YOU — “No. There is still a chance.”
DOLORES DEI — “You think so?” Her voice is weary.
EMPATHY — Everything about her is weary. She is the Innocence of weariness, of heroically borne suffering.
CONCEPTUALIZATION — That is the picture you have painted for yourself, at any rate.
YOU — “You looked back. That’s the memory, the moment, that I can’t stop returning to. You looked back. I had a chance, for just that moment…”
DOLORES DEI — She meets your eye, gaze still forever cast back over her shoulder. Time stops. The stars are stilled, the ocean silent. There is *nothing* beyond this memory. Nothing at all. All of infinity is contained in this single moment when anything and everything was possible.
“Oh, Harry…” She sighs, soft as eiderdown. “We never had any chance.”
And just like that, the wave of time collapses under its own weight, obliterating everything. This moment was six years ago. She is gone from here. Gone, gone…
PAIN THRESHOLD — You cannot leave. There was nothing outside of this moment, and now there is nothing at all. It’s all gone. There is no point. I’m sorry. I can’t do this any longer.
VOLITION — Please, don’t say that…
“Okay. Well, fuck me, then.”
“How would *you* know?! You gave up! You didn’t even try!”
“We *must* have had a chance, at some point… Doesn’t everyone get a chance, if nothing more?”
“How could you say that…?”
DOLORES DEI — “Because it’s true,” she says, matter-of-fact. “There is no moment in time that you can turn back to, no branching paths, no infinity. There is only what happened. I looked back… and then away.” She closes her eyes, turning her back to you.
“The moment ended. *We* ended. That is all.”
SHIVERS — A wave crashes against an unseen shore, ocean spray tickling the back of your neck. You shiver, but no one shivers with you. You are alone in this intersection. Why are you here?
“Why can’t *I* end?! Why can’t this all just stop? Please, make it stop…”
“Ended? I’ve barely even started! I got a chance to start completely over as somebody new! I don’t need you anymore! You’re just dead weight to me now.”
“No. That wasn’t the real ending. We’re a part of something so much bigger than this intersection, telling a story that encapsulates all of history! There’s *more* to this, it *means* something.”
“Then… What am I supposed to do now…?”
DOLORES DEI — “No, Harry.” She turns back to you again now, and she looks… sad.
“We were not metaphors. We were people. Our narrative was not intelligently designed. It simply followed the patterns of history, because those are the only patterns we *know.* We tried to create something new, but we failed. There is no narrative reward for our failure, no satisfactory ending. There is only the immutable past and the unknowable future.”
RHETORIC — There is no assurance of what is good or deserved or what may bring relief. There is no assurance of punishment, either. There is no assurance of anything. Not even of a future. I don’t know what to say to make this bearable.
VOLITION — Even so… As long as you live, *something* is promised. Can you live with that?
I can’t, I just can’t do this anymore…
I can. It’s enough.
I don’t know. I just don’t know.
I can at least try for a little longer…
VOLITION — That’s all I ask. That’s enough.
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dug up another old jules @lesbianboyfriend tag game moment for my favorite songs with names in the titles. let's go babydolls
tommy (leith ross)
orlando (leith ross)
magnolia (laufey)
angelina (lizzy mcalpine)
monica lewinsky (upsahl) (<— FAR cry from the rest of these songs sdfkjghd. sorry the beat slaps though)
susie save your love (allie x, mitski)
jo (haley heynderickx)
helena (my chemical romance) (<— it had to be said)
sofia (clairo) (<— another obligatory mention. trying to get to ten)
daisy (ashnikko) (<— true ashnikko fans know that the song is about an alter-ego vigilante named daisy who leaves daisies as her calling card. it counts as a name)
OH. TAGS. do it if you want nd tag me pretty please <3
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i need to rant idk might get shit on for this but wtvr
i’m so tired of nctzens basing dream’s worth on mahae and always setting mahae on a higher pedestal than the rest of them. it’s just so complicating for me that i can literally write an entire personal essay on this if i wanted to. (why must i be so sensitive and get worked up over kpop of all things? idk but i wish i didn’t care so much.) like i’ve seen so many people not like glitch mode and basically complaining that nomin were too loud (saw a person say jaemin should just stfu and it hurt me sm) or renle were (to sum it up) too prominent. multiple nctzens would then go on to say that they would’ve enjoyed glimo more if mahae had more lines. WHAT? how does that remotely make sense? if you don’t like a song it’s because of the way it sounds NOT because your bias didn’t get the most lines. like take sticker for example (i love sticker); i don’t think any sticker antis will like the song if you give their fav neo more lines. it’s just,, idek atp. i feel so bad for 5dream and it makes me upset to know that some ppl don’t appreciate them at all :(
pls don’t take this as hate towards mahae. i seriously despise it when ppl label observations as ‘hate.’
also i just realised the paragraph deviates from the og topic at hand but wtvr
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Chapters: 1/1
Fandom: 斉木楠雄のΨ難 | Saiki Kusuo no Sai-nan | The Disastrous Life of Saiki K., Death Note (Anime & Manga)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Nendou Riki & Saiki Kusuo
Characters: Saiki Kusuo, Yagami Light, Ryuk (Death Note)
Additional Tags: Crack Crossover, POV Alternating
Summary:
In which some sort of stupid shenaniganry means that Saiki K from the Disastrous Life of Saiki K and Light of Death Note Fame live in the same universe. Surely Kira would accidentally (through a series of stupid bullshit) accidentally get one of Saiki's friends. and then surely Saiki would go do something about it.
This is Saiki doing something about it.
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