thing of note in Thor: Love and Thunder, and he was also the clear standout of Amsterdam, a movie that I would describe as "good, but not great." I love that he is the kind of actor that, no matter what he's in, he is going to crush it. I know I'm in safe hands with Bale even if the film itself is lacking, but I hope that soon he starts to fight in his own weight class again, because Christian Bale with a solid script is honestly something truly wondrous.
As it stands for this movie and its script, I'd say that The Pale Blue Eye is perfectly serviceable, but flawed, even without that final sequence. However, if the entire film had been as riveting as that fourth act, this may have been an easy 10, but I can't justifiably give it an amazing score like that based purely off of one sequence. Instead, I'll settle on a score of "could have been better" and patiently away Cooper's next film in hopes that it is as good as I know he is capable of.
Score: 7/10
Currently streaming on Netflix.
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purlturtle · 2 years
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from writer emoji post: 🎶 🛒 🤯
🎶 Do you listen to music while you write? What song have you been playing on loop lately?
No, I don't - I need silence to write. At most, my wife sitting next to me playing a video game - but if there's voice acting in that, also not good. I think that's to do with English being my second language: if I write in English, and then hear lyrics or dialogue (in any language, really, especially languages I understand or can parse), I focus on *that* and not on my fic. If that makes sense?
Sometimes I incorporate a musical piece into my story, and I listen to that while or before I write the scene. Other than that, no, I write in silence.
Play on loop? The Stardew Valley soundtrack. It's so wholesome and relaxing and cute.
🛒 What are some common things you incorporate in your fics? Themes, feels, scenes, imagery, etc.
Oh - happy endings, for sure (I've been dubbed Dame Purlturtle of the Happy Endings!) I want to write hope and good feelings into the world. I'm the opposite of grimdark! Yes, sometimes my characters go through it, I can't deny that. But it's always in the service of/on the way to their happy ending. I also enjoy giving my characters feelings of finding peace with someone - being at ease with them, being at rest with them. Knowing they can trust them, implicitly. Not just in a romantic sense, either - found family is a theme in my writing too. I love people playing with their loved one's hair, or brushing it, and the trust and relaxation that that evokes. People letting their guard down when they never did before, also a theme. Love as a choice, not as something you either deserve or don't.
🤯 What's a genre you struggle with as a writer (ex. romance, action, etc.)?
Well, as you can see from the above, it's always the feels with me, so romance I don't struggle with at all! Action, a bit more - I don't think I could write a fic that is action plot only. I also very much don't think I could ever write a whodunnit! 😅 My mind doesn't work that way. Or the kind of mind thriller where you can't trust anyone or anything. Those are stories that I don't enjoy, and so I don't wanna write them either!
Thanks for the ask, Anon! This was fun! Here's the ask post, if anyone wants to ask some more questions!
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Hi! I have a question - inspired by your Blaine posting I watched some scenes on Youtube and as expected I love him; otoh, I hate procedurals/crime shows - what do you think are the odds that I'll like the show? How much of it is about solving crime vs. brains pushing schemes and zombies being weird due to the last brain they ate?
Hey! :)
Oh, I'd say it varies? There is just a lot of stuff going on overall and it does have a lot of storylines. (Basically, everything that happens in Seattle seems to involve the same 6-10 people is what I took away)
Short answer: I'd say the first 2 episodes are already pretty indicative of what (the first three seasons of) the show is like in terms of the core-elements of the show, the tone, and how much screen time each aspect of the show gets (although Blaine is actually only very briefly in the pilot, his real introduction is in the second episode).
Personally, my best faith tip would be to watch the first episode - and then, if you find you've had a good time with that the second episode - and take inventory. If you had a good time with those, you're probably also going to continue to have a good time. If you found them a real drag to get through, you're probably also going to have a real drag getting through the rest. (There are some tone shifts over the course of the show - with the biggest break happening between season 3 and 4 imo, which introduces even more subplots, but basically, the key formula becomes obvious pretty early.)
Long answer: Liv and Clive solving the case of the week together is definitely a big staple of the show and there is a case in almost every episode - but because there are so many plots going on, they have to be pretty succinct about it compared to other crime procedurals and it is pretty inseparable from brain hijinks in general - after all, the whole point is that Liv uses the personalities and visions she gets from the brains of murder victims to help with cases.
So in many ways, the brains she eats are their excuse to get Liv into all kinds of weird situations or show off some skill or something of the sort. In that sense, there is also a lot of (self-) irony involved in the crime-plots - it isn't really a chew-your-nails whodunnit crime-mystery but more the along-for-the-ride thing with Clive's and Liv's dynamic. There are some episodes where I really wanted to know the resolution (e.g. Liv and Let Clive), but for the most part, I'm just happy to see them do their thing and talk to people and do stuff.
Another thing that is central to the show is the Ravi-and-Liv-trying-to-cure-zombism/prevent-the-apocalypse-plot of the episode which also takes up the space/time. Sometimes this ties into the crime plot (like when the murder of the week has to do with zombies and they have to cover it up) + their respective social lives and their friend group and romantic stuff which also takes up a whole chunk of each episode. (Also, there's Catching Up With Major in pretty much every episode. Which is when Major does things and they don't work out for him and you can watch his mental and sometimes physical health deteriorate over it and then Liv feels bad about him feeling bad and-)
As for Blaine and his latest brain pyramid schemes: In the first season (kind a spoiler but it becomes obvious quite quick) he's the Big Bad so the stuff he gets up to is kind of the mirror to what Liv and Ravi get up to - but after season 1, he's given more and more space to do his own thing, to the point where sometimes you can tell they gave him the Spike-treatment of just creating an excuse to let him do his bit, banter with people, and have a few murders. Which I'm absolutely fine with, good for him.
There are actually a handful of episodes of the show he's not in at all (but the effects of his actions usually can be felt), but he is in most. Also, sometimes he's part of the Ravi-and-Liv-Fixing-Zombies plot and sometimes (though not as often) in the Clive-and-Liv's-Murder-Of-The-Week - or he crosses paths with Major. But as I said, as the show goes on, he also gets to have his own Villainous Scheme Of The Episode going on (which the morgue squad might not even find out about, depending on what he does).
We also usually check in with the other main-antagonists of every season, which also gets a lot of space on the show.
But yeah, my best advice would be to give the first and then the second episode a try and then to weigh the likes and didn't-likes, I think that's a good indicator!
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getmemymicroscope · 4 months
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I keep coming back to Prithviraj-starring Malayalam movies, largely because he continues to appear in these thriller/whodunnit movies I love so much. Not complaining about that, mind you. ... Unrelated, this is also the 3rd movie I've seen with Janani Iyer (same reason), and it is the best of her 3 that I've seen (Ma Chu Ka and the very frustrating Thegidi being the others), though in this case, her role is overall pretty minimal.
The twist with Prithviraj's character I think I already knew (maybe I'd read it on Wiki before?), but really, that doesn't do much for the movie overall. However, it is worth mentioning that we have so many movies where criminals respond to someone taking their money by going around just killing everyone - good guys, henchmen, essentially whomever they come across - so while this movie does feature some physical intimidation, it is kinda cool to see a criminal who takes a more logical, detective-like approach to figuring out what happened.
You do wonder, though, if the crash early on was planned, or if it was pure coincidence - and if it was pure coincidence, would the approach to finding the money have been the same if it hadn't happened? But anyhow, that's purely speculative - because it did happen, and the result is the story that we are watching.
The story follows a suspended detective (Prithviraj) who, through an accident, becomes involved in the mystery surrounding a group of friends and a significant amount of missing money (and, by the time he gets involved, missing people - including one suicide that takes place just a few hours after he becomes involved). The story unfolds as the movie progresses - he is told bits and pieces, and investigates the rest of it.
It's overall a pretty well-told story, though the twist (not the final one, but the one about why everything has played out as it is) is so completely predictable almost from the minute all 5 of the friends are introduced. Which is frustrating because, well, it feels like it is always this. A spurned heart, I guess, makes you want to kill your friends and force the person who spurned you to turn to you not because of true love, but because of the loss of the loved one. Kinda drastic, and probably mostly just a really good indication of what type of friend you really are (not a good one).
As in many thriller/whodunnits, a lot of things happen in the dead of night or in other settings that make it really hard for the audience to see things (power outage, etc.), which is sorta frustrating. It doesn't really change much in terms of the movie and plot, but man, it would be nice to be able to see what they've actually filmed. Maybe it is just me though.
This isn't my favorite Malayalam movie, but it is up there. I love their stories, I have to admit - especially as I watch these thrillers and whodunnits whilst at the same time watching Bollywood turn into a disgusting soup (redundant, I know) of remakes and scene-for-scene copies and nepotism-derived nonsense.
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huenjin · 3 years
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domestic disturbance.
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summary — there's a murder in the richest neighborhood of seoul and there's no better detectives to find the killer besides you and bang chan. or, in which you and chan have to be a pretend couple to catch a killer.
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pairing — bang chan x reader
genre — fluff, crime, smut | detectives!au, fwb!au, fake marriage!au
word count — 21k words.
warnings — mentions of crime, ie, blood, killings, (one line of) gruesome murder scene, language, along with a whodunnit plot, mentions of cheating (not the main leads), and smut | smut specifications under the cut
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smut specs. — established fwb!au where they know each other's limits already, dirty talk, praise kink, grinding, marking and hickeys, choking/asphyxiation, nipple play, breast play, sex in multiple places (on the table, against the wall, on the bed), blowjob, face fucking, deepthroating, cunnilingus, clitoral stimulation, cervical stimulation, edging, overstimulation, squirting, multiple orgasms, fingering, creampie, size kink. oh well!
note — this is part of the christmas collab i’m hosting with few other mutuals. i hated this fic and then fell in love madly with it, so yes, this is my baby. there is a plot and so it’s like 50% fluff, 30% crime and 20% smut, okay? i hope you enjoy this fic as much as i loved writing it! much love x
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"Did I have to come in today?" 
"Mayor Arsehole came in," you hear from the phone and you quickly hop off your bed, throwing the phone back on to the bed after putting it on speaker and rushing to the washroom to grab your toothbrush.
"What does he want now?"
You squeeze the end of the toothpaste carefully, pushing a good amount of toothpaste onto the bristles of the brush before shoving it into your mouth, brushing against the enamel of your teeth quickly and you rush back to your bed.
Chan, on the other end of the phone, plays with the pen on his table, clicking the piston on the top of the mechanical device. He watches the Mayor move his hands dramatically and the Captain trying to make the Mayor understand.
He gets back to you. Dropping the pen, he sits up straight, "Anyhow, come in quick. My gut tells me that they'll call us in, so make it quick. Wait—"
You rush back to the bathroom in a hurry, spitting into the sink and turning the tap on, quickly cleaning your mouth and your face, following a small skincare routine that fits your busy schedule.
"What?" You say after forever and Chan screams, "I knew it."
"Did you just wake up?"
"Yes," you respond, and pull your clothes up from your body and down by the side of the bed mindlessly. 
"Holy shit," Chan laughs. "It's nine. Han's going to be so mad. He thinks you're in office already." You hear his chair reclining back and you roll your eyes. "Plus," his voice lowers and you stop in your tracks, hand midway to grab your faux leather jacket.
"What now?"
"I didn't even keep you occupied last night," Chan teases. "Imagine if I did."
"I'm hanging up, you bastard," you yell and Chan laughs, his laughter resonating through your small room and making you smile softly. 
"Come quickly, little minx," and he hangs up. You hop back onto your bed, and pulling the pair of thigh high boots you always wear from underneath the wooden framing of the bed, you bury your feet into them and look at your phone.
Bang Christopher Chan is perhaps the only reason you are excited to go to work. That, and lying, murderous bastards.
Down at the station, twenty minutes later (still possibly the best record you've held so far), you rush into the office, heels clinking against the tiles and Chan's waiting for you by his cubicle, smirk prominent on his face and arms folded. 
"The queen's here," he teases and you glare. Huffing as you pause right in front of him, you look over his shoulder to see the Mayor still talking to the Captain.
"I'm not late," you squeal, hitting the air in joy and Chan lets you have your moment before sitting back on his chair and breaking it.
"They called for us twice already," Chan tells you and you shudder at the impending doom. You can already feel Captain Han talking about cutting your paychecks for the month for tardiness. You sit on his table, one leg on the ground and the other dangling, heel slightly grazing Chan's black denims.
"What did you tell them?"
He picks up the pen and stares at you, clicking the pen. You narrow your eyes at him, staring at the pen and mumbling, "Stop that, Chan. I've told you it's annoying."
"I do it to annoy you. That's the whole point," he raises his eyebrows obviously and you click your tongue against him and move closer.
"Now," you press on. "What did you tell Ji?"
"Oh, that you have diarrhoea?"
"What the fuck?" And you bend forward, hitting the built man before you, your fists hammering down on his hard biceps and chest. "Why would you say that?"
Chan raises his hands in defense, trying to block as many of your hits as possible. He whines, laughing amusingly at your reaction. He holds your wrists quickly to halt your actions and tugging at them, pulling you closer, he raises an eyebrow, "What else am I supposed to say? That you didn't come in yet?"
You gulp, eyes widening in surprise at the sudden intimacy that you pull yourself away and sit straight, dangling your legs slightly. You tilt your head and look at him. Clicking your tongue in annoyance, you say, "Valid point you make there, sir."
"When have I not made valid points?" Chan leans back on his chair, arms folded and he looks at you intently, his eyes staring into your soul and you raise your eyebrows. 
"Wh—"
"The two of you," you hear the voice boom through the room. Chan and you turn your heads to look at Captain Han Jisung pop his head through the slightly opened door and calling the two of you. "In my room, now."
"Uh oh," Chan mumbles under his breath as he stands up. "Someone's in trouble."
"It's probably you," you glare at him. Hopping off his table, you stand firmly on your boots, tapping your feet slightly in confidence. Chan walks forward and you take longer strides to keep up with him.
"It could never be me. I'm the district's star detective."
"When hell turns cold, yeah."
You and Chan step into Captain Han Jisung's office. He sits behind the wooden desk and Deputy Mayor Seo Changbin stands next to him. The glass walls behind him show a clear view of the beautiful city of Seoul. You smile as you proceed to sit before the Captain, leg on top of the other. Chan sits next to you.
The pictures from a file are scattered all over his table, facing the two of you and your hand instinctively reaches out to grab one. It's a man's body — gruesome enough with the blood that covers it — impaled brutally on the sharp fence spikes.
Chan's eyebrows shoot up and he coughs in surprise. He looks at Jisung with disdain for a short minute before he says, "That is totally not helping with my holiday spirits, Han."
"Captain Han," Jisung reaffirms as he looks at Chan with a glare and gestures at how he should show him respect at least in front of the Deputy Mayor. You chuckle slightly under your breath before putting the picture back on the table.
"What exactly are we looking at, Captain?"
Jisung clears his throat and bends forward to explain, "That is Kim Jihoon. Or at least whatever is left of him. He was found like this today morning by his neighbour. Apparently he fell three stories from his balcony. Kim Jihoon is a data analyst in Samaun Tech—"
"And more importantly, a model resident in the UN Village community." Changbin is stern and his eyes pierce into both yours and Chan's soul as if it demands the two of you to solve the murder right this minute.
"UN Village?" Chan's eyes narrow and your head turns so quickly to look at him. Does he know of the area? "That's the new gated community down in the city, right?"
Changbin scoffs, smirk plastered on his face as he looks away. "Yes, Detective. It's one of the most luxurious communities in Seoul. I'm sure you wouldn't know anything about it."
"Hey—" You raise your voice to come to Chan's defense. However, the man is quick himself.
"Oh, I'm pretty sure I have an idea what it is like. Just a bunch of rich old men sitting with their glasses of wine as they are locked away from the city's woes by their big high walls. I have watched enough Sky Castle."
You laugh, eyes wrinkling in mirth as you hear Chan take offense. You raise your hand up and your partner claps at it, laughing with you. Changbin scoffs again before turning to look at Jisung who clears his throat to stop the two of you from laughing and to bring your attention back.
"I've brought the two of you in here because you will be investigating the death of Jihoon."
"But—"
"It's Christmas in a few days!"
"We're not in office, Ji," you whine. "Felix and Soojin would be taking our shifts for that week. You gave us the permission after the last case. Don't you remember?"
"Is that how much you care about the citizens?" The mayor shoots at the two of you and for a minute, you cower in your seat, before Chan looks at you worriedly as you recoil. 
"Hey, hey, hey," his eyebrows furrow together in anger at the Mayor and you worry if Chan's going to completely lash out. He never did like Changbin in the first place. That and now this and you know this could end bad. "We care enough about the citizens. But look at you. The Mayor comes down personally to hand in a case only when it's some rich community. What? Do you have an apartment there?"
"While you think this highly of me, I can't help but humble myself here," Changbin slams his fist down and Chan rises up. Uh oh! The Mayor edges forward as he continues, "I am very much concerned about the city as well."
"Please," Chan rolls his eyes. Jisung is about to pipe in and stop the conflict when Changbin continues proudly. 
"I'll have you know that the UN Village is one of the most exciting residential areas to live in, in Seoul and is one of the most beneficial developments made in a decade here. If it is successful, I can drive almost millions to the city through estate taxes and commerce. And must I remind you of how that is the biggest point in my political agenda—"
"Your political agenda!" Chan is at his patience's end and your arm stretches out to grip at his shirt, to pull him back from fighting but your partner is so caught up in his anger that he doesn't feel you pull at him. "Must I remind you that you are still the Deputy Mayor!"
"Stop it, both of you!" Jisung slams his hands on the table and you let out an exasperated sigh as you sit up straight. "This is a murder and I won't have the two of you argue over here. Deputy Mayor Seo, if you are done conveying what you came here for, I will have to ask you to leave. I need to talk and assign work to my detectives."
"Absolutely," Changbin smiles widely — almost borderline fake — before walking away and reminding Jisung, "I hope you remember what I asked of you, Captain." He bangs the door shut and Jisung mumbles incoherent words under his breath. Needless to say, it was safe to presume they were words hoping good will for Deputy Mayor Seo Changbin.
"Now the two of you," Jisung points at both Chan and you. He gestures at the built man to sit down. "You will be taking this case up. I will not have a word against it."
"But—"
"Unless you want your sex tape to be released and the two of you want to be suspended for indecent public behaviour."
"What?" Both you and Chan tell at the same time, looking at each other in nothing but sheer confusion and shock at the same time. It was clear that you and him have not made a sex tape or publically — fuck. Unless it is that.
"I mean, I was definitely not interested in seeing my star detectives getting on with each other in the evidence room." Jisung raises his eyebrows.
"Are you blackmailing us, Han?" Chan's tongue prods at his inner cheek in frustration. Today was supposed to be a good day, so he wonders why things are going down the hill.
"I guess." He lifts an eyebrow at you and you click your tongue before leaning forward and taking the picture.
"Fine. I'm in."
"I don't mind getting a copy of the sex tape," Chan mumbles and you hit your partner with your elbow over his nonchalance. You are not going to get suspended. It was too much for your reputation. 
"Good," Jisung smiles. You stare at the picture carefully, looking at how the sharp spikes of the fence pierces into the man's abdomen, pinning him to the fence. Chan is about to take the picture from your hand when you ask,
"This could be an accident."
Chan takes it and looks at it before nodding, "Yeah. You know how rich drunk people are. They might have partied too hard and stumbled and fallen off their balcony."
"I thought that," Jisung mumbles before searching through the pictures. He lifts one off the table and hands it to you. "Until I was informed that this is the second murder UN Village has witnessed in less than a month."
The photo Jisung hands you is of a woman. She lies face down, her stomach pierced through by the sharp spikes of the fence — a bloody contrast to the fresh greens in her yard.
"Why am I celebrating my holidays like this?" Chan groans, as he leans towards you, his arms touching yours. He looks at the pictures and then at you for a short while as he watches you observe the photo carefully. The gears in his head are turning and his emotions are an array of mess but he reminds himself to focus on the case in hand. That is exactly what you would have wanted him to do. 
"She's Yoon Yerin, who lived just up the street from Kim Jihoon. She was found like this two weeks ago." Jisung points out. 
"Can't still label murder, Han. As Y/N said, it could be just an accident. They could be drinking red wine and partying, screwing each other on balconies. Hell, I'm surprised that only two have died so far."
You suppress your amusement and look at Jisung who explains, "I thought the same as well, detectives. The possibility exists—"
"Heh," Chan lifts his lips slightly and nudges you, almost as if he is telling you that the two of you have lesser work to deal with. 
"—but there is also a chance of an exceptional clever murderer behind all this. So please," he turns to look at both you and Chan with an extra intimidating glare, "Look at this case with an open mind."
"You've our word," you smile widely, keeping the photos back in the file. 
"Thank you," the Captain looks comforted. "I cannot hear more from the Mayor, I swear to God. Now, you'll go into UN Village and investigate these deaths as soon as possible."
"And?"
"If there is a murderer, you must identify him as discreetly as possible and if these are just accidents, uhm," Jisung clears his throat, rubbing the back of his head, "We'll just put out a notice in talks of their safety, I guess."
Jisung stretches back in his chair, folding his arms and looking at the two of you proudly, "You guys are the best darn detectives we've got."
"Of course," Chan sneers. "Why else would you take our breaks away using some sex tape as some kind of blackmail? You're a nasty captain."
"He'll be forever salty about this, huh?" Jisung raises an eyebrow at you.
"Nah," you chuckle. "He's secretly overjoyed about being able to work during the holidays."
"As if!"
"We could just go now and investigate—"
"No, you cannot." Jisung sighs. "This is where I'm kind of helpless. The Deputy Mayor specifically mentioned how we are not allowed to poke around, cause chaos and make a scene."
"What? Why?" Chan slightly shifts in his chair, in agitation.
"It'll draw the media in like vultures."
"So?" You furrow your eyebrows. Why does this smell rotten?
"So, the two of you will go in under cover." Jisung smiles. "I doubt it would be an issue for the two of you." 
"Undercover? Undercover as what?"
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Twenty fours hours later, you are here. 
A large group of suburbanites are gathered on a perfectly sculpted front lawn. They stand around the stainless steel barbeque rack and are talking. You gaze further, your back pressed against the big lorry that carries furniture to furnish the new house. 
"I can't believe we're doing this," Chan sighs. He helps the man take out the sofas from the lorry. His biceps bulge and you smile, eyes lingering for a minute on the vein that is prominent over it. 
"Please," you laugh, head thrown back. "When I said I wanted to get married, you were there in the list, yes," you tilt your head and snigger. "But you were definitely not my first candidate."
"Lies," Chan teases. "I was your only other candidate, work being the first."
"Don't make me throw this chair at you."
Chan laughs, taking the chair from your hand and walking back in to settle it down onto the floor. Your head shifts back to look at your new neighbours, two of them waving at you and making their way to you. Chan comes out of the house right then, watching the two walk towards you.
Chan bends down to the side to whisper to you, "Do we have to go speak to them? I—"
"Of course. We can't be rude to them."
Chan holds onto your arm, whining like a little child, "But why? I hate rich people."
"Because I'm your wife now," you scrunch your nose at the title. "Listen to me and go with the flow. Just remember that you're Bang Chan, leading specialist in maxillofacial surgeries, hoping to start over in this area of the city—"
"And you're my beautiful wife, my other half, Y/N," he lifts your hand after entangling them with his, your silver ring bright on display and he takes a step forward.
"Now let's go, honey!"
The other couple walks towards the two of you simultaneously, stopping midway upon reaching you. You tilt your head, shifting your gaze to a softer look as you look at the couple, before clutching onto Chan's hand a little tighter.
"Hi, I'm Y/N and this is my husband, Chan. We just moved right next door."
The tall man with a hair messy on top of his head smiles, although it seems very superficial. Yet again, Chan did mention how rich people could never smile sincerely. He tells you, stressing every alternate syllable, "It's so nice to have you here, Y/N, Chan. We are so glad you could shift right before our Annual Holiday Barbeque."
He stretches his arms out towards Chan. Your partner heaves a huge sigh in silently before holding his hand and giving it a firm shake. The other man continues, "I'm Park Rowoon, the president of the local homeowners' association and this beauty here is my wife, Jieun."
Jieun's face contorts into a huge, gleaming and completely insincere grin. She holds onto her husband's bicep, fingers digging into the flesh, "Well, isn't he a dear?" She laughs high pitched. "It's so nice to meet you." She rushes forward to hug you, her arms wrapping around your frame and giggling into your frame. You hug her back, albeit awkwardly, laughing slightly at the gesture.
On the other hand, Rowoon extends his arms out to take Chan's hand in for a shake. The hand holds his, and squeezes it hard enough to hurt as he raises an eyebrow at him. Chan jolts in surprise, trying to squeeze back as he grits his teeth.
You pull back from Jieun and notice the two males holding each other's hands so tightly that it has turned pale. Chan does not seem to back out and rather squeezes back further every single time Rowoon's grip on his tightens. That is, until the older male pulls his hand back and looks at Chan, after shaking his hand a little bit, flexing it.
"You okay, baby?" Jieun rushes to her husband's side, and wrapping her arms around his, she just out her lower lips and looks at him with a dazed and madly-in-love look, "Are you hurt?"
"Nah," he pulls at the dead skin of his lips. "Just the old carpal tunnel acting up. Age, right?" He laughs, locking a fixed gaze at Chan and you quickly rush to his side, locking your arms with his as you laugh.
"Definitely. Don't worry about it. You still look as young and charming as ever."
Rowoon laughs before asking you, "So you're shifting right next door, huh?"
"Yes!" You lift up your lips a lot more than when you usually smile. "Did you see our moving truck? It was quite immediate but I'm glad. This society is so good and just right enough to start a family together." Chan's eyes widen and he looks down at you, nostrils flaring in surprise as he chokes on air. You stand on your toes, kiss his cheek before settling down and smiling at the couple before you. "I desperately want to."
Family? With you? Fuck. 
"Y-yes," Chan's breath hitches and he gets the word out. He'd be down to start a family with you but how could he even suggest a relationship when you just look at him like a friend? A friend who you can come to when you're needy and sexually frustrated.
"My husband's very observant. He saw your truck the other day itself!" Jieun exclaims proudly.
Chan's eyebrows shoot up as he stares at the man. He doesn't already like him and one more wrong step and he is ready to pin some crime down on him. Rowoon is flattered by his wife's comment.
"I do like to keep a close eye on the neighborhood. After all, vigilance is the first step in ensuring a beautiful and safe community. Talking about which, I couldbt help but notice that you have a bird feeder." 
Rowoon stares hard at the wooden bird feeder behind the two of you. Chan and you turn to look at and he laughs. You look proudly at it. A heirloom – almost – of yours, Chan (and Jisung) agrees to let you bring it with you. (They agreed to it when you explained how your neighbors hated you and they would harm it the minute you left sight of it for a long time.) You look at Rowoon with eyes so bright as you begin to explain. Your partner, on the other hand, arms still locked with yours, looks at you with stars beneath his eyes and you are responsible for them. It's admiration. Sheer, peak admiration.
"It's an antique, you know. My grandfather carved it himself out of—"
"Yeah, great, that's lovely." Rowoon cuts you off and the smile disappears off your face, your eyes losing their shine. Chan clutches his fists in anger, head shooting back to face the stupid old man for making his wife mad — his partner sad. The old man continues, "The thing is wooden bird feeders are against the UN Village Homeowners' Charter."
"They are?" You look back at the wooden bird feeder. You bite on the lower lip to hide your disappointment, eyes squeezing shut to hold yourself alright. 
"I'm afraid so." You turn your head back to look at him. Chan quickly unlinks his arms from yours and you look at him, worriedly. Was he going to start a fight? Please, God, no. You glance in worry till he interlocks his fingers with yours as he holds your hand tightly. The warmth seeps through you and your lips pucker unknowingly at how comforted you feel. 
Rowoon continues explaining, "They tend to give off a country farmhouse vibes and aesthetic which is not exactly what we are going for."
"I'm sor—"
Chan clicks his tongue, preventing you from apologising. He pulls you towards him, a little bit closer than the two of you already were. Your partner glares at the man before huffing out loudly and saying, "You run a pretty tight community here, Rowoon, don't you think? Respect the rules or you're out." Rowoon stiffens upon hearing the words before Chan laughs, stretching his other arm out to pat his shoulder. "I'm kidding. Just kidding."
Jieun steps in right then to smoothen out the tension as she claps her hands together, laughing, "Aren't the two of you the cutest? Are you newly weds or?"
"Yes. I mean, it's been a year, but being married to her feels like falling in love all over again for every single day of my life." Chan locks his eyes with you and you gulp. The words hit deep, so deep that you know you shouldn't be fluttered, or flustered. This is Chan. He couldn't be serious.
"Ah, so cute," she squeals. Rowoon looks at his wife with a raised eyebrow before looking at the two of you again.
"Listen. I've to go check on the grill and grab something to eat. You should swing by later tonight and meet the rest of the members of the society. I'm sure they'll love you."
"Of course. We do want to finish a bit of the moving in and stuff today and maybe put up the Christmas decorations soon, but we'll be there. Guaranteed." Chan tugs at your hands to pull you back. You nodded and waved at Jieun. 
"Bye!"
Chan quickly rushes you back into the house before finally letting out a huge sigh. He runs a hand through his hair before letting his back hit the door. You look at him and giggle lightly into your hand. 
"Don't laugh," he glares. "I swear to God, if I have to spent more time talking to Rowoon—"
"You're doing so well, idiot," you laugh, throwing your head back. "We just need to dig in a little bit, talk a lot and confirm that these were accidents."
"Y/N, baby," You breathe slowly upon hearing the term. A sure endearment that Chan has always used but for to hear it roll out of his mouth in places this homely felt different, made you feel different. "If I have to spend more time with Rowoon, I will come up with another theory and it would probably be a suicidal one."
"Don't screw this up, yah!" You hit the back of his head. "The last thing I want is a suspension just because I was caught fucking you in the evidence room."
"Like you didn't enjoy it," Chan leans forward, nose brushing against yours almost. You can feel his breath fanning against your face and the temperature rising. Your hands are firm on his chest before you push him back, fanning yourself with your hand. You tie your hair up into a ponytail before pointing at the boxes by the side of the door.
"Get to work, husband. We don't have time to waste."
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"The pepper next to the salt, Chan. Why would you put turmeric there?"
"You'd be one whiny arse motherfucker for a wife," he groans and angrily shuffles the bottles in their right order. "Why are we even arranging all this? Let's just wrap this up in like two days and go celebrate Christmas back at the station."
"I'm not going to take risks. It's Christmas. I celebrate every single Christmas," You mumble. "At least the bare minimum. And if this Christmas has me celebrating it with you, I will. I will give you the best Christmas ever."
"I don't celebrate Christmas, Y/N."
You place the cutlery in the shelves. You leave the kitchen after finishing every single arrangement of the same. Chan follows you into the main living room. You stop in your tracks when you hear Chan say the words and you turn, eyes shooting up.
"Why?"
"Mum left dad in winter. Didn't feel right to celebrate Christmas when she was at home. It's a bitter memory for her, you know?" You nod, eyes looking at him with understanding rather. He sits down, lifting his legs up and stretching it over the table. Your eyes widen and you narrow at his legs.
"Feet. Off. The. Table." You glare. 
"Why?"
"Because it's disgusting." You groan. You sit down by his side once he puts his feet off the table, huffing at you. He turns to look at you and you respond finally.
"Do you, maybe, want to celebrate Christmas with me this year?"
Chan's a romanticist (though he wouldn't ever admit it). He believes in how destiny is meant to unite two people like one magnet for another, one jigsaw piece matching just another. He also believes that you are something special to him because his mind worries over you, his heart gravitates to you in a crowded room. 
Felix told him that it's probably just sheer concern for his longest partner ever. That your heart tends to feel weird stuff for people that protect you, for people that take bullets for you. 
But today, right now, when you tilt your head to the side, resting it on your arm as you wrinkle your eyes in mirth and ask him, his heart skips a beat. Maybe two. He is lost in his thoughts, emotions on an overload and he wonders if you would ever see him in a different light.
"Chan?"
He snaps out of it. He laughs, almost at himself, as he runs his hand through this hair. "Do I have an option? Han made sure our Christmas would be stuck here."
"I'm the best option you have, dude. That, or it was you and your can of beer and your football marathon."
"Maybe."
You still, your head lifting up to look at him. Chan looks at you like he has so much to say to you, so much stuff that conflicts within him but words he would never say out loud. You wish he could. Your head turns to the small Christmas tree inside the house — bare, empty and green. The one extra along with the big one outside every house in the UN Village.
"We could start by decorating that. Yeah."
You hop off the sofa and rush to take the decorative goods from the suitcase. All on command from Captain Han Jisung, courtesy of the very same man who bought so many of the decorations. Chan turns his body, arms folded on the head of the sofa as he watches you scramble in search of something. 
You take the decorative items out from the suitcase, putting it by the side as you search for something. Chan walks towards you, squatting as he watches you look before he holds your wrist and halts your actions.
"What are you searching for? I could help you."
"It's this bluetooth speaker I thought I brought," you shake Chan's grip away before undoing the zip on the other side of the suitcase. "I really thought I brought it. Shit."
"Hey, hey," Chan sits on the floor as he watches you. "It's alright. You can put whatever you want to put on the speaker. It'll be loud enough for the two of us."
You turn to look at him, before falling back on your ass and sitting. You fold your arms around your knees close to your chest and you smile, "You don't mind me blasting Christmas Carols during tree decoration time, right?"
Chan laughs at your innocence. Something so soft, so pure about it, about how you loved Christmas so much. He wants to hold you close — oh so close — the need almost overcomes him but he holds back. 
"I don't mind."
"Yay," you squeal, getting back on your feet and rushing to your phone on the table. "I have this collection of Christmas Carols that we primarily put every year–" Chan watches you scroll through your music library to find the collection and he knows you have when your whole face lights up like the goddamn star on this awfully green tree. "Tada, it starts with my favorite carol, Deck The Halls."
Chan's never understood the hype around carols but for you, he will try today. You increase the volume to the highest, and place the phone back on the table before rushing back to Chan and the suitcase. Your partner takes the fairy lights in his hand and lifting it up, he looks at you quizzically.
"How do you go about this?"
"There's no right or wrong way, Channie. Trust me. We are all swinging it and hoping that it turns out right," you reassure. You take the fairy lights from his hold and stand up. "I can show you what my family does." You walk to the tree, about a good amount of inches taller than you still.
The carol plays in the background like some beautiful serenade wrapping around the two of you. Chan stands a step behind you watching you carefully wrap the fairy lights right around the inside bark of the tree and plug it in to the extension box by the side. The white lights flickered bright and shine on your face that is close to the tree. 
Chan stares. He can't pull away. You hold his breath, captivate his gaze and have him completely enthralled. Your eyes sparkle — hell, you sparkle more than those stupid fairy lights. 
He is so charmed by you that he doesn't realise how you've been trying to catch his attention for a while.
"Chan?" And then you hit his arm, the whole police academy teaching style. "Focus, will you?"
"Fine," and he takes one of the christmas ornaments, hanging them up on one of the spikes. "Is this how it is?"
"You're doing so well, don't worry."
And with the carols in the background, the two of you slowly put the ornaments up, laughing occasionally at Chan wearing the ornaments by hanging them on his ears instead. Another set of fairy lights are draped perfectly over the tree. The stockings are hung by the side and everything is exactly as you remember Christmas decorations to be inside and you realise it's not much different from the Christmases you usually have.
The tree is there. The lights are there. The desserts will be coming. The memories are still made and your loved one is still here. Nothing is different.
"Help me hang the star up," you look at Chan. He tilts his head to the side and his eyes fix on the battery operated star in your hand.
"Did Jisung really give us all that?"
You nod, "Yeah. He told us to sell the story well. Apparently movies lie and that rich people are not all that dumb."
"You sure?" Chan sniggers. "That dude we met there seemed pretty dumb if he wouldn't even let you keep your bird feeder over some stupid aesthetics."
"Don't remind me," you groan. "Now, come here and hold me up." You stretch your arms slightly and Chan's trying his best not to giggle at how cute you looked in the minute. 
His hand is warm against your sweater, heat seeping through as he lifts you up, grip strong on your waist. Your legs intuitively wrap around his torso to protect yourself and you stretch your arms out. You try placing the star above and Chan edges closer to the tree when he knows he's a bit far off. You finally place it successfully above and switch it on. It lights up pretty and your heart warms up at the joy of completing the tree decorations.
And then, Chan suddenly jolts you up in his hold. You fall forward, arms wrapping around his neck and face brough so close to his that you can see the sparkle underneath his eyes that glisten for you. You stiffen in his hold as he wraps his arms around you tighter and in the very next minute, Chan's lips have found yours.
It's soft and gentle as it moves against yours, taking your lower lip within seconds. In that kiss was the sweetness of passion and the reconfirmation of million memories spent together. It moves so gently against his plump ones that you know you're drowning in everything Bang Chan is and that it's creeping — he is creeping slowly into your veins and contaminating your being to a point where it would hurt to live without him.
Chan holds you tightly against him, holding your entire weight in his arms like you are his whole world. His hands squeeze your waist as if he is reminding himself that you are still here with him, sharing this holiday with him. And when Chan pulls back, you realise.
In his kiss, you are home.
"Why did you—" You barely manage to piece words together with the help of your clouded brain. "Uhm, why did you kiss me?"
Chan blushes. The apples of his cheeks heat up at the sudden question and it surprises him how he could still blush at you after all this while. He looks behind you, trying to stall away some time from answering until his eyes land on the creeping mistletoe with white buds around.
"Mistletoe!"
"What?"
"Behind you," Chan points, holding you up with one arm wrapped around your waist. "There!" You turn to look behind, one arm still around his neck while the other is by your side. 
"Oh, it's a mistletoe." You blush and look down at how Chan holds you up. "You could put me down now, Chan."
"Oh yeah." And he slowly lowers you down onto the ground. His cheeks are still stained slightly before he rubs his fingers, fidgeting with it and finally exclaiming, "Ah look at the time. We've got to get ready for taht barbecue shit they are hosting." He turns you around and pushes you to the room the two of you are sharing. "Hurry!"
You laugh, head still dazed over the kiss. It goes back and repeats it over and over again till you feel the temperature in you shoot up and has you wanting emotionally so much more.
After all, this was the first time Chan has kissed you like that and it did not end with sex.
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The smell hits your nose before anything else. The smell of fresh beef being roasted and the toxic smell of rich people partying. Although you cannot quite exactly explain how rich people smell if someone asked you. They just smell. . . rich.
Dammit. Now you'll associate this fine rich smell of first class beef with stupid rich people. 
"At least it's good meat." You mumble.
"That's what she said," Chan laughs at his own joke. You open your mouth in disbelief, nudging him with your elbow. Across the lawn, by the pool side of Jieun's lawn, you see her and a couple of other ladies waving at you to come towards them.
"I'll have to go over there. Anyhow, get as much as information as you can, alright?" You turn to look at Chan before walking backwards. "I'll come over soon once it gets too nauseating for me, please."
"Sure," he waves at you and you turn around and walk as elegantly as possible to the posh ladies sitting there. Chan, on the other hand, decides to head to the group around Rowoon that almost look like a bunch of Mayor Arseholes to him.
You walk towards Jieun who is sitting a hot tub. The hot tub bubbles and you raise an eyebrow at the amount of wealth this family has amassed over the years. A table full of snacks rests under a nice canopy and a very intoxicated lady sways from the left to the right by the side of it. 
"Sookyung-ah," Jieun waves at the inebriated female, "Meet the newest member of our little neighbourhood, Y/N."
Sookyung is loud. So loud that you wonder maybe Chan is right about rich people — that they drink, merry and party all day long. She waves her hands, eyes blinking a little too much as she welcomes you, "Nice to meet you! Have a drink!"
She shoves a big glass of brownish looking liquor that reeks of rum. You take a sip of it courteously. The liquid flows down your throat, the burning feeling distinct on your throat. Your eyes wrinkle in surprise, "That's strong, whoa."
"Of course, darling, it is," she smiles widely and it should have repulsed you. However, it is the only genuine smile you have found in this whole neighborhood so far. Sookyung continues, "How else are we supposed to get through the day?"
"Is this how it usually goes?" You laugh nervously. "Us girls sneak off to grab a drink while the boys beat the chests out at front?"
"Ooh," Sookyung gushes. "I think I'm going to like you a lot, darling." 
Jieun takes a sip of her orange coloured cocktail as she circles her glass lightly, letting the liquid shake inside. You tilt your head backwards, staring up at the stars only to notice how it is a full moon tonight. A soft smile spreads across your lips as you think of the one person you associate with the moon; your partner.
Jieun leans forward after placing her drink back on the table. She nudges Sookyung and raises an eyebrow at you, "Sookyung-ah, did you see her husband?"
You blush at the term. This will take a while to get used to. "Was he the tall, broad shouldered guy in the suit?" She hums in approval and your eyebrows furrow downward in displeasure. "Talk about a prime cut of meat!"
"I know, right?" Jieun giggles. "I saw him and started to drool."
Your cheeks heat up ridiculously. You can feel your heart beating a lot quicker and it is a weird sense of pride that swells up within you over a man you can't even completely call yours now. You fidget with your fingers, black dress riding up your thigh as you shift in your seat nervously, "I guess Chan is a good looking man."
"Chan? Is that his name?" Sookyung laughs, "That's an understatement of the year. I would wish to strip him down, slather him up with butter and just eat him up." Your face couldn't help but morph into one of disgust at her words. At this point, you are borderline disturbed.
"That's, uhm, very vivid thoughts you have of my husband."
"Ah, dear," Sookyung leans forward and holds your hand, rubbing it in her grip. "We were joking. But you must tell us—"
Jieun breaks her and smiles so wide as she looks at Sookyung, grinning and then at you, "What is he like in the sheets?"
They laugh together and you look at the two of them. So this is what a rich bunch of ladies too. Gossip and talk unfiltered. You had only two options at this point, or maybe three — a) stay quiet and let them do the talking, b) tell them off for talking about Chan this inappropriately, c) talk with them and get more information under the guise of being one amongst them. You swear to the heavens that you would rather do option b, but for the sake of this crime, you decide to do what Captain Han Jisung would have told you to follow.
"He's a fucking tiger," and you laugh the fakest laugh you could ever pull out, albeit not because Chan wasn't good in between the sheets or anything (he was an almighty beast with his technique, yes) but because you never thought you'd live to see the day you'd use words like that, in any situation at all.
"Called it!"
"Tell us everything!"
You take a sip of your drink and cross your legs as you sit up straight, almost feigning arrogance, "I'm not one to kiss and tell but let's just say that Chan makes me very happy about," you grin and pause, trying to catch the ladies' attention on every single word of yours, "Twice a day or so."
"Twice a day?" Sookyung gasps.
"If he's just very much in the mood, I know I'm not going to walk for days together. Not that that is an issue. Chan is the sweetest and takes care of me," you flutter your eyelashes.
Jieun taps at her chest, huffing, "Be still my beating heart. Be still."
Sookyung sighs, stretching back on the reclining chair, "These days, Ilsung and I get it on like once a month or so and that's like for a minute. How disappointing."
"They are newly married, Sookyung," Jieun stilts her head in acknowledgement. "It's been a year of their marriage or so." She takes a bite of the cookie from the plate by the side and you smile as she looks at you.
"It seems like you're all pretty open in this neighborhood," you point out and twirl a strand of your hair that lets loose before your eyes. 
"Oh we share everything," Jieun says and Sookyung scoffs, before picking up a cookie and her strong drink.
"Some more than others." She scowls so visibly that Jieun has to furrow her eyebrows at her and signal something with her gaze before Sookyung looks away to the right. 
The backdoor of the house behind opens and you turn to look at a lanky woman walking in with a tray of cookies. It is the same one that you have on the table already and you look at her. The glow on her face is long gone, her eyes losing the sparkle and you wonder if she is going through something.
Sookyung frowns and mumbles under her breath, albeit a bit too loudly, "Great. This party suddenly took a sip into Depressionville now."
You lean back into Jieun and mumble, "Who's that?" 
Jieun leans into you and is about to whisper when Sookyung runs her mouth free, "That's Somin. An absolute downer."
You bite your lip out of anxiety, surprised by how Sookyung really does run her mouth a bit too much — a lot enough to cancel her off your list of suspects almost. Jieun hisses at the other woman before telling you, "Her husband was Kim Jihoon and he died yesterday so," she clears her throat, "She's quite rattled, to say the least."
"Then shouldn't she be mourning at her husband's house or funeral home for a few days? The fact that she's already here seems so crass." Sookyung shakes her head, disappointed. You gulp and watch the woman, Somin, come closer and Sookyung, folding her arms tighter. 
The minute Somin is in your periphery though, both Jieun and Sookyung smile so brightly and that's when you realise that nothing you see and nothing you hear could be trusted here. It's the world of the rich and everyone wants to come out on top.
"It was so nice of you to come out," Sookyung waves and calls her closer. Jieun nods and you see how she walks slowly towards them, a sad smile on her face and her tray held strongly.  
Somin speaks softly, almost as if she should not, "I probably should have stayed inside." She holds out her tray as she stretches her arms outwards. On the tray are many round cookies with cracked lines on their surfaces, a bit too deep than normal. They look sad. Just as their maker does. 
You wait for the other two women to do something and when they take a piece of cookie, you follow suit and take one. The distinct taste of cinnamon fills your mouth and you hum in approval even if the cookie wasn't the best out there, "Ah, these snickerdoodles taste good!"
"Thanks, but you don't have to flatter me," she looks at you with a face close to no expressions whatsoever, "Whoever you are."
"Somin, this is Y/N. She's new to our neighborhood," Jieun says and Sookyung adds, "And she clearly knows her cookies."
"Thanks," you hesitate. "I do bake from time to time." And taking another piece of the cookie, you tell them excitedly, "Did you know that Snickerdoodle is derived from the term Schneckennudein, which literally means snail noodle?"
The three other ladies stare at you, blinking at what you just said in utter disarray and you sigh. 
"I meant," You take a bite of the cookie, "Great cookie!"
"Yeah, great cookies, but," Jieun starts and Somin looks at her, pressing her lips together.
"But?"
"I said that I would be the one to make the snickerdoodles, but it's alright. We can have twice as many and can give some to our husbands partying over there. No worries."
"Oh, okay, I'll have to go," and she scurries away quickly. She barely shuts the door as she rushes out of the place almost immediately, her hair flailing behind her. You watch the woman, analysing how no one in the party seemed bothered by it. 
Jieun sighs, "She looks bad, doesn't she?"
"If you ask me," Sookyung speaks loudly once again and you already know she's going to run her mouth, "She's better off with Jihoon dead. You should have heard the way the two of them used to fight."
"Were Somin and Jihoon having marital troubles?" You ask.
"Definitely," Sookyung leans forward, "If by marital trouble you mean continuous screaming matches blasting across the entire neighbourhood, why then yes!"
"You're such a gossip, Soo! It was not that bad." 
"Says you!" She stands up and walks towards the bar counter, smiling and turning back to look at both you and Jieun. "More rum?"
"Yes, please!"
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"Hey—"
It's the greetings and then a hand that trails far too low on your back. It grazes the curve of your ass and you quickly jolt forward turning only to find a man in his mid thirties in a suit, standing eerily close to you. 
You narrow at him before asking, "I was searching for my husband. Pretty tall, broad shouldered, dark brown hair, slightly curly. Have you seen him?"
"You're Chan's wife? Didn't know he had such a beautiful woman for a wife," the man edges forward and you take a step back, eyebrows furrowed at him and your hand trailing down to keep you ready to grip your gun. Until you remember that you're undercover and hitting this man with a gun would seem suspicious. Your best option was to deck him. The man takes another step forward and you take one backwards till your back hits the buffet table, "I'm Ilsung. Do you maybe want to go somewhere..."
"You have a wife and I have a husband," you spit out. You are mortified. So this is what Sookyung mentioned and the fact her very own husband is involved in illicit affairs — does everyone here have a mistress or is involved in adultery? Is that the rich people norm?
"So? Everyone here has an affair with someone's wife. Do you want to be mine? I can take care of you."
"I can very well take care of my wife, Ilsung. I don't think I'll need your help." 
You hear the one voice you needed to hear in this very moment. You look over the older man's shoulder to find Chan, his hands shoved into the pockets of his formal pants. His top buttons are undone and the vest and suit fits him so well that you are glad you picked this one out for him. You shove the man away and walk to Chan, heels digging into the lawn as you strut confidently.
"I need the madam to say that," Illsung shoots and Chan's at his patience's end. He makes fists of his hands on either side of his and you hold onto his arms to calm him down only to look at the other man and narrowing your eyes, you scoff.
"I don't think I need to go have sex with someone like you when I get it well from him. That, and I guess, him being my husband should take more priority but not in this neighborhood where everyone breathes and lives on sex. So, no, thank you. I feel sad for Sookyung. She deserves someone better than a trash for a husband."
"Why, you bitch!" And he rushes forward with a clenched fist to hit you. Chan stops his blow, however, chuckling to himself. 
"That's weak. Now, why don't you go take care of your wife while I treat mine like a princess? Yeah?"
And Chan walks away with his arms tight on your waist as he holds you close. Ilsung yells behind the two of you, his wife yelling at him to keep quiet. Chan, on the other hand, doesn't speak a word further, just walking you all the way to the house the two of you share, keeping you so close to him and glaring at the others to keep them away.
There are sighs and grunts, furrowed eyebrows and clenched fists as Chan argues with himself in his head all the way to the room the two of you share. He stands by the table, still lost in his thoughts and you almost pick up the book you're reading — one by Natsume Suseki — only to deck him with it, although you decide not to because he already seems ready to snap his control.
"Chan—"
Maybe your voice was the only trigger he needed to snap, to break away from his thoughts and to give them words out loud. 
"You just stood there? Like some dumb doll when he touched you?" Chan glares at you and you frown, folding your arms over your chest and yelling back, "Excuse me, but I'm undercover as some doting wife to some stupid man."
"Did that matter then? Oh my god," he groans, throwing his head back. "I'm so mad and I know you're right. You are right but how dare he touch my wife when I was around. The fucking audacity—"
You hold the edges of the table with the base of your palm, pressing against it as you jump up and sit up on it to face him properly. You cup his face and making sure his eyes are fixed on yours, you smile softly.
"Don't smile right when I'm shit mad at everything, Y/N."
"Should I frown then?" You laugh out and push yourself back slightly to allow Chan to come closer and stand in between your thighs. "Let's think of this as some, uhm," you ponder, still holding Chan's face close to you, "Yes! Let's think of this as an occupational hazard."
"Occupational hazard," he scoffs. "Bullshit. He did that because he thinks women are weak. He's one of those arrogant pompous rich men that think that he can have his way with some good sacks of cash and power and that all women are weak and with that power comes his ability to subjugate them all to the age old tradition of treating them as sex dolls, an object for pleasure."
Chan's red and out of breath when he finally rants it all out and you bite your lower lip from laughing, dropping your hands from his face. Chan's cute. Oh god, he's so fucking cute and you know you shouldn't overstep boundaries but dear lord, if Bang Christopher Chan keeps this up, you will actually get down on your one knee, pop the ring and propose to him.
"Are you done?"
"No," he glares at you and leans forward, "Going to get back to work after this case and find some hell of a corruption case on him to put him behind the bars." 
Your eyes wrinkle into thin crescents as you smile wide. You raise your eyebrows and suggest, "I've a better idea. Why don't you rather fuck me with all hat pent up frustration? It's a win win deal, if you think about it hard enough."
Chan leans forward, lips curving up into a confident grin, "Oh, I will. I intend to do both. Fuck this anger out on you and put him behind bars." 
Chan's hands are big in comparison to your face. He cups your face, angles it and kisses you. His lips fit right into yours almost as if they were meant to be there for a lifetime to come. He kisses you and it's just as magical as always, laced with a touch of ardent need and passion. You needed him, you needed his warmth, his protection and everything he has to offer. His arms snake around your neck to grasp it and pull you in, deeper into him as he moves his lips against yours, softly at first till it turns into something so passionate that it would have your knees buckle, had you been standing. Chan is pressed against you, his white shirt, a size small as he likes it, clinging onto his body tightly (rid of the vest and suit in a moment of anger as soon as he walks into the house you share) and perfectly enough for you to hold his muscles.
You promised to yourself that you wouldn't fall in love, not after the shitshow of a marriage you saw in your parents. You promised that you'd keep your heart to self, that every individual in this world was brought forth as a single entity, so why in heavens did we go searching for others?
Chan makes you understand. 
You understand now that promises are meant to be broken and as you gaze at Chan under his dim lights, his face so temptingly close to you, you are more than ready to break the promise you've made with yourself.
It has been written in the gazes already and as you lean forward, your fingertips tracing his jawline, Chan knows it because he meets you halfway, his hands creeping behind your back by your waist and tugging you closer, your bodies touching and your lips on his, soft and testing waters initially. He pulls you closer, his lips moving against yours, angling your face to delve deeper into you. 
He has his lips against yours, nearly knocking you off all the wind in your lungs. You sigh into the kiss, find your hands in his hair, tugging at the roots and moving against his body, your legs stretching by either side of his body. His hand sprawls over your neck, his thumb caressing against your jugular before pressing into the neck, rubbing slow circles. He kisses the top of your lips, your hands tugging at his shirt. 
In a swift motion, positions have changed and you're sitting on him whilst he props himself up on the table. He lifts you up slightly, pulling back and places you on top of his lap. Your rear falling into the depression between his thighs, rubbing against his groin slowly. He looks at you through hooded eyes, pushing your hair past and opens his mouth to speak before you voice out first.
He looks at you from below, your hair falling on his shoulder as you look at him, his head thrown behind as it rests on the sofa's ridge. And your lips find his again, tugging at his soft lip to let you through, to open up to you completely. 
You moan into the kiss, your back arches and Chan's hand is still firm on it. He kisses your lower lip and your tongue brushes his lips in the impact, groaning at how he won't let you through a second ago and then, he lets you in. It's intimacy on a level you were slowly being prepared for. It's everything you remind yourself that you wouldn't break down into. Chan makes you feel special, with every praise, with every word he swears out to protect you. Chan reminds you of a feeling you had long forgotten.
Chan's lips move from your swollen lips to the curve of your jaw, down to the curved edges of your neck, sucking and kissing every exposed skin. Your head is thrown back at the sensation, your hips gyrating over his growing length.
His hand moves from your shoulders to your arse to your back after he seeks your permission as he pulls you closer and forwards, until your chests are pressed against one another. His mouth is everywhere and good lord, you feel infinite and powerful.
His lips hover on yours. He smirks, the curve of his lips tugging upwards slightly and you think it's cute. You think Chan also makes you feel divine as he whispers into your skin like personalized love notes or small token of appreciation, "Fuck, you're hot. The most beautiful being I've ever seen," and that is all that is needed as you gyrate over your hips a little quicker. He inches his chin forward, flicking your nose a little with his own, a shy smile on his lips as he silently asks the permission to claim your lips anew; all over again. 
And you let him, just like you've already given him permission in your head to ravish you tonight, to take you to hell and back.
Chan cups your face with both his hand, holding you and watching your face shine in the dim gold setting of his room. Your cheeks glistened and your eyes sparkled but his eyes could not stray away from your lips — coral, swollen and so demanding. He pulls your face down, kissing your nose tip and then your philtrum before pressing his lips flat against yours.
His kiss is drawn out in a way that makes you want more, like a divine aphrodisiac. It makes you want to pull him in and suck the living hell out of him and yet it's lovely. It's precious and laid out well planned. His tongue licking your lower lips before entwining with your tongue as he pulls you closer into him, your hips lowering deeper into his covered length, panties sticking to the core from the sensations your body is responding to.
His fingers trail up your black dress, thumb grazing the skin slowly, bringing about goosebumps to the surface before they slowly move enough to rip your dress apart and expose you to him, in all semi-nude. You moan, before kissing him as you hold onto Chan tightly.
He makes your insides twitch and your heart lunge and it fogs up all of your thoughts to the point you feel yourself drowning in the sensation of his lips, pressed tightly on your own. Your fingers get lost in his thick locks as you tug on them, forcing him to pull you down a lot forward and gladly welcome the movement of your tongue.
His lips are as soft as feathers and they feel like what you think heaven feels like. The warmth you experience is so much more than the tingle of first kisses, those innocent butterflies have nothing on the wanting void of a pit in your nether regions and the slick in between your thighs. 
His hands slide down from your hips to reach behind your back and pull you upwards, only to tightly clasp around the curve of your bare bottom cheeks, caressing it over. You sigh contently. His hand trails upwards, touching, feeling you all over and you pull back, breathing rapidly as you look at Chan. The next second you are unbuttoning his first two buttons and prompting him to remove his shirt too. Your legs slide slightly dangling off his sofa before he pulls you towards him, his naked chest warm enough against yours as he pulls you back in to devour you. 
"God, you're heavenly," Kiss. "So fucking heavenly." Kiss. "You're a fucking good girl." Kiss. "So good for me." Chan sucks a huge hickey into your neck — bright, dark and purple but it's how he worships and praises you that makes you want him more, your clothed core grinding on his enlarged bulge that is covered. The friction from the cotton of your panties and the cotton of his jeans slowly stimulates your core and you can't help yourself when your body is moving on its own accord on top of Chan, your hand moving your from falling back.
“Chan,” you groan against his lips after he pulls away from you for a minute. His lips are red and swollen, slick and shining with your saliva and so incredibly inviting you all over again and you fear that you may never want to stop kissing him for as long as you are breathing. 
"Chan!" 
His fingers move downward, grazing your skin by your stomach slowly, his eyes trained on yours as he watches you slowly break down. His fingers tease over your clothed mound. You bite your lip from groaning too loud but Chan's sudden tapping at your covered clit makes you yelp.
"Good girl. That's right. I want to hear your pretty moans," he kisses down on your neck, trailing and plastering wet kisses down your clavicle before sucking at the exposed skin of your breasts. "Moan loud for me, baby." He sucks at the skin by the crook of your neck, under your clavicles, above your breast and at the curves, leaving purple marks almost instantly thanks to your sensitive skin.
You can hear your heart beat quicker, racing against your chest and your thoughts drive you desperate. Pulling his face from your breasts, you kiss him, making the kiss deeper, licking his lip and grazing it with your teeth. You grind down on him trying to edge yourself desperately. You move forward to own every gulp and moan he releases and squirms in pleasure. 
"I want you so much," you choke out. Chan's hand lets loose from your throat slightly and he looks at you with admiration, before gripping at the jugular, and caressing it lovingly, pressing wet kisses against it. You sound desperate, almost like you would lose your sanity if Chan doesn't make you his, this minute. "Please. Chan, please."
His hands trail downwards, thumb rubbing the skin on its way before he slips them under your panties, swiping his finger across your slit, feeling how wet you are. He groans out loud, mumbling, "What a doll. All wet and ready for me to devour. You'd like that, wouldn't you? Baby, wouldn't you?" He presses against your jugular with his other hand, tilting your head and gently choking you. Your eyes rim with tears in joy and you nod, "Yes, please."
His mouth moves over the skin at your breast, kissing it furiously. His tongue lapping at your nipple over your bra, slowly circling over the clothed material as he rubs his finger up and down your slit, occasionally rubbing against your clitoris. You press down and grind on him further, begging for more. Chan removes his hand from your neck and moves it up from your waist to your back and it lingers around the hook of your bra before snapping it open with a flick of his fingers. The bra slides off your shoulder and you throw it away, unbothered by where it lands.
Chan's mouth falls on your breasts, circling big with his tongue before slowly decreasing the radius of his turns and narrowing down on your nipples, sucking at them alternatively. You are moaning, holding at his shoulder and dragging your hips over his bulge in a slow, excruciating pace he has set with the drag of his fingers.
Your throat is dry from all this excessive want and you wet your lips, breathing coming out in hot puffs of air, rapid and shallow. The passion and want blinds you and Chan taps on your clitoris constantly with his thumb, using the other fingers to slowly tease your entrance over the panties but going back to sliding down your opening. You groan frustrated and grind down on his bulge trying to chase the feeling that is growing within you. 
Chan's lips are all over you as you bite into his shoulder occasionally. It hovers over your neck and then your breasts, giving it all the attention as he plays with your nipples as he rubs you at a pace that quickens slowly. Your mind is boggled and you can't get your thoughts clearly.
"Such pretty breasts," he groans into it, his tongue flicking at it from your underside. "Such perky breasts. So beautiful and all mine."
Soon enough with his praises and the way he worships your being, the promise of an orgasm begins to manifest and build within you as a strong tightness within your lower regions, creeping into your abdomen, ever growing with every passing second. Chan's steady rhythm is strong enough to carry it over the edge with the friction you get from all the material and his bulge and as your climax looms closely, your hips rock and gyrate slightly against him. He pinches and flicks your nipples as he helps you ride out the orgasm, your eyes tired and hooded. You kiss him softly on his lips. 
"Will you remove your lingerie for me, pretty girl?"
The order shouldn't have turned you on this much but it does as you hop off his lap, your feet unsteady on the ground as you balance yourself after your first orgasm. Your fingers are on the edge of your panties and you're pulling it down completely in the next second. Chan watches you steadily, his eyes trailing on your figure and you feel attended to.
"Jesus Christ," he stands up, the bulge moving slightly and your mouth dries up as it opens, wanting so much more. He holds you by your waist, petting your hair, mumbling, "I love when you put your hair down. You look like a goddess. A goddess ready to let go of your divinity all for me."
He unbuckles his belt as you slowly touch yourself, your hand moving down your body. He watches you, your thumb and forefinger playing with your nipples, tugging and pinching them till they harden under your grip. He removes his formal pants and his boxers, pulling it down and away at your request. Chan's length and girth has your eyes widening, as always, your tongue licking over your lips and you gape.
It's painfully hard and the tip is red, leaking with precum down his cock. Chan holds you by your waist and lifts you up, your knees wrapping around him and your soaked core on top of his hardened girth, occasionally dragging past it. He kisses your breasts, licking over the nipple and the underside of the breast, grazing his teeth over it as he walks you to what you had thought would be the bed. However, he stops midway, looking at you for a second before your back hits the cold walls of the room in this house as he holds you securely. You see the bed by the side and you smile. You drop your legs and stand on your toes as you kiss him, your tongue running over his buccal cavity.
Chan's hand trails down, circling by your waist before his palm hovers over your mound. His thumb brushes past your clit teasingly and your hand wraps around his neck, kissing him and biting at his lower lip till you feel the metallic copper taste of blood filling your senses.
You moan as he drags a finger up and down your slit, playfully teasing you fold. He rubs circles into your folds, slowly dragging them out into waves and your hand flies upwards and forward to hold on to him for a grip. 
"Chan," you rasp out, and he hums, removing your hand so that he can kneel down, kissing your thigh and biting it slightly as his thumb rubs against your clit and the other swipe against the folds. Your hands grip on his roots, tugging at it mercilessly.
"Baby, do something," you cry. "Please, I need you." Your other hand tugs at his hair, trying to bring him closer in a desperate manner. "I'll be a good girl. Please, do something."
"Should I?" he teases, rubbing small circles around your clit in an excruciatingly slow manner and you think — know — that Chan is going to drive you to insanity and how he'd pull one off his book and blame it on his instincts.
"Please, please, please—"
The intrusion is sudden and you are overwhelmed. You gasp, the air raspy against your throat before falling. Your hand pulls at his hair harshly as he sucks on your clitoris, his breathing fanning over you. Your fingers drag down and dig into his skin, unbothered by the possibility of cutting through it. 
He presses his thumb on your clit after removing his mouth, tapping it slowly, simultaneously and you think you're going delusional. "Chan, oh my fucking heavens."
He kisses your mound repeatedly, telling you, "Look at this sex. Wet and dripping. I'll give you what you want, baby. I'll give you what you want for being a good girl for me."
Chan adds another two fingers instantly and you feel overwhelmingly full, crying out at being widened so pleasurably. The walls stretching out and you catch him mumbling, "So fucking tight and all for me. Look at this brat being a good girl for me."
He curls them up into you and your back arches slightly at the tingles. You feel Chan slipping his fingers easily into you and the slick of your arousal dripping down your thighs, making a mess. He rubs your walls, his attention also on your enlarged button and your hips gyrate with him, thrusting and chasing after his fingers desperately. He finds your spot easily after being this around and pushes at it constantly. Your head hits against the wall hard and he looks upwards at you for a split second, worried, only resuming after you give him a signal that you are alright.
You feel the euphoric rush coming, creeping through from within and trying to embrace you as a whole and when it's very close to burst, Chan pulls his fingers away, licking them clean with a knowing smirk plastered on his face, for a second before thrusting them back in.
Chan pumps his fingers in and out of you as his thumb rubs furious circles into your clit. He bites at your thigh, kissing them soon after, leaving traces of bruises near to your vulva. Hot, purple and sticky. He sucks on the skin deliriously, licking the skin to soften before grazing his teeth to oversensitize you. You feel the build up and you squirm against Chan, your eyes watering. 
"Chan, baby," it's a sob that leaves you. "Please." You were so devastatingly close after your last orgasm, the balls of heels leaving the surface as you try to pull back but Chan pulls you down as he sucks on your clitoris and pumps his fingers in you in a ridiculously breaking pace and when you are so close to breaking apart, Chan drags his fingers away, licking and sucking at them as you look down at him.
"What the fuck?" You swear, frustrated, tears spilling from your eyes.
"Good girls don't swear."
"I'll blow you off well," you try striking a deal with him. He looks up at you amused, strands of hair sticking to your face from the sweat and he still thinks you're the most beautiful woman he has laid his eyes. "I'll give you one hell of a blowjob. Just please." Your voice breaks as you look at Chan, who looks so delectable at the minute with your juices staining the side of his mouth and his lips shining in the light. "You won't regret—"
His mouth is back on your core and you groan, "Ungh!" He mumbles, his warm breath tingling your core as he speaks against it, "Good girls don't strike a deal either, darling."
"But your good girl does," you tease and Chan's mouth is back on your sex, licking and teasing it. He grabs you by the calves, his blunt nails digging into the vast skin.
Without another word, Chan dives right into it, tongue darting out to lick a long, thick stripe from your center to your clit, causing you to shiver. Your left hand finds its way back to his hair after grabbing at his shoulder intermittently. Chan simpers to himself, overwhelmed by how well your body reacts to him and just him, your legs shivering and buckling, about to fall if it weren't for Chan's hands holding you up and pressing you against the wall.
You feel the thickness of his tongue lapping up your seeping wetness, which in turn causes a rush of arousal to leak and drip down your ass. "You're making a mess, baby," he chuckles, the laughter hitting your clit and sending a shiver down your spine. Your fingers instinctively tighten around his hair and you pull him closer to your cunt, his nose nuzzling against your mound. He groans, hands gripping your thighs tightly, locking your legs in place.
Burying himself further, his tongue dips deep inside you, nose nuzzling and rubbing against your clit with every thrust. His eyes are piercing and fixated on the rise and fall of your chest as he looks up at you once in a while, seeing you tug at your lips, eyes closed and hand roaming around for support. He loves seeing you fucked out for him.
"Argh, it's fucking divine," Chan mumbles against your slit and the vibrations have your core clutching onto nothing. "This good cunt all wet and slickened for me, ready for me." You mewl, unable to stop yourself from wriggling within his hold, the grip on his hair tightening.
Your walls grasps around his tongue, pulling him further into you as he laps up every single drop of your arousal, passionate as if it were an aphrodisiac. One of his hands travels upwards to latch itself on your breast, rubbing the underside of your breast, fondling and gripping it hard.
“Chan,” you moaned softly, your voice trembling over the sensations that ride into you, toes curling. He responds to your calling, withdrawing from you slowly, by planting soft and gentle kisses to your inner thighs. 
"You're doing great, love." 
He sucks on your clit furiously and that was everything for you. You feel the same high building up at a pace quicker than you thought was possible. You feel it tightening, your core clutching onto his muscular organ as it tries indulging itself deeper, chasing after something it craves. His nose rubs against your neglected clit. He licks a stripe against it before sucking at it, teeth grazing at it sending tingle down your spine that has you hitting the bumpers with the heel of your feet. You are already sensitive from the last orgasm and all the teasing you had and with all this vigor and undivided attention Chan gives you, you feel it coming as he treats you like you're his only girl.
Your back arches more steeply, your mound hitting him in its influence, head hitting the wall lightly this time and your moans are louder, raspier and quicker. You are screaming out Chan's name as you see the stars under your eyelids. 
He still licks slow stripes, taking in and devouring the rush of juice that squirts out of you. He lets you ride out the high and he lets you leave him breathless as his grip on your thighs do not ease away. Chan does not stop, even when you're a quaking, quivering mess, tears spilling from the corner of your eyes and it's almost bordering overstimulation. You can't think and you can't form proper sentences. He leaves you gasping for air, with something stuck in your throat preventing the passage of air and it's difficult to breathe in this rush and he makes it harder.
He looks at you teasingly and he lifts his hand as you bend forward to his kneeling self. He clutches on your neck, his fingers pressing against the side softly as he continues licking up your orgasm and blocking your air passage. You feel the stimulation rushing and concentrating and it's all too much for you. Tears stain your face and you're crying, "It's too much, Chan. Too much."
And he stops as soon as you say that. He presses soft kisses against your clitoris and he holds your hips tightly as he stands up. You've lost any energy in your legs you have and if it weren't for Chan, you'd crash. 
He holds you by the hips and carries you, dropping you gently against the bed, your hair spreading and you kiss his shoulder. He caresses your face and tells you — it's a whisper almost — "I think I want to get to know you more. I think I—"
You bring his face lower to kiss him, preventing any other word to spill from his mouth that your head tells you to cancel. You are not sure yet. You hold his face down, devouring him as a whole, feeling his length slide your core draggingly and you groan into him.
You don't shy away from prying your hand down, teasing his cock as you rub your hand over the enlarged shaft slowly, teasing his enlarged red head, rubbing your arousal and the afters of your orgasm all over him, slowly stimulating him as you drag your hand down his length and back up again, letting go of his shaft only to cup his balls, trailing your fingertips around it. You let go and look at Chan. 
"Lay back, please," you request and he pecks your nose as he pouts at you. God, he really really wants to call you his. Forever.
Chan lies back on the bed, his head resting between his pillows and yet he pulls his body up, supporting his weight on his arm. You sit up, crawling over to straddle his lap, nervousness setting into your stomach. You gulp and swallow the saliva as you look at Chan, whose gaze gives you comfort and confidence. The muscles in your arm stiffens as you grip his shoulder for stability and Chan's hand falls on your hips naturally, helping you steady yourself.
Your hands rest on his chest, firm and broad and you gaze at Chan's cock for a while, it twitching with every unadulterated thought of his as he watches you on top of him, bare, exposed and unrestrained all for him. Your mouth is parched and your tongue pokes out through the seams of your lips, running across the expanse of your lower lip and wetting it. 
"Fuck," he swears as his eyes move with your tongue, his chest rising and falling under your hold.
You reach forward to take him in your hand — the tip of his head looks so inviting that you couldn't stop yourself. Chan's hands roam up your arms, his thumb caressing the underside of your breasts before they play with them, his thumb and forefinger rubbing your nipple, watching it turn solid in his hold. He grips at your breast, fondling it and massaging it, stimulating you and bringing about a rush of confidence in you.
“You’re fucking large, fuck, fuck,” You yelp, eyes wide and mouth salivating at the heaviness in your grasp. You widen your mouth, stretching your facial muscles and Chan laughs.
When you look at him, his dark eyes are speared to your movements, teeth gritted. At this moment, with you hovering over him, he can't seem to contain how excited he is, his length twitching in your hold. You begin moving your hands up and down his length at the same slow pace he had put through.
You lean forward, Chan's grip on your breasts tightening as he squeezes it. Your whines turn to louder moans of ecstasy. His one hand grabs your hair back, pulling it into a makeshift ponytail until he drops it and touches your face, "Ah, so beautiful. You're so perfect."
Chan watches you and is all too eager, his hand on your face trailing down to your shoulder, gripping on it as he continues caressing one of your breasts. The flat of your wet tongue sticks out to lick around the rim of his hot head. He fights back a groan, choking and sputtering, grip on your shoulder tightening as his blunt nails dig into your skin. You stretch your mouth as wide as you can, hollowing it, which leads profanities spilling from his pretty mouth, even though it's a discomfort to your movement as you engulf the whole of his head with your tongue. He mumbles something incoherent under his breath and you sigh at the thought your mouth wrapped around his pretty cock.
Chan inhales a sharp breath, swearing and uttering, "Your pretty mouth could take me so well, baby. So good." You wrap your lips around the velvet tip, beginning a slow suction. Your tongue licks around the base, pulling up a fat stripe over the throbbing, prominent vein. 
“Fuck, fuck,” Chan mumbles, shifting on the sheets, his hand gripping on one of the pillows. “Open wider, please, baby. You're doing so good. You're taking me so well."
You do as he has asked of you. Your jaw is already sore and the joints ache from the girth of his head alone. He pushes his hips off the bed in the slightest without your awareness; his hand trailing back to your hair and the other still on your breast making you feel good. His grip on your hair is strong as he thrusts more of himself into your mouth, your lips wet around his length.
You try your best for it to be pleasurable for him as your fingers tighten around his length before you start to twist your wrists — with a click of your gliding joint — and continue sucking. Chan is careful to be gentle with you, very tenderly urging his cock to fill more of your mouth. It shocks you when you feel the blunt of his head hit the cap of your airway, eliciting a gag.
Chan's eyes widens, the reaction from you exciting him as you feel him twitching in your mouth. He gasps, breath uneasy as his hand leaves your hair and trails behind towards your arse that sticks out as you try deepthroating Chan. He rubs your slit slowly and the unexpected contact pushes you forward, taking in Chan a lot more than you had planned, leaving him groaning into your shoulder.
He pulls out barely before he’s pushing back in, teeth gritted and eyes focused on making you feel calm too. Chan moves back and watches you taking him so well and he knows it's a sight to behold — your pretty lips wrapping around his length, taking him so well as if your mouth was made for him, crafted to perfection. His fingers rub small circles into your vulva, tapping against the clit accidentally once or twice.
Another gag rumbles out of you as you fight the reflex. The vibrations against his member is felt and he grips on your arse, pulling you into him, your nose rubbing against his pubis. Your finger trails the underside of his shaft before rolling his balls between your fingers. His hips stutter in shallow thrusts into your mouth and you feel the sting of tears threatening to blur your vision as you oppose your gag reflex, taking him as deep as you can.
The sounds of your gagging bounces off the walls of his bedroom, followed by the deep moans and sighs spilling through Chan's lips as he fucks your mouth. Each thrust of his hips causes the head of his cock to push past your airway, your throat constricting and eliciting a groan from him. He also diverts your attention to rubbing you, now and again slapping your cheeks, eliciting moans from you against his girth.
You release your hold around his length, fingers thickly coated in your own saliva as you dig into the flesh of his thighs. Your mouth is stretched as wide as you can physically make it and tears roll down your cheek continuously, while you willingly take him completely in your mouth. You look up through the flutters of your eyelashes, enthralled to see the Adam’s apple in Chan's throat bob up and down while his head is thrown back in pleasure. 
Chan pulls your head back; his cock comes out from your mouth with a light pop followed by you gasping for air. Your eyes droop, your cheeks hollow and your jaws ache but everything counts to how hot you felt, to how hot the tension between you still is. His hand trails back to your hair, gripping on it and jerking your hair back so you’re forced to look at him. 
"This is a fucking sight to behold. Look at you, darling," he groans. 
Chan's thumb grazes your skin and he latches his lips onto yours in a sloppy, messy and wet manner and nothing else seems to matter other than your need for each other. You lean forward, tugging at his pinna as you bite down on it lightly, before mumbling, "I'm on top today."
Chan doesn't care because all he can focus on is how you said today, like this isn't just a one time thing. He gazes at you with such affection that has your heart racing telling you to let go of that stupid cages you keep around your concepts.
As your folds, dripping down with thick, sticky arousal coating Chan's cock with that and your saliva, brush the tip of his hardened cock, you feel a shudder run down your spine. You instinctively allow yourself to lower further, taking the rest of him in you swiftly with the help of your arousal. Sinking down around his dick and feeling him fully wrapped around your clutching walls has you throwing your head back, squeezing your eyes at how his length stretches you out, your walls wrapping around him tightly. He holds your waist, helping you down on his length.
You rock your hips into him, already finding yourself tightening and clenching around his thick cock. He fills you up so nicely, stuffing you perfectly full and you salivate, licking your lips. Your lips parts and you find your hips moving on their own accord. Chan's right hand rises upwards, massaging your breast, flicking your nipple and sending a rush down your spine, arching your back. His cock hits you at an angle and a soft moan leaves your lips.
Chan takes your hips in his hands, taking control of your movements to raise you up, leaving you empty and whining. You clench around nothing but air and your own walls, desperate to sink back down. “Chan,” you whine, your lower lip puckers forwards and Chan lifts himself up to kiss you.
As his hand grip around your hips to get a better hold, he slams you back down on his cock, hard, causing you to scream. “Fuck, Chan, oh my god, ah!”
He continuously guides you in a rhythmic movement, throwing his head back into his pillows and groaning. The sheen of sweat glistening on his chest catches your eye as he pants. The way his eyes clenched shut and his mouth hangs open with pleasure only makes you move faster around his cock, gyrating around it and tightening your walls. The sight before you makes you want to see him fucked out further. You want him to crumble under you because of you, leave him trembling under your hold.
He groans, "Your cunt is so pretty. Look at it, baby. Look." He gapes down and you gasp, moaning quicker.
You ride him, bouncing on his dick and clenching when you feel yourself reaching your climax for the third time that night, all because of this man. Chan's finger moves down and slips between your sweat soaked bodies to rub your clit, pushing you even further over the edge. 
“Are you going to come, baby?” He asks, breathlessly, his voice airy and light, almost floating away. He pulls his head forward to kiss your collarbones, sucking harsh bruises against your skin, continuing further down the existing purple bruises.
“Y-Yes, please, please,” you sigh, lacing your fingers through his hair and tugging on the dark strands. “Mhm, fuck, please, please, you feel so good, Chan.” You lean forward and the motion causes him to whine. You quickly catch it as your lips fall on his. His lips enclose yours, tugging and pulling at it and he kisses you slowly and passionately as you move on his cock, lazily.
Words, unfiltered and raw, spill out from your mouth after your lips leave his as you feel the high that is creeping up slowly within you. “Chan, fuck. Oh fuck. I'm going to come soon. Oh my god." Your voice reaches a pitch higher.
“Then, come.”
Chan moans against your neck as he feels you, his finger rubbing your clit, “Baby, come all over my cock. You deserve that for being the good girl you are.”
Chan's other hand that is not occupied leaves your hip and moves upwards to find its place on your neck. His fingers gently wrap themselves around your neck and that makes you wetter than you already are. He presses his fingers against your neck with pressure and you choke, gasping for air. Your mouth opens wide and your tongue falls out slightly resting on your lower lip. Your eyes roll back and your walls clench around Chan's cock tightly, your hip gyrating around it for all the friction.
Your fucked out expression as you choke for air makes Chan plunge into you harder and you choke harder, his hips lifting up and thrusting into you.
A final flick of his finger over your sensitive button and a bit more pressure over your neck are all it takes for your body to flood with pleasure and ecstasy. Your legs tighten around Chan's sides, curling in as you ride out your high for as long as possible, still moving your hips against him. His fingers let go of your neck and you breath loudly, taking in huge gulps of air.
Not long after your undoing, he comes inside you, coating your walls with his seed as you feel his length pulsate within you. Thick strings coating your walls till it seeps from your vagina and drips down.
Once your body falls limp against his chest, equally fucked out and panting for air, you feel him going soft inside you. He kisses your forehead and your hair, pushing it from your face. He lifts you up, slowly slipping out of you and gently laying you by his side, the semen slipping out. His fingers rub small circles on your hips after pulling you closer into him, nuzzling into the sides of your breast.
In his warmth, with his arms over your stomach as he snuggles closer to you, you feel your eyelids heavy and fluttering shut. His lips are close to your skin, feeling his steady breathing and listening to it calms you down, steading you and increasing your melatonin, slowly drifting away to a state of peace, all in Chan's arms.
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You stir in the bed, your hand reaching out for Chan only to feel the messy bed sheets and blanket. You wake up, brought to your senses well enough and you look around to find Chan only to see the light in the balcony turned on.
Putting on his white shirt messily, you rush outside to find Chan sitting and staring at the black sky. You sit by his side, shuddering in the cold and he looks at you fondly, cracking a smile.  
"You're up?" You nod, teeth biting at the cold breeze that passes by, until you realise what Chan is staring at. It's snowing. It is the first snow in a long while and it's beautiful, albeit being late. He smiles at the purple mark that he has graced upon your skin. Chan stretches his arms out, blanket still in his hold as he offers to hold you close in this cold weather, to share his body warmth. He mumbles softly into your ears, "You should sleep a little more. It's going to be a tough day tomorrow. Aren't you meeting Jieun?"
"Yeah," you smile, watching the surroundings. "First thing in the morning. She seems to know a lot about everyone in this neighborhood. That, and I want to know why they treat Somin," Chan looks lost and you realise you haven't discussed it yet with him. "Kim Jihoon's widow is treated like that."
"I'm firm on this theory."
"What theory?"
"That Rowoon is the one killing people — bad homeowners — off because we'll, they disrupt his neighborhood. That or, they got drunk and it is still an accident."
"But Somin?"
"What? Anyone can be a bad homeowner! She's probably his next target." Chan chuckles and pulls you in closer. He holds you still for a while before he says, "We'll talk about the case tomorrow before you go to Jieun's. And you should clean up the mess of notes on the dinner table."
"You're the nagging kind of husband!" 
"No." He is quick to deny. "I just like my house at least a bare minimum clean, alright?" You laugh out loud, falling into his hold as you try to contain your joy. Something soft hits your knees, barely visible but it settles softly.
Snow. It's snow and you see the snowflakes along with it. You watch them tumble, those feathered crystals, their chaotic flight to form a blanket that could not be more uniform, more orderly. And it's beautiful. So beautiful that it eases you and has you snuggle further into his warmth. Enough to make you forget everything for a minute there in his arms.
"I like snowflakes," you say, your head resting on his chest. There is a certain intimacy in the hour, in his hold, in this weather and between the two of you. A certain intimacy to friends who only sleep and work with each other shouldn't have. Chan looks at you, waiting for you to continue. 
You do like snowflakes. A lot. Each snowflake is like a sculpture made out of paper. Each has a unique identity reflecting a crucial passage in the chosen source material with an equal amount of complexity carved out of minimal space and in the end, it falls down before someone, lighting up someone and making them happy.
"It makes me happy. It doesn't have to fit in or match with anyone else and it still means the world to someone."
Chan smiles and you know it is clearly one of your most favorite things in the world, your solace. You find the happiness growing, much as a spring flower opens. It comes from deep inside to light his eyes and spread into every part of him. Chan makes sure it is like that, that the world knows when he's happy but wouldn't, when he is sad. A person smiles with more than their mouth, and I heard it in his voice, in the choice of his words and the way he relaxed. It was beautiful. He was beautiful.
Maybe he'll teach you not to hold in your feelings. Maybe he will let you fall in love. All over again.
And you kiss him. It's short and quick, as chaste as the love you feel for him in this minute, in his arms. He leans forward and kisses you back and maybe, you both were snowflakes, as weird as you are, as unique as you — and yet the two of you make each other happy as corny as it sounds. 
"Uh," Chan pulls back and rubs the back of his head and then his nape. "I—"
"Oh, a mistletoe, look!" You point and Chan turns back, frowning to look at the tree by the side with some creepers that crawl on its branch — creepers that were not mistletoes. You smile brightly as you continue pointing and Chan looks at you with a raised eyebrow.
"That's not a mistletoe."
"It isn't? I thought it was. My bad!" You laugh, eyes sparkling in mirth and cheeks heating up in embarrassment over the obvious lie you said. You sit up straight and look up at the sky. 
"It's a pretty night for whatever shit that went down today," Chan comments, staring at the moon. The moon is a warm milky glow in the sky, as if the sight of her could become a song in the eyes of anyone willing to raise their head upward. You were and you were going to seize the opportunity.
Chan's gaze is fixed on the big moon and your head thinks of him and the words from Natsume Suseki and every other anime you were forced to watch, thanks to Jeongin. In every black night, he was the spark that rekindled hope in you. 
"Is there something on my face, Y/N?"
"No," You turn back, smiling, heart fluttering and your mind at ease. "Just," you hold your chest, feeling the beating of your heart louder than ever.
"The moon is beautiful."
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It's small and fragile. Once, and then, twice, till it sounds again and again and again through the silent air of your house. 
The knocking on your door is repeated and you turn to look at Chan who stirs in his sleep, thanks to the same sound. You shuffle in your bed, trying to go back to sleep, presuming it is an illusion and nothing more. However, Chan heard it too.
"Is someone…"
"I'll go check," you mumble, huffing and throwing the blanket to the side. Luckily, Chan's shirt covers you up to your thighs. You jump out of the bed and your partner decides that it is safe to follow you to the door instead. 
You open the door and in comes rushing a little boy, aged not more than eight, with tear stains on his face. He runs forward hugging your frame in his reach as he cries out loudly. Chan looks at the scene before him in delusion and you relate.
Who in the world is this child?
"Is everything alright?"
The child continues crying into your frame, burying his face into your abdomen. Chan squats down to come face to face with the child. His hand carefully holds the child's back as he pats him slowly, letting him calm down for a while before he asks again.
"Where's your mum and dad?"
"Dad isn't home. M-mum is," the child hiccups, choking on his own sobs as tears roll down his face messily. "She's in the garage and there's blood around her head and—" He cries fiercely and you hold the boy close to you, heart heavy because you know the worst possible scenario. Death.
"Why don't you take us there, okay?" Chan smiles gently. The boy looks with teary eyes at him and Chan quickly lifts him up in his hold. "Come on. Let's go."
And the boy was right and his worst nightmare comes true. You cover the eyes of the child to prevent him from further seeing the horrendous sight before him. 
Because before all of you was the body of Kim Jieun, sprawled in her own driveway, her head crushed to a pulp under her garage. 
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An overturned shelf, a couple of paint cans that look like they have been thrown and some blood splattered on the floor is all you and Chan find last night. That, and a woman's broken pastel nail extension. 
You would have checked further had it not been for your undercover and that Chan had been getting endless calls from Mayor Arsehole. Changbin fumingly goes on about how he sent the two of you to put a stop to this but rather there's another case on his desk now. The man does not calm down even after Chan says that the two of you were definitely looking for a serial killer and that these deaths were not accidents. If anything, it upsets him further.
This morning however, the sun shines brighter. 
Chan walks into the kitchen, looking for you, teasingly shouting out into the air, "Honey, what's for breakfast? Eggs? Bacon? Eggs and Bacon? Or maybe it's ri—"
Before him on your cluttered table of a case file, notes and photos of evidence lies a sad bowl of soggy cereal.
"Soggy cereal it is," he frowns. 
"I made it though. It should count for something, right, husband?"
Chan grunts and sits down, spoon digging into the bowl of cereal as he takes his first bite soon enough. He glances over at the wall behind the breakfast table. You have mapped out the relationship between every single person in this neighborhood, affairs inclusive and Chan lifts his lips in pride.
"Someone has been a bit busy. When did you even sleep?"
"Didn't fall asleep. So I decided to work on this instead," and Chan realises you were not even kissing. Your eyes are grogging and your face is a lot gloomier even though you are smiling off the joy of mapping it all out.
"Did you crack the case?"
"As a psychological profiler, I can say," you frown. "I haven't. I just can't figure out the connection here. These murders were distinctly targeted, so, why? Why specifically these three people?"
Chan stirs the milk in his cereal before he looks at you and suggests, "Why don't you look for a common enemy?"
"Huh?"
"Y/N, babe," you blush at the nickname and try to zero in on the matter in hand. "I know you and I see way too many crimes on a daily basis because of our job and that makes you and I think that we are chasing after some blood sucking psychopath," Chan pauses and eats a big bite of cereal. He munches on it slowly, letting you grow anxious in waiting, "We may not be dealing with some headcase who likes to strangle old women with pantyhose. Maybe we are dealing with a good old fashioned murderer; you know, the kind that kills people because they pissed them off."
You look at the board, index finger against your cheek and your eyes widen. "You could be right!"
"Don't look so surprised also," Chan mumbles, finally finishing his cereal. 
"It could work. Maybe what the victims have in common is their relationship with the killer." You continue to stare at the board. Chan cleans the plate in the sink on the other end, mumbling at you to keep calm and that you would crack the case with him soon enough. You sigh, "I don't have enough information to look for a common enemy." You tap on the first victim, Yoon Yerin. "Especially on her."
Chan folds his arm and stares at you. This look ok you is another one of Chan's favorites. You purse your lips, eyebrows furrowed together as you concentrate. Your eyes don't waver just like your heart in moments like this and Chan thinks he could fall even further for you, for your confidence.
"I'll probably swing by her place and see what I can find there. What's your plan?"
"Drop by at Rowoon's and find out where the fuck he was last night when his wife was murdered and his child was all alone." Chan stands by your side and you nod.
"Be home by 6:30?"
"Sure thing, honey," Chan laughs and he kisses your forehead, his lips lingering for a little while longer and you still, body heating up in his contact.
You nervously laugh, pushing him away slightly, "You're in character," You laugh again. "Method acting, right? that's good."
Chan looks away, avoiding contact with you and mumbling, "Yeah. Method acting."
He wonders how long he has to put up with this stupid method acting. 
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"Any luck?"
"Besides having Rowoon almost barf on my very nice dress shirt, no," you hear Chan speaking through the phone. You walk further down the neighborhood, lush green trees on either side. As much as you despised Changbin, you had to agree — the neighborhood is great. Just that it wasn't meant for people like you. People not rich.
"Do you want me to press a shirt for you?" You tease. 
"Would my wife do that?"
"In your dreams," you roar in laughter. Chan chuckles on the other end of the line. 
"Anyhow, Rowoon was out fucking one of his mistress last night. He's also pretty fucked up with the death and has not stopped drinking."
"He has an alibi?"
"Yeah," Chan sighs. "It's definitely not my homeowner's rage theory then."
You walk a little more till you stand in front of an unremarkable suburban house. You tell Chan on the other end, "I'm here. I'll get back to you soon. Bye," and hang up almost immediately. Quietly, you turn on your tape recorder and speak into it.
"184 Arbor Way. The house that belonged to Yoon Yerin, the first victim. Yerin lived alone which is uniquely for this predominantly family oriented neighborhood. That alone may have made her stand out and a target for suspicion."
You walk around the house, trying to look into it and around it, "The place is scrubbed clean. Whoever Yerin was, I'll have to find out from inside. The outside is scrubbed way too clean to get rid of any possible doubts." 
You take a step back and look around to see if anyone was passing by, before you lay your hand around the door knob and try turning it. It's locked. You wonder if Rowoon had the key. Glancing around carefully, you slide a paperclip from your pocket into the keyhole and jiggle it once — twice, till the door opens.
You smile brightly, "Some skills are rooted, ha! Thank God, I dated that sketchy guy back in college."
You pull open the door. Inside, the house is spotlessly clean. Almost as if no one ever lived in it. Whoever cleaned the place did a thorough job, almost leaving it spotless. You walk around the house, looking into every corner and room there to find anything. However, you are left looking at nothing but bare floors, undecorated walls and sparkling clean surfaces enough to shine.
You turn to leave, sighing out an air of disappointment when a gold sparkle catches your eye in the light. You bend down and find a man's golden cufflink lying against the corner of the room. Taking a latex glove from your pocket, you pick it up and bag it in a plastic cover, hiding it in your jacket as you leave only to bump into Somin.
"Oh, Hey," you stammer.
"I don't mean to pry but did you just come out from Yoon Yerin's house?" She raises an eyebrow and you hesitate, fingers holding the plastic bag tightly in your pocket.
"No, no, I—" You sigh, looking down. Lying after being caught red handed is useless. "Yes. I'll admit that I did."
"What on earth were you doing there?" She asks and you realise that to anyone from outside, your actions seemed very suspicious — enough to blow off your whole cover.
"The thing is, Yerin, I was there because," you close your eyes and inhale a sharp breath of air, "I was there because I got curious."
"Of?"
"I just heard what happened to Yerin and I needed to come and see the house myself."
"What could you possibly look for?" Her eyes waver and she looks back at the house.
"Some signs maybe," you look back to follow her gaze, "Maybe a blood stain or something. I know this might come out as a bit weird but I have always been fascinated by macabre. I even listen to Stephanie Soo's true crime podcasts regularly."
She smiles fondly and nods, "I understand. To be very honest, I was fascinated by Yoon Yerin too when I heard of her death. I tried coming by to see what had happened. But now," she sobs. "Jihoon is dead and so is Jieun. They say that there is a serial killer on the loose."
"It's so sad that it happened in this neighborhood," you take a step forward, trying to walk away.
"I know, right? The whole point of living in a gated community is to keep the awful things out." Somin leans forward and puts her hand around your shoulders. "Look, you seem like a really nice person, Y/N, so I'm going to be honest with you. There is something bad happening here, something very very bad. Keep your head down till it's over. It's for the best." 
Her tone is lower than ever and the advice sounds scarier than usual, something as if it were to warn you of an impending danger. You call Chan and he picks up quick.
"About pressing your shirt? I think I can do that. I have some pretty cufflinks to match them."
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Later that night, you sit in your kitchen, the same board looming over you. You try to map out even more connections on your chart of suspects. The whole board is so covered with lines of strings that it almost looks like a spider web.
Behind you, the door swings open and Chan comes in, strides longer and quicker to take him to you as he screams, "Honey, I'm home."
You laugh, twirling in your rotating chair as you look at him and ask, "How long have you been wanting to do that?"
"Since we got this assignment. Of course, I mean," he tries putting a serious face, "It is sad that we were forced to do this by Han when he blackmailed us with that sex tape—"
"It's not a sex tape."
"The footings, but," Chan smiles widely, "It wasn't so bad to play house with you, Y/N."
"Likewise, Chan."
"Now, did you find anything?" Chan asks, resting his chin on your shoulder once you turn to face the board, his hand on your other and you freeze, surprised by the sudden contact, ironically. "This mapping just got messier."
"Yeah," you exhale and your shoulders slouch. Chan stands up straight as he tries to understand the board before him. "I tried mapping all the infidelities and affairs and this is what I got. A whole mess. It's all convoluted now."
Chan's eyes widen as he tries tracing the lines with his index finger before giving up. "Is everyone cheating on their spouses here?"
"Almost everyone."
Chan takes a step back, opens the fridge and pulling out a can of beer, he goes to sit on the sofa. You turn your chair around and watch him take a sip of it.
"Wow, you look as if you're right at home," you tease.
"There's space for two here," he pats the sofa by his side, and grins sheepishly. 
You get up and take your own can of beer from the fridge, mumbling, "I can sure take a break," and walk towards him, plopping down by his side. The two of you clink your beer cans, the sound clattering through the walls.
"It's Christmas tomorrow, you know?" 
You hum in agreement, "It's my first one outside home."
"I hope we can crack the case soon so that you can at least spend a few hours with your family on Christmas."
"Hey," you nudge his arm, "The thought of spending Christmas with you does not repulse me, okay?"
"I had not even said that," Chan gasps. He turns to look at you, a glint of mischief in his eyes. "So does that mean the thought does repulse you?"
"Don't twist my words," you laugh.  
"Do you want to get married?"
You choke on your drink, eyes wide as you look at him. He pats your back as he tells you to breathe slowly. You finally ask, "The thought or with a specific person?"
"Both."
"Yes, and no," you mumble. "I do want to get married once but," you look at Chan for a minute as he drinks his beer. "I don't think I have my feelings sorted properly to have the privilege to think of thoughts like that."
Chan leans forward, eyes dazed and fixed on yours. Has he always been this beautiful, this captivating? Has he always made your heart beat so much quicker?
"Do you think you'll ever be ready to sort them out?"
You sputter and choke again. Chan smiles again; this time however, it looked sad. He stands up, placing the beer can down on the table before. "I should get some fresh air. Take a stroll in the neighborhood and make sure nothing is going around, yeah."
You turn away, face too scared to look at him in worries of your emotions being transparent. "Yeah, you should do that. I'll get back to the mapping."
"I'll, uhm, I'll be back in a few." Chan rubs the back of his neck before quickly stepping out of the house. You sigh, head fuzzy with the overload of emotions. 
He doesn't know you were ready. He doesn't know you wanted more. He doesn't know how you confessed that night to him in the moonlight. He doesn't know of how you feel, because of you. You never told him directly, always twisting your words and actions. If anything, you had no one else besides yourself to blame.
"Chan," you whisper but it's too late. He's out.
A step too late to realise as always.
You snap out of your daze caused by the overload of emotions. Getting up, you slightly slap yourself and mumble, "Focus. Back to work now." You reach out into your pocket and take the cufflinks to file away. You turn it around in your hand when it flashes.
"Wait a minute, wait a minute," you zero in on the object in your hand. "I've seen this cufflink before." You rush to the board, eyes scanning the pictures to see where you had seen it when it finally lands on the second picture pinned on the board.
You had seen it on the second victim — Kim Jihoon.
"Oh my god," you sigh, hand limp on both sides as you realise you know who it is. You know who the killer is and you know her motive. 
"I know the killer. It's Somin, oh my—"
"Clever girl," you hear the feminine voice from behind you. You spin around quickly, hand on your chest as your eyes widen to find Somin standing by the door with a huge butcher knife in her hold.
"It was you!"
"That's right. Me." She takes a step forward. Instinctively, you glance back across the living room to where your gun hangs in a holster, draped over the coat rack.
Somin takes another step forward, speaking, "Sweet little Somin. Fragile, pitiful Somin. Somin who everyone always thinks they can pick on, lie to and laugh at — Ha!" He leaps forward and wildly waves her knife. She yells. "Well, who's laughing now? Who's laughing now?"
You dodge back, repeating to yourself to dawn the fact that it is true, that, "Jihoon was having an affair with Yerin."
"That ungrateful, cheating bastard couldn't wait to jump into that slut's bed. So I showed them both," she laughs. "I showed them both well."
"That I can understand," you edge closer to the coat stand to try and get your gun. "But why did you have to kill Jieun too?"
"Are you kidding me?" She yells. "That bitch stole my snickerdoodle recipe."
You huff out in disbelief, eyes narrowing at her and eyebrows furrowing, "Ah, I see. You're a full blown psychotic."
"I was going to stop after her, you know? But then you had to go and poke your nose around in the neighborhood. Stupid bitch."
Somin takes another step towards you and you know you are still far away from your gun. She is now almost at an arm's reach and you take a step backwards instinctively. She waves her knife again and you dodge it carefully.
"Who are you, huh? A cop?"
"An NIS profiler actually." She looks lost and you sigh. "A cop, yes."
"Well, Y/N," she glares. "Do you know what I hate the most? Liars." Somin lunges at you, jabbing the knife towards your throat. You dodge to the side, neatly weaving around the thrust. Somin stumbles past you, knocking over a giant carton of cereal, spilling it everywhere.
"Argh," and she swipes again. You dodge nimbly to the side again. Her knife cuts through the air with an audible hiss and the adrenaline pumps into your blood from the fear. The knife hits the fruit bowl and sends bright red apples scattering on the table, over your notes.
"Well, well, aren't you fast?"
"You've no fucking idea," you hiss, taking in as much air as you can. You back up and feel the counter behind you.
"Enough talk!"
You gulp, gripping the counter firmly. Somin dives towards you, slicing her knife at you. You reach back and grab a heavy toaster. You pull it around and holdi it out in front of you. It crackles loudly with a hot, electrical burst.
"Fuck." Somin jerks back, as if stung, the knife dropped from her grip. The knife clatters to the floor, it's tip blackened from char thanks to the electricity. Somin steps away, clenching and unclenching her hand. 
"That fucking hurts, you bitch." 
You drop the toaster and step back, putting your hands up defensively in front of your face. You propose, "Look, Somin, it's still not too late to surrender. We can still end this peacefully, alright?"
"You think I'm going to give up just because I lost my knife? I need to survive." Somin bounces up and down, assuming a combative stance. "I've been taking aerobic kickboxing for four years." She bounds towards you and shoots a lightning fast kick at your head. You guard your face and block her kick. She bounces back and aims to kick at your shins, hard. You jump, hopping back neatly avoiding her kick.
"Are you done?"
"No," Somin recovers quickly, spinning in a fast arc and throwing out a devastating, high roundhouse. You throw up your hands and block the kick. She staggers back, her balance off. 
You seize the moment to spin around, swing low and lunge towards Somin, jamming the palm of your hand into her chin. You slide your one leg between hers and jerk back, kicking her feet out from under her and slam her down into the ground. The back of her head hits the cold tiles on the floor. You force yourself on top of her, pressing down on her chest with one knee and pant, "Four years of kickboxing, huh? Try seven years of krav maga."
She squirms under you, huffing, "Get off," and quickly lunging to get the toaster. Your eyes widen and you try to grab her hands. However, she's already about to throw the toaster when you hear the sound of metal clinking once and the toaster falling by your side.
"Nah, you're not going to hurt my wife," you turn to look at Chan, pointing the gun. He walks further ahead to the two of you. "Kim Somin, you are under arrest for the murder of Yoon Yerin, Kim Jihoon and Kim Jieun. You have the right—"
"They were all liars. All cheaters. It's not fair," she yells, struggling under your hold. You hold her wrists tighter and Chan slams the handcuffs on her. 
"It's over, Somin. It's all over. The court will hear the rest, and the dead will have their peace."
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"Did you reach home?"
Your phone is connected to the bluetooth speakers in your car and you hear Chan's voice in the small vehicle. You rotate the steering wheel as you turn to the right across the street. It's a comparatively quieter day, almost as if it's in stark contrast to the shit that went down last night.
"Not yet. I'm two minutes away."
"Merry Christmas, Y/N," Chan laughs and you smile, your lips pressed together to prevent you from breaking into a big grin. "Don't miss your husband too much."
"Still in character, I see." You press on the gas to reach home a little quicker. "Are you spending it alone?"
"Nah," you hear voices in the background. "I'm spending it with Felix and Han."
"Don't miss me too much either then," you tease back and pull up at your place. You park the car in the garage and sit in the car as you speak to Chan. "And I'll meet you back in office in a few days—"
"Did you reach?"
"Oh, yes?"
"Then, check the backseat. It's my Christmas gift for you," Chan says. You unbuckle your seat belt and lift yourself up to turn back and search the backseat only to find a small box. You stretch your arms to grab it and finally sit back in your seat. 
"Did you find it?" You hear Chan through the speakers again. You hum in response and open the gift.
It's a necklace. A beautiful thin silver chain with a snowflake pendant hanging and you gasp, heart beating way too quick. He remembers. He remembers. He remembers. If you were not already flushed by the gift, the note stuck on the underside of the cover of the box has your mind fuzzy, feelings all over.
The moon is beautiful.
"Chan?"
"Yeah? Did you not like the gift? I'm—"
"I'm coming over in ten minutes. Send Han and Felix away. All I want this Christmas is you. Just you."
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4K notes · View notes
xiaowhore · 2 years
Text
who is the secret admirer?!?!
okay so i already wrote the part 2 for "yours truly" where we get to know his identity but!!!!! i wanted to talk about the little hints i left (well.... looking back on it, they weren't much)
spoilers for my fic so the explanation will be under the cut <3
OKAY. so. let's start by process of elimination, it's pretty easy to tally down the candidates.
characters from part 2 are immediately eliminated bc i NEVER planned to write a part 2 and left the secret admirer in part 1 for sure, so it can only be childe, xiao, diluc, kazuha, albedo, thoma or gorou. i thought the secret admirer not being one of the boys i wrote for would be kinda,,, redundant?? like the point of the fic was trying to find "whodunnit" and if it turned out to be someone random like.. idk. dainsleif? it'd be anti-climactic. like you spent all this time wondering who it is but it turns out to be someone the author didn't even introduce. you'd be disappointed right??? so yeah i didn't do that.
anyways
we know a few things about the secret admirer: 1) he gave flowers, 2) he knows your specific coffee order, and 3) he should be in your university in order to place the gifts on your desk (would be kinda wild if he was a neighbor of yours and he had to go to your university just to give you gifts lol)
important note: when the boys tell you something, it's better to take their word for it. only xiao has lied throughout the entire fic!
firstly, we should remove the guys who have explicitly stated they are not the secret admirer: childe and gorou. though they both admitted to having feelings for you, it's not them. they're very mopey, knowing someone else loves you and is actively trying to woo you :(
second, we'll remove the guys who aren't in your university. it's been established that thoma and kazuha are from a different school, whereas i never mentioned diluc anywhere near your uni and you only meet him through the cafe, so he's implied to not study there!
which consequently leaves us with xiao and albedo. ive brought up xiao many times during part 2, some readers were even misled into thinking he's the secret admirer. but there's really nothing to it lol i just wanted to stick him into the story :P
xiao is sus as fuck in part 1 though. he's in a bad mood when he learns someone else likes you. he wouldnt have to be so upset about the gift on your desk if he was the secret admirer! he lied about not seeing the person who placed it there, too. (which is the only lie in the fic. believe me when i say everyone else isn't feigning innocence or lying about not knowing/seeing the admirer)
LASTLYYYY albedo!!!!! he never openly expressed hostility towards the secret admirer, and only said he couldn't help you find out his identity!!
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he's offended you don't consider him a possible candidate :(
and like. did no one think this random mention of a garden was suspicious. it came out of nowhere
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kazuha told us outright nobody went to buy carnations at the flower shop. why? because albedo already has carnations at home!
also he's been described as observant
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it's not a hint you'll understand from just this, but i'll explain a little more. remember how you first met albedo at the library and more or less studied together? well you do study dates more often after that and of course, coffee is often involved when you're cramming information into your head if you want to pass that biology final. albedo is observant enough (and has the good memory for it) to note down your special order when the barista asks for it. (diluc never denied that someone ordered with your recipe too)
also
fun fact: the ending for part 2 was supposed to be a confession scene and not a lil pov from albedo. couldn't figure out how to go about it and i also felt bad for scaramouche who was supposed to suffer through it
like. you were supposed to leave the room when albedo chickens out from confessing, hand twisting around the doorknob. but he panics when he sees you trying to leave so he places a hand to cover yours, chest nearly pressing against your back.
you turn to his direction, releasing the grip on the doorknob and is startled to see his expression so near, a gap of mere inches separating your lips. your breaths mingle as he leans even closer, words spilling out of him not on his own volition.
then the doorknob twists.
neither of you have your hands around it.
scaramouche pulls open the door and is met with an armful of you.
... he walked in on you. because that's his thing. being the eternal third wheel.
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thebadjoe · 10 months
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Something we mustn't forget about chapter 2 (DRDT)
As usual, this is a spoilers warning for DRDT chapter 2, so beware.
So, I'm sure some of you have seen me have a reasoning battle against a few people, most especially @1moreff-creator. We've had some really interesting back and forth happening.
This post is meant to be a response to 1moreff's latest post regarding their theory. So think of it as a reblog.
Why don't you just simply reblog then?
Well, that's the thing. I... messed up. For any reblogs I've made on their original theory post, they were all long posts that didn't have a cut section, a "read more" button.
So everytime you look at a reblog, you'd have to scroll through all of that to reach the latest reblog. Even though I eventually edited them all later on, the original versions are still there on the previous reblogs because the edit doesn't go through previous reblogs and the reblogger cannot edit others' posts eitheir.
So yeah... sorry about that.
But trust me however, this is a very interesting read. Especially if you've seen my version of the theory. 1moreff's uses the same whodunnit and whydunnit in their theory, but they used a totally different path as for the howdunnit. I'd recommend you all to read it if you haven't already.
With that out of the way, let's get to business. It won't take too long, I promise.
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(I'm now adressing to @1moreff-creator)
So uhm... I don't really have much to add in regards to your reblog. You've made your point in regards to anything I tackled on and we're pretty much at a stance where I can't really prove that x thing happening while you can't prove that y thing happened. Eitheir of those could work. And because they both work, they're both technicly valid.
Besides, you've already pointed out what could be your issues in regards to your theory.
the glove; the BDA having a lacking explanation; how hard and risky it would be to convince Levi of being an accomplice (though narratively consistent because of the good person thing); and how risky it is to use such a time-sensitive method.
Your biggest issue is definitly the glove, no doubt about that. Even though you do have some kind of explanation for it, it's not something you're quite convinced yourself eitheir.
In any case, I'm not gonna dwelve on it much unless you can eventually think of more solutions to these problems.
So what's the point of this "reblog" if you're not gonna refute against any of these points?
Well, upon doing my own detective work to fix my own holes in my deduction, I discovered something really interesting. Something that I can't believe I didn't realise sooner.
It has something to do with Ace's testimony. There's something off about it. There's a glaring issue with it which will become quite an issue for you.
What do you mean?
Let's start with a very quick recap. According to you, everything that Ace saw according to the flashback really happened. Meaning that in your theory, Ace was working out in the gym during the evening of DAY 3, then he heard Arei and David talking. So he decided to spy on them. So everything he heard and saw must be the truth.
According to my own theory however, Ace was not working out in the gym during the evening of DAY 3. Instead, he was working out in the evening of DAY 2, spied on them that evening and then got knocked unconscious for the attempted murder later on, which would explain why the weight rack was moved in the fitness room. So ace was eitheir lying or confused about the day he witnessed the conversation.
Anyways, if people were to believe that your version of that theory is indeed what truly happened, then we'd have to deal with a very glaring issue that I can't believe I didn't notice until yesterday. I'm convinced more than ever that Ace is wrong about the day he witnessed the conversation. It's based on simple common sense.
Common sense? It can't be that simple!
Oh, it sure can!
So according to Ace, he heard Arei talk to David in the relax room during the evening, the day after he nearly died, right? According to him, at the time, he was working out before he heard them.
So tell me... would he really dare spend time ALONE working out in the gym, literally the place where he nearly died, A DAY after he's been attacked?!
I don't think so. Especially Ace, of all people. He's a coward. That makes no sense.
But Teruk-
Teruko's different from Ace. She's no coward and she's been through a lot of bad crap her whole life based on what we learned so far. Teruko's unlucky.
Anyways, If you cannot find a proper explanation for this, then I'm afraid that your theory could potentially crumble.
I could go out of my way to explain how it would crumble, but essentially, it would come down to me explaining that the more issues you would be able to explain if you were to admit that Ace was indeed lying about the day he witnessed that conversation, the more it would look like my theory.
But before I do that, I'm gonna give you the opportunity to solve this issue I've mentioned about Ace's testimony. I think I have an idea of what you'll claim, but let's see how this plays out.
(Sorry for not reblogging this time around and sorry again for the mess I've created in those reblogs)
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carloswilliamcarlos · 3 years
Text
Whodunnit (Charlie Barber x Reader)
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Warnings: Smut, PIV sex, infidelity/cheating, alcohol mention
A/N: IT’S TIME FOR CHARLIE PORN. Yes this is essentially just a remix of Lights Out. I have no original ideas but I am horny, take it or leave it. Also Sackler is there too this time.
Words: 2.2k
“It was a dark and stormy night,” the speech begins. And strangely enough, it was. 
As if cued by god herself, a crack of thunder tears through the sky. Lightning illuminates the room just for a moment, strobing everything inside in ghost-white light. The hostess, her hair done up in dramatic curls and lips lined in dark red. The guests in masks and top hats, expressions frozen for an instant. Shadows splash onto red brick, splattered against the walls in grotesque angles. You jump, holding on tighter to Sackler’s sweaty hand. Behind you, a low chuckle. 
You don’t need a flash of light to know whose breath is tickling your neck. 
Charlie. 
Of course he’d find it funny that you leapt into the air when thunder crashed. He always did love seeing you surprised. And he’s surely amused at your body curling closer to this child of a man who could do less to protect you than a puppy. His words, of course. At least, that’s what you imagine. 
You’d locked eyes as you circled up for the story just moments ago. Your pulse still hasn’t slowed. He was gorgeous, all in black from head to toe, with a blood red mask tied around his eyes. His hair was so long, so dark, he towered over you and looked like fear incarnate, so dangerous and so beautiful your skin flushed hot at just the sight and…
...and Sackler looked nice, too.
It’s a scene from a nightmare already, your boyfriend and the married man you fucked in a stairwell last week in the very same room. Locked in at a murder mystery party with your entire theater company. On a dark and rainy night. Until someone solves this goddamn mystery and you can run home and take out every ounce of wet frustration on the man whose hand you’re gripping so tight now your nails are leaving marks.
“Hey,” he whispers at you, shaking your grip off. 
“Sorry,” you mumble, slipping your fingers out through the gaps and wiping your palm on your vintage slip.
“Who murdered Madame Millicent? The answer sets you free. The clues are all around you… I suggest you look closely,” the hostess stage-whispers with a flourish. She takes her role very seriously. 
“I think we should split up,” you tell Sackler without as much as a glance his way. You’re acutely aware of how slowly Charlie’s moving behind you. 
“What?” Sackler pouts. “I don’t know any of these people.”
“You don’t have to know them, you just have to find clues,” you retort, words rushed. 
“But I came here to be with you.” Sackler’s hands snake around your waist and he bends down to your height as you cast a glance over your shoulder. “I wanna do bad things to you in the dark,” he mumbles against your skin. And it’s right at that moment you and Charlie lock eyes again. 
You push Sackler’s hands off you. It takes a few swats and shoves just to peel them away.
“You will,” you tell him, swiveling your head back around to look him in the eyes. “I promise, you will, just… Come find me. In a little while. Come find me in the dark and you can do whatever you want.”
You manage a little smile then, and Sackler seems more than titillated. He presses a kiss to your cheek, and you take in the smell of him, all warm spice and cinnamon and just a little too much cologne. With a final squeeze of your waist, he steps away, walking backward into the darkness with a cheeky grin and tripping over the edge of the coffee table on the way.
Charlie’s nowhere to be seen. 
Everything’s hushed now, almost silent. Only the “Spooky Halloween Ambiance” playlist carries through the speakers and winds around the room. You might have been spooked if you hadn’t helped the hostess find it on Spotify earlier this morning. 
Pairs of figures move around in near darkness, looking for answers. There’s only candlelight now, and not much of it. You only hope these clues don’t involve much reading.
Another crack of lightning gets you moving, taking step by cautious step from room to room, looking for anything that will get you out. You pass the kitchen, stocked with cocktail glasses and extra swirls of orange peels. The bathroom, where a group of girls is deciphering a lipstick message on the mirror. 
And then there’s the library. 
You’re sure there must be something in here you need. 
You step into the room and lock the door behind you, not wanting to give away any solves you find. It’s so, so dark, you can hardly make out the edge of the wooden bookshelf as you graze it with your fingers. Slowly, you make your way along the shelf, skimming over book by book, looking for anything of interest. There are no sounds but your own shaky breath and your pulse rushing in your ears. And then you feel it. 
A large frame pressing up against your back, just close enough so you know it’s there. It’s warm, it’s solid, it seems to wrap all the way around you. And then a hand, ghosting over your hip, traveling inch by daring inch to rest in the center of your rib cage. 
“Adam?” you whisper. It’s Adam, you’re sure. It’s Adam, your boyfriend that you love. That’s what you tell yourself as his scent surrounds you. The scent of cool peppermint, and parchment, and the plastered walls of a certain familiar stairwell. 
He doesn’t answer. Not even a nod. But your fingers come to rest over his anyway, and your back pushes against his chest anyway, and you tilt your head so slightly to the side anyway, so he can bite your pretty earlobe just. like. that. 
You tug his hand up over your breast, squeeze his broad grip around it and sigh when his thumb grazes over your nipple, poking out through the shiny fabric of your slip. He swipes over it again, and then again, until it’s hard and straining and you’re rolling your hips back into his groin.
He kisses your neck, at first just a tingling tease, and then a hard, deep, suck that makes your whole body throb. His left hand reaches around to rest on the bookshelf in front of you. You can just make out the shadows of the veins that run down his long, thick fingers, over his wrist, and up under the fabric of his sleeve. 
Now it’s his turn to guide your right hand, still clutching your breast, down along your own side, over the sultry swell of your hip, behind your back and between your bodies. He leads your hand between his legs and along the thick, hard, hungry length the waits there, tenting the fabric of his trousers and twitching at your touch. His breath brushes your ear as you run your hand back and forth, teasing the tip and trailing all the way down the length. He lets out a breathy, shaky, drawn out “yes,” so quiet you can only hear it because his lips are pressed right up against your ear. 
It sounds… enough like Sackler, you tell yourself again, and even in the confines of your own mind, you know you’re a dirty fucking liar. 
The figure steps back just a bit then, pushing you forward so you’re bent at the waist and pressed up against the shelf. You hear a zip and feel the sudden chill of air on your ass as he flips your skirt up and over it. 
The velvety length of his cock slides between your legs and along your panties, giving your aching cunt just enough friction. It moves back and forth and back and forth again, and your hips are canting in time, rolling with it to wring out every drop of pleasure you can. His warm hand runs up the length of your back and down again, squeezing the curve of your ass and digging his fingertips into it. 
It’s just then you hear a fit of squeals erupt in the next room over, and both of you freeze. The girls must have solved the lipstick riddle. You may not have much more time. 
So you rock yourself back against him again, willing him not to stop, to keep going, to give you what you need, right fucking now. 
And he does. 
A nimble finger pulls your panties to the side and his tip is pressing into you, sliding between your wet, swollen lips and stretching open your tight entrance. You can’t help letting out a whine, you just can’t, and thank god his hand flies up to clamp over your mouth. If only you could do the same as he pushes into you, buries himself deep inside in one long, slow, thrust, because he’s grunting louder than he should be and he’s spitting out a pleasure-heavy “fuck” and that’s not Sackler, you know it now for sure, and you don’t fucking care. 
His hips pull back and push forward again, harder this time. Your knees shake and you rest your ass against his weight, letting the entire length slide way, way up inside you and back out again, in a rhythm that’s all at once frenzied, and fluid, and fucking filthy. 
You’re letting out little squeaks, little moany puffs of air every time he thrusts into you. You can hardly catch your breath, and the hand over your mouth isn’t making it any easier. His left hand against the bookshelf drops down around the front of you and between your legs, resting against your clit so it presses into it with every forward thrust. You’re surrounded by him, by the way he makes your body writhe, by the sound of his own breaths through gritted teeth. You fall back against him further and further, until he’s almost entirely supporting you, canting you upward will every jolt of his hips, and you start to come all the way undone.
In one move he throws you both forward so you’re pressed flat up against the shelf, your cheek resting on the cold, smooth wood and your breasts rubbing against volumes of Chaucer and Poe and Keats. He moves the hand on your clit in circles then, buries his face in your neck, and fucks you hard and fast and furious until you’re cumming all around his cock and it’s throbbing in gratitude, pumping his sticky white seed so far inside you, you swear you can taste it. 
And then he’s out. 
He’s out, and he’s pulling your panties back over your pussy to catch whatever threatens to spill out. There’s another zip, and your skirt falls back down, and the sweat dripping down your back suddenly feels so cold. 
Your breaths both slow down. And you don’t touch. And you don’t speak. And you’ve never been more grateful for the darkness that hides expressions neither of you want to see. 
You walk to the door and rest your fingertips on the handle. 
“Thank you, Adam,” you mutter, hating yourself as you do. It’s met only with a bitter scoff, and you open the door and slither out, your legs still shaking. 
Adam’s in the living room with a couple of guys who look to be taking shots out of a teacup. He gives you a big smile when he sees you and waves you over. 
“Where were you? I couldn’t find you,” he asks as he pulls you in by your hip. You turn your face sideways to dodge his kiss, which lands on your cheek. 
“Guess it’s just a mystery.”
Adam’s all goofy smiles when everyone reconvenes in the living room. It didn’t take him long to make new friends. The volume picks up in the gathering crowd and the hostess makes her way back to the front for her big finale. 
“A crime did happen on this night, but will you guess the culprit right? Let us see if you found the clues, tell us, who do you accuse?” 
She shines a flashlight into your eyes and you squint against the yellow light. “What?”
The hostess drops the act, just for a moment. “Who do you think did it?” she urges you, and it wasn’t until now you remembered why you were all even here. 
Through the light, you can see Charlie standing at the corner of the room, his gaze cast down to the floor. He looks up through his lashes at you, a pout painting his face. 
“It was you,” you say. 
The crowd shuffles a bit as they look back to him, and he reaches in his suit jacket to pull out a little red card printed with a single word: MURDERER. He flicks it to the floor and glares your way. 
“Guilty.”
Hands clap on your shoulders and Sackler shakes you happily. Everyone’s cheering. The party’s over. But you can’t hear a thing. 
Amid the bustling crowd you lose Charlie for a second, and like a ghost, he’s gone. 
The only proof he was ever there is the lingering smell of peppermint, and the creamy white sin dripping down your thigh.  
__________
Don’t mind me, just tagging some Charlie loving pals hiiiiiiii
@direnightshade @contesa-lui-alucard @babbushka @sacklerscumrag @ohdamnadam @cowboy-kylo​
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transmasc-wizard · 3 years
Note
You mentioned your Nano project this year is your first time writing mystery. I've always wanted to write a mystery! What is your process (for now)?
thanks for the question! I'll try my best to answer, but as you pointed out... its my first time lol and im kind of just stumbling in the dark.
so, because i'm me, i plotted as much of it as i could. I actually ran out of time, but even though i don't have the whole book outlined, i have the whole mystery plot outlined. Because if you try to write a whodunnit without knowing whodunnit, you will cry. Even if you make it through draft one, it'll be exhausting adding every bit of foreshadowing because you had none because you didn't know what was happening. (i have a post on plotting here, be warned tho, it is... Long.)
before that, though, i READ MYSTERIES. Whenever im about to write something, i read in that genre. So i read mysteries and thrillers--Karen M McManus (i think thats her name?) has some good ones, Kayla Ancrum's Darling is great, and They'll Never Catch Us (cant remember the author name) is a good one too. I also read some Nancy Drew i had lying around. I do this because it's hard to write a genre without being familar with it--that's why im doing a thriller instead of my sci-fi idea, actually, because i... havent read enough scifi yet.
and right now im kinda just accepting that i have a brand. Not... literally, because nobody is allowed to read my drafts, but. Like. I have a style and a way of doing stories. I accepted that because i'm me, i inevitably made it a supernatural thriller, that there would be a lot of fluff, because i tend to write like "fluff-violence-fear-fluff-action-violence-fear-violence-fear-fluff", and that because i haven't done this before, my mystery-thriller is going to be very tied to fantasy--the thing i have done before, numerous times.
After i did Those Three Professional Steps(TM), i just... started drafting. I'm averaging 1400 a day, which is making me prickly, because normally i average like 1800. It probably has to do with the fact this is a mystery and i'm out of my zone. I like to fast draft all my projects, which is why nano is my favourite lol.
OH AND VIBES, vibes are important. most mysteries also have a sense of thriller, and vice versa. Know if you want it to be "cozy but mysterious with just a slice of fear, mainly around the climax", "every second is terrifying, they're on the move, the clock is ticking", or some place in between. That'll help when drafting. I think.
I hope this was what you're looking for?? idk im tired and scrambled but yea. Obligatory disclaimer that im Just Some Guy and you should definitely also look at sources other than me and ignore whatever advice doesn't work for you. this is what works for me.
have a good day, drink water
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poirott · 3 years
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Interview with Death on the Nile cinematographer Haris Zambarloukos for British Cinematographer November 2020 issue reveals the first scene of the movie (!), Branagh’s approach to the story and diversity in casting, how they added a race issue that wasn’t in the book, shot the dance sequence, and explained the continuity issue of Poirot’s presence in Egypt, and what their artistic references were for the look and tone of the movie.
I’ve typed up the interview here because the text in the preview image is barely readable. The preview only shows the first page of the interview, sorry!
Q: There is a coda at the end of Murder on the Orient Express in which Poirot hints at vacating in Egypt. At what point did you know this would be the next Poirot project?
Haris Zambarloukos: We knew that Michael Green had already been commissioned to write it but we also had to shoot Artemis Fowl first. For anyone that knows the books, Poirot’s reason for traveling to Egypt in the first place was not to solve the case that becomes Death on the Nile. He does go on vacation and then returns. In our film he says, 'I’ve just got back and now I have to return.’ So, it was a nice touch from Michael to lead into Nile at the end of Orient.
In the interim, the whodunnit genre has been satirized by Rian Johnson’s Knives Out with Daniel Craig as a Poirot-esque sleuth complete with rogue accent. Did that play into your approach?
I’ve enjoyed Knives Out but it really is a different interpretation to ours. I don’t know anyone who has researched Agatha Christie’s writing as much as Ken, down to what she was thinking and feeling while writing each book. This feeds into his interpretation of the story. Ken has been championing diversity in casting for decades now [for example, casting Denzel Washington in 1993′s Much Ado About Nothing]. His philosophy is ‘this is how I want the world to be and it doesn’t necessarily have to be the one inhibited by the chatacters defined in the source material.’ He did it on Orient casting Leslie Odom Jr. as Dr. Arbuthnot and he’s gone much further on Nile. Together with Michael’s script, he’s added a race issue which didn’t exist in the book and is a much better story for it. We went away from a more English, tamer version of the story to get under the skin of the human condition.
Similarly, the images could portray a world as if from a LIFE magazine issue from the 1930s of a cruise down the Nile but, given the darker outlook for film, I wondered what it would look like as a cruise down the Mississippi. That was always my question to Ken: could we add any elements that bring that aspect out? Certainly, the choice of a blues soundtrack played into that.
Did you refer to previous film adaptations or were you inspired by other artistic references?
The references are quite varied. I always look at photojournalism from the period and in this instance Lee Tanner’s The Jazz Image: Masters of Jazz Photography and The First World War in Photographs by Richard Holmes were both great references.
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Artwork by Edward Hopper provides another tonal element. For example, his 1939 painting New York Movie depicts a girl waiting in the wings of a theatre. She’s in the shadows and you can see the red velvet curtain. In that picture there’s nothing ominous or overtly scary or sexual but it evokes all those things in a very clever and emotional way without eliciting fear or showing her in a derogatory way, or as a victim. All of this added to the way we photographed this film.
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New York Movie, 1939 by Edward Hopper
The first eight minutes are in French and in black & white. That’s brave. Why that creative choice?
It’s a really daring thing to do in a big studio film. It recounts Poirot’s past as a soldier in the first world war, his approach to remembering and analysing how he becomes who he is. The film then moves to the ‘30s and a gritty, blues club in London where we feature the music of Sister Rosetta Tharpe, an African American blues artist and guitarist. She is a very assertive woman, standing up and playing guitar. We meet a trio of characters played by Armie Hammer, Gal Gadot and Emma Mackey in that second part of the beginning of the film through dance and music. There is dialogue but it’s really about body language in this dance sequence. We shot this with very long Steadicams that intertwine the music, the choreography and their relationship. We planned all of this to be a very visceral and immersive introduction.
The design of Orient was bright, classic, glossy. Was this a template for this film or did you evolve the look?
It’s definitely evolved but we had to stay within the same language. We wanted the highest fidelity photography which is 65mm analogue film, so we managed to stay with that process and certainly a classic approach to lighting and always an ode to all the film noir that Ken and I grew up loving such as Dial M for Murder or those large format human condition films like Giant (1956).
Both Ken and I love John Cassavetes. For us, it was how do you capture that rawness of performance while making a studio film? Those were the influences we played around with.
For Orient we’d watch a lot of Anthony Mann films and those were a huge influence on this film.
(The preview cuts off here.)
Source: britishcinematographer.co.uk - November 17 2020
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